2N-3-’05 03897745
V-Synth XT V-CardVC-1 VC-2V-Synth XT
VC-1 D-50 V-Synth XT Roland D-501987 D-50
MIDI AMEI
© 2005
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D-50/550 ........................................................... |
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D-50 →VC-1 .................................................................................. |
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VC-1 →D-50/550 ........................................................................ |
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VC-1 ....................................................................................... |
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VC-1 ............................................................................. |
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MIDI ............................................................................. |
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5
D-50
fig.01-01
Fantasia Digital Native DanceD-50 64D-50/550
PN-D50-01 04 256 MIDI
D-50VC-1D-50
D-5028 64P.86
ます。音作りの楽しみもパフォーマンス・プレイの醍醐味も、オリジナルD-50
躍的に向上しました。サウンドの出口としてV-Synth XT
6
D-50 ?
D-50 1987 PCM
LA Linear Arithmetic Synthesis
D-550 D-50 2U1987
fig.01-04
15 D-50/550D-50/550
時に、あなたの大切な財産であるD-50/550V-Synth XT D-50/550 VC-1
D-50/550D-50/550
7
VC-1 V-Synth XT VC-1 VC-1V-Synth XT
fig.02-01 FrontPanel1 8
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POWER
10
11
1 VOLUME
MAIN OUT PHONES P.11
2 V- CARD V
VC-1 P.11 V-CARD VC-1 VC-2 V-
Synth
3
4
PREVIEW
USB
USB MIDI
VC-1 USB USB VC-1V-Synth XT USBUSB
5 PHONES
P.11
8
6 NUMBER KEY
P.12
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NUMBER 1 8 |
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BANKBANK+ |
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7LCD CONTRAST
9E1 E8
D-50 P.16
10
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VALUE |
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SHIFT VALUE |
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P.44 |
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DEC/- INC/+ |
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SHIFT |
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P.44 |
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P.44 |
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MODE |
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SHIFT |
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EXIT |
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PATCH TOP |
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11 POWER
P.11
9
12 |
13 |
14 |
15 |
12AC
13DIGITAL AUDIO INTERFACE
IEC60958 MAIN OUT
IEC60958
14MIDI IN OUT THRU
MIDI MIDI
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IN |
MIDI |
OUT |
MIDI |
15 MAIN OUT L MONO R
L
P.11
10
fig.03-01j ConnectionImage
2.V-Synth XT
3.V-Synth XT POWER
5.V-Synth XT V-CARDD-50 VC-1 VC-1
V-CARD PATCH PLAY V-Synth System TOP VC-1 VC-2V-CARD
V-Card
6.VC-1
fig.03-02j Card&LCD_default
11
VC-1 1
Pre1 6 Int1 8 1 8 1 8
Pre1 6
Pre6
Pre5
Pre4
Pre3
Pre2
Pre1
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1 2 3 4 5 6 7 8 |
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56
7
8
P1-34
Int1 8
Int1Int2Int3Int4Int5Int6Int7Int8
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1 2 3 4 5 6 7 8 |
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56
7
8
I1-72
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Pre1 |
D-50 |
× |
D-50 |
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Pre2 |
VC-1 |
× |
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Pre3 |
PN-D50-01 |
× |
D-50 D-550 |
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Pre4 |
PN-D50-02 |
× |
D-50 D-550 |
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Pre5 |
PN-D50-03 |
× |
D-50 D-550 |
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Pre6 |
PN-D50-04 |
× |
D-50 D-550 |
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Int1 |
Pre1 |
○ |
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Int2 |
Pre2 |
○ |
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Int3 |
Pre3 |
○ |
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Int4 |
Pre4 |
○ |
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Int5 |
Pre5 |
○ |
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Int6 |
Pre6 |
○ |
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Int7 |
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○ |
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Int8 |
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○ |
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D-50
3
•VALUE
12
VALUE
1.PATCH TOP PATCH
TOP EXIT 1 2
2. パッチ・ナンバー
VALUE INC/+ DEC/-SHIFT
1.PATCH TOP PATCH TOPEXIT 1 2
2.PATCH LIST PATCH LIST
VALUE INC/+ DEC/-
4.17 2831-48 71-88Pre1 Pre6 Int1 Int8
5.OK PATCH LIST
NUMBER 1 8 64
1.PATCH TOP
2.NUMBER 1 8 BANK - BANK +
13
VC-1
1.▼
2.Info PATCH Information
Ver. VC-1
4.EXIT
り替えることができます。製品出荷時の設定では、ビープ音は鳴るように設定されています。
1.▼
2.Beep
14
呼びます。
fig.05-01 PatchFactorImage
15
V-Synth XT P.19P.50 D-50
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P.81 |
E1 E8 |
P.82 |
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P.83 |
1.PATCH TOP
2. CTRL SETUP
VALUE INC/+ DEC/-
16
LIST
• トーン・セレクト・ボタンで選びます。
•L1 L2 U1 U2
E1 E8
• トーン・セレクト・ボタンで選びます。
•L1 L2 U1 U2
On On Off On
V-Synth XT VC-1
→P.27
On Off
17
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PATCH TOP P.19 |
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ToneBal_ |
Tone Balance |
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PATCH EDIT CONTRL P.21 |
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BendRang |
Bender Range |
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AftrPB |
Aftertouch Bend |
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Range |
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PortTime |
Portamento Time |
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PortMode |
Portamento Mode |
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PATCH EDIT OUTPUT P.22 |
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Rev Bal |
Reverb Balance |
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TotalVol |
Total Volume |
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PATCH EDIT CHASE P.24 |
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ChasLevl |
Chase Level |
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ChasTime |
Chase Time |
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PATCH EDIT TONE TUNE P.25 |
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LowerKey |
Lower Tone Key |
|
Shift |
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UpperKey |
Upper ToneKey |
|
Shift |
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LowerTun |
Lower Tone Fine |
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Tune |
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UpperTun |
Upper Tone Fine |
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Tune |
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TONE COMMON STRUCT P.50 |
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PartBal |
Partial Balance |
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TONE COMMON P-ENV P.51 |
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PEnvVelo |
P-ENV Velocity |
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Range |
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PEnvTKF |
P-ENV Time |
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Keyfollow |
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PEnvT1 |
P-ENV Time 1 |
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PEnvT2 |
P-ENV Time 2 |
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PEnvT3 |
P-ENV Time 3 |
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PEnvT4 |
P-ENV Time 4 |
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PEnvL0 |
P-ENV Level 0 |
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PEnvL1 |
P-ENV Level 1 |
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PEnvL2 |
P-ENV Level 2 |
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PEnvSusL |
P-ENV Sustain Level |
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PEnvEndL |
P-ENV End Level |
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PModLFOD |
P-Mod LFO Depth |
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PModLevr |
P-Mod Lever |
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PModAftr |
P-Mod |
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Aftertouchtouch |
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TONE COMMON LFO P.53 |
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LFO1Wave |
LFO-1 Waveform |
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LFO1Rate |
LFO-1 Rate |
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LFO1Dely |
LFO-1 Delay Time |
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LFO1Sync |
LFO-1 Sync |
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LFO2Wave |
LFO-2 Waveform |
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LFO2Rate |
LFO-2 Rate |
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LFO2Dely |
LFO-2 Delay Time |
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LFO2Sync |
LFO-2 Sync |
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LFO3Wave |
LFO-3 Waveform |
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LFO3Rate |
LFO-3 Rate |
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LFO3Dely |
LFO-3 Delay Time |
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LFO3Sync |
LFO-3 Sync |
|
TONE COMMON EQ/CHORUS |
||
P.54 |
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EQ Lg |
Low EQ Gain |
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EQ Hg |
High EQ Gain |
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ChorRate |
Chorus Rate |
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ChorDpth |
Chorus Depth |
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ChorBal |
Chorus Balance |
|
TONE PARTIAL FORM P.57 |
||
Waveform |
WG Waveform |
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PCM No# |
WG PCM Wave No. |
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PW |
WG Pulse Width |
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PW Velo |
WG PW Velocity |
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Range |
||
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PW Aftr |
WG PW Aftertouch |
|
Range |
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PW LFO |
WG PW LFO Select |
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PW LFOD |
WG PW LFO Depth |
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TONE PARTIAL PITCH P.59 |
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PichCors |
WG Pitch Coarse |
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PichFine |
WG Pitch Fine |
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PichKF |
WG Pitch Keyfollow |
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PichLFO |
WG Mod LFO Mode |
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PichENV |
WG Mod P-ENV |
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Mode |
||
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PichBend |
WG Mod Bend |
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Mode |
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TONE PARTIAL TVF P.61 |
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TVF Freq |
TVF Cutoff |
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Frequency |
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TVF Reso |
TVF Resonance |
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TVF KF |
TVF Keyfollow |
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TVF BP |
TVF Bias Point/Dir |
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TVF Blvl |
TVF Bias Level |
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TVFDpth |
TVF ENV Depth |
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TVFVelo |
TVF ENV Velocity |
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Range |
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TVF DKF |
TVF ENV Depth |
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Keyfollow |
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TVF TKF |
TVF ENV Time |
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Keyfollow |
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TVF T1 |
TVF ENV Time 1 |
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TVF T2 |
TVF ENV Time 2 |
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TVF T3 |
TVF ENV Time 3 |
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TVF T4 |
TVF ENV Time 4 |
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TVF T5 |
TVF ENV Time 5 |
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TVF L1 |
TVF ENV Level 1 |
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TVF L2 |
TVF ENV Level 2 |
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TVF L3 |
TVF ENV Level 3 |
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TVF SusL |
TVF ENV Sustain |
|
Level |
||
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TVF EndL |
TVF ENV End Level |
|
TONE PARTIAL TVA P.66 |
||
TVA Levl |
TVA Level |
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TVA Velo |
TVA Velocity Range |
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TVA BP |
TVA Bias Point/Dir |
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TVA Blvl |
TVA Bias Level |
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TVA Velo |
TVA ENV Velocity |
|
Follow |
||
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TVA TKF |
TVA ENV Time |
|
Keyfollow |
||
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TVA T1 |
TVA ENV Time 1 |
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TVA T2 |
TVA ENV Time 2 |
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TVA T3 |
TVA ENV Time 3 |
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TVA T4 |
TVA ENV Time 4 |
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TVA T5 |
TVA ENV Time 5 |
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TVA L1 |
TVA ENV Level 1 |
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TVA L2 |
TVA ENV Level 2 |
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TVA L3 |
TVA ENV Level 3 |
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TVA SusL |
TVA ENV Sustain |
|
Level |
||
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TVA EndL |
TVA ENV End Level |
|
TONE PARTIAL MOD P.69 |
||
TVF LFO |
TVF Mod LFO |
|
Select |
||
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TVF LFOD |
TVF Mod LFO |
|
Depth |
||
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TVF Aftr |
TVF Mod |
|
Aftertouch Range |
||
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TVA LFO |
TVA Mod LFO |
|
Select |
||
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TVA LFOD |
TVA Mod LFO |
|
Depth |
||
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TVA Aftr |
TVA Mod |
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Aftertouch Range |
||
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18
1.PATCH TOP
2.PATCH EDIT
CONTROL P.21
OUTPUT P.22
CHASE P.24
TONE TUNE P.25
MIDI |
MIDI P.25 |
4.VALUEINC/+ DEC/-
5.3 4
6.→ P.27EXIT PATCH TOP PATCH TOPEDITED
EDITED
UPPER LOWER
す。
KEY MODE
WHOLE, DUAL, SPLIT, SEP, WHOL-S, DUAL-S, SPL-US, SPL-LS, SEP-S
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WHOLE |
16 |
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DUAL |
1 8 |
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19
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SPLIT |
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8 C =C4 |
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SEP |
MIDI → MIDI |
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P.88 |
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WHOL-S |
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DUAL-S |
1 |
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SPL-US |
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8 |
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SPL-LS |
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8 |
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SEP-S |
MIDI → MIDI |
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P.88 |
VC-1→ P.76
SPLIT
KEY MODE SPLIT SPL-US SPL-LS
C2 C7
C2 B2 C3 B3 C4 B4 C5 B5 C6 B6 C7C
BALANCE
0 100
CHASE
P.24
OFF, ON
PORTAMENTO
かに変化させる機能で、バイオリンの奏法でよく使われます。ボタンにタッチするとオンになり、もう一 度タッチするとオフに戻ります。
OFF, ON
20
CONTROL
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Bend |
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P.60 |
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0 12 |
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AfterPB |
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- + |
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-12 +12 |
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Hold |
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WHOLE |
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U |
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L |
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U, L, UL |
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UL |
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Time
0 100
Mode |
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WHOLE |
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U |
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L |
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U, L, UL |
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UL |
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ON MIDION OFF
21
OUTPUT
2
Mode
2 4
1 4
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2 |
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2 |
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2 |
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22
RevType
32
1 32
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1 |
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2 |
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3 |
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4 |
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5 |
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6 |
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7 |
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8 |
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9 |
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10 |
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11 |
102ms |
12 |
180ms |
13 |
224ms |
14 |
148 296ms |
15 |
200ms |
16 |
480ms |
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17 |
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18 |
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19 |
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20 |
248ms |
21 |
338ms |
22 |
157ms |
23 |
252ms |
24 |
274 137ms |
25 |
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26 |
360ms |
27 |
480ms |
28 |
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29 |
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30 |
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31 |
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32 |
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Int1 Int2 817 32 17 3217 32
→ P.35
RevBal
0 100
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100 |
0 |
0 |
0 |
Vol
0 100
23
CHASE
WHOLE DUAL
Mode
UL, ULL, ULU
• |
DUAL |
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UL |
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→ |
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ULL |
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→ → |
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ULU |
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→ → |
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• |
WHOLE |
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UL |
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→ |
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ULL |
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→ → |
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ULU |
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ULL |
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Level
0 100
Time
0 100
24
TONE TUNE
22
LKey
-24 +24 ± 2
UKey
-24 +24 ± 2
LTune
-50 +50 ± 50
UTune
-50 +50 ± 50
MIDI MIDI
MIDI
TxCH
P.73 Basic
Basic, 1 16
TxPC
ます。OFF
OFF, 1 100
TxBS
MSB LSB=0 OFF
OFF, 0 99
SepCH
OFFP.73
OFF, 1 16
25
PATCH TOP EDITEDEDITED
18 10
fig.06-01 LCD_PulldownPatchName
2.▼
3.PATCH NAME TONE NAME
fig.06-02 LCD_PatchName&ToneName
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5.OK
26
→
P.28
2.▼
3.PATCH WRITE PATCH WRITE
4.VALUE Destination
•ReName PATCH NAME
•CompareDestination
5.Compare
→ P.35
6.Execute
27
VC-1
•D-50 MIDI P.33
•V-Synth XT USB PC
V-Synth XT USB V-Synth XT
1.MODE MODE MENU
2.FACTORY RESET FACTORY RESET
3.OK
4.Execute Completed!
VC-1
VC-1
fig.11-09j Vc1FileStructure
•
• いでください。
28
D-50/550
D-50/550 64 MIDI VC-1 V-Synth XT
D-50/550VC-1
VC-1 64 MIDI D-50/550
D-50/550
D-50 → VC-1
•D-50 → VC-1 64
|
→ |
|
I1-11 Fantasia |
→ |
Int1-11 Int1-88 |
I6-88 Big Wave |
→ |
Int6-11 Int6-88 |
•64 P.11
•64 VC-1P.32
•D-50 M-256D VC-1
M-256D →D-50D-50 → VC-1
fig.04-01j BulkDumpImage
|
M-256D |
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D-50 |
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VC-1:Int1 |
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→ D-50/550 P.30
↓
D-50/550 → VC-1 P.31
↓
P.32
29
D-50/550
→ D-50/550
D-50
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2-1 |
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2-2 |
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[EXIT] 3 |
5 |
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6-1 |
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6-2 |
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1.D-50 M-256D
2.D-50
2-1. TUNE/FUNCTION
2-2. Protect
3.DATA TRANSFER
4.Card → Int
5.ENTER Complete.
6.D-50
6-1. TUNE/FUNCTION
6-2. Protect
D-550
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4, 6 |
5 |
3 |
1.D-550 M-256D
2.DATA TRANS
3. Card → Int
4.ENTER Complete.
5.WRITE
6.ENTER
30