Roland Corporation C-190 Owner's Manual
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C-190
ENGLISH ENGLISH
Owner’s Manual. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Bedienungsanleitung . . . . . . . . . . . . . . . . . . . . . . . . . 27
Mode d’emploi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
ENGLISH ENGLISH
Manual del Usuario . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Manuale Utente. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Handleiding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
C-190
Portable Organ
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C-190
Owner’s Manual
ENGLISH ENGLISH
Thank you for purchasing a Roland C-190 Portable Organ. The C-190 is a new organ with simulated two-manual functionality designed for religious congregations and all other occasions that call for high-quality organ or orchestral
music in a portable instrument.
Simultaneous use of organ and orchestral sounds
The C-190 comes with the finest organ sounds Roland has to offer. On top of that, it also features excellent instrument
sounds that can be used alongside the organ section.
You can “split” the 76-note keyboard into two sections (“divisions”) and play the C-190 like a two-manual organ.
Bass and Manual parts
Though a single-keyboard instrument, the C-190 allows you to play monophonic bass organ parts and polyphonic
instrument sounds. The PEDAL part usually plays a monophonic bass line that doubles the lowest note you play on the
keyboard. You can, however, connect an optional MIDI pedal unit to the C-190 and play the PEDAL section polyphonically using your feet.
Record your own performances
The C-190 makes it easy to record your own performances.
Before using this instrument, carefully read the section on the next page. It provides important information concerning
the proper operation of the C-190.
To get the most out of the C-190 and to ensure many years of trouble-free service, we urge you to read through this
Owner’s Manual thoroughly.
To avoid confusion, let’s agree to use the word “button” for all keys on the front panel, and only use “key” when referring to the C-190’s keyboard.
ENGLISH ENGLISH
Copyright © 2005 ROLAND EUROPE. All rights reserved. No part of this publication may be reproduced in any form without the written permission of Roland Europe S.p.a.
C-190
Portable Organ
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
• Before using this unit, make sure to read the instructions
below, and the Owner’s Manual.
.................................................................................................
• Do not open (or modify in any way) the instrument, and
avoid damaging the supplied adapter.
.................................................................................................
• Do not attempt to repair the instrument, or replace parts
within it. Refer all servicing to your retailer, the nearest
Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
.................................................................................................
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct sunlight
in an enclosed vehicle, near a heating duct, on top of
heat-generating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors); or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
.................................................................................................
• Be sure to use only the adapter supplied with the instrument. Also, make sure the line voltage at the installation
matches the input voltage specified on the name plate.
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• Avoid damaging the adapter’s cord. Do not bend it excessively, step on it, place heavy objects on it, etc. A damaged cord can easily become a shock or fire hazard. Do
not use the adapter when it shows clear signs of damage.
.................................................................................................
• This instrument may be capable of producing sound levels that could cause permanent hearing loss. Do not
operate for a long period of time at a high volume level,
or at a level that is uncomfortable. If you experience any
hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.
.................................................................................................
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
• Do not allow any objects (e.g., flammable material, coins,
pins); or liquids of any kind (water, soft drinks, etc.) to
penetrate the instrument.
................................................................................................
• Immediately turn the power off, remove the adapter
from the outlet, and request servicing by your retailer,
the nearest Roland Service Center, or an authorized
Roland distributor, as listed on the “Information” page
when:
• The the adapter has been damaged; or
• Objects have fallen into, or liquid has been spilled onto
the instrument; or
• The instrument has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally or exhib-
its a marked change in performance.
................................................................................................
• In households with small children, an adult should provide supervision until the child is capable of following all
the rules essential for the safe operation of the unit.
................................................................................................
• Protect the unit from strong impact.
Do not drop it!
................................................................................................
• Do not force instrument to share an outlet with an
unreasonable number of other devices. Be especially
careful when using extension cords—the total power
used by all devices you have connected to the extension
cord’s outlet must never exceed the power rating (watts/
amperes) for the extension cord. Excessive loads can
cause the insulation on the cord to heat up and eventually melt through.
................................................................................................
• Before using the unit in a foreign country, consult with
your retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the “Information” page.
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• The instrument and the adapter should be located so
their position does not interfere with their proper ventilation.
.................................................................................................
• Always grasp only the plug or the body of the adapter
when plugging into, or unplugging from, an outlet or this
instrument.
.................................................................................................
• Whenever the unit is to remain unused for an extended
period of time, disconnect the adapter.
.................................................................................................
• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they
are out of the reach of children.
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Contents
C-190 Portable Organ
• Never climb on top of, nor place heavy objects on the
unit.
................................................................................................
• Never handle the adapter with wet hands when plugging
into, or unplugging from, an outlet or this unit.
• Before cleaning the unit, turn off the power and unplug
the adapter from the outlet (p. 9).
................................................................................................
• Whenever you suspect the possibility of lightning in your
area, disconnect the adapter from the outlet.
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1. Panel descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Rear panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Headphone sockets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
2. Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Connecting the adapter. . . . . . . . . . . . . . . . . . . . . . . . . 9
Turning the power on and off. . . . . . . . . . . . . . . . . . . . 9
Adjusting the volume . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Connecting headphones (sold separately) . . . . . . . . . 9
Listening to the demo songs. . . . . . . . . . . . . . . . . . . . 10
3. Playing organ music. . . . . . . . . . . . . . . . . . . . . . . . 11
Registering the MANUAL I division . . . . . . . . . . . . . . 11
Adding the MANUAL II division . . . . . . . . . . . . . . . . . 11
Playing the MANUAL I and II divisions via separate
keys. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Tremulant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
Using the PEDAL division. . . . . . . . . . . . . . . . . . . . . . . 12
Selecting other organ timbres . . . . . . . . . . . . . . . . . . 14
4. Using the orchestral sounds . . . . . . . . . . . . . . . . . 15
Selecting sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Using a sustain pedal . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Orchestra Melody function . . . . . . . . . . . . . . . . . . . . . 15
Using a chime sound . . . . . . . . . . . . . . . . . . . . . . . . . . 15
5. Additional functions . . . . . . . . . . . . . . . . . . . . . . . 16
Adding reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Selecting different tunings . . . . . . . . . . . . . . . . . . . . . 16
Transposing (same fingering, different notes) . . . . . 17
Recording your performance . . . . . . . . . . . . . . . . . . . 18
Using the audio outputs . . . . . . . . . . . . . . . . . . . . . . . 18
6. Using the C-190’s memories . . . . . . . . . . . . . . . . . 19
Saving your settings as registrations. . . . . . . . . . . . . 19
Loading the settings of a memory . . . . . . . . . . . . . . . 19
Saving settings to the global area . . . . . . . . . . . . . . . 19
7. Specialist functions. . . . . . . . . . . . . . . . . . . . . . . . .20
Windchest Panning . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Changing the volume and brilliance. . . . . . . . . . . . . 20
Assigning other sounds to the tilt tabs. . . . . . . . . . . 21
Initializing your C-190. . . . . . . . . . . . . . . . . . . . . . . . . 22
8. Connecting the C-190 to MIDI devices . . . . . . . .23
About MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Making the connections . . . . . . . . . . . . . . . . . . . . . . . 23
MIDI functions supported by the C-190. . . . . . . . . . 23
9. Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
10. MIDI Implementation Chart. . . . . . . . . . . . . . . . .147
5
C-190
Portable Organ
Panel descriptions
1. Panel descriptions
Front panel
A B DC E F G
H I J K L M
A
VOLUME slider
This slider allows you to increase or decrease the volume of all sections (PEDAL, MANUAL I and
MANUAL II).
B
PEDAL slider
This slider controls the volume of the PEDAL part (see
p. 9).
C
POWER SWITCH button
Press this button once to switch the C-190 on. Press
it again to switch the C-190 off.
D
PEDAL tilt tabs
These tabs allow you to switch on/off the corresponding organ bass sound (SUB BASS, OCTAVE BASS
or BOMBARDE) or orchestral bass tone (ACC BASS,
STRINGED or CELLO).
E
MANUAL I slider
This slider controls the volume of the MANUAL I section (see p. 9).
F
MANUAL I tilt tabs
When the ORCHESTRA button does
tabs allow you to switch the corresponding organ
registers on and off. You can activate all registers if
you like.
When the ORCHESTRA button lights, you can press
one of these to select the orchestral sound whose
name is printed below the tabs.
G
II/I tab (“Coupler”)
The C-190 provides two divisions: “MANUAL I” and
“MANUAL II”. This tab allows you to specify whether
those two divisions are to be played simultaneously
(by the same keys) or via separate key ranges.
H
TRANSPOSE button
Use this button to transpose the keyboard. This
allows you to go on playing in your favorite key,
while the notes you play are sounded in another key.
See p. 17.
not
light, these
I
TUNE button
At first, the C-190 is tuned like any electronic musical
instrument, with the A4= 440Hz. As long as you do
not change that setting, this button doesn’t light.
You can change the tuning frequency, however, and
save your setting to the global area.
J
UP/DOWN buttons
These buttons allow you to change settings (like the
tuning value or the reverb setting, for example). They
are usually assigned to the reverb effect.
K
ORCHESTRA button
Press this button if you want to select the C-190’s
orchestral sounds. One of those sounds can be added
to the organ registration in effect. See p. 15.
L
SPLIT/SET button
This button has two functions: it allows you to shift
the split point between MANUAL I and MANUAL II to
a different note (when the
your settings to one of the eight memories (2 banks x
4 locations). See pages 12 and 19.
M
MEMORY buttons (M 1/2, 1~4, 0)
Your C-190 comes with four memories and two
banks (for a total of eight memories) that can be
accessed via the
[0]
button to cancel the settings of the currently
selected memory and mute all registers and orchestral sounds.
[M1/2]
[II/I]
tab is off) and to save
and
[1]~[4]
buttons. Press the
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N
N
MANUAL II tilt tabs
These tabs allow you to add a second voice to the
notes you are playing using the MANUAL I division (if
the
[II/I]
indicator lights) or to play a separate sound in
the right half, which then behaves like a second manual (see p. 12).
Note:
The volume of the MANUAL II division can only be set
with an optional expression pedal. But since it is the only section that doesn’t have a separate volume control, you can balance its level by changing the volume of the other divisions.
O
REC button
Your C-190 also contains a digital recording function.
Press this button to select the record standby mode.
(Then press
song memories. See p. 18.
P
PLAY button
The function of this button depends on the REC indicator: if it flashes, pressing [PLAY] starts the recording of a new song. If the REC indicator is off, [PLAY]
allows you to listen to a previously recorded song.
By pressing it simultaneously with the [REC] button,
you activate the C-190’s demo mode (see p. 10).
[PLAY]
to start recording.) There are four
O P Q R
REVERB button
Q
Press this button to switch the digital reverb effect
on (indicator lights) or off. See p. 16.
R
WINDCHEST PANNING button
Press this button to access a function that allows you
to set the distribution of the organ notes in the stereo image. There are four possible settings (see the
indicators and icons above this button), and each
organ voice can be assigned the preferred stereo distribution. See page 20.
C-190 Portable Organ
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Front panel
7
C-190 Portable Organ
Panel descriptions
Rear panel
A
OUTPUT R, L/MONO sockets
The C-190 boasts an excellent internal stereo amplifier and speaker system and so doesn’t require an
external amplification. There may be times, however,
when you need to use the public address system of
the hall or church where you are performing – or you
may want to record the C-190’s sound without background noises. In those cases, use these sockets.
B
EXP/SUST socket
This is where you can connect an optional DP-2,
DP-6, or BOSS FS-5U footswitch that allows you to
hold the notes you are playing on the keyboard. The
sustain function is only available for the orchestral
sounds.
Alternatively, you can connect an optional Roland
EV-5 or FV-300L pedal to this socket that can be used
for setting the MANUAL II division’s volume.
C
MIDI sockets (PEDAL IN, IN, OUT)
Use these connectors for transmitting (OUT) and
receiving (IN) MIDI messages to/from other instruments.
A B C D E F
The PEDAL IN socket allows you to connect an
optional Roland MIDI pedal unit (PK-5A, PK-25 or
PK-7) so as to play the bass section (called “PEDAL”)
with your feet. If you connect a pedal unit here, the
PEDAL section becomes polyphonic.
D
Cord hook
After connecting the adapter cable, wind it around
the cord hook to the right of the socket to prevent
accidental power disruptions.
E
DC IN connector
This where you need to connect the supplied PSB-4U
adapter. If it is damaged or out of order, be sure to
replace it with the same PSB-4U model. Do not use
other adapters as these may damage your C-190
beyond repair.
F
POWER SWITCH button
Press this button once to switch the C-190 on. Press
it again to switch the C-190 off.
Headphone sockets
The C-190 features two headphone sockets, allowing two people to listen through headphones simultaneously, which is useful for lessons. Using headphones allows you to play without
bothering others around you, even at night. By connecting a
jack to one of these sockets, you switch off the C-190’s speakers.
For optimum sound quality, be sure to use optional Roland
RH-25, RH-50 or RH-200 headphones.
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2. Getting started
C-190 Portable Organ
Connecting the adapter
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Connecting the adapter
Note: To prevent malfunction and/or damage to the speakers or
other devices, always turn down the volume and switch off all
devices before making any connections.
(1) Connect the supplied PSB-4U adapter to the DC IN
socket on the rear panel of the C-190.
DC IN 12V 2.5A
USE ROLAND PSB-4U
ADAPTOR ONLY
(2) Connect the other end to an AC outlet.
POWER
SWITCH
Adjusting the volume
The C-190 has three sliders. The [VOLUME] slider is used
to change the global volume. The [PEDAL] slider allows
you to set the level of the bass sounds.
VOLUME PEDAL MANUAL I
Global volume (all
sections).
Using the [PEDAL] and [MANUAL¥I] sliders should allow
you to create the right balance – even when using the
MANUAL II section.
By purchasing an optional EV-5, EV-7 or BOSS FV-300L
expression pedal, which you connect to the EXP/SUST
socket, you can also set the MANUAL II division’s volume (and/or use the pedal for swelling effects).
Volume of the bass
tone.
Volume of the
MANUAL I division.
Turning the power on and off
Your C-190 is fitted with an amplifier and speakers so
that you do not need additional devices.
(1) Turn the volume all the way down.
VOLUME PEDAL
(2) Press the [POWER¥SWITCH] button on the rear
panel to turn on the power.
Press at least one tilt tab, because all sounds will be
off immediately after switching on the C-190. Adjust
the volume to your liking.
Note: Your C-190 is equipped with a protection circuit. A brief
interval after power up is required before it will operate normally.
Turning off the power
(1) Set the [VOLUME] slider to the minimum position.
(2) Press the [POWER¥SWITCH] button to turn off the
power.
Connecting headphones (sold separately)
The C-190 features two headphone jacks. This allows
two people to listen through headphones simultaneously, making it very useful for lessons. Using headphones allows you to play without bothering others
around you, even at night.
(1) Turn the volume all the way down.
(2) Plug a pair of headphones (Roland RH-25, RH-50,
RH-200) into a PHONES socket to the left of the
C-190’s keyboard.
(3) Adjust the volume.
By connecting headphones to the C-190, you switch
off its speakers, which is ideal for playing or practising without disturbing others.
Note: Be sure to use stereo headphones.
Precautions to take when using headphones
To avoid damaging or severing the headphone cord, be
sure to handle the headphones by holding the phones
themselves, and grasping the plug rather than the cord
when pulling the headphone plug.
• Connecting the headphones when the volume of
connected equipment is turned up may result in
damage to the headphones. Be sure to turn down the
volume before connecting headphones.
9
C-190
Portable Organ
Getting started
• Listening at excessively high volume levels will not
only damage the headphones, but may also cause
hearing loss. Listen at appropriate levels.
Listening to the demo songs
The C-190 features 28 internal demo songs you may
want to listen to before starting to play yourself.
(1) Simultaneously press the
(2) Press the
[PLAY]
button to start playback of all
[REC]
REC
and
DEMO
[PLAY]
PLAY
demo songs.
(3) Press it again to stop playback.
(4) Simultaneously press the
[REC]
and
[PLAY]
to leave the Demo mode.
Selecting a demo song
The C-190’s demo songs reside in four banks that can
be selected using the
WEDDING
[1]
Principal 8’ Wedding March from “Lohengrin” R.Wagner
Spitzflöte 4’ Ave Maria F.Schubert
Octave 2’ “Air on G String” from Suite III in D
major
Mixture IV Trio Super "Herr Jesu Christ, dich Zu
uns wend" BWV 655c
Trompete 8’ Wedding March from “A mid-
summer night's dream”
Bourdon 8’ Largo from “Serse” G.F.Handel
Gemshorn 8’ Ave Maria C.Gounoud
ORCHESTRA
[2]
Principal 8’ Requiem Introitus W.A.Mozart
Spitzflöte 4’ Hornpipe from “Water Music” G.F.Handel
Octave 2’ “Jesu, Joy of Man's desiring” from
Cantata BWV 147
Mixture IV Adagio from Concerto in D minor
by A. Vivaldi BWV 596
Trompete 8’ Toccata P.D.Paradisi
Bourdon 8’ Adagio from Concerto for oboe and
orchestra
Gemshorn 8’ Allegro Finale G.F.Handel
[1]~[4]
buttons.
J.S.Bach
J.S.Bach
F. Mendelssohn
J.S.Bach
J.S.Bach
A.Marcello
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buttons.
buttons
VARIETY
[3]
Principal 8’ Allegro from Concerto in F major
by A. Vivaldi BWV 978
Spitzflöte 4’ Balletto del Granduca J.P.Sweelinck
Octave 2’ Passacaglia BWV 582 J.S.Bach
Mixture IV Trumpet Tune H.Purcell
Trompete 8’Psalm 19?B. Marcello
Bourdon 8’ Preghiera L.v.Beethoven
Gemshorn 8’ Allegro F.J.Haydn
[4]
BACH
Principal 8’ Toccata in D minor “Dorica”
BWV 538a
Spitzflöte 4’ Preludio in A minor BWV 559a J.S.Bach
Octave 2’ Fuga in A minor BWV 559b J.S.Bach
Mixture IV Chorale “Herr Gott, nun schleuss
den Himmel auf” BWV 617
Trompete 8’ Chorale “Es ist das Heil uns
kommen her” BWV 638
Bourdon 8’ Chorale “Ich ruf' zu dir, Herr Jesu
Christ” BWV 639
Gemshorn 8’ Chorale “Jesus Christus, unser
Heiland” BWV626
J.S.Bach
J.S.Bach
J.S.Bach
J.S.Bach
J.S.Bach
J.S.Bach
(1) In the table above, select the song you want to lis-
ten to.
(2) Simultaneously press the
[REC]
and
[PLAY]
buttons.
The four MEMORY buttons flash.
(3) Press the MEMORY button (
[1]~[4]
) assigned to the
bank that contains the desired demo song.
MEMORY
1
2
34
Here’s an example: to listen to “Requiem Introitus” by
Mozart, press the
[2]
button.
(4) Press the flashing tilt tab that is assigned to the
desired demo song to start playback of that song.
For the “Requiem Introitus”, press
(5) Press
[PLAY]
(or switch off the tilt tab you pressed
[PRINCIPAL¥8’]
.
above) to stop demo song playback.
(6) Simultaneously press the
[REC]
and
[PLAY]
buttons
to leave the Demo mode.
Note:
The demo songs are ©2005 by Roland Europe. All rights
reserved. Unauthorized use of this material for purposes other
than private, personal enjoyment is a violation of applicable
laws.
Note:
In Demo mode, the keyboard cannot be played. The data
of the demo songs are not transmitted to the MIDI OUTput.
10
C-190 Portable Organ
Registering the MANUAL I division
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3. Playing organ music
The C-190 features two sections that can be used simultaneously: an organ section and an orchestral section. Let us
begin with the organ section.
Registering the MANUAL I division
When the ORCHESTRA button doesn’t light, the white
tilt tabs serve the same purpose as the stops on a
church organ: they allow you to decide which ranks
should be audible. Be sure to press at least one tilt tab.
Otherwise, you won’t hear anything.
(1) Switch off the ORCHESTRA button if it lights.
(2) Press the bottom part of a MANUAL I tilt tab to
activate the assigned register.
If the indicator of a tab lights, the corresponding register is audible. You can activate as many registers as
you like.
(3) If necessary, change the volume of the MANUAL I
division using its slider (to the left of the tilt tabs).
(4) Press the upper part of a tilt tab whose indicator
lights to switch that stop back off again.
Note: The SUSTAIN function is not available for organ stops.
An optional footswitch connected to the EXP/SUS socket thus
doesn’t allow you to hold the notes you are playing.
Adding the MANUAL II division
The C-190 provides a MANUAL II division that can be
added to the MANUAL I division. (You can also play via
separate keys, see below.)
When active, the MANUAL II division performs the
function of the Swell manual on a church organ, while
the MANUAL I section replaces the Great section.
Let us first look at how to couple those two sections,
which means that they are played together.
(1) Switch off the ORCHESTRA button if it lights.
(2) Press the [II/I] tilt tab (the “coupler”) in the MANUAL
I section.
Its indicator lights to signal that you can now add a
second division to the MANUAL I registration. This
simulates the coupling of two manuals on a church
organ.
(3) Press the bottom part of a MANUAL II tilt tab to
activate the assigned register.
If the indicator of a tab lights, the corresponding register is audible. You can activate as many registers as
you like.
It is also possible to switch off all MANUAL I registers
(except [II/I]) and only use one or several MANUAL II
registers to simulate a church organ’s Swell manual.
(4) Press the upper part of a tilt tab whose indicator
lights to switch that stop back off again.
Note: The SUSTAIN function is not available for organ stops.
An optional footswitch connected to the EXP/SUS socket thus
doesn’t allow you to hold the notes you are playing.
Note: The [TREMULANT] register cannot be used by itself. It
must be combined with at least one other MANUAL II register.
It has no effect on the PEDAL or MANUAL I sounds.
11
C-190 Portable Organ
Playing organ music
Playing the MANUAL I and II divisions via separate keys
As stated above, you can also assign the MANUAL I section to the left half of the 76-note keyboard, and play
the MANUAL II section in the right half:
MANUAL I MANUAL II
(1) Switch off the ORCHESTRA button if it lights.
(2) Press the [II/I] tilt tab (the “coupler”) in the MANUAL
I section to switch it off.
The key you press becomes the lowest note of the
MANUAL II section.
Tremulant
A “tremulant” creates a change in pitch (vibrato),
amplitude (volume) and timbre (tone quality). The use
of the tremulant adds warmth and expressiveness to
solo or small ensemble combinations. It is not common
to use tremulants in larger classical ensembles. In some
romantic ensembles, tremulants are used judiciously. In
some gospel and evangelical musical traditions, tremulants with a wider and deeper excursion are frequently
used.
The C-190 provides a tremulant function for the MANUAL II section:
(3) Press the bottom part of a MANUAL I tilt tab to
activate the assigned register.
If the indicator of a tab lights, the corresponding register is audible. You can activate as many registers as
you like.
(4) Press the bottom part of a MANUAL II tilt tab to
activate the assigned register.
You can activate as many registers as you like.
(5) Start playing.
The left half of the keyboard is now assigned to the
MANUAL I division, and the right half to the MANUAL
II division.
Changing the split point
At first, the split point (the note where the MANUAL I
section ends and the MANUAL II division begins) is set
to the C indicated by an arrow (▼). Here’s how to select
another note in case you don’t agree with the factory
setting:
(1) Press and hold the [SET] button.
SPLIT
SET
It only affects the stops of that division (and requires
that you switch on at least one tilt tab).
The TREMULANT status can be saved to one of the
memories.
Using the PEDAL division
The C-190 features a PEDAL division that can either be
played via the keyboard, or with an optional PK-5A,
PK-7, or PK-25 dynamic MIDI pedal unit.
If you only use the keyboard, the PEDAL division is
monophonic and doubles the lowest note you play
using the MANUAL I and/or II stops.
(1) Switch off the ORCHESTRA button if it lights.
(2) Use the PEDAL tabs to add one, two or three bass
notes to your playing.
(2) Keep holding that button while pressing the key
where you want to split the keyboard.
The setting range is indicated by the arrows in the
illustration above.
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12
At least one of the PEDAL tilt tabs must be on.
The bass notes are only added to the notes played in
the E1~B3 range:
Range of the monophonic bass part
C-190 Portable Organ
Using the PEDAL division
r
The bass note corresponds to the lowest note you
play.
Note: If you connect a MIDI cable to the PEDAL IN socket on
the C-190’s rear panel, the PEDAL part can no longer be played
via the keyboard. Be sure to connect the other end of that
cable to a pedal unit – or else remove it from the socket.
Playing only bass notes with your left hand
If you prefer to play bass notes without the addition of
a MANUAL I register, you need to split the keyboard and
switch off all MANUAL I tilt tabs. Here’s how to do that:
(1) Press the [II/I] tilt tab (the “coupler”) in the MANUAL
I section to switch it off.
(2) Press the upper part of any MANUAL I tilt tab
whose indicator lights.
This switches off the MANUAL I division.
(3) Press the bottom part of a MANUAL II tilt tab to
activate the assigned register.
You can activate as many registers as you like.
(4) Use the PEDAL tabs to select the desired registra-
tion for the bass notes.
Playing the bass notes with an optional pedal
unit
The C-190’s PEDAL registers can also be triggered via
MIDI. The most convenient way to do that is by using
an optional PK-5A, PK-7 or PK-25 dynamic pedal unit.
With the following procedure you can set the C-190 so
that the bass notes (of the PEDAL division) are no
longer triggered by the keyboard:
(1) Switch off the C-190 and the PK.
(2) Connect the PK’s MIDI OUT port to the C-190’s
PEDAL IN socket.
(3) Switch on the PK.
(4) Switch on the C-190.
(5) Start playing on the keyboard and on the PK.
Note: When the PEDAL section is triggered in this way, it is
polyphonic (and can therefore sound several notes simulta-
neously).
The PEDAL notes now sound in isolation up to the
split point for the PEDAL division (which is fixed).
13
C-190 Portable Organ
Playing organ music
Selecting other organ timbres
Some of the speaking stops on the C-190 have alternate voices that can be selected and used in performance via the “Voice Palette” feature. Voice Palette
gives you a tremendous amount of added flexibility. For
example, you can choose a Spitzflöte 4’ rank instead of
the Rohrflöte 4’ rank assigned to the MANUAL I tilt tab
of the same name.
Voice Palette was so named because it greatly increases
the number of tonal colors at your disposal; there are
many more ranks available to you than the number of
actual tilt tabs on the instrument.
Making a Voice Palette selection
(1) Press and hold the lower part of a tilt tab and
watch the MEMORY buttons ([0]~[4]).
One of those buttons lights steadily to indicate the
rank that is currently assigned to the tilt tab.
Flashing MEMORY buttons indicate locations that
contain other ranks you can use instead of the one
you get by simply activating the tilt tab.
(2) Release the tilt tab.
Some MEMORY buttons continue to flash, while one
of them lights.
Note: If you pressed and held a tilt tab by accident and now
see flashing MEMORY buttons, press any other button or tilt
tab to leave the Voice Palette selection mode.
(3) Press the MEMORY button of the rank you want to
use.
Note: You can also select a Voice Palette rank by holding
down the desired tilt tab while pressing a MEMORY [0]~[4] but-
ton.
MANUAL II
Bourdon 8’
Gemshorn 8’
Prestant 4’
Quinte 2-2/3’
Vox Humana 8’
Note: Using a stop containing a Voice Palette alternative will
play either the default voice OR the Voice Palette alternative
voice. For example, the Vox Humana 8’ stop can be set to play
either the Krummhorn 8’ OR the Clarion 4’ voice, but not both
voices simultaneously.
Note: See also “Assigning other sounds to the tilt tabs” on
p. 21.
Note: The new assignments can be saved to a memory and/or
the global area. See page 19.
[0]
[0]
[0]
[0]
[0]
Flute 8’
[1]
Geigen Principal 8’
Viole Celeste II 8’
Salicional 8’
Gambe 16’
Koppelflöte 4’
Fugara 4’
Doublette 2’
Tierce 1-1/3’
Scharff III 1’
Fagott 16’
Krummhorn 8’
Hautbois 8’
Clarion 4’
[1]
[2]
[3]
[1]
[2]
[1]
[2]
[3]
[1]
[2]
[3]
[4]
[2]
Here are the alternatives for the various tilt tabs:
PEDAL
Subbass 16’
OctaveBass 8’
Bombarde 16’
MANUAL I
Principal 8’
Spitzflöte 4’
Octave 2’
Mixture IV 1-1/3’
Trompete 8’
[0]
[0]
[0]
[0]
[0]
[0]
[0]
[0]
Principal Bass 16’
Violon Bass 16’
Gedackt 8’
Trumpet 8’
Choral Bass 4’
Clarine 4’
Diapason 8’
Bourdon 8’
Rohrflöte 4’
Principal 4’
Waldflöte 2’
Sesquialtera II 1-1/3’
Sifflet 1’
Trompette 8’
Regal 8’
Trompete 4’
[1]
[2]
[1]
[1]
[2]
[3]
[1]
[2]
[1]
[2]
[1]
[2]
[1]
[2]
[3]
[1]
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14
C-190 Portable Organ
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Selecting sounds
4. Using the orchestral sounds
The C-190 contains orchestral sounds that can be used in isolation or together with the organ sounds. The orchestral
sounds are velocity sensitive (their volume and timbre depend on the force with which you press the keys).
Selecting sounds
There are three sections: the MANUAL I and II sections
that can span the entire keyboard, and the PEDAL section that allows you to play a bass part.
Let us first look at how to select a MANUAL I or II
sound:
(1) Press the [ORCHESTRA] button so that it lights.
There are three ORCHESTRA tone banks: 3 for the
PEDAL section, 5 for the MANUAL I section and 5 +
chimes for the MANUAL II section.
(2) Press a tilt tab to select the sound whose name is
printed below it (indicator lights).
Using a sustain pedal
Connect an optional DP-2, DP-6, or BOSS FS-5U footswitch to the C-190’s EXP/SUST socket to be able to
hold the notes of the PEDAL, MANUAL I and II sections
in the same way as on an acoustic piano.
Orchestra Melody function
In addition to using the MANUAL II division’s orchestral
sound together with the MANUAL I sound (or in a separate keyboard zone), you can use the MANUAL II sound
as “melody voice”.
That voice (any orchestral sound you choose in the
MANUAL II section) is monophonic and therefore cannot play chords. It always sounds the highest (rightmost) note you play on the keyboard. Here’s how to
select that function:
(1) Press the [ORCHESTRA] button so that it lights.
Example: to select the “N.GUITAR” sound for the
MANUAL I section, press the [OCTAVE¥2’] tab.
To add a harpsichord sound to it (using the MANUAL
II section), press the [BOURDON¥8’] tab.
You can layer the MANUAL I and II sounds (play them
together) or play them via separate keys (when the
[II÷I] tilt tab is off). The PEDAL part follows the same
rules as in organ mode.
Note: Each division can only play one orchestral sound at any
one time.
(3) Press the [ORCHESTRA] button again (it goes dark)
to leave the orchestral selection mode.
Remember that is perfectly possible to add orchestral
sounds to organ divisions.
(2) Press and hold the tilt tab of the MANUAL II
orchestral voice you want to use until the indicator
below it starts flashing.
(3) Start playing and notice how the highest notes are
doubled by the MANUAL II orchestral sound you
selected.
(4) Press the tilt tab above the flashing indicator again
to switch off this melody function.
Using a chime sound
The C-190 provides a chime sound that may come in
handy for a variety of occasions (Christmas masses, for
example).
That sound is assigned to the MANUAL II [TREMULANT]
tilt tab.
15
C-190 Portable Organ
Additional functions
5. Additional functions
Note: See p. 19 for how to save your settings to a registration
memory.
Adding reverb
The C-190 allows you to add reverberation to what
you play on the keyboard. The reverb effect provides
a pleasant reverberation that gives the impression
that you are performing in a concert hall, a church,
etc.
(1) Press the [REVERB] button (it lights).
Selecting different tunings
Tuning the C-190
There may be times when you accompany acoustic
instruments that are difficult or impossible to tune. In
that case, use the C-190’s TUNE function to adapt its
tuning to that of the acoustic instrument:
(1) Hold down the [TUNE] button while pressing the
[DOWN] button to lower the tuning.
If you like the reverb effect but think it is too prominent or too faint, here’s how to change the reverb
depth:
(2) Press the [DOWN] button to decrease the reverb
level, or the [UP] button to increase it.
Note: Press [DOWN] and [UP] simultaneously to recall the
C-190’s original reverb depth.
(3) To switch off the reverb effect, press the [REVERB]
button once again. Its indicator goes dark.
Selecting another reverb type
(4) Switch on the reverb effect (see above).
(5) Press and hold the [REVERB] button until its indica-
tor starts flashing.
(6) Press the [DOWN] or [UP] button to select a differ-
ent reverb type.
The available types are: Plate, Small Ambient, Room,
Gothic Church, Church, Cathedral
You can lower the C-190’s overall tuning to as much
as 432.8Hz. This frequency refers to the tuning of the
A4.
(2) Hold down the [TUNE] button while pressing the
[UP] button to raise the tuning.
You can increase the C-190’s overall tuning to as
much as 445.2Hz.
(3) Hold down the [TUNE] button while pressing the
[DOWN] and [UP] button to return to the C-190’s
default tuning (A4= 440Hz).
The [TUNE] button only lights when the C-190’s tuning differs from 440.0Hz.
Note: This setting can be saved to the global area.
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16
C-190 Portable Organ
Transposing (same fingering, different notes)
r
Using different temperaments
Like all digital instruments, the C-190 relies on the
standard tuning system for western music, where the
distance (interval) between any two semitones of an
octave is the same. This is called “equal temperament”.
Not so long ago, however, other tunings were used for
classical western music. These tunings are characterized
by varying intervals between the semitones of an
octave. The C-190 allows you to select from among five
different tuning methods (“temperaments”):
(1) Hold down [0] while pressing one of the following
buttons:
Button
combination
[0]
+
[1]
[0]
+
[2]
[0]
+
[3]
[0]
+
[4]
[0]
+
[M1/2]
Temperament
Mean Tone
Pythagorean
Kirnberger
Werckmeister III
Equal (default)
(2) Hold down the [0] button while pressing the key on
the keyboard that corresponds to the tonic of the
desired key.
When performing in ensemble with other instru-
ments, be aware that, depending on the key, there
may be some shifting of the pitch. The other instru-
ments should therefore also use the selected temper-
ament.
Note: When you play back a recorded song, it always uses the
last temperament you selected here.
Transposing (same fingering, different notes)
You can have the C-190 sound in a different key while
still playing the same notes on the keyboard. That way,
even songs originally written in a difficult key with
many #/sharps or b/flats (i.e. many black keys), can be
played in a more convenient way. This is especially useful when you are used to playing a given piece in one
key, while someone else prefers another key: just
change the TRANSPOSE setting and you’re there.
Note: The transposition remains in effect until you change it or
switch off the C-190. This setting cannot be saved.
• While holding down the [TRANSPOSE] button, press
the tonic (root) of the key to which you want to
transpose.
TRANSPOSE
See step (2) to specify the key of the selected temperament.
Mean Tone: A partial compromise of the Just Major
tuning (purer tuning than “Equal”), created to make
transposition possible. As the intervals between two
neighboring semitones depends on their pitch, this
temperament may sound out of tune to untrained
ears.
Pythagorean: Developed in ancient Greece as a
method of tuning that resolved the ambiguity of
fourths and fifths. As a result, melodies sound
cleaner, while triads may appear to be flat.
Kirnberger: This temperament is relatively tolerant
towards transposition, and can be used to play in all
keys.
Werckmeister III: A combination of the Mean Tone
and Pythagorean tunings. This tuning can be used in
all keys.
Equal: With this tuning, the octave is divided into
twelve equal intervals. Regardless of the interval, very
little ambiguity is produced.
For the Mean Tone and Pythagorean temperaments,
you also need to specify the key in which you want to
play:
The [TRANSPOSE] button lights.
–OR–
• Hold down the [TRANSPOSE] button while selecting
the desired interval with the [DOWN] or [UP] button.
This is a littler trickier, because there is no visual
feedback. You therefore have to count the number of
presses. Each press corresponds to a semi-tone.
• To return to normal pitch, hold down the
[TRANSPOSE] button while pressing a C key (or
[DOWN] + [UP]). The [TRANSPOSE] button goes dark.
■Example: playing in C but sounding in E
If you want the E pitch to sound whenever you press
a C key, hold down the [TRANSPOSE] button and
press an E key.
Note: The transposition only applies to the notes you play on
the C-190’s keyboard or a PK-series pedal board. It does not
apply to note messages received via the MIDI IN connector, or
the notes played by the Recorder.
17
C-190 Portable Organ
Additional functions
Recording your performance
You can record what you play on your C-190 and
then play it back whenever you like. There are four
song memories that can be selected using the [1]~[4]
buttons.
The Recorder not only memorizes the notes you play,
but also the sounds you use.
Recording
(1) Hold down the [REC] button (it starts flashing)
while pressing a [1]~[4] button to select the song
memory.
Playing back a recorded song
To listen to your new (or a previously recorded) song,
proceed as follows:
(1) Press and hold the [PLAY] button while pressing a
[1]~[4] button to select a song memory.
Be sure to select a memory whose button lights,
which indicates that the memory in question contains data.
(2) Press [PLAY] again to stop playback.
Note: The recorded song data are not transmitted to the
C-190’s MIDI OUT port.
Be sure to select a memory whose button doesn’t
light while you are holding down the [REC] button.
Otherwise, you erase the recording contained in that
memory.
(2) Release the [REC] button (it keeps flashing).
(3) Press the [PLAY] button to start recording.
(4) Start playing.
(5) Press [PLAY] again (or [REC]) to stop recording.
Note: The C-190 now processes your recording, which may
take 2~3 seconds. While the data are being stored, the keyboard doesn’t respond to your playing.
Using the audio outputs
The C-190 comes with two audio outputs that may
come in handy for two things:
• When you need to perform in a large venue and fear
that the C-190’s on-board amplification system is
not powerful enough, or when you are asked to connect the C-190 directly to the PA system;
• To record your playing (either with or without
Recorder backing) to cassette, MD, etc.
To do so, connect the C-190 as follows:
L
R
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18
Cassette deck, MD recorder, external ampli-
If the external device is mono, use only the OUTPUT L/
MONO socket.
Note: Connecting jacks to the outputs does not switch off the
internal amplification system.
fier, mixing console
C-190 Portable Organ
Saving your settings as registrations
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6. Using the C-190’s memories
The C-190’s settings can be saved in one of two ways: to a global area or to a memory that needs to be selected. The settings of the global area are loaded automatically when the C-190 is switched on.
Saving your settings as
registrations
The C-190 comes with 2 x 4 memories where you can
save the panel settings (“registrations”) for convenient
recall at a later stage.
Here’s what is saved in these memories:
Selected organ registration
Orchestral sound selection
Split point
Coupler II/I status
Voice Palette assignments of the tilt tabs
Tremulant status (on or off)
Melody Orchestra setting
When the C-190 is shipped, these eight memories
already contain useful settings, but feel free to overwrite their contents with your own registrations.
(1) Press [M1÷2] to select the memory bank:
Loading the settings of a memory
To recall the settings of a memory, proceed as follows:
(1) If necessary, press the [M1/2] button to select the
bank that contains the settings you need.
[M1/2] off: Bank “1” is selected.
[M1/2] lights: Bank “2” is selected.
(2) Press [1]~[4] button to load the registration of the
corresponding memory.
You can cancel all settings (switch off all tabs) by
pressing the [0] button.
Saving settings to the global area
The C-190 also provides a global area whose settings
are loaded automatically when the C-190 is switched
on.
[M1/2] off: Bank “1” is selected.
[M1/2] lights: Bank “2” is selected.
(2) Hold down the [SET] button while pressing the [1]~
[4] button that corresponds to the memory where
you wish to save your settings.
Note: The settings previously saved in this memory will be
overwritten by your new registration.
Here’s what is saved to the global area:
Split point
Reverb status and depth
TUNE setting
Windchest Panning
Voicing settings (see p. 20)
(1) Press and hold the [SET] button.
(2) While holding down [SET], press [0] to save the eli-
gible settings to the global area.
The [0] button briefly lights to confirm that your settings have been stored.
19
C-190 Portable Organ
Specialist functions
7. Specialist functions
This chapter discusses functions you may only need occasionally. They help you refine the C-190’s behavior.
The drawings are probably self-explanatory:
Windchest Panning
Use the WINDCHEST PANNING function to specify
where the simulated organ pipes (the C-190 is a digital instrument with no pipes whatsoever) should be
located in the stereo sound field.
The available settings represent common pipe arrangements for church organs.
The following can be set for each organ voice individually. The settings can be saved to the global area (see
p. 19).
(1) Press the [WINDCHEST¥PANNING] button.
(4) Press the [WINDCHEST¥PANNING] button again to
return to normal operation.
From now on, the rank you selected will use the
changed stereo distribution. Do not forget to save
the setting to the global area.
The button flashes. All tilt tab indicators go dark.
(2) Press the tilt tab of the organ voice whose panning
you wish to change.
This can be a tab of any section (PEDAL, MANUAL I or
MANUAL II). Its indicator starts flashing.
(3) Use the [DOWN] and [UP] buttons to select one of
the four available settings.
■Recalling the default Windchest Panning settings
If you decide to return to the factory-set panning
settings, hold down the [REC] button while switching
the C-190 on (this initializes all of the C-190’s settings).
Changing the volume and brilliance
The C-190 provides two functions that allow you to
change the volume and brilliance (filtering) of any
organ or orchestral sound. Such changes can be
saved to the global area.
Changing the volume of just one sound at a time
If you think a given organ or orchestral sound is too
loud (or too soft) with respect to the others, you can
decrease (or increase) its volume without changing the
volume of the remaining sounds. This is therefore a balance setting.
(1) Press the [ORCHESTRA] button to switch it on or
off.
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20
Switch it off if you need to change the volume of an
organ sound. Switch it on to change the volume of
an orchestral sound.
C-190 Portable Organ
Assigning other sounds to the tilt tabs
r
(2) Hold down the [SET] button and press the lower
part of the tilt tab that is assigned to the sound
whose setting you want to change.
This can be any tilt tab except [II/I]. The indicator of
the tab (or the assigned orchestral sound below it)
starts flashing.
(3) Press the [DOWN] or [UP] button to change the vol-
ume.
Press them simultaneously to recall the factory volume setting.
(4) Press [0] to leave this setting mode.
Changing the timbre of a sound
If you think a given organ or orchestral sound is too
bright (or too mellow), here is how to change its timbre:
(1) Press the [ORCHESTRA] button to switch it on or
off.
Switch it off if you need to change the timbre of an
organ sound. Switch it on to change the timbre of an
orchestral sound.
(2) Hold down the [SET] button and press the upper
part of the tilt tab that is assigned to the sound
whose setting you want to change.
(4) Press [0] to leave this setting mode.
Assigning other sounds to the tilt tabs
As you know, the C-190 provides a varying number of
hidden organ sounds for each tilt tab. If you don’t feel
like assigning the desired ranks to the tabs by hand, you
can select one of the four stop configurations prepared
at the factory.
Those stop configurations are: “Classic”, “Romantic”,
“Baroque” and “Solo”.
(1) Hold down the [M1÷2] button (the four MEMORY
buttons start flashing).
(2) Keep holding it while pressing the memory button
of the desired configuration:
[1]= Classic, [2]= Romantic, [3]= Baroque, [4]= Solo.
Here is what those settings correspond to:
STOP CONFIGURATION
Classic Romantic Baroque Solo
Subass 16’ Principalbass 16’ Principalbass 16’ Violonbass 16’
Octavbass 8’
PEDAL
Bombarde 16’
Principal 8’ Diapason 8’ Principal 8’ Diapason 8’
Spitzflöte 4’
Octave 2’
MANUAL I
Mixture IV 1-1/3’
Trompete 8’ Trompette 8’ Trompete 8’ Regal 8'
Octavbass 8’ Gedackt 8’ Gedackt 8’
Choral Bass 4’ Trumpet 8’ Clarine 4’
Principal 4’ Principal 4’ Rohrflöte 4’
Octave 2’ Waldflöte 2’ Waldflöte 2’
Mixture IV 1-1/3’ Mixture IV 1/3’
Sesquialtera II 1-1/3'
This can be any tilt tab except [II/I]. The indicator of
the tab (or the assigned orchestral sound below it)
starts flashing.
(3) Press the [DOWN] or [UP] button to change the
timbre (filter setting).
Press them simultaneously to recall the factory setting.
Bourdon 8’ Flute 8’ Flute 8’ Bourdon 8'
Gemshorn 8’
Prestant 4’
MANUAL II
Quinte 2'-2/3’
Vox Humana 8’
Viola Celeste 8’ Salicional 8’ Salicional 8'
Koppelflöte 4’ Koppelflöte 4’ Fugara 4'
Quinte 2-2/3’ Quinte 2-2/3’ Tierce 1-1/3'
Vox Humana 8’ Hautbois 8’ Hautbois 8'
21
C-190 Portable Organ
Specialist functions
Initializing your C-190
After working extensively with your C-190, you may
want to recall the original factory settings.
“Initializing” means that all eight memories ([1]~[4] in
banks M1 and M2) are be replaced with the original
settings. The song memories will be empty after initializing your C-190.
Here is how to initialize your C-190:
(1) Switch off your C-190.
(2) Hold down the [REC] button while turning your
C-190 back on again.
When the MEMORY indicators ([1]~[4]) go dark, your
C-190 has been successfully initialized.
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22
C-190 Portable Organ
8. Connecting the C-190 to MIDI devices
Read this chapter if you wish to connect the C-190 to an external MIDI device.
After connecting the C-190 to a MIDI sequencer
(Roland MT series or a computer with sequencer software) you can record your playing using that device.
The recorder song data, however, are not transmitted
via MIDI.
When the C-190 is connected to an MT-series module
with built-in sequencer, the rich variety of sounds built
into the MT can be played from the C-190’s keyboard.
About MIDI
MIDI, short for “Musical Instrument Digital Interface,”
was developed as a standard for exchanging performance data between electronic instruments and computers.
The C-190 is equipped with two MIDI “real” connectors
to allow such exchange of performance data with
external equipment and devices. Connecting the C-190
to other devices via these jacks provides you with an
even greater variety of ways to use your instrument.
(Be sure to only connect a PK-series pedal unit to the
PEDAL IN socket.)
■Connecting to a sequencer (Roland MT series)
C-190
MIDI
Note: The MT-80s has no MIDI OUT connector.
■Connecting to a MIDI sound module
C-190
MIDI
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About MIDI
MT series
OUTINPEDAL IN
MIDI sound module
OUTINPEDAL IN
About the MIDI connectors
MIDI IN socket: Use a MIDI cable (sold separately) to
connect this port to the MIDI OUT connector of the
external MIDI device. MIDI messages sent from connected external equipment will be received here. As a
result, the C-190 will produce sound, change tones,
or perform other operations.
MIDI OUT socket: Use a MIDI cable (sold separately)
to connect this port to the MIDI IN connector of the
external MIDI device. Performance data detailing
what has been played on the keyboard, and other
data, such as those generated when the optional
footswitch or expression pedal is used, is transmitted
from here to external MIDI devices.
Making the connections
Note: To prevent malfunction and/or damage to speakers or
other devices, always turn down the volume, and switch off the
power on all devices before making any connections.
(1) Turn the volume down completely on all devices.
(2) Switch off the C-190 and any other device to be
connected.
(3) Use an optional MIDI cable to connect the external
MIDI device to the appropriate MIDI connector on
the C-190.
See the connection examples below. You should also
make the settings below as needed.
(4) Turn on the power to all equipment.
(5) Adjust the volume.
MIDI functions supported by the
C-190
The C-190 can transmit and receive various MIDI
message types, some of which are straightforward,
while others require some insight into the workings
of the MIDI standard.
MIDI channels used by the C-190
The C-190 uses the following MIDI channels for sending
and receiving MIDI messages:
ORGAN sounds Channel
MANUAL I part 12
MANUAL II part 13
PEDAL part 14
ORCHESTRA sounds Channel
PEDAL part 3
MANUAL I part 4
MANUAL II part 5
These channels cannot be changed, so be sure to set the
external device to the channel number of the desired
C-190 part.
23
C-190 Portable Organ
Connecting the C-190 to MIDI devices
■Note messages
The C-190 transmits and receives note messages that
translate which keys you pressed on the keyboard.
■Program change, bank select messages
In ORCHESTRA mode, pressing a tab to select the
desired sound will cause the C-190 to send two bank
numbers (Bank Select MSB & LSB) as well as a program change number. When receiving such a cluster,
the C-190 selects the corresponding sound.
The following numbers are recognized.
CC00 (MSB) CC32 (LSB) PC
PEDAL AC BASS 08 04 12
STRINGED 08 04 13
CELLO 08 04 05
MANUAL I PIANO 08 04 01
E. PIANO 08 04 02
GUITAR 08 04 03
STRINGS 08 04 09
CHOIR 08 04 06
MANUAL II HARPSI 08 04 11
BRASS 08 04 10
VIOLIN 08 04 04
OBOE 08 04 14
FLUTE 08 04 07
CHIMES 08 04 08
■Control changes
In ORCHESTRA mode, the C-190 transmits and
receives CC64 messages that describe when an
optional sustain footswitch (connected to the EXP/
SUS socket) is pressed and released. Furthermore, the
C-190 sends and receives CC11 messages that
describe the movements of an optional expression
pedal.
Other control changes that the C-190 transmits are
CC91 to communicate the reverb depth setting (see
p. 16).
Note: See also the MIDI implementation chart at the end of
this manual.
■SysEx messages
The C-190 also transmits SysEx messages that have a
rather complex structure and are thus only meaningful to seasoned MIDI enthusiasts. If you work with
the internal recorder or an external sequencer, it
may, however, be possible to record them without
even knowing what they look like. See your
sequencer’s manual for details.
If the external sequencer accepts SysEx messages,
you can even record the settings of the PEDAL, MANUAL I and MANUAL II tabs, and transmit those data
back to the C-190 for real-time automation.
SysEx messages are sent and received when the tilt
tabs are operated while the [ORCHESTRA] button is
dark.
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24
9. Appendix
C-190 Portable Organ
Troubleshooting
r
Troubleshooting
If you encounter problems with the C-190, please read
the following before assuming that there is a malfunction.
■The C-190 cannot be switched on
Is the adapter connected properly (page 9)?
■No sound is produced
Is the [VOLUME] slider set to the minimum position
(page 9)?
Are headphones connected? Disconnect them
(page 9).
■Cannot hear the PEDAL sound
Is the [PEDAL] slider set to the minimum position
(page 9)?
Does the indicator of one of the PEDAL tabs light?
Did you connect a MIDI cable to the PEDAL IN socket?
In that case, the PEDAL division needs to be played
from a PK-series pedal unit.
■Cannot select orchestral sounds
Does the [ORCHESTRA] button light? If not, press it.
■The organ sounds are not available
Does the [ORCHESTRA] indicator light? Press it so
that its indicator goes dark.
■Two sounds are produced when the keyboard is
played
Did you press a MANUAL II tilt tab (whose indicator
now lights)? Switch it off.
■The pitch of the keyboard seems incorrect
Is the [TUNE] setting correct (page 16)?
Is the transpose setting correct (page 17)?
Is the temperament setting correct (page 17)?
■The C-190 does not respond to your playing
Did you select the Demo mode? Leave that mode
(page 10).
■While the ORCHESTRA indicator lights, some
sounds are transposed one octave down when a
PEDAL sound is selected
This is normal and intended to provide a more natural distribution of the pitches for the left and right
sections.
■The MANUAL I sound is not available to the left
of the split point
Did you switch on at least one MANUAL I tilt tab after
switching off the [II÷I] tilt tab?
■Bass notes sound wrong/buzzing or vibration
occurs
If you don’t hear the problem in the headphones:
When playing at high volumes, resonance may occur
in the instrument itself, or in objects near the C-190.
At times, other objects in the room, such as fluorescent lights or glass doors, could start vibrating. To
minimize such unwanted resonance, please observe
the following:
• Locate the instrument at least 10~15 cm away from
the walls.
• Reduce the volume.
• Increase the distance from the object that is resonating.
If you can hear the problem in the headphones, there
may be another reason. Please contact your dealer.
■When the C-190 is connected to an external
device
Are the connections between the C-190 and the MIDI
sequencer or the other external device correct
(page 23)?
Specifications
C-190: Roland Portable Organ
■ Keyboard
76 keys (velocity sensitive for orchestral sounds)
(Velocity messages are always transmitted to the MIDI OUT
connector)
■ Tone generation & sounds
PCM sound generation, 128-voice polyphony
Newly sampled waveforms + the best PCM samples from
the Roland sound libraries
● PEDAL division—Subbass 16’, Principal Bass 16’, Violon
Bass 16’, OctaveBass 8’, Gedackt 8’, Bombarde 16’, Trumpet
8’, Choral Bass 4’, Clarine 4’
● MANUAL I division—Principal 8’, Diapason 8’, Bourdon
8’, Spitzflöte 4’, Rohrflöte 4’, Principal 4’, Octave 2’, Waldflöte 2’, Mixture IV 1-1/3’, Sesquialtera II 1-1/3’, Sifflet 1’,
Trompete 8’, Trompette 8’, Regal 8’, Trompete 4’
● MANUAL II division—Bourdon 8’, Flute 8’, Geigen Prin-
cipal 8’, Gemshorn 8’, Viole Celeste II 8’, Salicional 8’,
Gambe 16’, Prestant 4’, Koppelflöte 4’, Fugara 4’,
Quinte 2-2/3’, Doublette 2’, Tierce 1-1/3’, Scharff III 1’, Vox
Humana 8’, Fagott 16’, Krummhorn 8’, Hautbois 8’,
Clarion 4’
■ Orchestral tones
14 (3 for PEDAL, 5 for MANUAL I, 6 for MANUAL II)
■ Digital effect
Reverb with adjustable depth
■ Demo songs
28 complete songs, divided into 4 groups: Wedding,
Orchestra, Bach and Variety
25
C-190 Portable Organ
Appendix
■ Panel controls
VOLUME slider, PEDAL slider, MANUAL I slider, 15 tilt tabs
with orange indicators, TRANSPOSE button, TUNE button,
UP/DOWN buttons, ORCHESTRA button, SET/SPLIT button,
M1/2 (memory bank selection), MEMORY buttons for 2 x 4
registrations, REC button, PLAY button, REVERB button,
WINDCHEST PANNING button
■ Transposition
–5~+6 semitones
■ Recorder
1 track, 4 song memories, records notes and settings
■ Connections
PEDAL IN, MIDI IN & OUT, OUTPUT Stereo (L/Mono - Right);
EXP/SUST, 2 headphone connectors
■ Amplification
10W + 10W rms
Speakers: ø10cm
■ Power supply
PSB-4U adapter
■ Dimensions
1156 (W) x 108 (H) x 347 (D) mm
■ Weight
11kg (C-190 only)
■ Options
Stand KS-C-190 (1145 x 670 x 390 mm/9kg),
PK-5/PK-7/PK-25 dynamic MIDI pedal unit,
DP-2, DP-6, or BOSS FS-5U footswitch,
EV-5, EV-7 or BOSS FV-300L expression pedal,
RH-25, RH-50, RH-200 headphones
Note: In the interest of product improvement, the specifications and/or appearance of this instrument are subject to
change without prior notice.
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26
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C-190
Bedienungsanleitung
DEUTSCH DEUTSCH
Vielen Dank, dass Sie sich für eine tragbare Orgel C-190 von Roland entschieden haben. Die C-190 ist eine neue Orgel für religiöse
Gemeinden sowie alle anderen Gelegenheiten, wo hochwertige Orgel- und Orchesterklänge in einem kompakten Instrument benötigt werden. Sie bietet außerdem eine Funktion, die ein zweimanualiges Instrument simuliert.
Gleichzeitige Verwendung von Orgel- und Orchesterklängen
Die C-190 enthält die besten Orgelklänge, die Roland bisher entwickelt hat. Zusätzlich stehen Ihnen aber auch erstklassige Instrumentalklänge zur Verfügung, die Sie zusammen mit der Orgelsektion nutzen können.
Um die C-190 “zweimanualig” zu spielen, kann man die 76er-Tastatur in zwei Bereiche aufteilen (“splitten”).
Bass- und Manual-Part
Obwohl die C-190 nur ein Manual bietet, können Sie außer monophonen Bass-Parts auch polyphone Instrumental-Parts spielen.
Normalerweise übernimmt der PEDAL-Part die monophone Bass-Stimme, d.h. er “doppelt” die jeweils tiefste Note, die Sie auf der
Tastatur spielen. Wenn Sie allerdings ein optionales MIDI-Pedal an die C-190 anschließen, lässt sich die PEDAL-Sektion per Fuß auch
polyphon spielen.
Recorder-Funktion
Die C-190 bietet eine Funktion, mit der Sie bequem Ihr eigenes Spiel aufzeichnen können.
Bitte lesen Sie sich vor dem Einsatz dieses Instruments den Abschnitt auf der nächsten Seite sorgfältig durch. Dort finden Sie nämlich wichtige Hinweise zum ordnungsgemäßen Betrieb der C-190.
Um die Funktionen der C-190 so schnell wie möglich kennen zu lernen und bei der Bedienung alles richtig zu machen, sollten Sie
sich diese Bedienungsanleitung vollständig durchlesen.
Um Verwirrungen zu vermeiden, wollen wir den Begriff “Taster” für die Druckknöpfe auf dem Bedienfeld verwenden und nur von
“Tasten” sprechen, wenn von der Tastatur der C-190 die Rede ist.
DEUTSCH DEUTSCH
Copyright ©2005 ROLAND EUROPE. Alle Rechte vorbehalten. Diese Bedienungsanleitung darf ohne die schriftliche Genehmigung der Roland Europe S.p.a. weder auszugsweise,
noch vollständig kopiert, anderweitig verwendet, verteilt oder veröffentlicht werden.
C-190 Tragbare Orgel
HINWEISE FÜR EINE SICHERE HANDHABUNG
MASSNAHMEN FÜR DIE VERMEIDUNG VON BRÄNDEN, STROMSCHLÄGEN UND VERLETZUNGEN
Über die WARNUNG und VORSICHT Hinweise Über die Symbole
Das Symbol weist auf wichtige Instruktionen oder Warnungen hin. Die genaue Bedeutung des Symbols richtet sich
nach dem Zeichen in dem Dreieck. Das hier gezeigte Symbol
bedeutet beispielsweise, daß es sich um einen allgemeinen
Hinweis auf mögliche Gefahren handelt.
Das Symbol verweist auf Handlungen hin, die Sie niemals
ausführen dürfen (welche verboten sind). Was genau verboten ist, können Sie an dem Symbol in dem Kreis ablesen.
Das hier gezeigte Symbol bedeutet beispielsweise, daß das
Gehäuse nicht geöffnet werden darf.
Das ● Symbol bezeichnet Dinge, die Sie unbedingt
ausführen müssen. Auch hier richtet sich die genaue Bedeutung nach dem Symbol in dem schwarzen Kreis. Das hier gezeigte Symbol bedeutet beispielsweise, daß der Netzanschluß
gelöst werden muß.
WARNUNG
VORSICHT
Dieses Symbol signalisiert Dinge, welche
den Anwender bei unsachgemäßer Behandlung auf die Gefahr schwerer Verletzungen
(eventuell mit Todesfolge) hinweisen.
Weist auf Verletzungsgefahr oder mögliche
Sachschäden hin, die sich aus einer unsachgemäßen Bedienung ergeben können.
* Mit "Sachschäden" sind hier Schäden an
den Möbeln oder Verletzungen von
Haustieren gemeint.
BITTE FOLGENDE PUNKTE BEACHTEN
WARNUNG
• Lesen Sie sich vor dem Einsatz dieses Produkts alle Hinweise dieser Seite sowie den Rest dieser Bedienungsanleitung durch.
.................................................................................................
• Versuchen Sie niemals, das Instrument zu öffnen (oder
Modifikationen jeglicher Art vorzunehmen) und beschädigen Sie niemals das beiliegende Netzteil.
.................................................................................................
• Versuchen Sie niemals, das Instrument zu reparieren oder
selbst defekte Teile zu erneuern. Überlassen Sie alle Wartungs- und Reparaturarbeiten Ihrem Roland-Händler,
einer qualifizierten Kundendienststelle oder dem offiziellen Roland-Vertrieb (siehe die Adressen auf der “Information”Seite).
.................................................................................................
• Verwenden bzw. lagern Sie dieses Gerät niemals an folgenden Orten:
• Orte, die extremen Temperaturen ausgesetzt sind (z.B.
in der prallen Sonne, in einem geschlossenen Fahrzeug,
in der Nähe eines Heizkörpers, Herdes usw.);
• Feuchte Orte (Bad, Waschküche, nasser Fußboden
usw.);
• Nasse Orte;
• Draußen im Regen;
• Staubige Orte;
• Orte, die starken Vibrationen ausgesetzt sind.
.................................................................................................
• Verwenden Sie ausschließlich das zum Lieferumfang des
Instruments gehörige Netzteil. Die Netzspannung der
verwendeten Steckdose muss den Angaben auf dem
Typenschild entsprechen.
.................................................................................................
• Beschädigen Sie niemals das Netzkabel. Spannen Sie es
niemals übermäßig, laufen Sie nicht darüber und stellen
Sie keine schweren Gegenstände usw. darauf. Bei Verwendung eines beschädigten Netzkabels besteht Stromschlag- bzw. Brandgefahr. Verwenden Sie das Netzteil
niemals, wenn es eine sichtbare Beschädigung aufweist.
• Dieses Instrument kann einen Schallpegel erzeugen, der
zu einem permanenten Hörschaden führen kann. Verwenden Sie es niemals über einen längeren Zeitraum bei
hohem Schallpegel. Wenden Sie sich bei Verdacht auf
Gehörverlust oder andere Beschwerden sofort an einen
Ohrenarzt.
................................................................................................
WARNUNG
• Achten Sie darauf, dass niemals Fremdkörper (brennbare
Stoffe, Münzen, Büroklammern usw.) oder Flüssigkeiten
(Wasser, Getränke usw.) in das Geräteinnere gelangen.
................................................................................................
• Schalten Sie das Gerät sofort aus, lösen Sie den Netzanschluss und wenden Sie sich an Ihren Roland-Händler
oder den Vertrieb (siehe die “Information”-Seite), wenn:
• Das Netzteil beschädigt wurde;
• Fremdkörper oder Flüssigkeiten ins Geräteinnere
gelangt sind.
• Das Gerät im Regen gestanden hat (oder nass gewor-
den ist);
• Sich das Gerät nicht erwartungsgemäß verhält oder in
seiner Leistung merklich nachgelassen hat.
................................................................................................
• In Familien mit kleinen Kindern müssen die Eltern darauf
achten, dass die Kinder das Gerät erst dann alleine bedienen, wenn sie mit allen wichtigen Bedienungsverfahren
vertraut sind.
................................................................................................
• Setzen Sie das Gerät niemals schweren Erschütterungen
aus.
(Lassen Sie es niemals fallen!)
................................................................................................
• Schließen Sie das Netzkabel niemals an einen Stromkreis
an, der bereits mehrere andere Geräte speist. Seien Sie
besonders vorsichtig mit Verlängerungskabeln: die
Gesamtleistungsaufnahme aller daran angeschlossenen
Geräte darf niemals größer sein als die Angaben auf dem
Kabel, weil sonst die Adern schmelzen, was zu Kurzschlüssen führt.
................................................................................................
.................................................................................................
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28
C-190 Tragbare Orgel
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• Vor dem Einsatz dieses Produkts im Ausland wenden Sie
sich mit eventuellen Fragen bezüglich der Stromversorgung bitte an Ihren Händler oder den Vertrieb (siehe die
“Information”-Seite).
.................................................................................................
VORSICHT
• Das Instrument und das Netzkabel müssen immer so aufgestellt bzw. verlegt werden, dass eine ausreichende Lüftung gewährleistet ist.
.................................................................................................
• Ziehen Sie beim Herstellen bzw. Lösen des Netzanschlusses immer am Stecker bzw. Gehäuse des Netzteils.
• Wenn Sie das Instrument längere Zeit nicht zu verwenden gedenken, lösen Sie am besten das Netzteil.
.................................................................................................
• Netz- und Signalkabel sollten niemals miteinander verdreht werden. Verlegen Sie alle Kabel außerdem immer
außerhalb der Reichweite von Kindern.
.................................................................................................
Inhaltsverzeichnis
• Setzen Sie sich niemals auf das Gerät und stellen Sie
keine schweren Gegenstände darauf.
................................................................................................
• Fassen Sie das Netzteil beim Herstellen/Lösen des Netzanschlusses niemals mit feuchten oder nassen Händen
an.
VORSICHT
• Schalten Sie das Instrument vor dem Reinigen aus und
ziehen Sie das Netzteil aus der Steckdose (S. 33).
................................................................................................
• Im Falle eines Gewitters lösen Sie am besten den Netzanschluss.
................................................................................................
1. Beschreibung der Bedienelemente . . . . . . . . . . . . 30
Rückseite. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Kopfhöreranschlüsse . . . . . . . . . . . . . . . . . . . . . . . . . .32
2. Erste Schritte . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Anschließen des Netzteils . . . . . . . . . . . . . . . . . . . . . . 33
Ein- und Ausschalten . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Einstellen der Lautstärke . . . . . . . . . . . . . . . . . . . . . . . 33
Anschließen eines Kopfhörers (Sonderzubehör) . . . 33
Anhören der Demosongs . . . . . . . . . . . . . . . . . . . . . . . 34
3. Spielen von Orgelmusik . . . . . . . . . . . . . . . . . . . . . 35
Registrierung der MANUAL I-Division . . . . . . . . . . . . 35
Hinzufügen der MANUAL II-Division . . . . . . . . . . . . . 35
MANUAL I und II in separaten Zonen spielen. . . . . . 36
Tremulant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Verwendung der PEDAL-Division . . . . . . . . . . . . . . . . 36
Anwahl weiterer Orgelklangfarben . . . . . . . . . . . . . . 38
4. Verwendung der Orchesterklänge . . . . . . . . . . . . 39
Anwahl der Klänge . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Verwendung eines Haltepedals. . . . . . . . . . . . . . . . . . 39
Orchestermelodie-Funktion. . . . . . . . . . . . . . . . . . . . . 39
Verwendung des Glockenspielklangs. . . . . . . . . . . . . 39
5. Andere Funktionen. . . . . . . . . . . . . . . . . . . . . . . . . 40
Hinzufügen von Hall (Reverb). . . . . . . . . . . . . . . . . . . 40
Anwahl anderer Stimmungen. . . . . . . . . . . . . . . . . . . 40
Transponieren (selber Fingersatz, andere Noten). . . 41
Aufnehmen Ihres Spiels . . . . . . . . . . . . . . . . . . . . . . . . 42
Verwendung der Audio-Ausgänge. . . . . . . . . . . . . . . 42
6. Verwendung der Speicher . . . . . . . . . . . . . . . . . . . 43
Speichern der Einstellungen als Registrierungen . . 43
Aufrufen gespeicherter Einstellungen. . . . . . . . . . . . 43
Einstellungen im Global-Bereich speichern . . . . . . . 43
7. Spezielle Funktionen. . . . . . . . . . . . . . . . . . . . . . . .44
Windchest Panning . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Ändern der Lautstärke und Klangfarbe. . . . . . . . . . . 44
Die Klangbelegung der Wippen ändern . . . . . . . . . . 45
Initialisieren der C-190 . . . . . . . . . . . . . . . . . . . . . . . . 46
8. MIDI-Funktionen der C-190. . . . . . . . . . . . . . . . . . 47
Apropos MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Herstellen der Anschlüsse . . . . . . . . . . . . . . . . . . . . . . 47
MIDI-Funktionen, welche die C-190 unterstützt . . 47
9. Anhang. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
Fehlersuche . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Technische Daten . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
10. MIDI Implementation Chart. . . . . . . . . . . . . . . . .147
29
C-190 Tragbare Orgel
Beschreibung der Bedienelemente
1. Beschreibung der Bedienelemente
Bedienfeld
A B DC E F G
H I J K L M
A
VOLUME-Regler
Mit diesem Regler kann die Lautstärke aller Sektionen
(PEDAL, MANUAL I und MANUAL II) gemeinsam erhöht
oder verringert werden.
B
PEDAL-Regler
Mit diesem Regler kann die Lautstärke des PEDAL-Parts
eingestellt werden (siehe S. 33).
C
POWER SWITCH-Taster
Drücken Sie diesen Taster ein Mal, um die C-190 einzuschalten. Drücken Sie ihn erneut, um die C-190 wieder auszuschalten.
D
PEDAL-Wippen
Mit diesen Wippen können die betreffenden Orgel-Bassklänge (SUB BASS, OCTAVE BASS und BOMBARDE) oder
Orchester-Bassklänge (ACC BASS, STRINGED und CELLO)
ein-/ausgeschaltet werden.
E
MANUAL I-Regler
Mit diesem Regler kann die Lautstärke der MANUAL I-Sektion eingestellt werden ((siehe S. 33)).
F
MANUAL I-Wippen
Wenn der ORCHESTRA-Taster nicht leuchtet, dienen diese
Wippen zum Aktivieren oder Ausschalten des betreffenden
Orgelregisters. Es können auch alle Register eingeschaltet
werden.
Wenn der ORCHESTRA-Taster leuchtet, können Sie durch
Drücken den unter der Wippe angegebenen Orchesterklang
wählen.
G
II/I-Register (“Koppel”)
Die C-190 bietet zwei Divisionen: “MANUAL I” und
“MANUAL II”. Mit dieser Wippe bestimmen Sie, ob die Divisionen simultan (mit den gleichen Tasten) oder über
getrennte Tastaturbereiche gespielt werden.
H
TRANSPOSE-Taster
Mit diesem Taster kann die Klaviatur transponiert werden.
Somit können Sie auch weiterhin in der vertrauten Tonart
spielen, während die Noten in einer anderen Tonart wiedergegeben werden. Siehe S. 41.
I
TUNE-Taster
Vorgabeseitig ist die C-190 (wie alle elektronischen Musikinstrumente) auf A4= 440Hz gestimmt. Solange Sie diese
Einstellung nicht ändern, leuchtet dieser Taster auch nicht.
Sie können aber auch eine andere Kammertonfrequenz
wählen und diese Einstellung im Global-Bereich speichern.
J
UP/DOWN-Taster
Mit diesen Tastern lassen sich Einstellungen ändern (z.B.
Kammertonfrequenz oder Halleffekt). Normalerweise sind
sie dem Halleffekt zugeordnet.
K
ORCHESTRA-Taster
Drücken Sie diesen Taster, um die Orchesterklänge der
C-190 anzuwählen. Sie können jeweils einen dieser Klänge
dem aktuell verwendeten Orgelregister hinzufügen. Siehe
S. 39.
L
SPLIT/SET-Taster
Diesen Taster benötigen Sie für zwei Funktionen: zum Verschieben des Splitpunktes zwischen MANUAL I und
MANUAL II (bei ausgeschalteter
Sichern Ihrer Einstellungen in einem der acht Speicher (2
Bänke je 4 Speicherplätze). Siehe S. 36 und 43.
M
MEMORY-Taster (M 1/2, 1~4, 0)
Die C-190 verfügt über zwei Bänke mit je vier Speicherplätzen: insgesamt also acht Speicher, die Sie über die Taster
[M1/2]
und
um alle Einstellungen des aktuell gewählten Speichers zu
löschen und sämtliche Register und Orchesterklänge
stumm zu schalten.
[II/I]
-Wippe) sowie zum
[1]~[4]
erreichen. Drücken Sie den Taster
[0]
,
r
30
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