Roland Corporation Fantom-G7, Fantom-G8, Fantom-G6 User's Manual
Fantom-G MIDI Implementation
❍
1. Receive Data (Sound Source Section)
■
Channel Voice Messages
* Not received when the Receive Switch parameter is OFF.
●
Note off
Status
8nH kkH vvH
9nH kkH 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = note number: 00H - 7FH (0 - 127)
vv = note off velocity: 00H - 7FH (0 - 127)
* Not received when the Tone Env Mode parameter is NO-SUS.
●
Note on
Status
9nH kkH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = note number: 00H - 7FH (0 - 127)
vv = note on velocity: 01H - 7FH (1 - 127)
●
Polyphonic Key Pressure
Status
AnH kkH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = note number: 00H - 7FH (0 - 127)
vv = Polyphonic Key Pressure: 00H - 7FH (0 - 127)
* Not received when the Receive Poly Key Pressure parameter is OFF.
●
Control Change
* If the corresponding Controller number is selected for the Patch Matrix Control Source
1–4 parameter (Patch Mtrx Ctrl1–4), the corresponding effect will occur.
* If a Controller number that corresponds to the System Control Source 1–4 parameter is
selected, the specified effect will apply if Patch Matrix Control Source 1–4 parameter is
set to SYS-CTRL1, SYS-CTRL2, SYS-CTRL3 or SYS-CTRL4.
❍
Bank Select (Controller number 0, 32)
Status 2nd byte 3rd byte
BnH 00H mmH
BnH 20H llH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm, ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384)
* Not received when the Receive Bank Select is OFF.
* The Live sets, Studio sets, Patches, Sample sets and Rhythm sets corresponding to each
Bank Select are as follows.
* The ARX series corresponding to each Bank Select are to see the ARX series owner’s
manual.
BANK SELECT | PROGRAM | GROUP | NUMBER
MSB | LSB | NUMBER | |
-----+-----------+-----------+----------------------+---------- 000 | | 001 - 128 | GM Patch | 001 - 256
: | | | |
063 | | 001 - 128 | GM Patch | 001 - 256
084 | 000 | 001 - 128 | User Live Set | 001 - 128
| 001 | 001 - 128 | User Live Set | 129 - 256
| 002 | 001 - 128 | User Live Set | 257 - 384
| 003 | 001 - 128 | User Live Set | 385 - 512
| 064 | 001 - 128 | Preset Live Set | 001 - 128
| : | | : |
085 | 000 | 001 - 128 | User Studio Set | 001 - 128
| 064 | 001 - 008 | Preset Studio Set | 001 - 008
086 | 000 | 001 - 064 | User Rhythm | 001 - 064
| 064 | 001 - 064 | Preset Rhythm | 001 - 064
087 | 000 | 001 - 128 | User Patch | 001 - 128
| 001 | 001 - 128 | User Patch | 129 - 256
| 002 | 001 - 128 | User Patch | 257 - 384
| 003 | 001 - 128 | User Patch | 385 - 512
| 064 | 001 - 128 | Preset Patch A | 001 - 128
| 065 | 001 - 128 | Preset Patch B | 001 - 128
| : | | : |
120 | | 001 - 057 | GM Rhythm | 001 - 009
121 | 000 - | 001 - 128 | GM Patch | 001 - 256
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
Modulation (Controller number 1)
Status
BnH 01H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Modulation depth: 00H - 7FH (0 - 127)
* Not received when the Receive Modulation parameter is OFF.
❍
Portamento Time (Controller number 5)
Status
BnH 05H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Portamento Time: 00H - 7FH (0 - 127)
* The Part Portament Time parameter will change.
❍
Data Entry (Controller number 6, 38)
Status
BnH 06H mmH
BnH 26H llH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm, ll = the value of the parameter specified by RPN/NRPN
mm = MSB, ll = LSB
❍
Volume (Controller number 7)
Status
BnH 07H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Volume: 00H - 7FH (0 - 127)
* Not received when the Receive Volume parameter is OFF.
* The Part Level parameter will change.
❍
Panpot (Controller number 10)
Status
BnH 0AH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Panpot: 00H - 40H - 7FH (Left - Center - Right),
* Not received when the Receive Pan parameter is OFF.
* The Part Pan parameter will change.
❍
Expression (Controller number 11)
Status
BnH 0BH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Expression: 00H - 7FH (0 - 127)
* Not received when Tone Receive Expression parameter is OFF.
* Not received when Receive Expression parameter is OFF.
❍
Hold 1 (Controller number 64)
Status
BnH 40H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON
* Not received when Tone Receive Hold-1 parameter is OFF.
* Not received when Receive Hold-1 parameter is OFF.
* When the Tone Redamper Switch parameter is turned ON, 128 discrete steps are
recognized for the value.
❍
Portamento (Controller number 65)
Status
BnH 41H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
* The Part Portamento Switch parameter will change.
❍
Sostenuto (Controller number 66)
Status 2nd byte 3rd byte
BnH 42H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
1
Fantom-G MIDI Implementation
❍
Soft (Controller number 67)
Status 2nd byte 3rd byte
BnH 43H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
❍
Legato Foot Switch (Controller number 68)
Status
BnH 44H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
* The Part Legato Switch parameter will change.
❍
Resonance (Controller number 71)
Status 2nd byte 3rd byte
BnH 47H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv= Resonance value (relative change): 00H - 40H - 7FH (-64 - 0 - +63),
* The Part Resonance Offset parameter will change.
❍
Release Time (Controller number 72)
Status
BnH 48H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Release Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63),
* The Part Release Time Offset parameter will change.
❍
Attack time (Controller number 73)
Status
BnH 49H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Attack time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63),
* The Part Attack Time Offset parameter will change.
❍
Cutoff (Controller number 74)
Status
BnH 4AH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Cutoff value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
* The Part Cutoff Offset parameter will change.
❍
Decay Time (Controller number 75)
Status
BnH 4BH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Decay Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
* The Part Decay Time Offset parameter will change.
❍
Vibrato Rate (Controller number 76)
Status
BnH 4CH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Vibrato Rate value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
* The Part Vibrato Rate parameter will change.
❍
Vibrato Depth (Controller number 77)
Status
BnH 4DH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Vibrato Depth Value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
* The Part Vibrato Depth parameter will change.
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
❍
General Purpose Controller 5 (Controller number 80)
Status 2nd byte 3rd byte
BnH 50H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* The Tone Level parameter of Tone 1 will change.
❍
General Purpose Controller 6 (Controller number 81)
Status
BnH 51H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* The Tone Level parameter of Tone 2 will change.
❍
General Purpose Controller 7 (Controller number 82)
Status
BnH 52H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* The Tone Level parameter of Tone 3 will change.
❍
General Purpose Controller 8 (Controller number 83)
Status
BnH 53H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
* The Tone Level parameter of Tone 4 will change.
❍
Portamento control (Controller number 84)
Status
BnH 54H kkH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = source note number: 00H - 7FH (0 - 127)
* A Note-on received immediately after a Portamento Control message will change
continuously in pitch, starting from the pitch of the Source Note Number.
* If a voice is already sounding for a note number identical to the Source Note Number,
this voice will continue sounding (i.e., legato) and will, when the next Note-on is
received, smoothly change to the pitch of that Note-on.
* The rate of the pitch change caused by Portamento Control is determined by the
Portamento Time value.
❍
Effect 1 (Reverb Send Level) (Controller number 91)
Status 2nd byte 3rd byte
BnH 5BH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Reverb Send Level: 00H - 7FH (0 - 127)
* The Part Reverb Send Level parameter will change.
❍
Effect 3 (Chorus Send Level) (Controller number 93)
Status
BnH 5DH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Chorus Send Level: 00H - 7FH (0 - 127)
* The Part Chorus Send Level parameter will change.
❍
RPN MSB/LSB (Controller number 100, 101)
Status
BnH 65H mmH
BnH 64H llH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm = upper byte (MSB) of parameter number specified by RPN
ll = lower byte (LSB) of parameter number specified by RPN
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
❍
Vibrato Delay (Controller number 78)
Status
BnH 4EH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Vibrato Delay value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
* The Part Vibrato Delay parameter will change.
2nd byte 3rd byte
2
Fantom-G MIDI Implementation
<<< RPN >>>
Control Changes include RPN (Registered Parameter Numbers), which are extended.
When using RPNs, first RPN (Controller numbers 100 and 101; they can be sent in any order)
should be sent in order to select the parameter, then
Data Entry (Controller numbers 6 and 38) should be sent to set the value. Once RPN
messages are received, Data Entry messages that is received at the same MIDI channel after
that are recognized as changing toward the value of the RPN messages. In order not to make
any mistakes, transmitting RPN Null is recommended after setting parameters you need.
This device receives the following RPNs.
RPN Data entry
MSB, LSB MSB, LSB Notes
00H, 00H mmH, llH Pitch Bend Sensitivity
* The Part Bend Range parameter will change.
00H, 01H mmH, llH Channel Fine Tuning
* The Part Fine Tune parameter will change.
00H, 02H mmH, llH Channel Coarse Tuning
* The Part Coarse Tune parameter will change.
00H, 05H mmH, llH Modulation Depth Range
7FH, 7FH ---, --- RPN null
❍
General Controller
Status 2nd byte 3rd byte
BnH kkH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = Controller number: 00H - 77H (0 - 31, 33 - 95)
vv = Modulation depth: 00H - 7FH (0 - 127)
●
Program Change
Status 2nd byte
CnH ppH
n = MIDI channel number: 0H - FH (ch.1 - 16)
pp = Program number: 00H - 7FH (prog.1 - prog.128)
* Not received when the Receive Program Change parameter is OFF.
●
Channel Pressure
Status
DnH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Channel Pressure: 00H - 7FH (0 - 127)
* Not received when the Receive Channel Pressure parameter is OFF.
●
Pitch Bend Change
Status
EnH llH mmH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)
* Not received when the Tone Receive Bender parameter is OFF.
* Not received when the Receive Pitch Bend parameter is OFF.
2nd byte
2nd byte 3rd byte
mm: 00H - 18H (0 - 24 semitones)
ll: ignored (processed as 00H)
Up to 2 octave can be specified in semitone steps.
mm, ll: 20 00H - 40 00H - 60 00H
(-4096 x 100 / 8192 - 0 - +4096 x 100 / 8192 cent)
mm: 10H - 40H - 70H (-48 - 0 - +48 semitones)
ll: ignored (processed as 00H)
mm, ll: 00 00H - 06 00H
(0 - 16384*600 / 16384 cent)
RPN and NRPN will be set as “unspecified.”
Once this setting has been made, subsequent
Parameter values that were previously set will
not change.
mm, ll: ignored
■
Channel Mode Messages
* Not received when the Receive Switch parameter is OFF.
●
All Sounds Off (Controller number 120)
Status 2nd byte 3rd byte
BnH 78H 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
* When this message is received, all notes currently sounding on the corresponding
channel will be turned off.
●
Reset All Controllers (Controller number 121)
Status 2nd byte 3rd byte
BnH 79H 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
* When this message is received, the following controllers will be set to their reset values.
Controller Reset value
Pitch Bend Change +/-0 (center)
Polyphonic Key Pressure 0 (off)
Channel Pressure 0 (off)
Modulation 0 (off)
Breath Type 0 (min)
Expression 127 (max)
Hold 1 0 (off)
Sostenuto 0 (off)
Soft 0 (off)
Hold 2 0 (off)
RPN unset; previously set data will not change
NRPN unset; previously set data will not change
●
All Notes Off (Controller number 123)
Status 2nd byte 3rd byte
BnH 7BH 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
* When All Notes Off is received, all notes on the corresponding channel will be turned
off. However, if Hold 1 or Sostenuto is ON, the sound will be continued until these are
turned off.
●
OMNI OFF (Controller number 124)
Status 2nd byte 3rd byte
BnH 7CH 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
* The same processing will be carried out as when All Notes Off is received.
●
OMNI ON (Controller number 125)
Status 2nd byte 3rd byte
BnH 7DH 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
* The same processing will be carried out as when All Notes Off is received. OMNI ON
will not be turned on.
●
MONO (Controller number 126)
Status 2nd byte 3rd byte
BnH 7EH mmH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm = mono number: 00H - 10H (0 - 16)
* The same processing will be carried out as when All Notes Off is received.
* The Part Mono/Poly parameter will change.
●
POLY (Controller number 127)
Status
BnH 7FH 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
2nd byte 3rd byte
However the controller will be at minimum.
* The same processing will be carried out as when All Notes Off is received.
* The Part Mono/Poly parameter will change.
3
Fantom-G MIDI Implementation
■
System Realtime Message
●
Timing Clock
Status
F8H
Received when Sync Mode parameter is set to MIDI.
●
Active Sensing
Status
FEH
* When Active Sensing is received, the unit will begin monitoring the intervals of all
further messages. While monitoring, if the interval between messages exceeds 420 ms,
the same processing will be carried out as when All Sounds Off, All Notes Off and Reset
All Controllers are received, and message interval monitoring will be halted.
■
System Exclusive Message
Status
F0H iiH, ddH, ......,eeH F7H
F0H: System Exclusive Message status
ii = ID number: an ID number (manufacturer ID) to indicate the manufacturer whose
dd,...,ee = data: 00H - 7FH (0 - 127)
F7H: EOX (End Of Exclusive)
Of the System Exclusive messages received by this device, the Universal Non-realtime
messages and the Universal Realtime messages and the Data Request (RQ1) messages and
the Data Set (DT1) messages will be set automatically.
●
Universal Non-realtime System Exclusive Messages
❍
Identity Request Message
Status
F0H 7EH, dev, 06H, 01H F7H
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
dev Device ID (dev: 10H - 1FH, 7FH)
06H Sub ID#1 (General Information)
01H Sub ID#2 (Identity Request)
F7H EOX (End Of Exclusive)
* When this message is received, Identity Reply message (P.9) will be transmitted.
❍
GM1 System On
Status Data byte Status
F0H 7EH, 7FH, 09H, 01H F7H
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
7FH Device ID (Broadcast)
09H Sub ID#1 (General MIDI Message)
01H Sub ID#2 (General MIDI 1 On)
F7H EOX (End Of Exclusive)
* When this messages is received, this instrument will turn to the Studio mode.
* Not received when the Receive GM System On parameter is OFF.
Data byte Status
Exclusive message this is. Roland’s manufacturer ID is 41H.
ID numbers 7EH and 7FH are extensions of the MIDI standard;
Universal Non-realtime Messages (7EH) and Universal Realtime
Messages (7FH).
Data byte Status
❍
GM2 System On
Status Data byte Status
F0H 7EH 7FH 09H 03H F7H
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
7FH Device ID (Broadcast)
09H Sub ID#1 (General MIDI Message)
03H Sub ID#2 (General MIDI 2 On)
F7H EOX (End Of Exclusive)
* When this messages is received, this instrument will turn to the Studio mode.
* Not received when the Receive GM2 System On parameter is OFF.
❍
GM System Off
Status
F0H 7EH, 7F, 09H, 02H F7H
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
7FH Device ID (Broadcast)
09H Sub ID#1 (General MIDI Message)
02H Sub ID#2 (General MIDI Off)
F7H EOX (End Of Exclusive)
* When this messages is received, this instrument will return to the Studio mode.
●
Universal Realtime System Exclusive Messages
❍
Master Volume
Status
F0H 7FH, 7FH, 04H, 01H, llH, mmH F7H
Byte Explanation
F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
01H Sub ID#2 (Master Volume)
llH Master Volume lower byte
mmH Master Volume upper byte
F7H EOX (End Of Exclusive)
* The lower byte (llH) of Master Volume will be handled as 00H.
* The Master Level parameter will change.
❍
Master Fine Tuning
Status Data byte Status
F0H 7FH, 7FH, 04H, 03H, llH, mmH F7H
Byte Explanation
F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
03H Sub ID#2 (Master Fine Tuning)
llH Master Fine Tuning LSB
mmH Master Fine Tuning MSB
F7H EOX (End Of Exclusive)
mm, ll: 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.9 [cents])
* The Master Tune parameter will change.
Data byte Status
Data byte Status
4
Fantom-G MIDI Implementation
❍
Master Coarse Tuning
Status Data byte Status
F0H 7FH, 7FH, 04H, 04H, llH, mmH F7
Byte Explanation
F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
04H Sub ID#2 (Master Coarse Tuning)
llH Master Coarse Tuning LSB
mmH Master Coarse Tuning MSB
F7H EOX (End Of Exclusive)
llH: ignored (processed as 00H)
mmH: 28H - 40H - 58H (-24 - 0 - +24 [semitones])
* The Master Key Shift parameter will change.
●
Global Parameter Control
* Not received in Patch mode.
❍
Reverb Parameters
Status
F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H
Byte Explanation
F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
05H Sub ID#2 (Global Parameter Control)
01H Slot path length
01H Parameter ID width
01H Value width
01H Slot path MSB
01H Slot path LSB (Effect 0101: Reverb)
ppH Parameter to be controlled.
vvH Value for the parameter.
F7H EOX (End Of Exclusive)
❍
Chorus Parameters
Status
F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H
Byte Explanation
F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
04H Sub ID#1 (Device Control)
05H Sub ID#2 (Global Parameter Control)
01H Slot path length
01H Parameter ID width
01H Value width
01H Slot path MSB
02H Slot path LSB (Effect 0102: Chorus)
ppH Parameter to be controlled.
Data byte Status
01H, 01H, 01H, ppH, vvH
pp=0 Reverb Type
vv = 00H Small Room
vv = 01H Medium Room
vv = 02H Large Room
vv = 03H Medium Hall
vv = 04H Large Hall
vv = 08H Plate
pp=1 Reverb Time
vv = 00H - 7FH 0 - 127
Data byte Status
01H, 01H, 02H, ppH, vvH
vvH Value for the parameter.
F7H EOX (End Of Exclusive)
❍
Channel Pressure
Status Data byte Status
F0H 7FH, 7FH, 09H, 01H, 0nH, ppH, rrH F7H
Byte Explanation
F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
09H Sub ID#1 (Controller Destination Setting)
01H Sub ID#2 (Channel Pressure)
0nH MIDI Channel (00 - 0F)
ppH Controlled parameter
rrH Controlled range
F7H EOX (End Of Exclusive)
❍
Controller
Status
F0H 7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH F7H
Byte Explanation
F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
09H Sub ID#1 (Controller Destination Setting)
03H Sub ID#2 (Control Change)
0nH MIDI Channel (00 - 0F)
ccH Controller number (01 - 1F, 40 - 5F)
ppH Controlled parameter
rrH Controlled range
F7H EOX (End Of Exclusive)
pp=0 Chorus Type
vv=0 Chorus1
vv=1 Chorus2
vv=2 Chorus3
vv=3 Chorus4
vv=4 FB Chorus
vv=5 Flanger
pp=1 Mod Rate
vv= 00H - 7FH 0 - 127
pp=2 Mod Depth
vv = 00H - 7FH 0 - 127
pp=3 Feedback
vv = 00H - 7FH 0 - 127
pp=4 Send To Reverb
vv = 00H - 7FH 0 - 127
pp=0 Pitch Control
rr = 28H - 58H -24 - +24 [semitones]
pp=1 Filter Cutoff Control
rr = 00H - 7FH -9600 - +9450 [cents]
pp=2 Amplitude Control
rr = 00H - 7FH 0 - 200%
pp=3 LFO Pitch Depth
rr = 00H - 7FH 0 - 600 [cents]
pp=4 LFO Filter Depth
rr = 00H - 7FH 0 - 2400 [cents]
pp=5 LFO Amplitude Depth
rr = 00H - 7FH 0 - 100%
Data byte Status
pp=0 Pitch Control
rr = 28H - 58H -24 - +24 [semitones]
pp=1 Filter Cutoff Control
rr = 00H - 7FH -9600 - +9450 [cents]
pp=2 Amplitude Control
rr = 00H - 7FH 0 - 200%
pp=3 LFO Pitch Depth
rr = 00H - 7FH 0 - 600 [cents]
pp=4 LFO Filter Depth
rr = 00H - 7FH 0 - 2400 [cents]
pp=5 LFO Amplitude Depth
rr = 00H - 7FH 0 - 100%
5
Fantom-G MIDI Implementation
❍
Scale/Octave Tuning Adjust
Status Data byte Status
F0H 7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH... F7
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
7FH Device ID (Broadcast)
08H Sub ID#1 (MIDI Tuning Standard)
08H Sub ID#2 (scale/octave tuning 1-byte form)
ffH Channel/Option byte 1
ggH Channel byte 2
hhH Channel byte 3
ssH 12 byte tuning offset of 12 semitones from C to B
F7H EOX (End Of Exclusive)
❍
Key-based Instrument Controllers
Status
F0H 7FH, 7FH, 0AH, 01H, 0nH, kkH, nnH, vvH F7H
Byte Explanation
F0H Exclusive status
7FH ID number (universal realtime message)
7FH Device ID (Broadcast)
0AH Sub ID#1 (Key-Based Instrument Control)
01H Sub ID#2 (Controller)
0nH MIDI Channel (00 - 0FH)
kkH Key Number
nnH Control Number
vvH Value
::
F7 EOX (End Of Exclusive)
* This parameter affects drum instruments only.
●
Data Transmission
This instrument can use exclusive messages to exchange many varieties of internal settings
with other devices.
The model ID of the exclusive messages used by this instrument is 00H 27H.
❍
Data Request 1 RQ1
This message requests the other device to transmit data. The address and size indicate the
type and amount of data that is requested.
When a Data Request message is received, if the device is in a state in which it is able to
transmit data, and if the address and size are appropriate, the requested data is transmitted
as a Data Set 1 (DT1) message. If the conditions are not met, nothing is transmitted.
Status data byte status
F0H
Byte Remarks
F0H Exclusive status
41H ID number (Roland)
dev device ID (dev: 10H - 1FH, 7FH)
00H model ID #1 (Fantom-G6/G7/G8)
00H model ID #2 (Fantom-G6/G7/G8)
27H model ID #3 (Fantom-G6/G7/G8)
11H command ID (RQ1)
aaH address MSB
bbH address
bits 0 to 1 = channel 15 to 16
bit 2 to 6 = Undefined
bits 0 to 6 = channel 8 to 14
bits 0 to 6 = channel 1 to 7
00H = -64 [cents]
40H = 0 [cents] (equal temperament)
7FH = +63 [cents]
Data byte Status
nn=07H Level
vv = 00H - 7FH 0 - 200% (Relative)
nn=0AH Pan
vv = 00H - 7FH Left - Right (Absolute)
nn=5BH Reverb Send
vv = 00H - 7FH 0 - 127 (Absolute)
nn=5D Chorus Send
vv = 00H - 7FH 0 - 127 (Absolute)
41H, dev, 00H, 27H, 11H, aaH, bbH, ccH,
ddH, ssH, ttH, uuH, vvH, sum
F7H
ccH address
ddH address LSB
ssH size MSB
ttH size
uuH size
vvH size LSB
sum checksum
F7H EOX (End Of Exclusive)
* The size of data that can be transmitted at one time is fixed for each type of data. And
data requests must be made with a fixed starting address and size. Refer to the address
and size given in
* For the checksum, refer to P.45.
* Not received when the Receive Exclusive parameter is OFF.
❍
Data set 1 (DT1)
Status Data byte Status
F0H 41H, dev, 00H, 27H, 12H, aaH, bbH, F7H
Byte Explanation
F0H Exclusive status
41H ID number (Roland)
dev Device ID (dev: 00H - 1FH, 7FH)
00H model ID #1 (Fantom-G6/G7/G8)
00H model ID #2 (Fantom-G6/G7/G8)
27H model ID #3 (Fantom-G6/G7/G8)
12H Command ID (DT1)
aaH Address MSB: upper byte of the starting address of the data to be
bbH Address: upper middle byte of the starting address of the data
ccH Address: lower middle byte of the starting address of the data
ddH Address LSB: lower byte of the starting address of the data to be
eeH Data: the actual data to be sent. Multiple bytes of data are
: :
ffH Data
sum Checksum
F7H EOX (End Of Exclusive)
* The amount of data that can be transmitted at one time depends on the type of data, and
data will be transmitted from the specified starting address and size. Refer to the address
and size given in
* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each
packet will be sent at an interval of about 20 ms.
* Regarding the checksum, please refer to P.45.
* Not received when the Receive Exclusive parameter is OFF.
❍
Data set 1 (DT1)
Status
F0H 41H, dev, 42H, 12H, aaH, bbH, ccH, F7H
Byte Explanation
F0H Exclusive status
41H ID number (Roland)
dev Device ID (dev: 10H - 1FH, 7FH)
42H Model ID (GS)
12H Command ID (DT1)
aaH Address MSB: upper byte of the starting address of the transmitted
bbH Address: middle byte of the starting address of the transmitted
ccH Address LSB: lower byte of the starting address of the transmitted
ddH Data: the actual data to be transmitted. Multiple bytes of
: :
eeH Data
sum Checksum
F7H EOX (End Of Exclusive)
Parameter Address Map
ccH, ddH, eeH, ... ffH, sum
Parameter Address Map
Data byte Status
ddH, ... eeH, sum
(P.14).
sent
to be sent
to be sent
sent.
transmitted in order starting from the address.
(P.14).
data
data
data
data are transmitted starting from the address.
6
Fantom-G MIDI Implementation
* The amount of data that can be transmitted at one time depends on the type of data, and
data will be transmitted from the specified starting address and size. Refer to the address
and size given in
* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each
packet will be sent at an interval of about 20 ms.
* Regarding the checksum, please refer to P.45.
* Not received when the Receive Exclusive parameter is OFF.
Parameter Address Map
(P.14).
2. Data Transmission
■
Channel Voice Messages
●
Note off
Status 2nd byte 3rd byte
8nH kkH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = note number: 00H - 7FH (0 - 127)
vv = note off velocity: 00H - 7FH (0 - 127)
●
Note on
Status 2nd byte 3rd byte
9nH kkH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = note number: 00H - 7FH (0 - 127)
vv = note on velocity: 01H - 7FH (1 - 127)
●
Polyphonic Key Pressure
Status 2nd byte 3rd byte
AnH kkH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = note number: 00H - 7FH (0 - 127)
vv =
Polyphonic Key Pressure:
●
Control Change
* By selecting a controller number that corresponds to the setting of parameters of
controllers (knob, slider and so on), the Fantom-G can transmit any control change
message.
00H - 7FH (0 - 127)
❍
Bank Select (Controller number 0, 32)
Status
BnH 00H mmH
BnH 20H llH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm, ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384)
* These messages are transmitted when Patch, Rhythm Set, Sample Set, Live Set or Studio
Set is selected. But not transmitted when Transmit Program Change or Transmit Bank
Select parameter is OFF.
* These messages are not transmitted when External Bank Select MSB or External PC
Number parameter is OFF.
* Although with the Fantom-G you can select the Bank Select messages to be transmitted,
be sure to refer to the Program Change Map on “Sound List” for the Bank Select
messages transmitted when the Fantom-G is select a Patch, Rhythm Set, Sample Set, Live
Set or Studio Set.
* The Bank Select Numbers corresponding to ARX series should be referred to the ARX
series owner’s manual.
❍
Modulation (Controller number 1)
Status 2nd byte 3rd byte
BnH 01H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Modulation depth: 00H - 7FH (0 - 127)
❍
Portamento Time (Controller number 5)
Status
BnH 05H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Portamento Time: 00H - 7FH (0 - 127)
❍
Data Entry (Controller number 6, 38)
Status
BnH 06H mmH
BnH 26H llH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm, ll = the value of the parameter specified by RPN/NRPN
mm = MSB, ll = LSB
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
❍
Volume (Controller number 7)
Status
BnH 07H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Volume: 00H - 7FH (0 - 127)
2nd byte 3rd byte
7
Fantom-G MIDI Implementation
❍
Panpot (Controller number 10)
Status 2nd byte 3rd byte
BnH 0AH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Panpot: 00H - 40H - 7FH (Left - Center - Right),
❍
Expression (Controller number 11)
Status
BnH 0BH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Expression: 00H - 7FH (0 - 127)
❍
Hold 1 (Controller number 64)
Status
BnH 40H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON
2nd byte 3rd byte
2nd byte 3rd byte
❍
Vibrato Rate (Controller number 76)
Status 2nd byte 3rd byte
BnH 4CH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Vibrato Rate value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
❍
Vibrato Depth (Controller number 77)
Status
BnH 4DH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Vibrato Depth Value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
❍
Vibrato Delay (Controller number 78)
Status
BnH 4EH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Vibrato Delay value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
2nd byte 3rd byte
2nd byte 3rd byte
* When Continuous Hold Pedal parameter is OFF, just only 00H (0FF) and 7FH (0N) can
be send as the control value.
❍
Portamento (Controller number 65)
Status
BnH 41H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
❍
Sostenuto (Controller number 66)
Status
BnH 42H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
❍
Soft (Controller number 67)
Status
BnH 43H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
❍
Legato Foot Switch (Controller number 68)
Status 2nd byte 3rd byte
BnH 44H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
❍
Resonance (Controller number 71)
Status
BnH 47H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv= Resonance value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
❍
Release Time (Controller number 72)
Status
BnH 48H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Release Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
❍
Attack time (Controller number 73)
Status
BnH 49H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Attack time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
❍
Cutoff (Controller number 74)
Status
BnH 4AH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Cutoff value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
❍
General Purpose Controller 5 (Controller number 80)
Status 2nd byte 3rd byte
BnH 50H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
❍
General Purpose Controller 6 (Controller number 81)
Status
BnH 51H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
❍
General Purpose Controller 7 (Controller number 82)
Status
BnH 52H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
❍
General Purpose Controller 8 (Controller number 83)
Status 2nd byte 3rd byte
BnH 53H vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Control value: 00H - 7FH (0 - 127)
❍
Portamento control (Controller number 84)
Status
BnH 54H kkH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = source note number: 00H - 7FH (0 - 127)
❍
Effect 1 (Reverb Send Level) (Controller number 91)
Status
BnH 5BH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Reverb Send Level: 00H - 7FH (0 - 127)
❍
Effect 3 (Chorus Send Level) (Controller number 93)
Status
BnH 5DH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Chorus Send Level: 00H - 7FH (0 - 127)
❍
General Controller
Status
BnH kkH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
kk = Controller number: 00H - 77H (0 - 31, 33 - 95)
vv = Modulation depth:00H - 7FH (0 - 127)
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
❍
Decay Time (Controller number 75)
Status
BnH 4BH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Decay Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)
2nd byte 3rd byte
8
Fantom-G MIDI Implementation
●
Program Change
Status
CnH ppH
n = MIDI channel number: 0H - FH (ch.1 - 16)
pp = Program number: 00H - 7FH (prog.1 - prog.128)
* These messages are transmitted when Patch, Rhythm Set, Sample Set, Live Set or Studio
Set is selected. But not transmitted when Transmit Program Change parameter is OFF.
* These messages are not transmitted when External PC Num parameter is OFF.
●
Channel Pressure
Status
DnH vvH
n = MIDI channel number: 0H - FH (ch.1 - 16)
vv = Channel Pressure: 00H - 7FH (0 - 127)
●
Pitch Bend Change
Status
EnH llH mmH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)
■
Channel Mode Messages
●
MONO (Controller number 126)
Status
BnH 7EH mmH
n = MIDI channel number: 0H - FH (ch.1 - 16)
mm = mono number: 00H - 10H (0 - 16)
●
POLY (Controller number 127)
Status 2nd byte 3rd byte
BnH 7FH 00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
2nd byte
2nd byte
2nd byte 3rd byte
2nd byte 3rd byte
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
dev Device ID (dev: 10H - 1FH)
06H Sub ID#1 (General Information)
02H Sub ID#2 (Identity Reply)
41H ID number (Roland)
27H 02H Device family code
00H 00H Device family number code
00H 03H 00H 00H Software revision level
F7H EOX (End of Exclusive)
❍
Identity Reply Message (Fantom-G7)
Receiving Identity Request Message, the Fantom-G7 send this message.
Status Data byte Status
F0H 7EH, dev, 06H, 02H, 41H, 27H, 02H, F7H
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
dev Device ID (dev: 10H - 1FH)
06H Sub ID#1 (General Information)
02H Sub ID#2 (Identity Reply)
41H ID number (Roland)
27H 02H Device family code
00H 00H Device family number code
01H 03H 00H 00H Software revision level
F7H EOX (End of Exclusive)
❍
Identity Reply Message (Fantom-G8)
Receiving Identity Request Message, the Fantom-G8 send this message.
Status Data byte Status
F0H 7EH, dev, 06H, 02H, 41H, 27H, 02H, F7H
00H, 00H, 01H, 03H, 00H, 00H
00H, 00H, 02H, 03H, 00H, 00H
■
System Realtime Messages
●
Active Sensing
Status
FEH
* This message is transmitted at intervals of approximately 250 msec.
* This message is not sent when Transmit Active Sensing parameter is OFF.
■
System Exclusive Messages
Status
F0H iiH, ddH, ......,eeH F7H
F0H: System Exclusive Message status
ii = ID number: an ID number (manufacturer ID) to indicate the manufacturer whose
dd,...,ee = data: 00H - 7FH (0 - 127)
F7H: EOX (End Of Exclusive)
Universal Non-realtime System Exclusive Message” and Data Set 1 (DT1) are the only
System Exclusive messages transmitted by the Fantom-G.
●
Universal Non-realtime System Exclusive Message
❍
Identity Reply Message (Fantom-G6)
Receiving Identity Request Message, the Fantom-G6 send this message.
Status Data byte Status
F0H 7EH, dev, 06H, 02H, 41H, 27H, 02H, F7H
Data byte Status
Exclusive message this is. Roland’s manufacturer ID is 41H.
ID numbers 7EH and 7FH are extensions of the MIDI standard;
Universal Non-realtime Messages (7EH) and Universal Realtime
Messages (7FH).
00H, 00H, 00H, 03H, 00H, 00H
Byte Explanation
F0H Exclusive status
7EH ID number (Universal Non-realtime Message)
dev Device ID (dev: 10H - 1FH)
06H Sub ID#1 (General Information)
02H Sub ID#2 (Identity Reply)
41H ID number (Roland)
27H 02H Device family code
00H 00H Device family number code
02H 00H 00H 00H Software revision level
F7H EOX (End of Exclusive)
9
Fantom-G MIDI Implementation
●
Data Transmission
❍
Data set 1 DT1
Status Data byte Status
F0H 41H, dev, 00H, 27H, 12H, aaH, bbH, F7H
Byte Explanation
F0H Exclusive status
41H ID number (Roland)
dev Device ID (dev: 00H - 1FH, 7FH)
00H model ID #1 (Fantom-G6/G7/G8)
00H model ID #2 (Fantom-G6/G7/G8)
27H model ID #3 (Fantom-G6/G7/G8)
12H Command ID (DT1)
aaH Address MSB: upper byte of the starting address of the data to be
bbH Address: upper middle byte of the starting address of the data
ccH Address: lower middle byte of the starting address of the data
ddH Address LSB: lower byte of the starting address of the data to be
eeH Data: the actual data to be sent. Multiple bytes of data are
: :
ffH Data
sum Checksum
F7H EOX (End Of Exclusive)
* The amount of data that can be transmitted at one time depends on the type of data, and
data will be transmitted from the specified starting address and size. Refer to the address
and size given in
* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each
packet will be sent at an interval of about 20 ms.
ccH, ddH, eeH, ... ffH, sum
sent
to be sent
to be sent
sent.
transmitted in order starting from the address.
Parameter Address Map
(P.14).
3. Data reception (Sequencer Section)
3.1 Messages recorded during recording
■
Channel Voice Messages
●
Note Off
Status
8nH kkH vvH
9nH kkH 00H
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
kk=note number: 00H - 7FH (0 - 127)
vv=note off velocity: 00H - 7FH (0 - 127)
* Not received when the Note parameter (Recording Select window) is OFF.
●
Note on
Status
9nH kkH vvH
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
kk=note number: 00H - 7FH (0 - 127)
vv=note on velocity: 01H - 7FH (1 - 127)
* Not received when the Note parameter (Recording Select window) is OFF.
●
Polyphonic Aftertouch
Status
AnH kkH vvH
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
kk=note number: 00H - 7FH (0 - 127)
vv=Polyphonic Aftertouch: 00H - 7FH (0 - 127)
* Not received when the Poly Afertouch parameter (Recording Select window) is OFF.
●
Control Change
Status
BnH kkH vvH
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
kk=Control number: 00H - 78H (0 - 120)
vv=value: 00H - 7FH (0 - 127)
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
2nd byte 3rd byte
* Not received when the Control Change parameter (Recording Select window) is OFF.
●
Program Change
Status
CnH ppH
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
pp=Program number: 00H - 7FH (prog.1 - prog.128)
* Not received when the Program Change parameter (Recording Select window) is OFF.
●
Channel Aftertouch
Status
DnH vvH
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
vv=Channel Aftertouch: 00H - 7FH (0 - 127)
* Not received when the Channel Aftertouch parameter (Recording Select window) is
OFF.
●
Pitch Bend Change
Status
EnH llH mmH
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
mm, ll=Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)
* Not received when the Pitch Bend parameter (Recording Select window) is OFF.
2nd byte
2nd byte
2nd byte 3rd byte
10
■
Channel Mode messages
●
All Sound Off (Controller number 120)
Status 2nd byte 3rd byte
BnH 78H 00H
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
●
Reset All Controller (Controller number 121)
Status 2nd byte 3rd byte
BnH 79H 00H
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
●
Omni Off (Controller number 124)
Status 2nd byte 3rd byte
BnH 7CH 00H
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
* The same processing will be done as when an All Note Off message is received.
●
Omni On (Controller number 125)
Status 2nd byte 3rd byte
BnH 7DH 00H
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
* The same processing will be done as when an All Note Off message is received.
Fantom-G MIDI Implementation
■
System Exclusive Messages
Status Data byte Status
F0H iiH, ddH, ......, eeH F7H
F0H: System Exclusive message status
ii=ID number: This is the ID number (manufacturer ID) that specifies the
dd,..., ee = data: 00H - 7FH (0 - 127)
F7H: EOX (End of System Exclusive)
* Not received when the System Exclusive parameter (Recording Select window) is OFF.
* MIDI Machine Control and MIDI Time code is not recorded. (Refer to “3.3 Messages
acknowledged for synchronization”)
manufacturer whose exclusive message this is. Roland’s manufacturer
ID is 41H. ID numbers 7EH and 7FH are defined in an expansion of
the MIDI standard as Universal Non-real-time messages (7EH) and
Universal Realtime Messages (7FH).
●
Mono (Controller number 126)
Status
BnH 7EH mmH
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
mm=mono number: 00H - 10H (0 - 16)
* The same processing will be done as when an All Note Off message is received.
●
Poly (Controller number 127)
Status 2nd byte 3rd byte
BnH 7FH 00H
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
* The same processing will be done as when an All Note Off message is received.
2nd byte 3rd byte
11
Fantom-G MIDI Implementation
3.2 Messages not recorded during recording
■
Channel mode messages
●
Local On/Off (Controller number 122)
Status
BnH 7AH vvH
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
vv=Value: 00H, 7FH (Local Off, Local On)
●
All notes off (Controller number 123)
Status
BnH 7BH 00H
n=MIDI channel number: 0H - FH (ch.1 - ch.16)
* When an All Note Off message is received, all notes of the corresponding channel that
are on will be sent Note Off’s, and the resulting Note Off messages will be recorded.
3.3 Messages acknowledged for synchronization
■
System Common messages
●
Tune Request
Status
F6H
●
MIDI Time Code Quarter Frame Messages
MIDI Time Code Quarter Frame Messages can be transmitted while the sequencer is
running (Playing or Recording) if the Sync Mode parameter (System/Sync/Tempo) is
MASTER and MTC Sync Output parameter (System/Sync/Tempo) is ON. The transmitted
time counts are summed to MTC Offset Time parameter (System/Sync/Tempo) as the song
top is “00:00:00:00.”
The sequencer synchronizes with the time counts which are summed to MTC Offset Time
parameter (System/Sync/Tempo) as the song top is “00:00:00:00” if the Sync Mode
parameter (System/Sync/Tempo) is SLAVE(MTC).
2nd byte 3rd byte
2nd byte 3rd byte
■
System Realtime Messages
●
Timing Clock
Status
F8H
* Received when Sync Mode parameter (System/Sync/Tempo) is set to SLAVE-MIDI.
●
Start
Status
FAH
* Received when Sync Mode parameter (System/Sync/Tempo) is set to SLAVE-MIDI or
REMOTE.
●
Continue
Status
FBH
* Received when Sync Mode parameter (System/Sync/Tempo) is set to SLAVE-MIDI or
REMOTE.
●
Stop
Status
FCH
* Received when Sync Mode parameter (System/Sync/Tempo) is set to SLAVE-MIDI or
REMOTE.
Status Second
F1H mmH (= 0nnndddd)
nnn = Message type :
0 = Frame count LS nibble
1 = Frame count MS nibble
2 = Seconds count LS nibble
3 = Seconds count MS nibble
4 = Minutes count LS nibble
5 = Minutes count MS nibble
6 = Hours count LS nibble
7 = Hours count MS nibble
dddd = 4 bit nibble data : h - FH (0 - 15)
Bit Field is assigned as follows.
Frame Count xxxyyyyy
xxx Reserved (000)
yyyyy Frame No.(0-29)
Seconds Count xxyyyyyy
Minutes Count xxyyyyyy
Hours Count xyyzzzzz
●
Song Position Pointer
Status
F2H mmH llH
mm, ll=value: 00 00H - 7F 7FH (0 - 16383)
xx Reserved (00)
yyyyyy Seconds (0-59)
xx Reserved (00)
yyyyyy Minutes (0-59)
x Reserved (0)
yy Time Code type
0 = 24 Frames / Sec
1 = 25 Frames / Sec
2 = 30 Frames / Sec (Drop Frame)
3 = 30 Frames / Sec (Non Drop Frame
zzzzz Hours (0-23)
2nd byte 3rd byte
12
■
System Exclusive Message
●
MIDI Machine Control (MMC)
* Received when the MMC Mode parameter (System/Sync/Tempo) is SLAVE.
❍
STOP (MCS)
Status Data byte Status
F0H 7FH, dev, 06H, 01H F7H
Fantom-G MIDI Implementation
4. Data transmission (Sequencer Section)
4.1 Messages transmitted during playing
Recorded messages are transmitted during playback.
4.2 Soft Through
Messages (except System Common and System Realtime Messages) that are received are
then sent out when Soft Through parameter (System/MIDI) is switched to ON.
Byte Remarks
F0H Exclusive status
7FH Universal System Exclusive Realtime Header
7FH Device ID
06H MMC command message
01H STOP (MCS)
F7H EOX (End of Exclusive)
❍
DEFERRED PLAY (MCS)
Status Data byte Status
F0H 7FH, dev, 06H, 03H F7H
Byte Remarks
F0H Exclusive status
7FH Universal System Exclusive Realtime Header
7FH Device ID
06H MMC command message
03H DEFERRED PLAY (MCS)
F7H EOX (End of Exclusive)
❍
LOCATE (MCP)
❍
Format2—LOCATE [TARGET]
Status Data byte Status
F0H 7FH, dev, 06H, 44H, 06H, 01H, F7H
Byte Remarks
F0H Exclusive status
7FH Universal System Exclusive Realtime Header
7FH Device ID
06H MMC command message
44H LOCATE (MCP)
06H Byte count
01H “TARGET” sub-Command
hrH Standard Time Specification with subframes
mnH
scH
frH
ffH
F7H EOX (End of Exclusive)
hrH, mnH, scH, frH, ffH
4.3 Messages that are generated and transmitted
4.3.1 Messages Appearing When Synchronizing with Other Devices
■
System Common Messages
* Sent when Sync Output parameter (System/Sync/Tempo) is set to ON.
●
Song Position Pointer
Status
F2H mmH llH
mm, ll=value: 00 00H - 7F 7FH (0 - 16383)
■
System Realtime Messages
* Sent when Sync Output parameter (System/Sync/Tempo) is set to ON.
●
Timing Clock
Status
F8H
●
Start
Status
FAH
●
Continue
Status
FBH
●
Stop
Status
FCH
●
Quarter Frame Messages
Status
F1H mmH (= 0nnndddd)
* Sent when Sync Mode parameter (System/Sync/Tempo) is set to MASTER and MTC
Sync Output parameter (System/Sync/Tempo) is set to ON. Furthermore, sending a
Quarter Frame Message with “00h00m00s00f00” at the beginning of the song adds the
MTC Offset Time parameter (System/Sync/Tempo).
2nd byte 3rd byte
2nd byte
13
Fantom-G MIDI Implementation
■
System Exclusive Message
●
MIDI Time code
❍
Full Message
Full Messages are used, which encode the complete time into a single message.
This message transmitted when the song position moves.
Status Data Byte Status
F0H, 7FH xxH, 01H, 01H, hrH, mnH, scH, frH F7H
F0H, 7FH : Realtime Universal System Exclusive Header
xxH : 7F (Device ID)
01H : sub-ID #1 (MIDI Time code)
01H : sub-ID #2 (Full Message)
hrH : hours and type: 0 yy zzzzz
yy type:
zzzzz : Hours (00 - 23)
mnH : Minutes (00 - 59)
scH : Seconds (00 - 59)
frH : Frames (00 - 29)
F7H : EOX (End of Exclusive)
●
* Not received when the MMC Mode parameter (System/Sync/Tempo) is Master.
❍
STOP (MCS)
Status
F0H 7FH, dev, 06H, 01H F7H
Byte Remarks
F0H Exclusive status
7FH Universal System Exclusive Realtime Header
7FH Device ID
06H MMC command message
01H STOP (MCS)
F7H EOX (End of Exclusive)
❍
DEFFERRED PLAY (MCS)
Status Data byte Status
F0H 7FH, dev, 06H, 03H F7H
Byte Remarks
F0H Exclusive status
7FH Universal System Exclusive Realtime Header
7FH Device ID
06H MMC command message
03H DEFERRED PLAY (MCS)
F7H EOX (End of Exclusive)
❍
LOCATE (MCP)
❍
Format2—LOCATE [TARGET]
Status Data byte Status
F0H 7FH, dev, 06H, 44H, 06H, 01H, hrH, mnH, scH, frH, ffH F7H
Byte Remarks
F0H Exclusive status
7FH Universal System Exclusive Realtime Header
7FH Device ID
06H MMC command message
44H LOCATE (MCP)
06H Byte count
01H “TARGET” sub-Command
hrH Standard Time Specification with subframes
mnH
scH
frH
ffH
F7H EOX (End of Exclusive)
00 = 24 Flame/sec
01 = 25 Flame/sec
10 = 30 Flame/sec
11 = 30 Flame/sec
MIDI Machine Control (MMC)
Data byte Status
5. Parameter Address Map
* Transmission of “#” marked address is divided to some packets. For example, ABH in
hexadecimal notation will be divided to 0AH and 0BH, and is sent/received in this order.
* “<*>” marked address or parameters are ignored when the Fantom-G6/X7/X8 received
them.
1. FANTOM-G (ModelID = 00H 00H 27H)
+------------------------------------------------------------------------------+
| Start | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 01 00 00 00 | Setup |
|-------------+----------------------------------------------------------------|
| 02 00 00 00 | System |
|-------------+----------------------------------------------------------------|
| 10 00 00 00 | Temporary Live Set |
| 11 00 00 00 | Temporary Patch/Rhythm (Live Mode Part 1) |
| 11 20 00 00 | Temporary Patch/Rhythm (Live Mode Part 2) |
| : | |
| 12 60 00 00 | Temporary Patch/Rhythm (Live Mode Part 8) |
| 16 00 00 00 | Temporary Arpeggio (Live Mode) |
| 16 01 00 00 | Temporary Chord (Live Mode) |
|-------------+----------------------------------------------------------------|
| 18 00 00 00 | Temporary Studio Set |
| 19 00 00 00 | Temporary Patch/Rhythm (Studio Mode Part 1) |
| 19 20 00 00 | Temporary Patch/Rhythm (Studio Mode Part 2) |
| : | |
| 1C 60 00 00 | Temporary Patch/Rhythm (Studio Mode Part 16) |
| 1E 00 00 00 | Temporary Arpeggio (Studio Mode) |
| 1E 01 00 00 | Temporary Chord (Studio Mode) |
| 1F 00 00 00 | Temporary Arpeggio Set |
| 1F 01 00 00 | Temporary Chord Set |
+------------------------------------------------------------------------------+
❍
System
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | System Common |
| 00 02 00 | System Insert MFX |
| 00 0E 00 | System Mastering |
| 00 0F 00 | System Input FX |
| 00 60 00 | System Controller |
+------------------------------------------------------------------------------+
❍
Temporary Patch/Rhythm
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Temporary Patch |
| 08 00 00 | Temporary Sample Set |
| 10 00 00 | Temporary Rhythm |
+------------------------------------------------------------------------------+
❍
Live Set
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Live Set Common |
| 00 01 00 | Live Set Exp1 Common |
| 00 01 40 | Live Set Exp2 Common |
| 00 06 00 | Live Set Common Chorus |
| 00 0A 00 | Live Set Common Reverb |
| 00 10 00 | Live Set MIDI (Channel 1) |
| 00 11 00 | Live Set MIDI (Channel 2) |
| : | |
| 00 1F 00 | Live Set MIDI (Channel 16) |
| 00 20 00 | Live Set Part (Part 1) |
| 00 21 00 | Live Set Part (Part 2) |
| : | |
| 00 27 00 | Live Set Part (Part 8) |
| 00 30 00 | Live Set Exp1 Part (Part 1) |
| 00 31 00 | Live Set Exp1 Part (Part 2) |
| : | |
| 00 3F 00 | Live Set Exp1 Part (Part 16) |
| 00 40 00 | Live Set Exp2 Part (Part 1) |
| 00 41 00 | Live Set Exp2 Part (Part 2) |
| : | |
| 00 4F 00 | Live Set Exp2 Part (Part 16) |
| 00 50 00 | Live Set Ext Part (Part 1) |
| 00 51 00 | Live Set Ext Part (Part 2) |
| : | |
| 00 5F 00 | Live Set Ext Part (Part 16) |
| 00 60 00 | Live Set Controller |
+------------------------------------------------------------------------------+
❍
Studio Set
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Studio Set Common |
| 00 01 00 | Studio Set Exp1 Common |
| 00 01 40 | Studio Set Exp2 Common |
| 00 02 00 | Studio Set Common Insert MFX1 |
| 00 04 00 | Studio Set Common Insert MFX2 |
| 00 06 00 | Studio Set Common Chorus |
| 00 0A 00 | Studio Set Common Reverb |
| 00 0E 00 | Studio Set Common Mastering |
| 00 0F 00 | Studio Set Common Input FX |
| 00 10 00 | Studio Set MIDI (Channel 1) |
| 00 11 00 | Studio Set MIDI (Channel 2) |
| : | |
| 00 1F 00 | Studio Set MIDI (Channel 16) |
| 00 20 00 | Studio Set Part (Part 1) |
| 00 21 00 | Studio Set Part (Part 2) |
| : | |
| 00 2F 00 | Studio Set Part (Part 16) |
| 00 30 00 | Studio Set Exp1 Part (Part 1) |
| 00 31 00 | Studio Set Exp1 Part (Part 2) |
| : | |
| 00 3F 00 | Studio Set Exp1 Part (Part 16) |
| 00 40 00 | Studio Set Exp2 Part (Part 1) |
| 00 41 00 | Studio Set Exp2 Part (Part 2) |
| : | |
| 00 4F 00 | Studio Set Exp2 Part (Part 16) |
| 00 50 00 | Studio Set Ext Part (Part 1) |
| 00 51 00 | Studio Set Ext Part (Part 2) |
| : | |
| 00 5F 00 | Studio Set Ext Part (Part 16) |
| 00 60 00 | Studio Set Controller |
+------------------------------------------------------------------------------+
14
Fantom-G MIDI Implementation
❍
Patch
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Patch Common |
| 00 02 00 | Patch Common MFX |
| 00 04 00 | Patch Common Chorus |
| 00 06 00 | Patch Common Reverb |
| 00 10 00 | Patch TMT (Tone Mix Table) |
| 00 20 00 | Patch Tone (Tone 1) |
| 00 22 00 | Patch Tone (Tone 2) |
| 00 24 00 | Patch Tone (Tone 3) |
| 00 26 00 | Patch Tone (Tone 4) |
| 00 30 00 | Patch Common 2 |
| 00 40 00 | Patch Tone 2 (Tone 1) |
| 00 42 00 | Patch Tone 2 (Tone 2) |
| 00 44 00 | Patch Tone 2 (Tone 3) |
| 00 46 00 | Patch Tone 2 (Tone 4) |
| 00 60 00 | Patch Controller |
+------------------------------------------------------------------------------+
❍
Sample Set
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Sample Set Common |
| 00 02 00 | Sample Set Common MFX |
| 00 04 00 | Sample Set Common Chorus |
| 00 06 00 | Sample Set Common Reverb |
| 00 10 00 | Sample Set Tone (Tone # 1) |
| 00 12 00 | Sample Set Tone (Tone # 2) |
| : | |
| 00 2E 00 | Sample Set Tone (Tone # 16) |
+------------------------------------------------------------------------------+
❍
Rhythm
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Rhythm Common |
| 00 02 00 | Rhythm Common MFX |
| 00 04 00 | Rhythm Common Chorus |
| 00 06 00 | Rhythm Common Reverb |
| 00 10 00 | Rhythm Tone (Key # 21) |
| 00 12 00 | Rhythm Tone (Key # 22) |
| : | |
| 01 3E 00 | Rhythm Tone (Key # 108) |
| 02 00 00 | Rhythm Common 2 |
| 02 10 00 | Rhythm Tone 2 (Key # 21) |
| 02 12 00 | Rhythm Tone 2 (Key # 22) |
| : | |
| 03 3E 00 | Rhythm Tone 2 (Key # 108) |
| 03 60 00 | Rhythm Controller |
+------------------------------------------------------------------------------+
❍
Arpeggio
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Arpeggio |
+------------------------------------------------------------------------------+
❍
Chord
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Chord Memory |
+------------------------------------------------------------------------------+
❍
Arpeggio Set
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Arpeggio Set |
+------------------------------------------------------------------------------+
❍
Chord Set
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 00 | Chord Set |
+------------------------------------------------------------------------------+
❍
Setup
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0000 0aaa | Sound Mode (0 - 4) |
| | | SINGLE, LIVE, STUDIO, GM1, GM2 |
|-------------+-----------+----------------------------------------------------|
| 00 01 | 0aaa aaaa | Live Set Bank Select MSB (CC# 0) (0 - 127) |
| 00 02 | 0aaa aaaa | Live Set Bank Select LSB (CC# 32) (0 - 127) |
| 00 03 | 0aaa aaaa | Live Set Program Number (PC) (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 04 | 0aaa aaaa | Studio Set Bank Select MSB (CC# 0) (0 - 127) |
| 00 05 | 0aaa aaaa | Studio Set Bank Select LSB (CC# 32) (0 - 127) |
| 00 06 | 0aaa aaaa | Studio Set Program Number (PC) (0 - 127) |
|-------------+-----------+----------------------------------------------------|
| 00 07 | 0aaa aaaa | Arpeggio Set Number (0 - 127) |
| | | 1 - 128 |
| 00 08 | 0aaa aaaa | Chord Set Number (0 - 127) |
| | | 1 - 128 |
|-------------+-----------+----------------------------------------------------|
| 00 09 | 0000 aaaa | Transpose Value (59 - 70) |
| | | -5 - +6 |
| 00 0A | 0000 0aaa | Octave Shift (61 - 67) |
| | | -3 - +3 |
|-------------+----------------------------------------------------------------|
| 00 00 00 0B | Total Size |
+------------------------------------------------------------------------------+
❍
System Common
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
|# 00 00 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | Master Tune (24 - 2024) |
| | | -100.0 - 100.0 [cent] |
| 00 04 | 00aa aaaa | Master Key Shift (40 - 88) |
| | | -24 - +24 |
| 00 05 | 0aaa aaaa | Master Level (0 - 127) |
| 00 06 | 0000 000a | Scale Tune Switch (0 - 1) |
| | | OFF, ON |
| 00 07 | 0000 000a | Patch Remain (0 - 1) |
| | | OFF, ON |
| 00 08 | 0000 000a | Control Remain (0 - 1) |
| | | OFF, ON |
| 00 09 | 0000 000a | Mix/Parallel (0 - 1) |
| | | MIX, PARALLEL |
|-------------+-----------+----------------------------------------------------|
| 00 0A | 000a aaaa | Live Set Control Channel (0 - 16) |
| | | 1 - 16, OFF |
| 00 0B | 000a aaaa | Studio Set Control Channel (0 - 16) |
| | | 1 - 16, OFF |
| 00 0C | 000a aaaa | (reserve) <*> (0 - 16) |
| | | 1 - 16, OFF |
|-------------+-----------+----------------------------------------------------|
| 00 0D | 0aaa aaaa | System Control 1 Source (0 - 97) |
| | | OFF, CC01 - CC31, CC33 - CC95, |
| | | BEND, AFT |
| 00 0E | 0aaa aaaa | System Control 2 Source (0 - 97) |
| | | OFF, CC01 - CC31, CC33 - CC95, |
| | | BEND, AFT |
| 00 0F | 0aaa aaaa | System Control 3 Source (0 - 97) |
| | | OFF, CC01 - CC31, CC33 - CC95, |
| | | BEND, AFT |
| 00 10 | 0aaa aaaa | System Control 4 Source (0 - 97) |
| | | OFF, CC01 - CC31, CC33 - CC95, |
| | | BEND, AFT |
|-------------+-----------+----------------------------------------------------|
| 00 11 | 0000 000a | Receive Program Change (0 - 1) |
| | | OFF, ON |
| 00 12 | 0000 000a | Receive Bank Select (0 - 1) |
| | | OFF, ON |
|-------------+-----------+----------------------------------------------------|
| 00 13 | 0000 000a | Insert MFX1 Switch (0 - 1) |
| | | OFF, ON |
| 00 14 | 0000 000a | Mastering Switch (0 - 1) |
| | | OFF, ON |
| 00 15 | 0000 000a | Input FX Switch (0 - 1) |
| | | OFF, ON |
| 00 16 | 0aaa aaaa | Master Reverb Level (0 - 127) |
|-------------+----------------------------------------------------------------|
| 00 00 00 17 | Total Size |
+------------------------------------------------------------------------------+
❍
System Insert MFX
+------------------------------------------------------------------------------+
| Offset | |
| Address | Description |
|-------------+----------------------------------------------------------------|
| 00 00 | 0aaa aaaa | MFX Type (0 - 78) |
| 00 01 | 0aaa aaaa | MFX Dry Send Level (0 - 127) |
| 00 02 | 0aaa aaaa | MFX Chorus Send Level (0 - 127) |
| 00 03 | 0aaa aaaa | MFX Reverb Send Level (0 - 127) |
| 00 04 | 0000 00aa | MFX Output Assign (0 - 1) |
| | | A, B |
|-------------+-----------+----------------------------------------------------|
| 00 05 | 0aaa aaaa | (reserve) <*> (0 - 101) |
| | | |
| 00 06 | 0aaa aaaa | (reserve) <*> (1 - 127) |
| | | |
| 00 07 | 0aaa aaaa | (reserve) <*> (0 - 101) |
| | | |
| 00 08 | 0aaa aaaa | (reserve) <*> (1 - 127) |
| | | |
| 00 09 | 0aaa aaaa | (reserve) <*> (0 - 101) |
| | | |
| 00 0A | 0aaa aaaa | (reserve) <*> (1 - 127) |
| | | |
| 00 0B | 0aaa aaaa | (reserve) <*> (0 - 101) |
| | | |
| 00 0C | 0aaa aaaa | (reserve) <*> (1 - 127) |
| | | |
|-------------+-----------+----------------------------------------------------|
| 00 0D | 000a aaaa | MFX Control Assign 1 (0 - 16) |
| | | OFF, 1 - 16 |
| 00 0E | 000a aaaa | MFX Control Assign 2 (0 - 16) |
| | | OFF, 1 - 16 |
| 00 0F | 000a aaaa | MFX Control Assign 3 (0 - 16) |
| | | OFF, 1 - 16 |
| 00 10 | 000a aaaa | MFX Control Assign 4 (0 - 16) |
| | | OFF, 1 - 16 |
|# 00 11 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 1 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 15 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 2 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 19 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 3 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 1D | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 4 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 21 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 5 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 25 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 6 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 29 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 7 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 2D | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 8 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 31 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 9 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 35 | 0000 aaaa | |
| | 0000 bbbb | |
| | 0000 cccc | |
| | 0000 dddd | MFX Parameter 10 (12768 - 52768) |
| | | -20000 - +20000 |
|# 00 39 | 0000 aaaa | |
| | 0000 bbbb | |
15
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