Roland Corporation Fantom-G7, Fantom-G8, Fantom-G6 Owner's Manual

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

For the U.K.

WARNING: IMPORTANT:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the

letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

THIS APPARATUS MUST BE EARTHED THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE

Fantom-G6/G7/G8 Owner’s Manual

201b

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 4), and “IMPORTANT NOTES” (p. 7). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

This Owner’s Manual applies to the Fantom-G6, the Fantom-G7 and the Fantom-G8. The manual uses the term “Fantom-G” to indicate all these three models.

985

The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

962a

In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

202

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

..........................................................................................................

001-50

• Connect mains plug of this model to a mains socket outlet with a protective earthing connection.

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002b

• Do not open or perform any internal modifications on the unit. (The only exception would be where this manual provides specific instructions which should be followed in order to put in place user-installable options; see p. 304, p. 308.)

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003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

..........................................................................................................

004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

..........................................................................................................

005

• This unit should be used only with a stand that is recommended by Roland.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

006

• When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

..........................................................................................................

008a

• The unit should be connected to a power supply only of the type described in the operating instructions, or as marked on the unit.

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008e

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

..........................................................................................................

009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

..........................................................................................................

011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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012a

• Immediately turn the power off, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The power-supply cord or the plug has been damaged;

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto

the unit; or

• The unit has been exposed to rain (or otherwise has

become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

..........................................................................................................

014

• Protect the unit from strong impact. (Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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022a

• Always turn the unit off and unplug the power cord before attempting installation of the circuit board (ARX series; p. 304, DIMM; p. 308).

..........................................................................................................

023

• DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.

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026

• Do not put anything that contains water (e.g., flower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

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101a

• The unit should be located so that its location or position does not interfere with its proper ventilation.

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101c

• This unit for use only with Roland stand KS-18Z (Fantom-G6/G7/G8), KS-G8 (Fantom-G8). Use with other stands (or carts) is capable of resulting in instability causing possible injury.

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102b

• Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.

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103a

• At regular intervals, you should unplug the power plug and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107b

• Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108d

• If you need to move the Fantom-G8, take note of the precautions listed below. At least two persons are required to safely lift and move the unit. It should be handled carefully, all the while keeping it level. Make sure to have a firm grip, to protect yourself from injury and the instrument from damage.

• Disconnect the power cord.

• Disconnect all cords coming from external devices.

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109a

• Before cleaning the unit, turn off the power and unplug the power cord from the outlet (p. 25).

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110a

• Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.

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115a

• Install only the specified circuit board(s) (ARX Series, DIMM). Remove only the specified screws (p. 304, p. 308).

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118a

• Should you remove screws from the bottom cover of the unit (p. 304, p. 308), keep them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

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120

• Always turn the phantom power off when connecting any device other than condenser microphones that require phantom power. You risk causing damage if you mistakenly supply phantom power to dynamic microphones, audio playback devices, or other devices that don’t require such power. Be sure to check the specifications of any microphone you intend to use by referring to the manual that came with it.

(This instrument’s phantom power: 48V DC, 10 mA Max)

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IMPORTANT NOTES

Power Supply

301

• Do not connect this unit to same electrical outlet that is

being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

307

• Before connecting this unit to other devices, turn off the

power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

308

• Although the LCD and LEDs are switched off when the

POWER switch is switched off, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

Placement

351

• Using the unit near power amplifiers (or other equipment

containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television

reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications

devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

354a

• Do not expose the unit to direct sunlight, place it near

devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the

temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

358

• Do not allow objects to remain on top of the keyboard.

This can be the cause of malfunction, such as keys ceasing to produce sound.

360

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up on a USB memory, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a USB memory.

552

• Unfortunately, it may be impossible to restore the contents of data that was stored on a USB memory or unit’s memory once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

555

• A small amount of noise may be heard from the display during normal operation.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

557

• A small amount of heat will radiate from the unit during normal operation.

IMPORTANT NOTES

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

561

• Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

562

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

566b

• The sensitivity of the D Beam controller will change depending on the amount of light in the vicinity of the unit. If it does not function as you expect, adjust the sensitivity as appropriate for the brightness of your location (p.

287).

• If you switch off the power to an external device that is connected to the DIGITAL AUDIO IN jack or disconnect the cable, noise may subsequently be heard in the input from DIGITAL AUDIO IN. If this occurs, correctly reconnect the external device, or turn off the Fantom-G’s [MIX IN] switch.

Handling CD-ROMs

801

• Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.

851

• Recording, duplication, distribution, sale, lease, performance, or broadcast of copyrighted material (musical works, visual works, broadcasts, live performances, etc.) belonging to a third party in part or in whole without the permission of the copyright owner is forbidden by law.

852a

• This product can be used to record or duplicate audio or visual material without being limited by certain technological copy-protection measures. This is due to the fact that this product is intended to be used for the purpose of producing original music or video material, and is therefore designed so that material that does not infringe copyrights belonging to others (for example, your own original works) can be recorded or duplicated freely.

853

• Do not use this unit for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.

Before Using Cards

Using USB memory

704

• Carefully insert the USB memory all the way in—until it is firmly in place.

705

• Never touch the terminals of the USB memory. Also, avoid getting the terminals dirty.

708

• USB memorys are constructed using precision components; handle the cards carefully, paying particular note to the following.

• To prevent damage to the cards from static electricity, be sure to discharge any static electricity from your own body before handling the cards.

• Do not touch or allow metal to come into contact with the contact portion of the cards.

• Do not bend, drop, or subject cards to strong shock or vibration.

• Do not keep cards in direct sunlight, in closed vehicles, or other such locations (storage temperature: -25 to 85˚ C).

• Do not allow cards to become wet.

• Do not disassemble or modify the cards.

add

* MatrixQuest™ 2008 TEPCO UQUEST,

add

* Harpsichord samples courtesy of the Hamamatsu

Museum of Musical Instruments.

204

* Microsoft and Windows are registered trademarks of

Microsoft Corporation.

206j

* Windows® is known officially as: “Microsoft® Windows®

operating system.”

207

* Apple and Macintosh are registered trademarks of Apple

Inc.

209

* Mac OS is a trademark of Apple Inc.

USING THE UNIT SAFELY......................................................................................... 4

IMPORTANT NOTES ..................................................................................................7

Contents......................................................................................................................9

01: Introduction (Overview and Basic Operation) ... 19

Main Features........................................................................................................... 20

Panel Descriptions................................................................................................... 22

Front Panel............................................................................................................................................................................. 22

Rear Panel ..............................................................................................................................................................................24

Making Connections................................................................................................ 25

Connecting an Amp and Speaker System......................................................................................................................... 25

Connecting a USB Mouse (sold separately)...................................................................................................................... 26

Placing the Fantom-G on a Stand....................................................................................................................................... 27

Turning On the Power..............................................................................................28

Turning Off the Power......................................................................................................................................................... 28

Listening to the Demo Songs .................................................................................29

Song Automatically Loaded at Power-on (When Loading a Project)............................................................. 29

Various Performance Features............................................................................... 30

Velocity/Aftertouch............................................................................................................................................... 30

Pitch Bend/Modulation Lever .............................................................................................................................30

Octave Shift (OCT) .................................................................................................................................................30

Transpose................................................................................................................................................................. 30

Hold Pedal............................................................................................................................................................... 31

Control Pedal...........................................................................................................................................................31

Overview of the Fantom-G ......................................................................................32

How the Fantom-G is Organized .......................................................................................................................................32

Basic Structure......................................................................................................................................................... 32

Different Units of Sound .......................................................................................................................................32

Single / Live / Studio Modes...............................................................................................................................33

About Polyphony ...................................................................................................................................................34

About Memory...................................................................................................................................................................... 35

About the Internal Effects.................................................................................................................................................... 36

Types of Effects....................................................................................................................................................... 36

About the Sequencer ............................................................................................................................................................36

Audio and MIDI .....................................................................................................................................................36

What is a Song?....................................................................................................................................................... 36

What is a Track?...................................................................................................................................................... 37

Songs and the State of the Sound Generator ......................................................................................................37

SMF (Standard MIDI File .MID)........................................................................................................................... 37

About the Sampling Section................................................................................................................................................ 38

Basic Operation of the Fantom-G...........................................................................39

Switching the Sound Generator Mode ..............................................................................................................................39

How the Function Buttons Work .......................................................................................................................................40

Moving the Cursor ...............................................................................................................................................................40

Editing a Value...................................................................................................................................................................... 41

Assigning a Name ................................................................................................................................................................42

Basic Pad Operations............................................................................................................................................................43

Switching the Pad Mode........................................................................................................................................ 43

Viewing the Pad Settings....................................................................................................................................... 43

Using the Pads as Numeric Keys .........................................................................................................................43

Shortcut Menu....................................................................................................................................................................... 44

Contents

02: Sound Generator, Section 1 (Playing Sounds) ...45

Playing in Single Mode............................................................................................ 46

About the Single Play Screen .............................................................................................................................................. 46

Displaying Single Play Screen ..............................................................................................................................46

Selecting a Patch ...................................................................................................................................................................47

Selecting Patches by Category (Patch Finder)....................................................................................................48

Selecting Patches from the List............................................................................................................................. 49

Auditioning Patches (Phrase Preview)................................................................................................................ 49

Selecting the Tones That Will Sound (Tone On/Off)......................................................................................................50

Playing Single Notes (Monophonic).................................................................................................................................. 50

Part Settings (Part View)...................................................................................................................................................... 51

Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Setting) ............51

Playing Percussion Instruments (Rhythm Set)................................................................................................................. 52

Selecting a Rhythm Set ..........................................................................................................................................52

Playing a Sample Set ............................................................................................................................................................53

Selecting a Sample Set............................................................................................................................................ 53

Creating a List of Frequently Used Sounds (Favorite).........................................54

Registering a Sound (Regist)................................................................................................................................. 54

Recalling a Sound ...................................................................................................................................................55

Specifying the Volume for Each Step (Favorite Level) .....................................................................................55

Changing the Step in Which You Registered a Sound...................................................................................... 55

Removing a Sound You Registered (Remove)................................................................................................... 55

Removing All Sound Registrations from a Bank (Remove Bank)...................................................................55

Registering a Song (Set Song) ...............................................................................................................................56

Importing a Text File (Import Text)..................................................................................................................... 56

Removing a Text File (Remove Text)................................................................................................................... 57

Switching the Display Font (Font) .......................................................................................................................57

Playing in Live Mode................................................................................................58

Displaying Live Play (Layer/Split) Screen ....................................................................................................................... 58

Functions in the Live Play (Layer/Split) Screen ..............................................................................................................59

Selecting a Live Set ...............................................................................................................................................................60

Selecting Live Sets from the List........................................................................................................................... 60

Using the Live Play (Layer/Split) Screen..........................................................................................................................61

Selecting a Part........................................................................................................................................................61

Selecting the Part that You want to Sound (Keyboard Switch)....................................................................... 61

Selecting the Part Played by the Pads.................................................................................................................. 61

Selecting the Sound for a Part............................................................................................................................... 61

Combining and Playing Sounds Together (Layer)............................................................................................62

Playing Different Sounds in Different Areas of the Keyboard (Split) ............................................................62

Using the Live Set Part Mixer Screen................................................................................................................................. 63

Editing the Part Settings ........................................................................................................................................ 63

Using the Layer Edit Screen................................................................................................................................................ 64

Selecting the Sound for a Part............................................................................................................................... 64

Editing the Part Settings ........................................................................................................................................ 64

Performing with the Arpeggio ...........................................................................................................................................65

Performing with the Realtime Controllers and D Beam Controller.............................................................................. 65

Setting Effects........................................................................................................................................................................ 65

Adjusting the Master Level................................................................................................................................................. 65

Making Detailed Settings for a Live Set ............................................................................................................................65

Playing in Studio Mode............................................................................................66

Displaying Studio Play Screen............................................................................................................................................ 66

Functions in the Studio Play Screen................................................................................................................................... 67

Switching the Displayed Part Group................................................................................................................... 67

Selecting a Studio Set ...........................................................................................................................................................67

Selecting Studio Sets from the List....................................................................................................................... 68

Using the Studio Play Screen .............................................................................................................................................. 68

Selecting a Part........................................................................................................................................................68

Selecting the Sound for a Part............................................................................................................................... 68

Selecting the Part that You Want to Sound (Keyboard Switch) ......................................................................69

Editing the Part Settings ........................................................................................................................................ 69

Performing with the Arpeggio ...........................................................................................................................................70

Performing with the Realtime Controllers and D Beam Controller.............................................................................. 70

Setting Effects........................................................................................................................................................................ 70

Adjusting the Master Level................................................................................................................................................. 70

Making Detailed Settings for a Studio Set ........................................................................................................................70

Contents

03: Sound Generator, Section 2 (Controlling Sounds)... 71

Modifying the Sound in Real Time .........................................................................72

Waving Your Hand Over the D Beam to Modify the Sound (D Beam Controller) ....................................................72

Making Settings for the D Beam Controller .......................................................................................................73

Using Knobs, Sliders or S1/S2 Buttons to Modify the Sound (Realtime Controller).................................................75

Changing Realtime Controller Settings............................................................................................................... 76

Using a Pedal to Modify the Sound (Control Pedal)....................................................................................................... 77

Making Control Pedal Settings............................................................................................................................. 77

Playing Arpeggios....................................................................................................78

About Arpeggio ....................................................................................................................................................................78

Playing Arpeggios ................................................................................................................................................................78

Turning Arpeggio On and Off.............................................................................................................................. 78

Determining the Tempo for Arpeggio Performances .......................................................................................78

Holding an Arpeggio............................................................................................................................................. 78

Arpeggio Settings .................................................................................................................................................................78

Saving the Arpeggio You Have Created (Write) .............................................................................................................79

Using the Chord Memory Function (Chord Memory) ...........................................80

About the Chord Memory Function .................................................................................................................................. 80

Performing with the Chord Memory Function................................................................................................................ 80

Turning Chord Memory Function On and Off ..................................................................................................80

Selecting Chord Forms........................................................................................................................................... 80

Sounding a Chord in the Order of Its Notes (Rolled Chord)........................................................................... 81

Creating Your Own Chord Forms...................................................................................................................................... 81

Saving the Chord Forms You Have Created ....................................................................................................................82

04: Sound Generator, Section 3 (Creating Sounds).. 83

Creating a Patch.......................................................................................................84

How to Make Patch Settings............................................................................................................................................... 84

Editing a Patch Quickly (Patch Zoom Edit)........................................................................................................ 84

Editing All Parameters of a Patch (Patch Pro Edit) ...........................................................................................86

Initializing Patch/Tone Settings (Patch Initialize/Tone Initialize)................................................................. 87

Copying Patch (Tone) Settings (Patch Tone Copy) ...........................................................................................87

Cautions When Selecting a Waveform................................................................................................................88

Saving Patches You’ve Created (Write).............................................................................................................................88

Auditioning the Save-Destination Patch (Compare)......................................................................................... 89

Functions of Patch Parameters............................................................................................................................................89

Settings Common to the Entire Patch (General) ................................................................................................89

Modifying Waveforms (Wave).............................................................................................................................91

Changing How a Tone Is Sounded (TMT).......................................................................................................... 92

Modifying Pitch (Pitch/Pitch Env) ...................................................................................................................... 96

Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) ..............................................................98

Adjusting the Volume (TVA/TVA Env)........................................................................................................... 100

Output.................................................................................................................................................................... 102

Modulating Sounds (LFO1/2/Step LFO)......................................................................................................... 102

Apply Portamento or Legato to the Sound (Solo/Porta) ...............................................................................105

Miscellaneous Settings (Misc)............................................................................................................................. 107

Matrix Control Settings (Control 1–4) ...............................................................................................................109

Setting Effects for a Patch (PFX)......................................................................................................................... 111

Creating a Rhythm Set...........................................................................................112

How to Make Rhythm Set Settings ..................................................................................................................................112

Editing a Rhythm Set Quickly (Patch Zoom Edit)........................................................................................... 112

Editing All Parameters (Patch Pro Edit)............................................................................................................ 114

Initializing Rhythm Set/Key Settings (Rhythm Set Initialize/Rhythm Key Initialize) .............................115

Copying Rhythm Tone Settings (Rhythm Tone Copy)................................................................................... 115

Cautions When Selecting a Waveform..............................................................................................................116

Saving Rhythm Sets You’ve Created (Write)..................................................................................................................116

Auditioning the Save-Destination Rhythm Set (Compare)............................................................................ 117

Functions of Rhythm Set Parameters............................................................................................................................... 117

Making Settings Common to the Entire Rhythm Set (General)..................................................................... 117

Modifying Waveforms (Wave)...........................................................................................................................119

Changing How a Rhythm Tone Is Sounded (WMT)....................................................................................... 120

Modifying Pitch (Pitch/Pitch Env) .................................................................................................................... 121

Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) ............................................................122

Contents

Adjusting the Volume (TVA/TVA Env)........................................................................................................... 124

Output Settings (Output) ....................................................................................................................................125

Setting Effects for a Rhythm Set (PFX) .............................................................................................................. 125

Creating a Sample Set ........................................................................................... 126

How to make Sample Set settings .................................................................................................................................... 126

Editing a Sample Set Quickly (Patch Zoom Edit)............................................................................................ 126

Editing All Parameters (Patch Pro Edit)............................................................................................................ 127

Initializing Sample Set Settings (Sample Set Initialize)................................................................................... 127

Saving Sample Sets You’ve Created (Write)...................................................................................................................128

Functions of Sample Set Parameters................................................................................................................................129

Making Settings Common to the Entire Sample Set (General)......................................................................129

Modifying Waveforms (Wave)...........................................................................................................................130

Modifying Pitch (Pitch)........................................................................................................................................ 130

Adjusting the Volume (Amp)............................................................................................................................. 131

Output Settings (Output) ....................................................................................................................................131

Setting Effects for a Sample Set (PFX) ...............................................................................................................131

Creating a Live/Studio Set.....................................................................................132

Common Settings (Utility) ................................................................................................................................................132

NAME ....................................................................................................................................................................132

Part Info..................................................................................................................................................................132

Part Settings (Part View).................................................................................................................................................... 133

Level/Pan (When the Part Group is Internal/EXP1/EXP2).......................................................................... 134

Level/Pan (When the Part Group is External)................................................................................................. 135

Key Range..............................................................................................................................................................135

Output/EFX ..........................................................................................................................................................136

Pitch........................................................................................................................................................................ 137

Scale Tune.............................................................................................................................................................. 138

Vibrato.................................................................................................................................................................... 139

Offset ......................................................................................................................................................................139

Mono/Poly/Legato.............................................................................................................................................. 140

Voice Reserve ........................................................................................................................................................ 141

MIDI Rx Filter .......................................................................................................................................................141

Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Setting) ..........142

D Beam................................................................................................................................................................... 143

Knob .......................................................................................................................................................................145

Slider....................................................................................................................................................................... 145

Switch S1/S2 .........................................................................................................................................................146

Arpeggio ................................................................................................................................................................146

Chord Memory .....................................................................................................................................................146

Dynamic Pad......................................................................................................................................................... 146

Ctrl Switch ............................................................................................................................................................. 147

Changing the Settings of the Patch Assigned to a Part................................................................................................. 147

Initializing Live/Studio Set Settings (Init)......................................................................................................................148

Saving a Live/Studio Set You’ve Created (Write).........................................................................................................148

Adding Effects........................................................................................................150

Where Effect Settings are Saved ....................................................................................................................................... 150

Turning Effects On and Off...............................................................................................................................................150

Making Effect Settings .......................................................................................................................................................151

Applying Effects in Single Mode...................................................................................................................................... 151

Applying Effects in Live Mode......................................................................................................................................... 151

Specifying How the Sound will be Output (Routing)..................................................................................... 151

Signal Flow Diagram and Parameters...............................................................................................................152

Applying Effects in Studio Mode..................................................................................................................................... 154

Specifying How the Sound Will Be Output (Routing).................................................................................... 154

Signal Flow Diagram and Parameters...............................................................................................................154

Making Patch Multi-Effects Settings (PFX)..................................................................................................................... 157

Making Multi-Effects Settings (MFX1–2) ........................................................................................................................ 158

Making Chorus Settings (Chorus).................................................................................................................................... 159

Making Reverb Settings (Reverb)..................................................................................................................................... 159

Mastering Effect .................................................................................................................................................................. 160

Effects List..............................................................................................................161

MFX/PFX Parameter..........................................................................................................................................................161

Chorus Parameters .............................................................................................................................................................184

Reverb Parameters.............................................................................................................................................................. 185

Input Effect Parameters .....................................................................................................................................................186

Contents

05: Pads (Using the Pads)..................................... 187

Using the Pads ....................................................................................................... 188

Common Operations for Pads ..........................................................................................................................................188

Switching the Pad Mode (PAD MODE)............................................................................................................188

Using the Pads as Numeric Keys (NUMERIC) ................................................................................................ 188

Using the Hold Function to Sustain the Sounds (HOLD) ..............................................................................188

Using the Roll Function (ROLL)......................................................................................................................... 189

Switching Banks (BANK) ....................................................................................................................................189

Editing the Pad Settings (PAD SETTING)........................................................................................................ 190

Exchanging Pads (Pad Exchange)...................................................................................................................... 190

1 SAMPLE PAD (Using the Pads to Play Samples).......................................................................................................191

About Samples...................................................................................................................................................... 191

Editing the Pad Settings.......................................................................................................................................191

2 RHYTHM (Using the Pads to Play a Rhythm Set)...................................................................................................... 192

Editing the Pad Settings.......................................................................................................................................192

3 CHORD MEMORY (Using the Pads to Switch Chord Forms) .................................................................................193

Editing the Pad Settings.......................................................................................................................................193

4 ARPEGGIO (Using the Pads to Switch Arpeggio Styles).......................................................................................... 193

Editing the Pad Settings.......................................................................................................................................193

5 RPS (Using the Pads to Play Phrases)........................................................................................................................... 194

Specifying the Tempo for Phrase Playback ......................................................................................................194

Editing the Pad Settings.......................................................................................................................................194

6 RHYTHM PTN (Using the Pads to Play Rhythm Patterns) ......................................................................................196

Specifying the Tempo for Rhythm Pattern Playback...................................................................................... 196

Editing the Pad Settings.......................................................................................................................................196

7 TONE SEL/SW (Using the Pads to Select Tones or Switch Them On/Off) ........................................................... 197

Checking the Pad Status...................................................................................................................................... 197

8 TRACK MUTE (Using the Pads to Mute Tracks)........................................................................................................197

Checking the Pad Status...................................................................................................................................... 197

9 BOOKMARK (Using the Pads to Recall Frequently Used Screens).........................................................................198

Registering a Screen .............................................................................................................................................198

Recalling a Screen................................................................................................................................................. 198

10 MIDI TX SW (Using the Pads to Turn External MIDI Transmit Channels (1–16) On/Off) ...............................198

Checking the Pad Status...................................................................................................................................... 198

11 EFFECT SW (Using the Pads to Switch the Effects) .................................................................................................199

Checking the Pad Status...................................................................................................................................... 199

12 PATCH MFX SW (Using the Pads to Switch Patch Multi-effects) .........................................................................199

Checking the Pad Status...................................................................................................................................... 199

13 PART SELECT (Using the Pads to Select Parts)........................................................................................................200

Checking the Pad Status...................................................................................................................................... 200

14 PART MUTE (Using the Pads to Mute Parts)............................................................................................................ 200

Checking the Pad Status...................................................................................................................................... 200

15 USER GROUP (Using the Pads to Register/Recall User Groups)..........................................................................201

Recalling a User Group Sound ...........................................................................................................................201

Registering a Sound in a User Group................................................................................................................ 201

16 FAVORITE (Using the Pads to Register/Recall Favorite Settings)........................................................................202

Recalling a Favorite Sound (Setting)..................................................................................................................202

Registering a Favorite Sound (Setting).............................................................................................................. 202

Contents

06: Sequencer (Creating a Song) ..........................203

Playing Back a Song.............................................................................................. 204

Three Ways to Play Back .....................................................................................................................................204

Playing a Song (Song Play)................................................................................................................................................204

Loading a Song (Song List) .................................................................................................................................204

Playing a Song (Song Play) .................................................................................................................................205

Operations in the Song Play Screen................................................................................................................... 205

Fast-forwarding or Rewinding during Playback............................................................................................. 206

Muting the Playback of a Track (MUTE) ..........................................................................................................206

Accessing the Mixer Screen................................................................................................................................. 207

Changing the Playback Tempo of the Song...................................................................................................... 207

Playing a Song Repeatedly (Loop).....................................................................................................................208

Placing Markers in a Song (Marker) .................................................................................................................. 208

Changing the Track Display Zoom and Display Order (Zoom/Track Order) ...........................................209

Naming a Track (Track Name)........................................................................................................................... 209

Specifying a Track’s Output Destination (Output Assign) ............................................................................210

Deleting a Song File (Song Delete)..................................................................................................................... 210

Song Automatically Loaded at Power-on (When Loading a Project)........................................................... 210

Erasing the Currently-open Song (Song Clear)................................................................................................ 211

Playing a Standard MIDI File (SMF)................................................................................................................................ 212

Copying a Standard MIDI File (SMF) from Your Computer to the Fantom-G........................................... 212

Playing a Standard MIDI File (SMF) (SMF List) .............................................................................................. 212

Importing an SMF into a Phrase (Import Phrase)............................................................................................ 213

Importing an SMF into a Song (Import Song)..................................................................................................213

Playing Phrases (MIDI Phrase).........................................................................................................................................214

Auditioning a Phrase (MIDI Phrase List)..........................................................................................................214

Loading a Phrase (Load)...................................................................................................................................... 214

Deleting a Phrase from the Project (Delete Phrase)......................................................................................... 215

Duplicating a Phrase (Duplicate) .......................................................................................................................215

Saving a Phrase (Save) ......................................................................................................................................... 216

Saving all Phrases (Save All)............................................................................................................................... 216

Recording MIDI.......................................................................................................217

Phrases and Songs ................................................................................................................................................ 217

Two Methods of Recording................................................................................................................................. 217

Recording into a Song ........................................................................................................................................................ 218

Selecting a Sound for Recording ........................................................................................................................218

Erasing the Song/Phrases from the Temporary Area (Song Clear)..............................................................218

Specifying the Time Signature (Beat Track) .....................................................................................................219

Specifying the Tempo ..........................................................................................................................................219

Selecting a MIDI Track and the Recording-start Measure .............................................................................219

Recording into a Phrase..................................................................................................................................................... 220

Selecting a Sound for Recording ........................................................................................................................220

Specifying the Tempo ..........................................................................................................................................220

Selecting the Phrase to Record............................................................................................................................ 221

Recording Your Performance Just as You Play It (Realtime Recording).................................................................... 222

Basic Procedure for Realtime Recording........................................................................................................... 222

Realtime Rec Standby Parameters .....................................................................................................................222

Selecting the Sequencer Data that will Be Recorded (Recording Select)......................................................224

Erasing Unwanted Data While You Record (Realtime Erase)....................................................................... 224

Auditioning Sounds or Phrases While Recording (Rehearsal Function) .....................................................225

Inputting Data One Step at a Time (Step Recording)....................................................................................................226

Entering Notes and Rests ....................................................................................................................................226

Recording Audio .................................................................................................... 228

Samples and Songs............................................................................................................................................... 228

Recording into a Song ........................................................................................................................................................ 228

Selecting an Audio Track and the Recording-start Measure .........................................................................229

Audio Recording................................................................................................................................................................. 230

Basic Procedure for Audio Recording............................................................................................................... 230

Audio Rec Standby Parameters.......................................................................................................................... 230

Contents

Editing Songs......................................................................................................... 232

Three Ways to Edit............................................................................................................................................... 232

Editing a Song (Song Edit) ................................................................................................................................................232

Opening the Song Edit Screen ............................................................................................................................232

Moving a Sample/Phrase (Move)...................................................................................................................... 233

Inserting a Sample/Phrase at a Specified Location (Insert)........................................................................... 233

Deleting a Sample/Phrase from a Track (Delete)............................................................................................234

Copying a Sample/Phrase (Copy).....................................................................................................................234

Editing a Sample/Phrase (Edit) .........................................................................................................................234

Song Utility (Song Util)...................................................................................................................................................... 235

Changing the Track Display Zoom and Display Order (Zoom/Track Order) ...........................................235

Erasing the Currently-open Song (Song Clear)................................................................................................ 235

Clearing a Track (Track Clear)............................................................................................................................ 235

Naming a Track (Track Name)........................................................................................................................... 235

Changing the Tempo during the Song (Tempo Track)...................................................................................236

Changing the Time Signature during the Song (Beat Track) ......................................................................... 237

Editing a Phrase (Phrase Edit) ..........................................................................................................................................238

Opening the Phrase Edit Screen......................................................................................................................... 238

Playing a Phrase (Play) ........................................................................................................................................ 239

Erasing the Currently-edited Phrase (Clear) .................................................................................................... 239

Saving a Phrase (Save) ......................................................................................................................................... 239

Phrase Modify Menu.......................................................................................................................................................... 239

Aligning a Phrase’s Timing (Quantize)............................................................................................................. 240

Erasing Unwanted Performance Data (Erase).................................................................................................. 242

Deleting Unwanted Measures (Delete) .............................................................................................................243

Copying Phrases (Copy)...................................................................................................................................... 243

Inserting a Blank Measure (Insert).....................................................................................................................244

Transpose the Key (Transpose) ..........................................................................................................................245

Changing the Velocity (Change Velocity).........................................................................................................245

Changing the MIDI Channel (Change Channel) .............................................................................................246

Modifying the Length of Notes (Change Duration)........................................................................................ 246

Shifting Performance Data Forward and Back (Shift Clock)..........................................................................247

Thinning Out the Sequencer Data (Data Thin) ................................................................................................248

Deleting Blank Measures (Truncate) .................................................................................................................249

Editing Individual Items of Sequencer Data (Microscope) ..........................................................................................250

Editing Sequencer Data (Basic Procedure in the Microscope)....................................................................... 250

Sequencer Data Handled by Phrases................................................................................................................. 251

Viewing Sequencer Data (View) ........................................................................................................................252

Inserting Sequencer Data (Create) .....................................................................................................................252

Erasing Sequencer Data (Erase).......................................................................................................................... 252

Moving Sequencer Data (Move)......................................................................................................................... 253

Copying Sequencer Data (Copy)........................................................................................................................ 253

Saving a Song (Song Save)...................................................................................254

What the Saved Song Data Contains................................................................................................................. 254

What is Saved at the Same Time as the Song ...................................................................................................254

Saving a Song (Save) ..........................................................................................................................................................254

Resampling the Contents of All Tracks to a Single Sample .........................................................................................255

Copying a Resampled Sample to Your Computer to Create a CD or MP3 .................................................255

Contents

07: Sampler ......................................................... 257

Sampling................................................................................................................. 258

Switching External Input On/Off ....................................................................................................................................258

Making Input Source Settings (Input Setting)................................................................................................................258

Functions of Input Setting Parameters ............................................................................................................................258

Input Effect Setup Settings ................................................................................................................................................ 259

Sampling Procedure........................................................................................................................................................... 260

Dividing a Sample During Sampling ................................................................................................................262

Sampling Earlier in Time (Skip Back Sampling)............................................................................................................ 262

Editing a Sample .................................................................................................... 263

Selecting a Sample (Sample List)...................................................................................................................................... 263

Selecting a Sample................................................................................................................................................ 263

Loading a Sample (Load) ....................................................................................................................................264

Loading All Samples (Load All).........................................................................................................................264

Unloading a Sample (Unload)............................................................................................................................ 264

Deleting a Sample (Delete)..................................................................................................................................265

Importing an Audio File (WAV/AIFF) from Your Computer ......................................................................265

Displaying Sample Edit Screen (Sample Edit)................................................................................................................266

Magnifying/Shrinking the Waveform Display (Zoom) ................................................................................. 266

Setting the Start/End Points of the Sample .................................................................................................................... 267

Using the Knobs to Edit the Points ....................................................................................................................267

Making Settings for Sample (Sample Parameters).........................................................................................................268

Removing Unwanted Portions of a Sample (Truncate) ................................................................................................269

Boosting or Limiting the High-frequency Range of the Sample (Emphasis)............................................................. 269

Maximizing the Volume of a Sample (Normalize)........................................................................................................ 270

Amp ...................................................................................................................................................................................... 270

Stretching or Shrinking a Sample (Time Stretch)...........................................................................................................271

Dividing a Sample into Notes (Chop) .............................................................................................................................272

Saving a Sample (Save)...................................................................................................................................................... 274

Saving all samples (Save All)............................................................................................................................................ 274

Contents

08: Various Settings (Menu and System)............... 275

Menu Reference .....................................................................................................276

Menus................................................................................................................................................................................... 276

Project-related Settings (Project)....................................................................................................................................... 276

Load Project...........................................................................................................................................................276

Save Project............................................................................................................................................................ 277

Save As Project......................................................................................................................................................277

Create Project ........................................................................................................................................................278

Backup Project....................................................................................................................................................... 278

Restore Project....................................................................................................................................................... 279

System Settings (System)................................................................................................................................................... 279

Reset to Default Factory Settings (Factory Reset) ..........................................................................................................280

Format USB Memory..........................................................................................................................................................280

Exchanging Files with Your Computer (USB Storage) .................................................................................................281

Connections........................................................................................................................................................... 281

Specify the Connection-Destination ..................................................................................................................281

Cautions Regarding Folders and Files ..............................................................................................................282

Exiting Storage Mode........................................................................................................................................... 282

Examples of Using Storage Mode ...................................................................................................................... 283

Import Audio.......................................................................................................................................................................285

System Settings (Settings Common to All Modes).............................................286

How to Make System Function Settings .........................................................................................................................286

Saving the System Settings (System Write) ....................................................................................................................286

Functions of System Parameters....................................................................................................................................... 287

Pedal/D Beam....................................................................................................................................................... 287

Keyboard................................................................................................................................................................ 288

Dynamic Pad......................................................................................................................................................... 288

Knob/Slider........................................................................................................................................................... 289

Magic Control........................................................................................................................................................290

Switch S1/S2 .........................................................................................................................................................290

Sync/Temp............................................................................................................................................................291

Metronome ............................................................................................................................................................293

Sound...................................................................................................................................................................... 293

MIDI .......................................................................................................................................................................295

USB .........................................................................................................................................................................296

Scale Tune.............................................................................................................................................................. 296

Preview ..................................................................................................................................................................296

System Ctrl ............................................................................................................................................................297

Screen Saver........................................................................................................................................................... 297

Input/Sampling....................................................................................................................................................297

Startup.................................................................................................................................................................... 298

System Information (Info) .................................................................................................................................................298

Changing the Wallpaper (Wallpaper) .............................................................................................................................299

Importing an Image as Wallpaper (Import) .....................................................................................................299

Display-related Settings (Appearance)............................................................................................................................ 300

About V-LINK..........................................................................................................301

What is V-LINK?................................................................................................................................................................. 301

Connection Examples......................................................................................................................................................... 301

Turning the V-LINK ON/OFF .........................................................................................................................................301

V-LINK Settings..................................................................................................................................................................301

V-LINK Parameters..............................................................................................................................................302

Resetting the Image.............................................................................................................................................. 302

Contents

09: Appendix....................................................... 303

Installing the Expansion Board ............................................................................304

Cautions When Installing an Expansion Board .............................................................................................................304

How to Install an Expansion Board .................................................................................................................................304

Removing an Expansion Board ........................................................................................................................................305

Configuring the Newly-installed Expansion Board ...................................................................................................... 305

Installation de la carte d’expansion Wave........................................................... 306

Précautions à prendre lors de l’installation d’une carte d’expansion Wave.............................................................. 306

Installation d’une carte d’expansion Wave..................................................................................................................... 306

Retrait d’une carte d’expansion........................................................................................................................................307

Configuration de la carte d’expansion installée............................................................................................................. 307

Expanding the DIMM Memory............................................................................... 308

Precautions for Expanding Memory................................................................................................................................ 308

How to Expand the Memory ............................................................................................................................................308

Removing the Memory........................................................................................................................................ 309

Checking that Memory is Installed Correctly ................................................................................................................309

Ajouter de la mémoire ...........................................................................................310

Précautions à prendre lors de l’ajout de mémoire......................................................................................................... 310

Installation du module de mémoire.................................................................................................................................310

Retrait du module de mémoire ..........................................................................................................................311

Troubleshooting.....................................................................................................312

Problems Concerning the Entire Fantom-G .....................................................................................................312

Issues Related to Sound.......................................................................................................................................312

Issues Related to Effects....................................................................................................................................... 314

Issues Related to Saving Data.............................................................................................................................314

Issues Related to Sequencer ................................................................................................................................315

Issues Related to MIDI and External Devices ..................................................................................................316

Issues Related to Sampling .................................................................................................................................316

Issues Related to a USB memory........................................................................................................................ 317

Issues Related to a USB connection ...................................................................................................................317

Error Messages ...................................................................................................... 318

About MIDI .............................................................................................................. 319

About MIDI Connectors ...................................................................................................................................... 319

MIDI Channels and Multi-timbral Sound Generators.................................................................................... 319

Specifications......................................................................................................... 322

Index........................................................................................................................ 324

01: Introduction

This chapter explains the Fantom-G’s panels, provides an overview of the instrument, and explains basic operation.

• Main Features ............................................................p. 20

• Panel Descriptions.......................................................p. 22

• Making Connections ...................................................p. 25

• Overview of the Fantom-G ...........................................p. 32

• Basic Operation of the Fantom-G .................................. p. 39

(Overview and Basic Operation)

Main Features

Sound quality that’s a class above

The Fantom-G features a new sound engine that provides a patch multi-effect (PFX) for each sound (patch) at all times, allowing you to create lavish sounds in a way not possible until now.

In addition, there are two multi-effects (MFX) processors that can be used flexibly. Up to twenty-two types of effects, such as chorus and reverb, can be used simultaneously.

Of course the “integration of audio and MIDI” featured on the Fantom-X is also provided, letting you use sampled sounds as internal sounds.

Mode settings optimized for your situation

The Fantom-G provides modes optimized for your situation; use “Live mode” for live performances, and “Studio mode” for music production.

“Live mode” lets you freely create eight-part multitimbral layers and splits. With functions such as Patch Remain, which ensures that the notes you were playing before switching sounds are not cut off, this mode is designed to ensure the expression and speed you need for a live performances.

“Studio mode” lets the Fantom-G operate as a 16-part multitimbral instrument, and allows you to use all of its effects in your music productions.

“Single mode” is what you’ll want to choose when playing a single sound, such as when using the Fantom-G as a dedicated piano or organ. Choose this mode when you’re editing a sound.

Support for the new ARX series expansion boards featuring the SuperNATURAL sound generator

The Fantom-G features two slots that support the ARX series, which not only allows you to expand the existing sounds, but provides an optimal sound engine for each different sound (Roland’s new “SuperNATURAL” technology, which boasts amazing expressive power).

This new technology delivers the expressive power and quality of “the real thing,” surpassing even the high-quality internal sounds.

“SuperNATURAL” is proprietary Roland technology that realistically expresses the tonal changes and performance techniques that are distinctive to acoustic instruments and electric instruments, bringing you natural and rich expressive power.

New 152-track sequencer is a highly evolved fusion of audio and MIDI

The fusion of audio and MIDI has evolved to a new dimension. The new sequencer provides a graphical workflow with up to 128 tracks of MIDI and 24 tracks of audio available simultaneously. The easy to understand phrase-based interface lets you use a USB mouse for an even speedier music production environment.

The latest and greatest internal sounds

Starting with the 88-note multisampled piano that was acclaimed on the Fantom-X, all sounds have been renewed. The Fantom-G boasts the world’s best lineup of sounds, with an emphasis on quality. You’ll have immediately usable sounds for performance and creativity in every situation. It features 256 MB of internal waveform capacity (double that of the Fantom-X series), with broad coverage of everything from acoustic sounds to synth sounds.

Full-fledged sampler

The sampling functionality rivals dedicated samplers, offering not only detailed wave editing but also the ability to immediately play recorded samples from the pads or keyboard, or use them as material in audio tracks. Of course there’s also an Auto Sync function, which lets you match the current tempo without changing the pitch, or change the pitch without affecting the tempo.

* 32 MB of sampling memory is provided as standard, and you

can add DIMM memory (p. 308, p. 310) to expand this to a maximum of 544 MB.

Main Features

Skip Back Sampling function

The Skip Back Sampling function, which was so popular on the Fantom-X series, is also provided on the Fantom-G.

By constantly recording your performance on the Fantom-G, this function ensures that you can retroactively record an inspired improvisation at any time. Never again will you lose a great idea just because the recorder wasn’t running.

Favorites function

This function gives you one-touch call-up of settings for the songs in your live performance.

Using this, you can simply press a single button to change sounds and settings during performances that require quick changes. Each such setting includes master volume, so you’ll be able to prepare volume adjustments during your rehearsal to match the actual live performance environment.

Wide VGA color liquid crystal display

The large wide VGA color liquid crystal screen is a revolutionary leap that ensures superb visibility and operability in any situation.

V-LINK

V-LINK functionality opens up a new realm of expression for your performances because of the way it allows you to synchronize music and visual images. You can use controllers such as the D Beam and the Fantom-G’s knobs, sliders, and dynamic pads to control visual images as part of the process of performing your music.

Plug-in editor/librarian

The included dedicated editor and librarian software let you use your computer to edit and manage the Fantom-G’s sounds. The dedicated editor also supports operation as a VSTi/AU plug-in.

Support for GM/GM2

The Fantom-G supports GM/GM2. Any music data compatible with GM/GM2 (GM Scores) can be played by the Fantom-G.

Overview Sound 1 Sound 2 Sound 3 Pad Sampler

A full range of interfaces

USB functionality has been enhanced. The USB MEMORY connector lets you use USB memory to back up your data. The USB MOUSE connector lets you connect a two-button wheel mouse for an even more ideal user interface. The USB COMPUTER connector handles data transfer between the Fantom-G and your computer, and also supports USB MIDI and audio. This lets the Fantom-G connect to various computerbased software tools, and also lets you use the dedicated editor software to perform editing tasks.

In addition, the external audio inputs include dedicated LINE (STEREO) input jacks and a dedicated MIC/GUITAR jack.

Menu/System

AppendixSequencer

Panel Descriptions

Front Panel

1 8 9 12 15 2 3

5 6

D BEAM

Here you can switch the D Beam function on/off. This lets you apply various effects to the sound by moving your hand above the sensor.

→

(p. 72)

[PAD TRIGGER]

This lets you use the D Beam controller to play the pads, as an alternative to striking them by hand. → (p. 73)

[SOLO SYNTH]

This lets you use the D Beam controller as a monophonic synthesizer. → (p. 73)

* By holding down [SHIFT] and pressing the appropriate button,

you can access the D Beam setting screen.

[ASSIGNABLE]

This lets you assign various parameters or functions to the D Beam controller, and use it to modify the sound in real time. → (p. 75)

[V-LINK]

This switches V-LINK on/off. The V-LINK setting screen will appear when you turn this button on. → (p. 301)

INPUT

PEAK Indicator

This will light when the external input volume is too high.

[MIX IN]

This turns the external input on/off. → (p. 258)

* By holding down [SHIFT] and pressing this button you can

access the input setting screen. → (p. 258)

VOLUME

VOLUME Knob

This adjusts the overall volume that is output from the rear panel OUTPUT A (MIX) jacks and PHONES jack. → (p. 28)

MODE

[STUDIO]

This puts the Fantom-G in Studio mode. Choose this setting for song production. → (p. 66)

[LIVE]

This puts the Fantom-G in Live mode. Choose this setting when you want to play multiple sounds layered together or split across the keyboard. → (p. 58)

[SINGLE]

This puts the Fantom-G in Single mode. Choose this setting when you want to play a single sound at a time. → (p. 46)

13 14

[FAVORITE]

This lets you register favorite sounds for immediate call-up — a convenient capability for live performances. → (p. 54)

KEYBOARD

[ARPEGGIO]

This turns the arpeggiator on/off. → (p. 78)

[HOLD]

This switches the arpeggiator’s Hold function on/off. → (p. 78)

[CHORD MEMORY]

This switches Chord Memory on/off. → (p. 80)

* By holding down [SHIFT] and pressing these buttons, you can

access the setting screens for chord memory and the arpeggiator.

[-OCT], [+OCT]

These raise or lower the key range in one-octave steps. (-3– +3)

* By pressing the [-OCT] and [+OCT] buttons simultaneously you

can reset the setting to its original value.

[TRANSPOSE]

If this is on, you can use [-OCT] [+OCT] to raise or lower the key range in semitone steps. (-5– +6)

* By pressing the [-OCT] and [+OCT] buttons simultaneously you

can reset the setting to its original value.

SEQUENCER

Here you can perform sequencer operations such as playback and recording.

[]

This moves the song position to the beginning of the song. If you press this during playback, you will return to the beginning of the song and stop. → (p. 206)

[] []

These move the song position to the first beat of the previous or next measure. → (p. 206)

* By holding down [SHIFT] and pressing these buttons, you can

move the song position to the previous or next marker.

[LOOP]

This turns Loop Playback on/off. → (p. 208)

* By holding down [SHIFT] and pressing this button, you can

access the Loop setting screen.

[JUMP]

This jumps to the JUMP marker. If no marker has been set, it jumps to the beginning of the song. → (p. 208)

* By holding down [SHIFT] and pressing this button, you can

access the Marker setting screen.

Panel Descriptions

[PLAY]

This plays back the song. → (p. 204) It will blink in time with the tempo and time signature. → (p. 293)

[STOP]

This stops playback.

[REC]

This accesses the Recording Standby screen. → (p. 222) Pressing this during recording will activate the Rehearsal function.

→

(p. 225)

CONTROL

Control Knobs 1–4 Control Sliders 1–8

These provide realtime control of the parameters or functions assigned to them. → (p. 75)

* By holding down [SHIFT] and moving one of the above knobs

(sliders), you can access the setting screen for that control.

→

(p. 76)

MAGIC CTRL (Magic Control)

Magic Control is a function that automatically changes the role of knob 4 and slider 8 according to the screen. For example, in the Patch List screen (p. 49), knob 4 selects the category and slider 8 scrolls the list.

TEMPO/VALUE

This indicates the tempo. When you move a control knob or slider, this will indicate its value.

[TEMPO]

You can adjust the tempo by pressing this button and turning the VALUE dial. → (p. 78, p. 207)

LIST/EDIT

[PATCH]

Press this to edit a patch. Press it once to access the Patch Zoom Edit screen (p. 84), or twice in succession to access the Patch Pro Edit (p. 86).

screen

[SONG]

Press this to edit a song. Press it once to access the Song Play screen (p. 205), or twice in succession to access the Song Edit screen (p. 232).

[SAMPLE]

Press this to edit a sample. Press it once to access the Sample Edit screen (p. 266), or twice in succession to access the Sample List (p.

263).

[EFFECTS (ROUTING)]

Press this to make effect-related settings. → (p. 150)

DISPLAY

A variety of information is shown here according to the operations you perform.

[MENU]

Opens the MENU. → (p. 276)

Function buttons ([F1]–[F8])

When you’re editing, these buttons execute various functions that will differ depending on the screen.

[DISPLAY]

Displays the shortcut menu. → (p. 44)

VALUE

[WRITE]

Writes the modified content into memory.

→

(p. 79, p. 82, p. 88, p. 116, p. 148, p. 254, p. 274, p. 286)

VALUE Dial

Modifies a value. By holding down [SHIFT] and turning the VALUE dial, you can modify the value in larger steps.

[CURSOR] Buttons

These move the cursor up/down/left/right.

[EXIT]

This returns you to the previous screen or closes an opened window. In some screens, it cancels the currently executing function.

[ENTER]

Use this to finalize a value or to execute an operation.

[DEC], [INC]

These modify a value. The value will change more rapidly if you hold down one button and press the other. If you hold down [SHIFT] while pressing these buttons, the value will change more rapidly.

[SHIFT]

This button is used in conjunction with other buttons to execute various functions.

EXPANSION

[EXP 1], [EXP 2]

These access the screens for expansion boards installed in the Fantom-G.

* For details on operation, refer to the owner’s manual of the

expansion board you’ve installed.

SAMPLING

[SKIPBACK]

This retroactively samples your performance for a specified period of time prior to when you pressed the button. → (p. 262)

[SAMPLING]

This accesses the Sampling menu screen. → (p. 260)

DYNAMIC PAD

[PAD SETTING]

This accesses the setting and information screen for the currently selected Pad mode. → (p. 190)

[NUMERIC]

Lets you use the pads as numeric keys. → (p. 41)

[PAD MODE]

Switches the pad mode. → (p. 188)

[ROLL]

Turns the Roll function on/off. → (p. 189)

* Depending on the Pad mode, this will switch banks.

[HOLD]

Turns the Hold function (which causes the pad to continue sounding even after it’s released) on/off. → (p. 188)

[PAD 1–16]

You can use these to play sounds just like the keyboard. They will also perform various functions depending on the Pad mode. → (p. 188)

[S1] [S2] (Assignable Switches)

You can assign various parameters or functions to these buttons. They will turn on/off the assigned parameter or function in real time to modify the sound. → (p. 77)

* By holding down [SHIFT] and pressing one of the above buttons,

you can access the corresponding setting screen. → (p. 77)

Pitch Bend/Modulation Lever

You can use this to modify the pitch or apply vibrato.

Overview Sound 1 Sound 2 Sound 3 Pad Sampler

Menu/System

AppendixSequencer

Panel Descriptions

Rear Panel

1 2 3 4 5 6 7 8 9

POWER ON Switch

Press to turn the power on/off. → (p. 28)

AC Inlet

Connect the included power cord to this inlet.

USB USB MEMORY Slot

A USB memory (sold separately) can be inserted here.

* Never insert or remove a USB memory while this unit’s power is

on. Doing so may corrupt the unit’s data or the data on the USB memory.

* Carefully insert the USB memory all the way in—until it is

firmly in place.

USB MOUSE Connector

Connect the USB mouse (sold separately). → (p. 26)

USB COMPUTER Connector

This connector lets you use a USB cable to connect your computer to the Fantom-G. → (p. 281)

DIGITAL AUDIO IN/OUT Connectors (S/P DIF COAXIAL)

These are coaxial-type S/P DIF format digital in/out connectors. These connectors input and output a digital audio signal (stereo). The output signal is identical to the signal that is output from the OUTPUT A (MIX) jacks.

* S/P DIF is a digital interface format used for consumer digital

audio devices.

* If you switch off the power to an external device that is

connected to the DIGITAL AUDIO IN jack or disconnect the cable, noise may subsequently be heard in the input from DIGITAL AUDIO IN. If this occurs, correctly reconnect the external device, or turn off the Fantom-G’s [MIX IN] switch.

MIDI Connectors (IN, OUT, THRU)

These connectors can be connected to other MIDI devices to receive and transmit MIDI messages.

FOOT PEDAL CTRL (CONTROL) 1, 2 Jacks

You can connect optional expression pedals (EV-5, etc.) or optional pedal switches (DP series etc.) to these jacks. By assigning a desired function to a pedal, you can use it to select or modify sound or perform various other control. → (p. 31)

925

* Use only the specified expression pedal (EV-5; sold separately).

By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

HOLD Jack

An optional pedal switch (DP series, FS-5U etc.) can be connected to this jack for use as a hold pedal. → (p. 31)

This can also be set so it supports the use of half-pedaling techniques. So, after connecting an optional pedal switch (DP series etc.), you can employ pedal work to achieve even finer control in performances in which piano tones are used.

AUDIO INPUT MIC/GUITAR Jack

You can connect either a mic or guitar. Set the Switch as appropriate for the device you’ve connected to the MIC/GUITAR jack.

GUITAR (Hi-Z) PHANTOM OFF

PHANTOM ON

* This instrument is equipped with balanced (XLR/TRS) type

jacks. Wiring diagrams for these jacks are shown below. Make connections after first checking the wiring diagrams of other equipment you intend to connect.

fig.XLR/TRSJack.eps

Guitar (High impedance supported) Dynamic Mic: 1/4“phone plug (balanced or

unbalanced), XLR connector Condenser Mic: XLR connector (48 V phan-

tom power supported)

* If you don’t need phantom power supply,

select the PHANTOM OFF position.

MIC/GUITAR LEVEL knob

Controls the volume of the mic/guitar input.

LINE Jacks (L, R)

Connect a line-level device such as an audio device (e.g., portable music player) or keyboard. If you want to use mono input, connect to the L jack (p. 258).

LINE LEVEL knob

Controls the volume of the line input.

OUTPUT OUTPUT A (MIX) Jacks (L (MONO), R)

These jacks output the audio signal to the connected mixer/ amplifier system in stereo. For mono output, use the L jack.

→

(p. 26)

OUTPUT B Jacks (L, R)

These jacks output the audio signal to the connected mixer/ amplifier system in stereo.

INDIVIDUAL 1–4 Jacks

These jacks output audio signals in mono to an amp or mixer.

* The setting determining whether these jacks are used as stereo

OUTPUT jacks or monaural INDIVIDUAL jacks is made with the Output Assign setting. → (p. 152)

PHONES Jack

This is the jack for connecting headphones (sold separately).

→

(p. 26)

MinMax

Making Connections

921

to Power outlet

Stereo headphones

Monitor speakers

(powered)

Power amp

Mixer etc.

In order to fully experience the Fantom-G’s sound, we recommend using a stereo amp/speaker system. If you’re using a mono system, however, make your connections to the Fantom-G’s OUTPUT A (MIX) jack L (MONO).

Connecting an Amp and Speaker System

Since the Fantom-G contains no amplifier or speakers, you’ll need to connect it to audio equipment such as a keyboard amplifier, monitor speaker system or home stereo, or use headphones to hear its sound.

Before hooking anything up, make sure that the power on all of your gear is turned OFF.

Connect one end of the supplied power cable to the Fantom-G, and the other end to a power outlet.

Connect the Fantom-G to your amp/speaker system as shown in the diagram.

fig.02-002.e

Overview Sound 1 Sound 2 Sound 3 Pad Sampler

To prevent malfunction and/ or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

Audio cables are not included with the Fantom-G. You’ll need to provide them.

For details on how to install a Expansion Board (sold separately), refer to “Installing the Expansion Board” (p. 304, p. 306).

The OUTPUT A [MIX] jacks support balanced output. Use a correctly wired cable so that the HOT, COLD, and GND as printed on the rear panel of the Fantom-G are correct for the mixer or other input device you’re using.

Menu/System

AppendixSequencer

Making Connections

Connecting a USB Mouse (sold separately)

If you connect a commercially available USB mouse to the Fantom-G’s rear panel USB MOUSE connector, a mouse cursor will be shown in the display, and you’ll be able to use the mouse.

Action

Left-click Right-click [ENTER] button / list display Wheel VALUE dial / scroll Drag (move while hold-

ing down left button)

Click the button

Operation

Select (move the cursor)

Drag the mouse on the area or knob for which you want to input a value. Dragging upward or to the right will increase the value, and dragging downward or to the left will decrease it.

Opens the menu (p. 276)

[EXIT] button

Opens the shortcut menu (p. 44)

Making Connections

Placing the Fantom-G on a Stand

* Be careful not to pinch your fingers when setting up the stand.

For Fantom-G6/G7 user

If you want to place the Fantom-G6/G7 on a stand, use the Roland KS-18Z. Place the instrument on the stand as follows.

fig.02-001.e

KS-18Z

Align the front of the Fantom-G6/G7 with the front of the stand

WARNING:

Use of stand not according to the instructions above will result in instability causing possible injury.

For Fantom-G8 user

If you want to place the Fantom-G8 on a stand, use the Roland KS-18Z or KS-G8. Place the instrument on the stand as follows.

fig.02-001.e

Adjust so that the height does not exceed 1 meter (Adjust the stand to a level no higher than the fourth level from the bottom)

Adjust the width of the stand so that the rubber feet of the Fantom-G6/G7 straddle the stand

Top view

Overview Sound 1 Sound 2 Sound 3 Pad Sampler

KS-18Z

KS-G8

Align the screws of the Fantom-G8 with the front of the stand

Adjust the width of the stand so that

Align the back of the Fantom-G8 with the back of the stand

the rubber feet of the Fantom-G8 are on the inside of the stand

Top view

Place the Fantom-G8 so that it’s rubber feet are in the inner side of the stand

Top view

WARNING:

Use of stand not according to the instructions above will result in instability causing possible injury.

Menu/System

AppendixSequencer

Turning On the Power

Once the connections have been completed (p. 25), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

fig.bender.e

Before turning on the Fantom’s power, consider these two questions:

• Are all peripheral devices connected correctly?

• Have the volume controls of the Fantom-G and all connected audio devices been turned to their lowest settings?

Turn on the POWER ON switch located on the rear panel of the Fantom-G.

fig.02-003

* This unit is equipped with a protection circuit. A brief interval (a few seconds) after power

up is required before the unit will operate normally.

Turn on the power for any connected amplifiers or speakers.

Play the Fantom-G’s keyboard, gradually increasing the setting of its volume control, and then carefully raise the volume of your connected amplifiers or speakers to the desired listening level.

fig.02-004

941

To ensure proper operation of the pitch bend lever, make sure not to touch the lever when turning the Fantom-G’s power on.

Do not touch!

Be careful not to set your listening volume too high to avoid damage to your amp/ speaker system or your hearing.

942

Turning Off the Power

Before you turn off the power, consider these two questions:

• Have the volume controls for the Fantom-G and all connected audio devices been turned to their lowest settings?

• Have you saved your Fantom-G sounds or other data you’ve created?

Turn off the power for all connected audio devices.

Turn off the POWER ON switch of the Fantom-G.

If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. Refer to “Power Supply” (p. 7).

Listening to the Demo Songs

981

The Fantom-G has a demo song that will be loaded at start-up. Here’s how to play the demo.

Press [PLAY].

The demo song will play.

Press [STOP] to stop demo song playback.

Overview Sound 1 Sound 2 Sound 3 Pad Sampler

Song Automatically Loaded at Power-on (When Loading a Project)

When the Fantom-G is powered-on (when loading a project), song 001 (the top song in the Song List) will be loaded automatically.

If you don’t want a song to be loaded automatically at power-on (when loading a project), delete song 001 as described in “Deleting a Song File (Song Delete)” (p. 210).

When you execute a Factory Reset (p. 280), the demo song will be written to song 001.

Menu/System

AppendixSequencer

Various Performance Features

Velocity/Aftertouch

The force with which you play the keyboard, or the “velocity” with which you play, can affect the volume or timbre of a sound. Aftertouch—downward pressure you apply to a key after playing a note—can also affect the sound.

fig.02-008

For details on the setting, refer to p. 288.

There are two types of aftertouch: Polyphonic Aftertouch, which applies aftertouch to individual notes, and Channel Aftertouch, which applies aftertouch to an entire MIDI channel (p. 251). The Fantom-G can output the MIDI data for Polyphonic Aftertouch using the pads, and Channel Aftertouch using the keyboard.

Pitch Bend/Modulation Lever

While playing the keyboard, move the lever to the left to lower the pitch of the currently selected patch, or to the right to raise its pitch. This is known as vibrato by gently pushing the lever away from you. This is known as

If you push the lever away from you and at the same time move it to the right or left, you can apply both effects at once.

fig.02-009.e

ModulationPitch Bend

Octave Shift (OCT)

You can shift the pitch of the keyboard in one-octave units over a range of +/-3 octaves. Use KEYBOARD [-OCT] or [+OCT] at the left of the screen to make the desired setting. To return to the original setting, press both buttons simultaneously.

Transpose

You can transpose the pitch of the keyboard in semitone units (-5– +6). At the left of the display, turn on the KEYBOARD [TRANSPOSE] button, and then use the

[-OCT] or [+OCT] button to specify the desired transposition. To return to the original setting, press both buttons simultaneously.

pitch bend

modulation

. You can also apply

You can set the amount of pitch change for each patch (p.

96).

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