Roland Corporation TD-8 Owner's Manual

OWNER’S MANUAL

Thank you, and congratulations on your choice of the Roland Percussion Sound Module TD-8.

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 2–3) and “IMPORTANT NOTES” (p. 4). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

* All product names mentioned in this document are trademarks or registered trademarks of their

respective owners.

For the U.K.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

NEUTRAL LIVE

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be

carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

U S I N G

T H E

U N I T

S A F E L Y

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

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002c

• Do not open (or modify in any way) the unit or its AC adaptor.

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003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors);

or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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005

• This unit should be used only with a rack or stand that is recommended by Roland.

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006

• When using the unit with a rack or stand recommended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

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008c

• Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

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009

• Avoid damaging the power cord. Do not bend it excessively, step on it, place heavy objects on it, etc. A damaged cord can easily become a shock or fire hazard. Never use a power cord after it has been damaged.

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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012c

• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor or the power-supply cord has

been damaged; or

• Objects have fallen into, or liquid has been

spilled onto the unit; or

• The unit has been exposed to rain (or otherwise

has become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

• Protect the unit from strong impact.

(Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/ amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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101b

• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

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102d

• Always grasp only the plug or the body of the AC adaptor when plugging into, or unplugging from, an outlet or this unit.

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103b

• Whenever the unit is to remain unused for an extended period of time, disconnect the AC adaptor.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107d

• Never handle the AC adaptor body, or its plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108b

• Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.

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109b

• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 31, p.

29).

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110b

• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

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IMPORTANT NOTES

291a

In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:

Power Supply

301

• Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).

302

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355

• To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Memory Backup

501b

• This unit contains a battery which powers the unit’s memory circuits while the main power is off. When this battery becomes weak, the message shown below will appear in the display. Once you see this message, have the battery replaced with a fresh one as soon as possible to avoid the loss of all data in memory. To have the battery replaced, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory or another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

558c

• Since sound vibrations can be transmitted through floors and walls to a greater degree than expected, take care not to allow such sound to become a nuisance to neighbors, especially at night and when using headphones. Although the drum pads and pedals are designed so there is a minimal amount of extraneous sound produced when they're struck, rubber heads tend to produce louder sounds compared to mesh heads. You can effectively reduce much of the unwanted sound from the pads by switching to mesh heads.

559

•

When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

562

• Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.

• Some connection cables contain resistors. Do not use

cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

IMPORTANT NOTES ...............................................................................4

Contents ..................................................................................................5

How To Use This Manual......................................................................11

Features.................................................................................................12

Panel Descriptions................................................................................14

Front Panel.................................................................................................................................................14

Rear Panel.................................................................................................................................................. 16

Button Operation and Displays ...........................................................18

Saving your settings.................................................................................................................................18

Buttons, sliders and knobs......................................................................................................................18

Cursor......................................................................................................................................................... 18

Function buttons ([F1], [F2], [F3]) ..........................................................................................................18

Using the Pop-Up Menus........................................................................................................................19

Using the [INC/+] and [DEC/-] Buttons and the VALUE Dial........................................................20

Using [FADERS] and [GROUP FADERS]............................................................................................. 21

Choosing pads from the TD-8 front panel............................................................................................22

About the Preset Drum Kits.................................................................................................................... 22

About the Patterns (Accompaniment of Several Measures)..............................................................22

About the Display in the Upper Part of the Screen............................................................................. 23

Quick Start ............................................................. 25

Before You Begin Playing....................................................................26

Mounting the TD-8 to the Stand.............................................................................................................26

Connecting Pads and Pedals................................................................................................................... 27

Connecting Your Audio System or Amp..............................................................................................29

Turning on the Power.............................................................................................................................. 30

Turning Off the Power ................................................................................................................. 31

Listening to the Demo Song....................................................................................................................32

Specifying Pads and Performing.........................................................34

Specifying the Types of Pads to Be Connected....................................................................................34

Making Roland Drum System “V-Custom Kit” Settings........................................................34

Specifying Pads Individually ...................................................................................................... 36

Setting Head Tension....................................................................................................................38

Checking the Settings ................................................................................................................... 40

Playing the Pads ....................................................................................................................................... 41

Rim Shots........................................................................................................................................ 41

Cross Stick...................................................................................................................................... 42

Choking .......................................................................................................................................... 42

Positional Sensing ......................................................................................................................... 42

Playing with Brushes....................................................................................................................43

Hi-Hat Control Pedal.................................................................................................................... 43

Contents

Performing.............................................................................................44

Playing Sounds ......................................................................................................................................... 44

Choosing Drum Kits..................................................................................................................... 44

Adjusting the Volume .................................................................................................................. 45

Adjusting the Sensitivity of a Pad ..............................................................................................46

Listening to Metronome Clicks [CLICK]................................................................................... 48

Turning Effects On and Off ......................................................................................................... 50

Modifying a Drum Kit............................................................................52

Basics of Creating Sounds.......................................................................................................................52

Choosing an Drum Instrument .............................................................................................................. 54

Editing Drum Sounds (V-EDIT).............................................................................................................56

Choosing the Shell Depth ............................................................................................................56

Modifying the Head Type and Tuning......................................................................................58

Adjusting the Muffling (Muting) and Strainer Tension.......................................................... 60

Determine the “Location” Where the Drums are to be Played (AMBIENCE)................................ 62

Adjusting the Volume Balance of the Instruments [MIXER]............................................................. 64

Adjusting the Tone (MASTER EQUALIZER) ...................................................................................... 66

Playing Along with Accompaniment...................................................68

Playing Back Patterns (Accompaniment of Several Measures)......................................................... 68

Playing Back Songs ..................................................................................................................................70

Adjusting the Volume of the Accompaniment and Click Sound......................................................71

Muting the Drums in Patterns and Songs.............................................................................................72

Using the Pads to Play Patterns..........................................................74

Playing Along with General MIDI Scores............................................75

Advanced Use ........................................................ 77

Chapter 1 Making the Settings for the Drum Kit................................78

Choosing a Drum Kit............................................................................................................................... 78

About the “DRUM KIT” Screen..................................................................................................78

Naming the Drum Kit [NAME]..............................................................................................................79

Playing With Brushes...............................................................................................................................80

Adjusting the Pedal Hi-Hat Volume (PEDAL HI-HAT VOLUME) .................................................81

Switching Effects On and Off ................................................................................................................. 81

Chapter 2 Making the Settings for Drum Instruments.......................82

Choosing a Pad to Edit ............................................................................................................................ 82

Choosing a Pad by Hitting It.......................................................................................................82

Choosing with the Trigger Select Button................................................................................... 82

Preventing the Settings Screen from Being Switched (EDIT LOCK)................................................ 83

Choosing an Instrument ......................................................................................................................... 83

Choosing with List Display.........................................................................................................84

Choosing from Group Names..................................................................................................... 84

Contents

Adjusting Drum Sounds (V-EDIT) ........................................................................................................ 85

Choosing the Shell Depth ............................................................................................................85

Choosing the Head Typel ............................................................................................................ 86

Tuning the Head ...........................................................................................................................86

Making the Settings for Muffling (Muting)............................................................................... 86

Adjusting the Tension of the Snare Strainer .............................................................................87

Making the Settings for Pitch and Decay (EDIT) ................................................................................88

Chapter 3 Making the Settings for the Studio and Mixer ..................89

Making the Settings for the Studio (AMBIENCE)............................................................................... 89

Determine the “Location” Where the Drums are to be Played (STUDIO)...........................89

Changing Wall Surface Material.................................................................................................89

Changing the Room Size..............................................................................................................89

Adjusting the Overall Ambience Level......................................................................................89

Adjusting the Amount of Ambience for Each Instrument

(AMBIENCE SEND LEVEL) .......................................................................................................90

Adjusting the Ambience Level for Each Individual Part Group

(AMBIENCE GROUP SEND LEVEL)........................................................................................90

Adjusting the Sound (MASTER EQUALIZER).................................................................................... 91

Making the Settings for the Mixer [MIXER].........................................................................................92

Adjusting the Relative Volume of Pads ....................................................................................92

Adjusting the Panning (Stereo Position)....................................................................................93

Adjusting the Overall Drum Kit Volume..................................................................................93

Chapter 4 Playing While Listening to Metronome Clicks..................94

Switching the Click On/Off and Setting the Volume......................................................................... 94

Setting the Tempo.....................................................................................................................................94

Setting the Time Signature...................................................................................................................... 94

Setting How the Sound Plays (Interval)................................................................................................ 95

Choosing a Sound.....................................................................................................................................95

Changing the Panning (Stereo Position)...............................................................................................95

Choosing the Output Destination.......................................................................................................... 95

Chapter 5 Playing Along with Patterns...............................................96

Choosing a Pattern...................................................................................................................................97

About the “PATTERN” Screen ................................................................................................... 98

Choosing with List Display.........................................................................................................98

Choosing from the Category ....................................................................................................... 99

Playing Back a Pattern.............................................................................................................................99

Setting the Tempo ....................................................................................................................... 100

Choosing a Playback Method (LOOP, ONE SHOT, or TAP)...............................................100

Transposing a Pattern (TRANSPOSE) ..................................................................................... 102

Adding a Count Sound Before Playback (COUNT IN)....................................................................102

Making the Settings for the Part........................................................................................................... 102

Choosing a Part ........................................................................................................................... 102

Choosing an Instrument.............................................................................................................102

Adjusting the Volume, Ambience Send Level, Pan (Placement), and Bend Range..........103

Adjusting the Overall Ambience of the Backing Parts

(GROUP AMBIENCE SEND LEVEL)......................................................................................103

Contents

Making the Settings for the Percussion Set.........................................................................................104

How to Use a Percussion Set..................................................................................................... 104

Choosing a Percussion Set.........................................................................................................104

Adjusting the Volume and Ambience (AMBIENCE SEND LEVEL)................................... 104

Copying Percussion Sets............................................................................................................ 104

Choosing a Percussion Instrument...........................................................................................105

Making the Settings for Each Instrument................................................................................ 105

Muting a Specific Part (PART MUTE)................................................................................................. 106

Muting a Percussion Part........................................................................................................... 107

Checking a Part Mute Status in the Pattern or Song Playback Screen................................108

Creating a Pattern by Recording a Performance (REALTIME RECORDING)..............................108

How to Record............................................................................................................................. 108

Checking the Tones and Phrases During Realtime Recording

(REHEARSAL FUNCTION).....................................................................................................110

Deleting Unneeded Data During Realtime Recording

(REALTIME ERASE) ..................................................................................................................110

Regularizing the Timing of Performance Data When Recording (QUANTIZE)...............111

Adding a Count Sound Before Recording or Playback (COUNT IN)................................. 112

Starting Recording at the Same Time a Pad Is Hit (HIT-PAD START)............................... 112

Importing Data from Another Sequencer................................................................................ 112

Editing a Pattern..................................................................................................................................... 113

Copying a Pattern [COPY]......................................................................................................... 113

Copying Part of a Pattern by Measures...................................................................................114

Inserting a Blank Measure [INSERT] ....................................................................................... 115

Deleting a Pattern [DELETE]..................................................................................................... 116

Deleting an Unneeded Measure ...............................................................................................116

Erasing a pattern [ERASE].........................................................................................................117

Erasing Unneeded Data to Make a Measure Blank................................................................117

Naming a Pattern [NAME]...................................................................................................................118

Setting Write Protection for a User Pattern (PATTERN LOCK) .....................................................119

Chapter 6 Playing Along with Songs ................................................120

Choosing a Song.....................................................................................................................................121

About the “SONG” Screen......................................................................................................... 121

Choosing with List Display.......................................................................................................121

Playing Back a Song...............................................................................................................................122

Setting the Tempo ....................................................................................................................... 122

Choosing a Playback Method (LOOP, or ONE SHOT).........................................................123

Repeated Playback of a Song (LOOP PLAYBACK)............................................................... 123

Adding a Count Sound Before Playback (COUNT IN).........................................................123

Muting a Specific Part (PART MUTE)................................................................................................. 124

Creating a Song by Arranging Patterns in the Sequence Played ....................................................124

Inserting a Pattern [INSERT].....................................................................................................124

Deleting an Unneeded Pattern [DELETE]............................................................................... 125

Transposing a Pattern [TRANSPOSE] ..................................................................................... 125

Editing a Song......................................................................................................................................... 126

Copying a Song [COPY]............................................................................................................. 126

Erasing All Data and Initializing a Song (SONG INITIALIZE) ........................................... 126

Naming a Song [NAME].......................................................................................................................127

Contents

Chapter 7 Making Global Settings for the TD-8 ...............................128

Specifying the Pad Type (TRIGGER TYPE)........................................................................................128

Setting the Pad Sensitivity (BASIC TRIGGER PARAMETERS)......................................................129

Fine-tuning the Trigger Parameter Settings (ADVANCED TRIGGER PARAMETERS).............131

Using the TD-8 with Acoustic Drums (Acoustic Drum Trigger) .................................................... 134

Specifying a Trigger Type..........................................................................................................134

Setting the Trigger Parameters.................................................................................................. 134

Adjusting the Contrast of the Display................................................................................................. 135

Tuning the TD-8 (MASTER TUNING)................................................................................................135

Checking the Remaining Amount of Memory................................................................................... 136

Switching the Setting Display Automatically (NOTE CHASE) ......................................................136

Turning Note Chase On/Off.....................................................................................................136

Choosing the Output Destination........................................................................................................ 137

Chapter 8 Helpful Features ................................................................138

Changing Kits in the Desired Sequence (DRUM KIT CHAIN)....................................................... 138

Creating a Drum-kit Chain........................................................................................................ 138

Playing with a Drum kit Chain................................................................................................. 139

What You Can Do Using Pads and Foot Switches ............................................................................ 139

Playing a Pattern by Hitting a Pad (PAD PATTERN)........................................................... 139

Changing an Instrument’s Pitch with the Hi-Hat Control Pedal (PITCH CONTROL) ... 141

Using a Pad to Perform Button Operations (PAD SWITCH)...............................................142

Using a Foot Switch to Perform Button Operations (FOOT SWITCH)...............................144

Copying Various Settings...................................................................................................................... 145

Copying a Drum Kit (DRUM KIT COPY)...............................................................................145

Copying a Drum-kit Instrument (INSTRUMENT COPY)....................................................146

Copying Mixer Settings (MIXER COPY)................................................................................. 147

Copying Studio Settings (EFFECT COPY) .............................................................................. 147

Making Settings for the Preview Button............................................................................................. 148

Chapter 9 Features Using MIDI..........................................................149

Saving Data to an External MIDI Instrument (BULK DUMP).........................................................149

Saving Data..................................................................................................................................149

Returning Saved Data to the TD-8............................................................................................ 150

Setting the Device ID..................................................................................................................150

Sounding an External MIDI Sound Module by Playing a Pad........................................................151

Specifying the Note Numbers the Pads Send.........................................................................151

Setting the Gate Time .................................................................................................................153

Setting the MIDI Channels.........................................................................................................153

Using with the Roland SPD-20 (SOFT THRU)...................................................................................153

Making Global MIDI Settings for the TD-8 ........................................................................................ 154

Setting the MIDI Channel for a Part.........................................................................................154

Setting Priority for Playing Drums and Percussion (CHANNEL 10 PRIORITY).............. 154

Switching Off Local Control...................................................................................................... 155

Stopping Exchange of Program Change Messages................................................................155

Reducing Data Sent from the FD-7 (PEDAL DATA THIN) .................................................156

Using the TD-8 As a Sound Module....................................................................................................156

Setting Up the Correspondence between Pads and Received Note Numbers ..................157

Changing the Kit Numbers Called Up with Program Change Messages .......................... 157

Changing the percussion set Numbers Called Up with Program Change Messages....... 158

Changing the Settings for Parts and Percussion Sets.............................................................158

Contents

Using the TD-8 As a General MIDI Sound Module .......................................................................... 159

Switching to the GM Mode........................................................................................................ 159

To Prevent Switching to GM Mode..........................................................................................160

Playing Along with a GM Score................................................................................................160

MIDI Messages for Precise Expressiveness in Performances ..........................................................161

Messages for Hi-Hat Control.....................................................................................................161

Messages for Positional Sensing ............................................................................................... 162

Synchronizing with an External MIDI Instrument............................................................................ 162

Appendices .......................................................... 165

Troubleshooting..................................................................................166

Problems With the Overall Sound.......................................................................................................166

Pad and Pedal Issues.............................................................................................................................. 168

MIDI-related Problems.......................................................................................................................... 168

Sequencer-related Problems .................................................................................................................169

Click Issues.............................................................................................................................................. 170

Display-related Problems......................................................................................................................171

Restoring Settings to Their Default Values......................................172

How to Use the Acoustic Drum Trigger............................................173

Messages and Error Messages .........................................................174

About MIDI...........................................................................................176

Preset Drum Kit List ...........................................................................179

Drum Instrument List..........................................................................180

Preset Percussion Set List.................................................................184

Backing Instrument List.....................................................................186

Preset Pattern List..............................................................................188

Parameter List.....................................................................................192

Kit Parameters......................................................................................................................................... 192

Pattern Parameters.................................................................................................................................194

Song Parameters.....................................................................................................................................197

Setup Parameters....................................................................................................................................197

Click Parameters.....................................................................................................................................199

Tempo Parameters..................................................................................................................................199

GM Mode.................................................................................................................................................199

MIDI Implementation...........................................................................200

Specifications......................................................................................216

Block Diagram.....................................................................................217

Index.....................................................................................................218

How To Use This Manual

This owner’s manual is organized as follows.

Quick Start

This section is intended for those using the TD-8 for the first time, and explains how to use various functions in a simple way. Please read Quick Start and follow along by actually operating the TD-

8. This will help you understand most of what you need to know for basic operations. More advanced ways of using the TD-8, or details of other operations are explained the Reference section.

Advanced Use

This section explains all functions of the TD-8 in detail and is divided into specific parts. Basic panel operations and displays are covered in the Quick Start. The Advanced Use section assumes you already understand basic procedures, so if anything unclear, refer to the “Quick Start.”

Chapters 1–3 Functions for creating sound

These chapter explains more about the sound creation possibilities introduced in the “Quick Start.”

Quick StartAdvanced UseAppendices

Chapters 4–6 Using a sequencer and related functions

This chapter explains sequencer functions such as patterns and songs performance, recording, click settings, and pattern and song editing.

Chapter 7 Settings for the entire TD-8

This describes functions for controlling the TD-8, such as adjusting the sound and making settings to the sound generator.

Chapters 8 Convenient functions and how to use them

These chapters explain functions such as copy, how to use pads or pedals for pattern and song play back, and other time-saving operations.

Chapter 9 Functions using MIDI

This chapter explains how to use MIDI -whether it be for saving data to an external device, or for using the TD-8 as a General MIDI sound module.

Appendices

If you run into problems, refer to "Troubleshooting" to make sure that the settings are correct. If an error message appears during operation, refer to "Messages and Error Messages" and take appropriate action. This section also provides information related to MIDI, various lists, and the MIDI implementation charts.

The explanations in this manual include illustrations that depict what should typically be

shown by the display. Note, however, that your unit may incorporate a newer, enhanced

version of the system (e.g., includes newer sounds), so what you actually see in the

display may not always match what appears in the manual.

Features

Offers Variable Drum Modeling Sound Generation

Simulates the sound-making process of acoustic drums—The V-Edit Feature (p. 56, p. 85)

This makes it possible to create sounds in a manner that is completely analogous to what is done with acoustic drums. For example, you start by choosing the desired head, then you tune it, and then muffling (muting) can be applied.

Positional sensing (p. 42)

When PD-7, PD-9, PD-80, PD-80R, PD-100, or PD-120 pads are used, this senses where the pad is hit and accurately modifies the sound accordingly.

Brush play also possible (p. 43)

When PD-80, PD-80R, PD-100, or PD-120 pads are used, you can also enjoy brush play.

Use ONLY nylon brushes. Not only can metal brushes damage the head, but the brush tips present a great danger of piercing and snagging the fine mesh of the head itself.

Cross Stick (Closed Rim Shot) Technique Available (p. 42)

When a PD-80 or PD-120 pad is used, you can play using the cross stick technique.

Detecting the strike position and using cross stick (closed rim shot) performance with brushes is possible with TRIGGER INPUT3 (SNARE).

Pitch Control Available with the Hi-Hat Control Pedal (p. 141)

You can use the hi-hat control pedal to change the pitch of the pad instruments.

A Wealth of Onboard Instruments

A rich array of high-quality instrument sounds are provided, so almost any conceivable genre can be accommodated.

Drum instruments: 1,024

Backing instruments: 262

Easy-to-understand Interface for Drummers

Features a large display

This enables simple and immediate operation while viewing the parameters to be set, and their graphical representation.

Features

Function and Operations Perfect for Live Performances

Group faders (p. 21)

The front panel is equipped with group faders. You can adjust the volume level immediately, even during a performance.

Drum-kit chain feature—Allows a desired order to be specified for the drum kits to be used (p. 138)

Large [INC/+] and [DEC/-] buttons that can be operated even with drum sticks

Can Be Used with Conventional Pads and Other Equipment (p. 36, p. 128)

Not only PD-80 and PD-80R (pad), and KD-80 (kick trigger unit), you can use the conventional pads (PD-5, PD-7, PD-9, PD-100, and PD-120), kick trigger units (KD-5, KD-7, and KD-120), and hihat control pedal (FD-7) with the TD-8. You can use up to 12 pads at the same time.

A Sequencer That’s Easy to Operate

A rich array of preset patterns (p. 68, p. 97)

Create songs by arranging patterns (p. 124)

You can enjoy ensemble practice along with patterns and songs. You can also practice with the drum instruments of patterns and songs muted out.

You can also create your own original backing patterns.

If you want to record brush swish/sweep sounds to MIDI, the only brush kit that can record MIDI data is “MIDIbrsh”.

Support for General MIDI (p. 159)

The TD-8 has a GM mode that can play back GM scores. This mode includes a function allowing you to mute the sound only of a specified part during

playback of GM scores. This is a very convenient feature for practicing and playing along.

General MIDI system

The General MIDI system is a set of recommendations which seeks to provide a way to go beyond the limitations of proprietary designs, and standardize the MIDI capabilities of sound generating devices. Sound generating devices and music files that meets the General MIDI standard bears the General MIDI logo ( ). Music files bearing the General MIDI logo can be played back using any General MIDI sound generating unit to produce essentially the same musical performance.

Panel Descriptions

Front Panel

fig.001

Trigger Indicator

•This will light when you strike the pads which connect to trigger input jacks. It allows you to check whether the pad has been connected correctly.

•This is lit when MIDI messages are received through the MIDI IN connector (MIDI indicator).

•This is lit when the [PREVIEW] button is pressed.

LED Display

Displays the number of the currently selected drum kit.

Graphic Display

The screen displays information both graphically and with text, indicating the drum kit name when a drum kit is being played, pattern or song names during playback of patterns and songs, and settings when editing.

The selected trigger input number, pattern or song number, and number of measures in indicated in the upper part of the screen.

In this owner’s manual, this will be referred to as “the display”.

CHAIN Button

Lets you make Drum Kit Chain settings (a function that allows a user-specific order or arrangement of drum kits) (p. 138).

[F1], [F2], [F3] Button

These buttons change their function depending on the contents of the display. The lower part of the display will indicate the function of each button (p. 18).

EXIT Button

Press this button and you will return to the screen one level higher in the hierarchy. Pressing the button a number of times eventually returns you to the “DRUM KIT” screen, the “CHAIN” screen, the “PATTERN” screen, or the “SONG” screen (with [DRUM KIT], [KIT] and [CHAIN], [PATTERN], or [SONG] lights accordingly).

GROUP FADERS

These allow you to adjust the volume of the kick, snare, hi-hat, toms, cymbals, other percussion instruments, backing instruments, and the click sound (p. 21).

Panel Descriptions

FADERS Button

Pressing the [FADERS] button switches indicator (upper or lower) that is lit; the indicator switches between the two each time the button is pressed. The [GROUP FADERS] functions switch according to the indicator that is lit (p. 21).

SETUP Button

Here you can make settings that affect the entire TD-8, such as trigger parameters and MIDI settings.

MIXER Button

Here you can make volume and ambience level settings as well as output assignments for the sounds. (p. 92).

KIT Button

Provides access to the basic display page used when playing the drum kit.

SEQUENCER Section

Here are the buttons that control sequencer functions (playback/recording the patterns and songs) (p. 96, p.

120).

MIX IN Knob

This adjusts the volume of the device connected to the MIX IN jack. The sound from the MIX IN will be output from the MASTER OUTPUT and the PHONES.

PHONES Knob

Adjusts the headphone volume. Even when headphones are connected, sound will still be output from the various output jacks.

MASTER Knob

Adjusts the volume of the MASTER OUTPUT jacks. The volume of the PHONES jack is adjusted by the PHONES knob.

CURSOR , Buttons

Used to move the cursor in the display, or to access the next display page (p. 18).

SHIFT Button

Used in conjunction with other buttons.

operation function

[SHIFT] + [INC/+], [DEC/-] or VALUE dial

[SHIFT] + [MIXER] Part mute (p. 106) [SHIFT] + [PREVIEW] Preview instrument

When the functions are as shown below, pressing the SHIFT button changes the indicated functions. For more detailed information, refer to p. 19.

fig.003

Change the value in large steps (p. 20).

sound while changing volume (p. 148)

PREVIEW Button

Used to audition an INST (instrument). By using TRIG SELECT buttons to select a pad, you can play and edit sound even if no pads are connected to the TD-8 (p.

22). In addition, when making part settings, you can also listen to the tones used for the backing parts (p.

102).

TRIG SELECT

Use the two adjacent buttons “ ” and “ ” to select the trigger input number (pad) to which settings are to be made. To select the rim of a pad, press the RIM button, then the RIM button lights. If pads are connected to the TD-8, you can also select a pad by striking it.

INC/+ Button, DEC/- Button

These buttons are used to switch drum kits or to modify values. Pressing the [INC/+] button increases the value, and pressing the [DEC/-] button decreases the value. Since these buttons are large, you can also use the tip of your drum stick to press them.

Please be aware that hitting the buttons with a stick can cause malfunctions.

VALUE Dial

This dial has the same function as the INC/+ and DEC/buttons. Use this dial when you wish to make large changes in drum kit settings or edited values (p. 20).

Panel Descriptions

Rear Panel

fig.002

TRIGGER INPUTS Jacks

Accept the pads or kick trigger units you want to connect to the TD-8.

Use the cable provided with the pad to connect the pad to the TD-8.

•Trigger input 1/2 (KICK1/2) With the optional cable (PCS-31) or standard insert

cable, two pads may be connected to this trigger input jack.

•Trigger input 3 (SNARE) Only this trigger input can be used for playing the rim

shot (p. 41) and cross stick (p. 42) sounds using the PD80R or PD-120. You can play rim shots only (no cross stick) using the PD-7 or PD-9. With the PD-80, PD-80R, PD-100, and the PD-120, detection of the strike position (p. 42) works only with this trigger input.

•Trigger input 4 (TOM1), 5 (TOM2), 6 (TOM3) You can play rim shots (p. 41) with the PD-7 or PD-9

connected.

•Trigger input 7 (HI-HAT), 8 (CRASH1), 9 (CRASH2),

10 (RIDE)

With the PD-7 or PD-9 connected, you can play rim shots (p. 41) and chokes (p. 42).

•Trigger input 11/12 (AUX1/2) With the optional cable (PCS-31) or standard insert

cable, two pads may be connected to this trigger input jack. With two pads, you can switch drum kits or patterns and songs (PAD SWITCH; p. 142).

HH CTRL Jack

Accepts connection of a hi-hat control pedal (FD-7) (p.

27).

FOOT SWITCH Jack

Accepts connection of an optional foot switch (FS-5U). A foot switch can be used to select kits and start/stop the sequencer, etc. Use a special PCS-31 cable (optional) or a standard insert cable (p. 144).

MASTER OUTPUT Jacks (L (MONO)/R)

These jacks output the instrumental sounds of the TD8, and are for connection to external audio devices or amps. While we recommend the use of stereo in order to get the most out of the TD-8’s sound performance, if using monaural sound, plug the cable into the MASTER L (MONO) jack only.

DIRECT OUTPUT Jacks (L/R)

Assigning a sound through these jacks allow you to isolate it, and use external effects devices. The sound output from these jacks is not affected by the TD-8’s internal effects.

PHONES Jack

A pair of stereo headphones can be connected to this jack. Even if headphones are connected, sound will still be output from the OUTPUT jacks.

MIX IN Jack

This jack is used to connect a CD or cassette player. The sound that is input to this jack will be output from the MASTER OUTPUT jacks and the PHONES jack.

MIDI Connector (IN, OUT/THRU)

Use these connectors when playing sounds from the TD-8’s sound generator with an external MIDI sequencer and when loading saved settings data (bulk data) (p. 149).

POWER Switch

This switch turns the power on/off (p. 30).

DC IN Jack

Connect the included AC Adapter here (p. 29).

Panel Descriptions

Cord Hook

Anchor the power cord (p. 29).

Security Slot ( )

http://www.kensington.com/

Button Operation and Displays

Operations common to all aspects of operating the TD-8.

Saving your settings

For operations within the TD-8, there is no procedure for “saving settings.” When you modify the value of a setting, the new value is automatically saved as soon as you make the change. If you need to return to the factory settings, you can re-initialize the TD-8 or re-initialize a single patch. See “Restoring Settings to Their Default Values” (p. 172).

Buttons, sliders and knobs

Buttons, sliders and knobs on the front panel will be printed in square brackets [ ]; e.g., [SETUP].

Cursor

fig.004

Cursor refers to the highlighted characters indicating an on-screen item that can be set. If the screen contains more than one item that can be set, use the CURSOR [ ] and [ ] buttons to move it to the parameter to be set. Hold down CURSOR [ ] and press [ ], or hold down CURSOR [ ] and press [ ] to move the cursor more rapidly.

Function buttons ([F1], [F2], [F3])

The [F1], [F2], [F3] buttons are called the “function buttons.” The functions of these function buttons change with each screen.

When these buttons are referred to in the text, the terms appearing inside the parentheses show the function indicated on the screen.

Example 1:

1. Press [KIT], and then [F1 (INST)]. appears in the text, then carry out the operation below.

fig.005

1. Press [KIT].

2. Press [F1] (in this case, “INST” appears above [F1]).

Button Operation and Displays

When the function of these function buttons are shown in the display as follows, the functions will change while you press [SHIFT].

fig.006

Press [SHIFT]

1. Press [SHIFT] + [F1 (PART 2)]. appears in the text, then carry out the operation below.

1. While holding down [SHIFT], press [F1] (in this case, “PART 2”

appears above [F1]).

Using the Pop-Up Menus

As with [F3 ( MENU)], when the function button that displays “ ” is pressed, the following menu-like screen appears in the display. This menu is called a pop-up menu. You can move the cursor within the menu with the [INC/+] or [DEC/-] buttons, the VALUE dial, or the [ ] or [ ] buttons. After this, when you once again press a function button under the pop-up menu, the settings screen then appears.

fig.007

Example:

Carry out the following operation.

1. Press [KIT].

[KIT] lights, and the “DRUM KIT” screen appears.

fig.007a

2. Press [F3 ( MENU)].

A pop-up menu appears.

fig.008

Press [EXIT] to cancel the operation. A pop-up menu is extinguished.

Button Operation and Displays

3. Press [INC/+] or [DEC/-], rotate VALUE dial, or press CURSOR [ ]

or [ ] to select “FX SW”

fig.009

4. Press [F3].

The “FX SW” screen appears.

fig.010

Using the [INC/+] and [DEC/-] Buttons and the VALUE Dial

[INC/+] and [DEC/-] and the VALUE dial are both used to modify the values of settings.

fig.011

The two methods have the following advantages.

[INC/+], [DEC/-]

• Each time [INC/+] is pressed, the value increases. Each time [DEC/-] is pressed, the value decreases. This is convenient for fine adjustments.

• When making an on/off setting, [INC/+] will turn the setting on and [DEC/-] will turn it off.

• If you hold down [INC/+] and press [DEC/-], the value will increase rapidly. If you hold down [DEC/-] and press [INC/+] the value will decrease rapidly.

• Holding down [SHIFT] while pressing [INC/+] or [DEC/-] magnifies all the values being changed.

VALUE dial

• Since the dial allows you to make major changes to the value at once, it’s a convenient way to make broad adjustments to a parameter quickly.

• Holding down [SHIFT] while rotating the VALUE dial magnifies all the values being changed.

Using [FADERS] and [GROUP FADERS]

The indicator lights to the left of [FADERS] shows what is being set with the [GROUP FADERS].

fig.012

• When the upper indicator is lit:

fig.013

Button Operation and Displays

You can adjust the volume of following trigger inputs.

[KICK] [SNARE] [HI-HAT] [TOMS]

1/2 (KICK1/2) 3 (SNARE) 7 (HI-HAT) 4 (TOM1)

5 (TOM2) 6 (TOM3) 11/12 (AUX1/2)

In the text, these are indicated by [KICK], [SNARE], [HI-HAT], AND [TOMS], respectively.

• When the lower indicator is lit:

fig.014 (Upper right [FADERS] lit)

You can adjust the volume of following trigger inputs.

[CYMBALS] [OTHERS] [BACKING] [CLICK]

8 (CRASH1) 9 (CRASH2)

Percussion part (p. 102)

Backing part (p. 102)

Metronome click

10 (RIDE)

In the text, these are indicated by [CYMBALS], [OTHERS], [BACKING], and [CLICK], respectively.

Example: Adjusting the Snare Volume

• Even when the indicators are switched with [FADERS], the settings values for the [GROUP FADERS] sliders do not change. In other words, current slider positions and actual settings values may differ. Be sure to move the sliders when adjusting the volume.

• When the power is turned on, the settings values previously in use when the power was last turned off are recalled, regardless of the slider positions.

1. Press [FADERS], lighting the upper indicator.

2. Move the [GROUP FADERS] [SNARE] slider.

The slider position shows the current snare volume.

Button Operation and Displays

Choosing pads from the TD-8 front panel

fig.015

The [TRIG SELECT] button is used to select the trigger input number (pad) to be edited with the TD-8. Even with no pad connected, you can still select the trigger input number and edit by pressing this button. When you press the [ ] button, the next lower-numbered trigger will be selected. When you press the [ ] button, the next higher-numbered trigger will be selected.

When using a PD-7, PD-9, PD-80R or PD-120, the [RIM] button lets you specify whether you are making settings for the head or the rim. When the [RIM] button lights, the rim is selected.

By using these buttons in conjunction with the [preview] button, you can edit without pads connected to the TD-8.

• The rim cannot be selected for TRIGGER INPUT 1 (KICK1), 2 (KICK2), 11 (AUX1), and 12 (AUX2).

• TRIGGER INPUT 2 (KICK2) and 12 (AUX2) can be used only when two pads are connected to TRIGGER INPUT 1/2 (KICK1/2) and 11/12 (AUX2), respectively.

About the Preset Drum Kits

Drum Kits 1–64 come preset with the TD-8 when shipped from the factory. While you have complete freedom to change the various settings and then save these changes, you can also restore the original factory settings. The drum kits included with the TD-8 are called Preset drum kits. For more on the actual procedures involved, refer to Kit Copy to restore single patches or copy patches to other locations (p. 145) and Factory Reset (p. 172).

About the Patterns (Accompaniment of Several Measures)

The TD-8 also comes with Patterns 1–700 (Preset patterns) already prepared. However, you cannot save changes made to settings in the Preset patterns. You can make temporary changes, but selecting another pattern restores the pattern’s original factory settings. Furthermore, these patterns cannot be edited or recorded.

To change settings, edit, or record a Preset pattern, first copy it to a User pattern (p. 96). Any changes made to User pattern settings are saved automatically.

For more detailed information about the copy procedure, refer to p. 113.

Button Operation and Displays

About the Display in the Upper Part of the Screen

You can check the following at any time in the upper part of the screen.

Checking the Selected Pad

The currently selected pad is continuously indicated in the upper part of the screen.

Ex 1:

• Setting the snare (TRIGGER INPUT 3) pad head

fig.01-006

• Setting the snare (TRIGGER INPUT 3) pad rim

fig.01-007

Checking the Number of the Currently Selected Pattern or Song and the Measure Number

Check here to determine whether a pattern or song is to begin playback when [PLAY/STOP] is pressed.

• If a pattern number appears in the upper part of the screen, a pattern will begin playback.

fig.02-001b

• If a song number appears in the upper part of the screen, a song will begin playback.

fig.02-001c

For more detailed information about patterns and songs, refer to “Chapter 5 Playing Along with Patterns” (p. 96) and “Chapter 6 Playing Along with Songs” (p. 120).

Quick Start

Before You Begin Playing

This section explains the connections and settings that you must make before playing. The explanations given here are based on the assumption that the TD-8 is set according to factory settings.

Mounting the TD-8 to the Stand

The TD-8 can be restored to factory settings. Refer to "Restoring Settings to Their Default Values" on p. 172.

Attach the stand holder (included with the optional MDS-7U, MDS8, and MDS-10) to the TD-8.

Using the screws attached to the bottom panel, attach the holder so the unit is oriented as shown in the diagram.

fig.Q1-001.e

Narrow

Use the screws provided with the TD-8. Use of other screws may result in damage to the unit.

Wide

To attach the TD-8 to a cymbal stand or other such stand, you may want to use

Attach the TD-8 to the drum stand (MDS-7U, MDS-8, or MDS-10).

For details on assembling the drum stand and attaching the TD-8, refer to the owner’s manual for the drum stand.

the optional APC-33 All Purpose Clamp to secure the stand holder. This clamp may be used on cymbal stands with pipes

etween 10.5 and 30

millimeters in diameter.

Connecting Pads and Pedals

Using the provided cables, connect your pads, hi-hat control pedal, and kick trigger units as shown in the diagram. Use the TRIGGER INPUT jack number on the TD-8’s rear panel matching the number in the figure to connect the cable.

fig.Q02.e

TD-8 Rear panel

Before You Begin Playing

Before using pads with mesh heads (PD-80, PD80R, PD-100, PD-120, KD80, or KD-120), be sure to adjust the head tension. Striking the head when the head tension is loose may damage the sensor.

For more information on adjusting the head tension, refer to the owner’s manual for each pad.

Quick Start

To enjoy optimum expression in your performances, we recommend the use of the Roland line of pads (PD-5, PD-7, PD-9, PD-80, PD-80R, PD-100, and PD-120) and kick trigger units (KD-7, KD-80, and KD-120).

Before You Begin Playing

If you are using the PD-7, PD-9, or KD-7, move the pad’s polarity switch to the “-(Roland)” position. For more detailed information regarding the polarity switch, refer to your PD-7, PD-9, or KD-7 owner’s manual.

fig.Q1-003

POLARITY

+ - (Roland)

With the optional cable (PCS-31) or standard insert cable, two pads may be connected to the trigger inputs 1/2 (KICK1/2) and 11/12 (AUX1/2).

fig.Q1-005.e

PD-7

PCS-31 (optional)

KD-80

Before You Begin Playing

Connecting Your Audio System or Amp

fig.Q1-004.e

Audio cable

Speakers with built-in amp, etc.

Quick Start

AC adaptor

Stereo headphones

Before making any connections, turn off the power on all devices.

<921>

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

Connect the supplied AC adaptor to the AC adaptor jack.

<924>

To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

Connect the MASTER L(MONO) and R jacks on the rear panel to your audio system or amp. If using headphones, connect them to the PHONES jack.

Stereo set, etc.

Be sure that the TD-8’s MASTER L (MONO) and R

acks are connected to the respective L and R jacks on your audio system or amp.

With factory settings, no

Plug the AC adaptor plug into a power outlet.

sound is output from the DIRECT OUTPUT jacks.

Before You Begin Playing

Turning on the Power

<941>

Once the connections have been completed (p. 27–p. 29,) turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

fig.Q1-006

Rotate [MASTER] and [PHONES] all the way to the left to completely turn down the volume.

Turn down the volume control on the connected amp or audio system.

Turn on the [POWER] switch.

<942>

Precautions When Turning on the Power

After the power is turned on, do not strike any pads or step on the pedals until the drum kit name (following figure) appears. Doing so may result malfunctions.

fig.Q1-008

This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required

efore the unit will operate

normally.

Depressing the hi-hat control pedal (FD-7) when turning on the power prevents proper functioning of the hi-hat’s opening and closing control. Striking the pads when turning on the power degrades the pad response when the pads are struck lightly.

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