Roland Corporation XP-30 Owner's Manual

OWNER’S MANUAL

Thank you, and congratulations on your choice of the Roland XP-30 64 Voice Expandable Synthesizer.

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These sections provide important information concerning the proper

operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

* Apple is a registered trademark of Apple Computer, Inc. * Macintosh is a registered trademark of Apple Computer, Inc. * IBM is a registered trademark of International Business Machines Corporation. * IBM PC is a registered trademark of International Business Machines Corporation. * SmartMedia is a trademark of Toshiba Corporation.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

NEUTRAL LIVE

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Never use with a cart, stand, tripod, bracket, or table except as specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

For the U.K.

CAUTION: Danger of explosion if battery is incorrectly replaced.

Replace only with same or equivalent type.

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be

carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

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002b

• Do not open or perform any internal modifications on the unit. (The only exception would be where this manual provides specific instructions which should be followed in order to put in place userinstallable options; see p. 17, 21.)

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006

• When using the unit with a rack or stand recommended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

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008e

• Use only the attached power-supply cord.

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009

• Avoid damaging the power cord. Do not bend it excessively, step on it, place heavy objects on it, etc. A damaged cord can easily become a shock or fire hazard. Never use a power cord after it has been damaged.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

• Protect the unit from strong impact.

(Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/ amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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022a

• Always turn the unit off and unplug the power cord before attempting installation of the circuit board (SR-JV80 series).

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023

• DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.

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USING THE UNIT SAFELY

102b

• Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107b

• Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108a

• Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.

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109a

• Before cleaning the unit, turn off the power and unplug the power cord from the outlet.

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110a

• Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.

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115a

• Install only the specified circuit board(s) (SR-JV80 series). Remove only the specified screws (p. 17,

21).

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Important Notes

In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3, please read and observe the following:

Power Supply

• Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

• To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.

Maintenance

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Additional Precautions

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a memory card.

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory, a memory card or another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

• Never strike or apply strong pressure to the display.

• When connecting / disconnecting all cables, grasp the

connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

• A small amount of heat will radiate from the unit during normal operation.

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

• Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

Before Using Memory Cards

Repairs and Data

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up memory card, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Memory Backup

• This unit contains a battery which powers the unit’s memory circuits while the main power is off. When this battery becomes weak, the message shown below will appear in the display. Once you see this message, have the battery replaced with a fresh one as soon as possible to avoid the loss of all data in memory. To have the battery replaced, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

“Battery Low”

Using Memory Cards

• Carefully insert the Memory card all the way in—until it is firmly in place.

• Never touch the terminals of the Memory card. Also, avoid getting the terminals dirty.

Handling CD-ROMs

• Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.

How to Read This Owner’s Manual

This owner’s manual is organized as follows.

Quick Start

This section is intended for those using the XP-30 for the first time, and explains how to use various functions in a simple way. Please read Quick Start and follow along by actually operating the XP-30. This will help you understand most of what you need to know for basic operations. More advanced ways of using the XP-30 or details of other operations are explained the Advanced Use section.

Advanced Use

The Advanced Use section is divided into 6 chapters. But before you start reading it, we’d like to suggest going through the Quick Start section.

Chapter 1. Overview of the XP-30

This chapter covers XP-30 sound source section configurations, as well as basic operation. Please be sure to read this chapter in order to fully understand the XP-30.

Chapter 2. Playing

This chapter explains how to use the XP-30 in Patch, Performance and Rhythm Set modes. Reading it is essential for understanding XP-30 operational procedures.

Chapter 6. Getting the Full Potential of the XP-30

This chapter includes various techniques that expand the XP30’s operational scope. It includes use with external MIDI devices, live performance applications and others.

Appendices

This chapter contains a troubleshooting section for use when the XP-30 is not functioning as expected. There is also a list of error messages that you can refer to if an error message appears on the display. A list of parameters and MIDI implementation chart are also provided.

■ Notation Used in This Owner’s Manual

To make operation procedures easy to understand, the following notation system is adopted:

Characters and numbers in square brackets [ ] indicate buttons on the front panel. For example, [PATCH] represents the PATCH button and [ENTER] the ENTER button.

An asterisk (*) at the beginning of a paragraph indicates a note or precaution. These should not be ignored. In the Quick Start section, such material is indicated by ( ).

Chapter 3. Creating Your Own Sounds

This chapter covers creating sounds, the parameters that make up a Patch, Performance, or Rhythm Set, and the System parameters that determine global XP-30 operation, as well as their functions. Comprehending the information in the chapter is an essential prerequisite before creating your own sounds.

Chapter 4. Memory Settings (Utility/Card Mode)

This chapter goes over the various Utility functions such as storing Patch, Performance or Rhythm Set data, clearing the internal memory, etc. Being familiar with these will streamline operation procedures.

Chapter 5. Using the XP-30 as the GM Sound Module

This chapter explains needed procedures and parameters for using the XP-30 as a General MIDI System-compatible sound source. Read this chapter before attempting to play back commercial General MIDI System score data.

(p. **) refers to pages within the manual. In this manual, when any particular parameter is referred to,

the name of the parameter is given, and this is then followed (in parenthesis) by information detailing its mode, display group, and display. For example: Key Mode parameter (PERFORM/COMMON/PERFORM COMMON).

* The display screens printed in this owner’s manual are based on

the factory settings. However, please be aware that in some cases they may differ from the actual factory settings.

Main Features........................................................................................11

Front and Rear Panel............................................................................12

Quick Start........................................................15

Getting Ready........................................................................................16

Installing the Wave Expansion Board ................................................................................................... 16

Cautions When Installing an Wave Expansion Board............................................................. 16

Installation de la carte d’extension Wave (French language for Canadian Safety Standard).......20

Precautions lors de l’installation de la carte d’extension Wave............................................. 20

Making Connections................................................................................................................................24

Turning On the Power............................................................................................................................. 26

Turning Off the Power ................................................................................................................. 26

Reset to Default Factory Settings (Factory Reset)................................................................................ 27

Listening to the Demo Song ................................................................28

Profile of the Composer ...............................................................................................................29

Playing the Sounds...............................................................................30

Selecting Patches and Playing the Sounds............................................................................................ 30

Selecting Wave Expansion Patches........................................................................................................31

Selecting Patches by Category (Patch Search Function)..................................................................... 32

Auditioning the Patches (Phrase Preview)........................................................................................... 33

Try Out Performance Functions.............................................................................................................34

Velocity/Aftertouch ..................................................................................................................... 34

Pitch Bend/Modulation Lever.................................................................................................... 34

C1–C4 Slider...................................................................................................................................34

Hold Pedal......................................................................................................................................35

Expression Pedal...........................................................................................................................35

Solo.................................................................................................................................................. 35

Portamento.....................................................................................................................................35

Sound Palette.................................................................................................................................36

Play Arpeggios (Arpeggiator) ................................................................................................................ 36

Play Percussion Sounds from the Keyboard........................................................................................38

Advanced Use ...................................................39

Chapter 1. Overview of the XP-30........................................................40

XP-30 Configuration.................................................................................................................................40

Basic Configuration.......................................................................................................................40

Classification of XP-30 Sound Types.......................................................................................... 40

Number of Simultaneous Voices ................................................................................................ 42

Basic Operation.........................................................................................................................................42

Switching Modes...........................................................................................................................42

About the Function Buttons ........................................................................................................43

About the Cursor Buttons............................................................................................................44

Modifying a Value ........................................................................................................................ 45

Assigning a Name.........................................................................................................................46

Contents

Chapter 2. Playing.................................................................................47

Playing in Patch Mode.............................................................................................................................47

Selecting a Patch............................................................................................................................47

Using Phrase Preview to Play Patches.......................................................................................49

Making a Patch Sound Thick or Thin (Turning a Tone On/Off)...........................................50

Playing Single Notes (Solo) .........................................................................................................50

Creating Smooth Pitch Changes (Portamento).........................................................................50

Using the Sliders to Modify the Sound in Realtime (Sound Palette Function)....................50

Playing in Performance Mode................................................................................................................ 51

Selecting a Performance...............................................................................................................51

Playing Fatter and Richer Sounds by Combining Patches (Layer)........................................ 52

Splitting the Keyboard to Play Separate Patches in Different Sections (Split).....................52

Playing Along with a Song Playback (XP-30 Used as a Multitimbral Sound Source)........ 53

Assigning a Different Patch to a Part.........................................................................................54

Using the Sliders to Modify the Sound in Realtime (Sound Palette Function)....................54

Playing in Rhythm Set Mode..................................................................................................................55

Selecting a Rhythm Set................................................................................................................. 55

Playing Percussion Instruments .................................................................................................56

Playing an Arpeggio ................................................................................................................................ 56

Playing an Arpeggio Over a Preset Keyboard Area................................................................57

Holding an Arpeggio.................................................................................................................... 58

Simulating a Guitar Cutting Technique..................................................................................... 58

Playing an Arpeggio from an External MIDI Device...............................................................58

Creating an Arpeggio Pattern ..................................................................................................... 58

Convenient Functions for Performance ................................................................................................ 59

Transposing the Keyboard in Octave Units (Octave Shift).....................................................59

Transposing the Keyboard in Semitone Steps (Transpose) .................................................... 60

If “Stuck” Notes Occur or a Note Does Not Sound (Panic).................................................... 60

Chapter 3. Creating Your Own Sounds...............................................61

Regarding Effects......................................................................................................................................61

How Effects Units Work in Different Modes............................................................................61

Turning Effects On/Off................................................................................................................ 62

Sound Editing Procedures.......................................................................................................................62

Editing a Patch............................................................................................................................... 62

Editing a Performance.................................................................................................................. 65

Editing a Rhythm Set....................................................................................................................66

Keeping Edited Sound.............................................................................................................................67

Memory and Data Storage...........................................................................................................67

Storing a Sound You Modify into User Memory ..................................................................... 68

Functions of Patch Parameters ............................................................................................................... 68

Settings Common to the Entire Patch (COMMON)................................................................. 68

Setting Effects for a Patch (EFFECTS)........................................................................................71

Using Controllers to Change How Sounds Are Played (CONTROL)...................................73

Modifying Waveform (WAVE)...................................................................................................76

Modulating Sounds (LFO)........................................................................................................... 78

Modifying Pitch (PITCH)............................................................................................................. 79

Modifying the Brightness of Sound with a Filter (TVF)..........................................................80

Changing the Sound’s Volume and Stereo Location (TVA)................................................... 81

Functions of Performance Parameters...................................................................................................83

Settings Common to the Entire Performance (COMMON).................................................... 83

Setting Effects for a Performance (EFFECTS) ...........................................................................84

Making MIDI Settings for a Part (MIDI).................................................................................... 86

Making Settings for Each Part (PART)....................................................................................... 87

Confirming MIDI Information for Each Part (INFO) ..............................................................87

Functions of Rhythm Set Parameters .................................................................................................... 88

Naming a Rhythm Set (COMMON)........................................................................................... 88

Contents

Setting Effects for a Rhythm Tone (EFFECTS).......................................................................... 88

Controlling How a Rhythm Tone will Sound with Controllers (CONTROL)..................... 90

Modifying Waveform of a Rhythm Tone (WAVE).................................................................. 90

Modifying Pitch of a Rhythm Tone (PITCH)............................................................................ 91

Changing the Tone (Filter) of a Rhythm Tone (TVF)............................................................... 91

Changing the Volume and Stereo Location of a Rhythm Tone (TVA)..................................92

Multi-Effects Types (EFX Parameter).................................................................................................... 93

XP-30 Operating Environment Setup (System Parameters and Their Functions)........................ 108

Display Screen Contrast and Clock Settings (SETUP)...........................................................108

Arpeggio Settings (ARPEGGIO)...............................................................................................108

Keyboard and Controllers Settings (CONTROL)................................................................... 110

MIDI Settings (MIDI)..................................................................................................................112

Phrase Preview Settings (PREVIEW).......................................................................................113

Adjusting Tuning (TUNE).........................................................................................................113

Program Change (PGM CHNG)............................................................................................... 114

Checking Things Such as the Installation Status of Wave Expansion Boards (INFO)...... 114

Chapter 4. Memory Settings (Utility/Card Mode) .............................115

About Utility/Card Mode..................................................................................................................... 115

Basic Procedure in Utility/Card Mode...............................................................................................115

Storing Sound Data in User Memory (WRITE).................................................................................. 116

Performance Write......................................................................................................................116

Patch Write...................................................................................................................................116

Rhythm Set Write........................................................................................................................ 116

Copying Sound Source Settings (COPY) ............................................................................................117

Performance Copy ......................................................................................................................117

Patch Copy...................................................................................................................................117

Rhythm Set Copy ........................................................................................................................ 118

Initializing Sound Source Settings (INIT)........................................................................................... 119

Performance Initialize.................................................................................................................119

Patch Initialize ............................................................................................................................. 119

Rhythm Set Initialize .................................................................................................................. 119

Transmitting Sound Settings (XFER)................................................................................................... 119

Transmitting Data to an External MIDI Device......................................................................119

Transmitting Data to User Memory.........................................................................................120

Preventing User Memory Writing Operation (PROTECT)..............................................................121

Memory Card-Related Settings (CARD)............................................................................................. 121

Formatting the Memory Card for the XP-30 (FORMAT)...................................................... 122

Renaming a File (RENAME)......................................................................................................122

Deleting Unwanted Files (DELETE).........................................................................................122

Checking the Contents Memory Card (INFO)........................................................................ 122

Loading a File from Memory Card into the XP-30 (LOAD)............................................................. 122

Saving Data to Memory Card (SAVE)................................................................................................. 122

Recalling Factory Default Settings (FACTORY RESET)...................................................................123

Chapter 5. Using the XP-30 as the GM Sound Module....................124

Entering GM Mode.................................................................................................................................124

Initializing the Sound Source for GM System Basic Settings ...............................................124

Playing Back a GM Score ........................................................................................................... 124

Modifying GM Mode Settings..............................................................................................................125

Making Effects Settings in GM Mode (EFFECTS).................................................................. 125

Setting a Part (PART).................................................................................................................. 127

Confirming MIDI Information of Each Part (INFO).............................................................. 127

Convenient Functions in GM Mode (GM Utility) .............................................................................127

Copying Effects Settings (COPY).............................................................................................. 128

Initializing GM Mode (INIT)..................................................................................................... 128

Transmitting GM Mode Settings (XFER)................................................................................. 128

Contents

Chapter 6. Getting the Full Potential of the XP-30...........................129

Techniques for Using Patches............................................................................................................... 129

Reinforcing Filter Characteristics .............................................................................................129

Making the Up-Beat Note Sound at the Same Time You Play a Down-Beat Note ...........129

Holding a Note with Modulation Retained............................................................................129

Syncing the LFO Cycle to System Tempo ...............................................................................129

Modifying Multi-Effects to Match the System’s Tempo........................................................130

Using a Pedal Switch to Modify the Rotary Speed of the Rotary Effect.............................130

Playing Phrase Loops at a System’s Tempo............................................................................130

Using the Slider to Pan Sounds in Real Time .........................................................................131

Using the XP-30 to Play Live ................................................................................................................131

Changing Multiple Sounds of an External MIDI Device Simultaneously..........................131

Changing Sounds with a Pedal Switch.................................................................................... 131

Using External MIDI Devices ............................................................................................................... 132

Using the XP-30 to Control External MIDI Devices...............................................................132

Playing the XP-30’s Sound Source from an External MIDI Device .....................................132

Selecting XP-30 Sounds from an External MIDI Device........................................................ 132

Enjoying Desktop Music .......................................................................................................................134

Connecting to Your Computer.................................................................................................. 134

Disconnecting the Keyboard from the Internal Sound Source (Local OFF)....................... 137

Appendices...................................................... 139

Troubleshooting..................................................................................140

Error Messages...................................................................................142

Quick Reference of Procedures ........................................................143

Parameter List.....................................................................................147

Waveform List .....................................................................................160

Patch List.............................................................................................168

Rhythm Set List...................................................................................177

Performance List.................................................................................181

Arpeggio Style List .............................................................................182

MIDI Implementation...........................................................................183

Specifications......................................................................................207

Computer Cable Wiring Diagrams.....................................................208

Index.....................................................................................................209

Main Features

■ High-Performance Synthesizer

Sound Source

64-Voice Polyphony and 16-Part Multitimbrality

The XP-30 is a 16-part multitimbral sound source that produces up to 64 simultaneous polyphonic notes. Effectively used with an external sequencer or computer, the XP-30’s true creative potential for music production becomes apparent (p. 41).

Powerful Onboard Effects

Advanced DSP (Digital Signal Processor) technology provides a wide array of studio quality effects. In addition to the Multi-Effects (EFX) section that features 40 different types of effects, the XP-30 also features an independent chorus unit and reverb unit (p. 61).

Extensive Tone Structure Range

Ten different Structures are available for combining basic sound elements for more flexible sound making. A ring modulator and booster enhance creating sounds (p. 70).

An Array of Arpeggio and Cutting Options

With the [ARPEGGIO] on, you can create various arpeggios and simulate cutting techniques simply by pressing a chord. You can even specify the rhythmical “feel” you want (p. 56).

General MIDI System Compatibility

The XP-30 provides a mode compatible with the General MIDI System, the standard format for desktop music (DTM) systems, and can play back commercially available General MIDI System compatible song data (p. 124).

General MIDI System

The General MIDI system is a set of recommendations which seeks to provide a way to go beyond the limitations of proprietary designs, and standardize the MIDI capabilities of sound generating devices. Sound generating devices and music files that meets the General MIDI standard bears the General MIDI logo ( ). Music files bearing the General MIDI logo can be played back using any General MIDI sound generating unit to produce essentially the same musical performance.

■ Expandability

Allows Two Wave Expansion Boards to be Installed at the Same Time

Up to two SR-JV80 series Wave Expansion Boards can be installed simultaneously, allowing you to expand the range of available sounds (p. 16, 20).

Data from Popular Wave Expansion Boards Already Onboard

The data of the three popular Wave Expansion Boards, the SR-JV80-02 “Orchestral,” SR-JV80-09 “Session,” and SR-JV8011 “Techno Collection” is onboard.

This means that for practical purposes, you can have simultaneous access to the sounds of up to five Wave Expansion Boards, and can draw on a vast quantity of waveform data as material for creating your sounds.

■ Quick and Intuitive Operation

Enhanced Operational Ease

Dedicated buttons are provided for each function to simplify operation. The group of function buttons located below the display allow intuitive editing (p. 43).

Featuring the Patch Search and Phrase Preview Functions that were Popular on the JV-2080

The Patch Search function (p. 32, 48) lets you rapidly find the patch you want simply by specifying a patch category. By pressing [PHRASE PREVIEW], you can then hear the selected patch play a phrase suitable for that type of patch. (Phrase Preview function, p. 33, 49)

Use the Sound Palette Sliders to Make Quick Changes in the Sound

The four sliders in the PALETTE section let you make realtime changes in tone and volume while you play (p. 36, 50, 54).

■ Computer Interface Connector

A special computer cable makes it easy for you to connect the XP-30 to your computer, so that you can enjoy ensemble playing (p. 134).

Front and Rear Panel

■ Front Panel

Volume Slider

This slider adjusts the overall volume that is output from the rear panel OUTPUT jacks and PHONES jack. →p. 26

B PALETTE Section

Use the four sliders to modify sounds in real time.

[FILTER/ENV]

Press this button ON when modifying filter and/or envelope settings in real time using the four sliders (CUTOFF/RESO./ ATTACK/DECAY). →p. 36, 51, 54

[LEVEL]

Press this button ON when adjusting volume balance in real time using the four sliders (1/2/3/4). →p. 36, 51, 54

[CONTROLLER]

Can be switched on when you wish to assign various parameters to the four sliders, and modify the sound as you play (C1/C2/C3/C4). →p. 34

C KEY EFFECTS Section

The buttons in this section allow you to assign various functions to the keys of the XP-30’s keyboard.

[PORTAMENTO]

Switches Portamento on/off. →p. 35, 50

[SOLO]

Specifies playing a single note at a time. →p. 35, 50

[TRANSPOSE]

Specifies transposing the keyboard in semitone steps. →p. 60

[ARPEGGIO]

Switches Arpeggiator on/off. →p. 36, 56

C D FE

[+OCT], [-OCT]

These buttons adjust the pitch of the keyboard in octave steps. →p. 59 Pressing either of these buttons while holding down [TRANSPOSE] allows you to set the desired amount of transposition. →p. 60

D MODE Section

The buttons in this section select modes. The button indicator of the selected mode will light. →p. 42

[PERFORM]/[GM]

Pressed to get into Performance mode. Hold down [SHIFT] while you press [PERFORM] to select GM mode. →p. 51, 124

[PATCH]/[PART]

Pressed to get into Patch mode. By holding down [PERFORM] and pressing [PATCH], you can modify the settings of the patch that is assigned to each part of the performance. →p. 47, 54, 66

[SYSTEM]

This selects System mode. →p. 108

[RHYTHM]

This selects Rhythm Set mode. →p. 55

[UTIL/CARD]

This selects Utility/Card mode. →p. 115

[EFFECTS ON/OFF]

This button turns the internal effects (Multi-Effects, Chorus, Reverb) on/off. →p. 62

Display

Shows various information for the currently selected function or operation.

[PHRASE PREVIEW]

Press this when you wish to use phrases to audition a patch. →p. 33, 49

GFE

[EDIT]

Press this button when you wish to adjust various settings. Use the function buttons to select the display screen for the parameter you wish to modify.

Function Buttons

The function of these buttons will depend on the operational mode and the status of the [EDIT] indicator. →p. 43

[1–8/9–16]

Use this button to select the group (1–8/9–16) of Parts to be selected by the function buttons. →p. 43

[EXIT]/[PANIC]

EXIT:

Press this button when you wish to return to the Play

display of a mode, or to cancel an operation without executing. PANIC: If for some reason notes are stuck and continue sounding, hold down the SHIFT button and press this button to clear the stuck notes. →p. 60

Front and Rear Panel

[INC], [DEC]

Use these buttons to modify values. If you keep on holding down one button and pressing the other, the value change accelerates. If you press one of these buttons while holding down [SHIFT], the value will change in bigger increments. →p. 45

[ ], [ ] (Cursor Buttons)

Move the cursor (underline) with these.

[ ], [ ] (Page Buttons)

When the left edge of the display shows a or symbol, use these buttons to move to other parameter displays

[0]–[9] (Numeric Keys)

Use these to set a value. They can be used to enter numeric values as well as alphabetical characters. →p. 45 When [CATEGORY] is on, this becomes the button for choosing a category group using the Patch Search function. →p. 32, 48

[SHIFT]

This is used in combination with other buttons. Some buttons on the front panel include grey-printed characters. They indicate the button’s function when [SHIFT] is held down.

[ENTER]/[DIGIT HOLD]

ENTER: DIGIT HOLD:

the Digit Hold function on/off. With the Digit Hold on, the 100’s place and 10’s place will be fixed and only the 1’s place will change. This means that you can select Patches simply by pressing the numeric key for the 1’s place, without having to press [ENTER]. The same applies when selecting Performances or Rhythm set. →p. 48

[CATEGORY]/[DEMO]

CATEGORY: Use the Patch Search function to select a patch.

→p. 32, 48

DEMO: To hear the demo playback, hold down [SHIFT] and press this button. →p. 28

Use this button to finalize a value or execute an operation.

Press this button while holding down [SHIFT] to turn

[UNDO/COMPARE]

The function of these buttons will depend on the operation being performed. UNDO: Press this button to restore a modified value to the original value. →p. 63, 65, 66

COMPARE:

the sound at the save destination, or at the copy source. →p. 116, 118

When saving or copying Tone settings, press this to check

[PALETTE EDIT]

Press this button when you wish to use the Palette display to modify Patch or Performance settings. →p. 63, 65

VALUE Dial

This dial is used to modify values. If you hold down [SHIFT] as you turn the VALUE dial, the value will change in greater increments. →p. 45

G WAVE EXPANSION Section

Here you can select sounds from a Wave Expansion. →p. 31

[EXP A], [EXP B], [EXP C]

Select sounds from the internal Wave Expansion.

EXP-A: “Session” EXP-B: “Orchestral” EXP-C: “Techno Collection”

[EXP D], [EXP E]

Select sounds from the Wave Expansion Board slots (EXP-D and E).

Pitch Bend/Modulation Lever

This allows you to control pitch bend or apply vibrato. Depending on the settings, other specified parameters can also be controlled. →p. 34, 75

Front and Rear Panel

■ Rear Panel

Power Switch

Press to turn the power on/off. →p. 26

AC Inlet

Connect the AC power cable (included) to this inlet. →p. 24

* With units rated for 117V operation, the AC cable is already

connected to the unit.

fig.0-02a

MEMORY CARD Slot

An optional memory card (SmartMedia) can be inserted here. →p. 115

fig.0-02b

MIDI Connectors (IN, OUT, THRU)

These connectors can be connected to other MIDI devices to receive and transmit MIDI messages. →p. 24, 119, 132

fig.0-02c

CONTROL PEDAL Jack

You can connect optional expression pedals to these jacks. By assigning a desired function to a pedal, you can use it to select or modify sound or perform various other control. You can also connect optional pedal switches to sustain sound. →p. 24, 110

HOLD PEDAL Jack

An optional pedal switch can be connected to this jack for use as a hold pedal. →p. 24, 110

fig.0-02e

OUTPUT Jacks (L (MONO), R)

These jacks output the audio signal to the connected mixer/ amplifier system in stereo. For mono output, use the L jack. →p. 24

PHONES Jack

An optional set of headphones can be connected to this jack. →p. 24

fig.0-02f

COMPUTER Switch

Set this switch depending on the type of computer connected to Computer connector, or the software you are using. Turn the power off before changing the setting of this switch. If you wish to use the MIDI connectors, set this switch to MIDI. →p. 134

COMPUTER Connector

A special Computer cable (sold separately) can be connected here. The type of cable required will depend on your computer. When the Computer switch located at the left is set to MIDI, this connector cannot be used. →p. 134

fig.0-02d

Quick Start

Getting Ready

Installing the Wave Expansion Board

Up to two Wave Expansion Boards (SR-JV80 series; sold separately) can be installed in EXP-D and E Slots in the XP-30. Wave Expansion Boards contain Wave data, as well as Patches and Rhythm Sets that use this Wave data, which can be called directly into the temporary area and played.

■ Cautions When Installing an Wave Expansion Board

● To avoid the risk of damage to internal components that can be caused by

static electricity, please carefully observe the following whenever you handle the board.

• Before you touch the board, always first grasp a metal object (such as a water pipe), so you are sure that any static electricity you might have been carrying has been discharged.

• When handling the board, grasp it only by its edges. Avoid touching any of the electronic components or connectors.

• Save the bag in which the board was originally shipped, and put the board back into it whenever you need to store or transport it.

● Use a Philips screwdriver that is suitable for the size of the screw (a

number 2 screwdriver). If an unsuitable screwdriver is used, the head of the screw may be stripped.

● To remove a screw, rotate the screwdriver

counter-clockwise. To tighten a screw, rotate the screwdriver clockwise.

● When installing Wave Expansion Boards,

remove only the specified screws.

● Be careful that the screws you remove do not drop into the interior of the

XP-30.

● Do not leave the bottom cover in a detached state. Be sure to reattach it

after the Wave Expansion Boards have been installed.

● Do not touch any of the printed circuit pathways or connection terminals.

● Be careful not to cut your hand on the edge of the installation bay.

● Never use excessive force when installing a circuit board. If it doesn’t fit

properly on the first attempt, remove the board and try again.

● When circuit board installation is complete, double-check your work.

tightenloosen

When playing a Patch or Rhythm Set that use the Wave data from a Wave Expansion Board, the appropriate Wave Expansion Board must be installed in the XP-30 for the sound to play correctly.

To install an optional Wave Expansion Board (SR-JV80 series; sold separately), the unit’s bottom cover must be removed. There are two slots (EXP-D and E) into which a board can be installed. Slots EXP-D and E correspond to the group (XP-D and E) you need to select in order to use a Wave, Patch or Rhythm Set from the Wave Expansion Board.

Getting Ready

fig.Q-02a.e

Before installing the Wave Expansion Board, turn off the power of the XP-30 and all connected devices, and disconnect all cables from the XP-30.

Turn the XP-30 on its back, and remove only the screws shown in the following diagram.

Screws to be removed

If the same type of Wave Expansion Board is installed in the EXP-D slot and the EXP-E slot, it will only be possible to select data from the Wave Expansion Board that was installed in the EXP-D slot. Also, the XP-30 already contains the data of the following three Wave Expansion Boards, so if one of these Wave Expansion Boards is installed, only the internal data (XP-A–C) can

e selected.

SR-JV80-09 “Session” (XP-A)

SR-JV80-02 “Orchestral” (XP-B)

SR-JV80-11 “Techno Collection” (XP-C)

Quick Start

Inside, there are two connectors and six board holders. Insert the connectors of the Wave Expansion Board into the internal connectors, and simultaneously insert the board holders into the holes of the Wave Expansion Board.

fig.Q-02b.e

Wave Expansion Board

Board holder

Connector

EXP D

EXP E

Getting Ready

fig.Q-02c.e

Use the Installation Tool supplied with the Wave Expansion Board to turn the holders in the LOCK direction, so the board will be fastened in place.

Installation tool

Use the screws that you removed in step 2 to fasten the cover back in place.

This completes installation of the Wave Expansion Board.

Connect the cables that you disconnected earlier.

LOCK

fig.Q-03

Turn on the power, as described in “Turning On the Power” (p.

26).

Press [PATCH] to access the PATCH PLAY display.

Getting Ready

fig.Q-04

Press [EXP D] or [EXP E], and verify that you can select patches from Wave Expansion Boards D or E. [EXP D] or [EXP E] indicator will light, and the following display will appear.

Quick Start

The example here depicts what you would see if the SR-JV80-13 “Vocal Collection” Wave Expansion Board were installed in the EXP-D slot.

If you can’t choose any Wave Expansion Board patches, it’s possible that the installed Wave Expansion Board is not

eing recognized correctly.

Turn off the power as described in “Turning Off

the Power”

re-install the Wave Expansion Board correctly.

(p. 26), and

Getting Ready

Installation de la carte d’extension Wave

(French language for Canadian Safety Standard)

Vous pouvez installer jusqu’à 2 cartes d’extension Wave (en option dans la série SR-JV80) dans les créneaux EXP-D et E du XP-30. Les cartes d’extension Wave contiennent des données Wave, aussi bien que des morceaux musicaux et des ensembles rythmiques utilisant ces données, auxquelles on peut directement accéder dans la zone temporaire et les faire jouer.

■ Precautions lors de l’installation de la carte

d’extension Wave

● Pour éviter tout dommage des composants internes pouvant provenir de

l’électricité statique, veuillez suivre les conseils suivants quand vous installez la carte.

• Avant de toucher la carte, saisissez toujours un objet métallique (tuyau d’eau ou autre) pour être sûr que l’électricité statique se décharge.

• Quand vous saisissez la carte, prenez-la par les bords. Evitez de toucher les composants électroniques ou les connecteurs.

• Conservez le sac dans lequel la carte était emballée et remettez la carte dedans pour l’expédier ou l’entreposer.

● Utiliser un tournevis cruciforme correspondant à la taille de la vis (un

tournevis numéro 2). En cas d’utilisation d’un tournevis inapproprié, la tête de la vis pourrait être endommagée.

● Pour enlever les vis, tourner le tournevis

dans le sens contraire des aiguilles d’une montre. Pour resserrer, tourner dans le sens des aiguilles d’une montre.

● Lors de l’insertion de la carte d’extension Wave, enlevez seulement les vis

indiquées dans les instructions.

● Veillez à ne pas laisser tomber de vis dans le châssis du XP-30.

● Ne pas laisser le panneau de protection avant détaché. S’assurer de

l’avoir rattacher après avoir installé le disque dur.

● Ne touchez aucun des circuits imprimés ni les bornes de connexion.

● Veillez à ne pas vous couper les doitgs sur le bord de l’ouverture

d’installation.

● Ne jamais forcer quand vous installez une carte de circuits. Si la carte ne

rentre pas correctement, ressortez-la et ressayez.

● Quand la carte est installée, vérifiez si l’installation est correcte.

resserrerdesserrer

Quand vous faites jouer un morceau ou un ensemble rythmique qui utilise des données Wave de la carte d’extension, une carte d’extension appropriée doit être installée dans le XP-30 afin que le son sorte correctement.

Pour installer une carte d’extension Wave optionnelle (série SR-JV80), le panneau du bas de l’appareil doit être enlevé. Vous trouverez 2 créneaux (EXP-D et E) dans lesquels vous pourrez installer une carte. Les créneaux EXP-D et E correspondent au groupe (XP-D et E) que vous devez sélectionner pour pouvoir utiliser une donnée Wave, un morceau musical ou un ensemble rythmique de la carte d’extension.

Getting Ready

fig.Q-02a.f

Éteindre le XP-30 et tous les appareils qui y sont reliés et débrancher tous les câbles du XP-30.

Retournez le XP-30 et enlevez seulement les vis indiquées sur la figure.

Vis à enlever

Si la même sorte de carte d’extension Wave est installée dans les créneaux EXP-D et EXP-E, il ne sera possible de sélectionner que les données de la carte d’extension Wave installée dans le créneau EXP-D. De plus, le XP-30 contient déjà les données des 3 cartes d’extension Wave suivantes si bien que si une de ces 3 cartes est installée, seules les données internes (XP-A–C) pourront être sélectionnées.

SR-JV80-09 “Session” (XP-A)

SR-JV80-02 “Orchestral” (XP-B)

SR-JV80-11 “Techno Collection” (XP-C)

Quick Start

fig.Q-02b.f

À l’intérieur, il y a 2 connecteurs et 6 supports à carte. Insérer les connecteurs de la carte d’extension Wave dans les connecteurs internes tout en insérant simultanément les supports à carte dans les trous de celle-ci.

Carte d'extension Wave

Support à carte

Connecteur

EXP D

EXP E

Getting Ready

fig.Q-02c.f

Pour tourner les supports en position LOCK (verrouillé), utilisez l’outil d’installation de la carte d’extension fournie à cet effet. De cette façon, la carte sera bien fixée à sa place.

Outil d'installation

Reposez le couvercle en remettant les vis enlevées (comme spécifié) à l’étape 2.

L’installation de la carte d’extension Wave est terminée.

Rabranchez les câbles.

LOCK

fig.Q-03

Mettez le XP-30 sous tension en procédant comme indiqué dans “Turning On the Power” (p. 26).

Appuyer sur [PATCH] pour accéder à la page PATCH PLAY.

Getting Ready

fig.Q-04

Appuyer sur [EXP D] ou [EXP E] et vérifier si vous pouvez sélectionner les morceaux musicaux des cartes d’extension Wave D ou E. L’indicateur [EXP D] ou [EXP E] s’allumera et l’affichage suivant apparaîtra.

Quick Start

Ceci est un exemple d’affichage lorsque la carte d’extension Wave SR-JV8013 “Vocal Collection” est installée dans le créneau EXP-D.

Si vous ne pouvez choisir aucun des morceaux musicaux de la carte d’extension Wave, il est possible que la carte installée ne soit pas reconnue correctement. Éteignez l’appareil comme indiqué dans “Turning

Off the Power” (p. 26) et

réinstaller la carte correctement.

Getting Ready

Making Connections

The XP-30 does not contain an amp or speakers. In order to hear sound, you will need to connect it to a keyboard amp, audio system, or headphones. Refer to the following diagram and connect the XP-30 to the external equipment you are using.

fig.Q-05.e

to Power outlet

External MIDI device

Roland

Pedal switch

Expression pedal (EV-5) or pedal switch

Stereo set, etc. Speaker with built-in amp,

Before you make connections, make sure that power is turned off for all devices.

Stereo headphones

keyboard amp, etc.

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

Getting Ready

Connect supplied AC power cable to the XP-30, and plug the other end into an AC power outlet.

Connect audio cables and MIDI cables as shown in the diagram. If you are using headphones, plug them into the PHONES jack. Connect pedal switches or expression pedals as necessary.

On 117V models the AC cable is permanently attached to the unit.

Quick Start

In order to take full advantage of the XP-30’s performance, we recommend using a stereo amp/speaker system, If you are using a mono system, make you connections to the OUTPUT jack L (MONO).

CONTROL PEDAL jack can also accommodate pedal switches.

Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/ or damage to the unit.

For information on making the connection with the computer, take a look at

“Connecting to Your Computer” (p. 134).

Getting Ready

Turning On the Power

fig.Q-06

3 4

Before you turn the power on, check to make sure that:

• All external devices are correctly connected to the XP-30.

• The volume controls of the XP-30 and the amp/mixer system are turned

down all the way.

Turn on the power switch located on the rear panel of the XP-

30.

Turn the power on of your amp or audio system.

Play the XP-30 and gradually raise the volume controls of the

Once the connections have

een completed (p. 24), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required

efore the unit will operate normally.

XP-30, your amp or mixer to an appropriate volume level.

fig.Q-07

Be careful not to raise the VOLUME slider of the XP30 too much. Excessive volume may damage your amp/speaker system or could cause hearing

■ Turning Off the Power

Before you turn power off, check to make sure that:

• The volume controls of the XP-30 and the amp/mixer system are turned down all the way.

• Important data has been saved to a memory card (p. 122).

Turn off your amp/mixer system.

Turn off the XP-30 power.

Reset to Default Factory Settings (Factory Reset)

Before using XP-30 for the first time, reset it to its default factory settings using Factory Reset. Different settings may result in unexpected effects.

fig.Q-08

1 2 3 4

Getting Ready

Quick Start

fig.Q-09

fig.Q-09a

fig.Q-10

Press [UTIL/CARD] to make the indicator blink.

The UTIL 1 display will appear.

Press [ ].

The UTIL 2 display will appear.

Press the numeric key [4].

The FACTORY RESET display will appear.

Press [ENTER].

Factory Reset operation resets all data in the internal memory and user memory to factory presets. Save any important data to a memory card before executing this operation (p.

122).

If “Internal Write Protect= ON” message is displayed, press [DEC] to turn the setting OFF. After pressing [ENTER] to clear the message, press [ENTER] again to reset to the factory preset settings.

For more information about the Internal Write Protect, please refer to

“Preventing User Memory Writing Operation (PROTECT)”

(p. 121).

Listening to the Demo Song

The XP-30 contains 9 demo songs and you use Demo Play to play it. It’s the easiest introduction to the XP-30’s exceptional sounds and effects.

Demo Song Composer/Copyright

TRANSFERENCE Scott Tibbs © 1999 Roland Corporation CHANTERELLE Scott Tibbs © 1999 Roland Corporation VECTORIAL Scott Tibbs © 1999 Roland Corporation All In Good Time Scott Wilkie © 1999 Scott Wilkie Media (ASCAP) TEKKNO MILLENNIUM MASA © 1999 COPYRIGHT CONTROL A Shadow’s March Steve Lu © 1999 Stephen Lu Guitars Forever Gundy Keller © 1999 Gundy Keller / A-TOWN recordings Rude99 Hans-Joerg Scheffler © 1999 Hans Scheffler Overtime Hans-Joerg Scheffler © 1999 Hans Scheffler

fig.Q-11

fig.Q-12

fig.Q-13

1 324

Hold down [SHIFT] and press [CATEGORY].

The DEMO PLAY display will appear.

Turn the VALUE dial or press [INC]/[DEC] to select the song that you wish to hear.

If you select “CHAIN-PLAY,” the songs will playback successively, beginning from the first.

Press [ENTER] to start demo song playback.

When a demo song plays all the way to the end, it automatically returns to the start of the song, and playback is repeated. To interrupt playback, press [EXIT].

No data for the music that is played will be output from MIDI OUT.

To return to the previous display, press [EXIT].

■ Profile of the Composer

Scott Tibbs

Scott Tibbs has performed and conducted for several orchestral groups, including the Atlanta Symphony Orchestra, throughout the United States, Canada, Latin America, and Japan. His diverse compositional output ranges from numerous film, theater and television projects to the symphonic concert stage. For the past four years, he has been teaching music composition and theory at UCLA where he has received a Ph.D. degree in composition. He has performed with well-known artists Dizzy Gillespie, Bill Cosby, Jerry Sienfeld, and Bobby Shew, amongst numerous others.

Gundy Keller

Gundy Keller, a Germany-based guitarist, songwriter and producer, has been an international demonstrator for Roland since 1986. Gundy focuses mainly on the GR synthesizers and the V-Guitar, for international music conventions as well as recording sessions requesting completely unusual guitar sounds. Besides creating his own production company, he’s the founder and director of Rocksound Music School, a private institute for music instruction. Check out some of his other work on the Roland VG-8 Demo CD, or the Roland GR-30 Video.

Listening to the Demo Song

Quick Start

Steve Lu

Steve Lu is a recent graduate of Berklee College of Music, majoring in Music Production & Engineering. His recent musical efforts include a soundtrack album, featuring synthesized re-creations of movie themes such as “Titanic” and “The Rock,” as well as production and arrangements for saxophonist Jimmy Reid’s self-titled album. He is currently working with artists Brandy and Ray-J on future projects.

Scott Wilkie

Scott Wilkie is a contemporary jazz recording artist, based in southern California. He tours frequently with his own band, and also appears as an artist for Roland in the U.S., Japan, Europe and South America. His debut solo album, Boundless, was released worldwide in 1999 on Narada/Virgin Records. You can find him on-line at www.scottwilkie.com.

Hans-Joerg Scheffler

Born and raised in the Ruhr valley, the biggest industrial area in Germany, Hans’s attraction to noise and rhythm came naturally. Today he runs his own company, DIGITAL AUDIO DESIGN, which produces sampling CDs and CD ROMs. He works for Roland as a pro audio product specialist, as a sound designer for expansion boards, and as a composer of demo songs. He has released several CDs that use the Roland RSS system. Soundclips of his work can be downloaded at: http://www.united-sound.com/usmaster/cell2downde.htm

MASA

Masa has performed live, mainly at psychedelic-trance parties since the early 90’s. In the spring of 1996, he released the album “Just Inside” from East-West. Interest in his work is increasing, and new releases are appearing under a variety of labels, including Tokyo Tekno Tribe Records and Psy-Harmonics. Web site: www.ifnet.or.jp/~masa-k/

Playing the Sounds

Selecting Patches and Playing the Sounds

The XP-30 contains a large number of sounds ready for you to play. The sounds that you select and play on the XP-30 are generally called Patches. Here’s how to select and play Patches.

fig.Q-14

134

fig.Q-15

2 3

Press [PATCH] to make the indicator light.

The PATCH PLAY display will appear.

Play the keyboard and listen to the sound.

To select a different Patch, turn the VALUE dial or press [INC]/[DEC].

To change the Patch Group, hold down [SHIFT] and press any key from [1] through [6] on the numeric keypad.

[SHIFT] + [1]: PR-A (Preset A) [SHIFT] + [2]: PR-B (Preset B) [SHIFT] + [3]: PR-C (Preset C) [SHIFT] + [4]: PR-D (GM (General MIDI)) [SHIFT] + [5]: PR-E (Preset E) [SHIFT] + [6]: USER (User)

By using the Phrase Preview function, you can audition patches by listening to a preset phrase suitable for the selected type of patch (p. 33).

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