Roland Corporation GT-6B Owner's Manual
Owner’s Manual
Thank you, and congratulations on your choice of the BOSS
GT-6B Bass Effects Processor.
Before using this unit, carefully read the sections entitled:
• USING THE UNIT SAFELY (page 2–3)
• IMPORTANT NOTES (page 4)
These sections provide important information concerning
the proper operation of the unit.
Additionally, in order to feel assured that you have gained a
good grasp of every feature provided by your new unit,
Owner’s manual should be read in its entirety. The manual
should be saved and kept on hand as a convenient reference.
■ Printing Conventions in This Manual
• Text or numerals enclosed in square brackets [ ] indicate buttons.
[WRITE] WRITE button
[UTILITY] UTILITY button
• Reference such as (p. **) indicate pages in this manual to which
you can refer.
* All product names mentioned in this document are trademarks or
registered trademarks of their respective owners.
Copyright © 2002 BOSS CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of BOSS CORPORATION.
USING THE UNIT SAFELY
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
001
• Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
..........................................................................................................
002c
• Do not open (or modify in any way) the unit or its
AC adaptor.
..........................................................................................................
003
• Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
..........................................................................................................
004
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
• Damp (e.g., baths, washrooms, on wet floors);
or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
..........................................................................................................
007
• Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
..........................................................................................................
008c
• Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may
use a different polarity, or be designed for a
different voltage, so their use could result in
damage, malfunction, or electric shock.
..........................................................................................................
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
009
• Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements and
short circuits. Damaged cords are fire and shock
hazards!
..........................................................................................................
010
• This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
..........................................................................................................
011
• Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft
drinks, etc.) to penetrate the unit.
..........................................................................................................
012b
• Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing by
your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
“Information” page when:
• The AC adaptor, the power-supply cord, or the
plug has been damaged; or
• Objects have fallen into, or liquid has been
spilled onto the unit; or
• The unit has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
..........................................................................................................
2
013
• In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
..........................................................................................................
014
• Protect the unit from strong impact.
(Do not drop it!)
..........................................................................................................
015
• Do not force the unit’s power-supply cord to share
an outlet with an unreasonable number of other
devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
..........................................................................................................
016
• Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
..........................................................................................................
101b
• The unit and the AC adaptor should be located so
their location or position does not interfere with
their proper ventilation.
..........................................................................................................
102c
• Always grasp only the plug on the AC adaptor
cord when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
103b
• Whenever the unit is to remain unused for an
extended period of time, disconnect the AC
adaptor.
..........................................................................................................
104
• Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
..........................................................................................................
106
• Never climb on top of, nor place heavy objects on
the unit.
..........................................................................................................
107c
• Never handle the AC adaptor or its plugs with
wet hands when plugging into, or unplugging
from, an outlet or this unit.
..........................................................................................................
108b
• Before moving the unit, disconnect the AC
adaptor and all cords coming from external
devices.
..........................................................................................................
109b
• Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet (p. 12).
..........................................................................................................
110b
• Whenever you suspect the possibility of lightning
in your area, disconnect the AC adaptor from the
outlet.
..........................................................................................................
3
IMPORTANT NOTES
291a
In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:
Power Supply
301
• Do not use this unit on the same power circuit with any
device that will generate line noise (such as an electric
motor or variable lighting system).
302
• The AC adaptor will begin to generate heat after long
hours of consecutive use. This is normal, and is not a
cause for concern.
307
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.
Placement
351
• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum.
To alleviate the problem, change the orientation of this
unit; or move it farther away from the source of interference.
352a
• This device may interfere with radio and television
exception. Do not use this device in the vicinity of such
receivers.
352b
• Noise may be produced if wireless communications
devices, such as cell phones, are operated in the vicinity of
this unit. Such noise could occur when receiving or initiating a call, or while conversing.
Should you experience such problems, you should
relocate such wireless devices so they are at a greater
distance from this unit, or switch them off.
355
• To avoid possible breakdown, do not use the unit in a wet
area, such as an area exposed to rain or other moisture.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth
or one that has been slightly dampened with water. To
remove stubborn dirt, use a cloth impregnated with a
mild, non-abrasive detergent. Afterwards, be sure to wipe
the unit thoroughly with a soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or
deformation.
Repairs and Data
452
• Please be aware that all data contained in the unit’s
memory may be lost when the unit is sent for repairs.
Important data should always be backed up in another
MIDI device (e.g., a sequencer), or written down on paper
(when possible). During repairs, due care is taken to avoid
the loss of data. However, in certain cases (such as when
circuitry related to memory itself is out of order), we
regret that it may not be possible to restore the data, and
Roland assumes no liability concerning such loss of data.
Memory Backup
501b
• This unit contains a battery which powers the unit’s
memory circuits while the main power is off. When this
battery becomes weak, the message shown below will
appear in the display. Once you see this message, have the
battery replaced with a fresh one as soon as possible to
avoid the loss of all data in memory. To have the battery
replaced, consult with your retailer, the nearest Roland
Service Center, or an authorized Roland distributor, as
listed on the “Information” page.
Additional Precautions
551
• Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the
improper operation of the unit. To protect yourself against
the risk of loosing important data, we recommend that
you periodically save a backup copy of important data
you have stored in the unit’s memory in another MIDI
device (e.g., a sequencer).
552
• Unfortunately, it may be impossible to restore the contents
of data that was stored in another MIDI device (e.g., a
sequencer) once it has been lost. Roland Corporation
assumes no liability concerning such loss of data.
553
• Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
554
• Never strike or apply strong pressure to the display.
556
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s
internal elements.
558a
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about
those around you (especially when it is late at night).
559a
• When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
561
• Use only the specified expression pedal (EV-5; sold
separately). By connecting any other expression pedals,
you risk causing malfunction and/or damage to the unit.
562
• Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.
• Some connection cables contain resistors. Do not use
cables that incorporate resistors for connecting to this
unit. The use of such cables can cause the sound level
to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.
4
Contents
USING THE UNIT SAFELY .............................. 2
IMPORTANT NOTES...................................... 4
Main Features ............................................. 7
Panel Descriptions....................................... 8
Front Panel..........................................................................8
Rear Panel.........................................................................11
Chapter 1
Playing Sounds ......................................... 12
Making Connections ........................................................12
Turning On the Power......................................................13
Adjusting the Output Level............................................................13
What is a Patch?...............................................................14
Selecting Patches.............................................................14
How to Switch Patches....................................................................14
Turning Each of the Effects in a Patch On and Off .....................15
About the Information Appearing in the Display.......................15
If the Patch Does Not Switch..........................................................15
Turning Off the Power......................................................15
Chapter 2
Creating You Own Favorite Tones (Patches)
Getting the Tones You Want-Fast (EZ Tone) .................16
Adjusting the Tones with the Knobs ..............................16
Adding and Omitting Effects...........................................18
Using the Buttons to Switch Effects On and Off..........................18
Switching Effects with the Pedals..................................................18
Setting the Effect Tones (Quick Settings)......................19
Making More Detailed Settings with Individual Parameters
Using the Pedal Effects
(Wah, Pedal Bend, Ring Modulator)................................20
Wah ....................................................................................................20
Pedal Bend.........................................................................................20
Ring Modulator................................................................................21
Naming Tones...................................................................21
Changing the Order of the Effects (Effect Chain)..........22
.. 16
...19
Chapter 4
The Effects Explained..................................25
COMP/LIMITER (Compressor/Limiter)............................25
OD/DIST (Overdrive/Distortion).......................................26
■ OD: Overdrive..............................................................................26
■ DST: Distortion.............................................................................26
■ FUZ: Fuzz......................................................................................26
CHORUS............................................................................27
REV/DLY (Reverb/Delay)/SOS (Sound On Sound).........27
■ REV: Reverb..................................................................................28
■ DLY: Delay....................................................................................28
■ R&D: Reverb & Delay..................................................................29
■ SOS: Sound On Sound.................................................................29
PREAMP/SPEAKER..........................................................29
■ Preamp...........................................................................................29
■ Speaker ..........................................................................................30
3 BAND PARAMETRIC EQ ...............................................31
WAH...................................................................................31
■ WH: Pedal Wah............................................................................31
■ TW: Touch Wah............................................................................32
■ AW: Auto Wah.............................................................................32
FX-1....................................................................................33
■ OCT: Octave..................................................................................33
■ ENH: Enhancer.............................................................................33
■ SG: Slow Gear...............................................................................34
■ DEF: Defretter...............................................................................34
■ R.M: Ring Modulator...................................................................34
FX-2....................................................................................35
■ PH: Phaser.....................................................................................35
■ FL: Flanger.....................................................................................36
■ HRM: Harmonist..........................................................................36
■ P.S: Pitch Shifter ...........................................................................37
■ PB: Pedal Bend..............................................................................38
■ 2CE: 2x2 Chorus ...........................................................................38
■ ASL: Auto Slap .............................................................................39
■ SDD: Short Delay .........................................................................40
■ VIB: Vibrato...................................................................................41
■ HMN: Humanizer........................................................................41
■ T/P: TREMOLO/PAN................................................................42
■ SYN: Bass Synth ...........................................................................42
NS: Noise Suppressor......................................................44
MASTER.............................................................................44
FV: Foot Volume...............................................................44
Chapter 5
Setting the Pedal Functions (Pedal Assign)..45
Chapter 3
Saving the Tones You Have Created .......... 23
Write...................................................................................23
Copying Patches ..............................................................23
Exchanging Patches ........................................................24
Selecting Each Effect to Be Turned On and Off
with the Number Pedals...................................................45
Settings for Using the Expression Pedal .......................45
Setting the Range of the Volume Change.....................................45
If You Don’t Want to Use the Expression Pedal as a “Volume Pedal”
...46
Settings for Using the Expression Pedal Switch/
CTL Pedal..........................................................................46
Making Settings Instantly (Quick Settings)..................................46
I
f You Don’t Want to Use the Expression Pedal Switch or CTL Pedal
Editing “Quick Settings”.................................................................47
...47
5
Contents
Controlling Effects with the GT-6B Pedals,
External Pedals, and External MIDI Devices..................48
Making the Assign On/Off Setting...............................................48
Making Settings Instantly (Quick Settings)..................................48
Making the Parameter Settings......................................................49
Controlling Foot Volume and Pitch Shifter
with an External Expression Pedal.................................51
Chapter 6
Using the Customize Function .................... 52
Making “Custom” Overdrive/Distortion Settings ..........52
Making “Custom” Pedal Wah Settings...........................53
Chapter 7
Using Sound On Sound.............................. 54
Chapter 8
Convenient Features of the GT-6B .............. 55
Outputting Sounds Without Effects Applied (Bypass)
Using the Expression Pedal Even When Bypass Is in Effect......55
Switching Bypass On and Off ........................................................55
Connecting Directly to a Recording
Mixer or PA Mixer (XLR Balanced Output).....................55
Switching the XLR Output Connector Signals ............................55
Quick Patch Volume Adjustment (EFFECT LEVEL Knob)
Tuning the Bass................................................................56
Turning the Tuner Function On.....................................................56
About the Display During Tuning ................................................56
How to Tune.....................................................................................57
Changing the Tuner Settings..........................................................57
Adjusting the Overall Sound to Match the Usage
Environment (Global).......................................................58
Using the Digital Out........................................................58
Adjusting the Output Level from DIGITAL OUT.............58
Checking the Effect Output Level with the Level Meter
......55
......56
....59
Chapter 10
Using MIDI.................................................64
What Can You Do with MIDI?...........................................64
Making the Settings for MIDI Functions .........................65
Transmitting and Receiving MIDI Data ...........................67
Transmitting Data to an External MIDI Device (Bulk Dump)...67
Receiving Data from an External MIDI Device (Bulk Load) .....68
Setting the Program Change Map...................................69
Initial Program Change Map Settings...........................................69
Enabling/Disabling the Program Change Map Settings
(MIDI Map Select)............................................................................70
Changing Patch Numbers on an External MIDI
Device From the GT-6B....................................................70
Appendices................................................71
About MIDI.........................................................................71
How MIDI messages are transmitted and received....................71
Main types of MIDI message used by the GT-6B........................71
About the MIDI implementation...................................................72
Factory Settings................................................................72
Restoring the Factory Settings (Factory Reset) ............73
Adjusting the Expression Pedal......................................73
Troubleshooting ...............................................................74
Error Messages.................................................................75
MIDI Implementation Chart ..............................................76
Main Specifications..........................................................77
Index.........................................................78
Chapter 9
Other Functions ......................................... 60
Adjusting the Display Contrast (LCD Contrast) ............60
Limiting the Banks That Can Be Switched (Bank Extent)
......60
Setting the Timing Used for Switching Patches
(Patch Select Mode) .........................................................60
Selecting Patches by Directly Specifying the Bank and Number
....60
Setting the Timing Used for Switching Patches
(Patch Change Mode).......................................................61
Setting “Expression Pedal Hold”....................................62
Selecting the PATCH/VALUE Dial Function (Dial Function)
...62
Setting the Knob Functions (Knob Mode)......................63
Setting the External Foot Switch Functions
(SUB CTL 1, 2 Function) ..................................................63
6
Main Features
Powerful COSM Modeling Effects Built-In
Features internal high-quality modeled effects, including
bass amp, overdrive/distortion, compressor/limiter, touch
wah, pedal wah, and more.
Internal Analog Bypass Circuitry
When bypass is activated, signals can be output without
passing through the AD/DA converter. Moreover, analog
signals also can be output without passing through the AD/
DA converter when only chorus or reverb/delay is used.
Equipped with XLR Balanced Output
Connectors
The GT-6B features two XLR type output jacks, enabling you
to connect to PAs and recording decks. And not only can you
output in stereo, these can also be selected as monaural
outputs and direct outs.
Customize Function
The GT-6B’s internal Customize function lets you bring your
own sensibilities into play, and design totally new effects by
tweaking the settings for the “Overdrive/Distortion,” and
“Pedal Wah” effects.
The resulting creations can then be saved on the GT-6B as
“Custom” settings. (p. 52)
Quick Settings
Each effect contains pre-programmed settings for each effect.
Creating the effect sounds you want is simple—just select the
preset settings for the effect you are using.
A Wide Variety of Effects
The GT-6B provides 35 different effects, from pro-quality
chorus, delay and reverb, to octave, defretter, synth-bass, a
newly developed Auto Slap, and numerous other effects.
Expression Pedal/Expression Pedal
Switch and Control Pedal
The unit features an expression pedal and control pedal that
you can use in setting the functions in each patch. The
functions that can be assigned to the expression pedal vary
with each patch you select, allowing you to use it as a wah
pedal, volume pedal, or other kind of pedal.
Furthermore, you can use the pedal as an “expression pedal
switch” to control (turn on and off) the current effect by
firmly pressing down at the front tip. (p. 46)
Includes Digital Outs
The unit also includes digital out connectors (coaxial),
convenient for digital recording. (p. 58)
EZ Tone
The GT-6B includes thirty representative effect sounds used
for creating new sounds. Now it’s easy to select just the
sounds you like. (p. 16)
COSM (Composite Object Sound Modeling)
Composite Object Sound Modeling (COSM) is an
original sound modeling technology developed by
Roland, in which the many factors that make up the
original sound, such as the electrical circuitry, structural
characteristics, materials used, and acoustics, are
analyzed and then recombined to reproduce that same
sound.
7
Panel Descriptions
Front Panel
fig.00-01
44
1
2
30
39
43
42
40
3
4 5
8
9
12
41
14
31
6
10
7
11
13
15
27
32
33
16
17 18
19
20 21 22
23
24
1 Display
A variety of information about the GT-6B appears here.
The left display shows the bank number.
The right display indicates patch names, parameters,
and a variety of other information.
2 EFFECT LEVEL Knob
Adjust the overall volume.
* When the Bypass EXP Mode (p. 55) and Noise Suppressor (p.
44) is set to “Off,” only CHORUS or REV/DLY is used, so
turning this knob does not change the volume of the direct
sound.
25
26
28
29
36
37
35
38
34
■ COMP/LIMITER (p. 25)
(Compressor/Limiter)
3 ATK/THR (Attack/Threshold) Knob
Adjusts the compressor’s attack and the volume at which
the limiter begins to affect the sound.
4 SUS/RATIO (Sustain/Ratio) Knob
Adjusts the length of the compressor decay and adjusts
the limiter’s compression ratio.
5 LEVEL Knob
Adjusts the compressor/limiter volume level.
8
Panel Descriptions
6 COMP/LIMITER ON/OFF Button
Press this to switch the compressor/limiter on and off
and when changing other settings.
7 TYPE VARIATION Button
Selects the compressor or limiter type.
■ OVERDRIVE/DISTORTION (p. 26)
8 DRIVE Knob
Adjusts the distortion effect from the overdrive or
distortion.
9 LEVEL Knob
Adjusts the volume of the overdrive or distortion sound.
10 OVERDRIVE/DISTORTION ON/OFF Button
Press this to switch the overdrive or distortion on and off
and when making changes to other settings.
11 TYPE VARIATION Button
Selects the type of overdrive or distortion.
■ PREAMP/SPEAKER (p. 29)
(Preamp/Speaker)
16 TYPE Knob
Selects the preamp type.
17 GAIN Knob
Adjusts the amount of amplification from the preamp.
This changes the sort of distortion you get with the amp.
18 TREBLE/Q Knob
Adjusts the sound quality of the preamp’s upper range.
Also adjusts the EQ bandwidth when the 3-band
parametric EQ is operational.
19 MIDDLE/FREQ (Frequency) Knob
Adjusts the sound quality of the preamp’s midrange.
Also adjusts the ED’s midrange frequency when the 3band parametric EQ is operational.
20 BASS/GAIN Knob
Adjusts the sound quality of the preamp’s lower range.
Also adjusts the amount of EQ amplification when the 3band parametric EQ is operational.
■ CHORUS (p. 27)
12 LEVEL Knob
Adjusts the volume of the chorus sound. The chorus
sound increases as the knob is turned more to the right.
13 CHORUS ON/OFF Button
Press this to switch the chorus on and off and when
changing other settings.
■ REV/DLY (p. 27)
(Reverb/Delay)
14 LEVEL Knob
Adjusts the volume level of the reverb and delay sounds.
The reverb or delay sound increases as the knob is
turned more to the right.
15 REV/DLY ON/OFF Button
Press this to switch the reverb or delay on and off and
when changing other settings.
21 LEVEL/TOTAL (Total Gain) Knob
Adjusts the overall preamp volume level. Also adjusts
the amount of amplification for the EQ overall when the
3-band parametric EQ is operational.
22 SPEAKER Knob
Selects the speaker type.
23 PREAMP ON/OFF Button
Press this to switch the preamp on and off and when
changing other settings.
24 3 BAND PARAMETRIC EQ ON/OFF Button
Switches the 3-band parametric EQ on and off.
25 SELECT Button
Switches the band for 3-band parametric EQ.
26 SPEAKER ON/OFF Button
Press this to switch the speakers on and off and when
changing other settings.
* The PREAMP turns on automatically when the SPEAKER is
turned on. Additionally, turning off the SPEAKER
automatically turns off the PREAMP.
9
Panel Descriptions
■ WAH (p. 31)
27 WAH ON/OFF Button
Press this to switch the wah on and off and when
changing other settings.
■ FX-1 (p. 33)
28 FX-1 ON/OFF Button
Press this to switch FX-1 on and off and when changing
other settings.
■ FX-2 (p. 35)
29 FX-2 ON/OFF Button
Press this to switch FX-2 on and off and when changing
other settings.
36 NAME/NS/MASTER Button (p. 21, 44)
Use for naming patches (NAME), making noise
suppressor settings (NS), and making the master settings
(MASTER).
37 UTILITY Button
This is used for making settings for the GT-6B’s overall
operating environment.
38 EZ TONE Button (p. 16)
Use this button when you want to use the EZ tones, and
when searching for a desired tone.
39 BANK/PATCH Pedals
Switch patches or banks with these pedals. Press both
pedals simultaneously to switch to Tuner mode (p. 56).
40 EFFECT ON/OFF / NUMBER Pedal
Use these to switch effects on and off and to switch patch
numbers.
30 PATCH/VALUE Dial
Use this to switch patches and make changes to settings
values.
31 PARAMETER Button
Press to select parameters.
* To jump to the main parameters, hold down one of these
buttons while you press the other. With items for which there
aren’t that many parameters, the GT-6B jumps to the last (or
initial) parameter.
32 EXIT Button
Use this to undo operations and to return to the Play
screen (p. 13).
33 WRITE Button
Press to store settings.
34 PEDAL ASSIGN Button (p. 45)
Use this to make settings for the expression pedal and
control pedal.
41 BYPASS/CTL (CONTROL) Pedal (p. 46, 55)
Use this to switch between bypass and the sound with
the effects added; you can also use this as a control pedal
for any of a number of different functions that can be
assigned to the pedal.
42 Expression Pedal
Controls volume, wah, and other parameters.
When you operate the expression pedal, please be
careful not to get your fingers pinched between the
movable part and the panel. When using the GT-6B in
households with small children, take care not to allow
young children to handle the unit or play with it. An
adult should always be on hand to provide supervision
and guidance with the operation of the unit.
43 EXP PEDAL SW (Expression Pedal Switch)
(p. 46)
Firmly press the front tip of the pedal down to switch the
effect on and off.
35 TUNER/BYPASS Button (p. 55, 56)
Press to use the tuner and bypass functions.
10
44 EXP PEDAL SW ON/OFF (Expression Pedal
Switch On/Off) Indicator
Lights up when the effect being controlled with the
Expression Pedal Switch is on, and goes out when the
effect is turned off.
Rear Panel
fig.00-02
1
2 3 4
5 6 7
8 9
Panel Descriptions
10 11 12
1 INPUT Jack
The bass guitar is connected here.
2 OUTPUT LEVEL Knob
Adjusts the volume level of the output from the output
(1/4” phone) jack and headphone jacks.
3 OUTPUT R/L (MONO) Jacks
These are standard jacks that output unbalanced signals.
Connect to amps, mixers, or other such devices.
4 PHONES Jack
A pair of stereo headphones can be connected to this
jack.
5 OUTPUT Jacks (XLR)
These are XLR jacks that provide balanced output.
6 SELECT (Output Select) Switch (p. 55)
This switch setting determines whether the signals
output from the XLR output jacks are in stereo (L/R), or
as direct mono output.
7 DIGITAL OUT Connector (p. 58)
Outputs digital audio signals.
8 SUB EXP PEDAL/SUB CTL 1,2 Jack
(SUB EXP Pedal/SUB CONTROL Pedal) (p. 48)
Connect an optional expression pedal (such as the EV-5)
or foot switch (such as the FS-5U) here.
9 MIDI IN/OUT Connectors (p. 64)
Connect an external MIDI device to these connectors to
transmit and receive MIDI messages.
10 POWER Switch
Switches the power to the on and off.
11 AC Adaptor Jack
Connect the included AC adaptor (BRC-series) here.
12 Cord Hook
Hook the AC adaptor cord here to prevent the adaptor
plug from becoming disconnected.
11
Chapter 1 Playing Sounds
1: GND
2: HOT
3: COLD
Making Connections
* To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices
before making any connections.
* Raise the amp volume only after turning on the power to all connected devices.
* When using mono output, connect the cable only to the OUTPUT L (MONO) jack.
* Use only specified expression pedals (optional Roland EV-5 or Roland FV-300L and PCS-33). Use of other manufacturer’s products may
result in damage to the unit.
fig.01-01
Bass Guitar
Bass Amp
* To prevent the disruption of power to your unit (should the
plug be pulled out accidentally), and to avoid applying undue
stress to the AC adaptor jack, anchor the power cord using the
cord hook, as shown in the illustration.
fig.01-02
Stereo
Headphones
Mixer
AC Adaptor
BRC-series
EV-5
FV-300L
etc.
FS-5U
FS-5L
etc.
* The pin assignment for the OUTPUT (XLR) connector
connectors is as shown below. Before making any connections,
make sure that this pin assignment is compatible with that of
all your other devices.
fig.01-50
12
For more on how to use the OUTPUT (XLR) connectors,
refer to p. 55
* When using the unit with an expression pedal connected to the
SUB EXP PEDAL/SUB CTL 1,2 jack, set Minimum Volume
of an expression pedal to the “MIN” position.
Chapter 1 Playing Sounds
* When using the GT-6B with a foot switch (the optional FS-
5U) connected to the SUB EXP PEDAL/SUB CTL 1,2 jack,
set the polarity switch as shown in the following.
fig.01-03
Polarity Switch
* You can use the special (optional Roland) PCS-31 connector
cord to connect two foot switches.
fig.01-04
PCS-31
White Red
Turning On the Power
Once the connections have been completed, turn on power to
your various devices in the order specified. By turning on
devices in the wrong order, you risk causing malfunction
and/or damage to speakers and other devices.
1. Before you turn the power on, make sure of the
following points.
• Are all external devices properly connected?
• Is the volume on the GT-6B, your amp, and all other
connected devices turned down to the minimum level?
* The GT-6B's volume is adjusted with the OUTPUT LEVEL
knob on the rear panel. Turning this completely to the left
(counterclockwise) sets the volume to the minimum level.
2. Switch ON the POWER switch on the GT-6B’s rear
panel.
The display changes, and the following appears in the
display. After a brief interval (a few seconds), the unit
switches to regular performance mode. The screen that
appears at that point is called the “Play screen.”
fig.01-05
Chapter
1
When using the unit with a foot switch connected to the
SUB EXP PEDAL/SUB CTL 1,2 jack, make the settings
given on p. 63.
The explanations in this manual include illustrations that
depict what should typically be shown by the display.
Note, however, that your unit may incorporate a newer,
enhanced version of the system (e.g., includes newer
sounds), so what you actually see in the display may not
always match what appears in the manual.
* When the GT-6B is turned on, the patch most recently selected
when the power was last turned off is selected.
* This unit is equipped with a protection circuit. A brief interval
(a few seconds) after power up is required before the unit will
operate normally.
3. Next, turn on the power to the bass amp (power amp).
Adjusting the Output Level
Adjust the GT-6B’s output level with the OUTPUT LEVEL
knob on the rear panel.
* Turn the knob to the marked range to set the volume to a
standard level.
fig.01-06
13
Chapter 1 Playing Sounds
What is a Patch?
When performing on your bass, you may select a variety of
different tones according to what and where you are playing.
The effects you want to use and the parameter settings (knob
positions) will vary depending on the tone.
You can store combinations, or “sets,” of volume level and
other of these parameter settings, and by using the pedals to
switch these sets, you can change tones instantly. Each of these
stored sets is called a “patch.” The GT-6B can store 80 “User
patches,” the content of which you can change as you like,
along with 40 “Preset patches” which cannot be changed or
overwritten. These 120 patches are divided into groups called
“banks,” with each bank containing four patches.
Patches within each bank are distinguished by the patch
“number” (1-4).
fig.01-07
Preset Bank 0 (P0)
Preset Bank 1 (P1)
User Bank 20 (u0)
Patch
Patch
Numbers
The number appears at the left side of the right display, and
is indicated by a numeral from “1” through “4.”
Selecting Patches
How to Switch Patches
Patches are switched by rotating the PATCH/VALUE dial
while in the “Play screen.” You can also switch patches by
pressing the PATCH pedals.
fig.01-10
User Bank 1 (U1)
Patch
Patch Patch PatchPatch
User Banks (U1–U0, u1–u0)
These are indicated by a “U*” or “u*” appearing in the left display.
fig.01-08
Preset Banks (P1–P0)
These are indicated by a “P*” appearing in the left display.
fig.01-09
● When you turn the PATCH/VALUE dial to the right
(clockwise) or press the PATCH pedal, the patch
numbers are switched in ascending order, i.e., 1 → 2 → 3
→ 4 → (next bank) 1 → 2 → ...etc.
● When you turn the PATCH/VALUE dial to the left
(counterclockwise) or press the PATCH pedal, the
patch numbers are switched in descending order, i.e., 4
→ 3 → 2 → 1 → (bank before the current bank) 4 → 3 →
...etc.
* You cannot switch patches unless the Play screen (p. 13) is
displayed. Press [EXIT] (p. 10) to return to the Play screen.
* You cannot switch patches with the PATCH/VALUE dial
when the dial function (p. 62) is set to VALUE only.
Number
* Although you cannot overwrite the Preset patches, you can
change (edit) a Preset patch’s settings. You can then save the
resulting changes in the setting as a User patch.
14
Chapter 1 Playing Sounds
Turning Each of the Effects in a Patch On and Off
You can use pedals 1–4 to switch on and off the individual
effects that are used in a patch. Each pedal shows the names
of two effects; the effect that you are currently able to switch
on and off is indicated in the lower row of the right display.
You can also change these with [PEDAL ASSIGN] (p. 45).
Switching Patches by Specifying the Bank
and Number
The GT-6B has been set at the factory so that you can
switch patches using the PATCH/VALUE dial or the
PATCH and PATCH pedals, but you can change
the settings by switching patches directly with the bank
and number. For more detailed information, refer to p. 60.
About the Information Appearing in the Display
Turning Off the Power
1. Before turning off the power, confirm the following.
• Is the volume on the GT-6B, your amp, and all other
connected devices turned down to the minimum level?
2. Turn off the power to the bass amp (power amp) and
other devices.
3. Turn the GT-6B’s power off.
Chapter
1
The following information is shown in the display.
fig.01-11
Number Patch Name
Bank
Effects
If the Patch Does Not Switch
On the GT-6B, you cannot switch patches in any screen other
than the Play screen. If you are having this problem, press
[EXIT] to return to the Play screen.
15
Chapter 2 Creating You Own Favorite Tones (Patches)
Getting the Tones You WantFast (EZ Tone)
In addition to tones (patches) that you can actually use in
performances, the GT-6B also features internal sample
settings that are very useful when you want to create such
tones on your own. This feature is called “EZ Tone.”
Using the EZ Tone function lets you quickly find tone
settings similar to the ones you want to create.
fig.02-01
2
3
1. Press [EZ TONE].
2. Rotate the VALUE dial to select the settings resembling
those for the tone you want.
3. Press the ON/OFF buttons to turn effects on and off,
and turn the knobs to adjust the tone.
fig.02-02
4
1
Adjusting the Tones with the Knobs
The GT-6B panel features fifteen knob controls. These knobs
let you make changes to the selected patch’s tone quickly and
easily.
* There are also other methods you can use to adjust the tone.
For more details, refer to p. 19.
fig.02-03
COMP ATK (Compressor attack)
This gives you a strong attack from picking when “BOSS
Comp”, “D-Comp” is selected as the type. The attack
becomes sharper as you turn the knob to the right, giving a
sound with greater bite.
LIMITER THR (Limiter threshold)
This adjusts the volume level at which the limiter is activated
when “Rack 160D” is selected as the type. As the knob is
turned to the left, the limiter effect is apparent at lower
volume levels.
When “Vtg Rack U” is selected as the type, this adjusts the
volume of the sound input to the limiter. The effect becomes
deeper as you turn the knob to the right.
ON/OFF button
* You can press [EZ TONE] again to compare the tone in use
before entering EZ Tone mode with the present tone.
4. Press [EXIT] to return to the Play screen.
The tone switches to the tone selected in EZ Tone.
* Pressing [EXIT] while the readout is flashing (when the tone
prior to switching to EZ Tone mode is selected) returns you to
the patch that was selected before going into EZ Tone mode.
* If you want to save a tone you’ve created, use the Write
procedure (p. 23) to save it to a User patch.
16
COMP SUS (Compressor sustain)
This adjusts the amount of sustain when “BOSS Comp”, “DComp” is selected as the type. More of the effect is added as
you turn the knob to the right, lengthening the sustain time,
while also bringing out noise that occurs when you are not
playing the instrument.
LIMITER RATIO
This adjusts the limiter’s compression ratio when “Rack
160D” or “Vtg Rack U” is selected as the type. The
compression gets stronger as the knob is turned to the right.
* By pressing [TYPE VARIATION], you can then switch the
COMP/LIMITER type.
Chapter 2 Creating You Own Favorite Tones (Patches)
COMP/LIMITER LEVEL
Adjusts the compressor/limiter volume level. The volume
increases as the knob is turned to the right.
OD/DIST DRIVE
Adjusts the degree of distortion in the overdrive or distortion
sound. The distortion gets stronger as the knob is turned to
the right.
(Overdrive/Distortion Drive)
OD/DIST LEVEL (Overdrive/Distortion Level)
Adjusts the volume of the overdrive or distortion sound. The
volume increases as the knob is turned to the right.
* By pressing [TYPE VARIATION], you can then switch the
OVERDRIVE/DISTORTION type.
CHORUS LEVEL
Adjusts the volume of the chorus sound. The chorus sound
increases as the knob is turned to the right, deepening the
effect.
REV/DLY LEVEL (Reverb/Delay Level)
Adjusts the volume level of the reverb or delay sounds. The
reverb or delay sound increases as the knob is turned to the
right.
Only the reverb sound is adjusted when Fx Select (p. 27) is
set to R&D (Reverb&Delay). When SOS (SoundOnSound) is
selected, this adjusts the playback level.
PREAMP TYPE
Selects the preamp type.
PREAMP GAIN
Adjusts the amount of amplification for the preamp, which
changes the degree of distortion. The distortion gets stronger
as the knob is turned to the right.
PREAMP TREBLE
Adjusts the sound quality of the preamp’s upper range. The
high frequencies are boosted as the knob is turned to the right.
PREAMP MIDDLE
Adjusts the sound quality of the preamp’s midrange. The
midrange frequencies are boosted as the knob is turned to
the right.
PREAMP BASS
Adjusts the sound quality of the preamp’s lower range. The
low frequencies are boosted as the knob is turned to the right.
SPEAKER
Selects the speaker type.
When ORIGINAL is selected, you can select the speakers that
are best suited for the PREAMP TYPE settings.
In addition, when [SELECT] is pressed, the PREAMP knobs
then function as control knobs for adjusting the 3-band
parametric EQ.
The adjustment screen for each band (LOW, MID, HIGH)
appearing in the display alternates each time you press
[SELECT]. You can adjust the Q, frequency, and gain for each
band.
Q
This adjusts the Equalizer bandwidth (the range of frequencies
affected by that EQ control). The bandwidth is narrowed as the
knob is turned to the right, resulting in a more notched
equalization. Use higher Q settings to affect specific
frequencies and give the tone particular qualities. Conversely,
the bandwidth becomes broader as the knob is turned to the
left. Use lower Q settings when you want to adjust the overall
low end or high end and change the overall tone.
FREQ (Frequency)
Adjusts the center frequency for the equalizer. The frequency
(upper range) increases as the knob is turned to the right.
GAIN
Adjusts the volume level for the equalizer adjusted with the
Q and FREQ settings above. The volume level for the
frequency range is boosted more as the knob is turned
further to the right of center; turning the knob to the left of
the center position cuts those frequencies.
TOTAL (Total Gain)
Adjusts the overall volume level of the 3-band equalizer. The
overall volume level is boosted more as the knob is turned
further to the right of center; turning the knob to the left of
the center position cuts those frequencies.
EFFECT LEVEL
Adjusts the overall effect volume level. The volume increases
as the knob is turned to the right.
* When the Bypass EXP Mode (p. 55) and Noise Suppressor (p.
44) is set to “Off,” only CHORUS or REV/DLY is used, so
turning this knob does not change the volume of the direct
sound.
Chapter
2
PREAMP LEVEL
Adjusts the preamp volume level. The volume increases as
the knob is turned to the right.
When you want to save a tone created with EZ Tone, or
changed with the knob controls, use the Write procedure
(p. 23) to save the tone to a User patch.
17
Chapter 2 Creating You Own Favorite Tones (Patches)
Adding and Omitting Effects
You can switch the internal effects on and off, which lets you
change tones by adding and omitting effects.
Using the Buttons to Switch Effects On and Off
You can switch each of the internal effects on and off with the
respective effect ON/OFF button.
fig.02-04
1,2,3
4
3. To select another effect to be switched on and off,
repeat Steps 1 and 2.
4. Press [EXIT] to return to the Play screen.
Switching Effects with the Pedals
The GT-6B is set at the factory so that you can use Pedals “1”
through “4” to switch specific effects on and off. The names
of effects that can be controlled with these pedals appear in
the lower row of the display.
* The effects that can controlled can be selected individually for
each patch (p. 45).
fig.02-06
1. Press the ON/OFF button for the effect you want to be
able to switch on and off.
The effect's name and on/off status appear in the display.
The indicator for an effect’s ON/OFF button lights up
when the effect is enabled, and flashes when that effect is
disabled.
fig.02-05
2. Press the ON/OFF button again to switch the effect on
or off, changing the indicator light status.
* The PREAMP turns on automatically when the SPEAKER is
turned on. Additionally, turning off the SPEAKER
automatically turns off the PREAMP.
* As set at the factory, the indicator for the pedal corresponding
to the effect being used also lights up and goes out in response
to the effect status.
* The effect name flashes in the display when that effect is
turned off.
1
1. Press the pedal corresponding to the effect you want to
switch on and off.
Each time you press the pedal, the effect is alternately
turned on or off, and the pedal indicator lights up or
goes out.
* While enabled, effects are indicated in capital letters in the
display; disabled effects are indicated in lowercase letters.
fig.02-07
Effects
If you want to save a tone for which you have made
settings, use the Write procedure (p. 23) to save the tone
to a User patch.
* When you press [FX-1], [FX-2], or [WAH] in Step 1, the
effect set with the FX Select parameter (“Making More
Detailed Settings with Individual Parameters,” see p. 19) is
switched on and off.
18
Chapter 2 Creating You Own Favorite Tones (Patches)
Setting the Effect Tones (Quick Settings)
Quick Settings are preprogrammed effect settings. Each
effect in the GT-6B has some available quick settings. You
can easily create new effect sounds, without having to make
any detailed adjustments, just by selecting and combining
these Quick Settings.
fig.02-08
3
2
1
1. Press the ON/OFF button for the effect with the
settings you want to change.
The parameters for the selected effect appear in the
display.
* During editing, the most recently edited parameter for each
effect is indicated in the display.
2. Press PARAMETER [ ] [ ] to display the
“Quick Setting--.”
fig.02-09
4
Making More Detailed Settings with Individual Parameters
The effects include extra parameters in addition to those that
can be adjusted directly with the knobs.
You can more precisely create the sounds you want by
editing each of these parameters individually.
fig.02-10
3
2
1
1. Press the ON/OFF button for the effect with the
settings you want to change.
The parameters for the selected effect appear in the
display.
2. Press PARAMETER [ ] [ ] to select the
parameter whose settings are to be changed.
When more than one parameter is shown in the display,
press PARAMETER [ ] [ ] to move the cursor to
the parameter to be set.
6
Chapter
2
3. Rotate the VALUE dial to select the effect setting you
want.
* When you press [FX-1], [FX-2], or [WAH] in Step 1, the
settings for the effect selected by means of the FX Select
parameter (refer to the following item) are switched.
4. Press [EXIT] to return to the Play screen.
You can jump to the most important parameters by
pressing PARAMETER [ ] (or [ ]) while holding
down PARAMETER [ ] (or [ ]). With items for
which there aren’t that many parameters, the GT-6B
jumps to the last (or first) parameter.
3. Rotate the VALUE dial to change the settings value.
4. Repeat Steps 2 and 3 for any other parameter settings
you want to change.
5. If you want to change parameter settings in any other
effects, repeat Steps 1 through 4.
6. Press [EXIT] to return to the Play screen.
If you want to save a tone for which you have made
settings, use the Write procedure (p. 23) to save the tone
to a User patch.
19
Chapter 2 Creating You Own Favorite Tones (Patches)
Using the Pedal Effects (Wah, Pedal Bend, Ring Modulator)
You can use the GT-6B’s expression pedal to obtain wah,
pedal bend (pedal-controlled pitch bend), and ring
modulator effects.
Wah
fig.02-11
41
3
5
1. Press [WAH].
2. Turn on the wah effect (“Adding Effects”; p. 18).
* This step is not required if the effect is already on.
3. Press PARAMETER [ ] [ ] to select the FX
Select parameter.
Pedal Bend
fig.02-12
4
3
51
1. Press [FX-2].
2. Turn on the FX-2 effect (“Adding Effects”; p. 18).
* This step is not required if the effect is already on.
3. Press PARAMETER [ ] [ ] to select the FX
Select parameter.
4. Rotate the VALUE dial to change the setting value to
“PB.”
Moving the expression pedal now gives you a pitch bend
effect.
* By assigning PB on/off to the expression pedal switch, you can
switch the Pedal Bend effect on and off by firmly pressing
down on the pedal’s toe. (p. 46)
4. Rotate the VALUE dial to change the setting value to
“WH.”
A wah effect can now be obtained by moving the
expression pedal.
* By assigning WAH on/off to the expression pedal switch, you
can switch the wah effect on and off by firmly pressing down
on the pedal’s toe. (p. 46)
5. Press [EXIT] to return to the Play screen.
If you want to save a tone for which you have made
settings, use the Write procedure (p. 23) to save the tone
to a User patch.
5. Press [EXIT] to return to the Play screen.
If you want to save a tone for which you have made
settings, use the Write procedure (p. 23) to save the tone
to a User patch.
20
Chapter 2 Creating You Own Favorite Tones (Patches)
Ring Modulator
fig.02-13
4
3
51
1. Press [FX-1].
2. Turn on the FX-1 effect (“Adding Effects”; p. 18).
* This step is not required if the effect is already on.
3. Press PARAMETER [ ] [ ] to select the FX
Select parameter.
4. Rotate the VALUE dial to change the setting value to
“R.M.”
5. Set Pedal Assign (p. 48) so that “Freq” (the frequency)
for R.M (the ring modulator) is controlled with the
expression pedal.
Naming Tones
Each patch can be given a name (Patch Name) consisting of
up to fourteen characters. You can assign whatever names
you like, such as names suggesting the sound created or the
name of the song in which it is to be used.
fig.02-14
3
2
1
3
1. Press [NAME/NS/MASTER] until “Name” appears in
the display.
* Each time [NAME/NS/MASTER] is pressed, the item that
can be set is changed, following this order:
Name
→
Noise Suppressor → Master → Bypass EXP Mode
→
Foot Volume → Effect Chain.
fig.02-15
Chapter
2
* By assigning R.M on/off to the expression pedal switch, you
can switch the Pedal Bend effect on and off by firmly pressing
down on the pedal’s toe. (p. 46)
6. Press [EXIT] to return to the Play screen.
If you want to save a tone for which you have made
settings, use the Write procedure (p. 23) to save the tone
to a User patch.
Cursor
2. Press PARAMETER [ ] [ ] to move the cursor to
the portion of text you want to edit.
3. Rotate the VALUE dial to change the characters.
* You can use the following functions when changing text
characters.
CAPS: Switches the character at the cursor position
between uppercase and lowercase.
INS: Inserts a blank space at the cursor position.
DEL: Deletes the character at the cursor position and
shifts the characters following it to the left.
4. If you want to edit names further, repeat Steps 2 and 3.
5. If you want to save the sequence you’ve set up, use the
Write procedure (p. 23) to save it to a User patch.
Press [EXIT] to return to the Play screen.
21
Chapter 2 Creating You Own Favorite Tones (Patches)
Changing the Order of the Effects (Effect Chain)
You can freely change the order in which the effects are
connected.
fig.02-16
2
2
You can switch effects on and off even while making the
settings for the connection order. You can use the ON/
OFF buttons corresponding to the effects appearing to
the left and right of the cursor to turn these effects on
and off.
3
1. Press [NAME/NS/MASTER] until “Effect Chain”
appears in the display.
* Each time [NAME/NS/MASTER] is pressed, the item that
can be set is changed, following this order:
Name
→
Noise Suppressor → Master → Bypass EXP Mode-
→
Foot Volume → Effect Chain.
fig.02-17
* Effects are shown in lowercase letters when turned off.
2. Use the VALUE dial or PARAMETER [ ] [ ] to
move the cursor to the point where you want to have
the effect inserted.
3. Press the ON/OFF button for the effect you want to
insert.
The selected effect is inserted at the cursor position.
1
* You cannot directly switch placement of the noise suppressor
in the order of effects. However, you can change the placement
indirectly by changing the order of other effects placed before
and after the noise suppressor.
* Use [PEDAL ASSIGN] to assign Foot Volume.
4. If you want to change the sequence further, repeat
Steps 2 and 3.
5. If you want to save the sequence you’ve set up, use the
Write procedure (p. 23) to save it to a User patch.
Press [EXIT] to return to the Play screen.
22
Chapter 3 Saving the Tones You Have Created
Write
When you want to save a tone created, or a tone for which
changes have been made, use the Write procedure to save the
tone to a User patch.
* The newly created tone will be discarded if the power is turned
off, or if the tone is switched (“How to Switch Patches’; p. 14)
before you’ve carried out the Write procedure.
fig.03-01
2
1,3
1. Press [WRITE].
The content of the display changes, and the GT-6B is
ready for a patch to be specified as the save destination.
fig.03-02
Destination Patch
Copying Patches
You can copy a Preset or User patch to another User patch.
fig.03-03
3
Chapter
2,4
3
1. Select the copy-source patch (refer to “How to Switch
Patches”; p. 14).
2. Press [WRITE].
The content of the display changes, and the GT-6B is
ready for a User patch to be specified as the copy
destination.
fig.03-04
Destination Patch
2. Rotate the VALUE dial to select the save-destination
patch.
* Only User patches can be selected as the save destination.
* This step is unnecessary if the current patch may be used.
* To cancel the Write procedure, press [EXIT]. The Play screen
returns to the display.
3. Press [WRITE] once more.
The tone is saved to the save-destination patch, and the
Play screen returns to the display.
* The sound of the patch previously stored at the save-
destination is permanently deleted once the write is executed.
3. Rotate the VALUE dial to select the copy-destination
patch.
* To cancel the copy, press [EXIT]. The Play screen returns to
the display.
4. Press [WRITE] once more.
The GT-6B copies a tone to the copy-destination patch,
and you’re returned to the Play screen.
* The sound of the patch previously stored at the copy
destination is permanently deleted once the write is executed.
23
Chapter 3 Saving the Tones You Have Created
Exchanging Patches
On the GT-6B, you can exchange the positions of two User
patches.
fig.03-05
4
3
2,5
1. Select the exchange-source patch (refer to “How to
Switch Patches”; p. 14).
2. Press [WRITE].
3. Press PARAMETER [ ].
The content of the display changes, and the GT-6B is
ready for a User patch to be specified as the exchange
destination.
fig.03-06
Destination Patch
4. Rotate the VALUE dial to select the exchange-
destination User patch.
* To cancel the exchange, press [EXIT]. The Play screen returns
to the display.
5. Press [WRITE] once more.
The tone stored in the exchange-source patch and the
tone stored in the exchange-destination patch are
exchanged, and you’re returned to the Play screen.
24
Chapter 4 The Effects Explained
This chapter describes the particular qualities of each of the
GT-6B’s internal effects, as well as the parameters used to
control them.
The sound that is input to each effect is called the “direct
sound,” and the sound modified by the effect is called
the “effect sound.”
All product names mentioned in this document are
trademarks or registered trademarks of their respective
owners.
The names used for the sounds mentioned in this
document are intended to be descriptive in nature, used
solely to identify the equipment whose sound is
simulated using COSM technology.
COMP/LIMITER (Compressor/Limiter)
The compressor is an effect that compresses (or attenuates)
loud input levels and expands (boosts) low input levels, thus
evening out the volume to create sustain without distortion.
It also has the effect of evening out the sound.
The limiter is an effect that prevents distortion by
suppressing input signals that exceed a set value (threshold).
You can get the same effect achieved with the compressor by
setting the threshold at a low value.
The GT-6B’s COSM technology provides you with four types
of modeled compressor/limiter perfectly suited for the bass.
Parameter Value
On/Off Off, On
Type BOSS Comp, D-Comp, Rack 160D,
Vtg Rack U
Attack 0–100
Sustain 0–100
Threshold 0–100
Ratio 1:1– ∞:1 (Rack 160D)
4:1– 20:1 (Vtg Rack U)
Release 0–100
Tone -50–+50
Level 0–100
On/Off
Sets the compressor/limiter effect to ON or OFF.
Type
Selects the compressor/limiter type.
BOSS Comp Models the BOSS CS-3
D-Comp Models the MXR dyna comp.
Rack 160D Models the dbx 160x.
Vtg Rack U Models the UREI 1178.
Attack
(with BOSS Comp, D-Comp)
Adjusts the strength of the picking attack when the strings
are played. Higher values result in a sharper attack, creating
a more clearly defined sound.
(with Vtg Rack U)
This adjusts the amount of time that is to pass between the
point at which the input level exceeds the set threshold level
and compression begins, and the time at which the
compression ratio set with the Ratio setting is achieved.
Compression is applied more rapidly as the value is
increased.
Sustain
(with BOSS Comp, D-Comp)
Boosts low-level signals, adjusting the time over which
sounds are sustained. Higher values deepen the effect,
resulting in a longer sustain.
Threshold
(with Rack 160D, Vtg Rack U)
Adjust this as appropriate for the input signal from your
bass. When the input signal level exceeds this threshold
level, limiting will be applied. The limiter goes onto effect at
lower levels as the value is reduced with Rack 160D.
This controls the input level with Vtg Rack U. Increasing the
value deepens the effect.
(“Thres (input)” appears in the display.)
Ratio
(with Rack 160D, Vtg Rack U)
Adjusts the limiter compression ratio. Higher values create a
stronger compression effect.
Release
(with Vtg Rack U)
This adjusts the time from when the signal level drops below
the threshold until when the compression is removed. The
higher the values set, the more rapidly the compression is
released, and the more clearly the sound from the next string
played is heard.
Tone
(with BOSS Comp)
Adjusts the tone. The higher the value set, the more the high
frequencies are boosted, resulting in a harder sound.
Level
Adjusts the volume.
Chapter
4
25
Chapter 4 The Effects Explained
OD/DIST
This effect distorts the sound to create long sustain. The GT6B provides nine types of distortion with two different
custom settings.
(Overdrive/Distortion)
■ OD: Overdrive
This provides the warm, natural type of distortion that
occurs naturally when you turn up the volume on a tube
amp. This effect is often used as an amp pre-booster.
■ DST: Distortion
This effect features a deep, powerful distortion that is
difficult to achieve with amp distortion alone.
■ FUZ: Fuzz
This effect gives an even more powerful and intense
distortion than you get with regular distortion.
Parameter Value
On/Off Off, On
Type Blues OD, Turbo OD, Bass OD,
Distortion, GUV DS, Metal Zone,
’60s FUZZ, Oct Fuzz, MUFF FUZZ,
Custom 1, Custom 2
Drive 0–100
Bass -50–+50
Treble -50–+50
Effect Level 0–100
Direct Level 0–100
Custom 2 Type 2 for custom settings.
● When CUSTOM is Selected for TYPE
When the TYPE is set to CUSTOM, you can set the following
parameters.
“Making ‘Custom’ Overdrive/Distortion Settings” (p. 52)
Parameter Value
Type (1–2) OD-2, BD-2, ODB-3, DS-1, MT-2, FUZZ
Bottom (1–2) -50–+50
Top (1–2) -50–+50
Low (1–2) -50–+50
High (1–2) -50–+50
Drive
Adjusts the amount of distortion. The distortion gets more
intense as the value is increased.
Bass
Adjusts the tone of the lower range. The bass is given more
emphasis as the value is increased.
Treble
Adjusts the tone of the upper range. The treble is given more
emphasis as the value is increased.
Effect Level
Adjusts the volume of the distorted sound.
Direct Level
Adjusts the level of the Bass direct sound.
On/Off (Effect On/Off)
Sets the overdrive/distortion effect to ON or OFF.
Type
Selects the type of distortion.
Blues OD Models the sound of the BOSS BD-2.
Turbo OD Models the sound of the BOSS OD-2.
Bass OD Models the sound of the BOSS ODB-3.
Distortion Standard distortion sound.
GUV DS Models the sound of the Marshall
GUV’NOR.
Metal Zone The sound of the BOSS MT-2.
‘60s FUZZ Models the sound of the FUZZFACE.
Oct Fuzz Models the sound of the ACETONE
FUZZ.
MUFF FUZZ Models the sound of the Electro-Har-
monix Big Muff.
Custom 1 Type 1 for custom settings.
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