Roland V-Synth XT User Manual

Errata

We apologize for the following errors in the V-Synth XT Owner’s Manual. Please make the corrections listed below.

P.41 Step 6

(Incorrect)

To save your patch, use the procedure described in “Saving Patches (PATCH Write)”(p. 53).

(Correct)

To save your patch, use the procedure described in “Saving Patches (PATCH Write)”(p. 53) and “Saving Project on Disk (Save

Project)”(p. 132) .

P.78 right column Step 6

(Incorrect)

Save your patch as described in “Saving Patches (PATCH Write)” (p. 75).

(Correct)

Save your patch as described in “Saving Patches (PATCH Write)” (p. 75) and “Saving Project on Disk (Save Project)”(p. 132) .

P.125 left column “Clock Source”

(Incorrect)

Value INTERNAL: EXTERNAL:

(Correct)

Value INT: MIDI: USB MIDI:

The Patch Tempo will be used.

Synchronize to the clock of an external sequencer.

The Patch Tempo will be used.

Synchronize to the clock of an external MIDI.

Synchronize to the clock of an external USB MIDI.

P.129 right column “KBD Output”

(Incorrect)

KBD Output

Specifies whether the video output from the video device will be stopped (ON) or will not be stopped (OFF) when you are not holding down a key.

Value:

(Correct)

Delete

(V-LINK Keyboard Output Fade Switch)

OFF, ON

P.156 “Common Group” table MIDI/USB –Clock Source

(Incorrect)

Parameter

Clock Source

(Correct)

Parameter

Clock Source

For the latest information about MIDI Implementation, please visit

Value

INTERNAL, EXTERNAL

Value

INT, MIDI, USB MIDI

http://www.roland.com/

お詫びと訂正

「V-Synth XT 取扱説明書」の内容に誤りがありましたので、ここに謹んでお

詫び申し上げるとともに、次のように訂正させていただきます。

P.42 手順

（誤）

「パッチを保存する（PATCH Write）」（P.53）の手順で保存してくださ

（正）

「パッチを保存する（PATCH Write）」（P.53）と

P.78 右段手順 66

（誤）

「パッチを保存する（PATCH Write）」（P.75）の手順で保存してくださ

（正）

「パッチを保存する（PATCH Write）」（P.75）と

い。

ススススククククにににに保保保保存存存存すすすするるるる（（（（SSSSaaaavvvveeeePPPPrrrroooojj

い。

ススススククククにににに保保保保存存存存すすすするるるる（（（（SSSSaaaavvvveeeePPPPrrrroooojj

jjeeeecccctttt））））」」」」（（（（PPPP....111133333333））））

「「「「ププププロロロロジジジジェェェェククククトトトトををををデデデディィ

の手順で保存してください。

「「「「ププププロロロロジジジジェェェェククククトトトトををををデデデディィ

の手順で保存してください。

P.125 左段「Clock Source（クロック・ソース）」

（誤）

設定値 INTERNAL：パッチ・テンポに合わせます。 EXTERNAL：外部シーケンサーのクロックに合わせます。

（正）

設定値 INT：パッチ・テンポに合わせます。

ィィ

MIDI：外部 MIDI のクロックに合わせます。 USB MIDI：外部 USB MIDI のクロックに合わせます。

P.156 表「Common グループ」 MIDI / USB − Clock Source

（誤）

パラメーター設定値

Clock Source クロック・ソース INTERNAL, EXTERNAL

ィィ

（正）

パラメーター設定値

Clock Source クロック・ソース INT, MIDI, USB MIDI

MIDI インプリメンテーションに関する最新情報は、ローランドの Web サイトをご覧ください

http://www.roland.co.jp/

VVVV----SSSSyyyynnnntttthhhhXXXXTT

LEAFLET

40670834 1PD

201b

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 4). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual and Sound List should be read in its entirety. These manuals should be saved and kept on hand as a convenient reference.

OWNER’S MANUAL

Thank you, and congratulations on your choice of the Roland V-Synth XT.

204

* Microsoft and Windows are registered trademarks of Microsoft Corporation.

206j

* Windows® is known officially as: “Microsoft® Windows® operating system.”

207

* Apple and Macintosh are registered trademarks of Apple Computer, Inc.

209

* Mac OS is a trademark of Apple Computer, Inc.

230

* SmartMedia is a trademark of Toshiba Corp.

231

* OMS is a registered trademark of Opcode Systems, Inc.

232

* FreeMIDI is a trademark of Mark of the Unicorn, Inc.

220

* All product names mentioned in this document are trademarks or registered trademarks of their respective

owners.

202

POWER

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Unplug this apparatus during lightning storms or when unused for long periods of time.

13. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

For the U.K.

WARNING: IMPORTANT:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the

letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

THIS APPARATUS MUST BE EARTHED THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

........................................................................................................................

001-50

• Connect mains plug of this model to a mains socket outlet with a protective earthing connection.

........................................................................................................................

002a

• Do not open or perform any internal modifications on the unit.

........................................................................................................................

003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

........................................................................................................................

004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

........................................................................................................................

005

• This unit should be used only with a rack or stand that is recommended by Roland.

........................................................................................................................

006

• When using the unit with a rack or stand recommended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

........................................................................................................................

008a

• The unit should be connected to a power supply only of the type described in the operating instructions, or as marked on the rear side of unit.

........................................................................................................................

008e

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

........................................................................................................................

009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

........................................................................................................................

010

•

This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

........................................................................................................................

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

........................................................................................................................

012a

• Immediately turn the power off, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The power-supply cord, or the plug has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

........................................................................................................................

013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

........................................................................................................................

014

• Protect the unit from strong impact. (Do not drop it!)

........................................................................................................................

015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

........................................................................................................................

016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

........................................................................................................................

023

• DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.

........................................................................................................................

026

• Do not put anything that contains water (e.g., flower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

........................................................................................................................

USING THE UNIT SAFELY

101a

• The unit should be located so that its location or position does not interfere with its proper ventilation.

........................................................................................................................

102b

• Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.

........................................................................................................................

103a

• At regular intervals, you should unplug the power plug and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

........................................................................................................................

104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

........................................................................................................................

106

• Never climb on top of, nor place heavy objects on the unit.

........................................................................................................................

107b

• Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

........................................................................................................................

108a

• Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.

........................................................................................................................

109a

• Before cleaning the unit, turn off the power and unplug the power cord from the outlet (p. 54).

........................................................................................................................

110a

• Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.

........................................................................................................................

118c

• Keep any screws you may remove and the included screws in a safe place out of children's reach, so there is no chance of them being swallowed accidentally.

........................................................................................................................

120

• Always turn the phantom power off when connecting any device other than condenser microphones that require phantom power. You risk causing damage if you mistakenly supply phantom power to dynamic microphones, audio playback devices, or other devices that don’t require such power. Be sure to check the specifications of any microphone you intend to use by referring to the manual that came with it.

(This instrument’s phantom power: 48 V DC, 10 mA Max)

........................................................................................................................

IMPORTANT NOTES

291b

In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2–4, please read

and observe the following:

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

308

• Although the LCD and LEDs are switched off when the POWER switch is switched off, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up on a memory card, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

USING THE UNIT SAFELY

Additional Precautions

• You cannot detach the V-Synth XT's rack-mounting hardware from the main unit. Also, you must never loosen any screws other than the “rotation lock hardware” (P.19). Doing so will cause malfunctions.

• Before you transport the V-Synth XT, you must install the included “rotation lock hardware.” The unit may be damaged if you transport it without the “rotation lock hardware” installed (p. 19).

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a memory card.

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit's memory, on a memory card, or in another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself— never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

557

• A small amount of heat will radiate from the unit during normal operation.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

562

• Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

Compatibility of patches created on an older version of V-Synth

•

Be aware that if patches created on a V-Synth with a system version older than 2.0 (i.e., versions 1.00 through 1.51 of the system) use preset PCM waves, those patches will not play correctly on version 2.0.

Before Using Cards

Using Memory Cards

704

• Carefully insert the DATA card all the way in—until it is firmly in place.

705

• Never touch the terminals of the memory card. Also, avoid getting the terminals dirty.

708

• Memory cards are constructed using precision components; handle the cards carefully, paying particular note to the following.

• To prevent damage to the cards from static electricity, be sure to discharge any static electricity from your own body before handling the cards.

• Do not touch or allow metal to come into contact with the contact portion of the cards.

• Do not bend, drop, or subject cards to strong shock or vibration.

• Do not keep cards in direct sunlight, in closed vehicles, or other such locations (storage temperature: -25 to 85˚ C).

• Do not allow cards to become wet.

• Do not disassemble or modify the cards.

Handling CD-ROMs

801

• Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.

851

• Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is held by a third party is prohibited by law.

852b

• When exchanging audio signals through a digital connection with an external instrument, this unit can perform recording without being subjected to some of the restrictions of the Serial Copy Management System (SCMS). This is because the unit is intended solely for musical production, and is designed not to be subject to restrictions as long as it is used to record works (such as your own compositions) that do not infringe on the copyrights of others. (SCMS is a feature that prohibits second-generation and later copying through a digital connection. It is built into MD recorders and other consumer digital-audio equipment as a copyright-protection feature.)

853

• Do not use this unit for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.

■Patches that use a PCM oscillator

Patches that use preset waves

Not compatible Will NOT play correctly in version 2.0

Patches that use user waves

Upwardly compatible Can be imported and played in version 2.0

■Patches that use an analog oscillator

■Patches that use an external input oscillator

Upwardly compatible Can be imported and played in version 2.0

How To Use This Manual

This owner’s manual is organized as follows.

For details on all the patches and waves that the V-Synth XT

contains, refer to the separate “Sound List.”

Quick Start (

This chapter offers a basic introduction to the V-Synth XT, and

provides simple, easy-to-understand explanations, allowing the

beginner to quickly experience many of the V-Synth XT’s exciting

features. As you read the Quick Start, we recommend actually

performing the described operations on your V-Synth XT. This’ll

help you understand most of what you need to know for basic

operations.

Reference (

p. 17)

p. 55)

Overview of the V-Synth XT

This explains the structure of the V-Synth XT, and basic operation.

Reading it is essential for understanding V-Synth XT operational

procedures.

Playing in Patch Mode

This explains how to play the V-Synth XT in Patch mode. Reading it

is essential for understanding V-Synth XT operational procedures.

Creating a Patch

This chapter explains how to create patches, and describes what the

patch parameters do and how they are composed. Read this chapter

when you wish to create patches.

Other Functions

This explains how to transmit data to an external MIDI device (Data

Transfer), and how to restore all data of the V-Synth XT to the

factory settings (Factory Reset). Read it as necessary.

Appendices (p. 149)

This chapter contains a troubleshooting section for use when the V-

Synth XT is not functioning as expected. There is also a list of

messages that you can refer to if an message appears on the display.

A list of parameters and a MIDI implementation chart are also

provided.

Notation Used in This Owner’s Manual

To make operation procedures easy to understand, the following

notation system is adopted:

Characters and graphics in square brackets [ ] indicate buttons and

knobs on the front panel. For example, [MODE] indicates the MODE

button, and [ ], [ ], [ ], and [ ] indicates the cursor

buttons.

Text or graphics enclosed in < > indicate objects in the screen (touch

screen) that can be touched using your finger. The manual will

instruct you to “touch” the object shown in the touch screen.

(p. **) refers to pages within the manual.

Below are the meanings of the symbols preceding certain sentences

in the text.

These are notes. Be sure to read them.

Creating a Rhythm Kit (Rhythm Mode)

This chapter explains how to create a Rhythm Kit.

Creating and Editing Samples (Sample Mode)

This explains how to sample, and how to edit and encode samples.

Read this when you want to sample sounds.

Settings Common to All Modes (System Mode)

This chapter describes how the System parameters that determine

the V-Synth XT’s operation environment work and how these

parameters are organized. Read it as necessary.

Disk-Related Functions (Disk Mode)

This chapter covers disk-related operations such as saving data to

disk and loading data from disk. Read it as necessary.

Transferring Data (USB Mode)

This explains how to connect the V-Synth XT to your computer, and

transfer data such as patches and waves. Read this as necessary.

These are reference memos. Read it as necessary.

These are hints for operating the V-Synth XT. Read it as

necessary.

These provide information from related reference pages. Read it

as necessary.

985

The display screens printed in this owner’s manual are based on

the factory settings. However, please be aware that in some cases

they may differ from the actual factory settings.

Please be aware that in the screen shots printed in this manual,

the patch names may differ from the factory settings.

Separate booklet: V-Card owner's manual

The Roland “V-Card” series software VC-1 and VC-2 are

preinstalled in the V-Synth XT. For details on how to use the VC-1

“D-50” and VC-2 “Vocal Designer,” refer to the separate “V-Card

owner's manual.”

How To Use This Manual........................................................................................... 6

Notation Used in This Owner’s Manual...................................................................................... 6

Main Features........................................................................................................... 12

Panel Descriptions................................................................................................... 14

Front Panel................................................................................................................................................. 14

Rear Panel.................................................................................................................................................. 16

Quick Start ........................................17

Getting Ready........................................................................................................... 18

Placing the V-Synth XT............................................................................................................................ 18

Connecting an Amp and Speaker System............................................................................................. 20

Turning On the Power ............................................................................................................................. 21

Starting up V-Card ...................................................................................................................................22

Adjusting the Display Contrast (LCD Contrast).................................................................................. 22

Installing the PC Card Protector ............................................................................................................23

Basic Touch Screen Operation............................................................................... 24

Enabling/Disabling the Beep Tone........................................................................................................ 24

Moving the Cursor ................................................................................................................................... 25

Editing a Value.......................................................................................................................................... 26

Using the numeric keys for input .......................................................................................................... 27

Try Out the Sounds.................................................................................................. 28

Selecting Patches and Playing Sounds .................................................................................................. 28

Playing a Patch on the V-Synth XT from an External MIDI Device (MIDI Keyboard).................. 29

Selecting Patches from the List............................................................................................................... 29

Selecting Favorite Patches (Patch Palette)............................................................................................. 30

Playing a drum set (Rhythm mode) ...................................................................................................... 31

Try Out the Various Performance Features........................................................... 32

Manipulating Sounds with the Time Trip Pad ....................................................................................32

Using Knobs to Modify the Sound in Realtime (E1–E8 knobs) ......................................................... 34

Playing Arpeggios (Arpeggiator)........................................................................................................... 36

Using steps to vary the sound (Multi Step Modulator)...................................................................... 38

Holding the notes you play (Key Hold)................................................................................................ 39

Creating a Patch....................................................................................................... 40

Creating a patch intuitively (Sound Shaper)........................................................................................ 40

Initializing Patch Settings........................................................................................................................ 42

Selecting a Structure Type....................................................................................................................... 43

Switching Each Section On/Off ............................................................................................................. 45

Setting Up the Oscillators (OSC1/2)...................................................................................................... 46

Mixing/Modulating Two Sounds (Mod)..............................................................................................47

Applying COSM Modeling to Oscillators (COSM1/2)....................................................................... 48

Shaping a Sound’s Volume Over Time (TVA)..................................................................................... 49

Adding the V-Synth XT Effects ..............................................................................................................50

Saving Patches You’ve Created.............................................................................................................. 51

Turning Off the Power............................................................................................................................. 54

Contents

Reference ..........................................55

Overview of the V-Synth XT .................................................................................... 56

How the V-Synth XT Is Organized ........................................................................................................ 56

Basic Structure ............................................................................................................................... 56

Polyphony ...................................................................................................................................... 56

About Multitimbral Performance ...............................................................................................56

Memory...................................................................................................................................................... 57

Memory Structure ......................................................................................................................... 57

Basic Operation of the V-Synth XT ........................................................................................................ 58

Changing Operating Modes ([MODE]) .....................................................................................58

Playing in Patch Mode............................................................................................. 60

About the PATCH PLAY Screen............................................................................................................ 60

Displaying PATCH PLAY Screen............................................................................................... 60

Selecting a Patch .......................................................................................................................................60

Selecting Favorite Patches (Patch Palette) ................................................................................. 61

Selecting Patches by Category..................................................................................................... 61

Selecting Patches from the List.................................................................................................... 62

Playing Single Notes (Mono).................................................................................................................. 63

Creating Smooth Pitch Changes (Portamento) ....................................................................................63

Making Controller-related Settings (Control) ......................................................................................63

Playing Arpeggios (Arpeggiator)........................................................................................................... 64

Holding an Arpeggio.................................................................................................................... 64

Making Arpeggiator Settings ...................................................................................................... 65

Creating an Original Arpeggio Pattern (Pattern Edit)............................................................. 65

Using steps to vary the sound (Multi Step Modulator)...................................................................... 68

Applying Various Effects to the Sound................................................................................................. 69

Applying an Effect by Touching Your Finger to the Pad (Time Trip Pad)........................... 69

Applying an Effect by Turning a Knob (E1–E8 knobs) ........................................................... 70

Synchronizing Music and Video While You Play the V-Synth XT (V-LINK) .................................71

Enter V-LINK Mode ..................................................................................................................... 71

V-LINK Functions that the V-Synth XT Can Control and MIDI Messages.......................... 71

Creating a Patch....................................................................................................... 72

How to Make the Patch Settings ............................................................................................................72

Initializing Patch Settings (PATCH Init) ................................................................................... 73

Copying Patch Settings (PATCH Copy).................................................................................... 73

Naming a Patch (PATCH Name)........................................................................................................... 74

Assigning the Category of a Patch......................................................................................................... 74

Saving Patches (PATCH Write).............................................................................................................. 75

Auditioning the Save-Destination Patch (Compare) ............................................................... 76

Registering a Favorite Patch (Patch Palette) ............................................................................. 76

Deleting Patches (PATCH Delete) .........................................................................................................77

Creating a patch intuitively (Sound Shaper)........................................................................................ 77

Functions of Patch Parameters ...............................................................................................................79

Settings Common to the Entire Patch (Common) .................................................................... 79

Modifying Waveforms (OSC1/OSC2) ....................................................................................... 86

Mixing/Modulating Two Sounds (MOD)................................................................................. 93

Applying Various Effects to Each Note You Play (COSM1/COSM2) ..................................93

Adjusting the Volume and Pan (TVA)....................................................................................... 94

Making Envelope Settings ...........................................................................................................95

Making LFO Settings ....................................................................................................................96

Setting Effects for a Patch (Effect)............................................................................................... 97

Zone Settings (Zone) ................................................................................................................................99

Splitting the Keyboard to Play Different Sounds (Split) .........................................................99

Creating a Drum Patch (Drum)................................................................................................. 101

Contents

Creating a Rhythm Kit (Rhythm Mode) ................................................................ 102

The concept of a Rhythm Kit ................................................................................................................102

Playing in Rhythm mode ...................................................................................................................... 102

Creating a Rhythm Kit........................................................................................................................... 103

Creating and Editing Samples (Sample Mode).................................................... 104

Sampling .................................................................................................................................................. 104

Settings Before You Sample (What Is a Template?) ...............................................................104

Sampling Procedure ................................................................................................................... 105

Resampling................................................................................................................................... 109

Setup Settings .............................................................................................................................. 109

Pre-Effect Settings .......................................................................................................................110

Metronome Settings.................................................................................................................... 111

Checking Sample Information.............................................................................................................. 112

Importing a Sample................................................................................................................................ 113

Editing a Sample..................................................................................................................................... 113

Common Procedure for Editing................................................................................................ 113

Editing the Specified Region of the Sample ............................................................................ 115

Loop Region Settings.................................................................................................................. 117

Original Tempo Setting .............................................................................................................. 118

Converting the Sample to V-Synth XT Data (Encode)...................................................................... 118

Selecting the Encoding Type .....................................................................................................119

Automatically Detecting Events ...............................................................................................120

Deleting and Adding Events .....................................................................................................120

Saving a Sample...................................................................................................................................... 121

Settings Common to All Modes (System Mode) .................................................122

How to Make the System Function Settings....................................................................................... 122

Saving the System Settings (Write)........................................................................................... 122

Initializing the System Settings (Init) ....................................................................................... 122

Functions of System Parameters ..........................................................................................................123

Settings Common to the Entire System (Common) ............................................................... 123

Controller Settings (Controller) ................................................................................................ 127

V-LINK Settings (V-LINK) ........................................................................................................ 129

Disk-Related Functions (Disk Mode).................................................................... 131

About Disk Utility .................................................................................................................................. 131

Basic Disk Utility Operations................................................................................................................ 131

Sorting the Files Displayed in the File List.............................................................................. 132

Loading a Project from Disk into the V-Synth XT (Load Project) ...................................................132

Saving Project on Disk (Save Project) .................................................................................................. 132

Delete Unneeded Files (Clean Project) ................................................................................................133

Importing Individual Patch or Wave Files (Import Files) ................................................................133

Initializing a Disk (Format)................................................................................................................... 134

Functions Related to Files and Folders (Tools) .................................................................................. 135

Copying Files/Folders (Copy) .................................................................................................. 135

Moving Files/Folders (Move) ...................................................................................................135

Deleting Files/Folders (Delete)................................................................................................. 136

Renaming a Files/Folders (Rename)................................................................................................... 137

Connecting to Your Computer via USB (USB Mode).......................................... 138

About USB Functions............................................................................................................................. 138

Driver Installation and Settings............................................................................................................ 138

Exchanging MIDI Messages with Your Computer (MIDI function) .............................................. 138

USB audio signal flow (USB audio device function)......................................................................... 138

Transferring Files to or from Your Computer (Storage Function) ..................................................139

Windows Users ........................................................................................................................... 139

Macintosh Users ..........................................................................................................................141

Examples of Using Storage Function................................................................................................... 143

Contents

Using V-Synth Librarian ....................................................................................................................... 145

Features of V-Synth Librarian ...................................................................................................145

Installation.................................................................................................................................... 145

Other Functions .....................................................................................................146

Transmitting Data to an External MIDI Device (Data Transfer) .....................................................146

Reset to Default Factory Settings (Factory Reset).............................................................................. 147

Viewing Various Information (Info).................................................................................................... 147

Adjusting the Sensitivity of the Touch Screen (Calibration Mode) ................................................ 148

Adjusting the Sensitivity of the Touch Screen ........................................................................ 148

Appendices......................................149

Parameter List ........................................................................................................ 150

Patch Parameters .................................................................................................................................... 150

System Parameters .................................................................................................................................156

COSM List............................................................................................................... 159

COSM Parameters .................................................................................................................................. 159

Overdrive / Distortion............................................................................................................... 159

Wave Shape.................................................................................................................................. 159

Amp Simulator ............................................................................................................................ 160

Speaker Simulator ....................................................................................................................... 160

Resonator...................................................................................................................................... 160

1st order SideBandFilter............................................................................................................. 160

2nd order SideBandFilter........................................................................................................... 161

Comb Filter .................................................................................................................................. 161

Dual Filter..................................................................................................................................... 161

TVF ................................................................................................................................................162

Dynamic TVF............................................................................................................................... 162

Polyphonic Compressor............................................................................................................. 162

Polyphonic Limiter .....................................................................................................................162

Frequency Shifter ........................................................................................................................163

Lo-Fi Processor ............................................................................................................................163

TB Filter ........................................................................................................................................163

Effects List.............................................................................................................. 164

MFX Parameters .....................................................................................................................................164

01: Parametric EQ (Parametric Equalizer)............................................................................... 165

02: Graphic EQ (Graphic Equalizer)......................................................................................... 165

03: Resonant Filter....................................................................................................................... 165

04: Isolator and Filter .................................................................................................................. 166

05: Distortion / OD (Distortion / Overdrive)......................................................................... 166

06: Amp Simulator (Guitar Amp Simulator) .......................................................................... 167

07: Auto Wah ...............................................................................................................................168

08: Humanizer .............................................................................................................................168

09: Dynamic Processor (Stereo Dynamic Processor).............................................................. 169

10: Tape Echo Simulator............................................................................................................. 169

11: Stereo Delay ........................................................................................................................... 170

12: Multi Tap Delay..................................................................................................................... 171

13: Reverse Delay ........................................................................................................................171

14: Vocal Echo.............................................................................................................................. 172

15: Band Pass Delay .................................................................................................................... 172

16: Analog Delay -> Chorus ...................................................................................................... 173

17: Digital Chorus ....................................................................................................................... 173

18: Space Chorus ......................................................................................................................... 174

19: Hexa Chorus ..........................................................................................................................174

Contents

20: Analog Flanger ...................................................................................................................... 174

21: BOSS Flanger ......................................................................................................................... 175

22: Step Flanger ........................................................................................................................... 175

23: Analog Phaser........................................................................................................................ 176

24: Digital Phaser......................................................................................................................... 176

25: Rotary...................................................................................................................................... 177

26: Tremolo/Auto Pan ............................................................................................................... 177

27: Stereo Pitch Shifter................................................................................................................ 178

28: OD/DS -> Cho/Flg (Overdrive/Distortion -> Chorus/Flanger).................................. 178

29: OD/DS -> Delay (Overdrive/Distortion -> Delay) ......................................................... 179

30: Cho/Flg -> Delay (Chorus/Flanger -> Delay) .................................................................179

31: Enh -> Cho/Flg (Enhancer -> Chorus/Flanger) .............................................................. 180

32: Enh -> Delay (Enhancer -> Delay)...................................................................................... 180

33: Vocal Multi............................................................................................................................. 181

34: Guitar Multi ...........................................................................................................................181

35: Bass Multi............................................................................................................................... 182

36: EP Multi.................................................................................................................................. 183

37: Keyboard Multi .....................................................................................................................183

38: Phonograph............................................................................................................................ 184

39: Radio Tuning .........................................................................................................................185

40: Bit Rate Converter................................................................................................................. 185

41: Pseudo Stereo......................................................................................................................... 185

Chorus Parameters................................................................................................................................. 186

Chorus Type................................................................................................................................. 186

Chorus Parameters...................................................................................................................... 186

Reverb Parameters ................................................................................................................................. 186

01: Room 1 .................................................................................................................................... 187

02: Room 2 .................................................................................................................................... 187

03: Room 3 .................................................................................................................................... 188

04: Hall 1....................................................................................................................................... 188

05: Hall 2....................................................................................................................................... 189

06: Hall 3....................................................................................................................................... 189

07: Garage..................................................................................................................................... 190

08: PLATE..................................................................................................................................... 190

09: Non-Linear ............................................................................................................................. 191

10: Delay ....................................................................................................................................... 191

Troubleshooting..................................................................................................... 193

Problems Related to the V-Synth XT ................................................................................................... 193

Problems Related to the USB Driver (Windows)............................................................................... 194

Problems Related to the USB Driver (Macintosh) .............................................................................196

Message List .......................................................................................................... 197

ERROR Screens ....................................................................................................................................... 197

WARNING Screens................................................................................................................................ 198

Message Boxes ........................................................................................................................................ 199

About MIDI .............................................................................................................. 200

About MIDI Connectors............................................................................................................. 200

MIDI Channels and Multi-timbral Sound Generators........................................................... 200

MIDI Implementation Chart.................................................................................... 201

Specifications......................................................................................................... 202

Index........................................................................................................................ 203

Main Features

The V-Synth XT is a professional synthesizer with a sound generator section that represents a pooling of numerous proprietary Roland

technologies, allowing an extremely high level of musical expressive potential.

From acoustic-like sounds to lush pads, rhythmical grooves, and aggressive sounds that could not be produced by synthesizers of the past, the V-

Synth XT is able to create organic changes in the sound. Furthermore, the VC-1 and VC-2 “V-Card” series software expansions are preinstalled.

You can switch systems simply by pressing a single switch—there's no need for the bothersome routine of switching off the power, then switching

it back on again. Thanks to the inclusion of this software, the V-Synth XT can be used as two other, completely different products; as a “D-50” and

as a “Vocal Designer.”

Whether you're playing live on stage or producing music in the studio, and regardless of the musical styles in which you're working, the V-Synth

XT gives you usable and playable sounds that are available nowhere else.

■

The V-Synth sound engine, producing utterly unique sounds

●

The sound generator section consists of a PCM oscillator with

VariPhrase capability, high-quality analog modeling oscillators,

powerful modulators, and COSM processors equipped with

sideband filters. You can specify how these sections are

connected simply by selecting a structure. By combining these

sections, each of which delivers powerful functionality, you can

create completely new sounds, which could not be produced on

any previous synthesizer.

●

Each of the two oscillators can function as one of three types:

PCM (VariPhrase), analog modeling, and external input.

Dedicated envelopes are provided for the principal parameters

of each oscillator. Even when using the oscillators alone, you can

apply a wide range of time-based changes.

●

The PCM oscillators utilize Roland's proprietary VariPhrase

technology. In a revolutionary breakthrough in comparison to

conventional waveform playback, VariPhrase allows the pitch,

time, and formant of the audio material to be varied with

complete independence in real time, while maintaining high

audio quality. This transforms a PCM waveform into “elastic

audio,” which you can freely stretch like a rubber band in the

desired direction and create organic-sounding changes.

●

The analog modeling oscillators are packed with high-quality

waveforms, such as the “Super Saw,” which is just what you

need for thick detuned textures; and a feedback oscillator, which

produces a dramatically varying lead sound—all together giving

you a total of fourteen waveforms to stimulate your musical

creativity.

●

The oscillator output can be processed by Roland's proprietary

COSM processors. Going far beyond the filter functionality seen

on typical synthesizers, these implement a wide range of

processes. There are a total of 16 types, including TVF, guitar

amp modeling, Lo-Fi processor, a sideband filter, which imparts

a sense of playable pitch to noise or a phrase, and a resonator,

which adds the body resonances of an instrument. You can also

apply a COSM processor to an external audio input and use the

V-Synth XT as a filter bank.

■

Sound Shaper function allows intuitive sound creation

●

V-Synth XT features a Sound Shaper function, which liberates

the musician from dealing with an overwhelming number of

edit parameters. Simply choose the desired sound template from

the list, and the parameters that are effective for that template

will be selected and available for your control. You'll be able to

obtain the desired variations easily by operating a few knobs or

buttons to edit exactly what you need, just like a professional

sound designer.

■

Unique and useful patches

●

All sounds can be rewritten by the user down to the level of the

source waves. You can sample directly into the V-Synth XT, or import

WAV/AIFF files from external devices, making this is an ideal

instrument for the professional who insists on absolute originality.

●

V-Synth XT provides a Rhythm mode screen, which lets you

assign different V-Synth sounds to each note of the keyboard.

This means that you can use the synth sound generator as a

rhythm kit to play many types of sound from the keyboard.

Since the sound assigned to each key is a fully editable V-Synth

sound, you can have anything from an analog kick to VariPhrase

rhythm loops available for immediate playing.

■

The power to make bold timebased changes in sound

●

V-Synth XT provides a multi-step modulator, which lets you

choose four parameters from a broad range of choices, and

simultaneously modulate these parameters by completely

different ascending or descending patterns. You can use the panel

knobs to freely program the ascending or descending patterns,

and you can even turn Smoothing on and use this as an LFO.

●

VariPhrase waves can be freely controlled using the Time Trip

function. By stroking the Time Trip pad in a circular motion, you

can halt the progress of the waveform while the sound is still

being heard, and then play that sound from the keyboard as the

desired pitches. It's also easy to create distinctive effects such as

manually controlling the progression of break-beats.

●

All of the various functions that control time-based change can

be synchronized to the tempo. VariPhrase, the LFO and

envelope of each section, the programmable arpeggiator, the

multi-step modulator, and the effects can all be controlled by the

master tempo.

■

What is VariPhrase?

VariPhrase has the following advantages:

1 Capable of changing the pitch, rate of time expansion/

compression and voice characteristics (formant) on a real-

time basis.

2 Allows easy synchronization to tempo and pitch.

3 A single sample covers an extended range of keys compared

to conventional digital samplers.

4 Retains sound quality, while implementing the above three

advantages.

VariPhrase overcomes many problems that conventional

samplers and digital recorders have with audio phrases.

Typical issues with Digital Samplers and Digital recorders

• Changing tempo affects Pitch.

• Changing the pitch of phrases affects tempo and formant of

the sound.

• Limited control of audio phrases. You cannot adjust a

partial section of a sound in real-time.

• Most samplers require multiple samples over limited key

ranges for realistic playback of a sound.

• Samples of the same tempo must be available for

performing chords, otherwise the notes of the chord will be

out of sync.

• Pitch or tempo changes on Digital samplers tends to

degrade audio quality.

VariPhrase solves all of these problems.

Hardware that meets the demands of the professional

●

A unique design allows the V-Synth XT to be placed in a variety

of locations; both table-top and rack-mounted use are possible.

The design not only looks good, but is also highly practical.

●

The V-Synth XT features a large color touch-screen, which

provides a sophisticated user interface and guarantees easy

editing of the displayed parameters. There are also eight editing

knobs, which give you an “analog-feel” editing experience, and

which can also be used as a general-purpose MIDI control

surface.

●

Both optical and coaxial digital audio jacks are provided. The

output supports sample rates of 44.1 kHz, 48 kHz, and 96 kHz.

The main out allows balanced output via TRS phone plugs.

●

The front panel provides a mic input jack, which supports both

XLR connectors and phone plugs. Phantom power can be

supplied, and you can switch to high-impedance input,

accommodating a variety of input sources from studio mics to

electric guitars.

●

The USB connector supports file transfer, MIDI communication,

and audio streaming. A wide variety of data can be easily

backed up to your computer via a USB connection, and you can

even use the V-Synth XT as a USB audio converter for a broad

range of applications.

●

You can also store large amount of data using the PC card slot.

Commercially available PC card adaptors allow you to use

CompactFlash or SmartMedia cards.

Main Features

→

VC-2 "Vocal Designer" transforms the V-Synth XT into a

cutting-edge vocal modeling processor. By playing a

keyboard while you speak into the mic, you can create

beautiful and clearly intelligible human choruses as well as

many other vocal-type sounds with unprecedented quality.

For details on using VC-2 “Vocal Designer,” refer to the separate

“V-Card owner's manual.”

■

“V-Card” series expansions are preinstalled

●

The V-Synth XT comes with the VC-1 and VC-2 titles from

Roland's “V-Card” software series preinstalled. Without having

to cycle power to the unit, you can simply press a single switch

to transform the V-Synth XT into a completely different product

(p. 22).

→

VC-1 "D-50" transforms the V-Synth XT into a sound module

that's equivalent to the Roland D-50 (a classic digital

synthesizer that was released in 1987). Not just the preset

patches, but every bit of functionality has been faithfully

reproduced, giving you that distinctive D-50 sound with the

stability of modern hardware.

For details on using VC-1 “D-50,” refer to the separate “V-Card

owner's manual.”

Panel Descriptions

Front Panel

INPUT

Adjusts the volume of the signal input through the MIC jacks on the

front panel. → (p. 106)

* This does not affect the rear panel INPUT jacks.

VOLUME

Adjusts the overall volume that is output from the MAIN OUT jacks

and PHONES jack.→ (p. 21)

MIC Jack

This is a mic jack for analog audio signal input.

It accommodates either XLR type or phone type plugs.

XLR type connections can provide 48V phantom power, allowing

you to connect condenser mics that require phantom power. In this

case, turn the mic switch to “PHANTOM ON.”

* The audio signal received via the MIC jack is switched on/off by the

MIC Jack Switch

922

* This instrument is equipped with balanced (XLR/TRS) type jacks.

Wiring diagrams for these jacks are shown below. Make connections

after first checking the wiring diagrams of other equipment you intend

to connect.

fig.XLR/TRSJack

(p. 126).

9 10

USB Connector

This is a USB connector. You can connect it to your personal computer

to send or receive files and MIDI messages (p. 138).Audio streaming

is also supported.

MIC Switch

This setting specifies the impedance and phantom power supply for

the mic jack.

Hi-Z

NORMAL

PHANTOM ONChoose this setting if you need to supply

* The MIC switch does not affect the rear panel INPUT jacks.

* Always turn the phantom power off when connecting any device other

than condenser microphones that require phantom power. You risk

causing damage if you mistakenly supply phantom power to dynamic

microphones, audio playback devices, or other devices that don’t require

such power. Be sure to check the specifications of any microphone you

intend to use by referring to the manual that came with it.

(This instrument’s phantom power: 48 V DC, 10 mA Max)

Choose the high impedance (Hi-Z) setting if you've connected a high-impedance device such as a guitar or bass to the phone-type input jack. Choose the NORMAL setting if you've connected a low impedance device such as a mic to the phone-type input jack.

phantom power to a mic connected to the XLR-type input jack.

[PEAK] (Peak Indicator)

This will light when the input volume is too high.

* This responds to either the front panel MIC jack or the rear panel

INPUT jacks.

[MIDI] (MIDI indicator)

This will light when a MIDI message is received.

[USB] (USB indicator)

This will light when the V-Synth XT is connected via USB.

PHONES Jack

This is the jack for connecting headphones (sold separately).

→

(p. 20)

V-CARD Button

The Roland “V-Card” series software VC-1 and VC-2 are

preinstalled in the V-Synth XT. You can switch between V-Synth/

VC-1/VC-2 functionality simply by pressing the V-Card button (p.

22).

Panel Descriptions

E1–E8 knobs

These knobs control the on-screen parameters in real time (p. 34).

The parameters that are controlled by these knobs can be

p. 60

switched in the PATCH PLAY screen (

[SHIFT] key and using the up/down [ ][ ] cursor buttons.

) by holding down the

POWER

PREVIEW Button

Use this button to audition the patch.

KEY PAD Button

This button switches the function of the numeric keypad.

When lit:

• The numeric keypad will function as input keys.

→

Using the numeric keys for input

When unlit:

• The numeric keypad will function as a Patch Palette which lets

you select your favorite patches.

→

Selecting Favorite Patches (Patch Palette)

(p. 27)

(p. 61)

PC CARD Slot

A memory card can be inserted here.

For details on installing the included PC card protector, refer to

p. 23.

VALUE Dial

This is used to modify values. If you hold down [SHIFT] as you turn

the VALUE dial, the value will change in greater increments.

→

(p. 26)

Press the VALUE dial to perform the function of the ENTER button.

When the cursor is at an input location, you can press [ENTER]

(VALUE dial) and use the numeric keys to enter a numeric value (p.

27).

[SHIFT]

This button is used in conjunction with other buttons to execute

various functions.

[MODE]

Opens the Mode Menu window.

Numeric Key

When the cursor is at an input location, you can use the numeric

keypad to input parameter values (p. 27).

The keypad can also function as a Patch Palette that lets you select

your favorite patches (p. 61).

LCD CONT (LCD CONTRAST) Knob

Adjusts the display contrast. → (p. 22)

Display

This displays information regarding the operation you are

performing.

[CTRL]

This accesses the Control screen (p. 63). In the Control screen you use

the “Time Trip” function (p. 69) which lets you apply various effects

to the sound by touching the display. Additionally, this is also used

for the External Control function (p. 63), which lets you use the E1–

E8 knobs to control an external MIDI device; for the V-LINK

function (p. 71), which lets you control a video device; and for

switching the Arpeggio function on/off (p. 64).

[EXIT]

Return to the PLAY screen, or close the currently open window. In

some screens, this causes the currently executing function to be aborted.

[DEC], [INC]

This is used to modify values. If you keep on holding down one

button while pressing the other, the value change accelerates. If you

press one of these buttons while holding down [SHIFT], the value

will change in bigger increments. → (p. 26)

Panel Descriptions

[ ], [ ], [ ], [ ] (Cursor Buttons)

Moves the cursor location up/down/left/right. → (p. 25)

In the PATCH PLAY screen (p. 60), you can hold down the

[SHIFT] key and use the cursor up/down [ ][ ] keys to alter

the function of the E1–E8 knobs.

Rear Panel

fig.00-02

1 2 3 4 5 6

By holding down the [SHIFT] key and using the cursor left/right

([ ][ ]) keys you can switch the zone displayed in the

upper right of the PATCH PLAY screen or EDIT screen (p. 99).

POWER Switch

Press to turn the power on/off. → (p. 21, p. 54)

AC Inlet

Connect the included power cord to this inlet.

DIGITAL AUDIO INTERFACE

Connector (OPTICAL IN/OUT, COAXIAL IN/OUT)

(conforming to IEC60958).

These connectors input/output a digital audio signal (stereo). The

output signal is identical to the signal that is output from the MAIN

OUT jacks.

MIDI Connectors (IN, OUT, THRU)

These connectors can be connected to other MIDI devices to receive

and transmit MIDI messages.

INPUT Jacks (L, R)

An external audio source such as a CD player can be connected to

these jacks for sampling or external input.

* The audio signal received via the INPUT jacks can be switched on/off

by the

INPUT Jack Switch

* * The gain of the audio signal received via the INPUT jacks is adjusted

by the

INPUT Jack Gain

(p. 126).

DIRECT OUT Jacks (L, R)

(1/4 inch phone type)

This jack is a stereo output of the sound unprocessed by onboard

effects. An external effects processor or other devices can be

connected to these jacks.

MAIN OUT Jacks (L (MONO), R)

(1/4 inch TRS phone type)

These jacks output the audio signal to the connected mixer/amplifier

system in stereo. For mono output, use the L jack.

→

(p. 20)

Quick Start

Getting Ready

Placing the V-Synth XT

The V-Synth XT's unique design lets you use it either on a table or in a rack.

Table-top use

Place the V-Synth XT as shown.

Rack-mount use

Install the V-Synth XT securely in a rack.

Use screws (sold separately) to mount the V-Synth XT securely in your rack (four locations).

POWER

You cannot detach the V-Synth XT's rack-mounting hardware from the main unit. Also, you must never loosen any screws other than the “rotation lock hardware.” Doing so will cause malfunctions.

Getting Ready

You can change the angle of the V-Synth XT while it is mounted in a

rack.

Make sure that the V-Synth XT is securely installed in your rack. Then

firmly grasp both of the front panel handles, and pivot it toward

yourself until you hear a click.

To return the unit to its normal angle, push the handles inward until

you hear the click.

* You must perform this operation with the V-Synth XT installed in a rack.

* Some space above the V-Synth XT is required in order to use this rotating capability.

If equipment is installed in your rack directly above the V-Synth XT, you won't be able to perform this operation.

Quick Start

Installing the rotation-lock hardware

Before you transport the V-Synth XT, you must install the included “rotation lock hardware.” The unit may be damaged if you transport it without the “rotation lock hardware” installed.

Use screws to fasten the “rotation lock hardware” as shown in the following illustration.

POWER

Getting Ready

V-Synth XT Rear Panel

Monitor speakers

(powered)

Power amp

Mixer etc.

Stereo headphones

to Power outlet

V-Synth XT

PHONES MAIN OUT

MIDI IN

MIDI OUT

POWER

External MIDI device

(MIDI Keyboard, Sequencer, etc.)

Connecting an Amp and Speaker System

Since the V-Synth XT contains no amplifier or speakers, you’ll need to connect it to audio equipment such as a keyboard amplifier, monitor speaker system or home stereo, or use headphones to hear its sound.

Here we will explain example connections that use mainly the MAIN OUT jacks.

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Before hooking anything up, make sure that the power on all of your

gear is turned OFF.

Connect one end of the supplied power cable to the V-Synth XT, and

the other end to a power outlet.

Connect the V-Synth XT to your amp/speaker system.

fig.Q-01.e

To prevent malfunction and/

or damage to speakers or other

devices, always turn down the

volume, and turn off the

power on all devices before

making any connections.

add

Use audio cables to connect audio equipment such as an amp or speakers. If you’re using headphones, plug them into the PHONES jack.

*The unit should be connected to a power source only of the type marked on the rear panel of the unit.

For details on the power consumption, refer to

For details on the settings you need when connecting the VSynth XT to your computer, refer to “

Computer via USB (USB Mode)

p. 202

Connecting to Your

”(p. 138)

In order to fully experience the

V-Synth XT’s sound, we

recommend using a stereo

amp/speaker system. If you’re

using a mono system,

however, make your

connections to the V-Synth

XT’s MAIN OUT jack L

(MONO).

Audio cables are not included

with the V-Synth XT. You’ll

need to provide them.

Getting Ready

While the V-Synth XT is

starting up, the display will

indicate “Processing...”

Turning On the Power

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Before turning on the V-Synth XT’s power, consider these two

questions:

• Are all peripheral devices connected correctly?

• Have the volume controls of the V-Synth XT and all connected audio devices been turned to their lowest settings?

Turn on the POWER switch located on the front panel of the V-Synth XT.

fig.Q-02.e

ON OFF

942

Turn on the power for any connected amplifiers or speakers.

Wait for the V-Synth XT to start up. When it has started up normally, a

screen like the following will appear.

* When you turn on the power, the V-Card that was most recently started will start up (p. 22).

fig.Q-02a_60

Quick Start

Once the connections have

een completed (p. 18), turn on

power to your various devices

in the order specified. By

turning on devices in the

wrong order, you risk causing

malfunctions and/or damage

to speakers and other devices.

This unit is equipped with a

protection circuit. A brief

interval (a few seconds) after

power up is required before

the unit will operate normally.

Set the volume for your connected amplifier and speakers. While

playing the external MIDI keyboard, gradually raise the V-Synth XT’s

volume slider to the desired listening level.

fig.Q-03

Be careful not to set your

listening volume too high to

avoid damage to your amp/

speaker system or your

hearing.

In order to obtain the best

audio quality from the V-Synth

XT, we recommend that you

set the V-Synth XT’s volume to

the maximum position, and

adjust the volume

appropriately on your amp or

speaker system.

Getting Ready

When you start up V-Card

operation, any data that you

were editing will be lost. If

you've edited patches or

system settings, be sure to save

them first.

→“Saving Patches (PATCH

Write) ”(p. 75)

→“Saving the System

Settings (Write) ”(p. 122)

Starting up V-Card

You can press the [V-CARD] button to switch between V-Synth/VC-1/VC-2.

The Roland “V-Card” series VC-1 and VC-2 software is preinstalled in the V-Synth XT. By pressing a single switch, you can change between these functions without having to restart the unit, and use the V-Synth XT as a completely different product.

VC-1 “D-50” transforms the V-Synth XT into a sound module that's equivalent to the Roland D-50 (a classic digital synthesizer that was released in 1987). Not just the preset patches, but every bit of functionality has been faithfully reproduced, giving you that distinctive D-50 sound with the stability of modern hardware.

VC-2 “Vocal Designer” transforms the V-Synth XT into a cutting-edge vocal modeling processor. By playing a keyboard while you speak into the mic, you can create beautiful and clearly intelligible human choruses as well as many other vocal-type sounds with unprecedented quality.

When the V-Synth XT has started up, press the [V-CARD] button, and

in the screen that appears, touch the V-Card that you want to use.

When you turn on the power,

the V-Card that was most

recently started will start up.

The V-Card startup screen will appear.

* By holding down the [V-CARD] button while you turn on the power, you can take a shortcut

to the above screen when the V-Synth XT starts up.

Adjusting the Display Contrast (LCD Contrast)

The characters in the display may be difficult to view immediately after turning on the V-Synth XT’s power or after extended use. Your viewing angle or the current lighting conditions can also affect the appearance of the display. In such situations, you can turn the LCD CONT knob to adjust the contrast of the display.

fig.Q-04

For details on how to use the VC-1 “D-50” and VC-2 “Vocal Designer,” refer to the separate “V-Card owner's manual.”

Getting Ready

PC card protector

Memory card

front panel

Installing the PC Card Protector

The V-Synth XT provides a PC card protector to prevent theft of the memory card. To install the PC card protector, use the following procedure.

Use a screwdriver to remove both of the screws from the bottom side

of the PC CARD slot.

Insert the PC card into the PC CARD card slot.

Use the screws to fasten the PC card protector as shown below.

930

931

* Never insert or remove a memory card while this unit’s power is on. Doing so may corrupt

the unit’s data or the data on the memory card.

* Carefully insert the memory card all the way in—until it is firmly in place.

Quick Start

Basic Touch Screen Operation

The V-Synth XT features a touch screen. The touch screen lets you perform a variety of operations by lightly touching the screen.

* The touch screen responds to a light touch. Pressing the touch screen with too much force, or

with a hard object, may damage it. Be careful not to apply excessive force, and touch it only with your finger.

Enabling/Disabling the Beep Tone

You can specify whether or not a beep tone will be heard when you touch a valid point on the touch screen.

* At the factory setting, the beep tone will be sounded.

In the upper right of the screen, touch <▼ MENU>.

A pulldown menu appears.

fig.01-05_50

fig.01-06

In the pulldown menu, touch <Beep> to add a check mark (✔).

With this setting, the beep tone will be heard. If you perform the same procedure once again, the check mark will be cleared and the beep tone will no longer be heard.

* If you have turned off the beep tone, a “∇” appears in the title area at the top of the screen

when you touch a valid point on the touch screen.

Basic Touch Screen Operation

Moving the Cursor

A single screen or window displays multiple parameters or items for selection. To edit a parameter’s value, move the cursor to the value. The cursor is a blue rectangle, and the parameter value or item you select with the cursor is highlighted (displayed in inverted colors).

fig.01-07.e

Cursor

Cursor Buttons

Press [ ], [ ], [ ], or [ ] (the cursor buttons) to move the cursor.

fig.01-08

Quick Start

[ ]: moves the cursor up.

[ ]: moves the cursor down.

[ ]: moves the cursor to the left.

[ ]: moves the cursor to the right.

Touch Screen

Directly touch a parameter value to move the cursor.

fig.01-09

Basic Touch Screen Operation

Editing a Value

To edit a value, you can use the VALUE dial, [INC] [DEC], or drag on the touch screen.

• In each V-Synth XT screen, you can select a value using the cursor as described earlier, and modify its value.

• Each parameter has its own range of possible values. You cannot set any value smaller than the minimum value or greater than the maximum value.

VALUE Dial

Turning the VALUE dial clockwise increases the value, and turning it counterclockwise decreases its value. Hold down [SHIFT] as you move the VALUE dial to increase value increments to make large value changes more quickly.

fig.01-10

[INC] and [DEC]

Press [INC] to increase the selected value, and [DEC] to decrease it. Keep the button pressed for continuous adjustment. For faster value increases, keep [INC] pressed down and press [DEC]. To decrease values quickly, keep [DEC] pressed down and press [INC].

fig.01-11

Touch Screen

Touch a parameter value, and drag your finger up/down or left/right. Dragging upward or to the right increases the value, and dragging downward or to the left decreases the value.

fig.01-12

Basic Touch Screen Operation

Using the numeric keys for input

Using the numeric keys to switch patch numbers

When the cursor is located at a patch number, you can use the numeric keys to switch patches.

Input a numeric value in the input value area.

• [0]-[9] buttons: Input the patch number.

• [BANK-], [BANK+] buttons: These function as ENTER.

Quick Start

The numeric keys also function

as the Patch Palette (p. 30).

Using the numeric keys to input parameters

When the cursor is located at an input location, pressing a numeric key will sometimes make a list of parameter values appear.

When you can input a numeric value

Use the numeric keys to input a value in the input field.

• [0]-[9] buttons: Input numeric values.

• [BANK-] button: Reverse the sign of the input value.

• [BANK+] button: Clear the input value.

• [KEY PAD] button: Return the list to the middle.

You can also display the list by

pressing the VALUE dial

(ENTER) instead of the

numeric keys.

When you can input directly

The input area will blink “SELECT.”

• Press a button to input a value directly. From the top of the list, the items correspond to the [0]-[9] buttons.

• The corresponding buttons will light. The current value will blink.

Try Out the Sounds

Selecting Patches and Playing Sounds

The V-Synth XT comes with a wide range of onboard sounds, including single tones called patches. Let’s select a few patches to get an idea of the variety of sounds available with the V-Synth XT.

Make sure the PATCH PLAY screen is displayed.

If the PATCH PLAY screen—shown below—is not displayed, press [EXIT] once or twice until the PATCH PLAY screen appears.

fig.Q-06.e

Patch number

Press the [PREVIEW] button to audition the patch.

To change to a different patch, touch the patch number to highlight it,

and then turn the VALUE dial or press [INC] [DEC]. At this time you

can switch more rapidly by holding down [SHIFT] while you perform

these operations.

fig.Q-06a

You can also touch the patch

number display area and use

the numeric keys to switch

patches (p. 27).

Alternately, you can touch the

patch number and drag your

finger up and down—or right

and left—to change patches.

Try Out the Sounds

Playing a Patch on the V-Synth XT from an External MIDI Device (MIDI Keyboard)

The V-Synth XT produces sound in response to MIDI messages it receives from an external MIDI device such as a MIDI keyboard or sequencer.

Try connecting your MIDI keyboard and playing sounds on the V-Synth XT.

Connecting the MIDI Keyboard

Connect the MIDI keyboard as shown in the following.

fig.03-005.e

V-Synth XT

MIDI IN

MIDI OUT

MIDI keyboard

Matching MIDI Channels

In order for the V-Synth XT to respond to MIDI data sent by an external MIDI device, both devices must be set to use the same MIDI channel or channels.

Quick Start

Executing a Factory Reset sets

the V-Synth XT’s reception

channel in Patch mode to “1.”

If you want to set this to a

channel other than 1, use “Part

MIDI ”(p. 126) to specify the

desired MIDI receive channel

for Part 1.

Selecting Patches from the List

You can easily find the desired patch by selecting it from the patch list.

Make sure the PATCH PLAY screen is displayed.

If the PATCH PLAY screen is not displayed, press [EXIT] once or twice until the PATCH PLAY screen appears.

Touch <List> in the upper left area of the display.

The PATCH List window appears.

fig.Q-06b_60

Select a patch from the list.

Either turn the VALUE dial or use [INC] [DEC] to select a patch. You can also select a patch by touching it on the display.

For details on the factory-set

patches in the V-Synth XT’s

memory, refer to “Sound List”

(separate booklet).

If you select a patch in the list

and play your external MIDI

keyboard, the selected patch

will sound. This is a useful

way to audition the sound of a

patch.

+ 183 hidden pages

Roland V-Synth XT User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

How To Use This Manual

Notation Used in This Owner’s Manual

Contents

Main Features

Panel Descriptions

Front Panel

Rear Panel

Quick Start

Getting Ready

Basic Touch Screen Operation

Try Out the Sounds