Roland Corporation VS-1824, VS-1824CD Owner's Manual

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (Owner’s Manual p. 2), “USING THE UNIT SAFELY” (Owner’s Manual p. 3), and “IMPORTANT NOTES” (Owner’s Manual p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, User Guide, Owner’s Manual, and Appendices should be read in its entirety. These manuals should be saved and kept on hand as a convenient reference.

Owner’s Manual

Roland Web Site: http://www.roland.co.jp/

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

WARNING: IMPORTANT:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the

letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

THIS APPARATUS MUST BE EARTHED THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Never use with a cart, stand, tripod, bracket, or table except as specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

For the U.K.

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

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002b

• Do not open or perform any internal modifications on the unit. (The only exception would be where this manual provides specific instructions which should be followed in order to put in place user-installable options; see User Guide p. 6, 9.)

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003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors);

or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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007

• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

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008a

• The unit should be connected to a power supply only of the type described in the operating instructions, or as marked on the unit.

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The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be

carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

008e

• Use only the attached power-supply cord.

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009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

• Protect the unit from strong impact.

(Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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022a

• Always turn the unit off and unplug the power cord before attempting installation of the circuit board (model no. VS8F-2; User Guide p. 6, 9).

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023

• DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.

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101a

• The unit should be located so that its location or position does not interfere with its proper ventilation.

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102b

• Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107b

• Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108a

• Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.

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109a

• Before cleaning the unit, turn off the power and unplug the power cord from the outlet ( p. 32).

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110a

• Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.

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115a

• Install only the specified circuit board(s) (model no. VS8F-2). Remove only the specified screws (User Guide p. 6, 9).

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118

• Should you remove the optical connector caps and screws fastening the effect expansion board cover, make sure to put them in a safe place out of children's reach, so there is no chance of them being swallowed accidentally.

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IMPORTANT NOTES

291b

In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 4, please read and observe the following:

Power Supply

301

• Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355

• To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.

353

• Observe the following when using the unit’s CD-RW drive. For further details, refer to “Before Using CD-RW drive” (p. 184, 233).

• Do not place the unit near devices that produce a strong magnetic field (e.g., loudspeakers).

• Install the unit on a solid, level surface.

• Do not move the unit or subject it to vibration while the drive is operating.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up on a storage device (e.g., CD-R/RW disc or Zip disk) or DAT recorder, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Memory Backup

501b

• This unit contains a battery which powers the unit’s memory circuits while the main power is off. When this battery becomes weak, the message shown below will appear in the display. Once you see this message, have the battery replaced with a fresh one as soon as possible to avoid the loss of all data in memory. To have the battery replaced, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a storage device (e.g., CD-R/RW disc or Zip disk), or DAT recorder.

552

• Unfortunately, it may be impossible to restore the contents of data that was stored on a storage device (e.g., CD-R/ RW disc or Zip disk), or DAT recorder once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

557

•A small amount of heat will radiate from the unit during normal operation.

IMPORTANT NOTES

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

562

• Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.

❍ Some connection cables contain resistors. Do not use

cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

Handling the Internal Hard Disk Drive

• Please note that the hard disk is a consuming product. To protect yourself against risk of loosing important data by accidental disk damage, we recommend that you periodically save a backup copy on the storage device (e.g., Zip disk or CD-R/RW recorder which is designated by Roland.)

• Before performing any of the following actions, be sure to perform the shutdown procedure. Failure to do so may result in the loss of song data or damage to the hard disk.

❍ Turning off the power of the VS-1824 ❍ Turning off the power of the disk drive connected with

SCSI connector

❍ Removing a disk from a removable disk drive

connected with SCSI connector Shutdown (See Appendices p. 13) Removable Disk Drive (See Appendices p. 13)

• Do not turn off the power while the hard disk is operating.

851

• Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is held by a third party is prohibited by law.

852a

• When exchanging audio signals through a digital connection with an external instrument, this unit can perform recording without being subject to the restrictions of the Serial Copy Management System (SCMS). This is because the unit is intended solely for musical production, and is designed not to be subject to restrictions as long as it is used to record works (such as your own compositions) that do not infringe on the copyrights of others. (SCMS is a feature that prohibits second-generation and later copying through a digital connection. It is built into MD recorders and other consumer digital-audio equipment as a copyright-protection feature.)

853

• Do not use this unit for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.

About the License Agreement

• The VS-1824 and its CD-R/RW capability are designed to allow you to reproduce material to which you have copyright, or material which the copyright owner has granted you permission to copy. Accordingly, reproduction of Music CD or other copyrighted material without permission of the copyright owner avoiding technical prohibiting features of second-generation and later copying like SCMS or others constitutes copyright infringement and may incur penalties even in case such reproduction is for your own personal use and enjoyment (private use). Consult a copyright specialist or special publications for more detailed information on obtaining such permission from copyright holders.

• While using the VS-1824, be careful not to subject the unit to vibration or shock, and avoid moving the unit while the power is turned on.

• Install the unit on a solid, level surface in an area free from vibration. If the unit must be installed at an angle, be sure the installation does not exceed the permissible range.

• Avoid using the unit immediately after it has been moved to a location with a level of humidity that is greatly different than its former location. Rapid changes in the environment can cause condensation to form inside the drive, which will adversely affect the operation of the drive. When the unit has been moved, allow it to become accustomed to the new environment (allow a few hours) before operating it.

Disclaimer of liability

• Roland will take no responsibility for any “direct damages,” “consequential damages,” or “any other damages” which may result from your use of the VS-1824. These damages may include but are not limited to the following events which can occur when using the VS-1824.

❍ Any loss of profit that may occur to you ❍ Permanent loss of your music or data ❍ Inability to continue using the VS-1824 itself or a

connected device

Table of Contents

USING THE UNIT SAFELY.......................................................................................................... 3

IMPORTANT NOTES...................................................................................................................5

Preparations..........................................................................................16

About the Package Contents................................................................................................... 16

Main Features............................................................................................................................ 16

The Latest in Compact Home Studio Environments...............................................................16

Simple Operation .......................................................................................................................... 17

Connectivity...................................................................................................................................17

Major Options................................................................................................................................17

Top and Rear Panels ............................................................................18

Mixer Section ............................................................................................................................ 18

Recorder Section...................................................................................................................... 20

Rear Panel................................................................................................................................. 22

Front Panel................................................................................................................................ 23

Chapter 1 Before You Start (VS-1824 Terminology)..........................24

Saving and Managing Data......................................................................................................24

Managing Disk Contents (Partitioning).................................................................................... 24

The Location Where a Performance is Recorded (Song)......................................................... 25

Sources, Tracks, and Channels....................................................................................................25

Takes and Phrases......................................................................................................................... 25

About Events .................................................................................................................................26

About Button Names.................................................................................................................... 26

Mixer Section ............................................................................................................................ 27

Signal Flow (Busses).....................................................................................................................27

Input Mixer .................................................................................................................................... 28

Track Mixer.................................................................................................................................... 28

Switching the Fader Functions....................................................................................................28

Master Block...................................................................................................................................29

Recorder Section...................................................................................................................... 29

Differences from a Tape-Type MTR........................................................................................... 29

Track Minutes and Recording Time...........................................................................................30

Auxiliary Tracks for Each Track .................................................................................................30

Effects Section.......................................................................................................................... 31

About the Effect Expansion Board .............................................................................................31

Connecting Effects ........................................................................................................................31

Chapter 2 Basic Operation...................................................................32

Turning the Power On and Off................................................................................................. 32

Turning On the Power.................................................................................................................. 32

Turning Off the Power ................................................................................................................. 32

Restarting .......................................................................................................................................33

If “STORE Current ?” is Displayed ............................................................................................33

Saving Your Song (Song Store) .............................................................................................. 33

Setting the Internal Clock ........................................................................................................ 34

Operating the VS-1824 ............................................................................................................. 35

Basic Navigation....................................................................................................................... 35

Adjusting the display Contrast...................................................................................................35

If You Have Trouble Understanding Displays or Operations ...............................................35

Function Buttons...........................................................................................................................36

Mixer and System Initialize...................................................................................................... 37

Table of Contents

Chapter 3 Playback Operations...........................................................38

The Display................................................................................................................................ 38

Display Regions............................................................................................................................. 38

Selecting a Playlist Display..........................................................................................................39

Function Buttons (While on the Playlist Display).................................................................... 40

Mixer Channel Display ............................................................................................................. 41

Changing Track Status............................................................................................................. 42

Muting and Soloing .................................................................................................................. 42

Muting Tracks................................................................................................................................ 42

Muting Inputs and Effect Returns..............................................................................................42

Quick Soloing.................................................................................................................................43

Solo Mode....................................................................................................................................... 43

Using Locators.......................................................................................................................... 43

Storing Locators.............................................................................................................................43

Recalling a Stored Locator...........................................................................................................43

Changing the Locator Bank.........................................................................................................44

Editing Stored Locators................................................................................................................44

Clearing Locator............................................................................................................................ 44

Using Markers........................................................................................................................... 45

Storing a Marker............................................................................................................................ 45

Locate to a Marker Using PREVIOUS and NEXT....................................................................45

Editing Marker Values ................................................................................................................. 46

Clearing Markers........................................................................................................................... 46

Other Ways to Move In a Song................................................................................................47

Changing Playback Position Using JUMP.................................................................................47

Change Playback Position Using TIME/VALUE Dial............................................................47

Move to the Beginning or End of a Song Using [FF] and [REW]...........................................47

Protecting Songs (Song Protect) ............................................................................................ 48

Protecting Performances..............................................................................................................48

To Remove Song Protect..............................................................................................................49

Selecting and Loading Songs (Song Select) ......................................................................... 49

Chapter 4 Recording Operations.........................................................50

Preparing for a New Recording...............................................................................................50

Create a New Song (Song New)..................................................................................................50

The Recording and Mixing Process........................................................................................ 53

Connecting Instruments ..........................................................................................................53

Recording to the Tracks........................................................................................................... 54

Recording on Other Tracks (Overdubbing)............................................................................ 56

Recording Using Different Virtual Tracks (V-Tracks)............................................................ 56

Manual Punch-In/Punch-Out.................................................................................................... 57

Manual Punch-In Using the RECORD Button.......................................................................... 57

Manual Punch-In Using the Foot Switch................................................................................... 57

Auto Punch-In and Punch-Out ................................................................................................ 58

Loop Recording ........................................................................................................................ 60

Undo and Redo ......................................................................................................................... 62

Recording and Editing Operation Which Can Be Undone (Undo) ....................................... 62

To use the Undo Function:........................................................................................................... 63

To cancel an Undo (Redo):........................................................................................................... 63

Cancel Only the Very Last-Performed Operation....................................................................63

Track Bouncing......................................................................................................................... 64

Track Bouncing With Effects.......................................................................................................65

Recording a Digital Source......................................................................................................66

Preparations for Recording a Digital Source.............................................................................66

Recording From a CD...................................................................................................................67

Table of Contents

Using the Metronome...............................................................................................................67

Turn On the Metronome..............................................................................................................67

Program the Tempo Map.............................................................................................................68

Using an External MIDI Sound Source to Play the Metronome ............................................68

Chapter 5 Using the Digital Mixer........................................................70

Fader/Mute Button....................................................................................................................71

Method One: Switching the Fader Functions (FADER/MUTE Button)............................... 71

Method Two: Input Mixer Screen...............................................................................................71

Determining Output..................................................................................................................72

MONITOR Output Connectors................................................................................................... 72

AUX Connectors............................................................................................................................73

Digital Out Connectors.................................................................................................................73

Direct Out Connectors..................................................................................................................74

Changing settings of the Track Mixer Buttons and Faders (Fader Mode) .......................... 75

Mixer Routing............................................................................................................................ 75

Sources Assigned to Tracks.........................................................................................................75

Input Mixer Default Assignment.............................................................................................. 76

Channel Link ............................................................................................................................. 77

Link Adjacent Mixer Channels....................................................................................................77

Adjust the Levels of Linked Channels.......................................................................................77

Adjusting the Panning of Channel Linked Channels..............................................................78

Linking the Faders of Two or More Channels (Fader Group)............................................... 79

Selecting V-Tracks.................................................................................................................... 80

Using the Equalizer (EQ).......................................................................................................... 80

Attenuation................................................................................................................................ 82

Phase......................................................................................................................................... 82

Copying Mixer Settings............................................................................................................ 83

Mixer Scenes............................................................................................................................. 84

Storing a Mixer Scene...................................................................................................................84

Recalling a Mixer Scene................................................................................................................ 85

Recalling a Scene Without Affecting the Current Fader Values ............................................ 85

Deleting a Mixer Scene................................................................................................................. 85

Updating a Mixer Scene...............................................................................................................85

Chapter 6 Mixer Channel Strip Detail..................................................86

Input Mixer................................................................................................................................. 86

[F1 (MIX)] MIX Bus Enable/Pan................................................................................................. 86

[F2 (Low)], [F3 (Mid)], and [F4 (High)] Equalizer....................................................................86

[F6 (PRM.V)] Parameter View/ [F6 (CH.V)] Channel View...................................................86

[F1 (FX1)] Effect 1 Send ................................................................................................................ 86

[F2 (FX2)] Effect 2 Send ................................................................................................................ 87

[F3 (FX3)] Effect 3 Send ................................................................................................................ 87

[F4 (FX4)] Effect 4 Send ................................................................................................................ 87

[F5 (AUX)] AUX Send ..................................................................................................................87

[F1 (FX1In)] Effect 1 Insert ...........................................................................................................88

[F2 (FX2In)] Effect 2 Insert ...........................................................................................................88

[F3 (FX3In)] Effect 3 Insert ...........................................................................................................89

[F4 (FX4In)] Effect 4 Insert ...........................................................................................................89

[F1 (Link)] Channel Link..............................................................................................................89

[F2 (ATT)] Attenuation................................................................................................................. 89

[F3 (Phase)] PHASE ...................................................................................................................... 90

[F4 (Group)] FADER GROUP .....................................................................................................90

[F1 (Meter)] METER......................................................................................................................90

[F3 (Solo)] SOLO............................................................................................................................90

[F4 (Mute)] MUTE.........................................................................................................................90

[F5 (Fader)] FADER ...................................................................................................................... 90

Table of Contents

Track Mixer................................................................................................................................ 90

[F1 (MIX)] MIX Bus Enable/Pan................................................................................................. 90

[F2 (Low)], [F3 (Mid)], and [F4 (High)] Equalizer....................................................................90

[F5 (V.Trk)] V-Track Select...........................................................................................................91

[F6 (PRM.V)] Parameter View/ [F6 (CH.V)] Channel View...................................................91

[F1(FX1)] Effect 1 Send ................................................................................................................. 91

[F2 (FX2)] Effect 2 Send ................................................................................................................ 91

[F3 (FX3)] Effect 3 Send ................................................................................................................ 91

[F4 (FX4)] Effect 4 Send ................................................................................................................ 92

[F5 (AUX)] AUX Send ..................................................................................................................92

[F1 (FX1In)] Effect 1 Insert...........................................................................................................92

[F2 (FX2In)] Effect 2 Insert...........................................................................................................93

[F3 (FX3In)] Effect 3 Insert...........................................................................................................93

[F4(FX4In)] Effect 4 Insert............................................................................................................94

[F1 (Link)] Channel Link..............................................................................................................94

[F2 (ATT)] Attenuation................................................................................................................. 94

[F3 (Phase)] PHASE ...................................................................................................................... 94

[F4 (Group)] FADER GROUP .....................................................................................................94

[F1 (Meter)] METER......................................................................................................................94

[F2 (Stats)] STATUS ...................................................................................................................... 94

[F3 (Solo)] SOLO............................................................................................................................95

[F4 (Mute)] MUTE.........................................................................................................................95

[F5 (Fader)] FADER ...................................................................................................................... 95

Master Block ............................................................................................................................. 95

[F1 (MST)] MASTER.....................................................................................................................95

[F2 (MON)] MONITOR................................................................................................................ 95

[F3 (AUX.A)] AUX A.................................................................................................................... 95

[F4 (AUX.B)] AUX B .....................................................................................................................96

[F5 (DOUT1)] DIGITAL OUT 1................................................................................................... 96

[F6 (DOUT2)] DIGITAL OUT 2................................................................................................... 96

[F1 (FX1In)] Effect 1 Insert...........................................................................................................96

[F2 (FX2In)] Effect 2 Insert...........................................................................................................97

[F3 (FX3In)] Effect 3 Insert...........................................................................................................97

[F4 (FX4In)] Effect 4 Insert...........................................................................................................97

[F5 (DIR)] DIRECT OUT ..............................................................................................................98

[F1 (FX1)] Effect 1 Master Send................................................................................................... 98

[F2 (FX2)] Effect 2 Master Send................................................................................................... 98

[F3 (FX3)] Effect 3 Master Send................................................................................................... 98

[F4 (FX4)] Effect 4 Master Send................................................................................................... 98

[F5 (AUX)] AUX Master Send.....................................................................................................98

Chapter 7 Using Internal Effects (VS8F-2)..........................................99

Location of Effects ................................................................................................................... 99

Effect Types .............................................................................................................................. 99

Insert Effects................................................................................................................................... 99

Loop Effects..................................................................................................................................100

Making the Effect Connection...................................................................................................100

Procedure for Using Effects .................................................................................................. 100

Selecting Effect Patches........................................................................................................ 101

Selecting a Preset Patch..............................................................................................................101

Creating and Saving User Effect Patches ............................................................................ 102

Create a User Effect Patch..........................................................................................................102

Save an Effect as a User Patch...................................................................................................102

Save an Effect Patch as Part of a Mixer Scene......................................................................... 103

Connecting Insert Effects ...................................................................................................... 103

Connecting Insert Effects to Inputs and Tracks......................................................................103

Connecting Insert Effects in the Master Block........................................................................105

Three Insert Effect Examples..................................................................................................... 105

Table of Contents

Connecting Loop Effects ....................................................................................................... 107

Effects Return Section.................................................................................................................107

Two Examples of Using Loop Effects ...................................................................................... 108

Using Effects While Recording ............................................................................................. 109

Listening to an Insert Effect While Recording........................................................................109

Listening to a Loop Effect While Recording ...........................................................................110

Recording Insert Effects ............................................................................................................. 110

Recording a loop effect...............................................................................................................111

Recording Stereo Effects....................................................................................................... 112

Three Important Reminders About Using Effects ............................................................... 112

Chapter 8 EZ Routing .........................................................................113

Using EZ Routing Step Editing.............................................................................................. 114

Setting Up for Recording Using Step Editing......................................................................... 114

Setting Up for Mixing Using Step Editing............................................................................... 116

Setting Up for Bouncing Using Step Editing...........................................................................117

Setting Up for Mastering Using Step Editing ......................................................................... 119

Using EZ Routing Quick Editing ........................................................................................... 121

Using EZ Routing Templates................................................................................................. 123

Saving an EZ Routing Template...............................................................................................123

Recalling an EZ Routing Template...........................................................................................123

Deleting an EZ Routing Template............................................................................................123

Chapter 9 Automix..............................................................................124

Mixer Automation ................................................................................................................... 124

Using Automix ........................................................................................................................ 125

Adjust the Display for Automix................................................................................................125

Realtime Automix ................................................................................................................... 125

Realtime Automix of Track Faders...........................................................................................125

Realtime Automix of Input Faders........................................................................................... 126

Automating the Master Stereo Mix and Monitor Output..................................................... 126

Automating Effect Returns........................................................................................................ 126

Snapshot Automation ............................................................................................................ 127

Snap Mode ...................................................................................................................................128

Automating Effect Changes....................................................................................................... 128

Gradation......................................................................................................................................129

Updating Automix................................................................................................................... 131

Editing Automix Data ............................................................................................................. 132

Editing Automix Data (Micro Edit)..........................................................................................132

Erasing Data from a Specific Area (Erase)............................................................................... 132

Copying Data to Another Location (Copy)............................................................................. 133

Smooth Data Transitions (Gradation)...................................................................................... 135

Increasing or Decreasing All Data Values (Shift/Expand)...................................................136

Erasing Automix Data ............................................................................................................ 138

Erasing Automix Data on Specified Channels........................................................................ 138

Erasing Automix Data on All Channels ..................................................................................138

Chapter 10 Track and Phrase Editing ...............................................139

Track Editing........................................................................................................................... 139

Track Erase................................................................................................................................... 139

Track Cut...................................................................................................................................... 140

Track Move ..................................................................................................................................142

Track Copy................................................................................................................................... 144

Track Insert ..................................................................................................................................146

Track Exchange............................................................................................................................147

Track Time Compression/Expansion...................................................................................... 148

Track Name..................................................................................................................................150

Track Import ................................................................................................................................151

Table of Contents

Phrase Editing......................................................................................................................... 152

Phrase Delete ............................................................................................................................... 152

Dividing a Phrase (Phrase Divide/Split)................................................................................. 153

Phrase Move.................................................................................................................................155

Phrase Copy................................................................................................................................. 157

Phrase Trim In ............................................................................................................................. 159

Phrase Trim Out..........................................................................................................................160

Phrase New..................................................................................................................................161

Phrase Name................................................................................................................................162

Naming Takes.............................................................................................................................. 162

Deleting a Take............................................................................................................................163

Chapter 11 Editing Tips & Tools........................................................164

Editing Operations.................................................................................................................. 164

Steps for Track Editing .......................................................................................................... 164

Step 1: Set the Edit Points...........................................................................................................165

Step 2: Perform the Button-Pushes to Complete the Edit .....................................................169

Track Editing vs. Phrase Editing........................................................................................... 170

An Editing Note of Caution....................................................................................................171

Practical Editing Application.................................................................................................171

Chapter 12 Song Editing ....................................................................173

Song Arrange.......................................................................................................................... 173

Song Split................................................................................................................................ 174

Song Combine ........................................................................................................................ 175

Chapter 13 CD-RW and Mastering.....................................................177

Create Master Data (Mastering)............................................................................................. 177

Mastering Room.......................................................................................................................... 177

Mixing Down to the Mastering Tracks....................................................................................177

Mastering Tracks Status Shortcut.............................................................................................179

Playing Back the Mastering Tracks .......................................................................................... 180

To Prohibit Digital Copying......................................................................................................181

Mixing Down While Inserting Effects...................................................................................... 181

Creating an Audio CD............................................................................................................. 183

Before Using the CD-RW drive.................................................................................................184

Items Necessary for Creating an Audio CD............................................................................ 184

Creating a Master Stereo Mix.................................................................................................... 185

Finalizing......................................................................................................................................185

Assembling Multiple Songs for CD Recording....................................................................186

Copyright Protection..................................................................................................................186

CD Track Numbers..................................................................................................................... 186

Writing Songs to CD-R Discs ....................................................................................................188

Adding a Song to a Partially Recorded Disc...........................................................................190

Arranging and Recording Multiple Songs to a CD-R Disc................................................... 190

CD Player Function................................................................................................................. 191

Capture Audio data from Audio CD (Capture function)...................................................... 192

Connecting an external CD-R/CD-RW Drive......................................................................... 194

Chapter 14 Other Useful Functions...................................................195

Vari Pitch................................................................................................................................. 195

Numerics/ASCII....................................................................................................................... 195

Entering Numbers....................................................................................................................... 195

Entering Letters...........................................................................................................................195

Stereo Input............................................................................................................................. 196

Using the MONITOR Knob to Adjust Channel Panning ...................................................... 196

Table of Contents

Chapter 15 Using External MIDI Devices..........................................197

Synchronizing with MIDI Sequencers................................................................................... 197

Items Necessary for Synchronization....................................................................................... 197

Master and Slave.........................................................................................................................197

Using MTC................................................................................................................................... 197

Synchronization Using the VS-1824 as the Master................................................................. 198

Synchronization Using the VS-1824 as the Slave....................................................................199

Using MTC Offset ....................................................................................................................... 200

Using the Sync Track (Master)..................................................................................................200

Recording MIDI Clock Messages.............................................................................................. 201

Synchronized Operation............................................................................................................201

Using the Tempo Map................................................................................................................202

Synchronized Operation............................................................................................................203

Other Methods to Generate A Sync Track or Tempo Map...................................................204

Using MIDI Controller Messages........................................................................................... 206

Switching Track Status............................................................................................................... 206

Switching Scenes.........................................................................................................................207

Switching Effects.........................................................................................................................207

Adjusting Effects.........................................................................................................................208

MIDI Machine Control.............................................................................................................208

Chapter 16 Using Software Sequencers...........................................209

Common Terms ...................................................................................................................... 209

MIDI Clock...................................................................................................................................209

MIDI Time Code (MTC).............................................................................................................209

MIDI Machine Control (MMC).................................................................................................209

Song Position Pointer (SPP).......................................................................................................209

Synchronization........................................................................................................................... 209

Sequencer Tracks......................................................................................................................... 209

MIDI Interface..............................................................................................................................209

Specific Software Applications ............................................................................................. 210

Cakewalk Pro Audio ..................................................................................................................210

Cubase VST..................................................................................................................................211

Logic Audio..................................................................................................................................212

Digital Performer ........................................................................................................................213

Vision DSP....................................................................................................................................214

Chapter 17 Using Hard Drives ...........................................................216

General Information Regarding Hard Drives........................................................................ 216

Drive Partitioning .......................................................................................................................216

Recording Times vs. Sample Rate/Recording Modes...........................................................217

Checking Remaining Space ....................................................................................................... 217

Recovering Drive Space......................................................................................................... 218

Song Optimize.............................................................................................................................218

Song Erase....................................................................................................................................219

Using External Hard Drives ................................................................................................... 220

Selecting an External Hard Drive ............................................................................................. 220

Connecting a Fixed External Hard Drive ................................................................................ 220

Connecting a Removable External Hard Drive......................................................................221

Before Using the Zip Disk Drive............................................................................................... 221

Initializing (Formatting) the Drive...........................................................................................222

Saving a Song to an External Drive (Song Copy)................................................................ 223

Song Copy Playable.................................................................................................................... 224

Song Copy Archives ................................................................................................................... 225

Loading a Song from an External Drive ............................................................................... 226

Loading a Song from an External Drive Using Song Copy Playable..................................226

Loading a Song from External Disks using Song Archive Extract ......................................227

Table of Contents

Drive Select............................................................................................................................. 228

Hard Drive Maintenance......................................................................................................... 229

Drive Initialize............................................................................................................................. 229

Drive Check..................................................................................................................................230

Check Drive Reliability using Surface Scan ............................................................................ 231

Backup Options ...................................................................................................................... 232

DAT Backup................................................................................................................................. 232

External Removable Drive......................................................................................................... 232

CD-R Backup ...............................................................................................................................232

Chapter 18 CD-R Backup ...................................................................233

CD-R Backup and Recover .................................................................................................... 233

Before Using the CD-RW drive.................................................................................................233

Items Necessary for CD-R Backup ...........................................................................................234

Inserting a CD ..............................................................................234

If a disc tray does not open ..............................................................................234

CD-R Backup ...............................................................................................................................235

CD-R Recover .............................................................................................................................. 236

Chapter 19 Using a DAT Recorder (DAT Backup) ...........................238

Before Backing Up to DAT..................................................................................................... 238

Items Necessary for DAT Backup............................................................................................. 238

About the Devices Used in DAT Backup ................................................................................238

Saving Song Data to DAT (DAT Backup).............................................................................. 239

Recovering Data from a DAT.................................................................................................241

DAT Recover................................................................................................................................ 241

Canceling the Recover Operation............................................................................................. 242

Checking DAT Tape Contents ............................................................................................... 242

DAT Backup Verification........................................................................................................ 243

Chapter 20 Compatibility with Other VS Recorders ........................245

Drive Compatibility................................................................................................................. 245

VS-1680, VS-880/880EX, VS-890 or VSR-880 → VS-1824......................................................245

VS-1824 → VS-1680, VS-880/880EX, VS-890 or VSR-880......................................................245

VS-840/840EX ↔ VS-1824 ......................................................................................................... 245

Song Import............................................................................................................................. 246

Song Export ............................................................................................................................ 247

Chapter 21 System and Global Settings...........................................249

System Settings for Each Song ............................................................................................ 249

Fader Match ................................................................................................................................. 249

Peak Hold..................................................................................................................................... 250

Remaining Recording Time....................................................................................................... 250

Foot Switch Settings.................................................................................................................... 251

Global Settings ....................................................................................................................... 251

Shift Lock...................................................................................................................................... 251

Numerics Type............................................................................................................................252

Measure Display..........................................................................................................................253

SCSI ID Number..........................................................................................................................254

IDE Drive Switch......................................................................................................................... 254

Input Peak Level..........................................................................................................................255

Previous/Next Switch................................................................................................................ 255

Adjusting the Button Sensitivity...............................................................................................256

Fan Control ..................................................................................................................................256

Removing a Direct Current Offset from the MIX Bus ........................................................... 257

MIDI Model ID............................................................................................................................257

Table of Contents

Play and Record Settings ...................................................................................................... 258

Record Monitor............................................................................................................................258

Marker Stop..................................................................................................................................258

Fade Length .................................................................................................................................259

Scrolling the Waveform Display...............................................................................................259

Alarm Clock............................................................................................................................. 260

Chapter 22 Specific Applications......................................................261

Syncing Two VS-1824s or a VS-1824 and a VS-1680 with MTC and MMC......................... 262

Settings for the Master VS.......................................................................................................... 262

Settings for the Slave VS.............................................................................................................263

Syncing a VS-1824 and VS-880/880EX or VSR-880 ............................................................. 263

Syncing the VS-880 to the VS-1824 Using MTC and MMC ..................................................263

Using an External MIDI Device to Control the Mixer (Compu Mix) .................................... 265

Correspondence Between MIDI Channels and Controller Numbers..................................265

Preparations for Compu Mix.....................................................................................................266

Recording with Compu Mix......................................................................................................267

Synchronizing with Video Equipment .................................................................................. 267

Using External Effects Units.................................................................................................. 268

Chapter 23 Frequently Asked Questions..........................................269

How Do I Control the Stereo Tracks Independently? ...........................................................269

Why Do I Hear the Inputs All of the Time? ............................................................................ 269

What is the FADER/MUTE Button Used For?....................................................................... 270

How Do I Burn Audio CDs?...................................................................................................... 270

How Do I Create a Tempo Map?..............................................................................................272

How Do I Use Automix?............................................................................................................272

How Do I Create a User Template in EZ Routing?................................................................ 273

How Do I Bounce Tracks?..........................................................................................................274

How Do I Bounce Tracks with Effects?.................................................................................... 275

Why Can’t I Hear My Effects?................................................................................................... 275

How Do I Use the Scrub and Waveform Display Features?................................................. 276

How Do I Record a Stereo Signal?............................................................................................277

How Do I Restore the Mixer Parameters to the Factory Settings?....................................... 277

How Do I Know How Much Time I Have Left On My Hard Drive, and How Big Is My Song? How Do I Import VS-1680, VS-880/880EX, VS-890/VSR-880 and VS-840/840EX Songs?

.....277

.................278

Index.....................................................................................................279

Preparations

About the Package Contents

The following items are included with the VS-1824. Please check to make sure you have all the items.

❒ VS-1824 ❒ AC cord ❒ Demo disc ❒ Blanc CD-R disc (VS-1824CD only) ❒ User Guide ❒ Owner’s Manual (this manual) ❒ Appendices ❒ Shortcut Seal

* This shows the list of shortcut commands.

❒ Overlay Sheet

* If you change setting of buttons and faders of track mixer

to “1880 mode.” It will be convenient to confirm function assignment with the overlay sheet. As the back side of this is adhesive, you can stick it to the top panel.

See “Change settings of the Track Mixer Buttons and Faders (Fader Mode)” (p. 75) for detailed explanation of change setting.

Main Features

The Latest in Compact Home Studio Environments

The VS-1824 retains all of the features of Roland's VS-1880 Digital studio workstation, a revolution in the world of the home studio, with the disk recorder, digital mixer, and multi effects systematically integrated into a great sounding digital recorder. From when you start picking mics to when you actually record; from mixdown, to adding effects, and on to creating the master data for playing through a PA or mastering on a CD; you can easily control every aspect of the recording process with the VS-1824 in your home studio.

Disk Recorder Section

● The digital disk recorder section provides 18 playback tracks, and allows eight tracks to be recorded simultaneously. Each track features 16 virtual tracks (VTracks), providing a total of 288 tracks altogether. This means that you can record multiple takes, make temporary mixes when editing and create songs that require numerous tracks, all with room to spare.

● The VS-1824’s recording functions were designed for use with professional digital equipment—DAT recorders, digital mixers, digital effects, etc. You can record and edit with top-quality sound, losing none of that quality in the playback.

● You can instantly find the location of sections in a song you want to hear repeatedly (locator), or places that you wish to record over by placing marks at these points (marker). These markers are recalled by a simple procedure, and you will never have to wait for any rewinding or fast-forwarding.

● Sounds are organized in phrases. Copying, moving, and inserting these phrase units (using Phrase Edit), as well as many other editing processes, are possible with the VS-

1824. For example, you can create “break beats” by copying a four-measure drum pattern any number of times, or have the same chorus both at the beginning and end of a song.

● You to cancel and recover up to 999 previous recording and editing operations (Undo/Redo).

● The internal clock runs on battery power, so it continues to function even after the VS-1824’s power is turned off. This allows you to manage your songs by “time stamp,” the time and date of recording that is registered in the song data.

Digital Mixer Section

● You can store all mixer settings, including fader levels,

pan, and effects. Stored settings can be recalled very simply, a convenient feature when adjusting balances during mixdown and comparing mixes with effects.

● Changes in settings over time, such as fader levels and

pan, can also be stored (Automix), allowing you to perfect fade-ins and fade-outs in your mixes.

● You can easily set up the VS-1824 for different situations

such as recording, track bouncing, and mixdown using its handy EZ Routing feature.

Effects Section

● One effect expansion board, VS8F-2 is pre-installed in the

VS-1824. Up to two of these effect expansion boards can be installed in the VS-1824. With the VS8F-2 effect installed in the VS-1824, up to four high-quality stereo effects will be available for your use.

● The VS8F-2 provides not only basic effects such as reverb

and delay, but also effects ideal for vocals and guitar (such as guitar amp simulator) and even special effects such as RSS and Roland’s exclusive COSM™ speaker modeling that you can use when the VS-1824 is connected to digital speakers such as Roland’s DS-90A Powered Monitors. These effects are organized as 34 “algorithms” from which you can easily create new sounds.

● The VS8F-2 provides 240 read-only effects, or “preset

patches,” that are designed for various uses. In addition, the VS8F-2 provides 200 read-and-write effects, “user patches,” that can be customized and re-saved. As a result, you can instantly switch between a wide variety of effects simply by selecting a preset or user patch.

Simple Operation

● The VS-1824 can be operated as easily as a conventional

multitrack recorder. You will be able to enjoy all of the advantages of a home studio from the day of purchase.

● The VS-1824 uses the well-known graphics (“icons”) made

famous by Roland’s VG-8 and V-Drums. The large, fulldot graphic display is backlit and inclined, so it is easy to read when used on stage, or wherever high visibility is required.

Connectivity

● A wide variety of connectors and jacks are provided,

including two balanced XLR connectors. The VS-1824 features a wide input sensitivity range—from mic level (-50 dBu) to line level (+4 dBu)—and phantom power, allowing you to plug in condenser mics that require external power.

Preparations

● There are six sets of balanced input jacks, handling a wide input sensitivity range, from line level (+4 dBu) to mic level(-50 dBu). Furthermore, you can choose either the high-input (GUITAR (Hi-Z)) jack for directly plugging in an electric guitar, or the INPUT 8 jack.

● Besides the RCA phono type (stereo) MASTER jacks, (stereo) AUX A and AUX B jacks, and (stereo) MONITOR jacks are also provided. You can monitor an effect send and other outputs without affecting the MASTER Out in any way.

● The VS-1824 provides both coaxial and optical digital I/O connectors. With these, you can digitally connect the VS-1824 to popular consumer electronic devices such as CD players, DAT recorders, MD recorders, and so on.

● A SCSI connector (DB-25 type) is also provided, allowing you to connect the VS-1824 to external SCSI devices such as a Zip drive or CD-R drive.

● MIDI IN and MIDI OUT/THRU connectors are also provided. You can synchronize the VS-1824 with an external MIDI sequencer, use the MIDI sequencer to control the VS-1824’s mixer, sound an external MIDI sound generator with the metronome, and more.

● Besides tracks for recording audio signals, the VS-1824 has a sync track for storing MIDI clock messages. You can even synchronize MIDI sequencers that are not compatible with MTC (MIDI Time Code) or MMC (MIDI Machine Control).

Major Options

CD-R Drive (approved by Roland):

A CD-R or CD-RW drive connected with a SCSI connector. Such a device allows you to create songs on the VS-1824 and burn them onto your own original audio CDs. Additionally, you can use a CD-R for backing up song data to inexpensive CD-R discs.

VS8F-2:

One VS8F-2 effect expansion board is pre-installed in the VS-1824. Up to two of these effect expansion boards can be installed in the VS-1824 by adding a second, optional VS8F-2 board. With two VS8F-2 effect boards installed in the VS-1824, up to four high-quality stereo effects will be available for your use.

You can add one more VS8F-2 which can supply two stereo effects, so you can use up to a total of four stereo effects.

* The VS8F-1 effect expansion board is for use with the VS-880.

It cannot be used in the VS-1824.

Top and Rear Panels

Mixer Section

fig.00-03

1 2

7 8

4 5

1. PEAK Indicators

Use these indicators to confirm the correct recording level as set with the INPUT knobs. The indicators are set at the factory to illuminate when the input audio reaches 0 dB. You can change the peak level indicator setting so the indicators illuminate when audio reaches -3 or -6 dB. (p. 255)

2. INPUT Knobs

These knobs adjust the sensitivity of the INPUT jacks 1 through 8. Turn the knob fully clockwise for mic level (-50 dBu), or fully counter-clockwise for line level (+4 dBu).

11 12

3. SELECT/CH EDIT (Select/Channel Edit) buttons

Use these buttons to change Input Mixer settings for the analog inputs, digital inputs, stereo inputs, and effect returns. The currently selected channel’s indicators will light.

1–8: Each input channel (1–8) DIGITAL: Digital input ST IN: Stereo in EFFECT 1/3 RTN: Effect 1/3 Return EFFECT 2/4 RTN: Effect 2/4 Return

You can assign an input to be recorded to a track by holding down the track’s STATUS button, then pressing the desired SELECT button for the input or source you wish to record.

Use these buttons to input alphabetical characters for Song Names, etc., when the [NUMERIC/ASCII] is lit.

Top and Rear Panels

4. SELECT/CH EDIT (Select/Channel Edit) buttons

Use these buttons when you wish to change Track Mixer settings and to change track channels. The currently selected channel’s indicators are lit.

1–18: Each track channel (1–18)

* If you want to display track channel 13-18, hold [SHIFT]

down and press the SELECT buttons for track channels (13-18).

You can alter the correspondence between the panel's buttons/faders and the Track Mixer channels. For detailed information, refer to “Change settings of the Track Mixer Buttons and Faders (Fader Mode)” (p. 75).

When you press these buttons while holding down the STATUS button, you can select any desired bouncing destination track.

Use these buttons to input alphabetical characters for Song Names, etc., when the [NUMERIC/ASCII] is lit.

5. STATUS Buttons

These buttons switch the status of each track (p. 42). The current status is shown by the button indicator.

SOURCE (orange):

The input source or track assigned to the channel is being output.

REC (blinking red):

The track is ready to be recorded. When blinking red, previously recorded material on the track will be heard.

REC (blinking red and orange):

The track is ready to be recorded and the source will be heard. This occurs when the VS-1824 is in Record Ready and you press [PLAY], then press the blinking red status button.

PLAY (green):

The track assigned to the channel will play back.

OFF (off):

The channel is muted (silent).

7. MONITOR Knob

This adjusts the volume level output from the MONITOR jacks.

Front & Rear

Panels

8. PHONES Knob

This knob adjusts the volume of the headphones.

9. AUTOMIX Button

This button switches the Automix function on and off. The button indicator lights when Automix is on.

10. EZ ROUTING Button

This button invokes the EZ Routing screen.

11. EDIT/SOLO Button

Press this button to make block settings for the master section of the mixer.

To use the Solo function to monitor only a specific channel, press this button while holding down the SELECT/CH EDIT button.

12. FADER/MUTE Button

Each press of this button alternately assigns use of the channel faders to the Input Mixer or to the Track Mixer. The button indicator shows the faders’ current status. (p. 75)

To mute the channel, press this button while holding down the SELECT/CH EDIT button.

13. Master Fader

Use this fader to adjust the overall output level.

When pressed in combination with the SELECT/CH EDIT button, this selects the source or track to be assigned to a track for recording.

6. Channel Faders

Use these faders to adjust the volume level of each channel or track.

Top and Rear Panels

Recorder Section

fig.00-04

3 4

1. Graphic Display

This displays shows various data related to the current status of the VS-1824 during recording, playback, editing, changing its settings, and so on.

11 12

14–17

18 19

4. PREVIEW Button

Press this button to use the Preview function that plays back a specific amount of time before and after the current location.

2. FUNCTION Button

These buttons switch the display screen and execute operations.

The function currently assigned to each button appears at the bottom of the display.

3. PAGE (JUMP) Button

This button switches pages for screens that consist of several pages.

When [SHIFT] is held down together with this button, the Locator Jump screen is displayed.

5. LOCATOR/SCENE Button

Pressing this button allows you to store or recall locators and markers or to store or recall Scenes (mixer settings).

Recalls the most recent start or end point of a phrase. Pressed with [SHIFT], this button recalls the previous marker.

Recalls the next start or end point of a phrase. Pressed with [SHIFT], this button recalls the next marker.

TAP:

Press this button to set markers.

Top and Rear Panels

BANK/9:

Pressing this with the LOCATOR buttons (1–8) selects the locator bank.

SCENE/0:

This is pressed when storing, recalling, and deleting Scenes.

CLEAR (Back Space):

This button deletes locators, markers, and Scenes.

NUMERICS/ASCII:

Press this when you want to use the STATUS and LOCATOR buttons for entry of alphabetical characters or numbers.

1–8:

These select a locator or Scene.

6. Transport Control Buttons

These buttons operate the recorder. ZERO: This returns the current time to “00h00m00s00”

(zero return).

REW: The current time is moved back only while this

button is held down. This corresponds to the rewind button on a tape recorder.

FF: While the button is held down, the current time is

moved forward. This corresponds to the fastforward button on a tape recorder.

STOP: Stops recording or playback of the song. PLAY: Starts recording or playback from the current

time.

REC: Press this button to record a song.

7. CONTRAST Knob

Use this to adjust the brightness of the display screen.

8. CD-RW/MASTERING Button

Press this button to master a song, or to write it on a CD. It also accesses CD backup and restore functions.

9. MIDI/DISK Indicator

This indicator lights green when MIDI messages are being received, and red when data is being written or read on the disk drive. If both occur, the indicator lights orange.

10. EXT SYNC (External Sync) Button

Press this button to designate the VS-1824 or an external MIDI device as the master, or main, controlling synchronization device. With the VS-1824 selected as the master, the external MIDI device functions as the slave unit; with the external MIDI device is selected as the master, the VS-1824 functions as the slave unit.

11. CURSOR Buttons

Normally (i.e. in Play mode), these buttons are used to select the time resolution for changing location using the TIME/VALUE dial. When making settings (i.e. in Edit mode), use these buttons to select parameters.

12. PLAY (DISPLAY) Button

Press this button to return to the screen that appears when the VS-1824 is first turned on (normal playback status).

13. TIME/VALUE Dial

In normal (playback) mode, this dial adjusts the current time for playback. When making settings (i.e. when editing), use this dial to change parameter values.

14. LOOP Button

This button turns Loop Recording on and off. Pressed together with first 1 and then another Locator button, it specifies the range to be recorded in Loop Recording.

15. AUTO PUNCH Button

This button turns Auto Punch-In Recording on and off. Pressed together with first 1 and then another Locator button, it specifies the range to be recorded in Auto Punch-In Recording.

16. UNDO (REDO) Button

Press this button to cancel a recording or editing step that you have made (Undo function). Pressed with [SHIFT], this button cancels the last Undo operation (Redo function).

17. SHIFT Button

This button is pressed in conjunction with other buttons to access additional functions of those buttons.

18. ENTER/YES Button

This is pressed to execute the current operation or select the current screen.

19. EXIT/NO Button

This is pressed to cancel the current operation or exit the current screen.

Front & Rear

Panels

Top and Rear Panels

Rear Panel

fig.00-05

1 2 53 678

1514 16

9 11

10 12 134

1. POWER Switch

This switch turns the VS-1824’s power on and off. See Chapter

2. AC IN (AC Inlet)

Connect the included power cable here.

3. Cooling Fan Exhaust

The VS-1824 is equipped with a cooling fan, which prevents overheating of the VS-1824's electronics. Heat from inside is expelled here.

Do not place any object in a position where it would block the cooling fan's exhaust or hinder the movement of air. This will defeat the normal cooling action of the fan.

4. SCSI Connector

This is a DB-25 type SCSI connector for connecting SCSI devices, such as an external hard disk, removable media, or a CD-R.

5. MIDI Connectors (IN, OUT/THRU)

Connect external MIDI devices (MIDI sequencers, MIDI controllers, etc.) here.

IN: This connector receives MIDI messages. Connect it to the MIDI OUT connector of an external MIDI device.

OUT/THRU: This connector can be used either as a MIDI OUT or as a MIDI THRU jack. With the factory settings, it will function as a MIDI OUT connector, which means it is set to transmit MIDI messages generated by the VS-1824.

6. PHONES Jack

Connect your headphones (not supplied) here. The PHONES jack outputs the same signal as the MONITOR jack, and is affected by the monitor level and both the MONITOR level and the PHONES level knobs.

7. MONITOR Jacks (L, R)

RCA-phono-type analog audio output jacks. With the factory settings, all signals output from the MASTER OUT jacks also output from the MONITOR jacks. This is determined by the block settings of the mixer’s master section and the settings of each channel.

8. AUX B Jacks (L, R)

9. AUX A Jacks (L, R)

RCA-phono-type analog audio output jacks. With the factory settings, there is no output from either the AUX A or the AUX B jacks. The output is determined by the block settings of the mixer’s master section and the settings of each channel.

10. MASTER OUT Jacks (L, R)

RCA-phono-type analog audio output jacks. With the factory settings, all signals are output from the MASTER OUT jacks. The output is determined by the block settings of the mixer’s master section and the settings of each channel.

11. FOOT SWITCH Jack

An optional foot switch (such as the DP-2 or the BOSS FS-5U) can be connected here when you want to control recorder operations, mark point settings, and punch in/out operations, etc. with a foot switch. With the factory settings, a foot switch is set to start and stop the recorder.

Top and Rear Panels

12. DIGITAL Connectors (IN, OUT)

The VS-1824 accepts both coaxial and optical digital I/O connectors (conforming to S/P DIF).

IN: This accepts a stereo digital audio signal. You can

select either the coaxial input connection or the optical connection.

OUT: This outputs a stereo digital audio signal. You can

use both the coaxial connector and the optical connector simultaneously, and each can carry a different signal.

S/P DIF (Appendices p. 13)

* Before recording a digital audio signal, certain system settings

must be made. To input a digital signal, refer to “Recording a Digital Source,” p. 66

* The digital connectors cannot input or output analog audio

signals.

13. PHANTOM Switch

This turns phantom power (+48 V) on and off. With the factory settings, this is set to “Off.”

15. 1/4” INPUT Jacks (3-8)

Inputs 3 through 8 may be used as 1/4” phone-type TRS (Tip Ring Sleeve) balanced connections, or as 1/4” phone-type unbalanced connections, depending on the jack and cable used. Use INPUT knobs 3-8 to adjust the input sensitivity of these inputs.

16. XLR Balanced Inputs

Inputs 1 and 2 are XLR balanced connections. Use INPUT knobs 1 and 2 to adjust the input sensitivity of these inputs.

Front Panel

321

Front & Rear

Panels

Phantom Power (Appendices p. 13)

* Supplying phantom power to dynamic microphones or audio

playback devices may result in damage to your equipment. Thoroughly read the owner’s manual of your microphone, and make sure that the phantom power switch is set to “Off” unless you are using a condenser mic that requires phantom power.

* Switching the phantom power on or off while the VS-1824 is

turned on produces a loud noise that can damage amps and speakers. Turn the phantom power on or off only when the VS-1824 is turned off.

* When nothing is plugged into the INPUT 1–2 jacks, make

sure that the phantom power switch is set to “Off.” Also, we recommend that the INPUT knob be turned fully to “LINE” to capture as high a sound quality as possible.

14. GUITAR (Hi-Z) Jack (Guitar)

This 1/4” phone-type high-impedance jack is designed to work best with a guitar, for less interference and a louder, cleaner signal. It can be used instead of—but not at the same time as—the regular INPUT 8 jack. If cables are connected to both the GUITAR input and the regular INPUT 8 jack, the GUITAR jack will take priority. Use the INPUT 8 knob to adjust the input sensitivity of this input.

1. Disc Tray

Place the CD to be loaded on this tray.

2. Access Indicator

This indicator will light when the inserted CD is being read or when data is being written to the CD.

3. Eject Button

This button opens or closes the CD disc tray.

4. Emergency eject hole

This hole allows the disc tray to be opened in case of an emergency. See “If a disc tray does not open,” p. 234.

It is strictly restricted to eject tray using emergency eject hall during VS-1824 is operating. This is cause error of software.

Chapter 1 Before You Start (VS-1824 Terminology)

This chapter explains the basic concepts, internal structure, and basic procedures that you will need to know in order to operate the VS-1824. Please read this chapter thoroughly to gain a better understanding of the VS-1824.

Saving and Managing Data

The VS-1824 saves all of the data, such as performance data, mixing data, system data, etc., on a hard disk drive.

The internal hard disk is not removable.

Managing Disk Contents

(Partitioning)

The internal hard drive has 5 partitions. The size of each partition is 2000 MB. If you would like to change partition size, please refer to drive initializing on p. 229.

The VS-1824 is able to manage 500 MB, 1000 MB or 2000 MB of disk space at once. If you use a disk drive with a capacity that is greater than this, you will need to divide it into two or more areas.

Each of these area is referred as a “partition.” Up to eight partitions can be created in a single disk drive.

Ex. 1: When the disk drive is 10 GB, and the

partition size is 2000 MB.

fig.01-05

Disk Drive

(10GB)

Partition 0 (2000MB)

Partition 1 (2000MB)

Ex. 2: When the disk drive is 10 GB, and the

partition size is 1000 MB.

fig.01-04

Disk Drive

(10GB)

Partition 0 (1000MB)

Partition 2 (1000MB)

Partition 4

(1000MB)

Partition 6 (1000MB)

unusable

(2000MB)

Each partition on the VS-1824’s disk drive is treated as an independent drive, and automatically given a partition number (0–7). When a single hard disk has multiple partitions, you can specify which partition drive will be used (“Drive Select,” p. 228). This selected disk drive partition used is referred to as the “current drive.”

* If you wish to use hard disks or song data with both the VS-

1824 and the VS-880/1680/880EX/890/VSR-880, there will be limitations as to what you can do due to factors such as differing partition sizes and numbers of tracks. For more detailed information, please see “Drive Compatibility,” p. 245.

VS-1880's song data is identical to that of the VS-1824.

Partition 1

(1000MB)

Partition 3

(1000MB)

Partition 5

(1000MB)

Partition 7 (1000MB)

Partition 2 (2000MB)

Partition 4 (2000MB)

Partition 3 (2000MB)

Chapter 1 Before You Start (VS-1824 Terminology)

The Location Where a Performance is Recorded (Song)

The location where performance data is recorded is referred to as a “song.” For example, on a cassette MTR, this would correspond to a cassette tape. Up to 200 songs can be created in each partition. Normally, you should set the partition size at 2000 MB. When dealing with large numbers of songs at the same time, or when you want to use the data on the VS-880 as well, setting the partition size to 1000 MB is recommended. The song currently being recorded, played back, or edited is referred to as the “current song.” The following types of data are included in a song.

• All data recorded on V-Tracks

• MIDI clocks of the sync track

• Points specified within songs—locator, marker, punchin/out points, loop-in/out points

• Scenes (mixer settings)

• Vari Pitch settings (p. 195)

• System settings—system, MIDI, disk, sync, Scene

• Effect settings

• Automix data

Takes and Phrases

On the VS-1824, data is managed in groups called “takes,” and “phrases.” Please take a moment to make sure you understand the differences between these terms.

Takes: The data recorded to the disk is simply called a

“take”—a take is actually your audio data recorded on the hard disk, along with time stamp (time and date imprint) information. Each recording is a take. Note that when you record material onto a track that already contains a take, the VS-1824 does not discard the earlier take.

Phrases: A “phrase” is a set of pointers that tells the

VS-1824 what portion of a take is to be played by a track. The length of a phrase may just be the entire length of a take, or may consist of only part of a take. Also, you can use any number of phrases from the same take, and have a phrase played back repeatedly as a sort of “break beat.” This is displayed as one box in the playlist.

fig.01-06

Chapter 1

Sources, Tracks, and Channels

On the VS-1824, the recorder section and mixer section use the term “sources,” “tracks” and “channels.” These terms may appear similar to each other, and can be confusing unless their differences are clearly understood.

Source: A signal which is input to the mixer section or

recorded in the recorder section. On the VS-1824, this term refers in particular to the signals of the analog INPUT jacks (1-8) and the DIGITAL IN connector.

Track: A signal that is being input to or output from the

recorder section. It also refers to the location to which a signal is being recorded or played back from the hard disk.

Channel: A signal that is being input to or output from the

mixer section. This term refers in particular to the faders and buttons of the mixer section on the top panel.

fig.01-07

fig.01-08

Chapter 1 Before You Start (VS-1824 Terminology)

About Events

The smallest unit of memory used by the VS-1824 to store recorded information on disk is called an “event.” A newly created song is provided approximately 18,000 events.

For each track, one recording pass uses two events. Operations such as punch-in/out or track copy also use up events. The number of events that are used up will change depending on what you are doing. For example, Automix (p. 124) uses up six events for each marker.

Even when your disk has ample free space, one song can use up all the available events, in which case no more data can be recorded to the song.

The remaining number of Events can be saved with the following procedures. Please use the most appropriate procedure for your situation.

Execute Song Store (p. 33)

Use Execute Song Store if the UNDO indicator is lit. Events served for Redo will be released. But please note that you cannot cancel, or redo, the last Undo you once execute this operation.

About Button Names

There are two groups of buttons referred to as SELECT/CH EDIT (Select/Channel Edit) buttons.

fig.01-08a

Input Channel

Track Channel

Track

Execute Song Optimize (p. 218)

Execute Song Optimize if you have done a lot of punch-in recording. Events used for now-unnecessary audio data will be released. But please note that you lose all but one level of Undo after you Optimize.

Erase AutoMix data (p. 138)

If you have recorded AutoMix data, erase unnecessary data. Events used for unnecessary AutoMix data will be released.

Chapter 1 Before You Start (VS-1824 Terminology)

Mixer Section

The digital mixer specifies input or output status of the recorder section.

The VS-1824’s mixers include the Input Mixer—which, in the signal path, is situated before the recording section—the Track Mixer, placed after the recording section, and the Master Block, which is used for determining which jacks and connectors output the signals from each of the other mixers.

* For more detailed information about the mixer section, please

refer to the “Mixer Section Block Diagram” (Appendices p. 128).

Signal Flow (Busses)

On the VS-1824, signals flow through busses. Busses are shared pathways through which multiple signals can be sent to various tracks or channels. It may be easier to understand this if we use the analogy of water pipes.

For example, the water that is supplied by the water company to your house is branched to a variety of locations within the house (kitchen, bathroom, etc.). The water that is used at each of these locations is then collected and carried away.

fig.01-09

RECORDING Bus:

Signals assigned to the RECORDING bus are routed to the recorder section to be recorded. The RECORDING bus has eight channels to which you can assign any output of the Input Mixer, Track Mixer, and effects (effect return). Signals assigned to the RECORDING bus cannot be routed to the MIX bus.

Chapter 1

MIX Bus:

Signals assigned to the MIX bus are sent to the MASTER jacks for monitoring. It has two channels (L and R), and can take output signals from the Input Mixer, Track Mixer, and effects (effect return). Signals assigned to the MIX bus cannot be routed to the RECORDING bus.

EFFECT Bus:

Signals assigned to the EFFECT bus are sent to the VS8F-2 in order to add effects to them. The EFFECT bus has four channels—FX1 L/R, FX2 L/R—and can process signals from the Input Mixer and the Track Mixer. Signals assigned to the RECORDING bus, as well as the MIX bus, can also be routed to the EFFECT bus.

AUX Bus:

Signals assigned to the AUX bus are routed to the AUX jacks to provide addition mixes for monitoring. This bus features six channels (AUX1 L/R, AUX2 L/R, AUX3 L/R), and can take signals from the Input Mixer and the Track Mixer. Signals assigned to the RECORDING bus as well as the MIX bus can also be routed to the AUX bus. This is convenient if, for example, you want to connect an external effects device, or when you want an additional output separate from that of the MASTER Out jacks (an individual out).

If we think of the VS-1824 as the house, the water being supplied from the water company corresponds to inputs such as mic or guitar. Some of these inputs are sent to recording tracks and are recorded. Other portions are sent to the effects, and reverb or chorus are applied before they are output.

The basic principle of the VS-1824 is that by specifying from where—and to where—the common lines run, you can determine which signals will be recorded on which track or sent to which effects, and to where they will be output.

EFFECT bus and AUX bus

If the VS-1824 contains two VS8F-2s, AUX bus (AUX1 L/ R, AUX2 L/R) serves as EFFECT bus (FX3 L/R, FX4 L/R).

Chapter 1 Before You Start (VS-1824 Terminology)

Input Mixer

The Input Mixer is placed before the recorder section, and corresponds to the input jacks: INPUT 1–8, DIGITAL IN L/R.

fig.01-10

The output of each input channel is assigned to the track on which it is to be recorded. Channels not assigned to tracks are output directly from the MASTER jacks. Also, signals assigned to tracks when the tracks are not in Record Standby (STATUS indicator blinking red) are also output from the MASTER jacks. At this time, the following signals are assigned to the channel faders.

Track Mixer

The Track Mixer is placed after the recorder section, and corresponds to Tracks (1–18).

fig.01-11

REC 1

REC 2

REC 3

REC 4

REC 5

REC 6

REC 7

REC 8

Recorder Track Mixer (Track channel 1–18)

Track1

Track2

Track3

Track4

Track5

Track6

Track7

Track8

Track9

Track10

Track11

Track12

Track13

Track14

Track15

Track16

Track17

Track18

EQ1 Fader1

EQ2 Fader2

EQ3 Fader3

EQ4 Fader4

EQ5

EQ6

EQ7

EQ8

EQ9

EQ10

EQ11

EQ12

EQ13

EQ14

EQ15

EQ16

EQ17

EQ18

Fader5

Fader6

Fader7

Fader8

Fader9

Fader10

Fader11

Fader12

Fader13

Fader14

Fader15

Fader16

Fader17

Fader18

Pan1

Pan2

Pan3

Pan4

Pan5

Pan6

Pan7

Pan8

Pan9

Pan10

Pan11

Pan12

Pan13

Pan14

Pan15

Pan16

Pan17

Pan18

MIX L/R (MASTER)

REC 1 (Recorder)

REC 2 (Recorder)

REC 3 (Recorder)

REC 4 (Recorder)

REC 5 (Recorder)

REC 6 (Recorder)

REC 7 (Recorder)

REC 8 (Recorder)

All of the tracks are output from the MASTER jacks. Additionally, tracks can also be routed back to the RECORDING bus for overdubbing, or re-rerecording. The channel faders 1–18 correspond respectively to Tracks 1–18.

Switching the Fader Functions

Channels 1–8: INPUT jacks 1–8 DIGITAL: DIGITAL IN connector L/R ST IN: Sources assigned to STEREO IN (p. 196) EFFECT 1/3 RTN: FX1 return level or FX3 return level EFFECT 2/4 RTN: FX2 return level or FX4 return level

On the VS-1824, it is possible to adjust Input Mixer or Track Mixer settings by switching the function of the channel faders on the top panel.

Pressing [FADER/MUTE] on the top panel toggles the function of the channel faders between controlling the Input Mixer and the Track Mixer.

For more detailed information, please see “FADER/MUTE Button,” p. 71.

fig.01-12

Chapter 1 Before You Start (VS-1824 Terminology)

Master Block

This selects the jacks or connectors—which are connected to external equipment—to which the output of each mixer is sent.

fig.01-13

Recorder Section

Differences from a Tape-Type MTR

Unlike DAT recorders, which use tape, digital disk recorders record performances (that is, sounds) on a disk, as do MD recorders. Music that is recorded on disk can be recalled and played back immediately, no matter where it is located on the disk. This is obvious from the difference in speed with which you can move to the beginning of a song on the VS1824 as opposed to a DAT recorder.

The ability to freely move to data regardless of the time or sequence at which it was recorded is known as “random access.” By contrast, having to move to data in the order of the time or sequence at which it was recorded is known as “sequential access.”

fig.01-14

● random access

Chapter 1

● sequential access

Chapter 1 Before You Start (VS-1824 Terminology)

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18

Track Minutes and Recording Time

With cassette tape recorders, the amount of time you can record on a tape is predetermined by the length of that tape. Moreover, any unused portion of the tape is wasted.

fig.01-15

By contrast, with disk recording, although the available recording time is determined by the amount of disk space, only the disk space used for recording is spent. Thus, depending on the number of concurrent tracks and phrases you record, the amount of available recording time will vary. Therefore, it is a good idea to have a standard unit of measurement that corresponds to the time of one continuous monaural signal being recorded on one track. This unit is referred to as a “track minute.”

fig.01-16

For example, 10 track minutes can be used for 10 minutes of monaural recording—this corresponds to the term’s basic definition— or for five minutes of stereo recording since it uses two tracks, or two minutes and 30 seconds of recording on four tracks, and so on.

fig.01-17

Auxiliary Tracks for Each Track

The VS-1824 provides 18 playback tracks. Each track contains 16 of its own supplementary tracks that can be used for recording or playback. In other words, you can record performances containing up to 288 (18 tracks x 16) tracks. On each of the 18 tracks, any one—and only one—of its supplemental tracks can be playing back at any given moment. These auxiliary tracks are called “V-Tracks.”

fig.01-18

Track

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18

8 10 12 14 16

9 11 13 15

V.Track

* The Appendices (p. 130) provides a blank virtual track sheet to

help you keep track of your virtual track recordings. Feel free to copy the sheet to use when you record.

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