Roland V-STUDIO 700 Patch/Performance List

Fantom VS Sound List

Patch List............................................ p. 2

Rhythm Set List .................................... p. 13

Waveform List .................................... p. 20

Effects List........................................... p. 24

1PS

Patch List

Preset A group

(CC#0 = 87, CC#32 = 64)

No Name Category

1 So true... AC.PIANO 2 ConcertPiano AC.PIANO 3 Warm Piano AC.PIANO 4 Warm Pad Pno AC.PIANO 5 Warm Str Pno AC.PIANO 6 BealeSt Walk AC.PIANO 7 Rapsody AC.PIANO 8 JD-800 Piano AC.PIANO 9 SA Dance Pno AC.PIANO 10 FS E-Grand AC.PIANO

11 FS Blend Pno AC.PIANO 12 LA Piano AC.PIANO 13 FS 70'EP EL.PIANO 14 StageEP Trem EL.PIANO 15 Back2the60s EL.PIANO 16 Tine EP EL.PIANO 17 LEO EP EL.PIANO 18 LonesomeRoad EL.PIANO 19 Age'n'Tines EL.PIANO 20 Brill TremEP EL.PIANO

21 Crystal EP EL.PIANO 22 Celestial EP EL.PIANO 23 Spirit Tines EL.PIANO 24 Psycho EP EL.PIANO 25 Mk2 Stg phsr EL.PIANO 26 SA Stacks EL.PIANO 27 Backing PhEP EL.PIANO 28 Balladeer EL.PIANO 29 Remember EL.PIANO 30 FS Wurly EL.PIANO

31 Wurly Trem EL.PIANO 32 Super Wurly EL.PIANO 33 Pulse EPno EL.PIANO 34 Fonky Fonky EL.PIANO 35 FM EP EL.PIANO 36 FM-777 EL.PIANO 37 FM EPad EL.PIANO 38 D6 Clavi KEYBOARDS 39 Cutter Clavi KEYBOARDS 40 FS Clavi KEYBOARDS

41 Funky D KEYBOARDS 42 Phase Clavi KEYBOARDS 43 BPF Clavi Ph KEYBOARDS 44 Pulse Clavi KEYBOARDS 45 Analog Clavi KEYBOARDS 46 Reso Clavi KEYBOARDS 47 Harpsy Clavi KEYBOARDS 48 FS Harpsi KEYBOARDS 49 Amadeus KEYBOARDS 50 FS Celesta KEYBOARDS

51 FS Glocken BELL 52 Music Bells BELL 53 FS Musicbox BELL 54 MuBox Pad BELL 55 Kalimbells BELL 56 Himalaya Ice BELL 57 Dreaming Box BELL 58 Step Ice BELL 59 FS Bell 1 BELL 60 FS Bell 2 BELL

61 Candy Bell BELL 62 FS Chime BELL 63 Bell Ring BELL 64 Tubular Bell BELL

No Name Category

65 5th Key BELL 66 Vibrations MALLET 67 FS Vibe MALLET 68 FS Marimba MALLET 69 FS Xylo MALLET 70 Ethno Keys MALLET

71 Synergy MLT MALLET 72 Steel Drums MALLET 73 Xylosizer MALLET 74 Toy Box MALLET 75 FullDraw Org ORGAN 76 StakDraw Org ORGAN 77 FullStop Org ORGAN 78 FS Perc Org ORGAN 79 Euro Organ ORGAN 80 Perky Organ ORGAN

81 LoFi PercOrg ORGAN 82 Rochno Org ORGAN 83 R&B Organ 1 ORGAN 84 R&B Organ 2 ORGAN 85 Zepix Organ ORGAN 86 Peep Durple ORGAN 87 FS Dist Bee ORGAN 88 60's Org 1 ORGAN 89 60's Org 2 ORGAN 90 FS SoapOpera ORGAN

91 Chapel Organ ORGAN 92 Grand Pipe ORGAN 93 Masked Opera ORGAN 94 Pipe Org/Mod ORGAN 95 Vodkakordion ACCORDION 96 Squeeze Me! ACCORDION 97 Guinguette ACCORDION 98 Harmonderca HARMONICA 99 BluesHrp V/S HARMONICA 100 Green Bullet HARMONICA

101 SoftNyln Gtr AC.GUITAR 102 FS Nylon Gt AC.GUITAR 103 Wet Nyln Gtr AC.GUITAR 104 Pre Mass Hum AC.GUITAR 105 Thick Steel AC.GUITAR 106 Uncle Martin AC.GUITAR 107 Wide Ac Gtr AC.GUITAR 108 Comp Stl Gtr AC.GUITAR 109 Stl Gtr Duo AC.GUITAR 110 FS 12str Gtr AC.GUITAR

111 So good ! AC.GUITAR 112 Muted Gtr Pk EL.GUITAR 113 StratSeq'nce EL.GUITAR 114 Fixx it EL.GUITAR 115 Jazz Guitar EL.GUITAR 116 DynoJazz Gtr EL.GUITAR 117 Wet TC EL.GUITAR 118 Clean Gtr EL.GUITAR 119 Crimson Gtr EL.GUITAR 120 Touchee Funk EL.GUITAR

121 Plug n' Gig EL.GUITAR 122 Kinda Kurt EL.GUITAR 123 Nice Oct Gtr EL.GUITAR 124 Strat Gtr EL.GUITAR 125 JC Strat Bdy EL.GUITAR 126 Twin StratsB EL.GUITAR 127 BluNoteStrat EL.GUITAR 128 FS Funk Gtr EL.GUITAR

2

Preset B group

(CC#0 = 87, CC#32 = 65)

No Name Category

1 GK Dubguitar EL.GUITAR 2 & Scratchee EL.GUITAR 3 Touch Drive DIST.GUITAR 4 FS Chunk DIST.GUITAR 5 Trem-o-Vibe DIST.GUITAR 6 Nice Dist Gt DIST.GUITAR 7 LP Dist DIST.GUITAR 8 Hurting Gtr DIST.GUITAR 9 Searing COSM DIST.GUITAR 10 FS Loud Gtr DIST.GUITAR

11 FS Plugged!! DIST.GUITAR 12 Punker 1 DIST.GUITAR 13 FS PowerChd DIST.GUITAR 14 Punker 2 DIST.GUITAR 15 Ulti Ac Bass BASS 16 Downright Bs BASS 17 Ultimo Bass BASS 18 Roomy Bass BASS 19 Comp'd JBass BASS 20 FingerMaster BASS

21 CompressBass BASS 22 All Round Bs BASS 23 R&B Bs/Slide BASS 24 Thumb Up! BASS 25 Tubby Mute BASS 26 Chicken Bass BASS 27 Snug Bass BASS 28 Return2Base! BASS 29 A Big Pick BASS 30 Basement BASS

31 FS Fretnot 1 BASS 32 FS Fretnot 2 BASS 33 RichFretless BASS 34 Got Pop? BASS 35 JBass v/Thmb BASS 36 FS Slap Bass BASS 37 LEO Bass BASS 38 Smooth Bass SYNTH BASS 39 MC-404 Bass SYNTH BASS 40 SH-101 Bs 1 SYNTH BASS

41 FS Syn Bass1 SYNTH BASS 42 Electro Rubb SYNTH BASS 43 R&B Bass 1 SYNTH BASS 44 Enorjizor SYNTH BASS 45 LowFat Bass SYNTH BASS 46 Doze Bass SYNTH BASS 47 FS Flat Bs SYNTH BASS 48 Saw&MG Bass SYNTH BASS 49 R&B Bass 2 SYNTH BASS 50 Foundation SYNTH BASS

51 R&B Bass 3 SYNTH BASS 52 HipHop Bs 1 SYNTH BASS 53 HipHop Bs 2 SYNTH BASS 54 Solid Goa SYNTH BASS 55 ResoSyn Bs 1 SYNTH BASS 56 SH-1 Bass SYNTH BASS 57 SH-101 Bs 2 SYNTH BASS 58 FS Syn Bass2 SYNTH BASS 59 Poly Bass SYNTH BASS 60 Punch MG 1 SYNTH BASS

61 Gashed Bass SYNTH BASS 62 Q Bass SYNTH BASS 63 FS Rubber Bs SYNTH BASS 64 ResoSyn Bs 2 SYNTH BASS

Patch List

No Name Category

65 Super-G DX SYNTH BASS 66 Punch MG 2 SYNTH BASS 67 Kickin' Bass SYNTH BASS 68 OilDrum Bass SYNTH BASS 69 Glide-iator SYNTH BASS 70 MG+SubOsc Bs SYNTH BASS

71 FS Unison Bs SYNTH BASS 72 TexturedBusy SYNTH BASS 73 Detune Bass SYNTH BASS 74 Lo Bass SYNTH BASS 75 SQ Pan SYNTH BASS 76 FS GarageBs1 SYNTH BASS 77 FS GarageBs2 SYNTH BASS 78 Sub Sonic SYNTH BASS 79 FS Jungle Bs SYNTH BASS 80 R&B Bass 4 SYNTH BASS

81 Beepin Bass SYNTH BASS 82 MC-TB Bass SYNTH BASS 83 Acdg Bass SYNTH BASS 84 Loco Voco SYNTH BASS 85 TBasic SYNTH BASS 86 Unplug it! SYNTH BASS 87 V.Form Bass SYNTH BASS 88 S&H Bass SYNTH BASS 89 Destroyed Bs SYNTH BASS 90 FS Acid Bs SYNTH BASS

91 Lo-Fi TB SYNTH BASS 92 Violin STRINGS 93 Viola STRINGS 94 Cello STRINGS 95 Contrabass STRINGS 96 Dolce Qrt STRINGS 97 Chamber Str STRINGS 98 Small Str STRINGS 99 Studio Sect. STRINGS 100 Stringz 101 STRINGS

101 Crossed Bows STRINGS 102 FS Strings STRINGS 103 2-way Sect. STRINGS 104 Warm Strings STRINGS 105 Stacc mp Str STRINGS 106 Magnolia Str STRINGS 107 Movie Scene STRINGS 108 Gang Strangs STRINGS 109 Clustered!?! STRINGS 110 DramaSect/sw STRINGS

111 DelicatePizz STRINGS 112 Vls PizzHall STRINGS 113 Orch Pizz STRINGS 114 Wind & Str 1 ORCHESTRA 115 Wind & Str 2 ORCHESTRA 116 Farewell ORCHESTRA 117 Orch & Horns ORCHESTRA 118 Soft Orch 1 ORCHESTRA 119 Soft Orch 2 ORCHESTRA 120 Henry IX ORCHESTRA

121 Ending Scene ORCHESTRA 122 Good Old Day WND 123 FS WindWood WND 124 Clarence.net WND 125 FS Oboe WND 126 Hall Oboe WND 127 English Horn WND 128 Bassoon WND

3

Patch List

Preset C group

(CC#0 = 87, CC#32 = 66)

No Name Category

1 FS Flute FLUTE 2 Atk Flute FLUTE 3 Piccolo FLUTE 4 Andes Mood FLUTE 5 Pan Pipes FLUTE 6 Solo Tp AC.BRASS 7 Horn Chops AC.BRASS 8 Flugel Horn AC.BRASS 9 Spit Flugel AC.BRASS 10 Mute Tp /Mod AC.BRASS

11 Harmon Mute AC.BRASS 12 Soft Tb AC.BRASS 13 Solo Tb AC.BRASS 14 Solo Bone AC.BRASS 15 Grande Tuba AC.BRASS 16 FS Tuba AC.BRASS 17 StackTp Sect AC.BRASS 18 Tb Section AC.BRASS 19 TpTb Sect. AC.BRASS 20 FS Brass AC.BRASS

21 DynamicBrass AC.BRASS 22 Tpts & Tmbs AC.BRASS 23 Brass & Sax AC.BRASS 24 BrassPartOut AC.BRASS 25 Simple Tutti AC.BRASS 26 Full sForza AC.BRASS 27 F.Horns Sect AC.BRASS 28 Stereo Brass AC.BRASS 29 Brass Fall AC.BRASS 30 FS Saw Brass SYNTH BRASS

31 Wide SynBrss SYNTH BRASS 32 DetuneSawBrs SYNTH BRASS 33 J-Pop Brass SYNTH BRASS 34 Brash! SYNTH BRASS 35 Jump For KY SYNTH BRASS 36 Neo SuperBrs SYNTH BRASS 37 SoftSynBrass SYNTH BRASS 38 Silky JP SYNTH BRASS 39 Silk Brs Pad SYNTH BRASS 40 FatSynBrass SYNTH BRASS

41 Soprano Sax SAX 42 Solo Sop Sax SAX 43 Alto mp SAX 44 Alto Sax SAX 45 Solo AltoSax SAX 46 AltoLead Sax SAX 47 Tenor Sax SAX 48 Fat TenorSax SAX 49 Baritone Sax SAX 50 Sax Sect. 1 SAX

51 Sax Sect. 2 SAX 52 Horny Sax SAX 53 R&B TriLead SOFT LEAD 54 PeakArpSine SOFT LEAD 55 Theramax SOFT LEAD 56 FS Sqr Lead SOFT LEAD 57 Dawn Of Pan SOFT LEAD 58 Sqr Diamond SOFT LEAD 59 FS SoftLead SOFT LEAD 60 Mid Saw Ld SOFT LEAD

61 FS ResoLead SOFT LEAD 62 Dig-n-Duke SOFT LEAD 63 Modulated Ld SOFT LEAD 64 Waspy Lead SOFT LEAD

No Name Category

65 Mew Lead SOFT LEAD 66 Violin Lead SOFT LEAD 67 Oscillo Lead SOFT LEAD 68 JP Saw Lead SOFT LEAD 69 MG Sqr Lead SOFT LEAD 70 Tristar SOFT LEAD

71 Mod Lead SOFT LEAD 72 Digital Ld 1 SOFT LEAD 73 Chubby Lead SOFT LEAD 74 Sneaky Leady SOFT LEAD 75 SoloNzPeaker SOFT LEAD 76 Clone Zone SOFT LEAD 77 Legato Tkno SOFT LEAD 78 DC Triangle HARD LEAD 79 Sqr-Seqence HARD LEAD 80 Griggley HARD LEAD

81 Pure Square HARD LEAD 82 Legato Saw HARD LEAD 83 Lone Prophat HARD LEAD 84 Porta SoloLd HARD LEAD 85 FS Saw Ld 1 HARD LEAD 86 FS Saw Ld 2 HARD LEAD 87 Wind Syn Ld HARD LEAD 88 Dual Profs HARD LEAD 89 Gwyo Press HARD LEAD 90 Q DualSaws HARD LEAD

91 Mogulator Ld HARD LEAD 92 DirtyVoltage HARD LEAD 93 Clean? HARD LEAD 94 Distortion HARD LEAD 95 FS Syn Ld HARD LEAD 96 SynLead 0322 HARD LEAD 97 Digital Ld 2 HARD LEAD 98 X-Sink Delay HARD LEAD 99 Noized Lead HARD LEAD 100 Space Lead HARD LEAD

101 Destroyed Ld HARD LEAD 102 SyncModulate HARD LEAD 103 Sync Tank HARD LEAD 104 Squareheads HARD LEAD 105 Distorted MG HARD LEAD 106 SonicVampire HARD LEAD 107 Blue Meanie HARD LEAD 108 Defcon HARD LEAD 109 Stimulation HARD LEAD 110 Sub Hit I HIT&STAB

111 Blue Ice I HIT&STAB 112 .16 Orch I HIT&STAB 113 In da Cave HIT&STAB 114 BlastfrmPstI HIT&STAB 115 Smear Hit 1 HIT&STAB 116 Smear Hit 2 HIT&STAB 117 Good Old Hit HIT&STAB 118 Mix Hit 1 HIT&STAB 119 Philly Hit HIT&STAB 120 Mojo Man HIT&STAB

121 Cheezy Movie HIT&STAB 122 Mix Hit 2 HIT&STAB 123 Lo-Fi Hit HIT&STAB 124 2ble Action HIT&STAB 125 Funk Chank HIT&STAB 126 Venus I HIT&STAB 127 AluminmWires TECHNO SYNTH 128 Raven Chord TECHNO SYNTH

4

Preset D group

(CC#0 = 87, CC#32 = 67)

No Name Category

1 HPF Sweep TECHNO SYNTH 2 Moon Synth TECHNO SYNTH 3 DelyResoSaws TECHNO SYNTH 4 R-Trance TECHNO SYNTH 5 Alpha Retro TECHNO SYNTH 6 Nu Hoover TECHNO SYNTH 7 Hoovercraft TECHNO SYNTH 8 Braatz... TECHNO SYNTH 9 AllinOneRiff TECHNO SYNTH 10 YZ Again TECHNO SYNTH

11 Flazzy Lead TECHNO SYNTH 12 Coffee Bee TECHNO SYNTH 13 Sweet House TECHNO SYNTH 14 Alien Bubble TECHNO SYNTH 15 LowFreqHit TECHNO SYNTH 16 Loonacy TECHNO SYNTH 17 Periscope TECHNO SYNTH 18 Electrostars TECHNO SYNTH 19 Going Mad! TECHNO SYNTH 20 LoFiSequence TECHNO SYNTH

21 DreamInColor TECHNO SYNTH 22 MelodicDrums TECHNO SYNTH 23 TechnoSnipsI TECHNO SYNTH 24 TB Wah TECHNO SYNTH 25 Waving TB303 TECHNO SYNTH 26 Digi Seq TECHNO SYNTH 27 Seq Saw TECHNO SYNTH 28 Reso Seq Saw TECHNO SYNTH 29 DetuneSeqSaw TECHNO SYNTH 30 Technotribe TECHNO SYNTH

31 MetalVoxBox TECHNO SYNTH 32 Teethy Grit TECHNO SYNTH 33 Repertition TECHNO SYNTH 34 Jucy Saw OTHER SYNTH 35 Cue Tip OTHER SYNTH 36 TB-Sequence OTHER SYNTH 37 Europe Xpres OTHER SYNTH 38 Squeepy OTHER SYNTH 39 Atmorave OTHER SYNTH 40 DOC Stack OTHER SYNTH

41 Sweep Lead OTHER SYNTH 42 Digitaless OTHER SYNTH 43 Flip Pad OTHER SYNTH 44 Short Detune OTHER SYNTH 45 forSequence OTHER SYNTH 46 Memory Pluck OTHER SYNTH 47 Metalic Bass OTHER SYNTH 48 Aqua OTHER SYNTH 49 Big Planet OTHER SYNTH 50 Wet Atax OTHER SYNTH

51 Houze Clavi OTHER SYNTH 52 SuperSawSlow OTHER SYNTH 53 TranceSaws OTHER SYNTH 54 Trancy Synth OTHER SYNTH 55 Saw Stack OTHER SYNTH 56 Frgile Saws OTHER SYNTH 57 Steamed Sawz OTHER SYNTH 58 RAVtune OTHER SYNTH 59 Bustranza OTHER SYNTH 60 AftTch Ji-n OTHER SYNTH

61 JP OctAttack OTHER SYNTH 62 Oct Unison OTHER SYNTH 63 Xtatic OTHER SYNTH 64 Dirty Combo OTHER SYNTH

Patch List

No Name Category

65 FM's Attack OTHER SYNTH 66 Impression OTHER SYNTH 67 Digi-vox Syn OTHER SYNTH 68 Fairy Factor OTHER SYNTH 69 Tempest OTHER SYNTH 70 X-Racer OTHER SYNTH

71 TB Booster OTHER SYNTH 72 Syn-Orch/Mod OTHER SYNTH 73 Pressyn OTHER SYNTH 74 High Five OTHER SYNTH 75 4DaCommonMan OTHER SYNTH 76 Orgaenia OTHER SYNTH 77 Sleeper OTHER SYNTH 78 Sugar Synth OTHER SYNTH 79 Ice Palace OTHER SYNTH 80 Story Harp OTHER SYNTH

81 LostParadise OTHER SYNTH 82 Magnetic 5th OTHER SYNTH 83 Jazz Doos VOX 84 Beat Vox VOX 85 Scat Beats VOX 86 Choir Aahs 1 VOX 87 Choir Aahs 2 VOX 88 ChoirOoh/Aft VOX 89 Angels Choir VOX 90 Angelique VOX

91 Gospel Oohs VOX 92 Uhmmm VOX 93 Aah Vox VOX 94 Morning Star VOX 95 Syn Opera VOX 96 BeautifulOne VOX 97 Ooze VOX 98 Aerial Choir VOX 99 3D Vox VOX 100 FS Sqr Pad SOFT PAD

101 FS Hollow SOFT PAD 102 Silk Pad SOFT PAD 103 WarmReso Pad SOFT PAD 104 FS Soft Pad SOFT PAD 105 Soft Breeze SOFT PAD 106 JP Strings 1 SOFT PAD 107 JP Strings 2 SOFT PAD 108 FS Syn Str SOFT PAD 109 Syn Strings SOFT PAD 110 OB Slow Str SOFT PAD

111 Super SynStr SOFT PAD 112 Strings Pad SOFT PAD 113 R&B SoftPad SOFT PAD 114 Reso Pad SOFT PAD 115 Phat Pad SOFT PAD 116 FS PhaserPad SOFT PAD 117 Mystic Str SOFT PAD 118 Glass Organ SOFT PAD 119 Wind Pad SOFT PAD 120 Combination SOFT PAD

121 HumanKindnes SOFT PAD 122 Atmospherics SOFT PAD 123 Terra Nostra SOFT PAD 124 OB Aaahs SOFT PAD 125 Vulcano Pad SOFT PAD 126 Cloud #9 SOFT PAD 127 Lostscapes SOFT PAD 128 Organic Pad SOFT PAD

5

Patch List

Preset E group

(CC#0 = 87, CC#32 = 68)

No Name Category

1 Digital Aahs SOFT PAD 2 FreezinNight SOFT PAD 3 FS MovinPad SOFT PAD 4 Seq-Pad 1 SOFT PAD 5 Digi-Swell BRIGHT PAD 6 Stringship BRIGHT PAD 7 SaturnHolida BRIGHT PAD 8 India Garden BRIGHT PAD 9 OB Rezo Pad BRIGHT PAD 10 Sonic Surfer BRIGHT PAD

11 2 Point 2 BRIGHT PAD 12 2.2 Pad BRIGHT PAD 13 New Year Day BRIGHT PAD 14 Mod Dare BRIGHT PAD 15 Neuro-Drone BRIGHT PAD 16 In The Pass BRIGHT PAD 17 Polar Night BRIGHT PAD 18 Electric Pad BRIGHT PAD 19 MistOver5ths BRIGHT PAD 20 Voyager BRIGHT PAD

21 Cosmic Rays BRIGHT PAD 22 Gritty Pad BRIGHT PAD 23 Distant Sun BRIGHT PAD 24 Filmscape BRIGHT PAD 25 BillionStars BRIGHT PAD 26 Sand Pad BRIGHT PAD 27 Fat Stacks BRIGHT PAD 28 ReverseSweep BRIGHT PAD 29 HugeSoundMod BRIGHT PAD 30 Metal Swell BRIGHT PAD

31 ShapeURMusic PULSATING 32 Synth Force PULSATING 33 Trance Split PULSATING 34 Step Trance PULSATING 35 Chop Synth PULSATING 36 Euro Teuro PULSATING 37 Auto Trance PULSATING 38 Eureggae PULSATING 39 Sorry4theDLY PULSATING 40 Beat Pad PULSATING

41 FS ResoStep PULSATING 42 TMT Seq Pad PULSATING 43 ZipDoggyDoDa PULSATING 44 ForYourBreak PULSATING 45 HPF Slicer PULSATING 46 DarknessSide PULSATING 47 Sliced Choir PULSATING 48 Digi-Doo PULSATING 49 PanningFrmnt PULSATING 50 Dirty Beat PULSATING

51 Hellrazor PULSATING 52 Electrons PULSATING 53 Protons PULSATING 54 FS AlphaRave PULSATING 55 Brisk Vortex PULSATING 56 FS Throbulax PULSATING 57 FS Lonizer PULSATING 58 FS Strobe PULSATING 59 VirtualHuman PULSATING 60 FS Line PULSATING

61 StepPitShift PULSATING 62 Sever PULSATING 63 Pad Pulses PULSATING 64 Dub Tales PULSATING

No Name Category

65 Seq-Pad 2 PULSATING 66 Nice Kalimba PLUCKED 67 Quiet River PLUCKED 68 Teky Drop PLUCKED 69 Pat is away PLUCKED 70 FS Sitar 1 PLUCKED

71 FS Sitar 2 PLUCKED 72 Sitar on C PLUCKED 73 Sitar Baby PLUCKED 74 EasternDlite PLUCKED 75 Elec Sitar PLUCKED 76 Neo Sitar PLUCKED 77 Bosporus PLUCKED 78 Santur Stack PLUCKED 79 Aerial Harp PLUCKED 80 Harpiness PLUCKED

81 TroubadorEns PLUCKED 82 Jamisen PLUCKED 83 Koto PLUCKED 84 Monsoon PLUCKED 85 Bend Koto PLUCKED 86 LongDistance ETHNIC 87 Ambi Shaku ETHNIC 88 FS PipeDream ETHNIC 89 FS Lochscape ETHNIC 90 FS Far East ETHNIC

91 Banjo FRETTED 92 Breath Slice SYNTH FX 93 Lazer Points SYNTH FX 94 Chaos 2003 SYNTH FX 95 SoundOnSound SYNTH FX 96 Low Beat-S SYNTH FX 97 Control Room SYNTH FX 98 FS Try This! SYNTH FX 99 OutOf sortz SYNTH FX 100 Seq SYNTH FX

101 Scatter SYNTH FX 102 WaitnOutside SYNTH FX 103 Ambience SYNTH FX 104 Fantom Noise SYNTH FX 105 Breath Echo SYNTH FX 106 SoundStrange SYNTH FX 107 Cosmic Pulse SYNTH FX 108 Faked Piano SYNTH FX 109 Tubulence SYNTH FX 110 South Pole SYNTH FX

111 FS Crystal SYNTH FX 112 ResoSweep Dn SYNTH FX 113 Zap B3 & C4 SYNTH FX 114 PolySweep Nz SYNTH FX 115 New Planetz SYNTH FX 116 Strange Land SYNTH FX 117 Trancer SYNTH FX 118 S&H Voc SYNTH FX 119 12th Planet SYNTH FX 120 Ambidextrous SOUND FX

121 En-co-re SOUND FX 122 Mobile Phone SOUND FX 123 Beat (C4) I BEAT&GROOVE 124 StepLFO Ens BEAT&GROOVE 125 Timpani+Low PERCUSSION 126 Timpani Roll PERCUSSION 127 Bass Drum PERCUSSION 128 Techno Craft COMBINATION

6

Preset F group

(CC#0 = 87, CC#32 = 69)

No Name Category

1 ConcertGrand AC.PIANO 2 Hall Concert AC.PIANO 3 Bright Tune AC.PIANO 4 Mellow Tune AC.PIANO 5 Back E-Grand EL.PIANO 6 EP mkI EL.PIANO 7 Stage EP EL.PIANO 8 MKS20EnsemEP EL.PIANO 9 UltimatGrand AC.PIANO 10 X Pure Grand AC.PIANO

11 Studio Grand AC.PIANO 12 88ConcertPno AC.PIANO 13 DryStudio88 AC.PIANO 14 First Choice AC.PIANO 15 Rokkin' pF AC.PIANO 16 Dark Grand AC.PIANO 17 Piano Oz AC.PIANO 18 Grand Hall AC.PIANO 19 X Piano +Str AC.PIANO 20 Arie Piano AC.PIANO

21 Cicada Piano AC.PIANO 22 Clare Voyent AC.PIANO 23 X Piano +Pad AC.PIANO 24 X Piano +Vox AC.PIANO 25 FX Piano AC.PIANO 26 AmbientPiano AC.PIANO 27 Tre EP EL.PIANO 28 Stage Phazer EL.PIANO 29 StageCabinet EL.PIANO 30 AMP EP EL.PIANO

31 VelPanWurly EL.PIANO 32 Mr.AXXE EL.PIANO 33 1983 EP EL.PIANO 34 EP Stack EL.PIANO 35 EP Belle EL.PIANO 36 Chocolate EP EL.PIANO 37 Abstract EP EL.PIANO 38 Ringy EP EL.PIANO 39 Hipchord EL.PIANO 40 Snappy Clav KEYBOARDS

41 Over-D6 KEYBOARDS 42 CoupleHarpsi KEYBOARDS 43 HimalayaThaw BELL 44 Ballad Bells BELL 45 Bell Monitor BELL 46 SideBandBell BELL 47 SBF Saw Bell BELL 48 TubyRuesday BELL 49 Music Box 2 BELL 50 AirPluck MALLET

51 Airie Vibez MALLET 52 Ringy Vibes MALLET 53 50`SteelDrms MALLET 54 VKHold4Speed ORGAN 55 X Perc Organ ORGAN 56 Rocky Organ ORGAN 57 Purple Organ ORGAN 58 Phono Organ ORGAN 59 Mid Pipe Org ORGAN 60 ParisRomance ACCORDION

61 La Seine ACCORDION 62 VntgAccrdion ACCORDION 63 Oktoberfest ACCORDION 64 NaturalNylon AC.GUITAR

Patch List

No Name Category

65 Nylon Gtr VS AC.GUITAR 66 Double Nylon AC.GUITAR 67 Mellow Nylon AC.GUITAR 68 FlamencoGt X AC.GUITAR 69 El Toro Gtr AC.GUITAR 70 Dyna Nylon AC.GUITAR

71 NylonGt /HO AC.GUITAR 72 Nylon 4way AC.GUITAR 73 Nyl-Intro AC.GUITAR 74 Nylon Dreams AC.GUITAR 75 With Love AC.GUITAR 76 Amore Story AC.GUITAR 77 Interlude AC.GUITAR 78 Sweet Tears AC.GUITAR 79 WithALtlHelp AC.GUITAR 80 Double Track EL.GUITAR

81 Mystic Gtr EL.GUITAR 82 Cut Thru Wah EL.GUITAR 83 GuitaratiuG EL.GUITAR 84 WahGt Riff EL.GUITAR 85 Larsen /Aft DIST.GUITAR 86 Darmstrat X DIST.GUITAR 87 Rockin' Dly DIST.GUITAR 88 DistGt Mt DIST.GUITAR 89 GTR Heroes DIST.GUITAR 90 X Mute Bass BASS

91 Nu Finger Bs BASS 92 Soulfinger BASS 93 X Finger Bs1 BASS 94 StickyOctave BASS 95 Bass & Amp BASS 96 Chorus Bass BASS 97 X 5String Bs BASS 98 6-Pack Stick BASS 99 Nu Pick Bass BASS 100 Comp Picker BASS

101 X Finger Bs2 BASS 102 X Picked Bs BASS 103 Mutation BASS 104 X Slap Bass BASS 105 Fuzz Mute BASS 106 Doubled Bass BASS 107 NewAge Frtls BASS 108 Powerline SYNTH BASS 109 Reso SynBass SYNTH BASS 110 Synth Bassic SYNTH BASS

111 Down 4 It SYNTH BASS 112 Glider Bass SYNTH BASS 113 Fundamental SYNTH BASS 114 Artus Bass SYNTH BASS 115 Sweet & Low SYNTH BASS 116 Change It SYNTH BASS 117 the ONE SYNTH BASS 118 ChoruSE ONE SYNTH BASS 119 Eyes Bass SYNTH BASS 120 Secret Bass SYNTH BASS

121 Base BoX SYNTH BASS 122 Nu RnB Bass SYNTH BASS 123 D n' Bass SYNTH BASS 124 DnB Bass 1 SYNTH BASS 125 Fat Bottom SYNTH BASS 126 Deep S-E SYNTH BASS 127 Nu Bace SYNTH BASS 128 Mini Like! SYNTH BASS

7

Patch List

Preset G group

(CC#0 = 87, CC#32 = 70)

No Name Category

1 Da Chronic SYNTH BASS 2 Virtual RnBs SYNTH BASS 3 Not a Bass SYNTH BASS 4 Nu RnB Saw 1 SYNTH BASS 5 Nu RnB Saw 2 SYNTH BASS 6 Buzzy Bs SYNTH BASS 7 SBF Saw Bs SYNTH BASS 8 Party Bass SYNTH BASS 9 Tornrubber SYNTH BASS 10 Drop Bass SYNTH BASS

11 Filament SYNTH BASS 12 Dust Bass SYNTH BASS 13 Mr. Nasty SYNTH BASS 14 Bass Drive SYNTH BASS 15 Underneath SYNTH BASS 16 Dirt & Grime SYNTH BASS 17 Down & Dirty SYNTH BASS 18 SubOscar SYNTH BASS 19 Full Strings STRINGS 20 X StrSection STRINGS

21 Oct Strings STRINGS 22 Sahara Str STRINGS 23 Random Mood STRINGS 24 X Hall Str STRINGS 25 Strings Flow STRINGS 26 Biggie Bows STRINGS 27 Staccato VS STRINGS 28 So Staccato STRINGS 29 Pizz'Stac VS STRINGS 30 Mellow Tron STRINGS

31 Moody Tron STRINGS 32 Tronic Str STRINGS 33 Machine Str STRINGS 34 Symphonika ORCHESTRA 35 Pop Orch ORCHESTRA 36 Contemp'Orch ORCHESTRA 37 Smear Hit 3 HIT&STAB 38 Tutti I HIT&STAB 39 Brass Ditt HIT&STAB 40 Housechord HIT&STAB

41 Mod Chord HIT&STAB 42 Dance Steam HIT&STAB 43 Disto Stab ! HIT&STAB 44 Fairy Flute FLUTE 45 Chiffed Toot FLUTE 46 Hop Flute FLUTE 47 HimalayaPipe FLUTE 48 X Brs Sect 1 AC.BRASS 49 Pop Stak Brs AC.BRASS 50 X Brs Sect 2 AC.BRASS

51 Pop Brs wAtk AC.BRASS 52 Hybrid Brass AC.BRASS 53 Nu Stab Brs AC.BRASS 54 Heavy Brs 1 AC.BRASS 55 Heavy Brs 2 AC.BRASS 56 Wonder Brass AC.BRASS 57 Pop Brs Sfz AC.BRASS 58 Pop Brs Stac AC.BRASS 59 Brass Fall / AC.BRASS 60 X-Saw Brass1 SYNTH BRASS

61 JP8000 Brass SYNTH BRASS 62 X-Saw Brass2 SYNTH BRASS 63 Bend SynBrs SYNTH BRASS 64 Sax Heavy SAX

No Name Category

65 FXM Alto Sax SAX 66 Simply Nasty HARD LEAD 67 Deep Wine HARD LEAD 68 Bon Voyage HARD LEAD 69 Xpress Lead HARD LEAD 70 BodyElectric HARD LEAD

71 Classic Lead HARD LEAD 72 Optik'Synth HARD LEAD 73 Feat Lead HARD LEAD 74 X Sync Mod HARD LEAD 75 SBF Lead HARD LEAD 76 Hard Sync HARD LEAD 77 Rezo Sync HARD LEAD 78 Wire Sync HARD LEAD 79 Distro FXM HARD LEAD 80 Epic Lead HARD LEAD

81 Crumble Syn HARD LEAD 82 SlippingSaws HARD LEAD 83 Bag Lead HARD LEAD 84 Dirty Saw HARD LEAD 85 Wezcoast HARD LEAD 86 X-Saw Lead HARD LEAD 87 ActualAnalog HARD LEAD 88 SBF Reso HARD LEAD 89 SliCed Lead SOFT LEAD 90 Synthi Fizz SOFT LEAD

91 Mini Growl SOFT LEAD 92 Jupiter Lead SOFT LEAD 93 X-Pulse Lead SOFT LEAD 94 Jupi Square SOFT LEAD 95 TriStac Lead SOFT LEAD 96 Modular Lead SOFT LEAD 97 Sinetific SOFT LEAD 98 Dirty D/A SOFT LEAD 99 EuronalSynth SOFT LEAD 100 Xtrem Sine SOFT LEAD

101 Killerbeez TECHNO SYNTH 102 Freeze Synth TECHNO SYNTH 103 JamPacked! TECHNO SYNTH 104 SawStac Chd TECHNO SYNTH 105 Trancepire TECHNO SYNTH 106 Acid Lead TECHNO SYNTH 107 Tranceformer TECHNO SYNTH 108 Anadroid TECHNO SYNTH 109 Shroomy TECHNO SYNTH 110 SBF Nozer TECHNO SYNTH

111 Voxulizer TECHNO SYNTH 112 Wired Rez TECHNO SYNTH 113 Noize R us TECHNO SYNTH 114 Inner Voices TECHNO SYNTH 115 Beep Melodie TECHNO SYNTH 116 Alpha Hoover TECHNO SYNTH 117 Steel Wire TECHNO SYNTH 118 Rav-i-Toid TECHNO SYNTH 119 Rez Therapy TECHNO SYNTH 120 Ivan's TECHNO SYNTH

121 Morpher TECHNO SYNTH 122 StellarTreck PULSATING 123 Tekno Tone PULSATING 124 Generator PULSATING 125 ARP x Race PULSATING 126 DSP Chaos PULSATING 127 Phraserblade PULSATING 128 Dancefloor PULSATING

8

Preset H group

(CC#0 = 87, CC#32 = 71)

No Name Category

1 Minor Thirds PULSATING 2 Strobe X PULSATING 3 Orbiting PULSATING 4 FX World PULSATING 5 Mr. Fourier PULSATING 6 Nu Trance X PULSATING 7 eXisDance PULSATING 8 Are U ready? PULSATING 9 Minty Fresh PULSATING 10 Spectrums PULSATING

11 Shape of X PULSATING 12 Auto 5thSaws PULSATING 13 Strobot PULSATING 14 Dreamswirl PULSATING 15 Galaxadin PULSATING 16 Welcome2X PULSATING 17 Space & Time PULSATING 18 Cross Talk PULSATING 19 Lava Flows PULSATING 20 Steppin Faze PULSATING

21 Reanimation PULSATING 22 VoX Chopper PULSATING 23 SquareSphere PULSATING 24 Auto Sync PULSATING 25 Vocastic PULSATING 26 Bending Logo SYNTH FX 27 SolarPleXus SYNTH FX 28 Scare SYNTH FX 29 Chaoism SYNTH FX 30 Hillside SYNTH FX

31 Alien Voice SYNTH FX 32 What What? SYNTH FX 33 Beyond Here SYNTH FX 34 Mod Scanner SYNTH FX 35 Gasp SYNTH FX 36 Neverville SYNTH FX 37 Landing Pad SYNTH FX 38 Celebrated SYNTH FX 39 ResoSweep Up SYNTH FX 40 The VorteX SYNTH FX

41 Magic Wave SYNTH FX 42 Shangri-La SYNTH FX 43 CerealKiller SYNTH FX 44 DigimaX OTHER SYNTH 45 Trancy X OTHER SYNTH 46 X Sweep Saws OTHER SYNTH 47 X-Trance OTHER SYNTH 48 JP-8000 Saws OTHER SYNTH 49 X Super Saws OTHER SYNTH 50 Exhale OTHER SYNTH

51 SBF Voices OTHER SYNTH 52 Stadium SBF OTHER SYNTH 53 Master X OTHER SYNTH 54 X-panda OTHER SYNTH 55 TDreamTouch OTHER SYNTH 56 Smooth Synth OTHER SYNTH 57 Stereotype OTHER SYNTH 58 Saw Keystep OTHER SYNTH 59 4mant Cycle OTHER SYNTH 60 Trance Sweep OTHER SYNTH

61 Modular OTHER SYNTH 62 Triple X OTHER SYNTH 63 Angel Pipes OTHER SYNTH 64 Vint Clavier OTHER SYNTH

Patch List

No Name Category

65 Wired Synth OTHER SYNTH 66 Nu Romance OTHER SYNTH 67 Survivoz BRIGHT PAD 68 Ring Worldz BRIGHT PAD 69 Mashed!? :0) BRIGHT PAD 70 Saturn Siren BRIGHT PAD

71 Side Band X BRIGHT PAD 72 Mashy Scene BRIGHT PAD 73 Spr SideBand BRIGHT PAD 74 Digitvox BRIGHT PAD 75 Oral eXam BRIGHT PAD 76 Timeline BRIGHT PAD 77 Whisper Pad BRIGHT PAD 78 Orchipad BRIGHT PAD 79 Visionary BRIGHT PAD 80 Rave Stringy BRIGHT PAD

81 InfinitePhsr BRIGHT PAD 82 Jupiter 2004 BRIGHT PAD 83 Light Phaser BRIGHT PAD 84 Life-on BRIGHT PAD 85 Polar Morn BRIGHT PAD 86 Saturn Rings BRIGHT PAD 87 Ooh La La BRIGHT PAD 88 Flying X BRIGHT PAD 89 Motion Pad SOFT PAD 90 Mash Pad BRIGHT PAD

91 Xtragalactic SOFT PAD 92 Morph Filter SOFT PAD 93 TrnsSweepPad SOFT PAD 94 Follow SOFT PAD 95 Jupiter-X SOFT PAD 96 Riven Pad SOFT PAD 97 Consolament SOFT PAD 98 Spacious Pad SOFT PAD 99 JD Pop Pad SOFT PAD 100 Silhouette SOFT PAD

101 JP-8 Phase SOFT PAD 102 Nu Epic Pad SOFT PAD 103 Forever SOFT PAD 104 Flange Dream SOFT PAD 105 Guild Vox SOFT PAD 106 5th Pad X SOFT PAD 107 Evolution X SOFT PAD 108 Chariots SOFT PAD 109 Trevor's Pad PULSATING 110 Nu Pad PULSATING

111 Fantomas Pad PULSATING 112 Film Cue VOX 113 Choral Sweep VOX 114 Paradise VOX 115 Sad ceremony VOX 116 Lost Voices VOX 117 Talk 2 Me VOX 118 Pearly Harp PLUCKED 119 Nylon Harp PLUCKED 120 Skydiver PLUCKED

121 Unpluck'd PLUCKED 122 Ethno Plucks PLUCKED 123 SaraswatiRvr PLUCKED 124 Drone X PLUCKED 125 Lounge Kit COMBINATION 126 Gospel Trio COMBINATION 127 xcultural COMBINATION 128 When I'm 64 COMBINATION

9

Patch List

Preset I group

(CC#0 = 87, CC#32 = 72)

No Name Category

1 Grand X AC.PIANO 2 Punch Piano AC.PIANO 3 AbandonedPno AC.PIANO 4 Ballad 88 AC.PIANO 5 Cosmo Grand AC.PIANO 6 Crossed EP EL.PIANO 7 Dry Suitcase EL.PIANO 8 Chuk EP EL.PIANO 9 FXM EP EL.PIANO 10 Bumpy EP EL.PIANO

11 Organic FM EL.PIANO 12 Simply Wurly EL.PIANO 13 VintageClav KEYBOARDS 14 Clockworx V1 BELL 15 Noisemaker MALLET 16 Organ Oz ORGAN 17 Vitamin B ORGAN 18 Chorusd C ORGAN 19 B Keyclick ORGAN 20 Split Bars ORGAN

21 MultiFunk ORGAN 22 SmokeyWater ORGAN 23 Transistor ORGAN 24 R&Bacoustic AC.GUITAR 25 Surf Gtr EL.GUITAR 26 FunkyCountry EL.GUITAR 27 PedalSteel EL.GUITAR 28 Strat-Egic EL.GUITAR 29 SmoothDrive DIST.GUITAR 30 BluesTubes DIST.GUITAR

31 Capt.Fingerz DIST.GUITAR 32 ChunkyCrunch DIST.GUITAR 33 Guitar Rip DIST.GUITAR 34 RockDriver BASS 35 Filter Slap BASS 36 PowerUp Bass SYNTH BASS 37 Plastic3Bass SYNTH BASS 38 Matrix Bass SYNTH BASS 39 Big Pedal SYNTH BASS 40 DawgBass SYNTH BASS

41 SF Bass SYNTH BASS 42 Deep Funk Bs SYNTH BASS 43 Sqr Pressure SYNTH BASS 44 House Bass SYNTH BASS 45 String Exp STRINGS 46 Flap Strings STRINGS 47 70`s TV Show STRINGS 48 Dynam`Orch ORCHESTRA 49 HollywdBrass ORCHESTRA 50 Full Monty ORCHESTRA

51 Hero`s Theme ORCHESTRA 52 MultiHits HIT&STAB 53 Stab Dance I HIT&STAB 54 ElectroTango HIT&STAB 55 Power of Pan FLUTE 56 FantomAxxe HARD LEAD 57 Talking Mess HARD LEAD 58 DT Lead HARD LEAD 59 No Fidelity HARD LEAD 60 Razid Lead HARD LEAD

61 Tricycle HARD LEAD 62 Phuture Saw HARD LEAD 63 Intense Lead HARD LEAD 64 Shining HARD LEAD

No Name Category

65 Fat Eurolead HARD LEAD 66 Wave-o-Shapo HARD LEAD 67 DC Sidebands HARD LEAD 68 SeeAttic HARD LEAD 69 Retro Mono HARD LEAD 70 Vintage Duck SOFT LEAD

71 LivinginSine SOFT LEAD 72 SoloSaber SOFT LEAD 73 Lethargy SOFT LEAD 74 Soul Lead SOFT LEAD 75 Vari-D Solo SOFT LEAD 76 Chifferkla4 SOFT LEAD 77 Sawdust TECHNO SYNTH 78 Phasing Arp TECHNO SYNTH 79 Acid Empire TECHNO SYNTH 80 Classic TB TECHNO SYNTH

81 Techno Wave TECHNO SYNTH 82 Transylvania TECHNO SYNTH 83 Ventil8or PULSATING 84 Encounter PULSATING 85 Wah-Wah-Wah PULSATING 86 Moby'sReveng PULSATING 87 FiltredDream PULSATING 88 Space Slice PULSATING 89 Art of Trnce PULSATING 90 Vocopanner PULSATING

91 Corrugated PULSATING 92 MightyPulses PULSATING 93 Magic Rays PULSATING 94 CosmicVoices PULSATING 95 TargetX PULSATING 96 Mean Martian SYNTH FX 97 Transmission SYNTH FX 98 Lektromachin SYNTH FX 99 AlienRadio SYNTH FX 100 SacredSecret OTHER SYNTH

101 Angelbreeze OTHER SYNTH 102 Dream Viva OTHER SYNTH 103 MorningRises OTHER SYNTH 104 Dig-A-Logue OTHER SYNTH 105 ContactSport OTHER SYNTH 106 Lunar Dance OTHER SYNTH 107 Cassiopeia BRIGHT PAD 108 PhazeSinger BRIGHT PAD 109 EvocativePad BRIGHT PAD 110 Panta Rhei BRIGHT PAD

111 Thats Epic! BRIGHT PAD 112 Holy Breath BRIGHT PAD 113 Microcosm BRIGHT PAD 114 Magesty Pad BRIGHT PAD 115 Native Pad SOFT PAD 116 Swap Pad SOFT PAD 117 Alphaphase SOFT PAD 118 ThickCarpet SOFT PAD 119 Starchild SOFT PAD 120 Silky Pad SOFT PAD

121 Sineshine SOFT PAD 122 Careless Vox VOX 123 SiSi Choir VOX 124 FX Orchestra BEAT&GROOVE 125 AnalogMotion BEAT&GROOVE 126 InstaGroove BEAT&GROOVE 127 Radio Beats BEAT&GROOVE 128 Auto RnB BEAT&GROOVE

10

GM (GM2 group)

Patch List

No Name Category LSB PC

1 Piano 1 AC.PIANO 0 1 2 Piano 1w AC.PIANO 1 3 European Pf AC.PIANO 2 4 Piano 2 AC.PIANO 0 2 5 Piano 2w AC.PIANO 1 6 Piano 3 AC.PIANO 0 3 7 Piano 3w AC.PIANO 1 8 Honky-tonk AC.PIANO 0 4 9 Honky-tonk 2 AC.PIANO 4 10 E.Piano 1 EL.PIANO 0 5

11 St.Soft EP EL.PIANO 1 12 FM+SA EP EL.PIANO 2 13 Wurly EL.PIANO 3 14 E.Piano 2 EL.PIANO 0 6 15 Detuned EP 2 EL.PIANO 1 16 St.FM EP EL.PIANO 2 17 EP Legend EL.PIANO 3 18 EP Phase EL.PIANO 4 19 Harpsichord KEYBOARDS 0 7 20 Coupled Hps. KEYBOARDS 1

21 Harpsi.w KEYBOARDS 2 22 Harpsi.o KEYBOARDS 3 23 Clav. KEYBOARDS 0 8 24 Pulse Clav KEYBOARDS 1 25 Celesta KEYBOARDS 0 9 26 Glockenspiel BELL 0 10 27 Music Box BELL 0 11 28 Vibraphone MALLET 0 12 29 Vibraphone w MALLET 1 30 Marimba MALLET 0 13

31 Marimba w MALLET 1 32 Xylophone MALLET 0 14 33 Tubular-bell BELL 0 15 34 Church Bell BELL 1 35 Carillon BELL 2 36 Santur PLUCKED 0 16 37 Organ 1 ORGAN 0 17 38 Trem. Organ ORGAN 1 39 60's Organ 1 ORGAN 2 40 70's E.Organ ORGAN 3

41 Organ 2 ORGAN 0 18 42 Chorus Or.2 ORGAN 1 43 Perc. Organ ORGAN 2 44 Organ 3 ORGAN 0 19 45 Church Org.1 ORGAN 0 20 46 Church Org.2 ORGAN 1 47 Church Org.3 ORGAN 2 48 Reed Organ ORGAN 0 21 49 Puff Organ ORGAN 1 50 Accordion Fr ACCORDION0 22

51 Accordion It ACCORDION 1 52 Harmonica HARMONICA 0 23 53 Bandoneon ACCORDION 0 24 54 Nylon-str.Gt AC.GUITAR 0 25 55 Ukulele AC.GUITAR 1 56 Nylon Gt.o AC.GUITAR 2 57 Nylon Gt.2 AC.GUITAR 3 58 Steel-str.Gt AC.GUITAR 0 26 59 12-str.Gt AC.GUITAR 1 60 Mandolin AC.GUITAR 2

61 Steel + Body AC.GUITAR 3 62 Jazz Gt. EL.GUITAR 0 27 63 Pedal Steel EL.GUITAR 1 64 Clean Gt. EL.GUITAR 0 28

No Name Category LSB PC

65 Chorus Gt. EL.GUITAR 1 28 66 Mid Tone GTR EL.GUITAR 2 67 Muted Gt. EL.GUITAR 0 29 68 Funk Pop EL.GUITAR 1 69 Funk Gt.2 EL.GUITAR 2 70 Jazz Man EL.GUITAR 3

71 Overdrive Gt DIST.GUITAR 0 30 72 Guitar Pinch DIST.GUITAR 1 73 DistortionGt DIST.GUITAR 0 31 74 Feedback Gt. DIST.GUITAR 1 75 Dist Rtm GTR DIST.GUITAR 2 76 Gt.Harmonics EL.GUITAR 0 32 77 Gt. Feedback EL.GUITAR 1 78 Acoustic Bs. BASS 0 33 79 Fingered Bs. BASS 0 34 80 Finger Slap BASS 1

81 Picked Bass BASS 0 35 82 Fretless Bs. BASS 0 36 83 Slap Bass 1 BASS 0 37 84 Slap Bass 2 BASS 0 38 85 Synth Bass 1 SYNTH BASS 0 39 86 SynthBass101 SYNTH BASS 1 87 Acid Bass SYNTH BASS 2 88 Clavi Bass SYNTH BASS 3 89 Hammer SYNTH BASS 4 90 Synth Bass 2 SYNTH BASS 0 40

91 Beef FM Bass SYNTH BASS 1 92 RubberBass 2 SYNTH BASS 2 93 Attack Pulse SYNTH BASS 3 94 Violin STRINGS 0 41 95 Slow Violin STRINGS 1 96 Viola STRINGS 0 42 97 Cello STRINGS 0 43 98 Contrabass STRINGS 0 44 99 Tremolo Str STRINGS 0 45 100 PizzicatoStr STRINGS 0 46

101 Harp PLUCKED 0 47 102 Yang Qin PLUCKED 1 103 Timpani PERCUSSION 0 48 104 Strings STRINGS 0 49 105 Orchestra ORCHESTRA 1 106 60s Strings STRINGS 2 107 Slow Strings STRINGS 0 50 108 Syn.Strings1 STRINGS 0 51 109 Syn.Strings3 STRINGS 1 110 Syn.Strings2 SOFT PAD 0 52

111 Choir Aahs VOX 0 53 112 Chorus Aahs VOX 1 113 Voice Oohs VOX 0 54 114 Humming VOX 1 115 SynVox VOX 0 55 116 Analog Voice VOX 1 117 OrchestraHit HIT&STAB 0 56 118 Bass Hit HIT&STAB 1 119 6th Hit HIT&STAB 2 120 Euro Hit HIT&STAB 3

121 Trumpet AC.BRASS 0 57 122 Dark Trumpet AC.BRASS 1 123 Trombone AC.BRASS 0 58 124 Trombone 2 AC.BRASS 1 125 Bright Tb AC.BRASS 2 126 Tuba AC.BRASS 0 59 127 MutedTrumpet AC.BRASS 0 60 128 MuteTrumpet2 AC.BRASS 1

11

Patch List

No Name Category LSB PC

129 French Horns AC.BRASS 0 61 130 Fr.Horn 2 AC.BRASS 1

131 Brass 1 AC.BRASS 0 62 132 Brass 2 AC.BRASS 1 133 Synth Brass1 SYNTH BRASS 0 63 134 JP Brass SYNTH BRASS 1 135 Oct SynBrass SYNTH BRASS 2 136 Jump Brass SYNTH BRASS 3 137 Synth Brass2 SYNTH BRASS 0 64 138 SynBrass sfz SYNTH BRASS 1 139 Velo Brass 1 SYNTH BRASS 2 140 Soprano Sax SAX 0 65

141 Alto Sax SAX 0 66 142 Tenor Sax SAX 0 67 143 Baritone Sax SAX 0 68 144 Oboe WND 0 69 145 English Horn WND 0 70 146 Bassoon WND 0 71 147 Clarinet WND 0 72 148 Piccolo FLUTE 0 73 149 Flute FLUTE 0 74 150 Recorder FLUTE 0 75

151 Pan Flute FLUTE 0 76 152 Bottle Blow FLUTE 0 77 153 Shakuhachi ETHNIC 0 78 154 Whistle FLUTE 0 79 155 Ocarina FLUTE 0 80 156 Square Wave HARD LEAD 0 81 157 MG Square HARD LEAD 1 158 2600 Sine HARD LEAD 2 159 Saw Wave HARD LEAD 0 82 160 OB2 Saw HARD LEAD 1

161 Doctor Solo HARD LEAD 2 162 Natural Lead HARD LEAD 3 163 SequencedSaw HARD LEAD 4 164 Syn.Calliope SOFT LEAD 0 83 165 Chiffer Lead SOFT LEAD 0 84 166 Charang HARD LEAD 0 85 167 Wire Lead HARD LEAD 1 168 Solo Vox SOFT LEAD 0 86 169 5th Saw Wave HARD LEAD 0 87 170 Bass & Lead HARD LEAD 0 88

171 Delayed Lead HARD LEAD 1 172 Fantasia OTHER SYNTH 0 89 173 Warm Pad SOFT PAD 0 90 174 Sine Pad SOFT PAD 1 175 Polysynth OTHER SYNTH 0 91 176 Space Voice VOX 0 92 177 Itopia VOX 1 178 Bowed Glass SOFT PAD 0 93 179 Metal Pad BRIGHT PAD 0 94 180 Halo Pad BRIGHT PAD 0 95

181 Sweep Pad SOFT PAD 0 96 182 Ice Rain OTHER SYNTH 0 97 183 Soundtrack SOFT PAD 0 98 184 Crystal BELL 0 99 185 Syn Mallet BELL 1 186 Atmosphere AC.GUITAR 0 100 187 Brightness OTHER SYNTH 0 101 188 Goblin PULSATING 0 102 189 Echo Drops BRIGHT PAD 0 103 190 Echo Bell BRIGHT PAD 1

191 Echo Pan BRIGHT PAD 2 192 Star Theme BRIGHT PAD 0 104

No Name Category LSB PC

193 Sitar PLUCKED 0 105 194 Sitar 2 PLUCKED 1 195 Banjo FRETTED 0 106 196 Shamisen PLUCKED 0 107 197 Koto PLUCKED 0 108 198 Taisho Koto PLUCKED 1 199 Kalimba PLUCKED 0 109 200 Bagpipe ETHNIC 0 110

201 Fiddle STRINGS 0 111 202 Shanai ETHNIC 0 112 203 Tinkle Bell BELL 0 113 204 Agogo PERCUSSION 0 114 205 Steel Drums MALLET 0 115 206 Woodblock PERCUSSION 0 116 207 Castanets PERCUSSION 1 208 Taiko PERCUSSION 0 117 209 Concert BD PERCUSSION 1 210 Melo. Tom 1 PERCUSSION0 118

211 Melo. Tom 2 PERCUSSION 1 212 Synth Drum PERCUSSION 0 119 213 808 Tom PERCUSSION 1 214 Elec Perc PERCUSSION 1 215 Reverse Cym. PERCUSSION 0 120 216 Gt.FretNoise AC.GUITAR 0 121 217 Gt.Cut Noise AC.GUITAR 1 218 String Slap AC.GUITAR 2 219 Breath Noise SYNTH FX 0 122 220 Fl.Key Click SYNTH FX 1

221 Seashore SOUND FX 0 123 222 Rain SOUND FX 1 223 Thunder SOUND FX 2 224 Wind SOUND FX 3 225 Stream SOUND FX 4 226 Bubble SOUND FX 5 227 Bird SOUND FX 0 124 228 Dog SOUND FX 1 229 Horse-Gallop SOUND FX 2 230 Bird 2 SOUND FX 3

231 Telephone 1 SOUND FX 0 125 232 Telephone 2 SOUND FX 1 233 DoorCreaking SOUND FX 2 234 Door SOUND FX 3 235 Scratch SOUND FX 4 236 Wind Chimes SOUND FX 5 237 Helicopter SOUND FX 0 126 238 Car-Engine SOUND FX 1 239 Car-Stop SOUND FX 2 240 Car-Pass SOUND FX 3

241 Car-Crash SOUND FX 4 242 Siren SOUND FX 5 243 Train SOUND FX 6 244 Jetplane SOUND FX 7 245 Starship SOUND FX 8 246 Burst Noise SOUND FX 9 247 Applause SOUND FX 0 127 248 Laughing SOUND FX 1 249 Screaming SOUND FX 2 250 Punch SOUND FX 3

251 Heart Beat SOUND FX 4 252 Footsteps SOUND FX 5 253 Gun Shot SOUND FX 0 128 254 Machine Gun SOUND FX 1 255 Lasergun SOUND FX 2 256 Explosion SOUND FX 3

12

Rhythm Set List

Preset group GM2 group

Name

No

1

StandardKit1 2 StandardKit2 3 Rock Kit 1 4 Rock Kit 2 5 Brush Jz Kit 6 Orch Kit 7 909 808 Kit 8 House Kit 9 ArtificalKit 10 Noise Kit 11 Kick Menu 12 Snare Menu 1 13 Snare Menu 2 14 HiHat Menu 15 Rim&Tom Menu 16 Clp&Cym&Hit 17 FX/SFX Menu 18 Percussion 19 Scrh&Voi&Wld

Name

No

1

GM2 STANDARD 2 GM2 ROOM 3 GM2 POWER 4 GM2 ELECTRIC 5 GM2 ANALOG 6 GM2 JAZZ 7 GM2 BRUSH 8 GM2 ORCHSTRA 9 GM2 SFX

13

Rhythm Set List

Preset Group

C1

C2

C3

C4

C5

C6

C7

Note No.

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

39

40

41

42

43

44

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

64

65

66

67

68

69

70

71

72

73

74

75

76

77

78

79

80

81

82

83

84

85

86

87

88

89

90

91

92

93

94

95

96

97

98

99

100 101

102

103

1. StandardKit1

-----

----- ----- ----- ----- -----

----- ----- ----- ----- ----Dance Kick Dance Kick R&B Kick MaxLow Kick2 TR909 Kick 1 Rk CmpKick Dry Kick 1 Rk CmpKick MaxLow Kick1 TR909 Kick Gospel Clap Snr Roll Snr Roll Pop Snr Rim Jz Brsh Slap Power Kick Power Kick Bright Kick Power Kick Old Kick Snr Roll Amb.Snr 2 Snr Roll Lp Med Snare Soft Jz Roll HipHop Kick2 Power Kick SH32 Kick Bright Kick R&B Kick Reg.PHH mf Reg.PHH Reg.PHH Rock CHH 2 Reg.PHH Reg.Kick Reg.Kick Reg.Kick Rock Kick Jazz Kick Reg.Kick Reg.Kick Reg.Kick Rk CmpKick Jazz Kick Reg.Stick Wild Stick Reg.Stick Rock Stick Reg.Stick Reg.Snr 2 Amb.Snr 1 Reg.Snr 2 Maple Snr Jazz Rim Reg.SnrGst Reg.SnrGst Reg.SnrGst Sft Snr Gst Jz Brsh Swsh Reg.Snr 1 Amb.Snr 2 Reg.Snr 1 Rock Snr Jazz Snr Reg.L.Tom 2 Reg.L.Tom 2 Reg.L.Tom 2 Sharp L.Tom6 Reg.L.Tom 2 Reg.CHH 1 Reg.CHH 1 Reg.CHH 1 Rock CHH 1 Reg.CHH 1 Reg.L.Tom Reg.L.Tom Reg.L.Tom Sharp L.Tom5 Reg.L.Tom Reg.CHH 2 Reg.CHH 2 Reg.CHH 2 Rock PHH Reg.CHH 2 Reg.M.Tom Reg.M.Tom Reg.M.Tom Sharp L.Tom4 Reg.M.Tom Reg.OHH Reg.OHH Reg.OHH Rock OHH Reg.OHH Reg.M.Tom Reg.M.TomFlm Reg.M.TomFlm Sharp H.Tom3 Reg.M.Tom Reg.H.Tom Reg.H.Tom Reg.H.Tom Sharp H.Tom2 Reg.H.Tom Crash Cym 1 Crash Cym 1 Crash Cym 1 Crash Cym 1 Jazz Crash Reg.H.Tom Reg.H.TomFlm Reg.H.TomFlm Sharp H.Tom1 Reg.H.Tom Rock Ride Rock Ride Rock Ride Ride Cymbal Jazz Ride China Cymbal China Cymbal China Cymbal China Cymbal China Cymbal Ride Edge Splash Cym Splash Cym Ride Bell Ride Edge Tamborine Tamborine Tamborine Tamborine 3 Tamborine Crash Cym Rock Crash 1 Rock Crash 1 Rock Crash 2 Crash Cym Cowbell Low Cowbell Hi Cowbell Hi Cowbell Mute Cowbell Low Crash Cym 2 Crash Cym 1 Crash Cym 1 Splash Cym Crash Cym Cowbell Hi Cowbell Low Cowbell Low Cowbell Cowbell Hi Ride Bell Rock Ride Rock Ride Rock Rd Cup Ride Bell Conga Hi Mt Conga Hi Mt Conga Hi Mt Conga Hi Mt Conga Hi Mt Conga Lo Mt Conga Lo Mt Conga Lo Mt Conga Lo Mt Conga Lo Mt Conga Lo Conga Hi Slp Conga Hi Slp Conga Slp Op Conga Lo Slp Conga Hi Op Conga Hi Op Conga Hi Op Conga Hi Op Conga Hi Op Conga Lo Op Conga Lo Op Conga Lo Op Conga Lo Op Conga Lo Op Timbale Hi Timbale Hi Timbale Hi Timbale Hi Timbale Hi Timbale Low Timbale Low Timbale Low Timbale Low Timbale Low Agogo Bell H Mild Agogo H Agogo Bell H Agogo Bell H Agogo Bell H Agogo Bell L Mild Agogo L Agogo Bell L Agogo Bell L Agogo Bell L Cabasa Up Cabasa Up Cabasa Up Cabasa Up Cabasa Up Maracas Maracas Maracas Maracas Maracas Whistle Shrt Whistle Shrt Whistle Shrt Whistle Shrt Jazz Kick Whistle Long Whistle Long Whistle Long Whistle Long Jazz Kick Guiro Short Guiro Short Guiro Short Guiro Short Reg.Stick Guiro Long Guiro Long Guiro Long Guiro Long Jazz Rim Claves Claves Claves Claves Sft Snr Gst Wood Block H Wood Block H Wood Block H Wood Block H Jazz Snr Wood Block L Wood Block L Wood Block L Wood Block L Reg.L.Tom 2 Cuica Mute Cuica Mute Cuica Mute Cuica Mute Reg.CHH 1 Cuica Open Cuica Open Cuica Open Cuica Open Reg.L.Tom Triangle Mt Triangle Mt Triangle Mt Triangle Mt Reg.CHH 2 Triangle Op Triangle Op Triangle Op Triangle Op Reg.M.Tom Cabasa Cut Cabasa Cut Cabasa Cut Cabasa Cut Reg.OHH Castanet DigiSpectrum DigiSpectrum Wind Chime Reg.M.TomFlm Bongo Hi Mt Wind Chime Wind Chime Dst Gtr Riff Reg.H.Tom p Bongo Hi Slp Wood Block Gtr Cut 1 Gtr Trill Jazz Cymbal Bongo Lo Slp Cajon 2 Gtr Cut 2 Gtr Cut 1 Reg.H.TomFlm Bongo Hi Op ConcertBD Gtr Cut 3 Gtr Cut 2 Jazz Ride Bongo Lo Op R&B Kick Gtr Cut 4 Gtr Cut 3 China Cymbal Cajon 1 Dry Kick 2 Rock PHH Gtr Cut 4 Cajon 1 Cajon 2 Old Kick Rock CHH 2 Dist Mute Cajon 2 Cajon 3 Jazz Doos TablaBayam 1 Dist Chord Cajon 3 Udo Agogo Noise Rock CHH 1 DistGtr Nz 1 Udo Udu Pot Hi Rock OHH TablaBayam 2 DistGtr Nz 2 Udu Pot Hi Udu Pot Slp JD Anklungs Rock OHH DistGtr Nz 3 Udu Pot Slp TablaBayam 1 Rock OHH TablaBayam 5 JD Switch TablaBayam 1 TablaBayam 2 Udo Cajon 3 Cajon 3 TablaBayam 2 TablaBayam 3 Cajon 1 Cajon 2 Cajon 2 TablaBayam 3 TablaBayam 4 Udu Pot Hi Cajon 1 Cajon 1 TablaBayam 4 TablaBayam 5 Gospel Clap Gospel Clap Real Clap TablaBayam 5 TablaBayam 6 Bright Clap Rock Crash 2 Gospel Clap TablaBayam 6 Wind Chime Rock Rd Cup Rock Rd Cup Tibet Cymbal Wind Chime Tibet Cymbal Cowbell Club FinSnap Tamborine 1 Tibet Cymbal Slight Bell Crash Cym 2 TR909 Snr 6 Tamborine 2 Slight Bell

2. StandardKit2 3. Rock Kit 1 4. Rock Kit 2 5. Brush Jz Kit

----- ----- ----- -----

14

Rhythm Set List

C1

C2

C3

C4

C5

C6

C7

Note No.

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

39

40

41

42

43

44

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

64

65

66

67

68

69

70

71

72

73

74

75

76

77

78

79

80

81

82

83

84

85

86

87

88

89

90

91

92

93

94

95

96

97

98

99

100 101

102

103

6. Orch Kit 7. 909 808 Kit 8. House Kit 9. ArtificalKit 10. Noise Kit

-----

----- ----- ----- ----- -----

----- ----- ----- ----- ----Timpani Roll TR909 Kick 2 TR909 Kick 3 TR909 Kick 2 TR909 Kick 2 ConcertBD TR909 Kick 4 SH32 Kick AnalogKick 2 TR909 Kick 4 Shaker 2 Urbn Sn Roll Urbn Sn Roll TR808 Snr 5 Urbn Sn Roll Jngl pkt Snr TR909 Kick 5 TR909 Kick 2 TR909 Kick 3 TR909 Kick 5 Reverse Cym TR909 Snr 3 TR909 Snr 6 Lite Snare SBF Nz Lp Snr Roll Lp TR909 Kick 3 TR909 Kick 5 FB Kick TR909 Kick 1 Jazz Ride TR909 PHH 2 TR909 PHH 2 TR606 Cym Syn Swt Atk7 Timpani Roll TR909 Kick 6 TR909 Kick 4 AnalogKick 3 SBF Vox Kick ConcertBD TR909 Kick 1 TR909 Kick 4 TVF Trigger SBF Vox Kick Hard Stick TR909 Rim TR909 Rim TR909 Rim Laser Amb.Snr 2 TR909 Snr 1 TR909 Snr 4 TR909 Snr 1 SBF Nz Lp Gospel Clap TR909 Clap 1 TR909 Clap 2 Claptail Train Pass Snr Roll TR909 Snr 2 TR909 Snr 5 TR909 Snr 3 SBF Nz Lp Timpani TR909 Tom L TR909 Tom L TR909 Tom L2 Syn Swt AtkL Timpani TR909 CHH 1 TR909 CHH 2 TR909 CHH 1 Syn Swt Atk7 Timpani TR909 Tom L TR909 Tom L TR909 Tom L1 Syn Swt AtkL Timpani TR909 PHH 1 TR909 PHH 2 TR909 PHH 1 Syn Mtl Atk2 Timpani TR909 Tom M TR909 Tom M TR909 Tom M2 Syn Swt AtkM Timpani TR909 OHH 2 TR909 OHH 2 TR909 OHH 2 SBF Nz Lp Timpani TR909 Tom M TR909 Tom M TR909 Tom M1 Syn Swt AtkM Timpani TR909 Tom H TR909 Tom H TR909 Tom H2 Syn Swt AtkH Timpani TR909 Crash TR909 Crash TR909 Crash Digi Loop 1 Timpani TR909 Tom H TR909 Tom H TR909 Tom H1 Syn Swt AtkH Timpani TR909 Ride TR909 Ride TR909 Ride Calc.Saw Timpani TR909 Crash TR909 Crash White Noise Crotale Timpani TR909 Ride TR909 Ride CR78 Beat Laser Tamborine 3 CR78 Tamb CR78 Tamb Tamborine 3 MG Zap 11 Concert Cym TR909 Crash MG Zap 4 Atmosphere Laser Cowbell Mute JD Sm Metal JD Sm Metal Cowbell Mute MG Zap 4 Crash Cym 1 TR909 Ride MG Zap 5 Digi Loop 2 Digi Loop 1 Ride Cymbal Syn Swt Atk3 Syn Swt Atk3 Cowbell MG Zap 6 Crash Cym 1 TR808 Kick AnalogKick 2 Reverse Cym Syn Low AtkL Bongo Hi Op TR808 Kick TR909 Kick 2 AnalogKick 5 Syn Low AtkH Bongo Lo Op TR808 Rim TR909 Rim Metal Vox W1 MG Attack Conga Hi Mt TR808 Snr 2 TR909 Snr 1 Metal Vox W2 Syn Hrd Atk4 Conga Hi Op TR808 Clap 2 TR909 Clap 1 Metal Vox W3 Train Pass Conga Lo Op TR808 Snr 4 TR909 Snr 2 White Noise1 Syn Mtl Atk1 Timbale Hi TR808 Tom L TR909 D.TomL White Noise2 Syn Swt AtkL Timbale Low TR808 CHH 1 TR909 CHH 1 TR606 Cym Syn Swt Atk7 Agogo Bell H TR808 Tom L TR909 D.TomL MG Blip Syn Swt AtkL Agogo Bell L TR808 CHH 2 TR808 CHH 2 MG Blip Rev. Syn Mtl Atk2 Cabasa Up TR808 Tom M TR909 D.TomM Polishing Nz Syn Swt AtkM Maracas TR808 OHH 1 TR909 OHH 1 Ice Crash SBF Nz Lp Whistle Shrt TR808 Tom M TR909 D.TomM Metal Vox L2 Syn Swt AtkM Whistle Long TR808 Tom H TR909 D.TomH Thin Beef Syn Swt AtkH Guiro Short TR606 Cym TR909 Crash LoFi Min Hit Digi Loop 1 Guiro Long TR808 Tom H TR909 D.TomH Alpha Rave Syn Swt AtkH Claves TR606 Cym TR909 Ride DistTB Sqr Calc.Saw Wood Block H TR606 OHH TR909 Crash Finger Snap Crotale Wood Block L TR606 OHH TR909 Ride Conga Slp Op Laser Cuica Mute CR78 Tamb Tamborine 2 Conga Lo Op MG Zap 11 Cuica Open CR78 OHH MG Zap 2 Conga Hi Op Laser Triangle Mt Cowbell Mute Cowbell Low Triangle Mt MG Zap 4 Triangle Op CR78 OHH MG Zap 6 Triangle Op Crotale Cabasa Cut Syn Swt Atk5 Cowbell Hi Cabasa Cut MG Zap 6 Finger Snap TR808 OHH 2 MG Zap 7 R8 Shaker 1 Syn Low Atk2 Wind Chime 808 Maracas Conga Hi Mt AnalogKick 1 808 Maracas Slight Bell TR808 Claves Conga Lo Mt PlasticKick2 TR808 Claves Vibraslap Triangle Mt Conga Lo Slp PlasticKick3 Triangle Mt Crotale Triangle Op Conga Hi Op TR909 Kick 1 Triangle Op Applause Narrow Hit 2 Conga Lo Op AnalogKick 4 Udo Tubular Bell ClassicHseHt Timbale Hi AnalogKick 6 Conga Thumb Tubular Bell MG Zap Timbale Low TR909 Snr 2 Easy Gtr A Tubular Bell Scratch 1 Agogo Bell H TR909 Snr 4 Digi Loop 1 Tubular Bell MG Zap 1 Agogo Bell L TR909 Snr 5 MG Zap 4 Tubular Bell TR606 Snr 2 Cabasa Down TR909 Snr 6 Urbn Sn Roll Tubular Bell Synth Saw Maracas TR808 Snr 1 Calc.Saw Tubular Bell Digi Breath Guiro Short TR808 Snr 2 White Noise Tubular Bell Polishing Nz Guiro Long TR808 CHH 1 Polishing Nz Tubular Bell TablaBayam 7 Claves TR808 OHH 1 TablaBayam 7 Tubular Bell TablaBayam 6 Wood Block L TR909 CHH 2 Scream Tubular Bell Cajon 1 Wood Block H TR909 OHH 2 Cajon 1 Tubular Bell MG Blip Triangle Mt Lite CHH SBF Nz Lp Tubular Bell Door Creak Triangle Op Lite OHH Laugh Church Bell Vint.Phone Castanet TR606 Cym ConcertBD Lp Church Bell AnalogKick Whistle China Cymbal Timpani Lp

----- ----- ----- -----

15

Rhythm Set List

C1

C2

C3

C4

C5

C6

C7

Note No.

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

39

40

41

42

43

44

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

64

65

66

67

68

69

70

71

72

73

74

75

76

77

78

79

80

81

82

83

84

85

86

87

88

89

90

91

92

93

94

95

96

97

98

99

100 101

102

103

11. Kick Menu 12. Snare Menu 1 13. Snare Menu 2 14. HiHat Menu 15. Rim&Tom Menu

-----

----- ----- ----- ----- -----

----- ----- ----- ----- ----Reg.Kick p Reg.Snr1 p Dirty Snr 1 Reg.CHH 1 p Reg.Stick Reg.Kick f Reg.Snr1 mf Dirty Snr 2 Reg.CHH 1 mf Soft Stick Reg.Kick ff Reg.Snr1 f Dirty Snr 3 Reg.CHH 1 f Hard Stick Reg.Kick Reg.Snr1 ff Dirty Snr 4 Reg.CHH 1 ff Wild Stick Rock Kick p Reg.Snr1 Dirty Snr 5 Reg.CHH 1 Rock Stick Rock Kick mf Reg.Snr2 p Dirty Snr 6 Reg.CHH 2 mf Lo-Bit Stk 1 Rock Kick Reg.Snr2 f Dirty Snr 7 Reg.CHH 2 f Lo-Bit Stk 2 Jazz Kick p Reg.Snr2 ff Dirty Snr 8 Reg.CHH 2 ff Lo-Bit Stk 3 Jazz Kick mf Reg.Snr2 Dirty Snr 9 Reg.CHH 2 Lo-Bit Stk 4 Jazz Kick f Reg.Snr Flm Dirty Snr 10 Rock CHH1 mf Dry Stick 1 Jazz Kick Amb.Snr1 p Grit Snr 1 Rock CHH1 f Dry Stick 2 Dry Kick 1 Amb.Snr1 f Grit Snr 2 Rock CHH1 Dry Stick 3 Tight Kick 1 Amb.Snr1 Grit Snr 3 Rock CHH2 mf Click Snr p Tight Kick 2 Amb.Snr2 p Grit Snr 4 Rock CHH2 f Click Snr f Old Kick Amb.Snr2 f LoBit SnrFlm Rock CHH2 Click Snr ff Jz Dry Kick Piccolo Snr Lo-Bit Snr 1 Rock PHH Dry Stick 4 Bright Kick Maple Snr Lo-Bit Snr 2 Lo-Bit CHH 1 Dry Stick 5 Dry Kick 2 Natural Snr1 Lo-Bit Snr 3 Lo-Bit CHH 2 R8 Comp Rim Dry Kick 3 Natural Snr2 BmbCmp Snr Lo-Bit CHH 3 R&B Rim 1 Power Kick Dry Snr p MrchCmp Snr Lo-Bit CHH 4 R&B Rim 2 R&B Kick Dry Snr f Reggae Snr Lo-Bit CHH 5 Regular Rim Rk CmpKick Ballad Snr DR660 Snr HipHop CHH 2 TR909 Rim MaxLow Kick1 Light Snr p Pop Snr p TR909 CHH 1 TR808 Rim MaxLow Kick2 Light Snr f Pop Snr f TR909 CHH 2 Reg.L.Tom p MaxLow Kick3 Light Snr ff Pop Snr Rim TR808 CHH 1 Reg.L.Tom f Dist Kick Light SnrRim Pop Snr TR808 CHH 2 Reg.L.Tom FB Kick Rock Snr p Med Snare TR606 CHH 1 Reg.M.Tom p Rough Kick1 Rock Snr mf Jngl pkt Snr TR606 CHH 2 Reg.M.Tom f Rough Kick2 Rock Snr f Pocket Snr TR606 DstCHH Reg.M.Tom Rough Kick3 Rock Snr Flange Snr Lite CHH Reg.H.Tom p PlasticKick1 Rock Rim p Analog Snr 1 CR78 CHH Reg.H.Tom f 70’s Kick Rock Rim mf Analog Snr 2 DR55 CHH Reg.H.Tom Dance Kick Rock Rim f Analog Snr 3 Dance CHH Reg.L.TomFlm HipHop Kick1 Rock Rim Tiny Snare Reg.PHH mf Reg.M.TomFlm HipHop Kick2 Reg.SnrGst TR909 Snr 1 Reg.PHH f Reg.H.TomFlm AnalogKick 1 Rock Snr Gst TR909 Snr 2 Reg.PHH Jazz Lo Tom PlasticKick2 Sft Snr Gst TR909 Snr 3 Hip PHH Jazz Mid Tom PlasticKick3 Jazz Snr p TR909 Snr 4 TR909 PHH 1 Jazz Hi Tom TR909 Kick 1 Jazz Snr mf TR909 Snr 5 TR909 PHH 2 Jazz Lo Flm TR909 Kick 2 Jazz Snr f TR909 Snr 6 TR808 PHH Jazz Mid Flm AnalogKick 2 Jazz Snr ff TR808 Snr 1 TR606 PHH 1 Jazz Hi Flm TR909 Kick 3 Jazz Snr TR808 Snr 2 TR606 PHH 2 Sharp Lo Tom AnalogKick 3 Jazz Rim p TR808 Snr 3 Lo-Bit PHH Sharp Hi Tom AnalogKick 4 Jazz Rim mf TR808 Snr 4 Lo-Bit OHH 1 Dry Lo Tom AnalogKick 5 Jazz Rim f Lite Snare Rock OHH Dry Hi Tom AnalogKick 6 Jazz Rim ff TR808 Snr 5 Reg.OHH mf TR909 Tom TR606DstKick Jazz Rim TR808 Snr 6 Reg.OHH f TR909 DstTom TR808 Kick Jz Brsh Slap TR808 Snr 7 Reg.OHH ff TR808 Tom TR909 Kick 4 Jz Brsh Swsh TR606 Snr 1 Reg.OHH TR606 Tom TR909 Kick 5 Swish&Turn p TR606 Snr 2 Lo-Bit OHH 2 Deep Tom SH32 Kick Swish&Turn f CR78 Snare Lo-Bit OHH 3 ----TR707 Kick Swish&Turn Urbn Sn Roll HipHop OHH ----TR909 Kick 6 Snr Roll Jngl SnrRoll TR909 OHH 1 ----Roll Kick Snr Roll Lp ----- TR909 OHH 2 -----

----- Soft Jz Roll ----- TR808 OHH 1 -----

----- BrushRoll Lp ----- TR808 OHH 2 -----

----- GoodOld Snr1 ----- TR606 OHH -----

----- GoodOld Snr2 ----- Lite OHH -----

----- GoodOld Snr3 ----- CR78 OHH -----

----- GoodOld Snr4 ----- ----- -----

----- GoodOld Snr5 ----- ----- -----

----- GoodOld Snr6 ----- ----- -----

----- ----- ----- ----- -----

----- ----- ----- -----

16

Rhythm Set List

C1

C2

C3

C4

C5

C6

C7

Note No.

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

39

40

41

42

43

44

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

64

65

66

67

68

69

70

71

72

73

74

75

76

77

78

79

80

81

82

83

84

85

86

87

88

89

90

91

92

93

94

95

96

97

98

99

100 101

102

103

16. Clp&Cym&Hit

-----

----- ----- ----- -----

----- ----- ----- ----Hand Clap MG Zap 1 Finger Snap Scratch 1 Club Clap MG Zap 2 Club FinSnap Scratch 2 Short Clap MG Zap 3 Single Snap Scratch 3 Real Clap MG Zap 4 Snap Scratch 4 Bright Clap MG Zap 5 Group Snap Scratch 5 R8 Clap MG Zap 6 Cowbell Scratch 6 Gospel Clap MG Zap 7 Cowbell Mute Scratch 7 Amb Clap MG Zap 8 Wood Block Scratch 8 Hip Clap MG Zap 9 Claves Scratch 9 Funk Clap MG Zap 10 TR808 Claves Scratch 10 Group Clap MG Zap 11 CR78 Beat Vox Kick 1 Claptail MG Blip Castanet Vox Kick 2 TR808 Clap 1 Beam HiQ Whistle VoxKickSweep Disc Clap MG Attack Bongo Hi Mt Vox Snare 1 Dist Clap Syn Low Atk1 Bongo Hi Slp Vox Snare 2 Old Clap Syn Low Atk2 Bongo Lo Slp Vox Hihat 1 TR909 Clap 1 Syn Hrd Atk1 Bongo Hi Op Vox Hihat 2 TR909 Clap 2 Syn Hrd Atk2 Bongo Lo Op Vox Hihat 3 TR808 Clap 2 Syn Hrd Atk3 Conga Hi Mt Vox Cymbal TR707 Clap Syn Hrd Atk4 Conga Lo Mt Pa! Cheap Clap Syn Mtl Atk1 Conga Hi Slp Chiki! Crash Cym1 p Syn Mtl Atk2 Conga Lo Slp Aah Formant Crash Cym1 f Syn Swt Atk1 Conga Hi Op Eeh Formant Crash Cym 1 Syn Swt Atk2 Conga Lo Op Iih Formant Crash Cym 2 Syn Swt Atk3 Conga Slp Op Ooh Formant Rock Crash 1 Syn Swt Atk4 Conga Efx Uuh Formant Rock Crash 2 Syn Swt Atk5 Conga Thumb Metal Vox W1 Splash Cym Syn Swt Atk6 Timbale 1 Metal Vox W2 Jazz Crash Syn Swt Atk7 Timbale 2 Metal Vox W3 TR909 Crash R8 Click Cabasa Up JD Gamelan TR606 Cym MC500 Beep 1 Cabasa Down JD Gamelan Ride Cymbal MC500 Beep 2 Cabasa Cut JD Gamelan Ride Bell DR202 Beep Maracas JD Gamelan Rock Rd Cup JD Switch 808 Maracas JD Gamelan Rock Rd Edge Cutting Nz R8 Shaker 1 JD Gamelan Jazz Ride p Vinyl Noise R8 Shaker 2 JD Gamelan Jazz Ride mf Applause Shaker 1 JD Gamelan TR909 Ride River Shaker 2 JD Gamelan TR707 Ride Thunder Bone Shake JD Gamelan China Cymbal Monsoon CR78 Guiro JD Gamelan Concert Cym Stream Guiro 1 JD Gamelan ClassicHseHt Bubble Guiro 2 TablaBayam 1 Narrow Hit 1 Bird Song Guiro Long TablaBayam 2 Narrow Hit 2 Dog Bark TR727Quijada TablaBayam 3 Dist Hit Gallop Vibraslap TablaBayam 4 Thin Beef Vint.Phone Tamborine 1 TablaBayam 5 Tao Hit Office Phone Tamborine 2 TablaBayam 6 Smear Hit 1 Mobile Phone Tamborine 3 TablaBayam 7 Philly Hit Door Creak CR78 Tamb Cajon 1 Smear Hit 2 Door Slam Timpani p Cajon 2 LoFi Min Hit Car Engine Timpani f Cajon 3 Orch. Hit Car Slip Timpani Roll Udo Punch Hit Car Pass Timpani Lp Udu Pot Hi O’Skool Hit Crash Seq. ConcertBD p Udu Pot Slp

----- Gun Shot ConcertBD f SprgDrm Hit

----- Siren ConcertBD ff Op Pandeiro

----- Train Pass ConcertBD Lp Mt Pandeiro

----- Airplane ConcertBD Cuica

----- Laugh Triangle1 Mt JD Anklungs

----- Scream Triangle1 Op -----

----- Punch Triangle2 Mt -----

----- Heartbeat Triangle2 Op -----

----- Footsteps Tibet Cymbal -----

----- Machine Gun Slight Bell -----

----- Laser Wind Chime -----

----- Thunder Lp Crotale -----

----- Metro Bell Agogo Bell H -----

----- Metro Click Agogo Bell L -----

----- ----- ----- -----

17. FX/SFX Menu 18. Percussion 19. Scrh&Voi&Wld

----- ----- -----

17

Rhythm Set List

GM2 Group

(PC:1) (PC:9) (PC:17) (PC:25) (PC:26)

C1

C2

C3

C4

C5

C6

C7

Note No.

21

23

24

26

28

29

31

33

35

36

38

40

41

43

45

47

48

50

52

53

55

57

59

60

62

64

65

67

69

71

72

74

76

77

79

81

83

84

86

88

89

91

93

95

96

98

100 101

103

1. GM2 STANDARD 2. GM2 ROOM 3. GM2 POWER 4. GM2 ELECTRIC 5. GM2 ANALOG

-----

----- ----- ----- ----- -----

22

----- ----- ----- ----- -----

25

----- ----- ----- ----- ----High Q High Q High Q High Q High Q

27

Slap Slap Slap Slap Slap Scratch Push Scratch Push Scratch Push Scratch Push Scratch Push Scratch Pull Scratch Pull Scratch Pull Scratch Pull Scratch Pull

30

Sticks Sticks Sticks Sticks Sticks Square Click Square Click Square Click Square Click Square Click

32

Metron Click Metron Click Metron Click Metron Click Metron Click Metron Bell Metron Bell Metron Bell Metron Bell Metron Bell

34

Kick Drum 2 Kick Drum 2 Power Kick 2 Kick Drum 2 Kick Drum 2 Kick Drum 1 Kick Drum 1 Power Kick 1 Elec.Kick 1 Ana.Kick 1 Side Stick Side Stick Side Stick Side Stick Ana.Rim Sho

37

Aco.Snare Aco.Snare PowerSnareDr E.SnareDrum1 Ana.Snare 1 Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap

39

Elec.Snare Elec.Snare Elec.Snare E.SnareDrum2 Elec.Snare Low Tom 2 Room LowTom2 PowerLowTom2 E.Low Tom 2 Ana.Low Tom2 ClosedHi-hat ClosedHi-hat ClosedHi-hat ClosedHi-hat Ana.ClosedHH

42

Low Tom 1 Room LowTom1 PowerLowTom1 E.Low Tom 1 Ana.Low Tom1 Pedal Hi-hat Pedal Hi-hat Pedal Hi-hat Pedal Hi-hat Ana.ClosedHH

44

Mid Tom 2 Room MidTom2 PowerMidTom2 E.Mid Tom 2 Ana.Mid Tom2 Open Hi-hat Open Hi-hat Open Hi-hat Open Hi-hat Ana.Open HH

46

Mid Tom 1 Room MidTom1 PowerMidTom1 E.Mid Tom 1 Ana.Mid Tom1 High Tom 2 Room Hi Tom2 Power HiTom2 E.Hi Tom 2 Ana.Hi Tom2 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 Ana.Cymbal

49

High Tom 1 Room Hi Tom1 Power HiTom1 E.Hi Tom 1 Ana.Hi Tom1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1

51

China Cymbal China Cymbal China Cymbal Reverse Cym. China Cymbal Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Tambourine Tambourine Tambourine Tambourine Tambourine

54

SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal Cowbell Cowbell Cowbell Cowbell Ana.Cowbell

56

CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 Vibra-slap Vibra-slap Vibra-slap Vibra-slap Vibra-slap

58

Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 High Bongo High Bongo High Bongo High Bongo High Bongo Low Bongo Low Bongo Low Bongo Low Bongo Low Bongo

61

MuteHi Conga MuteHi Conga MuteHi Conga MuteHi Conga Ana.Hi Conga OpenHi Conga OpenHi Conga OpenHi Conga OpenHi Conga Ana.MidConga

63

Low Conga Low Conga Low Conga Low Conga Ana.LowConga High Timbale High Timbale High Timbale High Timbale High Timbale Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale

66

High Agogo High Agogo High Agogo High Agogo High Agogo Low Agogo Low Agogo Low Agogo Low Agogo Low Agogo

68

Cabasa Cabasa Cabasa Cabasa Cabasa Maracas Maracas Maracas Maracas Ana.Maracas

70

ShortWhistle ShortWhistle ShortWhistle ShortWhistle ShortWhistle Long Whistle Long Whistle Long Whistle Long Whistle Long Whistle Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro

73

Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro Claves Claves Claves Claves Ana.Claves

75

Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock Mute Cuica Mute Cuica Mute Cuica Mute Cuica Mute Cuica

78

Open Cuica Open Cuica Open Cuica Open Cuica Open Cuica MuteTriangle MuteTriangle MuteTriangle MuteTriangle MuteTriangle

80

OpenTriangle OpenTriangle OpenTriangle OpenTriangle OpenTriangle Shaker Shaker Shaker Shaker Shaker

82

Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Castanets Castanets Castanets Castanets Castanets

85

Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo

87

----- ----- ----- ----- -----

90

----- ----- ----- ----- -----

92

----- ----- ----- ----- -----

94

----- ----- ----- ----- -----

97

----- ----- ----- ----- -----

99

----- ----- ----- ----- -----

102

----- ----- ----- ----- -----

----- ----- ----- -----

18

C1

C2

C3

C4

C5

C6

C7

(PC:33) (PC:41) (PC:49) (PC:57)

Note No.

21

23

24

26

28

29

31

33

35

36

38

40

41

43

45

47

48

50

52

53

55

57

59

60

62

64

65

67

69

71

72

74

76

77

79

81

83

84

86

88

89

91

93

95

96

98

100 101

103

6. GM2 JAZZ 7. GM2 BRUSH 8. GM2 ORCHSTRA 9. GM2 SFX

-----

----- ----- ----- -----

22

----- ----- ----- -----

25

----- ----- ----- ----High Q High Q ClosedHi-hat -----

27

Slap Slap Pedal Hi-hat ----Scratch Push Scratch Push Open Hi-hat ----Scratch Pull Scratch Pull Ride Cymbal1 -----

30

Sticks Sticks Sticks ----Square Click Square Click Square Click -----

32

Metron Click Metron Click Metron Click ----Metron Bell Metron Bell Metron Bell -----

34

Jazz Kick 2 Jazz Kick 2 Concert BD 2 ----Jazz Kick 1 Jazz Kick 1 Concert BD 1 ----Side Stick Side Stick Side Stick -----

37

Aco.Snare Brush Tap Concert SD ----Hand Clap Brush Slap Castanets High Q

39

Elec.Snare Brush Swirl Concert SD Slap Low Tom 2 BrushLowTom2 Timpani F Scratch Push ClosedHi-hat ClosedHi-hat Timpani F# Scratch Pull

42

Low Tom 1 BrushLowTom1 Timpani G Sticks Pedal Hi-hat Pedal Hi-hat Timpani G# Square Click

44

Mid Tom 2 BrushMidTom2 Timpani A Metron Click Open Hi-hat Open Hi-hat Timpani A# Metron Bell

46

Mid Tom 1 BrushMidTom1 Timpani B GtFret Noise High Tom 2 Brush HiTom2 Timpani c Cut Noise Up CrashCymbal1 CrashCymbal1 Timpani c# Cut Noise Dw

49

High Tom 1 Brush HiTom1 Timpani d Slap_St.Bass Ride Cymbal1 Ride Cymbal1 Timpani d# Fl.Key Click

51

China Cymbal China Cymbal Timpani e Laughing Ride Bell Ride Bell Timpani f Scream Tambourine Tambourine Tambourine Punch

54

SplashCymbal SplashCymbal SplashCymbal Heart Beat Cowbell Cowbell Cowbell Footsteps 1

56

CrashCymbal2 CrashCymbal2 Concert Cym2 Footsteps 2 Vibra-slap Vibra-slap Vibra-slap Applause

58

Ride Cymbal2 Ride Cymbal2 Concert Cym1 Door Creak High Bongo High Bongo High Bongo Door Low Bongo Low Bongo Low Bongo Scratch

61

MuteHi Conga MuteHi Conga MuteHi Conga Wind Chimes OpenHi Conga OpenHi Conga OpenHi Conga Car-Engine

63

Low Conga Low Conga Low Conga Car-Stop High Timbale High Timbale High Timbale Car-Pass Low Timbale Low Timbale Low Timbale Car-Crash

66

High Agogo High Agogo High Agogo Siren Low Agogo Low Agogo Low Agogo Train

68

Cabasa Cabasa Cabasa Jetplane Maracas Maracas Maracas Helicopter

70

ShortWhistle ShortWhistle ShortWhistle Starship Long Whistle Long Whistle Long Whistle Gun Shot Short Guiro Short Guiro Short Guiro Machine Gun

73

Long Guiro Long Guiro Long Guiro Lasergun Claves Claves Claves Explosion

75

Hi WoodBlock Hi WoodBlock Hi WoodBlock Dog LowWoodBlock LowWoodBlock LowWoodBlock Horse-Gallop Mute Cuica Mute Cuica Mute Cuica Birds

78

Open Cuica Open Cuica Open Cuica Rain MuteTriangle MuteTriangle MuteTriangle Thunder

80

OpenTriangle OpenTriangle OpenTriangle Wind Shaker Shaker Shaker Seashore

82

Jingle Bell Jingle Bell Jingle Bell Stream Bell Tree Bell Tree Bell Tree Bubble Castanets Castanets Castanets -----

85

Mute Surdo Mute Surdo Mute Surdo ----Open Surdo Open Surdo Open Surdo -----

87

----- ----- Applause -----

----- ----- ----- -----

90

----- ----- ----- -----

92

----- ----- ----- -----

94

----- ----- ----- -----

97

----- ----- ----- -----

99

----- ----- ----- -----

102

----- ----- ----- -----

----- ----- -----

Rhythm Set List

19

Waveform List

In waveform numbers 1108–1119, note numbers 91–108 are set to Damper Free in order to accurately reproduce the characteristics of an acoustic piano.

No. Name

1 Ac.Pno p A L 2 Ac.Pno p A R 3 Ac.Pno p B L 4 Ac.Pno p B R 5 Ac.Pno p C L 6 Ac.Pno p C R 7 Ac.Pno f A L 8 Ac.Pno f A R 9 Ac.Pno f B L 10 Ac.Pno f B R

11 JD Piano A 12 JD Piano B 13 JD Piano C 14 Piano Atk Nz 15 MKS Piano A 16 MKS Piano B 17 MKS Piano C 18 StageRhd p A 19 StageRhd p B 20 StageRhd p C

21 StageRhd f A 22 StageRhd f B 23 StageRhd f C 24 Tine Rhd p A 25 Tine Rhd p B 26 Tine Rhd p C 27 Tine Rhd mfA 28 Tine Rhd mfB 29 Tine Rhd mfC 30 Tine Rhd ffA

31 Tine Rhd ffB 32 Tine Rhd ffC 33 Dyno Rhd mpA 34 Dyno Rhd mpB 35 Dyno Rhd mpC 36 Dyno Rhd mfA 37 Dyno Rhd mfC 38 Dyno Rhd ffB 39 Dyno Rhd ffC 40 Wurly mp A

41 Wurly mp B 42 Wurly mp C 43 Wurly mf A 44 Wurly mf B 45 Wurly mf C 46 Wurly ff A 47 Wurly ff B 48 Wurly ff C 49 Lo-Fi Wurly 50 Sft SA Rhd A

51 Sft SA Rhd B 52 Sft SA Rhd C 53 Hrd SA Rhd A 54 Hrd SA Rhd B 55 Hrd SA Rhd C 56 SA Rhd Ens A 57 SA Rhd Ens B 58 SA Rhd Ens C 59 SA E.Piano 60 80's E.Pno 1

61 80's E.Pno 2 62 Hard E.Pno 63 Celesta 64 Music Box 65 Reg.Clav A 66 Reg.Clav B 67 Reg.Clav C 68 Retro Clav A 69 Retro Clav B 70 Retro Clav C

No. Name

71 Tight Clav A 72 Tight Clav C 73 Hard Clav A 74 Hard Clav B 75 JD Clav 76 Harpsi A 77 Harpsi B 78 Harpsi C 79 JD Full Draw 80 Org Basic 1

81 Org Basic 2 82 Ballad Org 83 3rd Perc Org 84 Lo-Fi Organ 85 Perc Organ 1 86 Perc Organ 2 87 Rock Organ A 88 Rock Organ C 89 RtryOrg1 A L 90 RtryOrg1 A R

91 RtryOrg1 B R 92 RtryOrg1 C R 93 RtryOrg2 A L 94 RtryOrg2 A R 95 RtryOrg2 B L 96 RtryOrg2 B R 97 RtryOrg2 C L 98 RtryOrg2 C R 99 LoFi RtryOrg 100 Vint.Org 1

101 Vint.Org 2 102 Vint.Org 3 103 Vint.Org 4 104 Lite Dst Org 105 Positive '8 106 Pipe Organ 107 Cathedrl Org 108 Nylon Gtr1 A 109 Nylon Gtr1 B 110 Nylon Gtr1 C

111 Nylon Gtr2 A 112 Nylon Gtr2 B 113 Nylon Gtr2 C 114 Bright Gtr A 115 Bright Gtr B 116 Ac.Gtr mp A 117 Ac.Gtr mp B 118 Ac.Gtr mp C 119 Ac.Gtr mf A 120 Ac.Gtr mf B

121 Ac.Gtr mf C 122 Ac.Gtr ff A 123 Ac.Gtr ff B 124 Ac.Gtr ff C 125 Ac.Gtr Sld A 126 Ac.Gtr Sld B 127 Ac.Gtr Sld C 128 Ac.Gtr Hrm A 129 Ac.Gtr Hrm B 130 Ac.Gtr Hrm C

131 Jazz Gtr A 132 Jazz Gtr B 133 Jazz Gtr C 134 Clean Gtr A 135 Clean Gtr B 136 Clean Gtr C 137 Clr Mt Gtr A 138 Clr Mt Gtr B 139 Clr Mt Gtr C 140 E.Gtr Ld

No. Name

141 Brt Strat A 142 Brt Strat B 143 Brt Strat C 144 SlwPick70s A 145 SlwPick70s B 146 SlwPick70s C 147 FstPick70s A 148 FstPick70s C 149 Plk Strat A 150 Plk Strat B

151 Plk Strat C 152 Strat Mute A 153 Strat Mute B 154 Strat Mute C 155 Funk Gtr A 156 Funk Gtr C 157 Funk MtGtr A 158 Funk MtGtr B 159 Easy Gtr 160 Nasty Gtr

161 Clean TC A 162 Clean TC B 163 Clean TC C 164 Overdrive A 165 Overdrive C 166 Distortion A 167 Distortion B 168 Distortion C 169 Dist Mute A 170 Dist Mute B

171 Dist Mute C 172 Dist Chord A 173 Dist Chord B 174 Dist Chord C 175 Dst Gtr Riff 176 Gtr Trill 177 Cln Gtr Cut 178 Gtr Cut 1 179 Gtr Cut 2 180 Gtr Cut 3

181 Gtr Cut 4 182 Wah Gtr Riff 183 E.Gtr Harm 184 Harp A 185 Harp B 186 Harp C 187 Banjo A 188 Banjo B 189 Banjo C 190 Sitar A

191 Sitar B 192 Sitar C 193 Sitar Drn A 194 Sitar Drn B 195 Sitar Drn C 196 E.Sitar A 197 E.Sitar B 198 E.Sitar C 199 Santur A 200 Santur B

201 Santur C 202 Dulcimer A 203 Dulcimer C 204 Shamisen B 205 Shamisen C 206 Koto A 207 Koto B 208 Koto C 209 Ac.Bass A 210 Ac.Bass B

No. Name

211 Ac.Bass C 212 FngrCmp Bs A 213 FngrCmp Bs B 214 FngrCmp Bs C 215 Finger Bs A 216 Finger Bs B 217 Finger Bs C 218 Precision Bs 219 Jz Bs Soft A 220 Jz Bs Soft B

221 Jz Bs Soft C 222 6-FngBsSft A 223 6-FngBsSft B 224 ThumbMtBs p 225 ThumbMtBs fA 226 ThumbMtBs fC 227 Fretlss Bs A 228 Fretlss Bs B 229 Fretlss SftA 230 Fretlss SftB

231 Fretlss SftC 232 Pick Bass 1A 233 Pick Bass 1B 234 Pick Bass 1C 235 Pick Bass 2 236 Slap Bass 237 Slap +Pull 1 238 Slap +Pull 3 239 Slap +Pull 2 240 Jz Slap Bass

241 Jz Slp+Pull1 242 Jz Slp+Pull2 243 MG Bass 1 A 244 MG Bass 1 B 245 MG Bass 1 C 246 DistTB Sqr 247 DistTBSqr Lp 248 Solid Bass 249 MG Big Bass 250 Jungle Bass

251 Garage Bass 252 SH-101 Bs 253 TB Natural 254 Poly Bass 255 Voco Bass 256 MG Bass 2 A 257 MG Bass 2 B 258 MG Bass 2 C 259 MG Bass 3 260 MC Bass A

261 MC Bass C 262 Atk Flute A 263 Atk Flute B 264 Atk Flute C 265 Atk Syn Bass 266 Flute A 267 Flute B 268 Flute C 269 Piccolo A 270 Piccolo C

271 Pan Flute 272 JD Rad Hose 273 Shakuhachi 274 JD Fl Push 275 Clarinet A 276 Clarinet B 277 Clarinet C 278 Oboe Mezzo A 279 Oboe Forte A 280 E.Horn A

No. Name

281 E.Horn B 282 Bassoon A 283 Bassoon B 284 Bassoon C 285 Recorder A 286 Recorder B 287 SopranoSax A 288 SopranoSax B 289 SopranoSax C 290 Alto Sax Vib

291 Soft Alto A 292 Soft Alto B 293 Soft Alto C 294 Wide Sax A 295 Wide Sax B 296 BreathySax 297 Tenor Sax A 298 Tenor Sax C 299 Bari.Sax 1 A 300 Bari.Sax 1 C

301 Bari.Sax 2 A 302 Musette 303 Harmonica A 304 Harmonica C 305 Blues G-harp 306 Flugel A 307 Flugel B 308 Flugel C 309 Trumpet A 310 Trumpet B

311 Wide Tp A 312 Wide Tp B 313 Wide Tp C 314 Mute Tp A 315 Mute Tp B 316 Mute Tp C 317 Trombone A 318 Trombone B 319 Trombone C 320 Tbn mf A

321 Tbn mf B 322 Tbn mf C 323 Tuba A 324 Tuba B 325 Tuba C 326 Sft F.Horn 327 French Hrn C 328 F.HornSect A 329 F.HornSect B 330 F.HornSect C

331 Tp Section A 332 Tp Section B 333 Tp Section C 334 OctBrs p A L 335 OctBrs p A R 336 OctBrs p B L 337 OctBrs p B R 338 OctBrs p C L 339 OctBrs p C R 340 OctBrs f A L

341 OctBrs f A R 342 OctBrs f B L 343 OctBrs f B R 344 OctBrs f C L 345 OctBrs f C R 346 Brs Fall 1 L 347 Brs Fall 1 R 348 Brs Fall 2 L 349 Brs Fall 2 R 350 OrchUnis A L

20

Waveform List

No. Name

351 OrchUnis A R 352 OrchUnis B L 353 OrchUnis B R 354 OrchUnis C L 355 OrchUnis C R 356 Violin Vib A 357 Violin Vib B 358 Violin Vib C 359 Violin 360 Cello Vib A

361 Cello Vib B 362 Cello Vib C 363 Cello A 364 Cello B 365 Cello C 366 Vl Sect. A L 367 Vl Sect. A R 368 Vl Sect. B L 369 Vl Sect. B R 370 Vl Sect. C L

371 Vl Sect. C R 372 Vc Sect. A L 373 Vc Sect. A R 374 Vc Sect. B L 375 Vc Sect. B R 376 Vc Sect. C L 377 Vc Sect. C R 378 Full Str A L 379 Full Str A R 380 Full Str B L

381 Full Str B R 382 Full Str C L 383 Full Str C R 384 ChmbrStrAtkA 385 ChmbrStrAtkB 386 ChmbrStrAtkC 387 ChmbrStrRevB 388 ChmbrStrRevC 389 Vls Pizz A 390 Vls Pizz B

391 Vls Pizz C 392 VlsPizzRev A 393 VlsPizzRev B 394 VlsPizzRev C 395 Vcs Pizz A 396 Vcs Pizz B 397 Vcs Pizz C 398 Unison Saw A 399 Unison Saw B 400 Unison Saw C

401 Super Saw A 402 Super Saw B 403 Super Saw C 404 Trance Saw A 405 Trance Saw B 406 Trance Saw C 407 Alpha Rave 408 Saw Sync A 409 Saw Sync B 410 Saw Sync C

411 Warm Pad A 412 Warm Pad B 413 Warm Pad C 414 OB2 Pad 1 A 415 OB2 Pad 1 B 416 OB2 Pad 1 C 417 OB2 Pad 2 A 418 OB2 Pad 2 B 419 OB2 Pad 2 C 420 SBF Vox A

No. Name

421 SBF Vox B 422 SBF Vox C 423 Female Ahs A 424 Female Ahs B 425 Female Ahs C 426 Female Oos A 427 Female Oos B 428 Female Oos C 429 Male Aahs A 430 Male Aahs B

431 Male Aahs C 432 Jazz Doos A 433 Jazz Doos B 434 Jazz Doos C 435 Jz Doos Lp A 436 Jz Doos Lp B 437 Jz Doos Lp C 438 Gospel Hum A 439 Gospel Hum B 440 Gospel Hum C

441 Soprano Vox 442 Kalimba 443 JD Klmba Atk 444 JD Wood Crak 445 JD Gamelan 1 446 JD Gamelan 2 447 JD Gamelan 3 448 JD Log Drum 449 JD Tabla 450 JD Xylo

451 Marimba 452 Vibraphone 453 Glocken 454 Steel Drums 455 JD Pole Lp 456 JD BottleHit 457 D-50 Bell A 458 D-50 Bell B 459 D-50 Bell C 460 D-50 Bell Lp

461 Agogo Bell 462 Finger Bell 463 Tubular Bell 464 Church Bell 465 Mild CanWave 466 JD Crystal 467 Bell Organ 468 Old DigiBell 469 JD Bell Wave 470 TinyBellWave

471 Vib Wave 472 JD Brt Digi 473 Med Digi 474 Bagpipe 475 Digital Vox 476 JD WallyWave 477 Bright Form 478 Mild Form 479 JD Nasty 480 Fat SparkVox

481 JD Spark Vox 482 JD Cutters 483 SBF Hrd Ld 1 484 SBF Hrd Ld 2 485 JD EML 5th 486 TB303 Saw HD 487 Custm Saw HD 488 MG Saw HD 489 OB2 Saw HD 490 DigitalSawHD

No. Name

491 Calc.Saw 492 Calc.Saw inv 493 Synth Saw 494 JD Syn Saw 495 JD Fat Saw 496 JP-8 Saw 497 P5 Saw HD 498 D-50 Saw 499 Air Wave 500 MG Sqr HD

501 P5 Sqr HD 502 OB2 Sqr HD 503 Custm Sqr HD 504 106SubOsc HD 505 TB303 Sqr HD 506 Fat Square 507 JP-8 Square 508 JP8 Pls 1 HD 509 JP8 Pls 2 HD 510 JP8 Pls 3 HD

511 JP8 Pls 4 HD 512 Syn Pulse 1 513 Syn Pulse 2 514 MG Tri HD 515 700 Triangle 516 Syn Triangle 517 JD Triangle 518 ARP Sine HD 519 Sine 520 Digi Attack

521 JD Fine Wine 522 Digi Loop 1 523 Digi Loop 2 524 JD MetalWind 525 Atmosphere 526 DigiSpectrum 527 JD Vox Noise 528 SynVox Noise 529 Shaku Noise 530 Digi Breath

531 Agogo Noise 532 Polishing Nz 533 Dentist Nz 534 Vinyl Noise 535 White Noise 536 Pink Noise 537 SBF Cym Lp 538 SBF Bell Lp 539 SBF Nz Lp 540 SBF Vox Lp

541 Aah Formant 542 Eeh Formant 543 Iih Formant 544 Ooh Formant 545 Uuh Formant 546 Metal Vox W1 547 Metal Vox W2 548 Metal Vox L2 549 Metal Vox W3 550 Metal Vox L3

551 JD Rattles 552 Xylo Seq. 553 JD Anklungs 554 SynBassClick 555 JD EP Atk 556 EP Release 557 Org Click 1 558 Org Click 2 559 Org Click 3 560 Org Click 4

No. Name

561 Org Leakage 562 JD Sm Metal 563 JDStrikePole 564 Ice Crash 565 JD Switch 566 JD Tuba Slap 567 TVF Trigger 568 Cutting Nz 569 Ac.Bass Body 570 Flute Pad Nz

571 Applause 572 River 573 Thunder 574 Monsoon 575 Stream 576 Bubble 577 Bird Song 578 Dog Bark 579 Gallop 580 Vint.Phone

581 Office Phone 582 Mobile Phone 583 Door Creak 584 Door Slam 585 Car Engine 586 Car Slip 587 Car Pass 588 Crash Seq. 589 Gun Shot 590 Siren

591 Train Pass 592 Airplane 593 Space Voyage 594 Blow Loop 595 Laugh 596 Scream 597 Punch 598 Heartbeat 599 Footsteps 600 Machine Gun

601 Laser 602 Thunder Lp 603 Ac.Bass Nz 1 604 Ac.Bass Nz 2 605 E.Bass Nz 1 606 E.Bass Nz 2 607 E.Bass Slide 608 DistGtr Nz 1 609 DistGtr Nz 2 610 DistGtr Nz 3

611 GtrStroke Nz 612 Gtr Fret Nz1 613 Gtr Fret Nz2 614 Gtr Fret Nz3 615 ClassicHseHt 616 Narrow Hit 1 617 Narrow Hit 2 618 Dist Hit 619 Thin Beef 620 Tao Hit

621 Smear Hit 1 622 Smear Hit 2 623 LoFi Min Hit 624 Orch. Hit 625 Punch Hit 626 O'Skool Hit 627 Philly Hit 628 Scratch 1 629 Scratch 2 630 Scratch 3

No. Name

631 Scratch 4 632 Scratch 5 633 Scratch 6 634 Scratch 7 635 Scratch 8 636 Scratch 9 637 Scratch 10 638 MG Zap 1 639 MG Zap 2 640 MG Zap 3

641 MG Zap 4 642 MG Zap 5 643 MG Zap 6 644 MG Zap 7 645 MG Zap 8 646 MG Zap 9 647 MG Zap 10 648 MG Zap 11 649 MG Blip 650 Beam HiQ

651 MG Attack 652 Syn Low Atk1 653 Syn Low Atk2 654 Syn Hrd Atk1 655 Syn Hrd Atk2 656 Syn Hrd Atk3 657 Syn Hrd Atk4 658 Syn Mtl Atk1 659 Syn Mtl Atk2 660 Syn Swt Atk1

661 Syn Swt Atk2 662 Syn Swt Atk3 663 Syn Swt Atk4 664 Syn Swt Atk5 665 Syn Swt Atk6 666 Syn Swt Atk7 667 Reg.Kick p L 668 Reg.Kick p R 669 Reg.Kick f L 670 Reg.Kick f R

671 Reg.Kick ffL 672 Reg.Kick ffR 673 Rock Kick p 674 Rock Kick f 675 Jazz Kick p 676 Jazz Kick mf 677 Jazz Kick f 678 Dry Kick 1 679 Tight Kick 1 680 Tight Kick 2

681 Old Kick 682 Jz Dry Kick 683 Bright Kick 684 Dry Kick 2 685 Dry Kick 3 686 Power Kick 687 R&B Kick L 688 R&B Kick R 689 Rk CmpKick L 690 Rk CmpKick R

691 MaxLow Kick1 692 MaxLow Kick2 693 MaxLow Kick3 694 Dist Kick 695 FB Kick 696 Rough Kick1 697 Rough Kick2 698 Rough Kick3 699 PlasticKick1 700 70's Kick

21

Waveform List

No. Name

701 Dance Kick 702 HipHop Kick1 703 HipHop Kick2 704 AnalogKick 1 705 PlasticKick2 706 PlasticKick3 707 TR909 Kick 1 708 TR909 Kick 2 709 AnalogKick 2 710 TR909 Kick 3

711 AnalogKick 3 712 AnalogKick 4 713 AnalogKick 5 714 AnalogKick 6 715 TR606DstKick 716 TR808 Kick 717 TR909 Kick 4 718 TR909 Kick 5 719 SH32 Kick 720 TR707 Kick

721 TR909 Kick 6 722 Roll Kick 723 Reg.Snr1 p L 724 Reg.Snr1 p R 725 Reg.Snr1mf L 726 Reg.Snr1mf R 727 Reg.Snr1 f L 728 Reg.Snr1 f R 729 Reg.Snr1ff L 730 Reg.Snr1ff R

731 Reg.Snr2 p L 732 Reg.Snr2 p R 733 Reg.Snr2 f L 734 Reg.Snr2 f R 735 Reg.Snr2ff L 736 Reg.Snr2ff R 737 Reg.SnrFlm L 738 Reg.SnrFlm R 739 Amb.Snr1 p L 740 Amb.Snr1 p R

741 Amb.Snr1 f L 742 Amb.Snr1 f R 743 Amb.Snr2 p L 744 Amb.Snr2 p R 745 Amb.Snr2 f L 746 Amb.Snr2 f R 747 Piccolo Snr 748 Maple Snr 749 Natural Snr1 750 Natural Snr2

751 Dry Snr p 752 Dry Snr f 753 Ballad Snr 754 Light Snr p 755 Light Snr f 756 Light Snr ff 757 Light SnrRim 758 Click Snr p 759 Click Snr f 760 Click Snr ff

761 Rock Snr p 762 Rock Snr mf 763 Rock Snr f 764 Rock Rim p 765 Rock Rim mf 766 Rock Rim f 767 Reg.SnrGst L 768 Reg.SnrGst R 769 Rock Snr Gst 770 Sft Snr Gst

No. Name

771 Jazz Snr p 772 Jazz Snr mf 773 Jazz Snr f 774 Jazz Snr ff 775 Jazz Rim p 776 Jazz Rim mf 777 Jazz Rim f 778 Jazz Rim ff 779 Jz Brsh Slap 780 Jz Brsh Swsh

781 Swish&Turn p 782 Swish&Turn f 783 Snr Roll 784 Snr Roll Lp 785 Soft Jz Roll 786 BrushRoll Lp 787 GoodOld Snr1 788 GoodOld Snr2 789 GoodOld Snr3 790 GoodOld Snr4

791 GoodOld Snr5 792 GoodOld Snr6 793 Dirty Snr 1 794 Dirty Snr 2 795 Dirty Snr 3 796 Dirty Snr 4 797 Dirty Snr 5 798 Dirty Snr 6 799 Dirty Snr 7 800 Dirty Snr 8

801 Dirty Snr 9 802 Dirty Snr 10 803 Grit Snr 1 804 Grit Snr 2 805 Grit Snr 3 806 Grit Snr 4 807 LoBit SnrFlm 808 Lo-Bit Snr 1 809 Lo-Bit Snr 2 810 Lo-Bit Snr 3

811 BmbCmp Snr 812 MrchCmp Snr 813 Reggae Snr 814 DR660 Snr 815 Pop Snr p 816 Pop Snr f 817 Pop Snr Rim 818 Med Snare 819 Jngl pkt Snr 820 Pocket Snr

821 Flange Snr 822 Analog Snr 1 823 Analog Snr 2 824 Analog Snr 3 825 Tiny Snare 826 TR909 Snr 1 827 TR909 Snr 2 828 TR909 Snr 3 829 TR909 Snr 4 830 TR909 Snr 5

831 TR909 Snr 6 832 TR808 Snr 1 833 TR808 Snr 2 834 TR808 Snr 3 835 TR808 Snr 4 836 Lite Snare 837 TR808 Snr 5 838 TR808 Snr 6 839 TR808 Snr 7 840 TR606 Snr 1

No. Name

841 TR606 Snr 2 842 CR78 Snare 843 Urbn Sn Roll 844 Jngl SnrRoll 845 Reg.Stick L 846 Reg.Stick R 847 Soft Stick 848 Hard Stick 849 Wild Stick 850 Rock Stick

851 Lo-Bit Stk 1 852 Lo-Bit Stk 2 853 Lo-Bit Stk 3 854 Lo-Bit Stk 4 855 Dry Stick 1 856 Dry Stick 2 857 Dry Stick 3 858 Dry Stick 4 859 Dry Stick 5 860 R8 Comp Rim

861 R&B Rim 1 862 R&B Rim 2 863 Regular Rim 864 TR909 Rim 865 TR808 Rim 866 Reg.L.Tom p 867 Reg.L.Tom f 868 Reg.M.Tom p 869 Reg.M.Tom f 870 Reg.H.Tom p

871 Reg.H.Tom f 872 Reg.L.TomFlm 873 Reg.M.TomFlm 874 Reg.H.TomFlm 875 Jazz Lo Tom 876 Jazz Mid Tom 877 Jazz Hi Tom 878 Jazz Lo Flm 879 Jazz Mid Flm 880 Jazz Hi Flm

881 Sharp Lo Tom 882 Sharp Hi Tom 883 Dry Lo Tom 884 Dry Hi Tom 885 TR909 Tom 886 TR909 DstTom 887 TR808 Tom 888 TR606 Tom 889 Deep Tom 890 Reg.CHH 1 p

891 Reg.CHH 1 mf 892 Reg.CHH 1 f 893 Reg.CHH 1 ff 894 Reg.CHH 2 mf 895 Reg.CHH 2 f 896 Reg.CHH 2 ff 897 Reg.PHH mf 898 Reg.PHH f 899 Reg.OHH mf 900 Reg.OHH f

901 Reg.OHH ff 902 Rock CHH1 mf 903 Rock CHH1 f 904 Rock CHH2 mf 905 Rock CHH2 f 906 Rock PHH 907 Rock OHH 908 Lo-Bit CHH 1 909 Lo-Bit CHH 2 910 Lo-Bit CHH 3

No. Name

911 Lo-Bit CHH 4 912 Lo-Bit CHH 5 913 HipHop CHH 914 TR909 CHH 1 915 TR909 CHH 2 916 TR808 CHH 1 917 TR808 CHH 2 918 TR606 CHH 1 919 TR606 CHH 2 920 TR606 DstCHH

921 Lite CHH 922 CR78 CHH 923 DR55 CHH 924 Dance CHH 925 Hip PHH 926 TR909 PHH 1 927 TR909 PHH 2 928 TR808 PHH 929 TR606 PHH 1 930 TR606 PHH 2

931 Lo-Bit PHH 932 Lo-Bit OHH 1 933 Lo-Bit OHH 2 934 Lo-Bit OHH 3 935 HipHop OHH 936 TR909 OHH 1 937 TR909 OHH 2 938 TR808 OHH 1 939 TR808 OHH 2 940 TR606 OHH

941 Lite OHH 942 CR78 OHH 943 Crash Cym1 p 944 Crash Cym1 f 945 Crash Cym 2 946 Rock Crash 1 947 Rock Crash 2 948 Splash Cym 949 Jazz Crash 950 TR909 Crash

951 TR606 Cym 952 Ride Cymbal 953 Ride Bell 954 Rock Rd Cup 955 Rock Rd Edge 956 Jazz Ride p 957 Jazz Ride mf 958 TR909 Ride 959 TR707 Ride 960 China Cymbal

961 Concert Cym 962 Hand Clap 963 Club Clap 964 Short Clap 965 Real Clap 966 Bright Clap 967 R8 Clap 968 Gospel Clap 969 Amb Clap 970 Hip Clap

971 Funk Clap 972 Group Clap 973 Claptail 974 TR808 Clap 1 975 Disc Clap 976 Dist Clap 977 Old Clap 978 TR909 Clap 1 979 TR909 Clap 2 980 TR808 Clap 2

No. Name

981 TR707 Clap 982 Cheap Clap 983 Finger Snap 984 Club FinSnap 985 Single Snap 986 Snap 987 Group Snap 988 Vox Kick 1 989 Vox Kick 2 990 VoxKickSweep

991 Vox Snare 1 992 Vox Snare 2 993 Vox Hihat 1 994 Vox Hihat 2 995 Vox Hihat 3 996 Vox Cymbal 997 Pa! 998 Chiki! 999 Cowbell 1000 Cowbell Mute

1001 Wood Block 1002 Claves 1003 TR808 Claves 1004 CR78 Beat 1005 Castanet 1006 Whistle 1007 Bongo Hi Mt 1008 Bongo Hi Slp 1009 Bongo Lo Slp 1010 Bongo Hi Op

1011 Bongo Lo Op 1012 Conga Hi Mt 1013 Conga Lo Mt 1014 Conga Hi Slp 1015 Conga Lo Slp 1016 Conga Hi Op 1017 Conga Lo Op 1018 Conga Slp Op 1019 Conga Efx 1020 Conga Thumb

1021 Timbale 1 1022 Timbale 2 1023 Cabasa Up 1024 Cabasa Down 1025 Cabasa Cut 1026 Maracas 1027 808 Maracas 1028 R8 Shaker 1 1029 R8 Shaker 2 1030 Shaker 1

1031 Shaker 2 1032 Bone Shake 1033 CR78 Guiro 1034 Guiro 1 1035 Guiro 2 1036 Guiro Long 1037 TR727Quijada 1038 Vibraslap 1039 Tamborine 1 1040 Tamborine 2

1041 Tamborine 3 1042 CR78 Tamb 1043 TablaBayam 1 1044 TablaBayam 2 1045 TablaBayam 3 1046 TablaBayam 4 1047 TablaBayam 5 1048 TablaBayam 6 1049 TablaBayam 7 1050 Cajon 1

22

Waveform List

No. Name

1051 Cajon 2 1052 Cajon 3 1053 Udo 1054 Udu Pot Hi 1055 Udu Pot Slp 1056 SprgDrm Hit 1057 Op Pandeiro 1058 Mt Pandeiro 1059 Cuica 1060 Timpani p

1061 Timpani f 1062 Timpani Roll 1063 Timpani Lp 1064 ConcertBD p 1065 ConcertBD f 1066 ConcertBD ff 1067 ConcertBD Lp 1068 Triangle 1 1069 Triangle 2 1070 Tibet Cymbal

1071 Slight Bell 1072 Wind Chime 1073 Crotale 1074 R8 Click 1075 Metro Bell 1076 Metro Click 1077 MC500 Beep 1 1078 MC500 Beep 2 1079 DR202 Beep 1080 Low Saw1

1081 Low Saw1 inv 1082 Low Saw2 1083 Low Pulse 1 1084 Low Pulse 2 1085 Low Square 1086 Low Sine 1087 Low Triangle 1088 Low White Nz 1089 Low Pink Nz 1090 DC

1091 Reverse Cym 1092 SYNVOX 1093 Con_sym 1094 HI_Q 1095 SLAP 1096 S_PUSH 1097 S_PULL 1098 STICK 1099 CLICK 1100 Mute Cuica

1101 Open Cuica 1102 Mute Surdo 1103 Open Surdo 1104 808cows 1105 COSINE 1106 Concert SD 1107 HELICO 1108 JzPno* p A L 1109 JzPno* p A R 1110 JzPno* p B R

1111 JzPno*mf A L 1112 JzPno*mf A R 1113 JzPno*mf B R 1114 JzPno* f A L 1115 JzPno* f A R 1116 JzPno* f B R 1117 JzPno*ff A L 1118 JzPno*ff A R 1119 JzPno*ff B R 1120 JzPno p A L

No. Name

1121 JzPno p A R 1122 JzPno p B L 1123 JzPno p B R 1124 JzPno p B'L 1125 JzPno p B'R 1126 JzPno p C L 1127 JzPno p C R 1128 JzPno p C'L 1129 JzPno p C'R 1130 JzPno mf A L

1131 JzPno mf A R 1132 JzPno mf B L 1133 JzPno mf B R 1134 JzPno mf B'L 1135 JzPno mf B'R 1136 JzPno f A L 1137 JzPno f A R 1138 JzPno f B L 1139 JzPno f B R 1140 JzPno f B'L

1141 JzPno f B'R 1142 JzPno f C L 1143 JzPno f C R 1144 JzPno ff A L 1145 JzPno ff A R 1146 JzPno ff B L 1147 JzPno ff B R 1148 JzPno ff B'L 1149 JzPno ff B'R 1150 Accord 4' A

1151 Accord 4' B 1152 Accord 4' C 1153 Accord 8' A 1154 Accord 8' B 1155 Accord PadNz 1156 NylonGtr p A 1157 NylonGtr p B 1158 NylonGtr p C 1159 NylonGtr mfA 1160 NylonGtr mfB

1161 NylonGtr mfC 1162 NylonGtr f A 1163 NylonGtr f B 1164 NylonGtr f C 1165 NylonGtrSldA 1166 NylonGtrHrmA 1167 NylonGtrHrmB 1168 NylonGtrHrmC 1169 NylonGtrHOnA 1170 NylonGtrHOnC

1171 NGtr Nz 1 1172 NGtr Nz 2 1173 Fingerd Bs A 1174 Fingerd Bs B 1175 Fingerd Bs C 1176 MuteFng Bs 1177 Picked Bs A 1178 Picked Bs C 1179 MutePck Bs A 1180 MutePck Bs C

1181 Bs Gls Menu 1182 GlsDown/Splt 1183 Bs Gls Down1 1184 Bs Gls Down2 1185 GlsUpDn/Splt 1186 BsGls UpDwn1 1187 BsGls UpDwn2 1188 BsGls UpDwn3 1189 Bs Nz Menu 1190 Bs Nz /Splt

No. Name

1191 Bs Rel Nz 1 1192 Bs Rel Nz 2 1193 Bs Rel Nz 3 1194 Bs Squeak 1195 OctSynBass A 1196 OctSynBass B 1197 OctSynBass C 1198 OctSynBassLp 1199 ForceSynBs A 1200 ForceSynBs B

1201 ForceSynBs C 1202 ForceSynBsLp 1203 TrunkSynBs A 1204 TrunkSynBs B 1205 TrunkSynBsLp 1206 F.Str mf A L 1207 F.Str mf A R 1208 F.Str mf B L 1209 F.Str mf B R 1210 F.Str mf C L

1211 F.Str mf C R 1212 F.Str mf lpL 1213 F.Str ff A L 1214 F.Str ff A R 1215 F.Str ff B L 1216 F.Str ff B R 1217 F.Str ff C L 1218 F.Str ff C R 1219 F.Str ff lpL 1220 F.Str ff lpR

1221 F.StrStacA L 1222 F.StrStacA R 1223 F.StrStacB L 1224 F.StrStacB R 1225 F.StrStacC L 1226 F.StrStacC R 1227 PopBrsAtkA L 1228 PopBrsAtkA R 1229 PopBrass A L 1230 PopBrass A R

1231 PopBrass B L 1232 PopBrass B R 1233 PopBrass C L 1234 PopBrass C R 1235 SBF Saw 1236 LostParadise 1237 Morph Shape 1238 SBF Noise 1239 Wide Kick f 1240 IronSnr mf L

23

Effects List

Multi-Effects Parameter (MFX1–3)

The multi-effects feature 78 different kinds of effects. Some of the effects consist of two or more different effects connected in series. Parameters marked with a sharp “#” can be controlled using a Multi-Effecs Control or Matrix Control.

(Two setting items will change simultaneously for “#1” and “#2”).

FILTER (10 types)

EQUALIZER

01 02

SPECTRUM

03

ISOLATOR

04

LOW BOOST

05

SUPER FILTER P.27

06

STEP FILTER

07

ENHANCER

08

AUTO WAH

09

HUMANIZER

10

SPEAKER SIMULATOR

MODULATION (12 types)

PHASER

11 12

STEP PHASER

13

MLT STG PHASER P.29

14

INFINITE PHASER

15

RING MODULATOR

16

STEP RING MOD

17

TREMOLO

18

AUTO PAN

19

STEP PAN

20

SLICER

21

ROTARY

22

VK ROTARY P.32

CHORUS (12 types)

23

CHORUS

24

FLANGER

25

STEP FLANGER

26

HEXA-CHORUS

27

TREMOLO CHORUS

28

SPACE-D

29

3D CHORUS

30

3D FLANGER P.35

31

3D STEP FLANGER

32

2BAND CHORUS

33

2BAND FLANGER

34

2BAND STEP FLNGR

DYNAMICS (8 types)

OVERDRIVE

35 36

DISTORTION

37

VS OVERDRIVE

38

VS DISTORTION P.37

39

GUITAR AMP SIMULATOR

40

COMPRESSOR

41

LIMITER

42

GATE

P.26 P.26 P.26 P.26

P.27 P.27 P.28 P.28 P.28

P.29 P.29

P.30 P.30 P.30 P.30 P.31 P.31 P.31 P.32

P.32 P.33 P.33 P.33 P.34 P.34 P.34

P.35 P.35 P.36 P.36

P.37 P.37 P.37

P.37 P.38 P.38 P.38

DELAY (13 types)

43

DELAY P.39

44

LONG DELAY

45

SERIAL DELAY

46

MOD DELAY

47

3TAP PAN DELAY

48

4TAP PAN DELAY

49

MULTI TAP DELAY

50

REVERSE DELAY

51

SHUFFLE DELAY

52

3D DELAY P.43

53

TIME CTRL DELAY

54

LONG T CTL DELAY

55

TAPE ECHO

LO-FI (5 types)

LOFI NOISE

56 57

LOFI COMPRESS

58

LOFI RADIO

59

TELEPHONE

60

PHONOGRAPH

PITCH (3 types)

61 PITCH SHIFTER P.46 62 2VOI PCH SHIFTER P.46 63 STEP PCH SHIFTER P.46

REVERB (2 types)

64 REVERB P.47 65 GATED REVERB P.47

COMBINATION (12 types)

66 OD → CHORUS P.47 67 OD → FLANGER P.47 68 OD → DELAY P.48 69 DST → CHORUS P.48 70 DST → FLANGER P.48 71 DST → DELAY P.48 72 ENH → CHORUS P.48 73 ENH → FLANGER P.49 74 ENH → DELAY P.49 75 CHORUS → DELAY P.49 76 FLANGER → DELAY P.49 77 CHORUS → FLANGER P.50

PIANO (1 type)

78 SYM RESONANCE P.50

P.39 P.40 P.40 P.41 P.41 P.41 P.42 P.42

P.43 P.43 P.44

P.44 P.45 P.45 P.45 P.45

24

Effects List

About Note

Some effect parameters (such as Rate or Delay Time) can be set in terms of a note value.

Such parameters have a SYNC switch that lets you specify whether you will set the value as a note value or as a numerical value.

If you want to set Rate (Delay Time) as a numerical value, set the SYNC switch to “OFF.” If you want to set it as a note value, set the SYNC switch to “ON.”

* If the Rate is specified as a note value, the modulation will

be synchronized with the tempo when you play back SMF song data.

note:

fig.MFX-note2.e_88

Sixty-fourth-note triplet

Thirty-second note

Sixteenth note

Half note

Whole note

Double note

If a parameter whose SYNC switch is set to “ON” is specified as a destination for multi-effect control, you will not be able to use multi-effect control to control that parameter.

Sixty-fourth note

Sixteenth-note triplet

Eighth-note triplet

Half-note tripletQuarter note

Whole-note triplet

Double-note triplet

Thirty-second-note triplet

Dotted thirty-second note

Dotted sixteenth note

Dotted eighth noteQuarter-note tripletEighth note

Dotted quarter note

Dotted half note

Dotted whole note

When Using 3D Effects

The following 3D effects utilize RSS (Roland Sound Space) technology to create a spaciousness that cannot be produced by delay, reverb, chorus, etc.

52: 3D DELAY 29: 3D CHORUS 30: 3D FLANGER 31: 3D STEP FLANGER When using these effects, we recommend that you place your

speakers as follows. Also, make sure that the speakers are at a sufficient distance from the walls on either side.

fig.33-002

30˚ 30˚

If the left and right speakers are too far apart, or if there is too much reverberation, the full 3D effect may not appear.

Each of these effects has an “Output Mode” parameter. If the sound from the OUTPUT jacks is to be heard through speakers, set this parameter to “SPEAKER.” If the sound is to be heard through headphones, set it to “PHONES.” This will ensure that the optimal 3D effect will be heard. If this parameter is not set correctly, the full 3D effect may not appear.

About the STEP RESET function

If you specify the delay time as a note value, slowing down the tempo will not change the delay time beyond a certain length. This is because there is an upper limit for the delay time; if the delay time is specified as a note value and you slow down the tempo until this upper limit is reached, the delay time cannot change any further. This upper limit is the maximum value that can be specified when setting the delay time as a numerical value.

06: STEP FILTER 16: STEP RING MOD 19: STEP PAN 20: SLICER 63: STEP PCH SHIFTER

The above five types contain a sixteen-step sequencer. For these types, you can use a multi-effect control to reset the

sequence to play from the first step. To do this, set the multi-effect control Destination to “Step

Reset.”

For example if you are using the modulation lever to control the effect, you would make the following settings.

Source: Destination: Sens:

CC01: MODULATION

Step Reset

+63

With these settings, the sequence will play back from the first step whenever you operate the modulation lever.

25

Effects List

01:

EQUALIZER

This is a four-band stereo equalizer (low, mid x 2, high).

fig.MFX-01

L in

R in

Parameter

Low Freq Low Gain # Mid1 Freq Mid1 Gain

Mid1 Q

Mid2 Freq Mid2 Gain

Mid2 Q

High Freq High Gain # Level #

SPECTRUM

02:

4-Band EQ

Value Description

200, 400 Hz

-15– +15 dB 200–8000 Hz

-15– +15 dB

0.5, 1.0, 2.0, 4.0, 8.0

200–8000 Hz Frequency of the middle range 2

-15– +15 dB Gain of the middle range 2

0.5, 1.0, 2.0, 4.0, 8.0

2000, 4000, 8000 Hz

-15– +15 dB 0–127

L out

R out

Frequency of the low range Gain of the low range Frequency of the middle range 1 Gain of the middle range 1 Width of the middle range 1

Set a higher value for Q to narrow the range to be affected.

Width of the middle range 2

Set a higher value for Q to narrow the range to be affect-

ed. Frequency of the high range Gain of the high range Output Level

This is a stereo spectrum. Spectrum is a type of filter which modifies the timbre by boosting or cutting the level at specific frequencies.

fig.MFX-02

L in

Spectrum

L out

03:

ISOLATOR

This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges.

fig.MFX-03

L in

R in

Isolator

Parameter

Boost/ Cut Low #

Boost/ Cut Mid #

Boost/ Cut High #

Anti Phase Low Sw

Anti Phase Low Level

Anti Phase Mid Sw

Anti Phase Mid Level

Low Boost Sw

Low Boost Level

Level

Low Boost

Value Description

These boost and cut each of the High, Middle, and Low frequency ranges.

-60– +4 dB

OFF, ON

0–127

OFF, ON

0–127

OFF, ON

0–127

At -60 dB, the sound becomes inaudible. 0 dB is equivalent to the input level of the sound.

Turns the Anti-Phase function on and off for the Low frequency ranges.

When turned on, the counter-channel of stereo sound is inverted and added to the signal.

Adjusts the level settings for the Low frequency ranges.

Adjusting this level for certain frequencies allows you to lend emphasis to specific parts. (This is effective only for stereo source.)

Settings of the Anti-Phase function for the Middle frequency ranges

The parameters are the same as for the Low frequency ranges.

Turns Low Booster on/off.

This emphasizes the bottom to create a heavy bass sound.

Increasing this value gives you a heavier low end.

* Depending on the Isolator and filter

settings this effect may be hard to distinguish.

Output Level

L out

R out

R in

Parameter

Band1 (250Hz) Band2 (500Hz) Band3 (1000Hz) Band4 (1250Hz) Band5 (2000Hz) Band6 (3150Hz) Band7 (4000Hz) Band8 (8000Hz)

Q

Level #

26

Spectrum

Value Description

-15– +15 dB

0.5, 1.0, 2.0, 4.0,

8.0

0–127

Gain of each frequency band

Simultaneously adjusts the width of the adjusted ranges for all the frequency bands.

Output Level

R out

LOW BOOST

04:

Boosts the volume of the lower range, creating powerful lows.

fig.MFX-04

L in

R in

Parameter

Boost Frequency #

Boost Gain #

Boost Width

Low Gain High Gain Level

Low Boost

2-Band EQ

Value Description

50–125 Hz

0– +12 dB

WIDE, MID, NARROW

-15– +15 dB

-15– +15 dB 0–127

Center frequency at which the lower range will be boosted

Amount by which the lower range will be boosted

Width of the lower range that will be boosted

Gain of the low frequency range Gain of the high frequency range Output level

L out

R out

Effects List

05:

SUPER FILTER

This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically.

fig.MFX-05

L in

R in

Parameter

Filter Type

Filter Slope

Filter Cutoff #

Filter Resonance #

Filter Gain Modulation Sw

Modulation Wave

Super Filter

Value Description

Filter type

Frequency range that will pass through

LPF, BPF, HPF, NOTCH

-12, -24, -36 dB

0–127

0– +12 dB OFF,ON

TRI, SQR, SIN, SAW1, SAW2

each filter

LPF:

frequencies below the cutoff

frequencies in the region of the cutoff

BPF: HPF:

frequencies above the cutoff

NOTCH:

gion of the cutoff

Amount of attenuation per octave

-36 dB:

-24 dB:

-12 dB:

Cutoff frequency of the filter

Increasing this value will raise the cutoff frequency.

Filter resonance level

Increasing this value will emphasize the

region near the cutoff frequency. Amount of boost for the filter output On/off switch for cyclic change How the cutoff frequency will be modulated

TRI:

triangle wave

SQR:

square wave

SIN:

sine wave

SAW1:

SAW2:

SAW1 SAW2

L out

R out

frequencies other than the re-

extremely steep steep gentle

sawtooth wave (upward) sawtooth wave (downward)

06:

STEP FILTER

This is a filter whose cutoff frequency can be modulated in steps. You can specify the pattern by which the cutoff frequency will change.

fig.MFX-06

L in

R in

Parameter

Step 01–16

Rate #

Attack #

Filter Type

Filter Slope

Filter Resonance #

Filter Gain Level

Step Filter

Value Description

0–127

0.05–10.00 Hz, note

0–127

LPF, BPF, HPF, NOTCH

-12, -24, -36 dB

0–127

0– +12 dB 0–127

Cutoff frequency at each step

Rate of modulation

Speed at which the cutoff frequency changes between steps

Filter type

Frequency range that will pass through each filter

LPF:

frequencies below the cutoff

frequencies in the region of the cutoff

BPF: HPF:

frequencies above the cutoff

NOTCH:

gion of the cutoff

Amount of attenuation per octave

-12 dB:

-24 dB:

-36 dB:

Filter resonance level

Increasing this value will emphasize the

region near the cutoff frequency. Amount of boost for the filter output Output level

You can use multi-effect control to make the step sequence play again from the beginning (p. 25).

L out

R out

frequencies other than the re-

gentle steep extremely steep

Rate #

Depth

Attack #

Level

0.05–10.00 Hz, note

0–127

Rate of modulation

Depth of modulation Speed at which the cutoff frequency will

change

This is effective if Modulation Wave is SQR, SAW1, or SAW2.

Output level

ENHANCER

07:

Controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound.

fig.MFX-07

L in

R in

Parameter

Sens #

Mix #

Low Gain High Gain Level

Enhancer

Mix

Enhancer

Mix

Value Description

0–127

-15– +15 dB

-15– +15 dB 0–127

2-Band

EQ

2-Band

EQ

Sensitivity of the enhancer Level of the overtones generat-

ed by the enhancer Gain of the low range Gain of the high range Output Level

L out

R out

27

Effects List

t

08:

AUTO WAH

Cyclically controls a filter to create cyclic change in timbre.

fig.MFX-08

L in

R in

Parameter

Filter Type

Manual #

Peak

Sens #

Polarity

Rate #

Depth #

Phase #

Low Gain High Gain Level

09:

HUMANIZER

Auto Wah

2-Band EQ

Value Description

Type of filter

LPF, BPF

0–127

UP, DOWN

0.05–10.00 Hz, note

0–127 Depth of modulation

0–180 deg

-15– +15 dB

-15– +15 dB 0–127

LPF:

a wide frequency range.

BPF:

a narrow frequency range.

Adjusts the center frequency at which the effect is applied.

Adjusts the amount of the wah effect that will occur in the range of the center frequency.

Set a higher value for Q to narrow the range to be affected.

Adjusts the sensitivity with which the filter is controlled.

Sets the direction in which the frequency will change when the auto-wah filter is modulated.

UP:

er frequency.

DOWN:

lower frequency.

Frequency of modulation

Adjusts the degree of phase shift of the left and right sounds when the wah effect is applied.

Gain of the low range Gain of the high range Output Level

The wah effect will be applied over

The filter will change toward a high-

L out

R out

The filter will change toward a

Adds a vowel character to the sound, making it similar to a human voice.

fig.MFX-09

L in

R in

Parameter

Drive Sw

Drive #

Vowel1 Vowel2

Rate #

Depth #

Input Sync Sw

Input Sync Threshold

Overdrive

Formant

2-Band

EQ

Value Description

OFF, ON

0–127

a, e, i, o, u a, e, i, o, u

0.05–10.00 Hz, note

0–127

OFF, ON

0–127 Volume level at which reset is applied

Turns Drive on/off. Degree of distortion

Also changes the volume.

Selects the vowel.

Frequency at which the two vowels switch

Effect depth Determines whether the LFO for switching

the vowels is reset by the input signal (ON) or not (OFF).

L out

Pan L

Pan R

R ou

Parameter

Manual #

Low Gain High Gain Pan # Level

10:

Value Description

Point at which Vowel 1/2 switch

49 or less:

0–100

-15– +15 dB

-15– +15 dB L64–63R 0–127

duration.

50:

Vowel 1 and 2 will be of equal du-

ration.

51 or more:

duration. Gain of the low frequency range Gain of the high frequency range Stereo location of the output Output level

SPEAKER SIMULATOR

Vowel 1 will have a longer

Vowel 2 will have a longer

Simulates the speaker type and mic settings used to record the speaker sound.

fig.MFX-10

L in

R in

Parameter

Speaker Type

Mic Setting

Mic Level # Direct Level # Level #

Speaker

Value Description

(See the table right.) Type of speaker

1, 2, 3

0–127 0–127 0–127

L out

R out

Adjusts the location of the mic that is recording the sound of the speaker.

This can be adjusted in three steps, with the mic becoming more distant in the order of 1,

2, and 3. Volume of the microphone Volume of the direct sound Output Level

Specifications of each Speaker Type

The speaker column indicates the diameter of each speaker unit (in inches) and the number of units.

Type

SMALL 1 SMALL 2 MIDDLE JC-120 BUILT-IN 1 BUILT-IN 2 BUILT-IN 3 BUILT-IN 4 BUILT-IN 5 BG STACK 1 BG STACK 2 MS STACK 1 MS STACK 2 METAL STACK 2-STACK 3-STACK

Cabinet Speaker

small open-back enclosure small open-back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure sealed enclosure large sealed enclosure large sealed enclosure large sealed enclosure large double stack large double stack large triple stack

10 dynamic 10 dynamic 12 x 1 dynamic 12 x 2 dynamic 12 x 2 dynamic 12 x 2 condenser 12 x 2 condenser 12 x 2 condenser 12 x 2 condenser 12 x 2 condenser 12 x 2 condenser 12 x 4 condenser 12 x 4 condenser 12 x 4 condenser 12 x 4 condenser 12 x 4 condenser

Microphone

28

Effects List

Resonance

Mix

L in

R in

L out

R out

Pan R

Pan L

2-Band

EQ

Multi Stage

Phaser

11:

PHASER

A phase-shifted sound is added to the original sound and modulated.

fig.MFX-11

L in

R in

Parameter

Mode

Manual #

Rate # Depth

Polarity

Resonance #

Cross Feedback

Mix # Low Gain High Gain Level

STEP PHASER

12:

Phaser

Mix

Phaser

Value Description

4-STAGE, 8-STAGE, 12STAGE

0–127

0.05–10.00 Hz, note 0–127

INVERSE, SYNCHRO

0–127

-98– +98%

0–127

-15– +15 dB

-15– +15 dB 0–127

2-Band

EQ

2-Band

EQ

Number of stages in the phaser

Adjusts the basic frequency from which the sound will be modulated.

Frequency of modulation Depth of modulation Selects whether the left and right

phase of the modulation will be the same or the opposite.

INVERSE:

phase will be opposite. When using a mono source, this spreads the sound.

SYNCHRO:

phase will be the same. Select this when inputting a stereo

source. Amount of feedback Adjusts the proportion of the

phaser sound that is fed back into the effect. Negative (-) settings will invert the phase.

Level of the phase-shifted sound Gain of the low range Gain of the high range Output Level

L out

R out

The left and right

The phaser effect will be varied gradually.

fig.MFX-12

L in

R in

Step Phaser

Mix

Step Phaser

2-Band

EQ

2-Band

EQ

L out

R out

Parameter

Polarity

Resonance #

Cross Feedback

Step Rate #

Mix # Low Gain High Gain Level

MLT STG PHASER

13:

(MULTI STAGE PHASER)

Value Description

Selects whether the left and right phase of the modulation will be the same or the opposite.

INVERSE:

The left and right

INVERSE, SYNCHRO

0–127 Amount of feedback

-98– +98%

0.10–20.00 Hz, note

0–127

-15– +15 dB

-15– +15 dB 0–127

phase will be opposite. When using a mono source, this spreads the sound.

SYNCHRO:

phase will be the same. Select this when inputting a stereo source.

Adjusts the proportion of the phaser sound that is fed back into the effect. Negative (-) settings will invert the phase.

Rate of the step-wise change in the phaser effect

Level of the phase-shifted sound Gain of the low range Gain of the high range Output Level

The left and right

Extremely high settings of the phase difference produce a deep phaser effect.

fig.MFX-13

Parameter

Mode

Manual #

Rate # Depth Resonance # Mix #

Pan #

Low Gain High Gain Level

Value Description

4-STAGE, 8-STAGE, 12-STAGE, 16-STAGE, 20-STAGE, 24-STAGE

0–127

0.05–10.00 Hz, note 0–127 0–127 0–127

L64–63R

-15– +15 dB

-15– +15 dB 0–127

Number of phaser stages

Adjusts the basic frequency from which the sound will be modulated.

Frequency of modulation Depth of modulation Amount of feedback Level of the phase-shifted sound Stereo location of the output

sound Gain of the low range Gain of the high range Output Level

Parameter

Mode

Manual #

Rate # Depth

Value Description

4-STAGE, 8-STAGE, 12STAGE

0–127

0.05–10.00 Hz, note 0–127

Number of stages in the phaser

Adjusts the basic frequency from which the sound will be modulated.

Frequency of modulation Depth of modulation

29

Effects List

SAW1 SAW2

14:

INFINITE PHASER

A phaser that continues raising/lowering the frequency at which the sound is modulated.

fig.MFX-14

L in

Pan L

Pan R

R in

Parameter

Mode

Speed #

Resonance #

Mix #

Pan #

Low Gain

High Gain

Level

Infinite Phaser 2-Band EQ

Range Explanation

1, 2, 3, 4

-100– +100

0–127

L64–63R

-15– +15 dB

0–127

Higher values will produce a deeper phaser effect.

Speed at which to raise or lower the frequency at which the sound is modulated (+: upward / -: downward)

Amount of feedback Volume of the phase-shifted

sound Panning of the output sound Amount of boost/cut for the low-

frequency range Amount of boost/cut for the high-

frequency range Output volume

L out

R out

STEP RING MOD

16:

(STEP RING MODULATOR)

This is a ring modulator that uses a 16-step sequence to vary the frequency at which modulation is applied.

fig.MFX-16

L in

R in

Parameter

Step 01–16

Rate #

Attack #

Low Gain

High Gain

Balance #

Level

Step Ring Mod

2-Band EQ

Range Explanation

0–127

0.05–10.00 Hz, note

0–127

-15– +15 dB

D100:0W–D0:100W

0–127

Frequency of ring modulation at each step

Rate at which the 16-step sequence will cycle

Speed at which the modulation frequency changes between steps

Amount of boost/cut for the lowfrequency range

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and effect sound (W)

Output volume

L out

R out

RING MODULATOR

15:

This is an effect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect.

fig.MFX-15

L in

R in

Parameter

Frequency #

Sens #

Polarity

Low Gain High Gain

Balance #

Level

Ring Mod

2-Band EQ

Value Description

0–127

UP, DOWN

-15– +15 dB

-15– +15 dB D100:0W–

D0:100W 0–127 Output level

Adjusts the frequency at which modulation is applied.

Adjusts the amount of frequency modulation applied.

Determines whether the frequency modulation moves towards higher frequencies (UP) or lower frequencies (

Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound

(D) and the effect sound (W)

L out

R out

DOWN

).

You can use multi-effect control to make the step sequence play again from the beginning (p. 25).

17: TREMOLO

Cyclically modulates the volume to add tremolo effect to the sound.

fig.MFX-17a

L in

R in

Tremolo

2-Band EQ

Parameter Value Description

Modulation Wave

TRI, SQR, SIN, SAW1, SAW2

Mod Wave

Rate # Depth # Low Gain High Gain Level

0.05–10.00 Hz, note 0–127

-15– +15 dB

-15– +15 dB 0–127

Frequency of the change Depth to which the effect is applied Gain of the low range Gain of the high range Output Level

TRI:

triangle wave

SQR:

square wave

SIN:

sine wave

SAW1/2:

L out

R out

sawtooth wave

30

Effects List

18:

AUTO PAN

Cyclically modulates the stereo location of the sound.

fig.MFX-18a

L in

R in

Parameter

Mod Wave

Rate # Depth # Low Gain High Gain Level

19:

Auto Pan

2-Band EQ

Value Description

Modulation Wave

TRI, SQR, SIN, SAW1, SAW2

SAW1 SAW2 R

L

0.05–10.00 Hz, note Frequency of the change 0–127 Depth to which the effect is applied

-15– +15 dB Gain of the low range

-15– +15 dB Gain of the high range 0–127 Output Level

STEP PAN

TRI:

triangle wave

SQR:

square wave

SIN:

sine wave

SAW1/2:

R

L

L out

R out

sawtooth wave

This uses a 16-step sequence to vary the panning of the sound.

fig.MFX-19

L in

R in

Step Pan

L out

R out

20:

SLICER

By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially effective when applied to sustain-type sounds.

fig.MFX-20

L in

R in

Parameter

Step 01–16

Rate #

Attack #

Input Sync Sw

Input Sync Threshold

Mode

Shuffle #

Level

Slicer

Value Description

L64–63R

0.05–10.00 Hz, note

0–127

OFF, ON

0–127

LEGATO, SLASH

0–127

Level at each step Rate at which the 16-step sequence will cy-

cle Speed at which the level changes between

steps Specifies whether an input note will cause

the sequence to resume from the first step of the sequence (ON) or not (OFF)

Volume at which an input note will be detected

Sets the manner in which the volume changes as one step progresses to the next.

LEGATO:

step’s level to the next remains unaltered. If the level of a following step is the same as the one preceding it, there is no change in volume.

SLASH:

before progressing to the level of the next step. This change in volume occurs even if the level of the following step is the same as the preceding step.

Timing of volume changes in levels for evennumbered steps (step 2, step 4, step 6...).

The higher the value, the later the beat progresses.

Output level

L out

R out

The change in volume from one

The level is momentarily set to 0

Parameter Range Explanation

Step 01–16

Rate #

Attack #

Input Sync Sw

Input Sync Threshold

Level

L64–63R

0.05–10.00 Hz, note

0–127

OFF, ON

0–127

Pan at each step Rate at which the 16-step sequence

will cycle Speed at which the pan changes

between steps Specifies whether an input note

will cause the sequence to resume from the first step of the sequence (ON) or not (OFF)

Volume at which an input note will be detected

Output volume

You can use multi-effect control to make the step sequence play again from the beginning (p. 25).

31

Effects List

L in

R in

Chorus

L out

R out

2-Band

EQ

2-Band

EQ

Balance W

Balance D

21:

ROTARY

The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the high range and low range rotors can be set independently, the unique type of modulation characteristic of these speakers can be simulated quite closely. This effect is most suitable for electric organ Patches.

fig.MFX-21

L in

L out

Rotary

R in

Parameter

Speed #

Wf Slow Speed

Wf Fast Speed

Wf Acceleration

Wf Level Tw Slow Speed Tw Fast Speed Tw Acceleration Tw Level Separation Level #

VK ROTARY

22:

Value Description

SLOW, FAST

0.05–10.00 Hz

0–15

0–127

0.05–10.00 Hz

0.05–10.00 Hz 0–15 0–127 0–127 0–127

R out

Simultaneously switch the rotational speed of the low frequency rotor and high frequency rotor.

SLOW:

Slows down the rotation

to the Slow Rate.

FAST:

Speeds up the rotation to

the Fast Rate.

Slow speed (SLOW) of the low frequency rotor

Fast speed (FAST) of the low frequency rotor

Adjusts the time it takes the low frequency rotor to reach the newly selected speed when switching from fast to slow (or slow to fast) speed. Lower values will require longer times.

Volume of the low frequency rotor

Settings of the high frequency rotor

The parameters are the same as for the low frequency rotor

Spatial dispersion of the sound Output Level

This type provides modified response for the rotary speaker, with the low end boosted further.

This effect features the same specifications as the VK-7’s builtin rotary speaker.

fig.MFX-22

L in

Rotary

R in

2-Band EQ

L out

R out

Parameter

Wf Trans Up

Wf Trans Down

Wf Level Tw Slow Speed Tw Fast Speed Tw Trans Up Tw Trans Down Tw Level

Spread

Low Gain High Gain Level #

23:

CHORUS

Value Description

Adjusts the rate at which the

0–127

0.05–10.00 Hz

0.05–10.00 Hz 0–127 0–127 0–127

0–10

-15– +15 dB

-15– +15 dB 0–127

woofer rotation speeds up when the rotation is switched from Slow to Fast.

Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from Fast to Slow.

Volume of the woofer

Settings of the tweeter

The parameters are the same as for the woofer.

Sets the rotary speaker stereo image. The higher the value set, the wider the sound is spread out.

Gain of the low range Gain of the high range Output Level

This is a stereo chorus. A filter is provided so that you can adjust the timbre of the chorus sound.

fig.MFX-23

Parameter

Filter Type

Cutoff Freq

Pre Delay

Rate # Depth Phase Low Gain High Gain

Balance #

Level

Value Description

Type of filter

OFF:

no filter is used

LPF:

OFF, LPF, HPF

200–8000 Hz

0.0–100.0 ms

0.05–10.00 Hz, note Frequency of modulation 0–127 Depth of modulation 0–180 deg Spatial spread of the sound

-15– +15 dB Gain of the low range

-15– +15 dB Gain of the high range

D100:0W–D0:100W

0–127

cuts the frequency range

above the Cutoff Freq

HPF:

cuts the frequency range

below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from the di-

rect sound until the chorus sound is heard.

Volume balance between the direct sound (D) and the chorus sound (W)

Output Level

Parameter

Speed #

Brake #

Wf Slow Speed

Wf Fast Speed

32

Value Description

SLOW, FAST

OFF, ON

0.05–10.00 Hz

Rotational speed of the rotating speaker

Switches the rotation of the rotary speaker.

When this is turned on, the rotation will gradually stop. When it is turned off, the rotation will gradually resume.

Low-speed rotation speed of the woofer

High-speed rotation speed of the woofer

Effects List

24:

FLANGER

This is a stereo flanger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a jet airplane taking off or landing. A filter is provided so that you can adjust the timbre of the flanged sound.

fig.MFX-24

L in

R in

Parameter

Filter Type

Cutoff Freq

Pre Delay

Rate # Depth Phase

Feedback #

Low Gain High Gain

Balance #

Level

Balance D

2-Band

EQ

Flanger

Feedback Feedback

Flanger

Balance W

2-Band

Balance D

EQ

Value Description

Type of filter

OFF:

no filter is used

LPF:

OFF, LPF, HPF

200–8000 Hz

0.0–100.0 ms

0.05–10.00 Hz, note 0–127 0–180 deg

-98– +98%

-15– +15 dB

D100:0W–D0:100W

0–127

cuts the frequency range

above the Cutoff Freq

HPF:

cuts the frequency range

below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from when

the direct sound begins until the flanger sound is heard.

Frequency of modulation Depth of modulation Spatial spread of the sound Adjusts the proportion of the

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

Gain of the low range Gain of the high range

Volume balance between the direct sound (D) and the flanger sound (W)

Output Level

L out

R out

25: STEP FLANGER

This is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note-value of a specified tempo.

fig.MFX-25

L in

Balance D

Step Flanger

2-Band

EQ

Balance W

L out

Parameter

Cutoff Freq

Pre Delay

Rate # Depth Phase

Feedback #

Step Rate # Low Gain High Gain

Balance #

Level

HEXA-CHORUS

26:

Value Description

200–8000 Hz

0.0–100.0 ms

0.05–10.00 Hz, note 0–127 0–180 deg

-98– +98%

0.10–20.00 Hz, note

-15– +15 dB

D100:0W–D0:100W

0–127

Basic frequency of the filter Adjusts the delay time from when

the direct sound begins until the flanger sound is heard.

Frequency of modulation Depth of modulation Spatial spread of the sound Adjusts the proportion of the

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

Rate (period) of pitch change Gain of the low range Gain of the high range Volume balance between the di-

rect sound (D) and the flanger sound (W)

Output Level

Uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound.

fig.MFX-26

L in

R in

Parameter

Pre Delay

Rate # Depth Pre Delay

Deviation Depth

Deviation

Pan Deviation

Balance #

Level

Balance D

Hexa Chorus

Balance D

Value Description

0.0–100.0 ms

0.05–10.00 Hz, note Frequency of modulation 0–127 Depth of modulation

0–20

-20– +20

0–20

D100:0W–D0:100W

0–127

L out

Balance W

R out

Adjusts the delay time from the direct sound until the chorus sound is heard.

Adjusts the differences in Pre Delay between each chorus sound.

Adjusts the difference in modulation depth between each chorus sound.

Adjusts the difference in stereo location between each chorus sound.

0:

All chorus sounds will be in the

center.

20:

Each chorus sound will be spaced at 60 degree intervals relative to the center.

Volume balance between the direct sound (D) and the chorus sound (W)

Output Level

R in

Parameter

Filter Type

Feedback Feedback

Step Flanger

Balance W

2-Band

Balance D

EQ

Value Description

Type of filter

OFF: LPF:

OFF, LPF, HPF

cuts the frequency range

above the Cutoff Freq

HPF:

below the Cutoff Freq

R out

no filter is used

cuts the frequency range

33

Effects List

27:

TREMOLO CHORUS

This is a chorus effect with added Tremolo (cyclic modulation of volume).

fig.MFX-27

L in

Balance D

L out

Balance W

Tremolo Chorus

Balance W

R in

Parameter

Pre Delay

Chorus Rate #

Chorus Depth

Tremolo Rate #

Tremolo Separation

Tremolo Phase

Balance #

Level

SPACE-D

28:

Balance D

Value Description

0.0–100.0 ms

0.05–10.00 Hz, note

0–127

0.05–10.00 Hz, note

0–127

0–180 deg

D100:0W–D0:100W

0–127

R out

Adjusts the delay time from the direct sound until the chorus sound is heard.

Modulation frequency of the chorus effect

Modulation depth of the chorus effect

Modulation frequency of the tremolo effect

Spread of the tremolo effect

Spread of the tremolo effect Volume balance between the di-

rect sound (D) and the tremolo chorus sound (W)

Output Level

This is a multiple chorus that applies two-phase modulation in stereo. It gives no impression of modulation, but produces a transparent chorus effect.

fig.MFX-28

L in

Balance D

Space D

R in

Balance D

2-Band

Balance W

2-Band

EQ

L out

R out

29:

3D CHORUS

This applies a 3D effect to the chorus sound. The chorus sound will be positioned 90 degrees left and 90 degrees right.

fig.MFX-29

L

R

Parameter

Filter Type

Cutoff Freq

Pre Delay

Rate #

Depth

Phase

Output Mode

Low Gain High Gain

Balance #

Level

3D Chorus

Value Description

OFF, LPF, HPF

200–8000 Hz

0.0–100.0 ms

0.05–10.00 Hz, note

0–127

0–180 deg

SPEAKER, PHONES

-15– +15 dB

D100:0W–D0:100W

0–127

2-Band

EQ

2-Band

EQ

Type of filter

OFF:

no filter is used

LPF:

cuts the frequency range

above the Cutoff Freq

HPF:

cuts the frequency range

below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from the di-

rect sound until the chorus sound is heard.

Frequency of modulation Modulation depth of the chorus ef-

fect Spatial spread of the sound Adjusts the method that will be

used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select speakers, or headphones.

Gain of the low range Gain of the high range Volume balance between the di-

rect sound (D) and the chorus sound (W)

Output Level

SPEAKER

PHONES

L out

R out

when using

Parameter

Pre Delay

Rate # Depth Phase Low Gain High Gain

Balance #

Level

34

Value Description

0.0–100.0 ms

0.05–10.00 Hz, note Frequency of modulation 0–127 Depth of modulation 0–180 deg Spatial spread of the sound

-15– +15 dB Gain of the low range

-15– +15 dB Gain of the high range

D100:0W–D0:100W

0–127

Adjusts the delay time from the direct sound until the chorus sound is heard.

Volume balance between the direct sound (D) and the chorus sound (W)

Output Level

Effects List

R in

R out

L in

L out

Split

High Band Chorus

Low Band Chorus

High Band Chorus

Low Band Chorus

Split

30:

3D FLANGER

This applies a 3D effect to the flanger sound. The flanger sound will be positioned 90 degrees left and 90 degrees right.

fig.MFX-30

L

2-Band

EQ

L out

3D Flanger

R

Parameter

Filter Type

Cutoff Freq

Pre Delay

Rate # Depth Phase

Feedback #

Output Mode

Low Gain High Gain

Balance #

Level

Value Description

OFF, LPF, HPF

200–8000 Hz

0.0–100.0 ms

0.05–10.00 Hz, note 0–127 0–180 deg

-98– +98%

SPEAKER, PHONES

-15– +15 dB

D100:0W–D0:100W

0–127

2-Band

EQ

Type of filter

OFF:

no filter is used

LPF:

cuts the frequency range

above the Cutoff Freq

HPF:

cuts the frequency range

below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from when

the direct sound begins until the flanger sound is heard.

Frequency of modulation Depth of modulation Spatial spread of the sound Adjusts the proportion of the

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select speakers, or headphones.

Gain of the low range Gain of the high range Volume balance between the di-

rect sound (D) and the flanger sound (W)

Output Level

SPEAKER

PHONES

R out

when using

31: 3D STEP FLANGER

This applies a 3D effect to the step flanger sound. The flanger sound will be positioned 90 degrees left and 90 degrees right.

fig.MFX-31

L

R

Parameter

Filter Type

Cutoff Freq

Pre Delay

3D Step Flanger

Value Description

OFF, LPF, HPF

200–8000 Hz

0.0–100.0 ms

2-Band

EQ

2-Band

EQ

Type of filter

OFF:

no filter is used

LPF:

cuts the frequency range

above the Cutoff Freq

HPF:

cuts the frequency range

below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from when

the direct sound begins until the flanger sound is heard.

L out

R out

Parameter

Rate # Depth Phase

Feedback #

Step Rate #

Output Mode

Low Gain High Gain

Balance #

Level

32:

Value Description

0.05–10.00 Hz, note 0–127 0–180 deg

-98– +98%

0.10–20.00 Hz, note Rate (period) of pitch change

SPEAKER, PHONES

-15– +15 dB

D100:0W–D0:100W

0–127

Frequency of modulation Depth of modulation Spatial spread of the sound Adjusts the proportion of the

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select speakers, or headphones.

Gain of the low range Gain of the high range Volume balance between the di-

rect sound (D) and the flanger sound (W)

Output Level

2BAND CHORUS

SPEAKER

PHONES

when using

A chorus effect that lets you apply an effect independently to the low-frequency and high-frequency ranges.

fig.MFX-32

Parameter

Split Freq

Low Pre Delay

Low Rate #

Low Depth

Low Phase

High Pre Delay

High Rate #

High Depth

High Phase

Balance #

Level

Range Explanation

200–8000 Hz

0.0–100.0 ms

0.05–10.00 Hz, note

0–127

0–180 deg

0.0–100.0 ms

0.05–10.00 Hz, note

0–127

0–180 deg

D100:0W–D0:100W

0–127

Frequency at which the low and high ranges will be divided

Delay time from when the original sound is heard to when the low-range chorus sound is heard

Rate at which the low-range chorus sound is modulated

Modulation depth for the lowrange chorus sound

Spaciousness of the low-range chorus sound

Delay time from when the original sound is heard to when the high-range chorus sound is heard

Rate at which the low-range chorus sound is modulated

Modulation depth for the highrange chorus sound

Spaciousness of the high-range chorus sound

Volume balance of the original sound (D) and chorus sound (W)

Output volume

35

Effects List

R in

R out

L in

L out

Split

High Band Step Flanger

Split

Low Band Feedback

High Band Feedback

Low Band Feedback

Low Band Step Flanger

High Band Step Flanger

Low Band Step Flanger

33:

2BAND FLANGER

A flanger that lets you apply an effect independently to the low-frequency and high-frequency ranges.

fig.MFX-33

L in

R in

Split

High Band Flanger

High Band Feedback

Low Band Flanger

Low Band Feedback

High Band Feedback

High Band Flanger

Low Band Feedback

Low Band Flanger

L out

R out

2BAND STEP FLNGR

34:

(2BAND STEP FLANGER)

A step flanger that lets you apply an effect independently to the low-frequency and high-frequency ranges.

fig.MFX-34

Parameter

Split Freq

Low Pre Delay

Low Rate #

Low Depth

Low Phase

Low Feedback #

High Pre Delay

High Rate #

High Depth

High Phase

High Feedback #

Balance #

Level

Range Explanation

200–8000 Hz

0.0–100.0 ms

0.05–10.00 Hz, note

0–127

0–180 deg

-98– +98%

0.0–100.0 ms

0.05–10.00 Hz, note

0–127

0–180 deg

-98– +98%

D100:0W–D0:100W

0–127

Frequency at which the low and high ranges will be divided

Delay time from when the original sound is heard to when the low-range flanger sound is heard

Rate at which the low-range flanger sound is modulated

Modulation depth for the lowrange flanger sound

Spaciousness of the low-range flanger sound

Proportion of the low-range flanger sound that is to be returned to the input (negative values invert the phase)

Delay time from when the original sound is heard to when the high-range flanger sound is heard

Rate at which the high-range flanger sound is modulated

Modulation depth for the highrange flanger sound

Spaciousness of the high-range flanger sound

Proportion of the high-range flanger sound that is to be returned to the input (negative values invert the phase)

Volume balance of the original sound (D) and flanger sound (W)

Output volume

Parameter

Split Freq

Low Pre Delay

Low Rate #

Low Depth

Low Phase

Low Feedback #

Low Step Rate #

High Pre Delay

High Rate #

High Depth

High Phase

High Feedback #

High Step Rate #

Balance #

Level

Range Explanation

200–8000 Hz

0.0–100.0 ms

0.05–10.00 Hz, note

0–127

0–180 deg

-98– +98%

0.10–20.00 Hz, note

0.0–100.0 ms

0.05–10.00 Hz, note

0–127

0–180 deg

-98– +98%

0.10–20.00 Hz, note

D100:0W–D0:100W

0–127

Frequency at which the low and high ranges will be divided

Delay time from when the original sound is heard to when the low-range flanger sound is heard

Rate at which the low-range flanger sound is modulated

Modulation depth for the lowrange flanger sound

Spaciousness of the low-range flanger sound

Proportion of the low-range flanger sound that is to be returned to the input (negative values invert the phase)

Rate at which the steps will cycle for the low-range flanger sound

Delay time from when the original sound is heard to when the high-range flanger sound is heard

Rate at which the high-range flanger sound is modulated

Modulation depth for the highrange flanger sound

Spaciousness of the high-range flanger sound

Proportion of the high-range flanger sound that is to be returned to the input (negative values invert the phase)

Rate at which the steps will cycle for the high-range flanger sound

Volume balance of the original sound (D) and flanger sound (W)

Output volume

36

Effects List

L in

R in

L out

R out

Pan R

Pan L

Amp

Simulator

2-Band

EQ

Distortion

L in

R in

L out

R out

Pan R

Pan L

Pre Amp

Speaker

35:

OVERDRIVE

Creates a soft distortion similar to that produced by vacuum tube amplifiers.

fig.MFX-35

L in

R in

Over drive

Amp

Simulator

2-Band

EQ

L out

Pan L

Pan R

R out

Parameter Value Description

Drive #

Amp Type

Low Gain High Gain

Pan #

Level

DISTORTION

36:

0–127

SMALL, BUILT-IN, 2-STACK, 3-STACK

-15– +15 dB

L64–63R

0–127

Degree of distortion

Also changes the volume.

Type of guitar amp

SMALL:

small amp

BUILT-IN: 2-STACK:

amp

3-STACK:

amp Gain of the low range Gain of the high range Stereo location of the output

sound Output Level

single-unit type amp

large double stack

large triple stack

Produces a more intense distortion than Overdrive. The parameters are the same as for “35: OVERDRIVE.”

fig.MFX-36

L in

R in

Distortion

Amp

Simulator

2-Band

EQ

L out

Pan L

Pan R

R out

37: VS OVERDRIVE

This is an overdrive that provides heavy distortion.

fig.MFX-37

L in

R in

Parameter

Drive #

Tone # Amp Sw

Amp Type

Low Gain High Gain Pan # Level

Overdrive

Amp

Simulator

2-Band

Value Description

0–127

0–127 OFF, ON

SMALL, BUILT-IN, 2STACK, 3-STACK

-15– +15 dB

-15– +15 dB L64–63R 0–127

Degree of distortion

Also changes the volume. Sound quality of the Overdrive effect Turns the Amp Simulator on/off. Type of guitar amp

SMALL:

BUILT-IN:

2-STACK:

3-STACK:

Gain of the low range Gain of the high range Stereo location of the output sound Output Level

EQ

small amp

single-unit type amp

large double stack amp

large triple stack amp

L out

Pan L

Pan R

R out

38:

VS DISTORTION

This is a distortion effect that provides heavy distortion. The parameters are the same as for “37: VS OVERDRIVE.”

fig.MFX-38

39: GUITAR AMP SIMULATOR

This is an effect that simulates the sound of a guitar amplifier.

fig.MFX-39

Parameter

Pre Amp Sw

Pre Amp Type

Pre Amp Volume #

Pre Amp Master #

Pre Amp Gain Pre Amp Bass Pre Amp Mid-

dle

Pre Amp Treble

Pre Amp Presence

Pre Amp Bright

Speaker Sw

Speaker Type

Mic Setting

Mic Level Direct Level Pan # Level #

Value Description

OFF, ON JC-120,

CLEAN TWIN, MATCH DRIVE, BG LEAD, MS1959I, MS1959II, MS1959I+II, SLDN LEAD, METAL5150, METAL LEAD, OD-1, OD2 TURBO, DISTORTION, FUZZ

0–127

LOW, MIDDLE, HIGH

0–127

OFF, ON

(See the table below.)

1, 2, 3

0–127 0–127 L64–63R 0–127

Turns the amp switch on/off.

Type of guitar amp

Volume and amount of distortion of the amp

Volume of the entire pre-amp

Amount of pre-amp distortion Tone of the bass/mid/treble fre-

quency range * Middle cannot be set if “Match

Drive” is selected as the Pre Amp Type.

Tone for the ultra-high frequency range

Turning this “On” produces a sharper and brighter sound.

* This parameter applies to the

“JC-120,” “Clean Twin,” and “BG Lead” Pre Amp Types.

Determines whether the signal passes through the speaker (ON), or not (OFF).

Type of speaker Adjusts the location of the mic that’s

capturing the sound of the speaker.

This can be adjusted in three steps, from 1 to 3, with the mic becoming more distant as the

value increases. Volume of the microphone Volume of the direct sound Stereo location of the output Output level

37

Effects List

Specifications for each Speaker Type

The speaker column indicates the diameter of each speaker unit (in inches) and the number of units.

Type

SMALL 1 SMALL 2 MIDDLE JC-120 BUILT-IN 1 BUILT-IN 2 BUILT-IN 3 BUILT-IN 4 BUILT-IN 5 BG STACK 1 BG STACK 2 MS STACK 1 MS STACK 2 METAL STACK 2-STACK 3-STACK

COMPRESSOR

40:

Cabinet

small open-back enclosure small open-back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure sealed enclosure large sealed enclosure large sealed enclosure large sealed enclosure large double stack large double stack large triple stack

Flattens out high levels and boosts low levels, smoothing out fluctuations in volume.

fig.MFX-40

L in

R in

Compressor

2-Band EQ

Speak-er Micro-

phone

10 dynamic 10 dynamic 12 x 1 dynamic 12 x 2 dynamic 12 x 2 dynamic 12 x 2 condenser 12 x 2 condenser 12 x 2 condenser 12 x 2 condenser 12 x 2 condenser 12 x 2 condenser 12 x 4 condenser 12 x 4 condenser 12 x 4 condenser 12 x 4 condenser 12 x 4 condenser

L out

R out

41:

LIMITER

Compresses signals that exceed a specified volume level, preventing distortion from occurring.

fig.MFX-41

L in

R in

Parameter

Release #

Threshold #

Ratio

Post Gain Low Gain High Gain Level #

42:

Limiter

Value Description

0–127

1.5:1, 2:1, 4:1, 100:1

0– +18 dB

-15– +15 dB

-15– +15 dB 0–127

GATE

2-Band EQ

Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied.

Adjusts the volume at which compression begins

Compression ratio

Adjusts the output gain. Gain of the low frequency range Gain of the high frequency range Output level

L out

R out

Cuts the reverb’s delay according to the volume of the sound sent into the effect. Use this when you want to create an artificial-sounding decrease in the reverb’s decay.

fig.MFX-42

L in

Gate

L out

Parameter

Attack #

Threshold #

Post Gain Low Gain High Gain Level #

Value Description

0–127

0– +18 dB

-15– +15 dB

-15– +15 dB 0–127

Sets the speed at which compression starts Adjusts the volume at which compression

begins Adjusts the output gain. Gain of the low frequency range Gain of the high frequency range Output level

R in

Parameter

Threshold #

Mode

Attack

Hold

Release

Balance #

Level

Gate

Value Description

0–127

GATE, DUCK

0–127

D100:0W– D0:100W

0–127

Volume level at which the gate begins to close Type of gate

GATE:

The gate will close when the volume of the original sound decreases, cutting the original sound.

DUCK (Ducking):

the volume of the original sound increases, cutting the original sound.

Adjusts the time it takes for the gate to fully open after being triggered.

Adjusts the time it takes for the gate to start closing after the source sound falls beneath the Threshold.

Adjusts the time it takes the gate to fully close after the hold time.

Volume balance between the direct sound (D) and the effect sound (W)

Output level

R out

The gate will close when

38

Effects List

L in

R in

L out

R out

2-Band

EQ

Pan R

Pan L

2-Band

EQ

Feedback

Long Delay

43:

DELAY

This is a stereo delay. When Feedback Mode is NORMAL:

fig.MFX-43a

L in

R in

Balance D

Delay

Feedback Feedback

Delay

Balance D

When Feedback Mode is CROSS:

fig.MFX-43b

L in

R in

Parameter

Delay Left Delay Right Phase Left Phase Right Feedback

Mode

Feedback #

HF Damp

Low Gain High Gain

Balance #

Level

Value Description

0–1300 ms, note

NORMAL, INVERSE

NORMAL, CROSS

-98– +98%

200–8000 Hz, BYPASS

-15– +15 dB

-15– +15 dB D100:0W–

D0:100W 0–127

Balance D

Delay

Feedback Feedback

Delay

Balance D

Adjusts the time until the delay sound is heard.

Phase of the delay sound

Selects the way in which delay sound is fed back into the effect. (See the figures above.)

Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS.

Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound

(D) and the delay sound (W) Output level

2-Band

EQ

Balance W

2-Band

EQ

2-Band

EQ

Balance W

2-Band

EQ

L out

R out

L out

R out

44:

LONG DELAY

A delay that provides a long delay time.

fig.MFX-44

Parameter

Delay Time

Phase

Feedback #

HF Damp

Pan #

Low Gain

High Gain

Balance #

Level

Range Explanation

0–2600 ms, note

NORMAL, INVERSE

-98– +98%

200–8000 Hz, BYPASS

L64–63R

-15– +15 dB

D100:0W–D0:100W

0–127

Delay time from when the original sound is heard to when the delay sound is heard

Phase of the delay (NORMAL: non-inverted, INVERT: inverted)

Proportion of the delay sound that is to be returned to the input (negative values invert the phase)

Frequency at which the high-frequency content of the delayed sound will be cut (BYPASS: no cut)

Panning of the delay sound Amount of boost/cut for the high-

frequency range Amount of boost/cut for the high-

frequency range Volume balance of the original

sound (D) and delay sound (W) Output volume

39

Effects List

45:

SERIAL DELAY

This delay connects two delay units in series. Feedback can be applied independently to each delay unit, allowing you to produce complex delay sounds.

fig.MFX-45

L in

R in

Parameter

Delay1 Time

Delay1 Feedback #

Delay1 HF Damp

Delay2 Time

Delay2 Feedback #

Delay2 HF Damp

Pan #

Low Gain

High Gain

Balance #

Level

Delay 1

Feedback 1

Delay 2

Feedback 2

Range Explanation

0–1300 ms, note

-98– +98%

200–8000 Hz, BYPASS

0–1300 ms, note

-98– +98%

200–8000 Hz, BYPASS

L64–63R

-15– +15 dB

D100:0W–D0:100W

0–127

Delay time from when sound is input to delay 1 until the delay sound is heard

Proportion of the delay sound that is to be returned to the input of delay 1 (negative values invert the phase)

Frequency at which the high-frequency content of the delayed sound of delay 1 will be cut (BYPASS: no cut)

Delay time from when sound is input to delay 2 until the delay sound is heard

Proportion of the delay sound that is to be returned to the input of delay 2 (negative values invert the phase)

Frequency at which the high-frequency content of the delayed sound of delay 2 will be cut (BYPASS: no cut)

Panning of the delay sound Amount of boost/cut for the low-

frequency range Amount of boost/cut for the high-

frequency range Volume balance of the original

sound (D) and delay sound (W) Output volume

L out

Pan L

Pan R

R out

46:

MOD DELAY (MODULATION DELAY)

Adds modulation to the delayed sound. When Feedback Mode is NORMAL:

fig.MFX-46a

L in L out

Delay

Feedback Feedback

Delay

R in R out

Balance D

Modulation

Balance D

2-Band

EQ

Balance W

2-Band

EQ

When Feedback Mode is CROSS:

fig.MFX-46b

L in

R in

Parameter

Delay Left Delay Right Feedback

Mode

Feedback #

HF Damp

Rate #

Depth Phase Low Gain High Gain

Balance #

Level

Delay

Feedback Feedback

Delay

Value Description

0–1300 ms, note

NORMAL, CROSS

-98– +98%

200–8000 Hz, BYPASS

0.05–10.00 Hz, note

0–127 0-180 deg

-15– +15 dB

-15– +15 dB D100:0W–

D0:100W 0–127

Balance D

Modulation

Balance D

2-Band

EQ

Balance W

2-Band

EQ

Adjusts the time until the delay sound is heard.

Selects the way in which delay sound is fed back into the effect (See the figures above.)

Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS.

Frequency of modulation

Depth of modulation Spatial spread of the sound Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound

(D) and the delay sound (W) Output level

L out

R out

40

Effects List

L in

R in

L out

R out

Multi Tap Delay

Balance W

Balance D

Balance W

Balance D

Delay 1

Delay 3

Delay 4

Delay 2

Feed back

2-Band

EQ

2-Band

EQ

47:

3TAP PAN DELAY

Produces three delay sounds; center, left and right.

fig.MFX-47

L in

Triple Tap Delay

Feedback

R in

Parameter

Delay Left/ Right/Center

Center Feedback #

HF Damp

Left/Right/ Center Level

Low Gain High Gain

Balance #

Level

48:

Value Description

0–2600 ms, note

-98– +98%

200–8000 Hz, BYPASS

0–127 Volume of each delay

-15– +15 dB

-15– +15 dB D100:0W–

D0:100W 0–127

4TAP PAN DELAY

Balance D

Left Tap

Center Tap

Right Tap

Balance D

Adjusts the time until the delay sound is heard.

Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS.

Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound

(D) and the delay sound (W) Output level

2-Band

EQ

Balance W

2-Band

EQ

This effect has four delays.

fig.MFX-48a

Balance D

L in

R in

23

1

Feedback

Quadruple Tap Delay

4

Delay 1

Delay 2

Delay 3

Delay 4

Balance D

fig.MFX-48b

Stereo location of each delay

L out

R out

L out

Balance W

R out

49:

MULTI TAP DELAY

This effect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound.

fig.MFX-49

Parameter

Delay 1–4 Time

Delay 1 Feedback #

HF Damp

Delay 1–4 Pan Delay 1–4 Level Low Gain High Gain

Balance #

Level

Value Description

0–2600 ms, note

-98– +98%

200–8000 Hz, BYPASS

L64–63R 0–127

-15– +15 dB

-15– +15 dB D100:0W–

D0:100W 0–127

Adjusts the time until Delays 1–4 are heard.

Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any the high frequencies, set this parameter to BYPASS.

Stereo location of Delays 1–4 Output level of Delays 1–4 Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound

(D) and the effect sound (W) Output level

L

Parameter

Delay 1–4 Time

Delay 1 Feedback #

HF Damp

Delay 1–4 Level Low Gain High Gain

Balance #

Level

R

Value Description

0–2600 ms, note

-98– +98%

200–8000 Hz, BYPASS

0–127

-15– +15 dB

-15– +15 dB D100:0W–

D0:100W 0–127

Adjusts the time until the delay sound is heard.

Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS.

Volume of each delay Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound

(D) and the delay sound (W) Output level

41

Effects List

50:

REVERSE DELAY

This is a reverse delay that adds a reversed and delayed sound to the input sound. A tap delay is connected immediately after the reverse delay.

fig.MFX-50

L in

Feedback

Rev. Delay

R in

Parameter

Threshold

Rev Dly Time

Rev Dly Feedback #

Rev Dly HF Damp

Rev Dly Pan

Rev Dly Level

Delay 1 – 3 Time

Delay 3 Feedback #

Delay HF Damp

Delay 1 Pan’, ‘Delay 2 Pan

Delay 1 Level’, ‘Delay 2 Level

Low Gain

High Gain

Balance #

Level

Rev

D1

Delay

D2

D3

Range Explanation

0–127

0–1300 ms, note

-98– +98%

200–8000 Hz, BYPASS

L64–63R

0–127

0–1300 ms, note

-98– +98%

200–8000 Hz, BYPASS

L64–63R Panning of the tap delay sounds

0–127

-15– +15 dB

D100:0W–D0:100W

0–127

Volume at which the reverse delay will begin to be applied

Delay time from when sound is input into the reverse delay until the delay sound is heard

Proportion of the delay sound that is to be returned to the input of the reverse delay (negative values invert the phase)

Frequency at which the high-frequency content of the reverse-delayed sound will be cut (BYPASS: no cut)

Panning of the reverse delay sound

Volume of the reverse delay sound

Delay time from when sound is input into the tap delay until the delay sound is heard

Proportion of the delay sound that is to be returned to the input of the tap delay (negative values invert the phase)

Frequency at which the low-frequency content of the tap delay sound will be cut (BYPASS: no cut)

Volume of the tap delay sounds

Amount of boost/cut for the lowfrequency range

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and delay sound (W)

Output volume

2-Band

EQ

2-Band

EQ

L out

R out

51:

SHUFFLE DELAY

Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel.

fig.MFX-51

L in

Feedback

Delay A

A

Delay

Delay B

B

R in

Parameter Value Description

Delay Time #

Shuffle Rate #

Acceleration

Feedback #

HF Damp

Pan A/B Level A/B Low Gain High Gain

Balance #

Level

0–2600 ms, note

0–100%

0–15

-98– +98%

200–8000 Hz, BYPASS

0–127 0–127

-15– +15 dB

-15– +15 dB D100:0W–

D0:100W 0–127

Adjusts the time until the delay sound is heard.

Adjusts the ratio (as a percentage) of the time that elapses before Delay B sounds relative to the time that elapses before the Delay A sounds.

When set to 100%, the delay times are the same.

Adjusts the speed which the Delay Time changes from the current setting to its specified new setting.

Adjusts the amount of the delay that’s fed back into the effect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS.

Stereo location of Delay A/B Volume of delay A/B Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound

(D) and the effect sound (W) Output level

2-Band

EQ

L out

R out

42

Effects List

L in

R in

L out

R out

2-Band

EQ

Balance W

Balance D

2-Band

EQ

Feedback

Time Control Delay

52:

3D DELAY

This applies a 3D effect to the delay sound. The delay sound will be positioned 90 degrees left and 90 degrees right.

fig.MFX-52

L

3D Delay L

Level

2-Band

EQ

L out

3D Delay C

Feedback

3D Delay R

R

Parameter

Delay Left Delay Right Delay Center

Center Feedback #

HF Damp

Left Level Right Level Center Level

Output Mode

Low Gain High Gain

Balance #

Level

53:

Value Description

0–2600 ms, note

-98– +98%

200–8000 Hz, BYPASS

0–127

SPEAKER, PHONES

-15– +15 dB

D100:0W–D0:100W

0–127

TIME CTRL DELAY

Adjusts the delay time from the direct sound until the delay sound is heard.

Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Output level of the delay sound

Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select speakers, or headphones.

Gain of the low range Gain of the high range

Volume balance between the direct sound (D) and the effect sound (W)

Output Level

2-Band

EQ

SPEAKER

PHONES

R out

when using

A stereo delay in which the delay time can be varied smoothly.

fig.MFX-53

L in

Time Ctrl Delay

2-Band EQ

Pan L

L out

Parameter

Feedback #

HF Damp

Low Gain High Gain

Balance #

Level

LONG T CTL DELAY

54:

(LONG TIME CONTROL DELAY)

Value Description

-98– +98%

200–8000 Hz, BYPASS

-15– +15 dB

-15– +15 dB D100:0W–

D0:100W 0–127

Adjusts the amount of the delay that’s fed back into the effect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS.

Gain of the low frequency range Gain of the high frequency range Volume balance between the direct

sound (D) and the delay sound (W) Output level

A delay in which the delay time can be varied smoothly, and allowing an extended delay to be produced.

fig.MFX-54

Parameter

Delay Time #

Acceleration

Feedback #

HF Damp

Pan # Low Gain High Gain

Balance #

Level

Value Description

0–2600 ms, note

0–15

-98– +98%

200–8000 Hz, BYPASS

L64–63R

-15– +15 dB Gain of the low frequency range

-15– +15 dB Gain of the high frequency range D100:0W–

D0:100W 0–127

Adjusts the time until the delay is heard.

Adjusts the speed which the Delay Time changes from the current setting to a specified new setting.

The rate of change for the Delay Time directly affects the rate of pitch change.

Adjusts the amount of the delay that’s fed back into the effect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS.

Stereo location of the delay

Volume balance between the direct sound (D) and the delay sound (W)

Output level

R in

Parameter

Delay Time #

Acceleration

Feedback Feedback

Time Ctrl Delay

Pan R

Value Description

0–1300 ms, note

0–15

Adjusts the time until the delay is heard.

Adjusts the speed which the Delay Time changes from the current setting to a specified new setting. The rate of change for the Delay Time directly affects the rate of pitch change.

2-Band EQ

R out

43

Effects List

55:

TAPE ECHO

A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo.

fig.MFX-55

L in

R in

Parameter

Mode

Repeat Rate #

Intensity # Bass Treble Head S Pan Head M Pan Head L Pan

Tape Distortion

Wow/Flutter Rate

Wow/Flutter Depth

Echo Level # Direct Level # Level

Direct Level

Tape Echo

Direct Level

Value Description

S, M, L, S+M, S+L, M+L, S+M+L

0–127

-15– +15 dB

L64–63R

0–5

0–127

0–127 0–127 0–127

Combination of playback heads to use

Select from three different heads with different delay times.

S:

short, M: middle, L: long

Tape speed

Increasing this value will shorten the spacing of the delayed sounds.

Amount of delay repeats

Boost/cut for the lower range of the echo sound Boost/cut for the upper range of the echo sound

Independent panning for the short, middle, and long playback heads

Amount of tape-dependent distortion to be added

This simulates the slight tonal changes that can be detected by signal-analysis equipment. Increasing this value will increase the distortion.

Speed of wow/flutter (complex variation in pitch caused by tape wear and rotational irregularity)

Depth of wow/flutter

Volume of the echo sound Volume of the original sound Output level

L out

Echo Level

R out

56:

LOFI NOISE

In addition to a lo-fi effect, this adds various types of noise such as white noise and disc noise.

fig.MFX-56

L in

R in

Parameter

LoFi Type

Filter Type

Filter Cutoff W/P Noise

Type W/P Noise

LPF W/P Noise

Level #

Disc Noise Type

Disc Noise LPF

Disc Noise Level #

Hum Noise Type

Hum Noise LPF

Hum Noise Level #

Low Gain High Gain

Balance #

Level

Lo-Fi

Noise Gen.

Lo-Fi

Value Description

1–9

OFF, LPF, HPF

200–8000 Hz

WHITE, PINK

200–8000 Hz, BYPASS

0–127

LP, EP, SP, RND

200–8000 Hz, BYPASS

0–127

50 Hz, 60 Hz

200–8000 Hz, BYPASS

0–127

-15– +15 dB

-15– +15 dB D100:0W–

D0:100W 0–127

Degrades the sound quality. The sound quality grows poorer as this value is increased.

Type of filter

OFF: LPF:

Cutoff

HPF:

Cutoff

Center frequency of the filter

Switch between white noise and pink noise.

Center frequency of the low pass filter applied to the white/pink noise (BYPASS: no cut)

Volume of the white/pink noise

Type of record noise

The frequency at which the noise is heard depends on the selected type.

Adjusts the cutoff frequency of the low pass filter applied to the record noise. If you don’t want to filter out any high frequencies, set this parameter to BYPASS.

Volume of the record noise

Frequency of the hum noise

Center frequency of the low pass filter applied to the hum noise (BYPASS: no cut)

Volume of the hum noise

Gain of the low range Gain of the high range Volume balance between the direct sound

(D) and the effect sound (W) Output level

2-Band

EQ

2-Band

EQ

no filter is used

cuts the frequency range above the

cuts the frequency range below the

L out

R out

44

Effects List

57:

LOFI COMPRESS

This is an effect that intentionally degrades the sound quality for creative purposes.

fig.MFX-57

L in

R in

Compressor

Parameter

Pre Fil Type

LoFi Type

Post Fil Type

Post Fil Cutoff Low Gain High Gain

Balance #

Level #

58:

LOFI RADIO

Lo-Fi

Value Description

Selects the type of filter applied to the sound

1–6

1–9

OFF, LPF, HPF

200–8000 Hz

-15– +15 dB

-15– +15 dB D100:0W–

D0:100W 0–127

before it passes through the Lo-Fi effect. 1: Compressor off 2–6: Compressor on

Degrades the sound quality. The sound quality grows poorer as this value is increased.

Type of filter

OFF:

no filter is used

LPF:

cuts the frequency range above the

Cutoff

HPF:

cuts the frequency range below the

Cutoff Basic frequency of the Post Filter Gain of the low range Gain of the high range Volume balance between the direct sound

(D) and the effect sound (W) Output level

2-Band

EQ

2-Band

EQ

L out

R out

59:

TELEPHONE

fig.MFX-59

L in

R in

Parameter

Voice Quality #

Treble

Balance #

Level

PHONOGRAPH

60:

Telephone

Value Description

0–15

-15– +15 dB Bandwidth of the telephone voice D100:0–

D0:100W 0–127

Audio quality of the telephone voice

Volume balance between the direct sound (D) and the effect sound (W)

Output level

L out

R out

Simulates a sound recorded on an analog record and played back on a record player. This effect also simulates the various types of noise that are typical of a record, and even the rotational irregularities of an old turntable.

fig.MFX-60

L in

Phonograph

R in

Balance D

L out

Balance W

R out

Balance D

In addition to a Lo-Fi effect, this effect also generates radio noise.

fig.MFX-58

L in

R in

Parameter

LoFi Type

Filter Type

Filter Cutoff Radio

Detune # Radio Noise

Level #

Balance #

Level

Lo-Fi

Radio

Lo-Fi

Value Description

1–9

OFF, LPF, HPF

200–8000 Hz

0–127

D100:0W– D0:100W

0–127 Output level

Degrades the sound quality. The sound quality grows poorer as this value is increased.

Type of filter

Basic frequency of the Post Filter Simulates the tuning noise of a radio. As this

value is raised, the tuning drifts further.

Volume of the radio noise

Volume balance between the direct sound (D) and the effect sound (W)

2-Band

EQ

2-Band

EQ

OFF:

no filter is used

LPF:

cuts the frequency range above the

Cutoff

HPF:

cuts the frequency range below the

Cutoff

L out

R out

Parameter

Signal Distortion

Frequency Range

Disc Type

Scratch

Noise

Level Dust Noise Lev-

el Hiss Noise Lev-

el Total Noise Lev-

el # Wow Flutter

Random

Total Wow/ Flutter #

Balance #

Level

Value Description

0–127

LP, EP, SP

0–127

0–127 0–127

0–127

D100:0W– D0:100W

0–127 Output level

Depth of distortion

Frequency response of the playback system

Decreasing this value will produce the impression of an old system with a poor frequency response.

Rotational speed of the turntable

This will affect the frequency of the scratch noise.

Amount of noise due to scratches on the record

Volume of noise due to dust on the record

Volume of continuous “hiss”

Volume of overall noise

Depth of long-cycle rotational irregularity Depth of short-cycle rotational irregularity Depth of indefinite-cycle rotational irregular-

ity

Depth of overall rotational irregularity

Volume balance between the direct sound (D) and the effect sound (W)

45

Effects List

L in

R in

Step Pitch Shifter

L out

R out

2-Band

EQ

2-Band

EQ

PITCH SHIFTER

61:

(Feedback Pitch Shifter)

A stereo pitch shifter.

fig.MFX-61

L in

Pitch Shifter

R in

Parameter

Coarse #1

Fine #1

Delay Time

Feedback #

Low Gain High Gain

Balance #

Level

Value Description

-24– +12 semi

-100– +100 cent

0–1300 ms, note

-98– +98%

-15– +15 dB

D100:0W–D0:100W

0–127

2-Band EQ

Adjusts the pitch of the pitch shifted sound in semitone steps.

Adjusts the pitch of the pitch shifted sound in 2-cent steps.

Adjusts the delay time from the direct sound until the pitch shifted sound is heard.

Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Negative (-) settings will invert the phase.

Gain of the low range Gain of the high range Volume balance between the di-

rect sound (D) and the pitch shifted sound (W)

Output Level

L out

R out

Parameter

Pitch 2: Coarse #2

Pitch 2:Fine #2 Pitch 2:Delay Pitch 2:Feedback

# Pitch 2:Pan # Pitch 2:Level Low Gain High Gain

Level Balance

Balance

Level

STEP PCH SHIFTER

63:

(STEP PITCH SHIFTER)

Value Description

-24-+12 semi

-100-+100 cent 0–1300 ms, note

-98– +98%

L64-63R 0–127

-15– +15 dB

A100:0B-A0:100B

D100:0W-D0:100W

0-127

Settings of the Pitch Shift 2 sound. The parameters are the same as for the Pitch Shift 1 sound.

Gain of the low range Gain of the high range Volume balance between the

Pitch Shift 1 and Pitch Shift 2 sounds

Volume balance between the direct sound (D) and the pitch shifted sound (W)

Output Level

A pitch shifter in which the amount of pitch shift is varied by a 16-step sequence.

fig.MFX-63

2VOI PCH SHIFTER

62:

(2VOICE PITCH SHIFTER)

Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound.

fig.MFX-62

Balance D

L in

2Voice Pitch Shifter

R in

Parameter

Pitch 1: Coarse #1

Pitch 1:Fine #1

Pitch 1:Delay

Pitch 1:Feedback #

Pitch 1:Pan #

Pitch 1:Level

46

Level 1

Pan 1 L

Pan 1 R

Pan 2 L

Pan 2 R

Balance D

Value Description

-24-+12 semi

-100-+100 cent

0–1300 ms, note

-98– +98%

L64-63R

0–127 Volume of the Pitch Shift1 sound

Adjusts the pitch of Pitch Shift 1 in semitone steps.

Adjusts the pitch of Pitch Shift Pitch 1 in 2-cent steps.

Adjusts the delay time from the direct sound until the Pitch Shift 1 sound is heard.

Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Negative (-) settings will invert the phase.

Stereo location of the Pitch Shift 1 sound

L out

Balance W

R out

Parameter

Step 01–16

Rate #

Attack #

Gate Time #

Fine

Delay Time

Feedback #

Low Gain

High Gain

Balance #

Level

Range Explanation

-24–+12 semi

0.05–10.00 Hz, note

0–127

-100– +100 cent

0–1300 ms, note

-98– +98%

-15– +15 dB

D100:0W–D0:100W

0–127

Amount of pitch shift at each step (semitone units)

Rate at which the 16-step sequence will cycle

Speed at which the amount of pitch shift changes between steps

Duration of the pitch shifted sound at each step

Pitch shift adjustment for all steps (2-cent units)

Delay time from the original sound until the pitch-shifted sound is heard

Proportion of the pitch-shifted sound that is to be returned to the input (negative values invert the phase)

Amount of boost/cut for the lowfrequency range

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and pitch-shifted sound (W)

Output volume

You can use multi-effect control to make the step sequence play again from the beginning (p. 25).

Effects List

64:

REVERB

Adds reverberation to the sound, simulating an acoustic space.

fig.MFX-64

L in

Balance D

2-Band

Balance W

EQ

L out

Reverb

Balance W

R in

Parameter

Type

Pre Delay

Time #

HF Damp

Low Gain High Gain

Balance #

Level

65:

GATED REVERB

Balance D

Value Description

ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2

0.0–100.0 ms

0–127

200–8000 Hz, BYPASS

-15– +15 dB

D100:0W–D0:100W

0–127

2-Band

EQ

Type of reverb

ROOM1:

short decay

ROOM2:

short decay

STAGE1:

late reverberation

STAGE2:

early reflections

HALL1:

berance

HALL2:

berance

Adjusts the delay time from the direct sound until the reverb sound is heard.

Time length of reverberation Adjusts the frequency above which

the reverberant sound will be cut.

As the frequency is set lower, more of the high frequencies will be cut, resulting in a softer and more muted reverberance. If you do not want to cut the high frequencies, set this pa-

rameter to BYPASS. Gain of the low range Gain of the high range

Volume balance between the direct sound (D) and the reverb sound (W)

Output Level

R out

dense reverb with

sparse reverb with

reverb with greater

reverb with strong

reverb with clear rever-

reverb with rich rever-

This is a special type of reverb in which the reverberant sound is cut off before its natural length.

fig.MFX-65

L in

R in

Parameter

Type

Pre Delay

Gate Time

Low Gain

Balance D

Gated Reverb

Balance D

Value Description

NORMAL, REVERSE, SWEEP1, SWEEP2

0.0–100.0 ms

5–500 ms

-15– +15 dB

2-Band

EQ

Balance W

2-Band

EQ

Type of reverb

NORMAL:

ed reverb

REVERSE: SWEEP1:

sound moves from right to left

SWEEP2:

sound moves from left to right

Adjusts the delay time from the direct sound until the reverb sound is heard.

Adjusts the time from when the reverb is heard until it disappears.

Gain of the low range

L out

R out

conventional gat-

backwards reverb

the reverberant

Parameter

High Gain

Balance #

Level #

OD → CHORUS

66:

(OVERDRIVE → CHORUS)

fig.MFX-66

L in

R in

Parameter

Od Drive #

Od Pan #

Cho Pre Delay

Cho Rate # Cho Depth

Cho Balance #

Level

OD → FLANGER

67:

(OVERDRIVE → FLANGER)

fig.MFX-67

L in

R in

Parameter

Od Drive #

Od Pan #

Fln Pre Delay

Fln Rate # Fln Depth

Fln Feedback #

Fln Balance #

Level

Value Description

-15– +15 dB

D100:0W–D0:100W

0–127

Overdrive

Balance D

Chorus

Balance D

Gain of the high range Volume balance between the di-

rect sound (D) and the reverb sound (W)

Output Level

Value Description

0–127

L64–63R

0.0–100.0 ms

0.05–10.00 Hz, note 0–127

D100:0W–D0:100W

0–127

Overdrive

Degree of distortion

Also changes the volume.

Stereo location of the overdrive sound

Adjusts the delay time from the direct sound until the chorus sound is heard.

Frequency of modulation Depth of modulation Adjusts the volume balance be-

tween the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D).

Output Level

Balance D

Feedback

Flanger

Balance D

Value Description

0–127

L64–63R

0.0–100.0 ms

0.05–10.00 Hz, note 0–127

-98– +98%

D100:0W–D0:100W

0–127

Degree of distortion

Also changes the volume.

Stereo location of the overdrive sound

Adjusts the delay time from when the direct sound begins until the flanger sound is heard.

Frequency of modulation Depth of modulation Adjusts the proportion of the

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D).

Output Level

L out

Balance W

R out

L out

Balance W

R out

47

Effects List

Chorus

L in

R in

L out

R out

Mix

Enhancer

Balance W

Balance D

OD → DELAY

68:

(OVERDRIVE → DELAY)

fig.MFX-68

L in

Overdrive

R in

Parameter

Od Drive #

Od Pan #

Delay Time

Delay Feedback #

Delay HF Damp

Delay Balance #

Level

DST → CHORUS

69:

(DISTORTION → CHORUS)

Value Description

0–127

L64–63R

0–2600 ms, note

-98– +98%

200–8000 Hz, BYPASS

D100:0W–D0:100W

0–127

Balance D

Delay

Feedback

Balance D

Degree of distortion

Also changes the volume.

Stereo location of the overdrive sound

Adjusts the delay time from the direct sound until the delay sound is heard.

Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).

Output Level

L out

Balance W

R out

The parameters are essentially the same as in “66: OD → CHORUS,” with the exception of the following two.

OD Drive

fig.MFX-69

L in

R in

→

Dst Drive, OD Pan → Dst Pan

Balance D

Distortion

Chorus

Balance D

L out

Balance W

R out

DST → FLANGER

70:

(DISTORTION → FLANGER)

The parameters are essentially the same as in “67: OD → FLANGER,” with the exception of the following two.

OD Drive → Dst Drive, OD Pan → Dst Pan

fig.MFX-70

L in

Distortion

R in

DST → DELAY

71:

(DISTORTION → DELAY)

Balance D

Feedback

Flanger

Balance D

L out

Balance W

R out

The parameters are essentially the same as in “68: OD → DELAY,” with the exception of the following two.

OD Drive

fig.MFX-71

L in

R in

72:

fig.MFX-72

Parameter

Enh Sens #

Enh Mix #

Cho Pre Delay

Cho Rate #

Cho Depth

Cho Balance #

Level

→

Dst Drive, OD Pan → Dst Pan

Balance D

Distortion

Delay

Feedback

Balance D

ENH → CHORUS (ENHANCER → CHORUS)

Value Description

0–127

0.0–100.0 ms

0.05–10.00 Hz, note

0–127

D100:0W– D0:100W

0–127

Sensitivity of the enhancer Level of the overtones generated

by the enhancer Adjusts the delay time from the di-

rect sound until the chorus sound is heard.

Frequency of modulation

Depth of modulation Adjusts the volume balance between

the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D).

Output Level

L out

Balance W

R out

48

Effects List

Feedback

Delay

L in

R in

L out

R out

Balance W

Balance D

Chorus

Balance W

Balance D

Feedback

Delay

L in

R in

L out

R out

Balance W

Balance D

Flanger

Balance W

Balance D

Feedback

ENHANCER → FLANGER

73:

(ENH → FLANGER)

fig.MFX-73

L in

R in

Parameter

Enh Sens #

Enh Mix #

Fln Pre Delay

Fln Rate #

Fln Depth

Fln Feedback #

Fln Balance #

Level

ENH → DELAY

74:

(ENHANCER → DELAY)

fig.MFX-74

L in

R in

Enhancer

Mix

Value Description

0–127

0.0–100.0 ms

0.05–10.00 Hz, note

0–127

-98– +98%

D100:0W– D0:100W

0–127 Output Level

Enhancer

Mix

Balance D

L out

Feedback

Balance W

Flanger

Balance W

Balance D

Sensitivity of the enhancer Level of the overtones generated

by the enhancer Adjusts the delay time from when

the direct sound begins until the flanger sound is heard.

Frequency of modulation

Depth of modulation Adjusts the proportion of the

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D).

Balance D

R out

L out

Balance W

Delay

Feedback

Balance D

Balance W

R out

75:

CHORUS → DELAY

fig.MFX-75

Parameter

Cho Pre Delay

Cho Rate # Cho Depth

Cho Balance #

Delay Time

Delay Feedback #

Delay HF Damp

Delay Balance #

Level

FLANGER → DELAY

76:

fig.MFX-76

Value Description

0.0–100.0 ms

0.05–10.00 Hz, note Frequency of modulation 0–127 Depth of modulation

D100:0W–D0:100W

0–2600 ms, note

-98– +98%

200–8000 Hz, BYPASS

D100:0W–D0:100W

0–127

Adjusts the delay time from the direct sound until the chorus sound is heard.

Volume balance between the direct sound (D) and the chorus sound (W)

Adjusts the delay time from the direct sound until the delay sound is heard.

Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).

Output Level

Parameter

Enh Sens #

Enh Mix #

Delay Time

Delay Feedback #

Delay HF Damp

Delay Balance #

Level

Value Description

0–127

0–2600 ms, note

-98– +98%

200–8000 Hz, BYPASS

D100:0W–D0:100W

0–127

Sensitivity of the enhancer Level of the overtones generated

by the enhancer Adjusts the delay time from the

direct sound until the delay sound is heard.

Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).

Output Level

Parameter Value Description

Fln Pre Delay

Fln Rate # Fln Depth

Fln Feedback #

Fln Balance #

Delay Time

0.0–100.0 ms

0.05–10.00 Hz, note 0–127

-98– +98%

D100:0W–D0:100W

0–2600 ms, note

Adjusts the delay time from when the direct sound begins until the flanger sound is heard.

Frequency of modulation Depth of modulation Adjusts the proportion of the

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

Volume balance between the direct sound (D) and the flanger sound (W)

Adjusts the delay time from the direct sound until the delay sound is heard.

49

Effects List

L in

R in

L out

R out

Sym. Resonance

3-Band

EQ

3-Band

EQ

Parameter

Delay Feedback #

Delay HF Damp

Delay Balance #

Level

CHORUS → FLANGER

77:

fig.MFX-77

L in

R in

Parameter

Cho Pre Delay

Cho Rate #

Cho Depth

Cho Balance #

Fln Pre Delay

Fln Rate #

Fln Depth

Fln Feedback #

Fln Balance #

Level

Value Description

Adjusts the proportion of the de-

-98– +98%

200–8000 Hz, BYPASS

D100:0W–D0:100W

0–127 Output Level

Balance D

Balance W

Chorus

Balance W

Balance D

lay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).

Balance D

Feedback

Flanger

Balance D

Value Description

0.0–100.0 ms

0.05–10.00 Hz, note

0–127

D100:0W–D0:100W

0.0–100.0 ms

0.05–10.00 Hz, note

0–127

-98– +98%

D100:0W–D0:100W

0–127

Adjusts the delay time from the direct sound until the chorus sound is heard.

Modulation frequency of the chorus effect

Modulation depth of the chorus effect Volume balance between the direct

sound (D) and the chorus sound (W) Adjusts the delay time from when

the direct sound begins until the flanger sound is heard.

Modulation frequency of the flanger effect

Modulation depth of the flanger effect

Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D).

Output Level

L out

Balance W

R out

SYM RESONANCE

78:

(SYMPATHETIC RESONANCE)

On an acoustic piano, holding down the damper pedal allows other strings to resonate in sympathy with the notes you play, creating rich and spacious resonances. This effect simulates these sympathetic resonances.

fig.MFX-78

Parameter

Depth #

Damper #

Pre LPF

Pre HPF

Peaking Freq

Peaking Gain

Peaking Q

HF Damp

LF Damp

Lid

EQ Low Freq EQ Low Gain EQ Mid Freq EQ Mid Gain

EQ Mid Q

EQ High Freq

EQ High Gain Level

Range Explanation

0–127

16–15000 Hz, BYPASS

BYPASS, 16–15000 Hz

200–8000 Hz

-15– +15 dB

0.5, 1.0, 2.0, 4.0,

8.0

16–15000 Hz, BYPASS

BYPASS, 16–15000 Hz

1–6

200, 400 Hz

-15– +15 dB 200–8000 Hz

-15– +15 dB

0.5, 1.0, 2.0, 4.0,

8.0 2000, 4000, 8000

Hz

-15–+15 dB Amount of high-range boost/cut 0–127 Output Level

Depth of the effect Depth to which the damper pedal is

pressed (controls the resonant sound)

Frequency of the filter that cuts the high-frequency content of the input sound (BYPASS: no cut)

Frequency of the filter that cuts the low-frequency content of the input sound (BYPASS: no cut)

Frequency of the filter that boosts/ cuts a specific frequency region of the input sound

Amount of boost/cut produced by the filter at the specified frequency region of the input sound

Width of the frequency region boosted/cut by the ‘Peaking Gain’ parameter (larger values make the region narrower)

Frequency at which the high-frequency content of the resonant sound will be cut (BYPASS: no cut)

Frequency at which the low-frequency content of the resonant sound will be cut (BYPASS: no cut)

This simulates the actual changes in sound that occur when the lid of a grand piano is set at different heights.

Frequency of the low-range EQ Amount of low-range boost/cut Frequency of the midrange EQ Amount of midrange boost/cut Width of midrange (larger values

make the region narrower)

Frequency of the high-range EQ

50

Chorus Parameters

Double note

Dotted whole note

Dotted half note

Dotted thirty-second note

Whole note

Double-note triplet

Sixteenth-note triplet

Thirty-second note

Sixty-fourth-note triplet

Sixty-fourth note

Thirty-second-note triplet

Dotted eighth noteQuarter-note tripletEighth note

Half-note tripletQuarter note

Dotted quarter note

Whole-note triplet

Half note

Sixteenth note

Eighth-note triplet

Dotted sixteenth note

The SonicCell’s Chorus effect unit can also be used as a stereo delay unit. These settings allow you to select chorus or delay, and the characteristics of the selected effect type.

Effects List

Parameter

Chorus Type

01: CHORUS

Rate

Depth

Pre Delay

Feedback

Filter Type

Cutoff Freq Phase

02: DELAY

Delay Left Delay Right Delay Center

Center Feedback

HF Damp

Left Level Right Level Center Level

03: GM2 CHORUS

Pre-LPF

Level

Feedback

Delay

Rate Depth Send Level To

Reverb

Value Description

Selects either Chorus or Delay.

0 (OFF), 1 (CHORUS), 2 (DELAY), 3 (GM2 CHORUS)

0.05–10.00 Hz, note

0–127

0.0–100.0 ms

0–127

OFF, LPF, HPF

200–8000 Hz 0–180˚

0–1000 ms, note

-98–+98%

200–8000 Hz, BYPASS

0–127 Volume of each delay sound

0–7

0–127

0–127 0–127

0–127

0 (OFF): Neither Chorus or Delay is used. 1 (CHORUS): Chorus is used. 2 (DELAY): Delay is used. 3 (GM2 CHORUS): GM2 Chorus is used.

Frequency of modulation

Depth of modulation Adjusts the delay time from the direct

sound until the chorus sound is heard. Adjusts the amount of the chorus sound

that is fed back into the effect. Type of filter

OFF: no filter is used LPF: cuts the frequency range above the Cutoff Freq HPF: cuts the frequency range be-

low the Cutoff Freq Basic frequency of the filter Spatial spread of the sound

Adjusts the delay time from the direct sound until the delay sound is heard.

Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Cuts the high frequency range of the sound coming into the chorus.

Higher values will cut more of the

high frequencies. Volume of the chorus sound Adjusts the amount of the chorus sound

that is fed back into the effect. Adjusts the delay time from the direct

sound until the chorus sound is heard. Frequency of modulation Depth of modulation Adjusts the amount of chorus sound

that will be sent to the reverb.

If you specify the delay time as a note value, slowing down the tempo will not change the delay time beyond a certain length. This is because there is an upper limit for the delay time; if the delay time is specified as a note value and you slow down the tempo until this upper limit is reached, the delay time cannot change any further. This upper limit is the maximum value that can be specified when setting the delay time as a numerical value.

note:

fig.MFX-note2.e

51

Effects List

Reverb Parameters

These settings allow you to select the desired type of reverb, and its characteristics.

Parameter

Reverb Type

Value Description

0 (OFF), 1 (REVERB), 2 (SRV ROOM), 3 (SRV HALL), 4 (SRV PLATE), 5 (GM2 REVERB)

01: REVERB

ROOM1, ROOM2,

Type

Time

HF Damp

Delay Feedback

STAGE1, STAGE2, HALL1, HALL2, DELAY, PAN-DELAY

0–127

200–8000 Hz, BYPASS

0–127

02: SRV ROOM 03: SRV HALL 04: SRV PLATE

Pre Delay

Time Size

High Cut

Density

Diffusion

LF Damp Freq

LF Damp Gain

HF Damp Freq

HF Damp Gain

0.0–100.0 ms

0–127 1–8

160 Hz–12.5 kHz, BYPASS

0–127

50–4000 Hz

-36–0 dB

4000 Hz–12.5 kHz

-36–0 dB

Type of reverb

0 (OFF): Reverb is not used. 1 (REVERB): Normal reverb 2 (SRV ROOM): This simulates typical room acoustic reflections. 3 (SRV HALL): This simulates typical concert hall acoustic reflections. 4 (SRV PLATE): This simulates a reverb plate, a popular type of artificial reverb unit that derives its sound from the vibration of a metallic plate. 5 (GM2 REVERB): GM2 Reverb

Type of reverb/delay

ROOM1: short reverb with high density ROOM2: short reverb with low density STAGE1: reverb with greater late reverberation STAGE2: reverb with strong early reflections HALL1: very clear-sounding reverb HALL2: rich reverb DELAY: conventional delay effect PAN-DELAY: delay effect with echoes that pan left and right

Time length of reverberation (Type: ROOM1–HALL2) Delay time (Type: DELAY, PAN-DELAY)

Adjusts the frequency above which the high-frequency content of the reverb sound will be cut, or “damped.” If you do not want to cut the high frequencies, set this parameter to BYPASS.

Adjusts the amount of delay feedback when the Type setting is DELAY or PAN-DELAY. Amount of delay sound returned to the input (this setting is valid only if Type is DELAY or PAN-DELAY)

Adjusts the delay time from the direct sound until the reverb sound is heard.

Time length of reverberation Size of the simulated room or hall Adjusts the frequency above which the high-

frequency content of the reverb will be reduced. If you do not want to reduce the high frequencies, set this parameter to BYPASS.

Density of reverb

Adjusts the change in the density of the reverb over time. The higher the value, the more the density increases with time. (The effect of this setting is most pronounced with long reverb times.)

Adjusts the frequency below which the low-frequency content of the reverb sound will be reduced, or “damped.”

Adjusts the amount of damping applied to the frequency range selected with LF Damp. With a setting of “0,” there will be no reduction of the reverb’s low-frequency content.

Adjusts the frequency above which the highfrequency content of the reverb sound will be reduced, or “damped.”

Adjusts the amount of damping applied to the frequency range selected with HF Damp. With a setting of “0,” there will be no reduction of the reverb’s high-frequency content.

Parameter

Value Description

05: GM2 REVERB

Character

Pre-LPF

Level Time

Delay Feedback

0–7

0–127 0–127

0–127

Type of reverb

0–5: reverb 6, 7: delay

Cuts the high frequency range of the sound coming into the reverb.

Higher values will cut more of the high fre-

quencies. Output level of reverberation Time length of reverberation Adjusts the amount of the delay sound that is

fed back into the effect when the Reverb Character setting is 6 or 7.

52

Effects List

53

Roland V-STUDIO 700 Patch/Performance List

Specifications and Main Features

Frequently Asked Questions

User Manual

Patch List

Rhythm Set List

Waveform List

Effects List