Page 1
~
9lJoJk
Owner's Manual
and
Technical Manual
ROIGERS
INSTRUMENTS LLC
The
sound
choice!
1905-1948
Page 2
1.
V'ARIABLE
SELECTING
COUPLING
2.
ENSEMBLE
REPLACING
TABLE
CONTROLS
SOUNDS
ENSEMBLE VOICES
OCT
A VE
CELESTA,
OF
SHIFT
..
~TRlNG,
CONTENTS
AND
3. TRANSPOSITION
TEMPERAMENTS
4.
SA
VING
AUTO
REVERB
..
~TOP..~ETUPS
TUNING
5. SUSTAIN PEDAL ASSIGNMENT
SUSTAIN PEDAL AS A
6.
ADDING
ADDING
DEM01~
7.
MIDI
8.
MIDI
9.
& 10. VOICES
11. Key
12.
MIDI
13.
POWER
EXTERNAL
MIDI
..
~EQUENCER
CHANNELS
PROGRAM
chart
CONTROL
NUMBER~
for voices.
REQUIREMENTS
SET
NUMBER~
CONNECTING
14.
INPUTSAND
GLOBAL
GENERAL
OUTPUTS
TU1VING
MIDI
..
~OUND
THE
STOP
MODULE1~
INPUT/OUTPUT
BY
THE
SUSTAIN
CHANGE
KEYBOARD
TO
LOWER
PIANO VOICE
PEDAL
MANUAL
..
~
15, 16, & 17
INPUT/OU~PUT
PANEL
DESCRIPTION
Page 3
HARPSICHORD OPERATION
VARIABLE CONTROLS
1.
Volume control:
2. Brightness control:
3. Ensemble control:
4. Reverb control:
SELECTING SOUNDS
1. To select a voice for the UPPER MANUAL, press the desired
button in the harpsichord section and/or the ensemble section. One
from each can be selected.
Changes the over-all volume
Changes the over-all brightness
of
Changes the level
The reverb knob changes the amount
reverberation and the buttons change the sizeofthe
simulated room.
only the ensemble voices.
of
the instrument.
of
the instrument.
of
24
To select a voice for the LOWER MANUAL, press the desired
button in the hail)sichord section. The ENSEMBLE voices can
added by the useofthe ensemble coupler.-
COUPLING ENSEMBLE VOICES TO
1.
Hold the coupler button and the ensemble, lights will flash, then
press the desired button.
2. The coupler button is then a voice button and can
off
as any other voice.
THE
LOWER MANUAL
be
toggled
on
be
and
Page 4
ENSEMBLE OCTAVE
The ensemble voices can
voices to 4' voices.
THE
THE
UPPER
1.
Hold the TRANSPOSER button and press the
2. To reverse this action, Hold the TRANSPOSER button and again
press the
LOWER
1.
Hold the TRANSPOSER button and press the COUPLER button.
2. To reverse this action, Hold the TRANSPOSER button and again
press the COUPLER button.
lEACH
MANUAL:
OBOE
MANUAL:
MANUAL
SHIFT
be
sllifted up an octave. This will change the
button.
TRANSPOSES
OBOE
INDEPENDENTLY.j
8'
button.
REPLACING
ONE
OF
THE
There are sixty-one selected voices that can
from the keyboards. (see voice chart.)
FOR
FOR
THE
1.
Hold the MIDI button and press oneofthe three voice buttons that
is to
keyboard that represents the desired voice from the resident voices.
FI
the voice list and
To
2.
button and press the changed button. When holding down the MIDI
button, the changed button's light will flash to indicate that a button
has
THE
Hold the MIDI button and press the
flash), then press the desired voice from the voices.
or
last voice
voice markedon
CELESTA, STRING, AND PIANO VOICE
SIXTY ONE RESIDENT VOICES:
UPPER
be
replaced, (Celesta, String,orPiano), then any key on the
of
the upper keyboardorthe lower keyboard is program
return to the voice represented by the button, Hold the MIDI
been
LOWER
lower keyboards is program #1ofthe voice list and
MANUAL:
F61
is the last voice on the list.
changed.
MANUAL:
on
the list. Ti,e coupler button will couplet/Ie ensemble
tl;le
stop pa/lel eveniftI,e Celesta andStrings
have been cllanged However,
coupler will couple ti,e cllanged voice to ti,e lower mallual
Ti,e
COUPLER button tl,en becomes a reversible stop
for
ti,e selected voice.
be
COUPLER
if
tI,e
PIANO
accessed
is altered ti,e
WIT"H
#1
(the light will
FIofthe upper
F61
is the
of
2
Page 5
TRANSPOSITION:
1.
Press and hold the transposer button (tile lightsoftIle marked stops
will flash). Then select the desired step, eitller flat or sharp by tIle
buttons in the marked area.
2.
Also, transposition can be accomplislled by selecting the desired
key on either keyboard. Press and hold the transposer button and
then select the desired key on either manual.
3. When the transposer button is pressed and lleld the light will flash
showing the selection.
4. To return to the key
of
C, press the transposer button. It will act as
a reversible button toggling between tIle transposed key and the
keyofC.
5.
Return to the keyofC when selecting the transposition by using
the keyboards. This is accomplished by holding the transposer
button and pressing the C key on the keyboard. All the lights will
flash in the transposer section indicating that the key
selected for both states
of
the transposer button.
of
TEMPERAMENTS:
There are five temperaments: Vallotti, Just, Mean, Werckmeister, and
Kirnberger.
1.
To set the temperament, press the temperament button and hold.
The lights will flash in the temperament section. Select the desired
temperament and press the button.
2.
Holding the temperament button and pressing the desired key you
wish to play on the keyboard will normalize that temperament t6
that key. This means the harpsichord will correct the tuning
temperament so the tuning is correct for the key for which the music
is written.
C is
of
the
3
Page 6
SA
VING
STOP
SETUPS:
The harpsichord has a stop savillg featllre tllat allows different stop
set-ups to be saved in banks. Tllese stop banks will
the unit is turned off. There are four stop storage banks,
on
each
manual.
1.
To
save a stop setup:
be emptied when
FI and
a. Press and hold the transposer button.
b.
Press oneofthe four keys.
2.
To
return to the key-play mode:
a. Press and hold tIle transposer
b.
Press the memory-key TWICE. Now the key will
out
of
the memory mode.
butt011.
be
F61
taken
AUTO
TUNING:
The instrument will be in the pitch that is set
turned on.
To change the master tuning :
1.
Hold the transposer and select the desired tuning by
selecting one
of
the five buttons
in
This will force the master tuning to a standard value.
a.
b.
c.
d.
e.
8'1
8'11
8'+8'
8'+4'
IS
IS
IS
IS
Lute IS
A-415
A-435
A-440
A-444
A-450
2. The tuning knob located on the output panel will assume
control
if
moved. This will allow the various tunings to be
altered.
by
the tuning knob when
the
IO'Ner
manual sectioll.
REVERB:
The reverb simulates two sizesofrooms: a small room marked
ROOM and a large room marked HALL. Selection is made by
selecting the desired reverb button. The amountofreverb is controlled
by the LEVEL knob.
4
Page 7
SUSTAIN PEDAL ASSIGNMENT:
The sustain function is enabled for both maIluals when the instrument is
turned on.
FOR THE UPPER
1.
Hold the temperament button and press the OBOE button.
Pressing the button will cause
if
the upper manual
2. To disable this sustain functioll on the upper manual,
Temperament button and then press the OBOE button.
FOR THE LOWER MANUAL:
1.
Hold the temperament button and press tIle COUPLER
button. Pressing the button will cause the light
COUPLER button to flasll
to the sustain pedal.
2. To disable this sustain function on the lower manual,
Temperament button and press the COUPLER button.
SUSTAIN PEDAL
The sustain pedal can be used to change between two stop set-ups.
MAJ'.fUAL:
AS
A STOP CHANGE:
tIle
lightofthe OBOE to flash
is
assigned to the sustain pedal.
if
the lo\ver manualisassigned
of
Iloidthe
the
110Id
the
To set the stops:
1.
Hold the TRANSPOSER button and press the COUPLER and
OBOE buttons. The lights will stop flashing. This sets
toggle position.
2. Next, Hold the TRANSPOSER button and press the COUPLER
and OBOE buttons. The lights will stop flashing. This sets the
second toggle position.
3.l:Jow for each press
stop setup. Stop changes can be made anytime while in this mode.
thefirst
of
the SUSTAIN pedal, you can set the desired
5
Page 8
ADDING EXTERNAL SOUND MODULES:
The
additionofan
of
sound to
pressing the 8"I button in the upper manualoron the lower manual
stop
sections causes the buttons to flash. Pressing a
program change to
keyboard
#2
and the
MIDI
press
disables the corresponding MIDI output.
be
infonnation out. The
LOWER
button
external MIDI sound generator allows a third layer
placed
and
on
each manual. Holding tIle
be
sent out
manual plays on MIDI channel #3. Holding the
pressing the
011
a
MID
I port; tilis also sends the
UPPER
8'1
button without follo\ving it with a
tnanual plays
ADDING MIDI SEQUENCER INPUT/OUTPUT:
MIDI
key
on
button
will
MIDI
cause
channel
and
a
key
Channels 12 through 16
a sequencer.
(UPPER
HARPSICHORD,
channels
pressing the
transposed
the
Also,
These
HARPSICHORD,
can
be
switched
TRANSPOSER
lamp will flashifthe sequencer output is enabled.
t/l,ese
c/l,aJ1nels
on
the
MID
I ports canbeused to interface to
channels correspond to tIle four
LOWER
on
are
UPPER
ENSEMBLE). The outputofthese
and
button. While holding the
~)etup
ENSEMBLE,
off
by holding the
to play
oIlier
Rodgers consoles as.follows:
upper manuaillarpsicllord sends
upper
mal"lual
ensemble sends
lower manual harpsichordsellds
lower manual ensemble sends
on
on
cllannel 13
on
on
cllannel 12
Each o.fthe above divisions can be toggled on
0.(the buttons in their respective sections.
Any
upper Ilarpsicllord
any upper ensemble
any lower Ilarpsicllord
andtI,e coupler
buttOll
voice
voice
voice
will
toggle
will toggle
will
toggle
tI,e
will toggle tI,e GREAT
ti,e CHOIR division,
intemallayers,
LOWER
MIDI
cllannel16
button
MID
I button
(solo)
(swell)
cllannel 15
(great)
and
0.[(
by
any
tI,e
SOLO division,
SWELL division,
division.
and
(clloir)
(NOTE: THE
OF
TO
ENSEMBLE
AN
EXTERNAL
THE
ENSEMBLE
LEVEL
INSTRUMENT
CONTROL
SECTIONS.
WILL
CONTROL
ONLYONTHE
)
THE
DIVISIONS
LEVEL
ASSIGNED
6
Page 9
DEMOS:
T1l1e
harpsichord has two songs stored in internal memory. The first is
SINFONIES
De
FANFARES by Mouret. The second is HANDEL opus 4
No.6.
1.
To
start: Press and hold the MID I button, tllen press Room. (song#1)
2.
To
start: Press and hold the MIDI button, then press Hall. (song#2)
To
3.
stop: Repeat the above.
MIDI CHANNELS:
The MIDI port uses the following channels:
2 lower keyboard external layer
3 upper keyboard external layer
4 lower keyboard external layer ecllo (output only)
5 upper keyboard external
layer
10 Drums
13
lower keyboard harpsichord plays
14 lower keyboard ensemble plays
15 upper keyboard harpsichord plays
16 upper keyboard ensemble plays
ecllo (output only)
These channels are chosen for confonnity witlI other synthesizers. Channels 2
through 5 are used for the
expander module (Channel
input, because that is also done on the MT-32 and other synthesizers. The last
four channels are chosen for the internal voices because the MT-32 does not
respond to them.
Channels 2 and 3 are used for playing and external sound module, and are
independently switch able by holding
,harpsichord buttons and then pressing a key. IThis connects the
,corresponding keyboard to the
·determined from the key.
MIDI output channel is disconnected from the keyboard.
extemallayer
#1
will not.) Cllalmel
because they will play on an
10
is reserved as a
MIDI, pressing one
of
the
MT
DRUM
8'1
MIDI output, and issues a program change
Ifno key is pressed before MIDI is released, the
-32
7
Page 10
Channels 12 through 16 are intellded for sequencillg, not for playillg remote
sound modules, which is
not respond to. These channels are turned
WIlY
they use channelllumbers that tIle MT-32 does
off
as a group, either by receipt
a MIDI stop, StartorContinue byte, or by holding the MIDI button and
pressing the TRANSPOSER button. (Channe114 is not used).
i
of
Channels 2 and 3 can
sequencer
IN
from the sound module THRU, or the sound module
be
recorded by a sequellcer, too, by driving the
IN
from
the sequencer THRU port.
Input chaPJIels
special action needs to
13
through 16 are always responsive to MIDI messages, so no
be
taken in order to enable playback. Cllamlels 2 and
3 also respond to input, and are conveniently echoed onto Olltput channels 4
5. This allows
and
completely separate
MIDI
In channels
sounds,
PROGRAM
13
and
program bank 4000H (40 in tIle MSB and 0 in the LSB) is used
extemallayer
extemallayer
sounds to be included in a sequence, while
sounds are played by the perfonner.
NUMBERS:
through 16, program bank 0 is used to access the standard GS
to access the harpsichord and ensemble voices. They use the following
program numbers:
1 Harpsichord
2 Harpsichord
8'1
8'11
3
4
5 Lute
6 Celesta
7 Strings
8 Piano
9 Nason Flute 8'
10 Principal 8'+4'
11
12
13
Chorus (PrincipaI8'+4'+mixture)
Oboe
8'
sme
61
The
voices assigned to the keyboard that resides in bank 40 are listed on
the following pages. Piano 2 starts with bank voice #14 and will be key #1
on
either manual.
8
Page 11
GM
program
#
key #
1.
2.
3.
4. E. PIANO 1
5.
6. CLAV.
7.
8.
9.
10. MARIMBA
11.
12. TUBULAR-BELL
13.
14.
15.
16. ACCORDION FR.
Voice
PIANO 2
PIANO 3
HONKY -TONK PIANO' 4
E.
PIANO 2
GLOCKENSPIEL
MUSIC
VIBRAPHONE
XYLOPHONE
ORGAN
CHURCH
REED ORGAN
BOX
1
ORGAN 1
program
2
3
"
5
6
8
10
11
12
13
14
15
17
20
21
22
#
transmitted
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
17.
HARMONICA
18. BANDON
19.
NYLON STRING
20. STEEL STRING GUITAR
21.
ACOUSTIC BASS
22. VIOLIN
23.
VIOLA
24. CELLO
25.
CONTRABASS
26. TREMOLO STRING
27.
PIZZIC~J\.TO
28. HARP
29. TIMPANI
SLOW
30.
31. SYNTH STRINGS
32. CHOIR AAHS
STRINGS
STRING
GLTITAR
23
24
25
26
33
41
42
43
44
45
46
47
48
50
51
53
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
9
Page 12
GM
program
#
key #
Voice
33. VOICE OOHS
34. SYNTH VOX
35. TRUMPET
36. TROMBONE
37. TUBA
38. MUTED TRUMPET
39. FRENCH HORN
40. SYNTH BRASS 1
41. SYNTH BRASS 2
42. SOPRANO SAX
43. ALTO SAX
44. TENOR SAX
45. BARITONE SAX
46. OBOE
47. ENGLISH HORN
program
#
54
55
57
58
59
60
61
63
64 54
65
66
67
68
69
70 60
transmitted
46
47
48
49
50
51
52
53
55
56
57
58
59
48. BASSOON
49. CLARINET
50. PICCOLO
51. FLUTE
52. RECORDER
53. PAN FLUTE
54. SHAKUHACHI
55. FANTASIA
56. WARM PAD
57. SITAR
58. BANJO
59.
BAG
PIPE
60. KOTO
61. TINKLE BELL
71 61
'72
,.."
/j
74
62
63
64
75 65
76 67
78
89
90
105
68
69
70
71
106 72
110 74
108
113
73
75
10
Page 13
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
it~ii::::::::::::::::::::::::::~;
:;::;::;:::::::;:::::::::::;:::::::
~i.tiQ~~§&~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~f~~~~t~~~~~~~~~~~~~~~~t~~~~~~~t~~~~~f~~~t~~~~
i:!5~i~!5;::::::::::::::::::::::
~m.~U~~~~~~~~lun~~~~~~~~~~~~u~~n~~~~~~n~~u~~~~~~~~~~~~~~tl~~~~~~~~~~~~~
iii.iiii;:::~:~:::::~~:::::::::~@:~:::~:~~~~~:::::~:::~:~:::::~~:~
!!~t:
Harpsichord channels
bank selects.
13
and
15
respond only to programs 1 to 5
al1d
ignore
Ensemble channels 14
zero including the sixty-seven that are inaccessible from the keyboard.,
Also, the ensemble voices can
and 0 in LSB)
bank
this
MIDI
CONTROL
and
can access the componentsoftIle llarpsichord sounds.
o program
32 program
6 data value MSB
7 volume
and
16 respolld to a full setofGM
be
accessed by using bank 4000H (40 in MSB
program numbers 6 to 12. Otller program numbers within
programs in bank
NUMBERS:
bank
bank
MSB
LSB
40 for selected GS tones, harpsichord,
and el1semble voices.
o
temperament selection.
127 for the harpsichord channel and
variable in ensemble channels under
control
knob.
of
the ENSEMBLE
IJEVEIJ
11
expreSSIon
64 sustain
99 parameter LSB
100 parameter
MSB
TIle
expression is only used in the
ensemble chaIhlels variable under
control
option.
This is transmitted on channels
13, 14, 15, and 16 whenever
sequencer output is enabled even
the corresponding layer is off.
of
the expression pedal
2, 3,
o to select temperament.
40 to select temperament.
if
12
Page 15
POWER:
To change the operating voltage:
MAKE
SURE
THE
INSTRUME.-VTISDISCONNECTED
POWER OUTLET.
1.
Remove the retainer screw on tIle grille frame and lift
Disconnect the speaker cable at the plug and set the grille aside.
2. Note, the power supply is located in the center
of
the edge
section strip socket with a black wire attached (this is the line
switch). Remove the wire from its setting and place in the desired
voltage setting.
the power supply next to the transfonner is a four
FROM
up
gently.
of
the console. On
THE
CONNECTING
To connect the sustain pedal remove the grille assembly and set aside, tllen:
1.
Place the sustain pedal at an angle under the harpsichord case with
the brass pedal toward the keyboards. Place the cable in the one
inch hole on the bottom
lUltil
between the case and the pedal base.)
2. Install the three black knob fasteners and'secure the pedal
30
Place the cable in the fasteners provided on the bottomofthe case
and secure.
4. On the audio board (Jack Board) is a white connector with a black
wire loop. This connector connects two pins together when the
sustain pedal is not used. When connecting the sustain pedal,
remove this connector from the male connector "J-14".
silorting
THE
it is all inside the case. (Be carefill not to pinch the cable
SUSTAIN PEDAL:
of
the case and pull all the wire through
in
Save ti,e
plug
for
suell times wIlen ti,e sustain pedal is not used.
place.
5.
Attach the white connector to the connector #J-14 on the audio
board. This plug has a ridge on its edge. This edge snaps next to
the flange
of
the connector 1-14.
13
Page 16
INPUTS AND OUTPUTS:
Located on the output panel on tIle under left-hand sideofthe
instrument are stereo 1/4 inch phone
instruments and line outputs for other amplification. The inputs
have a level adjustment knob located on the panel next to the input
ports.
jacks
for inputofother
GLOBAL
TUNING:
Located
instrument is a Global tuning knob. The harpsichord, when fust
turned on, is automatically set at A-440.
this tuning function will
tuning features it was pointed out that the instrument can be set for
other tuning standards. The Global tuniIlg knob will fme tune these
settings when it is moved.
on
the output panel on the under left-hand sideofthe
Ifhand adjustment is required
be
activated when moved. In the section on
GENERAL MIDI:
The harpsichord supports the "GM" specifications. \Vhen connected to a
sequencer and
player. Both the keyboards play MIDI channel #1
the 4' pitch and the lower manual plays at tIle standard 8' pitch. For most
MUSIC DATA and
MUSIC
lor "ism" MIDI, channel
DATA
is played, the unit becomes a general MIDI
..
The upper manual plays at
#1
is the piano.
TO
SET
THE
HARPSICHORD
HOLD THE
TRANSPOSER BUTTON.
inactive.
andpress
To
tI,e TRANSPOSER button.
IN
"GM" MODE:
MIDI
BUTTON
All
AND
voice
PRESS
buttOl1S
reverse tllis condition hold tI,e
THE
will become
MIDI
button
14
Page 17
INPUT LEVEL
TUNING
MIDI
FUSE
f
LINE OUTPUT
1.
AC
POWER
This input accepts the following power cords for various countries.
UeS.
England use
Europe
Danish use
Israel use
Italian use
Swiss use
Australian use
AUXINPUT
POWER ADJUST
CORD
use
part
INPUT:
number
part
use
part
part
part
part
part
EXT
LEVEL
number
number
number
number
number
number
part
number
AUX
AC CORD
SUSTAIN
1340-017
1340-018
1340-008
1340-019
1340-009
1340-012
1340-016
1340-014
2.
FUSE:
The
fuse for 110vac to 120vac use "Buss Fuse"
The
fuse for 220vac to 230vac use "Buss Fuse"
NOTICE:
REPLACE
WITH
THE
CORRECT
GDC
GDC
FUSE
3.15A
1.60A
ONLY.
15
Page 18
3.
MIDI:
The
instrument
by
other
information to
couples the input out to be used with
affected by the harpsichord.
can
and
MIDI
MIDI
4.
AUX INPUT:
The
of
input
These ports
PR-300 , Sound Canvas,
three
be connected to
DIN connectors
to operate
instruments.
The
operate
other
are
f'Jr
MIDI.
other
instruments as well as being operated
INPUT
portisfor incoming
the harpsichord.
The
OUTPUTisan
equipment
is controlled by the harpsichord.
messages out
messages out
auxiliary inputs
sensitivity
are
MIDI
MIDI
are
that
channel #3.
channel #2.
stereo. These inputs have large latitude
are
designed for
and
adjustable
other
others giving an audio input port.
MIDI will allow this
The
THRU. connector
other
equipment and not
output
port
that
such as the Sound Canvas
The
upper
The
lower manual sends
manual sends
from -20db to +4 db.
l\IIDI equipment such as the
5.
AUX OUTPUT:
The
auxiliary output
ports
are
systems. .
6.
POWER
The
power
reduced by half.
setting.
the
HALL
7.
TUNING:
The
tuning knob allows
A-470. Pitch 440 is
This control will be disconnected when the pitch is selected from
the
harpsichord's control panel.
control
range
designed to
ADJUST:
adjust
Foralarger
setting.
it
is active again
that
is selected.
ports
drive
al~e
line level outputs. These output
external amplification systems and
switch allows the powerofthe instrument to be
For
playing in a small room use the
environment
the
instrument
marked
as the
and
can be used to fine tune the pitch
and
standard
Then
with
an
ORCHESTRA, use
to be tuned from A-415 to
pitch on the panel.
by moving the TUNING
ROOM
PA
16
Page 19
8.
EXT
LEVEL:
The
EXIT
part
LEVEL
number
9. AUX SUSTAIN: '
is
is
DP-2
This input
number
is EV-5
for
an
or
inputisfor
an
expression pedal.
auxiliary sustain pedal.
DP-6
The
The
Roland
Roland
part
17
Page 20
lNPUf
output
l.EVEI...
tit
input
,
,
,
"
,
,
"
,
"
",
'.
,
"
"
,
"
',.
"
,
,
FUSE
®®
L R L R
@@
To
console MIDI
input.
AC CORD
Itllll'Ira--------==~
The
harpsichord can
oritcan play a Rodgers console..
The
harpsichord
The
harpsichord canbeplayed on channels
channel
12
for
plays
the
_
eitherbeplayed by a Rodgers console
Rodgers console on channels
ErLc;cmble
sounds.
To
console MIDI oUtput.
12,
IS,
[harpsichord]
..•.......•...................•.•...........•........
13,
151
16.
and
:~~
Page 21
"
"
"
"
"
,/
"
",
,/
/'"
",
",
lNPlTf
LEVEL
outpUt"
@)@
input
@)(@)
L R L R
".
"
••••••
w .
,
'-
,
"-
,
,
,
,
,
'-
,
"-
,
,
,
,
,
'"
,
'-
,
'-
FUSE
AC C(1RD
/
,/
switch
external
/
/
set
"
~
oUtpUt
midi
oUt
/
/
/
/
/
/
/
........................................................
:~:
on
Page 22
<::>
o
o
To assemble tIle legs on tIle console,
place tIle console on it's long side on
a rug
or
movers blanket, being careful
to llold tIle top closed wilile tIle console
on
its side.
is
Fit the legs tllat 1lave square bottom
frame to tIle front comers. Attacil tIle
legs to tile console
maciline screws
Witll
tile four
(1/4-20 X I 1/2) for
eac1l leg. Tile leg witll tile angler frame
is moullted to tIle
COllsole
in tIle back.
Page 23
To mount tIle sustain pedal. First remove
removing
tile grille assembly.
the
one
screw
towards tIle
This
is done
back
by
the console
of
and with the screw still in tIle grille pull up until
tile grille comes clear. Disconnect tIle cable
grille aside.
set
and
angle lll1der tile
an
at
Place
pedal towards tIle front
the
cable
Make
the hole
in
sure thatall
on
of
the llole and tile cable
cable to J-
tlle
sustahTJ.
between tile
the console. Secure tIle pedal to the bottom
of
the three Tllumb
Witll
Attacll
shorting plug.
tIle
tile sustain pedal
console
of
witli tIle brass
tile console.
bottom
cable is
the
not
does
pedal
base
screws
Remove
4 .
I
(1/4-20
Put
tile console.
of
tlrrough
gone
pillciled
get
tIle bottoln
a..'1d
X
save
and
tile
I 1/4).
C>
Page 24
To assemble the bench place
the
leginthe comer inserting
the hanger bolt into the apron.
Place the 5/16 split lock wasller
on
the bolt followedbythe
5/16
nut.
Tighten until the split
washer flattens
out.
Page 25
HARPSICHORD
BILL
OF
MATERIALS
SEPARATED
INTO
AREAS
CASED-UP
SHELL,
CONSOLE
LEGS, BENCH, AND MUSIC
6061-100 level
3 ea 1690-000, leg, console, harpsichord
4 ea 1690-001, leg, bench, harpsi - .
4 ea 1711-023, screwthws,#8 x 1
14
4 ea 1730-146,bolt, hanger, 5/16 x 3
16
ea 1740-043, screw bugle head,#8 x 2 1/2
4 ea 1710-105, brkt,apron
8 ea 1720-025,screw,rhsms,
7 ea 1774-009, glide,
nail,
#8
x 5/8
3/4", brown
1 ea 4102-163,rail, base front, harpsi
1 ea 4102,165, cleat leg back, harpsi
2 ea 4102-166, cleat, leg front, harpsi
3 ea .4102-167, block, leg support, harpsi
2 ea 4102-169 ,block, music deck
1 ea 4102-170, cleat grill, left, harpsi
1 ea 4102-1 71, cleat, grill, right, harpsi
1 ea 4102-177, rail, music deck
1 ea 4104-050, music rack, panel, wal, harpsi
2 ea 4105-149, panel, bench, end
2 ea 4105-150, panel, bench side
1 ea 4105-151, panel, bench top
1 ea 4105-143, panel side, left, harpsi
1 ea 4105-144, panel, side, right, harpsi
1 ea 4105-145, panel, hack, left, harpsi
1 ea 4105-146, panel, back, right, harpsi
1 ea 4105-147, panel back, main, harpsi
1 ea 4105-148, panel, music deck
1 ea 4105-412, base board, harpsichord
SUSTAIN
ASSEMBLY
.20 ft 1631-113,felt 1/8x3/4 red
2"
2 ea 1711-009, screw fhws,#8 x
antique
4.ea 1711-017,fhws#8x 1
7 ea 1711-024, fhws,
hm
j
712-~sf-#3-x--3)lf3hl
#8
x 1 1/2
ClSSc-
2 ea 1712-014, #4
4 ea 1713-013,ohws #8 x 1 1/2 antique
~
1720-005. SCre11
J
phsnlS,
#6
x 1/2
4 ea 1720-025,screw, rhsms,#8x 5/8, zinc
2 ea 1730-006, screw, phms,
#4 x 40 x 5/8,zinc
DECK
To attach music deck cleats to m.d. top
Screws into each bench leg
6 To attach the consoleleg
to
the cleat,
10
to attach the bench sides & ends to the
bench top
Attaches legs to sides and ends on bench
To attach apron brackets to bench
Hammered into the bottom
of
each leg
Attaches to the nlusic deck panel
To attach switch cover 4102-009
To attach cover switch plate 4102-193 -
to
2 per leg to to base bottom, 3
TOJJltciGh
biass lod·to base bottom
base
_.:
To attach the brass rod at both ends
To attach legs to base top, pedal stand .
To
attach brass
rod
to base bottonl arici
r·,,,;.-:
Use 4 to attach switch to bottom plate
For screwing the switch to bottom plate
CP
';:J
_.
j r
t'?
Page 26
':~--
~;;.
W;1
:::tf:-1'
'\i(}>-/
7($
ea
1
2
ea
ft
2
1
ea
1
ea
1
ea
1
ea
1
ea
6061-100
1
ea
1
ea
1
ea
ea
1
ea
1
ea
1
ea
1
KEYBOARDS
.3
FT
ft
3
2
ea
4
ea
1760-051,lug solder #6 2 hole
1770-007,bracket, mounting, piano pedal
1774-048, strip, filler, rigid pvc
1913-006, spring compression Sustain assembly
4205-837, cable, sustain assembly
4351-228, bracket,
switch,
4352-232, pedal, brass, sustain, modified
4352-237, rod, base, pedal stand, harspi
LEVEL
I
4102-187, base, console, mntg, harpsi
4102-188, base, top, pedal stand, harpsi
4102-189, base,btm,pedal stand harpsL
4102-190. cover, sustain pedal, harpsi
4102-190, leg rt, pedal stand, harpsi
4102-192, leg, Lt: pedal stnd, harpsi
4102-193, cover, switch plate, harpsi
AND
KEY
CHEEKS
1550-000,grommet, continuus panel . 2 1/4 "for keyboards 1 1/4 " for chassis
1631-132,felt,cardinal red, .6" wide On bottomofrail, keyboard,
1711-024,#8 x 1 1/2
1711-026, #8 x 2
10 ea 1720-005,phmsms, #6 x 1/2
~'-
26
ea
1720-025, #8 x 1/2 12 for controller cover, 8 for keyboard brackets, 4 for keyckeek
b.racket- into upper keycheeks, 2
:?·:'4-ea-----··---
.3
ea
1
ea
1
ea
5
ea
ea
2
1
ea
1
ea
1
ea
1
ea
1
ea
1
ea
1·
ea
1
ea
MUSIC
1 ft 1631-101,felt
ft
3
3ft
1
~
- 2 ea 1711-006JlllVS,#4x5/8,brass
2
ea
1720-026;"screw#10..-.-----.
1730-052phsms #8x·5/8, black oxide
4352-125, bracket ,keyboard, upper. harps Attachestothe
4352-126,bracket, keyboard, lower, harpsi Attachestothe
22175318, spring, panel, hp-80, grounding Attachtothe
70120956, keyboard, sk-861, rod-h, (H)
6061-100
LEVEL
4102-164,rail.keyboard upper
4104-044, keycheek, block, right, harpsi
4104-045, keycheek, block, left, harpsi
4104-046, keyboard, keeper, lower, harpsi
6022-404, keycheek, upper, left, harpsi
6022-405, keycheek, upper, right, harpsi
6022-407, keycheek, lower left, harpsi
6022-408, keycheek, lower right, harpsi
DECK
1/2
x 1/8 brown
1631-108, felt, psa,1/16 x 5/8 brown
1631-132, felt,cardinal red, .6"wide
1730-147,screw,truss,slt,4-40xI/4,brass
haI]Jsi
To
attach cabletosustain switch
For
mounting
To
cover cable in sustain leg
Bracket
the
to
attach cable
switch
and
lug
cable
Brass spoon cutatRIC
Brass rod
Piece
to
attache
Large pice that attaches
piece that holds
'Piece that covers
Cable runs
down
the
sustain assytoconsole
to
the
base, rnntg
the
sustain switch assy
the
cover
switch
this leg
Cover mounts behind sustain assy
upper
To
attach the keycheeks blocks
To
attach
To
attach lower and
To
attach keybrd brackettoconsole side
To
mounttoupper keyboard rail
Angled side
The sidesofthe
Along
To
nlounttIleprop stick bracket
Inserts into
the
sub keycheeks
upper
to
mount bezeltokeycheek
upper
on
the
bottomofthe
the
upper
lower
the
standoff
keyboard
keyboard
keyboard bracket
backofmusic deck panel
music
deck&under
for
keybd brackets
music
the
prop sticks
dedk
rail
prop sticks
2
Page 27
1 ea 1760-132,stndotI:thrd,3/16" x 1 3/16,4-40
ea
1
3
ea
2
ea
1
ea
ea
1
1770-104,bracket, hinge, 3/4 x 2, brass
6061-100
LEVEL
1760-133,washer,brass,.035 x 433
4102-169,block music deck, harpsi
4102-173, lid prop stick long, .harpsi
4102-174, lid prop stick shorf, harpsi
FINAL ASSEMBLY
2
ea
4 ea 1570-001, clamp cable, 1/8
4
ea
~
ea 1570-003, clamp, cable, 1/4 "
ea
3
ea
2
2
ea
5
ea
2 ea 1711-023, #8
11
ea 1712-032, #6
8 ea 1720-003, #3
5 ea 1720-005, #6
16 ea 1730-034, hex screws
8 ea 1730-151, screw,phms, #8-32xl 1/4,phil
8 ea 1760-002,washer, flat,#6
2
ea
1 ea 1910-0.21, tags, serial
1 ea 1910-258, label sensitive devices
1 ea 1910-268, label, safety, etl
ea
2
1 ea 4104-075, pc bd keeper
1 ea 4202-171, cable,ribbon digital
1 ea 4205-916, cable,stop panel
1
ea
1 ea 4205-918, cable main
1
ea
1 ea 5221-301, pca,power supply
1 ea 5263-300, pca
1 ea 5268-300, pca master/aux panel
1
ea
1 ea 5269-300, pca headphone bd.
1 ea 5280-300,pca cpu
1 ea 6551-041, insulating paper
ea
1
2 ea 22275307,speaker, net,hp-4000 kit
SPEAKER
1
ea
1550-021, louver, alum, 3ftblack anodized
ft
1570-002, clamp, cable, 3/16
ff
1570-032, strap rap, coated
1580-003, speaker, tweeter, fost
1580-018, speaker, wfr, 8"4ohm
1711-017,#8
1760-128, washer, #10,csk, antique finish
1919-048, gasket speaker,8"black paper
10
4205-917, cable, headphone
4321-235, chassis, shield, cpu
jack
board
6061-100, cased-up console
8003-300,kit, country, n.amer, harpsi
GRILLE
ASSEMBLY
1570-002, cable, clamp 3/16"
Through the
lid
props
Attaches to the music deck for lid props
Inserted between lid props
For
the tweeters
To
secure cables inside harpsi
"
"
Hold the headphone cable
tt
tt
ff
t t
to
t,
"
the
jack
Assy
Installed in the baseboard
Installed in in baseboard
For
base rail front and pc keeper
to
To screw music deck
console sides
Screw down power supply and controiller
to
To mount the tweeters
To
mount the Jack Panel
For
cable clamps
the baseboard
For mounting the woofers
Under tweeters
to
Used with 1711-023
mnt. music deck
On the controller shield
Under the deck, beside the serial tag
Under each woofer
pc
the
controller
board
Secures the headphone
Aluminum chassis for
In the bezel assy
controller board
used under the power supply
Used under woofers
To
attach the cable to the grille
3
Page 28
,_
2
ea
1580-003, Speaker, tweeter, fost
8 ea 1720-003, #3
1 ea 1730-034, screw, hex head
8
ea
ea
1
ea
1
1760-002, washer, flat
1910-269, label, fire retardant
4205-829, cable,speaker
6061-100 level
1 yd 1631-037, cloth,grill, tapestry
2 ea 1720-035, #10 x
1
ea
1
ea
4102-175, frame speaker grill
4104-093, cleat, grill frame, harpsi
3/4
TOUCH-UP
7 ea 1631-110, felt, circle, 1/2, brown
4 ea 1711-032, #5
40 ea 1711-033, #5
x 3/8, brass
x 5/8, brass
1 ea 1760-128,washer,#10 csk
1 ea 1770-106, hinge, 1
1/2 x 34, brass plated
1 ea 1905-063, instruct, lid warniing
2 ea 4353-201, hinge, music rack, modified
PACKAGING
.05
rl
1620-072, microfoam, unperforated
1 ea 1620-077, pad,
1 ea 1620-089, carton, top pad
~a
1
1620-091, carton, corrugated spacer
comer
block, #2 poly, set
1 ea 1620-092, carton, outer box
1 ea 1620-224, bag, plastic,91 x 40,3.75mm
2 ea 4103-118, crate board, 3/4 x 56
2
ea
8 ea 4103-134,pallet, block, 1 1/4 x 6 x 6
4103-119, crate board,3/4 x 42-3/8
4 ea 4103-135,crate board,3/4 x
4 ea 4103-138,crate board, 3/4 x 3 x 57
2 ea 4103-139, crate
20 ft. Iba(}-
093,
board~
3/4 x 3 x 57
clear bubble wrap
6061-100 level
4 ea 1770-019, glide,3/4, 3-prong
4 ea 4102-371,rail, pallet
2 ea 4102-373, rail, tie, pallet
3/4 x
41
1 ea 4103-099, pallet,
x 56
1 ea 1610-030, label, shockwatch
"----1
ea 1610-131, label, shockwatch(indicator)
COUNTRY
1ea 1340-017, cord, power
KIT
3 ea 1570-036, clip, wire cord
1 ea 1620-111, bag, plastic, 3 x
3 x
5,
zip lock
12
1/2
1/4
1/8
To
mount the tweeters
To mount the cable clamp
Under the tweeters
To
attach the cleat
5 under lid,
1 on each music rack hinge
Attaches the music rack hinges
to
Attaches the music rack hinge
the deck
and attaches the hinge for the top
Goes under the screw for the grill
Mounts the lid to the console
of
Tapes to the top
the lid
Attaches to the music rack
of
The sides
The sides
the crate
of
the crate
The comers in the crate
of
Around the outside
Around the outside
Around the outside
the box
of
the box
of
the
box
Around the legs and sustain assembly
Attaches to- the rail under pallet
Under the pallet
Under the pallet
4
Page 29
1
12
3
4
4
1
1
ea
ea
ea
ea
ea
ea
1620-113,
--1730-148, screw,
ea
1740-006, screw, 1/4 20 x 1 1/2, thumb,\.
1750-004, nut, hex,
1760-131. washer, 10ck,5/16, split
1905-115, card, warranty
1905-194, manual, owners, harpsi
bag
plastic, 10 x 13, zip lock
1/4 - 20 x 11/2
5/16-18 \
Attaches
the
legstothe
harpsichord
Attaches the sustain assembly
For
the bench legs
For
the bench legs
to
the console
5
Page 30
I~~mmh
..
~mmmm
I!!!!!!!!!!!!
~~i;~!~~i~~i;
Hi::::mm
~mmmmill
RIGHT
LEG
mmm~m
:::::::::::::
( 4 1
'32-
1 9 1 )
:mmmm
'"1111111111
mmmm~
SUSTAIN
PEDAL
COUER
(41~2-19~)
BOTTOM
PLATE
(41G2-1'93)
,'------
I
BASE
" :
~··l
(41~2-1B9)
I :
CABLE
::I:I:::I::I:r:
i---------f-----
-
"'."
<13 3
(3-
03
4)
~~IW:l.I:I1~
:
::
I
~:""'::':::..
~:]H~~
t-----
---t---1-i·_····_····_····:·~IS·_······_······
__
····..· -
·~·li·li'I[~lf~~H·"········
V~"~
I;'~"~'
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)
I I I I
1.~llli~~I~I·~
L 1
__
-J..J,
l'-T E RHI
HAL
:,,~~~:~;
FELT!
;
(156g-~~7)
-113)~
I (
I I
i
'.
"."."_._
....
".~~"i9
(~1
7
2
~-
:)~:~:~:::i:::i:!:::)!:)t:::!;:;!::;!
;~:!:~:!:~:::~:~:::~
;.~:~::(:ili:t:i::;!:!:::!;::!;i:~:::~W~::::::;;:;:;:::l
•
::1f;;j¥@I!:
:
I I
'.
I,'
~
SCREW
I
is
-...
··-k(~""··"-·
"l~~"'il'
6/32
X 11'1a i
L~"T1I~
CONT~CTS
~ND
BR~CKET
(1730-149):
~
7
m
k~8~fIt~G
(IS20-0~2
SW)
SPRING
:
~
~~
BRACKET
(4351-228
bracket)
(1913-~~7):I~
<177e7~C37)
I I ....
_,
Ie.,.}
FELT_
(
1631--113)
IX
v
II
Sl
18
:
1 1
PEDAL
(1917-~~~)
<172(3-(325)
Page 31
RED
CONNECTOR
PART~1530-209
(
10
~,~
CABLE
PART«1330-034
Q()5-~tL
4·
-',,--
')
~1=1
D
o
(0
0'
\<\3
1AY
(
~
SVITCH '
PART
t11520-002
BRACKET
PARTtt4351-228
SOLDER
£:
I
I I
I
DIHCNStONfR~~~EkN
INCHES
SCALE
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o~~e",wlsi'
SptClrl~d
I
D~~VN
DATE
.X
:t
.06
.
ITEH
DISCRIPTION
.xx
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.03
GK
11-18-92
c I
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I
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CHECKED
DATC
RODGERS
INSTRUMENT
CORPORATION'
.xxxx
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.005
BY
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N.E.
25TH
AVE.
HILLSBORCl
OREGON
97124
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Ut~4
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DATE:
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11-18-92
SUST
AIN
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ASSY
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E:CO
DATE:
BY
Page 32
Harpsichord
Sustain
pedal.
~
contact
bracket
:and
contacts.
assyeHble
see
seDer-ate
drawing.
o~
~~
brass
fastening
bolts.
\ I \
~
~~~~~~~:)~~~~:l!!:!!!!:!;
~
pecJa
1
5poon·
see
seperate
drdwing.
l'l':::"':::::::~:~::::::::::Y'(""""""''''''''''E:::''''·········
..
········..·····························dl:;···
:.;
..
J
~
)
lj;}-
D
1
u
9
to
I
/0
ool.,.;
~
~
t(
T
:;:;::
II;~
I
t;;~;
plug
tJ~~
(A
(
~~
•
i~H",
1\)·6\~
Cl~
:,:;:::
\
x:\
l\
-"i\ I
III!'
::::::
I
wire
~ire
back
side
of
sustain
leg
sus:assyl.bM
Page 33
FELT
FELT
SPRING
CABLE
THREE
WIRE
• CONTA'CT
WIRES
<BLACK
A~D
WHITE)
BRACKET
Co~-*
U,j\j\g))
QJ"0-
to
(\J~-~
i
\\
,J
j
0./
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\~)",(},'
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i.,........
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SUSTAIN PEDAL
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\,
\~~ly'"
.
......
_....
~
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t. "
Page 34
JACK BOARD
A.
D/A
B.
TUNING
C. INPUTS / OUTPUTS
D. INPUT LEVEL
E.
FILTERS
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