Before using this unit, carefully read the sections entitled:
“USING THE UNIT SAFELY” and “IMPORTANT NOTES” (pp. 2–
5). These sections provide important information concerning
the proper operation of the unit. Additionally, in order to feel
assured that you have gained a good grasp of every feature
provided by your new unit, Owner’s manual should be read in
its entirety. The manual should be saved and kept on hand as a
convenient reference.
• Do not attempt to repair the unit, or
replace parts within it (except when
this manual provides specific instructions directing you to do so). Refer all
servicing to your retailer, the nearest
Roland Service Center, or an authorized Roland distributor, as listed on
the “Information” page.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
007
• Make sure you always have the unit
placed so it is level and sure to remain
stable. Never place it on stands that
could wobble, or on inclined surfaces.
• This unit, either alone or in combination with an amplifier and
headphones or speakers, may be
capable of producing sound levels that
could cause permanent hearing loss.
Do not operate for a long period of
time at a high volume level, or at a
level that is uncomfortable. If you
experience any hearing loss or ringing
in the ears, you should immediately
stop using the unit, and consult an
audiologist.
• Immediately turn the power off, and
request servicing by your retailer, the
nearest Roland Service Center, or an
authorized Roland distributor, as
listed on the “Information” page
when:
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid
has been spilled onto the unit; or
• The unit has been exposed to rain
(or otherwise has become wet); or
• The unit does not appear to operate
normally or exhibits a marked
change in performance.
• In households with small children, an
adult should provide supervision
until the child is capable of following
all the rules essential for the safe
operation of the unit.
• DO NOT play a CD-ROM disc on a
conventional audio CD player. The
resulting sound may be of a level that
could cause permanent hearing loss.
Damage to speakers or other system
components may result.
• Always turn the phantom power off
when connecting any device other
than condenser microphones that
require phantom power. You risk
causing damage if you mistakenly
supply phantom power to dynamic
microphones, audio playback devices,
or other devices that don’t require
such power. Be sure to check the
specifications of any microphone you
intend to use by referring to the
manual that came with it.
(This instrument’s phantom power: 48
V DC, 5 mA Max)
In addition to the items listed under “USING THE UNIT SAFELY” on page 2, please read and
observe the following:
Power Supply
307
• Before connecting this unit to other devices,
turn off the power to all units. This will help
prevent malfunctions and/or damage to
speakers or other devices.
Placement
351
• Using the unit near power amplifiers (or other
equipment containing large power transformers)
may induce hum. To alleviate the problem,
change the orientation of this unit; or move it
farther away from the source of interference.
352a
• This device may interfere with radio and
television reception. Do not use this device in
the vicinity of such receivers.
352b
• Noise may be produced if wireless communications devices, such as cell phones, are
operated in the vicinity of this unit. Such noise
could occur when receiving or initiating a call,
or while conversing. Should you experience
such problems, you should relocate such
wireless devices so they are at a greater
distance from this unit, or switch them off.
354a
• Do not expose the unit to direct sunlight,
place it near devices that radiate heat, leave it
inside an enclosed vehicle, or otherwise
subject it to temperature extremes. Excessive
heat can deform or discolor the unit.
355b
• When moved from one location to another
where the temperature and/or humidity is very
different, water droplets (condensation) may
form inside the unit. Damage or malfunction
may result if you attempt to use the unit in this
condition. Therefore, before using the unit, you
must allow it to stand for several hours, until
the condensation has completely evaporated.
360
• Depending on the material and temperature
of the surface on which you place the unit, its
rubber feet may discolor or mar the surface.
You can place a piece of felt or cloth under the
rubber feet to prevent this from happening. If
you do so, please make sure that the unit will
not slip or move accidentally.
Maintenance
401a
• For everyday cleaning wipe the unit with a
soft, dry cloth or one that has been slightly
dampened with water. To remove stubborn
dirt, use a cloth impregnated with a mild, nonabrasive detergent. Afterwards, be sure to
wipe the unit thoroughly with a soft, dry cloth.
402
• Never use benzine, thinners, alcohol or
solvents of any kind, to avoid the possibility
of discoloration and/or deformation.
Repairs and Data
452
• Please be aware that all data contained in the
unit’s memory may be lost when the unit is
sent for repairs. Important data should always
be written down on paper (when possible).
During repairs, due care is taken to avoid the
loss of data. However, in certain cases (such as
when circuitry related to memory itself is out
of order), we regret that it may not be possible
to restore the data, and Roland assumes no
liability concerning such loss of data.
Additional Precautions
551
• Please be aware that the contents of memory
can be irretrievably lost as a result of a
malfunction, or the improper operation of the
unit. To protect yourself against the risk of
loosing important data, we recommend that
you periodically write down important data
you have stored in the unit’s memory on paper.
552
• Unfortunately, it may be impossible to restore the
contents of data that was stored in the unit’s
memory once it has been lost. Roland Corporation
assumes no liability concerning such loss of data.
4
IMPORTANT NOTES
553
• Use a reasonable amount of care when using
the unit’s buttons, sliders, or other controls;
and when using its jacks and connectors.
Rough handling can lead to malfunctions.
556
• When connecting / disconnecting all cables,
grasp the connector itself—never pull on the
cable. This way you will avoid causing shorts,
or damage to the cable’s internal elements.
558a
• To avoid disturbing your neighbors, try to
keep the unit’s volume at reasonable levels.
You may prefer to use headphones, so you do
not need to be concerned about those around
you (especially when it is late at night).
559a
• When you need to transport the unit, package
it in the box (including padding) that it came
in, if possible. Otherwise, you will need to use
equivalent packaging materials.
562
• Use a cable from Roland to make the connection.
If using some other make of connection cable,
please note the following precautions.
• Some connection cables contain resistors.
Do not use cables that incorporate resistors
for connecting to this unit. The use of such
cables can cause the sound level to be
extremely low, or impossible to hear. For
information on cable specifications, contact
the manufacturer of the cable.
564
• Before you open the included CD-ROM, you
must read the “license agreement.” Opening
the CD-ROM will be taken to mean your
acceptance of the license agreement.
Handling CD-ROMs
801
• Avoid touching or scratching the shiny
underside (encoded surface) of the disc.
Damaged or dirty CD-ROM discs may not be
read properly. Keep your discs clean using a
commercially available CD cleaner.
Copyright
851
• Unauthorized recording, distribution, sale,
lending, public performance, broadcasting, or
the like, in whole or in part, of a work
(musical composition, video, broadcast, public
performance, or the like) whose copyright is
held by a third party is prohibited by law.
852b
• When exchanging audio signals through a
digital connection with an external instrument,
this unit can perform recording without being
subjected to some of the restrictions of the
Serial Copy Management System (SCMS). This
is because the unit is intended solely for
musical production, and is designed not to be
subject to restrictions as long as it is used to
record works (such as your own compositions)
that do not infringe on the copyrights of
others. (SCMS is a feature that prohibits
second-generation and later copying through a
digital connection. It is built into MD recorders
and other consumer digital-audio equipment
as a copyright-protection feature.)
853
• Do not use this unit for purposes that could
infringe on a copyright held by a third party.
We assume no responsibility whatsoever with
regard to any infringements of third-party
copyrights arising through your use of this unit.
204
* Microsoft and Windows are registered trade-
marks of Microsoft Corporation.
206e
* The screen shots in this document are used in
compliance with the guidelines of the
Microsoft Corporation.
206j
* Windows® is known officially as: “Microsoft®
®
Windows
207
* Apple, Macintosh, and iTunes are registered
operating system.”
trademarks of Apple Computer, Inc.
209
* Mac OS is a trademark of Apple Computer, Inc.
213
* Pentium is a registered trademark of Intel Cor-
poration.
231
* OMS is a registered trademark of Opcode Sys-
tems, Inc.
232
* FreeMIDI is a trademark of Mark of the Uni-
corn, Inc.
220
* All product names mentioned in this docu-
ment are trademarks or registered trademarks
of their respective owners.
5
Contents
Features of the UA-4FX.......................................................................... 8
Connections for various setups............................................................ 9
Recording a cassette tape or LP into your computer...................................... 9
Recording sound from your computer onto MD or DAT ........................... 11
Recording the digital output from a CD/MD/DAT into your computer 12
Recording a guitar or mic................................................................................. 13
Recording with a phantom-powered condenser mic................................... 15
Recording Internet radio or other computer sound ..................................... 17
Playing back 5.1 ch surround from your computer...................................... 18
• Digital (optical) input/output jacks support sampling frequencies of 44.1 kHz / 48
kHz / 96 kHz. You can capture audio signals from CD, MD, or DAT with no loss in
quality.
Advanced Effect audio processor delivers 24-bit quality effects
for recording and playback with simple one-touch operation
• The vacuum tube amp simulator lets you transform sound from a digital source such
as an MP3 file or Internet radio, giving it the fat and warm tone that’s characteristic
of vacuum tubes. Even analog sources can be captured with the distinctively warm
tone of vacuum tubes so you preserve the analog character of the sound.
• With a simple operation you can remove hiss noise from an analog source, and
restore lost tone or presence to make the sound richer and more brilliant.
• A full range of audio processing for playback is also provided. Clear highs, powerful
lows, and deeper reverb for a more spacious sound. The UA-4FX transforms your
computer into an AV processor! The Center Cancel effect lets your computer work as
a karaoke system!
• The UA-4FX is ideal for recording guitar or vocals. In addition to an audio processor
designed for performance, and an FX voice effect that lets you transform the sound
into a different vocal character, you can use a variety of effects (such as AMP/
DRIVE) to obtain a range of sounds, from natural-sounding guitar amp distortion to
aggressive distortion, as well as chorus and delay, all carefully selected from the
BOSS effects processors acclaimed by guitarists everywhere.
Compact size, ideal for desktop use or portability
The UA-4FX is USB bus-powered, taking its power supply from the computer. Since there’s
no need to connect an AC adaptor, it’s ideal for use with a notebook computer.
Powerful impact for game sound playback
The UA-4FX is an ideal way to greatly enhance your computer’s audio environment.
Support for Dolby Digital 5.1 channel playback
You can connect an AV amp and enjoy the dynamic sound of a movie theater.
* Supported only on Windows XP.
* 5.1 channel playback requires Intervideo Corporation’s WinDVD Version 5 or later, sold
separately.
8
Connections for various setups
This chapter explains how you can connect the UA-4FX for various setups.
* To avoid speaker damage and/or malfunction, you must turn down the volume on all your
audio equipment before making connections with the UA-4FX.
Recording a cassette tape or LP into your computer
Here’s how you can record the analog output of an audio device such as a cassette
tape or LP (vinyl record) into your computer.
fig.analog.e
Sampling frequency
select switch
Set this to match the
sampling frequency of
the recording software
you are using.
Recording source
select switch
INPUT
Guitar/mic input volume
Turn this all the way to the far left.
Audio cables
LINE OUT
To obtain the best audio quality, do not connect anything to the mic
input jack or guitar/mic input jack.
Lower the guitar/mic input adjustment slider to the lowest position.
Audio Amplifier
(Cassette, record players)
Input/output level
indicator
Adjust the input level
so it is as high as you
can get it without
causing the indicator
to light in red.
Signal flow
Set this to ANALOG
●
Sampling frequency select switch
Set this to the sampling frequency that is selected in your recording software.
After you change the position of the sampling frequency select switch, you will need
to disconnect and reconnect the USB cable.
9
Connections for various setups
●
Recording source select switch
Set this to
ANALOG
.
Turn down the volume of your connected monitor speakers (or similar equipment)
before you change the setting of the
●
Input/output level indicator
Use this to adjust the input level.
To obtain the best-quality recording, use the input volume knob to adjust the level
until it is as high as you can get it without causing the
to light in red.
Be careful of looped connections
fig.loop.e
UA-4FX
Loop Connection
INPUT
recording source select switch
input/output level indicator
Stereo Set
LINE OUT
(cassette player)
.
OUTPUT
LINE IN
If you connect the UA-4FX as shown in the above diagram with another device that
passes the input audio back to the output (e.g., a MD/DAT in recording mode), the
sound will loop between the UA-4FX and the other device, causing oscillation and
producing an unexpected high volume. Be aware that such connections can cause
malfunctions or damage your speakers.
10
Connections for various setups
Recording sound from your computer onto MD or DAT
Here’s how you can record audio data from your computer onto a digital device
such as MD or DAT.
fig.digital.e
Recording source
select switch
Set this to LOOP-BACK
MD/DAT
DIGITAL INPUT
Optical digital cable
DIGITAL OUT
Sampling frequency select switch
Set this to match the sampling frequency of the audio
data you are playing, the sampling frequency that can
be recorded by your digital device (MD/DAT), and the
sampling frequency used by your software.
●
Sampling frequency select switch
Signal flow
Set this to the sampling frequency of the audio data you are playing and the
sampling frequency of your recording software.
After you change the position of the sampling frequency select switch, you will need
to disconnect and reconnect the USB cable.
●
Recording source select switch
Set this to
LOOP-BACK
.
If this is set to LOOP-BACK, signals will no longer be received from the various
analog input jacks. This means that only the sound from your computer will be sent
to the digital output connector, so that noise or undesired sound will not be present.
Turn down the volume of your connected monitor speakers (or similar equipment)
before you change the setting of the
recording source select switch
.
11
Connections for various setups
Recording the digital output from a CD/MD/DAT into your computer
fig.digital2.e
CD player
Optical digital cable
DIGITAL OUT
DIGITAL
IN
Recording source
select switch
Set this to DIGITAL
Sampling frequency select switch
Set this to match the sampling
frequency of the recording software
you are using.
●
Sampling frequency select switch
Signal flow
Set this to the sampling frequency of your recording software.
Normally, you will select 48 kHz or 44.1 kHz for DAT, and 44.1 kHz for MD or CD.
For details, refer to the owner’s manual for your digital audio device and software.
After you change the position of the sampling frequency select switch, you will need
to disconnect and reconnect the USB cable.
●
Recording source select switch
Set this to
similar equipment) before you change the setting of the
switch
DIGITAL
.
. Turn down the volume of your connected monitor speakers (or
recording source select
* The UA-4FX complies with SCMS. If the audio data that is input from the digital audio
input connector contains copy-prohibit flags (as will be the case if you recorded an MD from
a CD), the UA-4FX will not allow this data to be recorded on your computer. (The sound will
be output from the line output jacks and headphone jack.)
* The signal from the line input jacks or mic input jack, the signal from the guitar/mic input
jack, and the signal from the digital input connector cannot be mixed and recorded together.
* If no signal is being received from the digital input connector even though the
source select switch
when the switch is set to
is set to
ANALOG
DIGITAL
.
, the UA-4FX will operate in the same way as
recording
12
Connections for various setups
Recording a guitar or mic
Here’s how you can play your guitar or sing along with audio data played back from
your computer, and use your sequencer or other software to record just the sound of
the guitar or mic.
fig.guitar-mic.e
Monitor
speakers
The input from your guitar or mic will be
mixed with the audio data played back by
your computer, and sent to your speakers.
LINE IN
Audio cables
USB cable
USB
connector
Only the input from the
guitar or mic will be
recorded on your computer.
Sampling frequency
select switch
Set this to match the
sampling frequency of
the recording software
you are using.
Recording source
select switch
Set this to ANALOG
●
Sampling frequency select switch
Dynamic micGuitar
Guitar/mic input volume
Set the input level so it is as high as you
can get it without causing the input level
indicator to light in red.
OUTPUT
plug-in powered mic
USB connector
computer
Input/output level indicator
The input from your guitar or
mic will be mixed with the
audio data from your
computer, and output.
Signal flow of audio data from your computer
Signal flow of the guitar/mic input
Set this to the sampling frequency that is selected on your recording software.
After you change the position of the sampling frequency select switch, you will need
to disconnect and reconnect the USB cable.
* The available frequencies will depend on the software you are using. For details, refer to the
owner’s manual of your application. The available frequencies will also depend on the
operating system of your computer.
13
Connections for various setups
●
Recording source select switch
Set this to
ANALOG
. Turn down the volume of your connected monitor speakers (or
similar equipment) before you change the setting of the recording source select
switch.
●
Input select switch
Set this to
●
Guitar/mic input volume
MIC
if you connect a mic, or to
GUITAR
if you connect a guitar.
Use this to adjust the input level. If the input/output level indicator is lit red, use this
volume control to lower the input level. To obtain the best-quality recording, use this
knob to adjust the level so it is as high as you can get it without causing the indicator
to light.
983
* Howling could be produced depending on the location of microphones relative to speakers.
This can be remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating microphone(s) at a greater distance from speakers.
3. Lowering volume levels.
14
Connections for various setups
Recording with a phantom-powered condenser mic
fig.condensor.e
Monitor speakers, etc.
The input from the condenser mic will be
mixed with the audio data from your
computer, and then output.
LINE IN
Audio cables
USB cable
USB
connector
Only the input from the
mic will be recorded in
the computer.
Condenser mic
Sampling frequency
select switch
Set this to match the
sampling frequency of
the recording software
you are using.
Recording source
select switch
Set this to ANALOG
●
Sampling frequency select switch
Guitar/mic input volume
Set the input level so it is as high as you can get it
without causing the input level indicator to light in
red.
OUTPUT
USB
connector
Computer
Input/output level
indicator
If connecting a
condenser mic:
Turn on the phantom
power switch located on
the bottom panel.
The phantom power
indicator will light.
Signal flow of the audio data from
the computer
Signal flow of the guitar/mic input
Set this to the sampling frequency that is selected in your recording software.
After you change the position of the sampling frequency select switch, you will need
to disconnect and reconnect the USB cable.
* The frequencies you can select will depend on the software you’re using. For details, refer to
the owner’s manual of the application you’re using. The selectable frequencies will also
depend on your operating system.
●
Recording source select switch
Set this to
ANALOG
. Turn down the volume of your connected monitor speakers (or
similar equipment) before you change the setting of the recording source select
switch.
15
Connections for various setups
●
Phantom power switch
Turn ON.
The
phantom power indicator
●
Guitar/mic input volume
on the front panel will light.
Use this to adjust the input level. If the input/output level indicator is lit red, use this
volume control to lower the input level. To obtain the best-quality recording, use this
knob to adjust the level so it is as high as you can get it without causing the indicator
to light.
983
* Howling could be produced depending on the location of microphones relative to speakers.
This can be remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating microphone(s) at a greater distance from speakers.
3. Lowering volume levels.
16
● Types of mic
Most mics are either dynamic mics or condenser mics; either type of mic can be
connected to the UA-4FX. The UA-4FX also supports “plug-in powered mics,”
which are small monaural condenser mics designed for connection to the mic
input of a computer.
Only a monaural mic that supports plug-in power may be connected to the mic
input jack (plug-in powered mic). Connecting any other type of mic or a
conventional stereo mini-type plug to this jack may damage the circuitry.
Connections for various setups
Recording Internet radio or other computer sound
Here’s how you can use your computer to record Internet radio or other sound from
your computer.
fig.pc.e
Recording source
select switch
Set this to
LOOP-BACK
The sound that is output from
your computer will pass
through the UA-4FX, and be
returned to the computer.
Computer
USB connector
USB cable
USB connector
Sampling frequency select switch
Set this to match the sampling
frequency of the recording software
you are using.
●
Sampling frequency select switch
Signal flow from your computer
Signal flow from the UA-4FX
Set this to the sampling frequency that is selected on your recording software.
After you change the position of the sampling frequency select switch, you will need
to disconnect and reconnect the USB cable.
●
Recording source select switch
Set this to
LOOP-BACK
.
Turn down the volume of your connected monitor speakers (or similar equipment)
before you change the setting of the
recording source select switch
.
17
Connections for various setups
Playing back 5.1 ch surround from your computer
fig.5.1ch.e
Amp with built-in
Sampling frequency select switch
Set this to
48 (kHz)
DIGITAL INPUT
Optical digital
cable
DIGITAL
OUT
5.1 ch decoder
Output level indicator
When 5.1 channel
surround is being
output, the output
level indicators will
light consecutively
from the bottom.
Signal flow
ADVANCED DRIVER switch
Set this to
ON
The UA-4FX’s 5.1 channel digital output can be played back by an amp that has a
built-in 5.1 channel decoder.
• You cannot record audio signals during 5.1 channel playback.
This functionality is available only in Windows. In order to use this in Windows, you
will need DVD playback software such as WinDVD. You will need to obtain this
separately.
For details on settings, refer to the owner’s manual for your software.
* We recommend that you use WinDVD 5 or later.
18
No sound will be output
from the headphone jack.
Applying effects
The UA-4FX’s
sound, and are a great convenience for audio editing. Four types of digital effect are
provided, and these can be applied while you play back sound or record from a mic
or guitar. You can use the four knobs to easily adjust the character of the effect that is
applied to the mic, guitar, or the sound from the line inputs or digital input.
Before you continue, make connections and basic settings as described in
“Connections for various setups”
advanced effects
provide an easy way to change the character of the
(p. 9).
Advanced effects (three features)
Advanced 1Four ways to use
1. Vacuum tube (TUBE) amp simulator
This is a COSM effect that simulates a vacuum tube amp.
It creates the fat, warm sound that is typical of vacuum tubes.
2. MASTERING
Old analog sources such as cassette tape will be given new life by digital technology.
3. LISTENING
This setting is ideal for listening. Your computer becomes an AV processor, allowing
you to enjoy karaoke.
4. PERFORM
Enjoy powerful guitar sounds, and seven types of narration voice.
fig.fx-vari.e
Effect variation
button
Tube Simulator
button
19
Applying effects
Advanced 2
fig.eng-panel
Effect knobs
Advanced 3
fig.rec-play.e
Using the four effect knobs to adjust the
sound
Applying effects to the recording (capture) or
playback
20
Applying effects to the recording
fig.eng-panel1_50
ig.advance-fx1.e
Applying effects
Capture
ADVANCED
Advanced
effect
Applying effects to the playback
fig.eng-panel2_50
fig.advance-fx2.e
Capture
Play back
Audio CDInternet radio
Play back
Center
cancel
ADVANCED
Advanced
effect
21
Applying effects
Applying effects
1
Press the
No effect will be applied if neither the capture button or the playback button are turned on (lit).
You cannot turn both buttons on simultaneously.
fig.fx-sw.e
2
Use the
variation button
capture button
Tube simulator button
to select the desired effect.
or the
playback button
fig.eng-panel1
.
If you want to apply effects to the sound being
recording, turn on the capture button.
fig.eng-panel2
If you want to apply effects to the sound being played
back, turn on the playback button.
or
Effect
TUBE SIMULATOR
button
Effect Variation
switch
3
Use the
If an
effect knob
turn the
effect knobs
effect knob
to adjust the character of the effect.
is set to the
OFF
position, that effect will not be applied. Gradually
toward the right to adjust the setting to your taste.
* The fat sound produced by the tube simulator will still remain even if the effect knob is turned
off.
fig.eng-panel
Effect knobs
* In some cases, applying the effect too strongly may cause the sound to distort. If this occurs,
lower the input level. Alternatively, turn the effect knobs toward the left to reduce the depth of
the effect.
22
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