Roland SL-20 User Manual

Thank you, and congratulations on your choice of the BOSS SL-20 Audio Pattern Processor.
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (separate sheet). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good understanding of every feature provided by your new unit, this manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Main Features

Continuously cuts input audio sounds and create a wide variety of slice patterns.
Includes a “HARMONIC” slice pattern that produces melodies from the chords you play. This feature provides you with a new way to express your musical ideas.
Includes a recording function. You can record up to forty seconds of the phrases you play, then play these back with loop playback. This lets you enjoy performing solos backed by your recorded phrases.
The SL-20 is equipped with a MIDI IN connector, allowing you to synchronize tempos with external MIDI devices.
The unit provides six different types of stereo effects, including three-dimensional sound field effects, which are available when the SL-20 is used in stereo output.
An expression pedal (optional) can be connected and used for hands-free control of the direct level, effects level, and other parameters.
The TEMPO indicator provides a clear confirmation of the current tempo, even on dimly lit stages.
Copyright © 2008 BOSS CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION.

Contents

Main Features ..........................1
Panel Descriptions ....................3
Front Panel ..........................................3
Rear Panel........................................... 5
Installing Batteries....................6
Making the Connections ...........7
Mono Input Connection........................ 8
Stereo Input Connection ...................... 9
Operating the SL-20 ...............10
Basic Operation .................................10
Panel Operation................................. 11
Setting the Tempo.......................... 11
Switching the Slice Pattern ........... 11
Adjusting the Attack and Duty.... 11
Adjusting the Effect Level ............ 11
Adjusting the Direct Level............ 11
Switching the Output Mode......... 11
Switching the Pedal Mode............ 11
Using the TAP Pedal to Cue
the Slice Pattern ................................12
Setting the Tempo
with the TAP Pedal ............................12
Recording/Loop Playback..................13
Controlling Functions
with an Expression Pedal ..................15
Setting the Function of the
Expression Pedal ............................ 15
Setting the Tempo Response
When Slice Patterns Are Switched .... 16
Setting the Output Mode....................17
Synchronizing Performances
with External MIDI Devices................18
Setting the Retrigger Mode........... 19
Returning Settings to Their
Factory Defaults..................... 20
Troubleshooting..................... 21
Setting Memo ........................ 22
Main Specifications ................ 24
MEMO ................................... 25
Printing Conventions and icons in This Manual
Indicates information that you should be aware of when using the SL-20.
Indicates supplementary information about an operation.
Indicates information about a convenient operation.
, (p.**)
2
Indicates a reference page.

Panel Descriptions

Front Panel

BANK Knob
Turn to switch the slice pattern variation.
EFFECT LEVEL Knob
Adjusts the volume of the effect sound. The volume of the effect sound increases as the knob is turned to the right.
DIRECT LEVEL Knob
Adjusts the volume of the direct sound when the effect is on. The volume of the direct sound increases as the knob is turned to the right.
OUTPUT MODE Button
This switches the output mode.
* You can select the output mode only when connected for stereo output. MONO is selected when the
SL-20 is connected in monaural.
PATTERN Knob
Turn to switch the slice pattern.
* The slice pattern is
composed of one measure.
ATTACK Knob
Adjusts the volume of the slice pattern’s attack. The volume of the attack is boosted as the knob is turned to the right.
TEMPO Indicator
This flashes in sync with the tempo.
The indicator flashes red on the slice pattern’s first beat and green on the second, third, and fourth beats.
TEMPO Knob
This sets the tempo. Turn the knob to the right to increase the tempo, and to the left to slow the tempo down. You can adjust the tempo more precisely by turning the knob slowly.
* You cannot set the tempo with the SL-20
while MIDI clock is being received.
PEDAL MODE Button
This selects the behavior of the START/ STOP pedal when it’s pressed.
LATCH:
* When switching effects off, the effect
switches off at the time the pedal is released.
MOMENTARY
DUTY Knob
Adjusts the duration of the slice pattern sound. The sound is played longer the further the knob is turned to the right.
Pressing the START/STOP pedal toggles the effect on/off.
: The effect is switched on only as
long as the START/STOP pedal is held down. Releasing the pedal switches off the effect.
OUTPUT MODE List
OUTPUT MODE
MONO The same signal is output from both the OUTPUT R/MONO jack and the L jack.
STEREO
FIXED
RANDOM
PING-PONG
AUTO
(3D Cross)
(3D Panner)
Output with fixed left and right positions.
The output randomly alternates between left, right, and center.
The output bounces between the left and right channels.
The location of the sound shifts smoothly between the left and right channels.
The location of the sound moves forward and back as well as left and right.
This produces a swirling, three-dimensional type of sound.
Function
3
Panel Descriptions
POWER Indicator
This indicator shows whether the power is on or off, and also functions as a battery-check indicator.
* When the indicator starts to dim or fails to light, the
batteries are exhausted. When this occurs, install new batteries. For instructions on replacing the batteries, refer to “Installing Batteries” (p. 6).
* The power comes on when a plug is inserted into the
INPUT R/MONO jack, and goes off when it is unplugged.
START/STOP Indicator
This lights up when the ef­fect is on.
REC Indicator
This flashes when the SL-20 is in recording standby and lights steadily during recording.
PLAY Indicator
This lights up during loop playback of phrases.
TAP Indicator
This lights up when the TAP pedal is pressed.
START/STOP Pedal
This alternately switches the effect on or off each time the pedal is pressed. The slice pattern plays when the effect is switched on. Pressing and holding down the pedal for at least two seconds switches the SL-20 to recording standby. After recording, the SL-20 switches to loop playback.
“Recording/Loop Playback” (p. 13)
* When switching effects off, the effect
switches off at the time the pedal is released.
* When the effects are off, sound arriving at
the INPUT jack is output without change.
TAP Pedal
You can set the tempo by tapping it in with this pedal. You can jump back to the beginning of the slice pattern measure by pressing the TAP pedal while the TAP indicator is off. When this is pressed during playback of a slice pattern or phrase, the SL-20 returns the slice pattern or phrase to the beginning and starts playback from there.
* You cannot set the tempo with the SL-
20 while MIDI clock is being received.
“Using the TAP Pedal to Cue the
Slice Pattern” (p. 12)
“Setting the Tempo with the TAP
Pedal” (p. 12)
“Recording/Loop Playback” (p. 13)
4

Rear Panel

Panel Descriptions
INPUT Jacks (INPUT R/MONO, L)
These input jacks are used for connecting electric guitars, bass guitars, other instruments, and effects processors. If using monaural input, connect only to the R/MONO jack.
“Making the Connections” (p. 7)
* The INPUT R/MONO jack also doubles as
the power switch. The power comes on when a plug is inserted into the INPUT R/MONO jack, and goes off when it is unplugged. Unplug any connected plugs when the unit is not in use.
MIDI IN Connector
This connector receives the MIDI clock from a connected external MIDI device to synchronize the devices’ tempos.
“Synchronizing Performances with
External MIDI Devices” (p. 18)
EXP Pedal Jack
Connect an optional expression pedal (such as the Roland EV-5; optional) to this jack. Once connected, the pedal can be used to control the direct level and effect level in real time.
* Use only the specified expression pedal (such as the
Roland EV-5; optional). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.
“Controlling Functions with an Expression
Pedal” (p. 15)
DC IN (AC Adaptor) Jack
This jack is for connecting an AC adaptor (BOSS PSA series; optional). Using an AC adaptor allows for long performances without worrying about the batteries going dead.
* When you are using an AC
adaptor, be sure to use only the specified type (PSA series; optional). Using an adaptor other than the specified type may cause the unit to malfunction, or cause damage to the unit.
OUTPUT Jacks (OUTPUT R/MONO, L)
Use these jacks to connect the SL-20 to a guitar amp, a keyboard amp, or to an effects processor, mixer, multitrack recorder, or other such device. Connecting to both the R/MONO and L jacks allows you to achieve a variety of stereo effects. If using monaural output, connect only to the R/ MONO jack.
“OUTPUT MODE Button” (p. 3) “Making the Connections” (p. 7) “Setting the Output Mode” (p. 17)
5

Installing Batteries

Insert the batteries as shown below, being careful to orient the batteries correctly.
fig.010
• When turning the unit upside-down, get a bunch of newspapers or magazines, and place them under the four corners or at both ends to prevent damage to the buttons and knobs. Also, you should try to orient the unit so that no buttons or knobs get damaged.
• When turning the unit upside-down, handle it with care to avoid dropping it, or allowing it to fall or tip over.
• Make sure the “+” and “–” ends of the batteries are oriented correctly.
• Batteries are supplied with the unit. The life of these batteries may be limited, however, since their primary purpose is to enable testing.
• When the batteries run down, the POWER indicator grows dim. If this happens, install new batteries.
• When replacing the batteries, use six AA-type batteries.
• Avoid using new batteries together with used ones. In addition, avoid mixing different types of batteries. Doing so may result in fluid leakage that can damage the unit.
• Battery life can vary depending on the battery type.
Continuous usage time under battery power is about 18 hours with alkaline batteries and about 7 hours with carbon batteries. (This may vary according to usage conditions.)
6

Making the Connections

• When using an AC adaptor, be sure to use only the specified type (PSA series; optional). Using an adaptor other than the specified type may cause the unit to malfunction, or cause damage to the unit.
• To prevent malfunction and/or damage to speakers or other devices, always turn down the volume and turn off the power to all devices before making any connections.
• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.
• Some connection cables contain resistors. When connection cables with resistors are used, the sound level may be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.
• The INPUT R/MONO jack doubles as a power switch. Inserting a plug in the INPUT R/MONO jack turns on the power; the power is switched off when the plug is disconnected. Be sure to unplug the cable from this jack when the SL-20 is not in use.
• If there are batteries in the unit while an AC adaptor is being used, normal operation will continue should the line voltage be interrupted (such as from a power blackout or power cord disconnection).
• Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. When powering up: Turn on the power to your guitar amp When powering down: Turn off the power to your guitar amp
• Always make sure to have the volume level turned down before switching on power. Even with the volume all the way down, you may still hear some sound when the power is switched on, but this is normal, and does not indicate a malfunction.
• When operating on battery power only, the POWER indicator will become dim when battery power gets too low. Replace the batteries as soon as possible.
• This unit is equipped with a protection circuit. A brief interval (a few seconds) after power­up is required before the unit will operate normally.
last first
.
.
7
Making the Connections

Mono Input Connection

Guitar or Bass
fig.020
Guitar
(Bass)
Guitar Amp (Bass Amp)
This works well when used in combination with distortion and modulation effects processors.
Keyboard
fig.030
AC Adaptor PSA series (optional)
AC Adaptor PSA series (optional)
MTR MixerKeyboard
8

Stereo Input Connection

Guitar or Bass
fig.060
Effector
Guitar
(Bass)
Keyboard
fig.070
Making the Connections
AC Adaptor PSA series (optional)
Guitar Amp (Bass Amp)
AC Adaptor PSA series (optional)
MTR MixerKeyboard
9
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