Roland Corporation XV-3080 Owner's Manual

OWNER’S MANUAL
Thank you, and congratulations on your choice of the Roland XV-3080.
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUC TIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 8). These sections provide important information concerning the proper operation of the unit. Addi­tionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s Manual and Quick Start should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.
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Notation Used in This Owner’s Manual
To make operation procedures easy to understand, the following notation system is adopted:
Characters and numbers in square brackets [ ] indicate buttons on the front panel. For example, [PATCH] represents the PATCH button and [ENTER] the ENTER button.
An asterisk (*) at the beginning of a paragraph indicates a note or precaution. (p. **) refers to pages within the manual.
* The display screens printed in this owner’s manual are based on the factory settings.
However, please be aware that in some cases they may differ from the actual factory settings.
* SmartMedia is a trademark of Toshiba Corporation.
Copyright © 2000 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the
written permission of ROLAND CORPORATION.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a damp cloth.
7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
WARNING: IMPORTANT:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
THIS APPARATUS MUST BE EARTHED THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specified by the manufacturer.
12. Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
For the U.K.
2
Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.
* Material damage refers to damage or
other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
The symbol alerts the user to things that must be
carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power­cord plug must be unplugged from the outlet.
U S I N G
T H E
U N I T
S A F E L Y
• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.
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• Do not open or perform any internal modifica­tions on the unit. (The only exception would be where this manual provides specific instructions which should be followed in order to put in place user-installable options; see Quick Start p. 3.)
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• When using the unit with a rack or stand recom­mended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.
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• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!
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• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.
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• Protect the unit from strong impact.
(Do not drop it!)
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• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.
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• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page.
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• Always turn the unit off and unplug the power cord before attempting installation of the circuit board (SRX series, SR-JV80 series; Quick Start p.
11).
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• Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.
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• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.
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• Never climb on top of, nor place heavy objects on the unit.
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• Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.
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• Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.
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• Before cleaning the unit, turn off the power and unplug the power cord from the outlet .
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• Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.
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• Install only the specified circuit board(s) (SRX series, SR-JV80 series). Remove only the specified screws (Quick Start p. 3).
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3

Contents

USING THE UNIT SAFELY......................................................................3
Contents ..................................................................................................4
IMPORTANT NOTES ...............................................................................8
Main Features..........................................................................................9
128-Voice Polyphony and 16-Part Multitimbrality....................................................................9
High-Performance Built-In Effects ...............................................................................................9
Create Amazingly Expressive Tones............................................................................................ 9
Supports General MIDI system Level 2.......................................................................................9
Greater Expansion Possibilities with the New-Format Wave Expansion Boards.................9
Featuring the Patch Finder and Phrase Preview Functions...................................................... 9
Registering a Patch in the FAVORITE LIST................................................................................9
Front and Rear Panels..........................................................................10
Front Panel.................................................................................................................................................10
Rear Panel..................................................................................................................................................12
Chapter 1 Selecting and Playing a Sound..........................................13
Auditioning Sounds on the XV-3080 (Phrase Preview)......................................................................13
Setting the Way In Which Sounds Are Previewed...................................................................13
Playing a Patch on the XV-3080 from External MIDI Devices (MIDI Keyboard)...........................14
Setting the XV-3080s MIDI Reception Channels.....................................................................14
Selecting a Mode (Patch, Performance, or Rhythm Set) ..................................................................... 14
Choosing a Sound Library ...................................................................................................................... 15
Selecting a Patch ....................................................................................................................................... 16
Basic Procedure for Selecting a Patch.........................................................................................16
Selecting Patches by Category (Patch Finder) ..........................................................................16
Selecting Patches and Rhythm Sets from an External MIDI Device...................................... 17
Setting a Patchs Pitch in Octave Steps (Octave Shift) ........................................................................20
Selecting How a Patch Will Play (Polyphonic/Monophonic)...........................................................20
Chapter 2 Using the XV-3080 Effects..................................................21
Turning Effects On/Off........................................................................................................................... 21
Adjusting Effect Settings in Patch mode ([PATCH]-[EFFECTS])...................................................... 21
Routing Tones to Effects ..............................................................................................................22
Making Multi-Effects Settings.....................................................................................................22
Making Chorus Settings...............................................................................................................23
Making Reverb Settings ............................................................................................................... 24
Adjusting Effects Settings in Performance Mode ([PERFORM]-[EFFECTS]).................................. 26
Routing Part Outputs ................................................................................................................... 26
Adjusting Multi-Effects Settings................................................................................................. 27
Making Chorus Settings...............................................................................................................28
Making Reverb Settings ............................................................................................................... 29
Adjusting Effect Settings in Rhythm Set Mode ([RHYTHM]-[EFFECTS]) ......................................31
Setting the Output for Each Tone in a Rhythm Set.................................................................. 31
Making Multi-Effects Settings.....................................................................................................31
Making Chorus Settings...............................................................................................................32
Making Reverb Settings ............................................................................................................... 34
Settings in General MIDI Mode ([GM]-[EFFECTS])............................................................................ 35
Parameters for Each Multi-Effect (MFX TYPE)....................................................................................36
Copying Effect Settings ...........................................................................................................................71
Chapter 3 Selecting Output Jacks.......................................................72
Patch Mode Settings.................................................................................................................................72
Signal (TONE) Flow...................................................................................................................... 72
4
Contents
Parameters...................................................................................................................................... 72
Example of Settings.......................................................................................................................74
Performance Mode Settings.................................................................................................................... 75
Signal(PART) Flow .......................................................................................................................75
Parameters...................................................................................................................................... 75
Example of Settings.......................................................................................................................76
Rhythm Set Mode Settings......................................................................................................................78
Signal(RHYTHM TONE) Flow ...................................................................................................78
Parameters...................................................................................................................................... 78
Example of Settings.......................................................................................................................79
Settings in General MIDI Mode..............................................................................................................81
Signal(PART) Flow .......................................................................................................................81
Parameters...................................................................................................................................... 81
Chapter 4 Creating a Patch..................................................................83
How a Patch Is Organized ......................................................................................................................83
How a Tone Is Organized............................................................................................................ 83
Tips for Creating a Patch......................................................................................................................... 84
Selecting the Tones That Will Sound (Tone On/Off).......................................................................... 84
Settings Common to the Entire Patch (COMMON)............................................................................ 84
More Advanced Editing of Tones.......................................................................................................... 89
Tips for Selecting a Waveform....................................................................................................90
Modifying a Waveform (WAVE)................................................................................................91
Modifying Pitch (PITCH)............................................................................................................. 92
Modifying the Brightness of a Sound with a Filter (TVF).......................................................93
Making the Volume Change (TVA)............................................................................................95
Applying Vibrato or Tremolo (LFO).......................................................................................... 97
Using Controllers to Change How Sounds Are Played (CONTROL)...................................98
Effect Settings (EFFECTS) .....................................................................................................................100
Saving Patches You Create.................................................................................................................... 100
Copying the Settings of Another Patch (Patch Tone Copy).............................................................100
Chapter 5 Creating a Performance....................................................102
Creating Performances .......................................................................................................................... 102
Basic Ways to Use Performances .........................................................................................................102
Playing Multiple Patches Together (Layer)............................................................................. 102
Playing Separate Patches in Different Areas of the Keyboard (Split) ................................. 102
Using the XV-3080 as a Multitimbral Sound Generator........................................................102
Choosing the Parts to Play....................................................................................................................102
Establishing Settings for an Entire Performance (COMMON)........................................................103
Settings for Each Part............................................................................................................................. 103
Setting the Keyboard Range ([COMMON]-[PART KEY RANG])....................................... 104
Selecting a Parts Patch or Rhythm Set ([PART]-[PART PATCH])......................................104
Specifying the Volume/Pan/Number of Notes ([PART]-[PART SETTING])................... 104
Editing Sounds Attack and Release Time ([PART]-[PART MODIFY])..............................105
Changing the Pitch ([PART]-[PART PITCH])......................................................................... 106
Changing the way in which a Part will sound([PART]-[PART MONO/POL])................ 106
Establishing a Parts MIDI Settings (MIDI)............................................................................. 106
Confirming MIDI Information for Each Part (INFO)........................................................................107
Effect Settings..........................................................................................................................................108
Saving Performances You Create.........................................................................................................108
Copying the Settings of Another Part (Performance Part Copy) .................................................... 108
Editing a Patch or Rhythm Set in the Performance Mode................................................................ 109
Chapter 6. Creating a Rhythm Set.....................................................110
How Percussion Instruments Are Organized....................................................................................110
Using MIDI to Select a Percussion Instrument for Editing..............................................................110
5
Contents
Settings Common to an Entire Rhythm Set........................................................................................ 111
Setting up Individual Rhythm Tones..................................................................................................112
Tips for Selecting Rhythm Tone Waveforms..........................................................................112
Modifying a Rhythm Tones Waveform and Panning (WAVE) .......................................... 113
Modifying a Rhythm Tones Pitch (PITCH)............................................................................ 115
Modifying the Brightness of a Sound with a Filter (TVF).....................................................116
Making the Volume Change (TVA)..........................................................................................117
Other Settings (CONTROL)....................................................................................................... 118
Effects Settings (EFFECTS).................................................................................................................... 119
Saving Patches You Create.................................................................................................................... 119
Copying the Settings of Another Rhythm Tone (Rhythm Key Copy)............................................ 119
Chapter 7 Saving a Sound You Create .............................................121
Registering Favorite Patches in the FAVORITE LIST....................................................................... 121
Selecting Patches from the FAVORITE LIST ..........................................................................121
Saving Edits to the XV-3080s Internal Memory................................................................................122
Saving Patches (PATCH WRITE) ............................................................................................. 122
Saving a Performance................................................................................................................. 122
Saving a Rhythm Set...................................................................................................................122
Initializing a Sound................................................................................................................................123
Protecting the Internal Memory (PROTECT)..................................................................................... 124
Restoring All Settings to Their Defaults..............................................................................................124
Transmitting Sound Settings ................................................................................................................ 125
Data Transmission to a Memory Card.....................................................................................125
Other Memory Card-Related Settings (CARD)......................................................................126
Transmitting Data to an External MIDI Device (XFER)........................................................127
Chapter 8 Other Settings and Checking Status...............................130
Adjusting the Overall Tuning of the XV-3080.................................................................................... 130
Master Tune and Master Key Shift...........................................................................................130
Scale Tune.....................................................................................................................................130
Making MIDI-Related Settings.............................................................................................................131
Setting the MIDI Channel .......................................................................................................... 131
Making Global Settings.............................................................................................................. 132
Specifying the Reception Status for Each Tone ......................................................................132
Connecting Two or More XV-3080s to Increase Polyphony................................................. 133
Selecting Common Controllers.................................................................................................133
Making Overall Settings........................................................................................................................ 134
Adjusting the Display Brightness............................................................................................. 134
Setting the State of the XV-3080 When Its Power Is Turned On..........................................134
Setting What Happens to Notes When a New Patch or Rhythm Set is Selected...............134
Confirming the Current Conditions (INFO) ......................................................................................134
Chapter 9 Examples of Applications Using the XV-3080 ................135
Controlling the XV-3080 in Realtime With an External MIDI Device ............................................ 135
Changing the Multi-Effects Settings From an External MIDI Device ................................. 135
Modifying Tone Settings............................................................................................................135
Applications for Patches........................................................................................................................ 137
Syncing the LFO Cycle to System Tempo ...............................................................................137
Modifying Multi-Effects to Match the Systems Tempo........................................................137
Making a Tones Delay Time Match the System Tempo....................................................... 137
Using a Pedal Switch to Modify the Rotary Speed of the Rotary Effect.............................138
Playing Phrase Loops at a Systems Tempo............................................................................138
Changing the Part Settings from an External MIDI Device.............................................................138
Controlling the TMT with the LFO and Changing the Tones Cycle Time ................................... 140
6
Contents
Using the XV-3080 as a General MIDI Sound Module .....................................................................141
Entering GM Mode.....................................................................................................................141
Turning Effects On/Off.............................................................................................................. 141
Modifying GM Mode Settings...................................................................................................142
Utility Functions in GM Mode..................................................................................................145
MEMO ..........................................................................................................................................146
Troubleshooting..................................................................................148
No sound ................................................................................................................................................. 148
Cant select Patches................................................................................................................................148
Cant select Performances ..................................................................................................................... 148
Cant select the Part for which to make settings................................................................................ 148
Pitch is wrong .........................................................................................................................................148
Effects do not apply................................................................................................................................149
MIDI messages are not received correctly..........................................................................................149
Memory Card cannot be used .............................................................................................................. 149
Song data does not playback correctly................................................................................................149
Error Messages...................................................................................150
Parameter List.....................................................................................151
Patch Parameters.........................................................................................................................151
Performance Parameters............................................................................................................155
Rhythm Set Parameters.............................................................................................................. 157
GM Mode Parameters.................................................................................................................159
MFX Prameters............................................................................................................................ 160
System Parameters......................................................................................................................167
Waveform List .....................................................................................168
MIDI Implementation...........................................................................173
MIDI Implementation Chart ................................................................195
Specifications......................................................................................196
Index.....................................................................................................197
7

IMPORTANT NOTES

In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3, please read and observe the following:
Power Supply Power Supply: Use of
Batteries
Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
Placement
This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.
Maintenance
For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
Additional Precautions
Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the units memory a memory card.
Unfortunately, it may be impossible to restore the contents of data that was stored in the units memory, a memory card, or another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.
Use a reasonable amount of care when using the units buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
Never strike or apply strong pressure to the display.
When connecting / disconnecting all cables, grasp the
connector itselfnever pull on the cable. This way you will avoid causing shorts, or damage to the cables internal elements.
A small amount of heat will radiate from the unit during normal operation.
To avoid disturbing your neighbors, try to keep the units volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).
When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
Before Using Cards
Repairs and Data
Please be aware that all data contained in the units memory may be lost when the unit is sent for repairs. Important data should always be backed up Memory Card, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.
Memory Backup
This unit contains a battery which powers the units memory circuits while the main power is off. When this battery becomes weak, the message shown below will appear in the display. Once you see this message, have the battery replaced with a fresh one as soon as possible to avoid the loss of all data in memory. To have the battery replaced, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the Information page.
Battery Low
Using DATA Cards
Carefully insert the DATA card all the way inuntil it is firmly in place.
Never touch the terminals of the DATA card. Also, avoid getting the terminals dirty.
8

Main Features

128-Voice Polyphony and 16-Part Multitimbrality
The XV-3080 is a 16-part multitimbral sound generator that produces up to 128 simultaneous polyphonic voices. It provides ample polyphony, even with Patches containing multiple Tones.
High-Performance Built-In Effects
Advanced DSP (Digital Signal Processor) technology provides a wide array of studio-quality effects. The XV-3080 offers three internal effect units: Multi-Effects, featuring 63 different effect types, Chorus and Reverb.
Create Amazingly Expressive Tones
With Patches containing four stereo Tones, as well as four-Tone instruments in Rhythm Sets -- you can use up to a total of eight wave types -- the XV-3080 takes you the next step beyond Roland's previous generation of JV-Series modules, providing even more precise control and allowing you to create lusher, more expressive sounds.
Supports General MIDI system Level 2
The XV-3080 provides a mode compatible with General MIDI System Level 2, the standard format for desktop music (DTM) systems. The upwardly compatible General MIDI 2 standards pick up where the original General MIDI standard left off, offering enhanced expressive capabilities and even greater compatibility. You can play back commercially available General MIDI­compatible song data (p. 141).
Greater Expansion Possibilities with the New-Format Wave Expansion Boards
The XV-3080 accepts up to two of Roland's new-format Wave Expansion Boards (SRX Series, sold separately). In addition, you can add four previous-generation Wave Expansion Boards (SR-JV Series, sold separately). (Quick Start p. 2)
All of this provides you unprecedented power in creating sounds from a massive amount of waveform data.
Featuring the Patch Finder and Phrase Preview Functions
The XV-3080 provides a Patch Finder function that allows you to quickly find Patches of a specified type or category. (Patch Finder function p. 16)
Press the XV-3080's [PHRASE PREVIEW] button to preview the selected Patch with a musically appropriate Phrase. (Phrase Preview function p. 13)
Registering a Patch in the FAVORITE LIST
You can bring together your favorite and most frequently used Patches in one place by registering them in the FAVORITE LIST. The FAVORITE LIST gives you immediate access to your favorite Patches, whether they are in the XV-3080 itself, on Wave Expansion Boards, or on memory cards. You can register up to 64 Patches in this list. (p. 121)
9

Front and Rear Panels

Front Panel

B
AA
C
D
A
VOLUME Knob (PHRASE PREVIEW)
This adjusts the volume from the A(MIX) OUTPUT jacks and PHONES jacks. The volume from the OUTPUT B and C jacks cannot be adjusted.
You can press the knob to listen to the XV-3080 without using any external devices. (Phrase Preview function p. 13)
PHONES Jack
Headphones are plugged in here. (Quick Start p. 10)
F
G
H
I
E
selected mode. The blue labels show what the buttons do in Performance
mode, orange in Patch/Rhythm Set mode, and gray in System mode. These buttons, in each case, provide access to relevant settings, or "parameters."
J K
L
E
[PALETTE]
Press this button when you wish to use the Palette display to modify Patch or Performance settings.
B
Display
The display presents a variety of information about the operation being performed.
C
[SYSTEM]
Selects System mode. This allows you to make settings that affect the entire XV-
3080.
[UTILITY]
Selects Utility mode. This button allows you to perform operations such as saving,
copying, initializing, transferring data, write-protecting data, memory card management, and factory reset operations.
D
Function Select Buttons
The functions of these buttons change depending on the
[EXIT]
Press this button when you wish to return to a mode's PLAY display, or to cancel an operation before executing it.
Hold [EXIT] and press [ ] to hear the XV-3080 demo songs. (Quick Start p. 14)
F
VALUE Dial (SOUND LIST)
Turn this dial to modify a parameter's setting, or "value." If you hold down [SHIFT] as you turn the VALUE dial, the parameter's value will change by larger increments.
Press this dial in Patch/Rhythm Set mode to display a list showing the collection of your favorite sounds. (p. 121)
[PATCH FINDER]
You can select a Patch using the Patch Finder function. (p. 16)
[INC]/[DEC]
Use these buttons to modify a parameter's value. If you hold down one button and press the other, values change more quickly. If you press one of these buttons while holding down [SHIFT], the value will change by larger increments.
10
Front and Rear Panels
[ ], [ ]
Move the cursor (underline) with these.
[ ], [ ]
When the left edge of the display shows a or symbol, use these buttons to move to other parameter screens.
Hold [EXIT] and press [ ] to hear the demo songs.
G (MODE)
[PERFORM]
Press this button to enter Performance mode. (p. 14) Press this button while holding down [SHIFT] to switch to
Part Play mode, enabling you to make changes to the settings for the Patch and Rhythm Set assigned to each Part (p. 109).
[PATCH]
Press this to enter Patch mode. (p. 14)
[RHYTHM]
Press this to enter Rhythm Set mode. (p. 14)
[GM]
Press this to enter General MIDI 2 mode. (p. 14)
TONE SWITCH [1]–[4]
This switches each Tone on or off. (p. 84)
TONE SELECT [1]–[4]
This selects a Tone whose settings you wish to change. (p. 89)
[A]–[H]
This selects a sound from the SOUND LIBRARY. (p. 15)
J
[SHIFT]
Use [SHIFT] in combination with other buttons. Holding down this button changes the functions of other buttons.
[ENTER]
Use this button to finalize a setting value or to execute an operation.
[UNDO]
Use this to restore a modified parameter value to its original setting.
[EFFECTS ON/OFF]
Use this to turn the internal effects (Multi-Effects, Chorus, Reverb) on or off. (p. 21)
H (SOUND LIBRARY)
[USER]
This selects a sound from the USER library. (p. 15)
[CARD]
This selects a sound from an installed memory card, sold separately. (p. 15)
[PRESET]
This selects a sound from the PRESET library. (p. 15)
[EXP]
This selects a sound from a wave expansion board, sold separately. (p. 15, Quick Start p. 2)
I
PART SELECT [1/9]–[8/16]
This selects a Part whose settings you wish to change. (p.
103) This switches each Part on or off. (p. 102)
K
MEMORY CARD
A commercially available SmartMedia memory card can be inserted here. (p. 125)
L
[MIDI MESSAGE/RX]
MIDI MESSAGE: This will light when a MIDI message is received.
RX: This turns Parts on and off in Performance mode and GM mode. (p. ??)
[1-8/9-16]
This specifies whether the PART SELECT [1/9]–[8/16] buttons will select Parts 1–8 or Parts 9–16.
When this button is lit, Parts 9–16 can be selected.
Power Switch
This turns the XV-3080's power on and off. (Quick Start p. 11)
11
Front and Rear Panels

Rear Panel

M
M
AC Inlet
Connect the included power cable here. (Quick Start p. 10)
N (MIDI)
MIDI Connectors (IN, OUT, THRU)
These connectors connect the XV-3080 with other MIDI devices, enabling the sending and receiving of MIDI messages. (Quick Start p. 10)
IN: This connector receives messages from another MIDI device.
Out: This connector transmits messages to a MIDI device. Thru: MIDI messages received at the MIDI IN connector will
be retransmitted from this connector without being changed by the XV-3080.
P
O
Q
N
Q (OUTPUT)
INDIVIDUAL 1–6 OUTPUT Jacks
These jacks output audio signals in mono from the XV-3080 to an amp or mixer. (Quick Start p. 10)
O (OUTPUT)
A(MIX) OUTPUT Jacks (L (MONO), R)
These jacks send audio signals in stereo (L/R) from the XV­3080 to an amp or mixer. For a mono output, use only the L jack. (Quick Start p. 10)
These jacks are used when the SYSTEM SETUP Mix/Parallel parameter is set to MIX. (p. 73, p. 76, p. 79, p. 81)
* The XV-3080, as shipped from the factory, routes the output of all PRESET Patches to these jacks.
P (OUTPUT)
B, C OUTPUT Jacks (L, R)
These jacks send audio signals in stereo (L/R) from the XV­3080 to an amp or mixer. (Quick Start p. 10)
12

Chapter 1 Selecting and Playing a Sound

Chapter 1

Auditioning Sounds on the XV-3080 (Phrase Preview)

The Phrase Preview feature allows you to audition Patches on the XV-3080 even when its not connected to a MIDI keyboard or sequencer. You can preview a Patch using a Phrase thats appropriate to the Patchs type or category.
1. Press [PATCH] to make its indicator light.
2. Turn the VALUE dial, or press [INC]/[DEC] to select the
desired Patch.
3. Press and hold the VOLUME knob. The Patch plays its preview Phrase for as long as the knob is
held down.
* When you preview a Rhythm Set, the XV-3080 plays a
percussion Phrase. Phrase Preview also allows you to audition a Performance – when you preview a Performance, you hear a Phrase appropriate to the currently selected Part.
* A USER Patch or a Patch from an optional Wave Expansion
Board (SRX/SR-JV80 series) may not preview in its normal
pitch range. If this occurs, press [ ] or [ ] (Octave Shift function p. 20) to select the desired pitch range.
fig.1-3.e
fig.1-4.e
4. Turn the VALUE dial or press [INC]/[DEC] to select the
desired setting.
5. Press [EXIT] to return to the PLAY page.
Preview Mode
PHRASE: The Phrase associated with the Patchs type/ category is played.
CHORD: The notes specified by PREVIEW KEY will play together as a chord.
SINGLE: The notes specified by PREVIEW KEY will sound one after another.
PREVIEW KEY Note1–4
Specifies the four notes (C -1–G9) that will be heard during a preview when SINGLE or CHORD is selected for Preview Mode.
* If the pitch range of a Phrase is wider than the range of the
Tones within a Patch (p. 87, or wider than the range of a Part within a Performance (p. 104), any notes in the Phrase that fall outside that range will not be heard.

Setting the Way In Which Sounds Are Previewed

You can preview a Patch in any of three ways: PHRASE (the Patch plays a Phrase), CHORD (the Patch plays a chord), or SINGLE (the Patch plays a series of notes).
1. Press [SYSTEM] to make its indicator light.
2. Press the [PREVIEW] function select button.
fig.1-1.e
3. Use [ ]/[ ] to choose the setting page for Preview
Mode.
fig.1-2.e
* If “PHRASE” is selected for Preview Mode, these settings will
have no effect.
PREVIEW VELOCITY NOTE1–4
Specifies the volume (0–127) of the four notes that will sound when SINGLE or CHORD is selected for Preview Mode.
* If “PHRASE” is selected for Preview Mode, these settings will
have no effect.
Press [ ] to display the setting page for PREVIEW KEY and PREVIEW VELOCITY.
13
Chapter 1 Selecting and Playing a Sound
Playing a Patch on the XV­3080 from External MIDI Devices (MIDI Keyboard)
The XV-3080 produces sound in response to MIDI messages that it receives from an external MIDI device such as a MIDI keyboard or sequencer. In order for this to occur, the MIDI transmission channels of the external device must match the MIDI reception channels of the XV-3080.
* For details on setting the MIDI transmission channels of your
external MIDI device, refer to its owner’s manual.

Setting the XV-3080’s MIDI Reception Channels

In Patch mode
In order to play single Patches, set the XV-3080s MIDI reception channel as follows.
1. Press [SYSTEM] to make its indicator light.
2. Press the [MIDI] function select button.
3. Press [ ] or [ ] to move the cursor to the number
underneath Patch/Rhy Rx Ch.
4. Use the VALUE dial or [INC]/[DEC] to select the desired
MIDI channel.
5. Press [EXIT].
Parts of a Performance
In order to play any of the 16 Parts in a Performance, you must set the MIDI reception channel for the Part.
1. Select the Performance.
2. Press the [MIDI] function select button.
3. Press one of the [1/9]–[8/16] buttons to select the Part
you want to set up. To select Part 9–16, press PART SELECT [1-8/9-16] to light its indicator, and then press the desired [1/9]–[8/16] button.
The buttons indicator will light, and the selected Part number will appear at the left in the display.
fig.1-5.e
4. Press [ ]/[ ] to move the cursor to Channel.
5. Use the VALUE dial or [INC]/[DEC] to select the desired
MIDI reception channel.
6. Press [EXIT].

Selecting a Mode (Patch, Performance, or Rhythm Set)

In addition to Patch mode, the XV-3080 also features three other modes: Performance mode, Rhythm Set mode, and GM2 mode.
You can easily select any of these modes by pressing the corresponding MODE button: PERFORM, PATCH, RHYTHM or GM.
fig.1-7.e
PERFORM (Performance Mode)
In Performance mode, the XV-3080 functions as a multitimbral sound module when used with an external MIDI controller. An entire multitimbral setup is called a Performance. Performances can be customized as needed, including their effects. Each of the sounds used in a Performance is assigned to one of the Performances 16 Parts.
PATCH (Patch Mode)
In Patch mode, the entire XV-3080 is dedicated to the playing of a single Patch when controlled by an external MIDI device. You can also modify Patch settings in this mode, as well as their effects.
RHYTHM (Rhythm Set Mode)
In Rhythm Set mode, the entire XV-3080 is dedicated to the playing of a single Rhythm Set when controlled by an external MIDI device. You can also modify Rhythm Sets in this mode, as well as their effects. XV-3080 Rhythm Sets can also be used for any Part in a Performance when in Performance mode.
GM(General MIDI2 Mode)
In this mode, the XV-3080 functions as a General MIDI 2­compatible sound generator.
General MIDI is a set of recommendations which seeks to provide a way to go beyond the limitations of proprietary designs, and standardize the MIDI capabilities of sound generating devices. Sound generating devices and music files that meet the General MIDI standard bear the General MIDI
logo ( ). Music files bearing the General MIDI logo can be played back using any General MIDI sound generating unit
14
Chapter 1 Selecting and Playing a Sound
Chapter 1
to produce essentially the same musical performance.
The upwardly compatible General MIDI 2 ( ) recommendations pick up where the original General MIDI left off, offering enhanced expressive capabilities, and even greater compatibility.
Issues that were not covered by the original General MIDI recommendations, such as how sounds are to be edited, and how effects should be handled, have now been precisely defined. Moreover, the available sounds have been expanded. General MIDI 2 compliant sound generators are capable of reliably playing back music files that carry either the General MIDI or General MIDI 2 logo. In some cases, the conventional form of General MIDI, which does not include the new enhancements, is referred to as General MIDI 1 as a way of distinguishing it from General MIDI 2.
Patches, Rhythm Sets and Performances can be stored in the following memory locations within each library group.
PATCH RHYTHM PERFORM
USER 1–128 1, 2, 3, 4 1–64 CARD * * * PR-A 1–128 1, 2 1–32 PR-B 1–128 1, 2 1–32 PR-C 1–128 1, 2 --­PR-D 1–128 1, 2 --­PR-E 1–128 1, 2 --­PR-F 1–128 1, 2 --­PR-G --- --- --­PR-H 1–256 1–9 --­XP-A * * --­ : : : : XP-F * * --­–: None *: Differs by type
USER
You can store your own Patches, Rhythm Sets and Performances in the SOUND LIBRARYs USER group. When shipped from the factory, this group contains Patches with modified octave settings from the PRESET groups Bank E (PR-E).
CARD
This library uses sounds from a commercially available memory card (SmartMedia) inserted into the MEMORY CARD slot.
When saving a file to the card, you can directly select Tones contained on the card – even without loading the files into the USER memory – by specifying the group (CD-A through CD-H). (Transmitting to a Memory Card (Save) p. 125)
PRESET
The PRESET library group contains the sounds that are permanently stored in the XV-3080s memory. You can modify PRESET sounds and save them in the USER or CARD groups. PRESET Banks A and B (PR-A, PR-B) contain all of the XV-3080s built-in Performances.
EXP (Expansion)
This group contains sounds from any wave expansion boards – SRX and SR-JV80 series, sold separately – installed in slots EXP A-F. You cannot alter the contents of the EXP group, though you can modify its sounds and save them as new sounds in the USER or CARD group. The number of Patches and Rhythm Sets in the EXP group depends on the specific wave expansion boards installed. The EXP group contains no Performances. (Precautions When Installing Wave Expansion Board (Quick Start p. 2))
* It is not possible to select an EXP Patch unless a wave
expansion board is inserted into the corresponding slot.

Choosing a Sound Library

XV-3080 Sound data is stored in the SOUND LIBRARY. The SOUND LIBRARY is divided into four groups: USER, CARD, PRESET, and EXP. The PRESET and EXP groups are further divided into banks.
You can select any of the groups by pressing the corresponding SOUND LIBRARY button: USER, CARD, PRESET or EXP.
fig.1-6.e
* CARD sounds can be selected only if a SmartMedia card is
inserted into the MEMORY CARD slot.
15
Chapter 1 Selecting and Playing a Sound

Selecting a Patch

Basic Procedure for Selecting a Patch

Turn the VALUE dial or press [INC]/[DEC] to select the desired Patch.
VALUE Dial
To move quickly through the available Patches:
Turn the VALUE dial while pressing it or, if you prefer, turn the VALUE dial while pressing [SHIFT].
[INC]/[DEC]
To move quickly upward through the available Patches:
Hold down [INC] and press [DEC] or, if you prefer, hold down [SHIFT] and press [INC].
To move quickly downward through the available Patches:
Hold down [DEC] and press [INC] or, if you prefer, hold down [SHIFT] and press [DEC].
* If you press VALUE dial after Step 3, the CATEGORY
SELECT page appears.
fig.1-9.e
You can change the selected category by holding down [SHIFT] and pressing [INC]/[DEC].
Turn VALUE dial or press [INC]/[DEC] to select a category, and then press [ENTER] to confirm the selection. To find the desired Patch, follow Steps 4 and 5 above.
When you hold down [INC] or [DEC], you may eventually arrive at the beginning (001) of the selected group or bank. To continue selecting Patches, release and then press the desired [INC] or [DEC] button again.

Selecting Patches by Category (Patch Finder)

The XV-3080’s “Patch Finder allows you to quickly find any Patch.
1. Press [PATCH] to make its indicator light.
2. Press [PATCH FINDER] to make its indicator light.
On the display, the Patchs number is replaced by its category.
fig.1-8.e
Category
3. Use [ ]/[ ] to select the desired category.
4. Turn the VALUE dial or press [INC]/[DEC] to choose a
Patch in the currently selected category.
5. Press [PATCH FINDER] to return to the PATCH PLAY
page.
16
Chapter 1 Selecting and Playing a Sound
Chapter 1
The following categories can be selected.
Category Group Category Contents
NO ASSIGN No assign
Piano
PNO AC.PIANO Acoustic Piano EP EL.PIANO Electric Piano
Keys&Organ
KEY KEYBOARDS Other Keyboards
(Clav, Harpsichord etc.)
BEL BELL Bell, Bell Pad MLT MALLET Mallet ORG ORGAN Electric and Church
Organ
ACD ACCORDION Accordion
HRM HARMONICA Harmonica, Blues Harp
Guitar
AGT AC.GUITAR Acoustic Guitar EGT EL.GUITAR Electric Guitar DGT DIST.GUITAR Distortion Guitar
Bass
BS BASS Acoustic & Electric
Bass
SBS SYNTH BASS Synth Bass
Orchestral
STR STRINGS Strings ORC ORCHESTRA Orchestra Ensemble HIT HIT&STAB Orchestra Hit, Hit WND WIND Winds
(Oboe, Clarinet etc.)
FLT FLUTE Flute, Piccolo
Brass
BRS AC.BRASS Acoustic Brass SBR SYNTH BRASS Synth Brass SAX SAX Sax
Synth
HLD HARD LEAD Hard Synth Lead SLD SOFT LEAD Soft Synth Lead TEK TECHNO SYNTH Techno Synth PLS PULSATING Pulsating Synth FX SYNTH FX Synth FX (Noise etc.) SYN OTHER SYNTH Poly Synth
Pad
BPD BRIGHT PAD Bright Pad Synth SPD SOFT PAD Soft Pad Synth VOX VOX Vox, Choir
Ethnic
PLK PLUCKED Plucked (Harp etc.) ETH ETHNIC Other Ethnic FRT FRETTED Fretted Inst
(Mandolin etc.)
Rhythm&SFX
PRC PERCUSSION Percussion SFX SOUND FX Sound FX BTS BEAT&GROOVE Beat and Groove DRM DRUMS Drum Set CMB COMBINATION Other Patches which
use Split and Layer

Selecting Patches and Rhythm Sets from an External MIDI Device

You can select XV-3080 Patches and Rhythm Sets – including those used by Parts in a Performance – from an external MIDI device.
In Patch or Rhythm Set modes
1. Press [PATCH] – or [RHYTHM] if you wish to select a
Rhythm Set – to make the buttons indicator light.
2. Set the transmission channel of your external MIDI
device to match Patch/Rhy Rx Ch, the XV-3080s MIDI reception channel.
To learn about the MIDI settings of your external MIDI device, see its owners manual.
3. Transmit a Bank Select MSB (Controller #0) message to
the XV-3080 with a value corresponding to the group in which the desired Patch – or Rhythm Set – is stored.
If the value is 87, a Patch is selected. If the value is 86, a Rhythm Set is selected.
4. Transmit a Bank Select LSB (Controller #32) message to
the XV-3080 with a value corresponding to the bank in which the desired Patch – or Rhythm Set – is stored.
5. Transmit the Program Change value corresponding to
the Patch or Rhythm Set.
The desired Patch or Rhythm Set will be selected on the XV-
3080.
* When the XV-3080 receives only Program Change messages
without receiving Bank Select messages, it will switch to the corresponding Patch or Rhythm Set from the currently selected group or bank.
17
Chapter 1 Selecting and Playing a Sound
The Patches and Rhythm Sets in each library correspond to Bank Select numbers as follows.
Patch
Patch Patch Bank Select Number Program group number MSB LSB number
USER 001–128 87 00 001–128 PR-A 001–128 87 64 001–128 PR-B 001–128 87 65 001–128 PR-C 001–128 87 66 001–128 PR-D 001–128 87 67 001–128 PR-E 001–128 87 68 001–128 PR-F 001–128 87 69 001–128 CD-A 001–128 87 32 001–128
:: :: : CD-H 001–128 87 39 001–128 XP-A *1 *1 *1 *1
:: :: : XP-F *1 *1 *1 *1
SR-JV80 Patch Bank Select number Series number MSB LSB
SR-JV80-01 001-128 89 00 SR-JV80-01 129-256 89 01 SR-JV80-02 001-128 89 02 SR-JV80-02 129-256 89 03
:: :: SR-JV80-65 001-128 91 00 SR-JV80-65 129-256 91 01
*1 Depends on the Wave Expansion Board installed.
Fixed Bank Select numbers are assigned to the Wave Expansion Board itself.
Rhythm Set
Rhythm Set Rhythm Set Bank Select Number Program group number MSB LSB number
USER 1, 2, 3, 4 86 00 1, 2, 3, 4 PR-A 001, 002 86 64 001, 002 PR-B 001, 002 86 65 001, 002 PR-C 001, 002 86 66 001, 002 PR-D 001, 002 86 67 001, 002 PR-E 001, 002 86 68 001, 002 PR-F 001, 002 86 69 001, 002 CD-A 1, 2, 3, 4 86 32 1, 2, 3, 4
:: :: : CD-H 1, 2, 3, 4 86 39 1, 2, 3, 4 XP-A *1 *1 *1 *1
:: :: : XP-F *1 *1 *1 *1
SR-JV80 Rhythm Set Bank Select number Series number MSB LSB
SR-JV80-01 001-128 88 00 SR-JV80-01 129-256 88 01 SR-JV80-02 001-128 88 02 SR-JV80-02 129-256 88 03
:: :: SR-JV80-65 001-128 90 00 SR-JV80-65 129-256 90 01
*1 Depends on the Wave Expansion Board installed.
Fixed Bank Select numbers are assigned to the Wave Expansion Board itself.
* For more about SRX series, refer to the Owner's Manual of
SRX.
* For more about SRX series, refer to the Owner's Manual of
SRX.
18
Chapter 1 Selecting and Playing a Sound
Chapter 1
In Performance mode
1. Press [PERFORM] to make its indicator light.
2. Set the transmission channel on the external MIDI device
to match the Performance Ctrl Ch(p. 131) setting on the XV-3080.
To learn about the MIDI settings of your external MIDI device, see its owners manual.
3. Transmit the appropriate Bank Select MSB (Controller
#0) value to the XV-3080.
4. Transmit the appropriate Bank Select LSB (Controller
#32) value to the XV-3080.
5. Transmit the Program Change message value
corresponding to the Performance.
The desired Performance will be selected.
* When the XV-3080 receives a Program Change message
without Bank Select messages, the corresponding Performance in the currently selected group or bank will be chosen.
You can select any Performance Parts Patch or Rhythm Set via MIDI. To learn how, refer to Assigning a different Patch to Part (P. 25) in the XV-3080 QUICK START.
The Performances in each group correspond to the Bank Select numbers as follows.
Using MIDI to Switch between Patch, Performance and General MIDI 2 Modes
You can switch between Patch, Performance, and General MIDI 2 modes by transmitting the appropriate System Exclusive (Sys Ex) message to the XV-3080, as listed below. (Sys Ex messages are constructed using hexadecimal notation.)
Sys Ex message for switching to Patch mode
F0 41 10 00 10 12 00 00 00 00 01 7F F7
Sys Ex message for switching to Performance mode
F0 41 10 00 10 12 00 00 00 00 00 00 F7
Sys Ex message for switching to General MIDI 2 mode
F0 41 10 00 10 12 00 00 00 00 03 7F F7
* The third byte of the MIDI message indicates the device ID
number, and the factory setting is “10”. (This is “10” in hexadecimal notation; in decimal this would be 16.) (This device ID number will appear as 17 in the display of the XV-
3080. The transmitted messages will use a value of one less than this (16).) If you have modified the device ID number (p.
132), modify the third byte to the appropriate value when transmitting the above exclusive message.
Performance
PerformancePerformance Bank Select Number Program group number MSB LSB number
USER 001–064 85 00 001–064 PR-A 001–032 85 64 001–032 PR-B 001–032 85 65 001–032 CD-A 001–064 85 32 001–064
:: :: :
CD-H 001–064 85 39 001–064
* When Patch/Rhy Rx Ch and Perform Ctrl Ch are set to the
same channel, both Bank Select and Program Change are sent, making it possible to switch among Patches, Rhythm Sets, and Performances.
19
Chapter 1 Selecting and Playing a Sound

Setting a Patch’s Pitch in Octave Steps (Octave Shift)

In Patch mode, you can easily change the pitch of an entire Patch.
Each time you press [ ]/[ ], the pitch will change in one­octave steps. You can adjust a Patchs pitch by as much as +/
- 3 octaves.
fig.1-10.e

Selecting How a Patch Will Play (Polyphonic/ Monophonic)

You can set whether a Patch will play multiple notes at the same time (Polyphonic) – for example, when you play a chord or legato line – or whether only the last-played note will be heard (Monophonic).
1. Select the Patch you wish to set up. (p. 16)
2. Press the [CONTROL] function select button.
3. Use [ ]/[ ] to select the PATCH KEY MODE page.
fig.1-11.e
4. Press [ ]/[ ] to move the cursor beneath
Assign.
5. Press [INC] to select POLY (Polyphonic) or [DEC] to
select MONO (Monophonic).
6. Press [EXIT].
20

Chapter 2 Using the XV-3080 Effects

The XV-3080 has three built-in effect units: Multi-Effects, Chorus and Reverb. You can independently edit each units settings.
Multi-Effects (MFX)
The Multi-Effects unit offers 63 effects ranging from single effects – such as distortion and delay – to powerful combination effects. The Multi-Effects unit also includes its own chorus and reverb effects independent of the dedicated Chorus and Reverb effects described below.
Chorus
Chorus adds depth and spaciousness to the sound.
Reverb
Reverb adds ambience – such as the sound of a concert hall or auditorium – to sounds.

Turning Effects On/Off

You can turn any of the XV-3080’s effect units – Multi-effects, Chorus and Reverb – on or off using a single procedure.
1. Press [EFFECTS ON/OFF] to make its indicator light.
fig.2-01.e
Adjusting Effect Settings in Patch mode ([PATCH]­[EFFECTS])
The Multi-Effects, Chorus and Reverb effects can be set up individually for each Patch. You can adjust the amount of effect to be applied to the Tones in a Patch by adjusting their Send Levels to each of the effect units.
fig.2-01a.e
Patch
TONE
Setting Procedure:
Multi-Effects
Chorus
Reverb
Chapter 2
2. Use [ ]/[ ] to move the cursor beneath the effect
that you wish to turn on/ or off.
3. Pressing [INC] turns the selected effect unit on, while
pressing [DEC] turns it off.
You might, for example, want to turn effects off when creating a new Patch so that you can hear what it sounds like without effects. You may also want to turn off the XV-3080s effects when you wish to use external effect devices instead of the built-in effects.
1. Select the Patch you wish to work with.
2. Press [EFFECTS] to make its indicator light.
3. Press [ ] / [ ] to select the page you wish to display.
4. Press [ ] / [ ] to move the cursor to the
parameter that you wish to adjust.
5. Turn the VALUE dial or press [INC] / [DEC] to select the
desired value.
* If you make a mistake when setting a parameter’s value, or you
don’t like the change you have made, just press [UNDO] to restore the parameter to its original value.
6. Repeat Steps 3 to 5 to set the Effect.
7. Press [EXIT] to return to the PATCH PLAY page.
A * symbol will appear at the left of the Patch name, indicating that its settings have been modified.
fig.2-02.e
* If you turn off the power or select another Patch while the “*”
symbol is displayed, your new Patch settings will be lost. If you wish to preserve them, save the modified Patch using the Write operation. (p. 122)
21
Chapter 2 Using the XV-3080 Effects

Routing Tones to Effects

Output (Tone Output)
This page allows you to route each Tone to the Multi-Effects or to the desired rear-panel output jacks. It also lets you set its output level and its send level to the Chorus and Reverb.
Output Assign
MFX: The Tone is sent into the Multi-Effects. The Multi­Effects unit has its own settings that route its output to OUTPUT jacks.
OUTPUT AC: The Tone is sent to one of the three output­jack stereo pairs, OUTPUTS A–C.
INDIVIDUAL 16: The Tone is sent to the INDIVIDUAL mono output jacks 1–6.
Chorus (Chorus Send Level) 0–127
This sets how much of the Tone is sent to the Chorus.
Reverb (Reverb Send Level) 0–127
This sets how much of the Tone is sent to the Reverb.
Control 1–4 (MFX Control 1–4 Source)
OFF: No controller is used. CC01–95: Controller numbers 1–95 (except for 32) BENDER: Pitch Bend AFTERTOUCH: Aftertouch SYS-CTRL 1–4: System control (Control 1–4)
Destination
This selects the Multi-Effects parameter to be controlled using the MFX Control 1–4 source.
Sens (MFX Control Sens) -63– +63
If you wish to modify the selected parameter in a positive (+) direction – i.e., a higher value, toward the right, or faster etc. – from its current setting, select a positive (+) value. If you wish to modify the selected parameter in a negative (-) direction – i.e., a lower value, toward the left, or slower etc. – from its current setting, select a negative (-) value. Higher numbers produce a greater amount of change.
PATCH MFX OUT (Patch MFX Output)

Making Multi-Effects Settings

This page allows you to establish various settings for the Multi-Effects unit, including its parameters and output-jack assignment.
PATCH MFX TYPE
Use this parameter to select from among the 63 available Multi-Effects. For a description of these effects, check out Parameters for Each Multi-Effect (MFX TYPE) (p. 36).
PATCH MFX PRM (Patch MFX Parameter)
These parameters allow you to customize the selected Multi­Effect. For a description of the parameters, check out Parameters for Each Multi-Effect (MFX TYPE)p. 36.
* You cannot select this page when “Type” on the PATCH
MFX TYPE page is set to THROUGH.
PATCH MFX CTRL (Patch MFX Control)
Select the Control Source to be used for changing the Multi­Effects parameters, and set the Sens and parameters to be changed by that Control Source.
Output (Output Assign) A/B/C
This setting specifies the stereo pair of OUTPUT jacks to which the stereo output of the Multi-Effects unit is routed.
Dry (Dry Output Level) 0–127
This sets the Multi-Effects units output level to the selected jacks.
Chorus (Chorus Send Level) 0–127
This sets the amount of the Multi-Effect units output to be sent to the Chorus.
Reverb (Reverb Send Level) 0–127
This sets the amount of the Multi-Effect units output to be sent to the Reverb.
* You cannot select this page when “Type” on the PATCH
MFX TYPE page is set to THROUGH.
22
Chapter 2 Using the XV-3080 Effects

Making Chorus Settings

The XV-3080s Chorus effect unit can also be used as a stereo delay unit.
These settings allow you to select chorus or delay, the characteristics of the selected effect type, and the Chorus output routing.
PATCH CHO TYPE (Patch Chorus Type)
This selects either Chorus or Delay.
Type
OFF: Neither Chorus or Delay is used. CHORUS: Chorus is used. DELAY: Delay is used.
PATCH CHO PRM (Patch Chorus Parameter)
For Chorus Rate (Chorus Rate) 0.05–10.00 Hz
This specifies the modulation frequency of the chorus effect.
Depth (Chorus Depth) 0–127
This specifies the modulation depth of the chorus effect.
Pre Dly (Chorus Pre Delay) 0.0–100 ms
This specifies the delay between when the original sound is heard and when chorusing begins.
Fbk (Chorus Feedback) 0–127
This specifies the amount of the chorus effect’s output to be returned – fed back – to its input. Higher settings create more complex chorusing.
Phase 0–180 degree
This specifies the spaciousness of the chorus effect.
Filter Type
This specifies the type of filter to be used by the chorus effect.
OFF: No filter is used. LPF: Frequencies higher than the selected cutoff frequency
value are eliminated. HPF: Frequencies lower than the selected cutoff frequency
value are eliminated.
Cutoff Freq (Cutoff Frequency) *1
This sets the cutoff frequency at which the LPF or HPF begin to work.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz
For Delay Delay C (Delay Center) 200–1000 ms
This sets the delay time for the delay located at the center of the stereo field.
Delay L (Delay Left) 200–1000 ms
This sets the delay time for the delay located at the left side of the stereo field.
Delay R (Delay Right) 200–1000 ms
This sets the delay time for the delay located at the right side of the stereo field.
Fbk (Feedback) -98– +98%
This adjusts the amount of delay feedback, controlling the number of times the delay repeats. Higher values result in more repeats. With negative (-) values, the phase of the repeated delays is inverted.
Level C (Delay Center Level) 0–127
This sets the volume level of the delay located at the center of the stereo field.
Level L (Delay Left Level) 0–127
This sets the volume level of the delay located at the left side of the stereo field.
Level R (Delay Right Level) 0–127
This sets the volume level of the delay located at the right side of the stereo field.
HF Damp *1
This allows you to reduce, or damp, the high-frequency content of the repeated feedback delays – frequencies above the selected value will be damped. If you do not wish to damp the high-frequency content of the feedback delays, set this parameter to BYPASS.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
Chapter 2
23
Chapter 2 Using the XV-3080 Effects
PATCH CHO OUT (Patch Chorus Output)
Output Assign (Chorus Output Assign) A/B/C
This setting selects the pair of OUTPUT jacks to which the Chorus units stereo output is routed when Chorus Output Select is set to MAIN or MAIN+R.
Level (Chorus Level) 0–127
This setting determines the Chorus output level.
Select (Chorus Output Select)
This parameter allows you to send the Chorus output directly to the currently selected OUTPUT jacks, to the Reverb, or to both.
MAIN: The Chorus output is sent only to the OUTPUT jacks.
fig.2-03x.e
OUTPUT
REV: The Chorus output is sent only to the Reverb.
fig.2-03y.e
Chorus Input
Chorus
Reverb
OUTPUT

Making Reverb Settings

These settings allow you to select the desired type of Reverb, its characteristics, and the pair of OUTPUT jacks to which the Reverb units stereo output is routed.
PATCH REV TYPE (Patch Reverb Type)
You can choose from a variety of reverb types.
Type (Reverb Type)
REVERB: Normal Reverb BRIGHT ROOM:This reverb simulates typical room acoustic
reflections. BRIGHT HALL:This reverb simulates typical concert hall
acoustic reflections. BRIGHT PLATE:This reverb simulates a reverb plate, a
popular type of artificial reverb unit that derives its sound from the vibration of a metallic plate. You can also achieve unusual metallic-sounding reverbs using BRIGHT PLATE.
PATCH REV PRM (Patch Reverb Parameter)
MAIN+R: The Chorus output is sent to the OUTPUT jacks and to the Reverb.
fig.2-03z.e
Chorus Input
Reverb Input
Chorus
Reverb
OUTPUT
OUTPUT
For REVERB
Type (Reverb/Delay Type)
This selects a type of reverb or delay.
ROOM1: This is a short reverb with high density ROOM2: This is a short reverb with low density. STAGE1: This is a long reverb. STAGE2: This is a reverb with strong early reflections. HALL1: This is a very clear-sounding reverb. HALL2: This is a rich reverb. DELAY: This is a conventional delay effect. PAN-DLY: This is a delay effect with echoes that pan left and
right.
Time (Reverb/Delay Time)
When the Type setting is ROOM1–HALL2, this adjusts the length of reverberation. When the Type setting is DELAY or PAN-DLY, this adjusts the delay time.
Higher settings produce a more spacious ambience.
HF damp (Reverb/Delay HF Damp) *1
This specifies the frequency above which the high-frequency content of the reverb sound will be cut, or damped.
Lower values cause a greater range of high frequencies to be cut, producing a softer reverb sound.
If you do not want to damp the high frequencies, set this parameter to BYPASS.
24
Chapter 2 Using the XV-3080 Effects
Fbk
When the Type setting is DELAY or PAN-DLY, this adjust the amount of delay feedback, controlling the number of delay repeats.
Higher values result in more repeats.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
For BRIGHT ROOM/BRIGHT HALL/ BRIGHT PLATE
Pre Delay (Pre Delay Time) 0.0–100 ms
This specifies the time between when the original sound is heard and the moment at which the reverb is first heard.
Time (Reverb Time) 0–127
This sets the reverb length.
Size 1–8
This adjusts the size of the simulated room or hall. The size becomes bigger as the value increases.
High Cut (High Cut Frequency) *1
This sets the frequency above which the high-frequency content of the reverb will be reduced. If you do not want to reduce the brightness of the reverb, set this parameter to BYPASS.
HF Damp Frequency *3
This specifies the frequency above which the high-frequency content of the reverb sound will be reduced, or damped.
HF Damp Gain -36–0 dB
This adjusts the amount of damping applied to the frequency range selected with HF Damp. With a setting of 0, there will be no reduction of the reverbs high-frequency content.
*1 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600,
2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12500 Hz, BYPASS
*2 50, 64, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800,
1000, 1250, 1600, 2000, 2500, 3200, 4000 Hz
*3 4000, 5000, 6400, 8000, 10000, 12500 Hz
PATCH REV OUT (Patch Reverb Output)
Output Assign (Reverb Output Assign) A/B/C
This setting allows you to specify the pair of OUTPUT jacks to which the stereo output of the Reverb is routed.
Level (Reverb Level) 0–127
This specifies the output level of the Reverb.
Chapter 2
Density (Reverb Density) 0–127
This adjusts the density of reverb. Higher values result in greater density.
Diffusion (Reverb Diffusion) 0–127
This adjusts the change in the density of the reverb over time. The higher the value, the more the density increases with time. The effect of this setting is most pronounced with long reverb times.
LF Damp Frequency *2
This specifies the frequency below which the low-frequency content of the reverb sound will be reduced, or damped.
LF Damp Gain -36–0 dB
This adjusts the amount of damping applied to the frequency range selected with LF Damp. With a setting of 0, there will be no reduction of the reverbs low-frequency content.
25
Chapter 2 Using the XV-3080 Effects

Adjusting Effects Settings in Performance Mode ([PERFORM]-[EFFECTS])

Each Part can use the Multi-Effects, Chorus and Reverb programmed for the Performance. You can control the amount of effect applied to each Part by adjusting the Parts Send Level to the effect units.(Fig. 1)
The Send Level setting for each Tone can also influence effect intensity (Fig. 2).
fig.2-03b.e
Fig.1 – When Output Assign is set to MFX in the Performance mode (the output settings for Tone are ignored)
Performance
Part 1
Part16
Patch
TONE
Multi-Effects
Chorus Reverb
restore the parameter to its original value.
6. Repeat Steps 3 to 5 to set the Effect.
7. Press [EXIT] to return to the PERFORM PLAY page.
A * symbol will appear at the left of the Performance name, indicating that its settings have been modified.
fig.2-02.e
* If you turn off the power or select another Performance while
the “*” symbol is displayed, your new Performance settings will be lost. If you wish to preserve them, save the modified Performance using the Write operation. (p. 122)

Routing Part Outputs

PART OUTPUT
You can set the output destination and level for each Performance Part. You can also set its send level to the Chorus and Reverb.
fig.2-03a.e
Fig.2 – When Output Assign is set to PATCH in the Performance mode (the output settings for Tone are valid)
Performance
Part 1
Part16
Patch
TONE
Multi-Effects
Chorus Reverb
Setting Procedure:
1. Select the Performance you wish to work with.
2. Press [EFFECTS] to make its indicator light.
3. Press [ ] / [ ] to select the page you wish to display.
Output Assign
MFX: The Parts sound is sent into the Multi-Effects. The sounds final destination is determined by the Multi-Effects output setting.
OUTPUT AC: The sound is sent to one of the three output­jack pairs, OUTPUTs A–C.
INDIVIDUAL 16: The sound is sent to one of the six INDIVIDUAL 1–6 jacks.
PATCH: The output routing is determined by the settings of the Patch or Rhythm Set assigned to the Part.
Chorus (Chorus Send Level) 0–127
This sets how much of the Parts sound is sent to the Chorus.
Reverb (Reverb Send Level) 0–127
This sets how much of the Parts sound is sent to the Reverb.
4. Press [ ] / [ ] to move the cursor to the
parameter that you wish to adjust.
5. Turn the VALUE dial or press [INC] / [DEC] to select the
desired value.
* If you make a mistake when setting a parameter’s value, or you
don’t like the change you have made, just press [UNDO] to
26
Chapter 2 Using the XV-3080 Effects

Adjusting Multi-Effects Settings

PERFORM MFX TYPE
Type (MFX Type)
Use this parameter to select from among the 63 available Multi-Effects. For a description of these effects, check out Parameters for Each Multi-Effect (MFX TYPE) (p. 36).
Source (MFX Source)
Select the MFX parameter settings that will be used by the Performance. If you wish to use the MFX parameter settings of the Performance, select PERFORM. If you wish to use the MFX parameter settings of the Patch assigned to one of the Parts, select the Part number.
PERFORM MFX PRM
These parameters allow you to customize the selected Multi­Effect. For a description of the parameters, check out Parameters for Each Multi-Effect (MFX TYPE) (p. 36).
* You cannot select this page when “Type” on the PERFORM
MFX TYPE page is set to THROUGH.
PERFORM MFX OUT
These parameters allow you to route the output of the Multi­Effects to the desired OUTPUT jacks, and to set the final level of the Multi-Effects.
Output (MFX Output Assign) A/B/C
This selects the pair of OUTPUT jacks to which the Multi­Effects stereo output is routed.
Dry (MFX Dry Send Level) 0–127
This sets the Multi-Effects units output level to the selected OUTPUT jacks.
Chorus (MFX Chorus Send Level) 0–127
This sets the amount of the Multi-Effects output to be sent to the Chorus.
Reverb (MFX Reverb Send Level) 0–127
This sets the amount of the Multi-Effects output to be sent to the Reverb.
Chapter 2
PERFORM MFX CTRL
Select the Control Source to be used for changing the Multi­Effects parameters, and set the Sens and parameters to be changed by that Control Source.
* You cannot select this page when “Type” on the PERFORM
MFX TYPE page is set to THROUGH.
Control 1–4 (MFX Control 1–4 Source)
OFF: No controller is used. CC01–95: Controller numbers 1–95 (except for 32) BENDER: Pitch Bend AFTERTOUCH: Aftertouch SYS-CTRL 1–4: System control (Control 1–4)
Destination
This selects the Multi-Effects parameter to be controlled using the MFX Control 1–4 source.
Sens (MFX Control Sens) -63– +63
If you wish to modify the selected parameter in a positive (+) direction – i.e., a higher value, toward the right, or faster etc. – from its current setting, select a positive (+) value. If you wish to modify the selected parameter in a negative (-) direction – i.e., a lower value, toward the left, or slower etc. – from its current setting, select a negative (-) value. Higher numbers produce a greater amount of change.
27
Chapter 2 Using the XV-3080 Effects

Making Chorus Settings

The XV-3080s Chorus effect unit can also be used as a stereo delay unit.
These settings allow you to select chorus or delay, the characteristics of the selected effect type, and the Chorus output routing.
PERFORM CHO TYPE (Performance Chorus Type)
This selects either Chorus or Delay.
Type (Chorus Type)
OFF: Neither Chorus or Delay is used. CHORUS: Chorus is used. DELAY: Delay is used.
Source (Chorus Source) PERFORM/PART 1–16
Set this when assigning chorus settings that are used by another part. Select PERFORM when using the Performance's chorus settings. When using the chorus settings assigned to one of the parts, select the part number.
PERFORM CHO PRM (Performance Chorus Parameter)
For Chorus Rate (Chorus Rate) 0.05–10.00 Hz
This specifies the modulation frequency of the chorus effect.
value are eliminated.
Cutoff Freq (Cutoff Frequency) *1
This sets the cutoff frequency at which the LPF or HPF begin to work.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz
For Delay Delay C (Delay Center) 200–1000 ms
This sets the delay time for the delay located at the center of the stereo field.
Delay L (Delay Left) 200–1000 ms
This sets the delay time for the delay located at the left side of the stereo field.
Delay R (Delay Right) 200–1000 ms
This sets the delay time for the delay located at the right side of the stereo field.
Fbk (Feedback) -98– +98%
This adjusts the amount of delay feedback, controlling the number of times the delay repeats. Higher values result in more repeats. With negative (-) values, the phase of the repeated delays is inverted.
Level C (Delay Center Level) 0–127
This sets the volume level of the delay located at the center of the stereo field.
Depth (Chorus Depth) 0–127
This specifies the modulation depth of the chorus effect.
Pre Dly (Chorus Pre Delay) 0.0–100 ms
This specifies the delay between when the original sound is heard and when chorusing begins.
Fbk (Chorus Feedback) 0–127
This specifies the amount of the chorus effect’s output to be returned – fed back – to its input. Higher settings create more complex chorusing.
Phase 0–180 degree
This specifies the spaciousness of the chorus effect.
Filter Type
This specifies the type of filter to be used by the chorus effect.
OFF: No filter is used. LPF: Frequencies higher than the selected cutoff frequency
value are eliminated. HPF: Frequencies lower than the selected cutoff frequency
Level L (Delay Left Level) 0–127
This sets the volume level of the delay located at the left side of the stereo field.
Level R (Delay Right Level) 0–127
This sets the volume level of the delay located at the right side of the stereo field.
HF Damp *1
This allows you to reduce, or damp, the high-frequency content of the repeated feedback delays – frequencies above the selected value will be damped. If you do not wish to damp the high-frequency content of the feedback delays, set this parameter to BYPASS.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
28
Chapter 2 Using the XV-3080 Effects
PERFORM CHO OUT (Performance Chorus Output)
Output Assign (Chorus Output Assign) A/B/C
This setting selects the pair of OUTPUT jacks to which the Chorus units stereo output is routed when Chorus Output Select is set to MAIN or MAIN+R.
Level (Chorus Level) 0–127
This setting determines the Chorus output level.
Select (Chorus Output Select)
This parameter allows you to send the Chorus output directly to the currently selected OUTPUT jacks, to the Reverb, or to both.
MAIN: The Chorus output is sent only to the OUTPUT jacks.
fig.2-03x.e
OUTPUT
REV: The Chorus output is sent only to the Reverb.
fig.2-03y.e
Chorus Input
MAIN+R: The Chorus output is sent to the OUTPUT jacks and to the Reverb.
fig.2-03z.e
Chorus
Reverb
OUTPUT

Making Reverb Settings

These settings allow you to select the desired type of Reverb, its characteristics, and the pair of OUTPUT jacks to which the Reverb units stereo output is routed.
PERFORM REV TYPE (Performance Reverb Type)
You can choose from a variety of reverb types.
Type (Reverb Type)
REVERB: Normal Reverb BRIGHT ROOM:This reverb simulates typical room acoustic
reflections. BRIGHT HALL:This reverb simulates typical concert hall
acoustic reflections. BRIGHT PLATE:This reverb simulates a reverb plate, a
popular type of artificial reverb unit that derives its sound from the vibration of a metallic plate. You can also achieve unusual metallic-sounding reverbs using BRIGHT PLATE.
Source (Reverb Source) PERFORM/PART 1–16
Set this when assigning reverb settings that are used by another part. Select PERFORM when using the Performance's reverb settings. When using the reverb settings assigned to one of the parts, select the part number.
Chapter 2
Chorus Input
Reverb Input
Chorus
Reverb
OUTPUT
OUTPUT
PERFORM REV PRM (Performance Reverb Parameter)
For REVERB
Type (Reverb/Delay Type)
This selects a type of reverb or delay.
ROOM1: This is a short reverb with high density ROOM2: This is a short reverb with low density. STAGE1: This is a long reverb. STAGE2: This is a reverb with strong early reflections. HALL1: This is a very clear-sounding reverb. HALL2: This is a rich reverb. DELAY: This is a conventional delay effect. PAN-DLY: This is a delay effect with echoes that pan left and
right.
Time (Reverb/Delay Time)
When the Type setting is ROOM1–HALL2, this adjusts the length of reverberation. When the Type setting is DELAY or PAN-DLY, this adjusts the delay time.
Higher settings produce a more spacious ambience.
29
Chapter 2 Using the XV-3080 Effects
HF damp (Reverb/Delay HF Damp) *1
This specifies the frequency above which the high-frequency content of the reverb sound will be cut, or damped.
Lower values cause a greater range of high frequencies to be cut, producing a softer reverb sound.
If you do not want to damp the high frequencies, set this parameter to BYPASS.
Fbk
When the Type setting is DELAY or PAN-DLY, this adjust the amount of delay feedback, controlling the number of delay repeats.
Higher values result in more repeats.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000,
2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
For BRIGHT ROOM/BRIGHT HALL/ BRIGHT PLATE
Pre Delay (Pre Delay Time) 0.0–100 ms
This specifies the time between when the original sound is heard and the moment at which the reverb is first heard.
Time (Reverb Time) 0–127
This sets the reverb length.
Size 1–8
This adjusts the size of the simulated room or hall. The size becomes bigger as the value increases.
range selected with LF Damp. With a setting of 0, there will be no reduction of the reverbs low-frequency content.
HF Damp Frequency *3
This specifies the frequency above which the high-frequency content of the reverb sound will be reduced, or damped.
HF Damp Gain -36–0 dB
This adjusts the amount of damping applied to the frequency range selected with HF Damp. With a setting of 0, there will be no reduction of the reverbs high-frequency content.
*1 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600,
2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12500 Hz, BYPASS
*2 50, 64, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800,
1000, 1250, 1600, 2000, 2500, 3200, 4000 Hz
*3 4000, 5000, 6400, 8000, 10000, 12500 Hz
PERFORM REV OUT (Performance Reverb Output)
Output Assign (Reverb Output Assign) A/B/C
This setting allows you to specify the pair of OUTPUT jacks to which the stereo output of the Reverb is routed.
Level (Reverb Level) 0–127
This specifies the output level of the Reverb.
High Cut (High Cut Frequency) *1
This sets the frequency above which the high-frequency content of the reverb will be reduced. If you do not want to reduce the brightness of the reverb, set this parameter to BYPASS.
Density (Reverb Density) 0–127
This adjusts the density of reverb. Higher values result in greater density.
Diffusion (Reverb Diffusion) 0–127
This adjusts the change in the density of the reverb over time. The higher the value, the more the density increases with time. The effect of this setting is most pronounced with long reverb times.
LF Damp Frequency *2
This specifies the frequency below which the low-frequency content of the reverb sound will be reduced, or damped.
LF Damp Gain -36–0 dB
This adjusts the amount of damping applied to the frequency
30
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