Roland Corporation GT-10 Owner's Manual

201b

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 2–3), and “IMPORTANT NOTES” (p. 4–5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Owner’s Manual

Thank you, and congratulations on your choice of the BOSS GT-10.

202

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

002c

• Do not open (or modify in any way) the unit or its AC adaptor.

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003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

008e

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

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009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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007

• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

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008c

• Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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012b

• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor, the power-supply cord, or the plug

has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto

the unit; or

• The unit has been exposed to rain (or otherwise has

become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

• Protect the unit from strong impact. (Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet.

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101b

• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

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102c

• Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

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103b

• At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107c

• Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108b

• Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.

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109b

• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p.26).

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110b

• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

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118a

• Should you remove the screw and the USB connector cap, keep them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

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IMPORTANT NOTES

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

302

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

360

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up on a another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in another MIDI device (e.g., a sequencer). once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

IMPORTANT NOTES

561

• Use only the specified expression pedal (Roland EV-5, BOSS FV-500L/500H with a connection cable (stereo 1/4” phone – stereo 1/4” phone); sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

562

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

852a

• This product can be used to record or duplicate audio without being limited by certain technological copyprotection measures. This is due to the fact that this product is intended to be used for the purpose of producing original music, and is therefore designed so that material that does not infringe copyrights belonging to others (for example, your own original works) can be recorded or duplicated freely.

853

• Do not use this unit for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.

Printing Conventions and icons in This Manual

Text or numerals enclosed

in square brackets [ ]

(p.**)

Indicate buttons.

[WRITE]

Indicates information that you

should be aware of when

using the GT-10.

Indicates supplementary

information about an

operation.

Indicates information about a

convenient operation.

Indicates a reference page.

WRITE button

About the Explanations of Procedures in the Text

• For selecting items like those shown in the screen view below, the explanations describe how to make the selection using the knobs, but you can also select the items

using [ ] and [ ] (the cursor buttons).

IMPORTANT NOTES ...............................................................................4

Main Features........................................................................................10

Names of Things and What They Do...................................................11

Front Panel................................................................................................................................................. 11

Rear Panel.................................................................................................................................................. 13

Quick Guide...........................................................................................14

Getting Ready ........................................................................................................................................... 14

Playing Sounds .........................................................................................................................................16

Editing........................................................................................................................................................ 18

Basic Operation.............................................................................................................................. 18

Creating Sounds Based on Existing Patches .............................................................................18

Creating Sounds with Ease .....................................................................................................................20

Chapter 1 Playing Sounds ...................................................................22

Making the Connections.......................................................................................................................... 22

Turning on the Power.............................................................................................................................. 23

The Icons in the Play Screen ........................................................................................................ 23

Switching the Play Screen............................................................................................................ 24

Adjusting the Output Level .................................................................................................................... 24

Making Settings for a Connected Device (Output Select) .................................................................. 25

Turning Off the Power............................................................................................................................. 26

Tuning the Guitar (TUNER) ...................................................................................................................26

Turning the Tuner Function On and Off ................................................................................... 26

About the Display During Tuning ............................................................................................. 26

How to Tune .................................................................................................................................. 27

Changing the Tuner Settings (Tuner Pitch)............................................................................... 27

Changing the Tuner Settings (Tuner Out)................................................................................. 28

Selecting a Tone (Patch Change) ............................................................................................................ 29

What is a Patch?............................................................................................................................. 29

Using the Pedal to Select the Patch.............................................................................................30

Using the Dial to Select the Patch ............................................................................................... 31

Separating Patches into Groups (CATEGORY)........................................................................ 31

Adjusting a Tone ...................................................................................................................................... 31

Chapter 2 Creating Sounds (Patch Edit).............................................32

Creating Sounds with Ease (EZ TONE) ................................................................................................ 32

Creating a Tone for the Song You Envision (Create)............................................................... 32

Adjusting the Tone (Edit)............................................................................................................. 33

Setting the Effects .....................................................................................................................................34

Turning an Effect On and Off...................................................................................................... 34

Setting the Effects Simply (Quick Setting)................................................................................. 35

Switching Between Knob View and List View ......................................................................... 35

Adjusting the Parameters............................................................................................................. 36

Changing the Connection Order of Effects (Effect Chain)...................................................... 38

Grouping Patches by Category (CATEGORY) ......................................................................... 39

Naming User Categories (CATEGORY NAME) ...................................................................... 40

Naming a Patch (PATCH NAME) ......................................................................................................... 41

Chapter 3 Saving a Tone ......................................................................42

Saving a Patch (PATCH WRITE) ...........................................................................................................42

Copying Patches (PATCH COPY) .........................................................................................................42

Exchanging Patches (PATCH EXCHANGE)........................................................................................ 43

Initializing Patches (PATCH INITIALIZE)........................................................................................... 43

Storing Settings by Effect (User Quick Settings).................................................................................. 44

Copying or Swapping PREAMP Settings Between Channels ...........................................................45

Chapter 4 Playing Sounds ...................................................................46

Setting the Functions of the Knobs of the Play Screen........................................................................ 46

Using Pedals to Control the Parameters ...............................................................................................47

Using the CTL/EXP Pedal With the Same Functions Assigned at All Times

(Pedal Function) ............................................................................................................................47

Setting CTL/EXP Functions Individually in Each Patch (Pedal FX)..................................... 48

Setting Each Controller Functions to Individual Patches (Assign)........................................ 50

Activating the Virtual Expression Pedal at the Start of Operations (Internal Pedal System)

Turning the Effects On and Off with the BANK/Number Pedals (Manual Mode)....................... 55

Switching to Manual Mode ......................................................................................................... 55

Switching Effects On and Off with the Pedals.......................................................................... 55

Assigning an Effect On/Off Switch to a Pedal ......................................................................... 56

Switching Settings with the Number Pedals........................................................................................ 57

Phrase Loop Play...................................................................................................................................... 58

What’s Phrase Loop? ....................................................................................................................58

Using the Phrase Loop ................................................................................................................. 58

Setting Phrase Loop ...................................................................................................................... 59

Overview of Phrase Loop Operation .........................................................................................60

.... 54

Chapter 5 Making Global Settings.......................................................61

Making Settings Matched to the Connected Guitar (Input Select) ................................................... 61

Adjusting the Overall Sound to Match the Usage Environment (Global) ....................................... 62

Adjusting the Overall Tone (Global EQ) ...................................................................................62

Controlling the Overall Effect of the Noise Suppressor (Total Noise Suppressor)............. 63

Controlling the Overall Reverb Level (Total REVERB)........................................................... 64

Setting the Output Reference Level to Match the Connected Equipment (Main Out Level)

Adjusting the Output Level of the DIGITAL OUT Jack.......................................................... 66

Adjusting the Display Contrast (LCD Contrast).................................................................................. 67

Keeping Effect Sounds Playing After Patches Are Switched (Patch Change Mode) .....................68

Using the Identical Preamp Settings in All Patches (Preamp Mode) ............................................... 69

Using the System Preamp............................................................................................................ 69

Setting the System Preamp .......................................................................................................... 69

Saving the Current Preamp Setting As the System's Preamp Setting ................................... 70

Limiting the Banks That Can Be Switched (Bank Extent) .................................................................. 71

Setting the Timing Used for Switching Patches (Bank Change Mode) ............................................ 72

Having Values from an EXP Pedal Carried Over When Patches are Called Up (EXP Pedal Hold)

Switching How the Pedal Indicators Light (Pedal Indicate).............................................................. 74

Selecting the Dial Function (Dial Function).......................................................................................... 75

Restoring the Factory Settings (Factory Reset)..................................................................................... 76

Adjusting the EXP Pedal .........................................................................................................................77

Chapter 6 Using the GT-10 with External MIDI Devices Connected

What Can You Do with MIDI? ............................................................................................................... 79

Operating From the GT-10........................................................................................................... 79

Remotely Controlling the GT-10 Using an External MIDI Device......................................... 79

Making the Settings for MIDI Functions............................................................................................... 80

Setting the MIDI Receive Channel.............................................................................................. 80

Setting the MIDI Omni Mode......................................................................................................81

Setting the MIDI Transmit Channel ........................................................................................... 81

Setting the MIDI Device ID.......................................................................................................... 81

Setting the MIDI Sync Clock........................................................................................................ 81

Sending Program Change Messages .......................................................................................... 82

Sending EXP Pedal Operations as Control Change Messages ............................................... 82

Sending EXP Pedal Sw Operations as Control Change Messages......................................... 82

.... 65

..... 73

...79

Sending External EXP Pedal Operations as Control Change Messages ...............................82

Sending CTL Pedal Operations as Control Change Messages............................................... 83

Sending External Footswitch Operations as Control Change Messages ..............................83

Setting the Correspondences Between Program Change Messages and Patches

(Program Change Map)........................................................................................................................... 84

Enabling/Disabling the Program Change Map Settings (MIDI Map Select)....................... 84

Setting the Program Change Map .............................................................................................. 84

Changing Patches Using Bank Select Messages .................................................................................. 85

Changing Patch Numbers on an External MIDI Device from the GT-10 .............................85

Changing Patch Numbers on the GT-10 from an External MIDI Device .............................86

Transmitting Data to an External MIDI Device (Bulk Dump)........................................................... 87

Making the Connections ..............................................................................................................87

Transmitting................................................................................................................................... 88

Receiving Data from an External MIDI Device (Bulk Load).............................................................. 89

Making the Connections ..............................................................................................................89

Receiving ........................................................................................................................................ 89

Chapter 7 Using the GT-10 Connected to a Computer Via USB.......90

Before Connecting with USB .................................................................................................................. 90

Installing and Setting the USB Driver........................................................................................ 90

Switching the Driver Mode ......................................................................................................... 91

Setting the USB Functions....................................................................................................................... 92

Setting the Digital Audio Signal Input and Output................................................................. 92

Setting the Direct Monitor ...........................................................................................................93

Controlling the Direct Monitor Setting from an External Device .......................................... 94

Recording the GT-10’s Output with a Computer ................................................................................ 94

Applying GT-10 Effects to a Computer’s Audio Playback................................................................. 95

Chapter 8 Parameters Guide................................................................96

COMP (Compressor)................................................................................................................................ 96

OD/DS (Overdrive/Distortion)............................................................................................................. 96

PREAMP .................................................................................................................................................... 98

Preamp Type List .......................................................................................................................... 98

EQ (Equalizer)......................................................................................................................................... 101

FX-1/FX-2 ................................................................................................................................................ 102

T.WAH (Touch Wah).................................................................................................................. 102

AUTO WAH (Auto Wah) ..........................................................................................................103

SUB WAH..................................................................................................................................... 103

ADV.COMP(Advanced Compressor)...................................................................................... 104

LIMITER ....................................................................................................................................... 104

GRAPHIC EQ (Graphic Equalizer) .......................................................................................... 104

PARA EQ (Parametric Equalizer)............................................................................................. 105

TONE MODIFY........................................................................................................................... 105

GUITAR SIM. (Guitar Simulator) ............................................................................................. 106

SLOW GEAR................................................................................................................................ 106

DEFRETTER................................................................................................................................. 106

WAVE SYNTH ............................................................................................................................107

GUITAR SYNTH......................................................................................................................... 107

SITAR SIM. (Sitar Simulator) .................................................................................................... 108

OCTAVE....................................................................................................................................... 109

PITCH SHIFTER.......................................................................................................................... 109

HARMONIST ..............................................................................................................................110

AUTO RIFF ..................................................................................................................................111

Creating Original Phrases (User Phrase)................................................................................. 112

SOUND HOLD............................................................................................................................ 112

AC.PROCESSOR (Acoustic Processor) .................................................................................... 112

FEEDBACKER............................................................................................................................. 113

ANTI-FEEDBACK....................................................................................................................... 113

PHASER........................................................................................................................................ 114

FLANGER ....................................................................................................................................114

TREMOLO.................................................................................................................................... 115

ROTARY....................................................................................................................................... 115

UNI-V............................................................................................................................................ 115

PAN............................................................................................................................................... 115

SLICER.......................................................................................................................................... 116

VIBRATO...................................................................................................................................... 116

RING MOD. (Ring Modulator) ................................................................................................. 117

HUMANIZER.............................................................................................................................. 117

2X2 CHORUS............................................................................................................................... 118

SUB DELAY ................................................................................................................................. 118

DELAY ..................................................................................................................................................... 119

DELAY Common Parameters ...................................................................................................119

Pan................................................................................................................................................. 120

Dual-S, Dual-P, Dual-L/R.......................................................................................................... 120

Warp.............................................................................................................................................. 120

Modulate ...................................................................................................................................... 120

CHORUS.................................................................................................................................................. 121

REVERB ................................................................................................................................................... 121

MASTER .................................................................................................................................................. 122

MASTER BPM/KEY ..............................................................................................................................122

PEDAL FX................................................................................................................................................ 122

SW&PDL FUNCTION................................................................................................................ 122

ASSIGN 1–8............................................................................................................................................. 126

TARGET PARAMETER .............................................................................................................127

SEND/RETURN..................................................................................................................................... 132

AMP CONTROL..................................................................................................................................... 132

NS1/NS2 (Noise Suppressor)............................................................................................................... 133

EZ TONE ................................................................................................................................................. 133

STEP1: SETTING ......................................................................................................................... 133

STEP2: TONE............................................................................................................................... 134

STEP3: DRIVE.............................................................................................................................. 134

STEP4: EFX................................................................................................................................... 134

SYSTEM ................................................................................................................................................... 134

TUNER.......................................................................................................................................... 134

INPUT/OUTPUT........................................................................................................................ 134

PHRASE LOOP ........................................................................................................................... 135

MANUAL MODE SETTING ..................................................................................................... 136

PLAY OPTION ............................................................................................................................ 136

CONTROLLER ............................................................................................................................ 137

LCD ............................................................................................................................................... 139

MIDI .............................................................................................................................................. 139

USB................................................................................................................................................ 140

OUTPUT SELECT................................................................................................................................... 141

Appendices..........................................................................................142

Signal Flow .............................................................................................................................................. 142

MIDI Implementation Chart................................................................................................................. 143

Specifications........................................................................................................................................... 144

Error Messages........................................................................................................................................ 145

Troubleshooting...................................................................................................................................... 145

Problems with the sound ........................................................................................................... 145

Other Problems............................................................................................................................ 146

Index.....................................................................................................147

Main Features

Newer, More Powerful BOSS COSM Effects

Totally new effects made possible by an original, high-performance processor that relies on the latest BOSS technology.

Utilizing COSM technology that transcends the realm of mere modeling, these effects achieve sounds with an even more natural performance feel and richer expressiveness than previous designs.

Create Tones Intuitively with EZ TONE

The EZ TONE provides an innovative user interface that enables you to create your own tones with absolutely no special knowledge of effect parameters needed.

Sound making on the EZ TONE is truly intuitive. EZ TONE shows you the way to create the sound with both graphical icons and intuitive terms such as “SOFT” or “HARD.” Choose the basic sound you want according to the music genre, song imagery, performance-style. Then you can shape the sound by just moving the cursor on the TONE GRID toward “SOFT” or “HARD,” “for SOLO” or “for BACKING.”

Now everyone can easily create his or her own tones the instant a sonic image comes to mind.

Phrase Loop Feature

The Phrase Loop feature lets you record and play loop performances, whereby you continue adding new sounds as the loop plays.

Up to 38 seconds of recording time means you can switch effects as you add rhythm, solos, and other performance touches to a recorded loop.

You can also take phrases recorded beforehand without effects and then apply the perfect tone, adding the effects as you play back the phrase.

A Wide Variety of Tones with Parallel Chain

The GT-10 features a “Parallel Chain” function, which allows you to split the effects “chain”—the sequence of effects used in processing the sound—to create two independent chains. Each chain gives you full freedom to arrange effects in any order you want.

You can, for example, use separate chain settings in the left and right stereo channels to produce an effect just like a twin guitar sound. Additionally, using a dynamic-type COSM amp, you can even switch chains with your picking dynamics.

Works Like a Compact Effects Processor

Operating the GT-10 is like using compact effects processors. It's easy to make super-fast tone adjustments, even in the middle of live performances. Just select an effects type, then directly adjust the four optimal parameters with the front-panel knobs. Of course, you can also switch the display to show all effect parameters to create tones with even more exacting detail.

High-Visibility Indicators

Foot pedal indicators and other lights all utilize brightly lit LEDs. Clearly visible in any situation, whether it be in a live outdoor concert or up on a pitch-black stage, these indicators help ensure accurate operation.

Names of Things and What They Do

Front Panel

17 18

Display

Various information about the GT-10 is shown here. The display screen on the left side shows the bank number.

OUTPUT LEVEL Knob

This adjusts the volume level at the OUTPUT jack and the PHONES jack.

10 11

13 14

EFFECTS SELECT

Use these buttons to switch effects on or off, or to change their settings (p. 34). When an effect is switched on, the button's indicator lights up; the indicator goes out when the effect is off.

* [MASTER/PEDAL FX] does not light up.

OUTPUT SELECT Button

This adjusts the characteristics of the output from the GT10 to match the type of equipment that is connected (p. 24).

SYSTEM Button

This makes global settings for the GT-10 (p. 61).

EZ TONE

CREATE Button

This makes it easy to create tones based on the musical genre and the feel of the song you have in mind (p. 32).

EDIT Button

This provides a simple way to modify tones (p. 33).

Parameter Knobs P1 Through P4

These change the values of the parameter shown on the display.

Dial

This switches patches and modifies values.

[ ], [ ], [ ], and [ ] (Cursor Buttons)

These move the onscreen cursor up, down, or to the left or right.

COMP (Compressor) Button

OD/DS (Overdrive/Distortion) Button

PREAMP Button

EQ (Equalizer) Button

FX-1 Button

FX-2 Button

DELAY Button

CHORUS Button

REVERB Button

MASTER/PEDAL FX (Master/Pedal Effect) Button

SELECT Button

These switch between the A and B channels for the PREAMP (p. 98).

10.

DISPLAY MODE Button

Allows you to change the way things are shown in the display (p. 24).

11.

EXIT Button

Use this to go back to the previous screen or to cancel an operation.

Names of Things and What They Do

12.

CATEGORY/ENTER Button

Use this button for the following operations:

• When executing an operation

• When selecting patches arranged by category (p. 31)

• When doing tap input for MASTER BPM (p. 122) or Delay Time (p. 119)

13.

TUNER/BYPASS Button

Press to use the tuner features (p. 26).

14.

WRITE Button

Use this to store patch settings in memory, or to replace or copy settings (p. 42).

15.

BANK Pedals

Use these when switching patch banks (p. 30) or performing operations with phrase loops (p. 58).

You can switch a phrase loop on or off by depressing the two BANK pedals

at the same time (

16.

PHRASE LOOP (p. 58)

REC/DUB (Recording/Overdubbing) Indicator

This lights steadily when you’re recording or overdubbing a phrase, and flashes during recording standby.

PLAY Indicator

This lights up while phrase playback is in progress.

p. 58

17.

Number Pedals 1 through 4

These switch the patch number (p. 30).

18.

CTL (Control) Pedals 1 and 2

These can be used to control a variety of functions you assign, such as the A and B channels for the PREAMP (p.

98) or switching the Tuner on or off (p. 47).

19.

EXP (Expression) Pedal

Controls volume, wah, and other parameters (p. 47).

When operating the EXP Pedal, be careful not to get your fingers pinched between the movable part and the panel. In places with small children, an adult should provide supervision and guidance until the child is capable of following all the rules essential for the safe operation of the unit.

20.

EXP PEDAL SW (EXP Pedal Switch)

The switch is turned on or off by firmly pressing on the toe of the EXP Pedal.

21.

EXP PEDAL SW ON/OFF

(EXP Pedal Switch On/Off) Indicator

This lights up when the feature controlled by the EXP PEDAL SW is on and goes out when the controlled feature is off.

Rear Panel

Names of Things and What They Do

1 2 5 6

INPUT Jack

The guitar is connected here.

OUTPUT L/MONO R Jacks

Connect to your amp, mixer, or such device.

PHONES Jack

Connect headphones here.

When headphones are connected to the PHONES jack, tonal adjustments are applied so the sound is close to that produced by a guitar amp.

EXT LOOP SEND RETURN Jacks

Connect to external effects processor or amp.

AMP CONTROL Jack

When using the AMP CONTROL function (p. 132), connect to the jack used for switching guitar amp channels.

EXP PEDAL/CTL 3, 4 Jack

Connect an optional expression pedal (such as the Roland EV-5) or footswitch (such as the BOSS FS-6) here (p. 22).

12.

Cord Hook

Hook the AC adaptor cord here to prevent the adaptor plug from being disconnected (p. 22).

* Disconnecting the AC adaptor while the GT-10 is in use may

result in corruption of important data.

13.

Security Slot ( )

Connect a commercially available anti-theft security cable here.

http://www.kensington.com/

12 13

USB Connector

Use a USB cable to connect a computer to this connector and enable exchange of data between the GT-10 and the computer (p. 90).

DIGITAL OUT Connector

Outputs digital audio signals (p. 66).

MIDI IN/OUT Connectors

Connect an external MIDI device to these connectors to transmit and receive MIDI messages (p. 79).

10.

POWER Switch

Turns the power on and off.

11.

DC IN (AC Adaptor) Jack

Connect the included AC adaptor here.

* To prevent damaging the GT-10, please be sure not to use any

AC adaptor other than the one included with the GT-10.

Quick Guide

The Quick Guide describes required settings and basic operations. For detailed descriptions of operations, refer to the explanations in chapter 1 and after.

Getting Ready

Connect the guitar and the guitar amp.

For detailed information on how to make the connections, refer to “Making the Connections” (p. 22).

Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

Connect the Guitar and Amp

Before turning on the power, confirm the following.

• Are all external devices properly connected?

• Is the volume on the GT-10, your amp, and all

Guitar

Guitar Amp

Raise the amp volume only after turning on the power to all connected devices.

Turn On the Power

Plug the AC adaptor into a power outlet.

other connected devices turned down to the minimum level?

Insert the DC plug on the AC adaptor into the DC IN jack on the GT-10.

Use the POWER switch to switch on the power.

Power up the guitar amp.

For information on how to switch off the power, refer to “Turning Off the Power” (p. 25).

Guitar Amp

OUTPUT INPUT

INPUT

Guitar

External Effects

Adjust the Volume

Quick Guide

Examples of Connections Using the SEND/RETURN Jacks

Quick Guide

Use the OUTPUT LEVEL knob to adjust the volume level.

Example 1: Using an External Effects Unit

This enables use as one of the GT-10’s effects.

Example 2: Using Send and Return on the

Guitar Amp

This allows you to switch between use of the GT-10 and the guitar amp’s preamp.

Tune the Guitar

Each press of the TUNER/BYPASS button switches the Tuner feature on or off.

Switching on the Tuner feature enables direct output of input sounds (bypass), and lets you tune the guitar while in this state. For more information, refer to “Tuning the Guitar (TUNER)” (p. 26).

Guitar Amp

SEND

INPUT

* When you’re making connections using the SEND/

RETURN jacks, you also need to make settings for the “SEND/RETURN” (p. 132).

RETURN

Guitar

Quick Guide

Playing Sounds

Once you’ve finished getting ready to play, try playing sounds as you operate the GT-10.

About the Bank and Number Display

Choosing a Patch in the Current Bank

Choose the patch you want to use by depressing the corresponding number pedal.

The display on the left side shows the bank, and the display on the right side shows the bank and patch number.

Bank Number

User Bank

Preset Bank

The indicator for the number pedal you pressed lights up and the patch is switched.

Choosing a Patch in a Different Bank

Press the BANK pedals to select the desired bank.

The GT-10 stands by for specification of the patch number, and the number pedal indicators blink.

Choose the patch you want to use by depressing the corresponding number pedal.

The indicator for the number pedal you pressed lights up and the patch is switched.

If you’re not at the Play screen (p. 23), you won’t be able to switch patches. Press the [EXIT] button to go back to the Play screen, then choose the patch.

What is a Patch?

A combination (or set) of effects together with a group of parameter settings is called a “patch.”

The GT-10 can store 400 different patches in memory, organized by bank and number as shown below.

User Bank 01

Preset Bank 50

Preset Bank 01

User Bank 50

You can also use the BANK pedals to operate the Phrase Loop feature. Phrase Loop is a feature that lets you record a performance and play it back as a loop. For more information, refer to “Phrase Loop Play” (p. 58).

Patches include User patches, which you can use to save the settings for newly created effects, and Preset patches, for which modified settings cannot be saved.

For more information, refer to “Selecting a Tone (Patch Change)” (p. 29).

Switch the Patch with the Dial

When you’re at the Play screen (p. 23), turning the dial switches the patch.

Quick Guide

Working with Effects Using the Pedals

The EXP Pedal and the CTL 1 and 2 pedals can be set to use in switching effects on or off for individual patches, use as a volume pedal, and other such operations.

Executing these operations during a performance lets you modify the sound more effectively.

Press the CTL 1 pedal.

The CTL1 pedal function is switched on. (The indicator for the CTL 1 pedal lights up.) Press a second time to switch off. (The indicator for the CTL 1 pedal goes out.)

Press the CTL 2 pedal.

The CTL2 pedal function is switched on. (The indicator for the CTL 2 pedal lights up.) Press a second time to switch off. (The indicator for the CTL 2 pedal goes out.)

Press the toe of the EXP Pedal.

The EXP Pedal value rises.

Press the heel of the EXP Pedal.

The EXP Pedal value decreases.

Press the toe of the EXP Pedal firmly.

The EXP PEDAL SW function is switched on. (The EXP PEDAL SW ON/OFF indicator lights up.) Press firmly a second time to switch off. (The EXP PEDAL SW ON/OFF indicator goes out.)

You can assign the parameters you want to the EXP Pedal, EXP PEDAL SW and the CTL 1 and 2 pedals and operate them accordingly. For more information, refer to “Using Pedals to Control the Parameters” (p. 47).”

Quick Guide

Buttons and Knobs You Use

This displays the System Menu.

· These set the parameter value.

· Changes the page.

Sets the parameter value.

This confirms the selected item.

· Chooses an item.

This quits making settings.

These set the parameter value.

These choose the effect.

Buttons and Knobs You Use

Editing

Basic Operation

This describes the basic operations you use when editing settings.

Access the System Menu screen.

Choose the menu item.

2 31

* In this example, "PATCH EDIT" icon is selected.

The setting screen for the selected item appears.

* If you want to next menu item further, repeat Steps 2 and 3.

Creating Sounds Based on Existing Patches

Let’s try creating a new sound based on a patch whose sound is close to what you want to make.

Switching Effects On and Off

Choose a patch whose sound is close to the sound you want to create (p. 16).

Choose the effect you want to switch on or off.

For more information about each parameter, refer to “Chapter 8 Parameters Guide” (p. 96).

Again press the button you pressed in step 2.

The effect is switched on or off.

Effect on: button illuminated

Effect off: button extinguished

Quick Guide

Change the parameter settings.

Example 1

Example 2

Quit the settings.

(Go back to the previous screen.)

Each press this button switches between Knob View and List View.

Only the major parameters are shown in Knob View, you can adjust the parameters quickly. If you want to have all parameters appear, switch to List View.

Adjusting Effect Parameters

Switch on the effect you want to adjust.

If you switch patches, all settings that have been made will be lost. To save the sound you’ve created, carry out the Write procedure (p. 42).

Adjust the parameters for the effect.

For more information about each parameter, refer to “Chapter 8 Parameters Guide” (p. 96).

Repeat steps 1 and 2 until you obtain the sound you want.

Quick Guide

These change the page.

Buttons and Knobs You Use

These set the parameter values.

This starts the EZ Tone feature.

Creating Sounds with Ease

Using the EZ Tone feature (p. 32) lets you quickly find settings close to the musical genre and feel of the song you want to create, and enables you to create the sound easily. Let’s try creating sounds using EZ Tone.

Make the Settings for the Pickup

and the Output Equipment

Make the settings matched to the guitar and output equipment you’re using.

Pickup type

Equipment connected to the GT-10

Choose the Basic Tone

Use the basic tones and variations to choose the musical genre and the feel of the song.

Variations

Basic tones

For more information about each parameter, refer to “STEP1: SETTING” (p. 133)“.

For more information about each parameter, refer to “STEP2: TONE” (p. 134).

Quick Guide

Adjust the Distortion

Using Tone Grid, adjust the distortion until you get the sound you want.

For solos Cursor movement

Distortion: Soft

For backing

Distortion: Hard

Adjust the Other Effects

Using Tone Grid, adjust the effects until you get the sound you want.

Ex. When you adjust the Delay

Delay sound: Wet (strong)

Cursor movement

Delay time: LongDelay time: Short

Delay sound: Dry (light)

Horizontal Vertical

Cursor movement

If you switch patches, you’ll lose all the settings you’ve made. To save the sound you’ve created, carry out the Write procedure (p. 42).

You can take parameters you’ve adjusted with EZ TONE CREATE and fine-tune them further using EZ TONE EDIT or parameter operations. For more information, refer to “Adjusting the Tone (Edit)” (p. 33).

Horizontal Vertical

Cursor movement

Chapter 1 Playing Sounds

Making the Connections

Guitar

Stereo

Headphone

Guitar Amplifier

External Effector External Preamp Computer

INPUT OUTPUT

RETURN SEND

Digital Recorder etc.

Expression Pedal (Roland EV-5, etc.)

Footswitch (BOSS FS-6, etc.)

MIDI Sequencer

OUT IN

AC Adaptor

(PSB-1U)

•

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

• Raise the amp volume only after turning on the power to all connected devices.

• When connection cables with resistors are used, the volume level of equipment connected to the INPUT jack may be low. If this happens, use connection cables that do not contain resistors.

• When outputting in mono, connect the cable to the OUTPUT L/MONO jack.

• Use only the specified expression pedal (Roland EV-5 or BOSS FV-500L; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

Depending on the circumstances of a particular setup, you may

• experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device, microphones connected to it, or the metal portions of other objects, such as guitars. This is due to an infinitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see figure) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Unsuitable places for connection

· Water pipes (may result in shock or electrocution)

· Gas pipes (may result in fire or explosion)

· Telephone-line ground or lightning rod (may be dangerous in the event of lightning)

• Place the AC adaptor so the side with the indicator (see illustration) faces upwards and the side with textual information faces downwards.

The indicator will light when you plug the AC adaptor into an AC outlet.

AC Adaptor

Indicator

• To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

Power Cord

AC Outlet

• When connecting an expression pedal to the EXP PEDAL2/CTL 3,4 jack, set the minimum volume for the connected expression pedal to the “MIN” position.

• When connecting a BOSS FS-6 footswitch (optional) to the EXP PEDAL 2/ CTL 3,4 jack, set the MODE switch and POLARITY switch as shown below.

• When connecting a BOSS FS-5U footswitch (optional) to the EXP PEDAL 2/CTL 3,4 jack, set the POLARITY switch as shown below.

Porarity Switch

• You can use the special (optional Roland) PCS-31 connector cord to connect two footswitches.

PCS-31

White Red

•

When using the unit with an expression pedal or a footswitch (the optional FS-6 or FS-5U) connected to the EXP PEDAL 2/CTL 3,4 jack, make the settings given on “Using Pedals to Control the Parameters” (p. 47).

• For more on using the AMP CONTROL jack, refer to “AMP CONTROL” (p. 132).

Chapter 1 Playing Sounds

Turning on the Power

Before turning on the power, confirm the following.

• Are all external devices properly connected?

• Is the volume on the GT-10, your amp, and all other connected devices turned down to the minimum level?

• Upon power-up, the patch most recently

The display changes, showing the following.

pears at this point is called the “

Play screen

The screen that ap-

.”

Turn on the power to any external effects processors → the guitar amp (power amp).

selected when the power was last turned off is selected.

• This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.

• The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

Chapter

The Icons in the Play Screen

Master BPM

Bank - Patch Number

Category Name

Patch Name

Displays the Master BPM (p. 122) value for each patch.

When the PREAMP Ch.Mode is set to Single, preamp channel A is selected.

When the PREAMP Ch.Mode is set to Single, preamp channel B is selected.

This is displayed when the PREAMP Ch.Mode is set to Dual Mono or Dual L/R.

This is displayed when the PREAMP Solo Sw is Off.

OUTPUT SELECT setting

PREAMP Channel

On/off state of the PREAMP Solo Sw

When the PREAMP Ch.Mode is set to Dynamic, the display switches between A and B according to the input level.

For details on the OUTPUT SELECT icons, refer to “Making Settings for a Connected Device (Output Select)” (p. 24).

This is displayed when the PREAMP Solo Sw is On.

Chapter 1 Playing Sounds

* About the S icon and A icon displayed at the Screen 4 and 5.

The S icon displays when the Pedal Function is enabled (p. 47).

The A icon displays when the Patch Assign Function is enabled (p. 50).

Switching the Play Screen

The GT-10 has a variety of Play screen variations. You can switch the information shown in the Play screen by pressing .

• You can use the PARAMETER knobs 1 through 4 to work with the values of the parameters displayed at the bottom of the Play screen. Also, for each parameter, you can change the corresponding assignment at the SYS KNOB ASSIGN screen (p. 46).

• The parameter name displayed at the each Play screen is abbreviated. For details about parameter names, refer to “Parameters You Can Set with PDL:CTL/EXP” (p. 125) or “Display of Parameters You Can Set with SYS KNOB SETTING” (p. 138).

Screen 1

This displays the name of the patch and the parameters you can work with using the PARAMETER 1 through 4 controls.

Screen 4

This screen displays the functions assigned to CTL 1 and 2, the EXP PEDAL SW, and the EXP Pedal.

Screen 2

The patch name is displayed, along with the patch's preamp selections and an icon for the preamp channel that's currently in use.

Screen 5

This screen displays the functions assigned to the Number Pedal Switch, CTL 3 and 4, the external expression pedal (EXP PEDAL2).

Screen 3

This screen displays the preamp channel mode and the preamp that’s in use.

Screen 6

This is the screen shown when you’re in Manual mode (p. 55). Manual mode is enabled only while this screen is displayed. Pressing [CATEGORY/ENTER] in this screen allows you to make settings for MANUAL MODE SETTING.

Screen 7

The effects used, as well as their connection sequence (CHAIN) in a channel is indicated.

Adjusting the Output Level

Adjust the GT-10’s output level with the OUTPUT LEVEL knob.

Screen 8

The patch name and the output level meter are displayed.

Chapter 1 Playing Sounds

Making Settings for a Connected Device (Output Select)

Select the type of device connected to the OUTPUT jack.

To derive the maximum performance from the GT-10, be sure to make the correct setting for OUTPUT SELECT, the one that’s most suitable for your setup.

• The speaker simulator (p. 99) is enabled only when OUTPUT SELECT is set to LINE/PHONES.

• You cannot change the tone with Output Select when PREAMP On/Off (p. 98) is set to Off.

The OUTPUT SELECT settings screen appears.

Value

Patch

System This uses the system’s Output Select setting. The same output setting is used for all patches.

Move the cursor to Mode.

Set the Mode.

Explanation

This uses the patch’s Output Select setting. You can use a different output setting for each individual patch.

Chapter

Move the cursor to Select.

Choose the operation for the Select parameter.

Value Explanation Icon displayed on

the Play screen

JC-120

SMALL AMP Use this setting when connecting to small guitar amp.

COMBO AMP

STACK AMP

JC-120 Return Use this setting when connecting to the RETURN jack of a JC-120.

COMBO Return Use this setting when connecting to the RETURN jack with a combo amp.

STACK Return

LINE/PHONES

Use this setting when connecting to Roland’s JC-120 guitar amp.

Use this setting when connecting to the guitar input of a combo amp other than the JC-120 guitar amp (where the amp and speaker or speakers are combined in a single unit).

* Depending on your guitar amp, you may be able to obtain good results with the “JC-120” setting.

Use this setting when connecting to the guitar input of a stack-type guitar amp (where the amp and speaker or speakers are separated).

Use this setting when connecting to the RETURN jack of a stack amp or rack mounted power amp.

Use this setting when using headphones or when connecting to a multi-track recorder for recording.

* When using the speaker simulator, set this to LINE/PHONES.

Chapter 1 Playing Sounds

Turning Off the Power

Before turning off the power, confirm the following.

• Is the volume on the GT-10, your amp, and all other connected devices turned down to the minimum level?

Turn off the power to the guitar amp (power amp) → any external effects processors and other devices.

Turn the GT-10’s power off.

Tuning the Guitar (TUNER)

When the Tuner is turned on, sounds input to the GT-10 are output directly as is (bypassed), and the tuner is activated.

Under these conditions you can then tune your guitar.

Turning the Tuner Function On and Off

About the Display During Tuning

With the GT-10’s internal tuner, the Note Name and the Tuning Guide are shown of the display, indicating the difference between the input sound and the sound in the display.

The tuner is switched on or off.

Note Name

Tuning Guide

When the difference from the correct pitch falls within 50 cents, the Tuning Guide then indicates the size of that difference. As you watch the Tuning Guide, tuning until the center indicator lights up.

fig.07-090

Too High

Tuned

Too Low

How to Tune

Play a single open note on the string being tuned.

Tune the string until the string name appears in the display.

Keep checking the Tuning Guide, tuning until the center indicator lights up.

The Note Name closest to the pitch of the string that was played appears in the display.

Chapter 1 Playing Sounds

Only play a single note on the one string being tuned.

General Tuning

7th 6th 5th 4th 3rd 2nd 1st

Regular

1/2 Step Down

When tuning guitars equipped with a tremolo bar, when one string is tuned, the others may end up being out of tune. In this case, tune to the pitch indicated by the initial note name, then tune the other strings again, repeatedly fine-tuning each string.

B E A D G B E



DGCFAD

Chapter



Repeat Steps 1–3 until all of the strings are tuned.

Changing the Tuner Settings (Tuner Pitch)

Range

435Hz–445Hz

Turn on the Tuner.

Move the cursor to PITCH.

Change the reference pitch.

Explanation

This sets the reference pitch.

• The frequency of A4 (the middle A on a piano keyboard) played by an instrument (such as a piano) that provides the pitch to which the other instruments refer in tuning before a performance begins is called the reference pitch.

• This is set to 440 Hz when shipped from the factory.

Chapter 1 Playing Sounds

Switching the Tuner On and Off with the CTL Pedal

By setting the CTL Pedal function (p. 47) to “Tuner,” you can switch the tuner on and off with one of the CTL pedals.

Switching the Tuner On and Off by Lifting Up on the EXP Pedal

When the EXP Pedal is functioning as a Foot Volume control, set one of the ASSIGN 1–8 Assign Variable settings (p. 50) as follows.

With these setting, you can switch on the Tuner by drawing back the EXP Pedal.

Switching the Tuner On and Off with the Number Pedal

Set the Num Pdl Sw function (p. 57) to Tuner to switch the tuner on and off with the number pedal of the current patch.

Target:

Changing the Tuner Settings (Tuner Out)

Turn on the Tuner.

Move the cursor to OUTPUT.

Select the output while Tuner is on.

Value

Bypass

Mute Sounds are muted, and no sound is output.

Explanation

Sounds input to the GT-10 bypass the processing and are output directly as is.

• When OUTPUT is set to “Bypass,” and Tuner is set to ON, you can adjust the volume of the direct sound by operating the EXP Pedal.

• OUTPUT is set to “Bypass” when shipped from the factory.

Tuner Sw Src Mode: Moment

Min: On ActRngLo: 0

Max: Off ActRngHi: 1–127

Source: EXP1 PEDAL

Selecting a Tone (Patch Change)

Chapter 1 Playing Sounds

What is a Patch?

A combination (or set) of effects together with a group of parameter settings is called a “patch.”

The GT-10 can store 400 different patches in memory, organized by bank and number as shown below.

fig.02-010

Preset Bank 50

Preset Bank 01

User Bank 50

User Bank 01

User Banks (U01–U50)

Newly created effects settings are saved in the User banks. Patches in these banks are called “User patches.”

A “U” appears in the display when a User patch is selected.

fig.02-020d

Chapter

Preset Banks (P01–P50)

The Preset banks contain effect settings that make full use of the features the GT-10 has to offer. The patches in these banks are called “Preset patches.” When you change the settings of a Preset patch, save the result as a User patch. Preset patches cannot be overwritten.

A “P” appears in the display when a Preset patch is selected.

fig.02-030d

Chapter 1 Playing Sounds

Using the Pedal to Select the Patch

Patches are switched by selecting a “bank” (U01–U50, P01–P50) and “number” (1-4). The bank and number appear in the GT-10’s display as shown in the following figure.

fig.02-040d

Number

Bank

fig.02-050

Number

• When selecting a patch, even if a new bank is selected, the patch is not switched until you also choose the number. If you want to be able to switch patches merely by selecting a different bank, adjust the Bank Change mode (p. 72) setting.

• You can also set the unit so certain effects continue to be used with a following patch after you switch patches. For details, refer to “Keeping Effect Sounds Playing After Patches Are Switched (Patch Change Mode)” (p. 68).

Choosing a Patch in the Same Bank

• The indicator for the selected number pedal

Choose the number of the patch you want to use.

lights up.

• On the GT-10, you cannot switch patches in any screen other than the Play screen. Press [EXIT] to return to the Play screen (p. 24).

Choosing a Patch in a Different Bank

Select the bank.

Choose the number of the patch you want to use.

Press the BANK pedals to select the desired bank. After bank selection, the GT-10 stands by for specification of the patch number, and the number pedal indicators light up.

• The indicator for the selected number pedal lights up.

• On the GT-10, you cannot switch patches in any screen other than the Play screen. Press [EXIT] to return to the Play screen (p. 24).

+ 126 hidden pages

Roland Corporation GT-10 Owner's Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

USING THE UNIT SAFELY

IMPORTANT NOTES

Contents

Main Features

Names of Things and What They Do

Front Panel

Rear Panel

Quick Guide

Getting Ready

Playing Sounds

Editing

Basic Operation

Creating Sounds Based on Existing Patches

Creating Sounds with Ease

Chapter 1 Playing Sounds

Making the Connections

Turning on the Power

The Icons in the Play Screen

Switching the Play Screen

Adjusting the Output Level

Making Settings for a Connected Device (Output Select)

Turning Off the Power

Tuning the Guitar (TUNER)

Turning the Tuner Function On and Off

About the Display During Tuning

How to Tune

Changing the Tuner Settings (Tuner Pitch)

Changing the Tuner Settings (Tuner Out)

Selecting a Tone (Patch Change)

What is a Patch?

Using the Pedal to Select the Patch