Rodgers 32A, 32C, 32D User Manual

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TONE

The Tone speakers voice

and a

the

voice Cabinet

For the ofasingle or

GREAT 16' Lieblich

ECHO Main

Echo On

BALANCED EXPRESSION PEDALS

1.

2.

CABINETS

typical

Cabinets

separation.

separate

console.

channel.

external.

8' Open 8' Bourdon 4' 4' 2' Super

Octave Flute

Mixture II Swell

Full

Chorus

Off

Great, Swell

Diapason

to

Choir

32-A

with

Pedal

Echo

Amplification

using

small

Gedeckt

Octave

high performance.

churchorstudio

Wide-Range

Great

Coupler

and Pedal

installation

combining

special

one additional Wide-Range Tone

high-frequency

Cabinet

Speaker

Tone Cabinet.

SWELL

'8' '8'

'(Optional)

would

cone

Cabinets may be addedtoany

8' Geigen Diapason 8'

Rohrflute

8' Salicional

Voix Flute Celeste

4'

Geigen Octave

4'

Nachthorn

4'

Salicet 8' Trumpet 8' Oboe

Tremulant

include

type

may be plugged

is provided

all-transistor

the

32-A

Celeste

low

tweeters.

within

provides

either

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two

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and mid-range

directly

each Tone

amplifiers.

for

self-contained

CHOIR

8' Gedeckt 8' QUintade 8' Dulciana 4' Flute

2%' Nazard

2'

Piccolo

1%' Tierce

Clarinet

8'

Tremulant-;-light Tremulant-full Harp Carillon

For

full

Cabinet

into

the

use

MODEL32-A

Specifications

AGO

Three Tilted Keyboards

AGO Double-Touch Preset Pistons

Sforzando Piston and Toe Stud Baroque Organ Harp and

Two Independent

Diapason, Flute, String. and Reed Standard Couplers Divided Divided Illumination Matching Locking Roll-Top All Tone Generators Contained in the

CONSOLE

Width Depth Height Minimum

Pedal. and Bench:

All

Rodgers Church

Guild

All Rodgers'lnstruments are Guaranteed

PEDAL 16' Diapason

(w/chiff)

16' Bourdon 16' Lieblich Gedeckt

8' 8'

61-note

32-note Concave and Radiating Pedal

ChiffonChoir

Tremulants Expression

for

Organ Bench

DIMENSIONS

59"

29'l'8 "

48"

Floor Area

of

Organists Standards

Octave Flute

Great to Pedal Swell to Pedal

Overhanging

Carillon

Celestes

Music

Console

for

60"

Organs

Coupler Coupler

and

Flutes

on the Swell

Voices

Rack.

Stop

Board. and Pedal

Console.

Square

Comply

PRESET 4-General

1-Cancel SFORZANDO PISTON & TOE

OPTIONAL (Setterboard in Drawer)

4-Swell 4-Great 4-Choir 4-Collective

1-General

with

COMBINATION

Pistons 1stTouch Cumulative 2nd Touch Progressive

Piston

COMBINATION

Pistons

& Pedal Pistons

Pistons

(Duplicated

Cancel Piston

Clavier

Console

American

for

Five Years

ACTION

Master Pistons

by

Toe Studs)

STU[

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COMPANY/HILLSBORO.

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MODEL32-C

TONE

Two cabinet installation

CABINETS

Wide-Range

complement

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15"

the

low

levels.

Tone

directly

to

any

Amplification

high

with

speakers

in the Pedal Cabinet

fundamental

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full

voice

Cabinet(afour-cabinet

into

the

voice

channel.

is provi<;led within each Tone

performance,

Tone Cabinets make up the

for

the-

Model 32-C. The

add

an

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special

high-frequency

Extended

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Low-Frequency

combines

effortlessly

tonesofthe organ, even at

separation, one additional

installation) may be

console.

Echo Tone

all-transistor

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amplifiers.

minimum

recommended

tweeters.

Wide-Range

may

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tone

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cone

type

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reproduce

high

power

plugged

be added

using

two

Specifications

Three

AGO

61-note

Tilted

Keyboards

AGO

32-note Double-Touch Sforzando Air

Sound

Baroque

Organ

Two

Harp and

Independent Diapason, Flute, Fully

Independent Pedal

Standard

Divided

Divided Balanced

Illumination Matching Locking

All Tone

CONSOLE

Width Depth Height

All

Rodgers

GuildofOrganists All

Rodgers

Concave

Preset

Piston and

ChiffonChoir

Couplers

Tremulants

Expression

Crescendo

for

Music

Organ

Roll-Top

Generators

DIMENSIONS

61%" 36"

51"

Minimum Pedal, and Bench:

Church

Instruments

Overhanging

and

and Radiating Pedal

Pistons

Toe

Stud

Flutes

Carillon

Celestes

String,

on the

and Reed

Swell

Voices

Rack, Stop Board, and Pedal

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Console

Containedinthe

Floor

Area

for

62"

Organs

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with

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are Guaranteed

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Clavier

Console

Console,

Square

American

for

Five Years

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Lieblich

16'

8' 8' 4' 4' Flute

2%'

2'

ECHO Main Echo On

RODGERS

Gedeckt

Open

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Twelfth Super

Octave Piccolo Mixture

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Geigen Diapason

8'

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Voix

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8'

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Salicet 8'

Trumpet 8'

Oboe 4'

Clarion

Tremulant

EXPRESSION PEDALS

Choir

& Pedal

COMPANY/HILLSBORO,

CHOIR

8'

Viola

8'

Gedeckt

8'

QUintade

8'

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4'

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2'

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l'

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BALANCED

(with

OREGON/CHICAGO/SAN

(w/chiff)

Indicator

PEDAL 16' Diapason 16' Bourdon 16' Lieblich 16' Dulciana

16' Trombone

CRESCENDO

Lights)

8'

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Great to Pedal

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PEDAL

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Coupler Coupler

FRANCISCO

PRESET

COMBINATION

4-General

1-Cancel

SFORZANDO PISTON AIR SOUND

OPTIONAL (Setterboard in Drawer)

4-Swell 4-Great 4-Choir 4-Collective

l--General

Pistons 1st Touch Cumulative 2nd Touch Progressive

Piston

COMBINATION

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directly

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fundamental

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tonesofthe organ, even at high

separation, one

Cabinet(afour-cabinet

into

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console.

voice channel.

Echo Tone

Amplificationisprovided

high performance,

all-transistor

Model

Extended

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installation)

within

each

amplifiers.

minimum tone

32- 0 The recommended

Low-Frequency

combines

tweeters. The

effortlessly

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cone type

two

reproduce

power

additional

Wide-Range

may be plugged

Cabinets

Tone

may be added

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using

MODEL32-D

Specifications.

Traditional

Organ Voices Tilt-Tab

Antiphonal Provisions Three

Keyboards AGO 17-Piston Sforzando Piston and Toe Stud Baroque Air

Sound Organ Harp and Two Independent Celestes on

Diapason, Flute, String, and Reed Voices Fully Independent Pedal Standard

Divided Tremulants Divided Expression Balanced Illumination Matching Organ Bench

Locking Roll-Top Console All Tone All Rodgers

Guild

All Rodgers Instruments are Guaranteed

Five Years

CONSOLE

Width Depth 36 Height 51" Pedal, and Bench:

Draw-Knob

Stop

Controls

AGO

61-note Overhanging and Tilted

32-note

Concave

Setterboard

ChiffonChoir

Stop

Controls

for

Couplers

and Radiating Pedal

Combination Action

Flutes

Carillon

Couplers

Crescendo

for

Generators

Church

of

Organists

DIMENSIONS

Music

Rack,

Stop

Contained in the

Organs

Comply

Standards

61Va"

"

Minimum

Floor

Area

for

and

the

Swell

Board, and Pedal

Console.

with

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for

for Console,

62"

Square

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Clavier

GREAT

16' L1eblich Gedeckt

8'

Open Diapason

8'

Bourdon

4'

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4'

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2%' Twelfth

2'

Super

2'

ECHO Main

Echo On

RODGERS

Octave Piccolo Mixture

III

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to Great

Full Chorus

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Coupler

ORGAN

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8'

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8'

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8'

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8' 8'

Flute Celeste II

4'

Geigen 4' Nachthorn 4' 8' 8' 4'

BALANCED EXPRESSION PEDALS

1.

2.

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Salicet

Trumpet

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Great, Swell

COMPANY/HILLSBORO,

Choir

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CHOIR

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1~'

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Fife 8' Clarinet

Tremulant

Harp

Carillon

(w/chiff)

OREGON/CHICAGO/SAN

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8' Octave 8' Flute

8' Gemshorn

16' Trombone

Great to Pedal Coupler

to

Swell

BALANCED CRESCENDO PEDAL (with Indicator Lights)

SFORZANDO PISTON

Pedal Coupler

& TOE

STUD

FRANCISCO

COMBINATION ACTION

(Setterboard in Drawer) 4-Swell 4-Great 4-Choir 4-Collective

I-General

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"Appropriate

seems

(bass)

obviousatfirst,

In

'for

to

selection

organ

of

music

every

disposal.

instrument,

givenasthe

most manual undergird

voices,

published

is

published

organisdifferentinsome

The

skills.

PEDAL DIVISION

Pedal"

organ

work.

include

as

well

organ

Therefore,

waytogettolmow

At

basis

often

playing

the

music.

with

and

the

for

appears

but

Pedal

The

manual

endofthis

manual

asareference

only

namesofsome

following

certain

on

stop

the

Pedalissimply

use

of 16'

tonal

by

The

latter

general

way

the

organisto

basic

section

specific

suggested

selection

voices

structure.

manual

is

suggestions

stops

guide

registrations.

provides

suggestions

guide

especially

from

the

wouldbemeaning-

will

be

styles

is

as

much

usedtoprovide

for

interpreting

important

for

registra-

organ

experiment

help

you found and

the

several

periods

an

subhar-

that

The

art

as

to

the

freely

achieve

full

of

as

the

i.

:.

~

'.

r.

i.

I.

itl

tI

'.

•

PUBLISHED SUGGESTION

1.

Light

2.

Soft

Basic

3.

4.

Foundations

5.

Foundations

6.

Full

16'

Pedal

16'&8'

MPtoMF

Pedal

16'

&

8'

16'&8'

16'

8'

16'

8'

16'

8'

16'

8'

16'

8'

32-C

Lieblich

Flute

Bourdon

Flute

Bourdon, Octave,

Diapason, Octave,

Diapason, Trombone Octave, Gemshorn

& 32-D

or

(Gemshorn)

Gedeckt

Gedeckt Gemshorn

Dulciana

Gemshorn

Bourdon

Flute

Bourdon,

Flute,

16'

8'

16'

8'

16'

8'

16'

8'

16'

8'

32-A

Lieblich

Flute

Bourdon

Flute

Bourdon Octave

Diapason, Flute

Diapason,

Octave,

Gedeckt

Bourdon

Flute

"

•

-

14

-

•

.,

•

Pedal

When

are

on

In

upontofurnishadistinctive ludes. Reeds

Division

Pedal

used.

the

someofthe

upper

Most

Great

The

Pedal

required

(cont'd)

voices

generally

usually

more

by

determine

complex

couplers

this

style

are

neededinthe

usedisthe

the

basic

forms

third

voice,

make

available

of

music

GREAT DIVISION

above

GreattoPedal

dynamic

of

contrapuntal

such

asinTrio

allofthe

.f.

suggestions,

coupler,

strength

music,

Great

of

Sonatas

and

the

Pedal

since

the

organ.

the

Pedalisoften

and

Swell

couplers

the

stops

Chorale

upper

set

called Pre-

work

and

.

The

Greatisusedingeneral accompaniments. Greatisplayed

PUBLISHED SUGGESTION

l.

2.

Flutes

Light

8'

Foundation

Primarily

"both

hands"

8'

church

intended

in

these

8'

4'

music

functions.

32-C&32-D

Bourdon

Open Flute

for

ensemble

Diapason

for

hymns

and

major

or

homophonic

8'

4'

anthem

texture,

32-A

Bourdon

Open

Diapason

Flute

and

solo

the

'.'

~

e

~

f!!'

~

"

~

e

~

e

" "

e

"

Broad

3.

Light

4.

Light

5.

&

Foundation

6.

Flutes

Basic

7.

8',4',&2'

Full

8.

Foundation

Foundation8'&4 '

Foundation

~'

8',

4'&2'

Diapason

Foundation

8'

8',

with

Chorus

4',

2-2/3'

8'

4'

8'

4'

2'

8'

4'

2'

8'

4'

2'

8'

4'

2'

Open

Diapason,

Bourdon

Bourdon Octave

Bourdon Octave Piccolo

Open

Diapason Flute Piccolo

Open

Diapason, Bourdon Octave

Super Piccolo

Open Bourdon Octave, Twelfth Super Piccolo

Octave,

Diapason,

Octave,

Flute

8'

4'

8' 4' 4'

8' 4'

8'

4'

2'

8'

4'

2'

Open

Diapason,

Bourdon

Bourdon Octave

Bourdon Octave Flute

Open

Diapason

Flute

Open Bourdon Octave Super

Super

Diapason,

Octave

Open

Diapason, Bourdon Octave,

octave

Flute

-:,tt

-

"

e

-

15

-

Great

Division

(cont1d)

1-

,ill

,II

:iJJ

PUBLISHED SUGGESTION

9.

Full

Great

10.

Full

Great

A

considerable

in

the

form

ensemble

PUBLISHED SUGGESTION

1.

Strings (Gamba,

Swell

2.

Strings

3.

Flutes

4.

FOundations 8

5.

String

6.

Flute

7.

Reeds

8.

9.

Full

Chorus

Swell

to

+ 16

amountofregistration

of

solo

choruses

8'

Violone)

Flutes

1

8

&

8'

& 4

Chorus

1

8

& 4

8

4'

1

Mixtures

1

type

registration.

in

music

1

& 4

32-C&32-D

Add

mixture

above.

16

Add to

the

SWELL

of a

romantic

32-C&32-D

81Salicional

1

8

Rohrflute

81Salicional

1

4

Salicet

1

8

Rohrflute

41Nachthorn

1

Geigen

8

Geigen

4'

Nachthorn

Voix

41Salicet

Flute

1

4

Nachthorn

1

Trumpet

8 41Clarion

1

Geigen

8

Rohrflute

41Geigen

Salicet

1

Trumpet

8

Clarion

4'

-

1

Lieblich

above.

DIVISION

for

the

The

suggestions nature.

Diapason Octave

Celeste

Diapason,

Octave,

16-

to

the

Swell

Division

or

II

below

32-A

Add

mixture

above.

Add

16'

to

the

above.

will

be

given

are

given

32-A

1

8

Salicional

81Rohrflute

Salicional

8'

1

4

Salicet

1

8

Rohrflute

1

4

Nachthorn

81Geigen

1

4

Geigen

Nachthorn

81Salicional

1

4

Salicet Celeste (Tremulant)

1

8

Rohrflute Celeste

1

4

Nachthorn

1

8

Trumpet,

1

8

Geigen Rohrflute

1

4

Geigen Salicet

81Trumpet,

to

Lieblich

directly

for

use

Diapason

Octave

(or

Voix

II)

(or

II)

Oboe

Diapason,

Octave,

Oboe

the

as

Flute

or

I'll

III

(Il

(1/1

(ill

r;jJ

•

fIJ

•

WI

'"

..

.,

•

..

•

..

•

wi

.-

Wi

.-

.,

..

•

..

-

•

Two

sets

of

for

the

Choir

asaPositiv.

CHom

suggestions

inanaccompanimental

are

given

DIVISION

below

function;

for

the

Choir

second

Division.

for

using

The

the

first

Choir

is

Choir

PUBLISHED

1.

2.

3 . Unda

4 .

5.

Choir

Accompaniment

Choir

Choir 8'&4'

Choir Chorus

Strings

Maris

Strings&Flutes

Accompanimental

Positiv

SUGGESTION

Flutes

8'

32-C&32-D

8'

Gedeckt

8'

Viola

8'

Gedeckt, Full

8'

Gedeckt,

4'

Flute Full

8'

Gedeckt,

4'

Flute Piccolo

2'

Full

or

Dulciana

Chorus

Viola

Chorus

Viola

Chorus

8'

4'

8'

4'

2'

32-A

Gedeckt

Dulciana

Gedeckt, Full

Chorus

Gedeckt, Flute Full

Chorus

Gedeckt, Flute Piccolo Full

Chorus

Dulciana

Viola

The

following

Chili

,.

chordal

PUBLISHED

1.

2.

accent.

music.

Positiv

Combinations

without

suggestions

These

SUGGESTION

Flutes

mutation

combinations

8'

of

Flutes

stops

are

for

Baroque

are

32-C&32-D

8'

Quintade(w/chiff)

8'

Quintade(w/chiff)

4'

Flute

8'

Quintade(w/chiff) Piccolo

2'

8'

Quintade(w/chiff)

l'

Fife

8'

Quintade Piccolo

2'

l'

Fife

registrations,

best

used

in

contrapuntal,

(w/chiff)

usually

8'

4'

8'

2'

employing as

opposed

32-A

Quintade(w/chiff)

Quintade(w/chiff) Flute

Quintade(w/chiff) Piccolo

the

to

-

17

-

PUBLISHED

SUGGESTION

32-C&32-D

32-A

•

'.

Combinations

3. involving

The

following

specific

Baroque

mutations

musical

Ensembles

are

styles.

of

Flutes

FULL

suggested

8'

Quintade

2-2/3'

1-3/5'

ORGAN REGISTRATIONS

full

Nazard

8'

Quintade

4'

Flute Nazard

8'

Quintade Nazard Piccolo

2'

8'

Quintade Nazard Piccolo

2'

Fife

I'

8'

Quintade(w/chiff) Piccolo

2'

Tierce

organ

registrations

(w/chiff)

for

2-2/3'

1-3/5'

the

8'

Quintade(w/chiff) Nazard

8'

Quintade

4'

Flute Nazard

8'

Quintade Nazard Piccolo

2'

8'

Quintade(w/chiff) Piccolo

2'

Tierce

organ,

with

(w/

(w/chiff)

an

eye

chifi)

to

'.

•

'.

r.

:.

,f.

(.

(Ill

:Ji

.,

'.

II II

..

•

1.

Soft

(All

Models)

Swell:

Great:

Choir:

Pedal:

2.

MF

Swell:

Great:

Choir:

Pedal:

8'

Oboe

8'

Bourdon,

8'

Dulciana,

16'

Lieblich

(32-C&32-D)

8'

Geigen

8'

Bourdon,

8'

Quintade

16'

Lieblich

2'

Super

2'

Piccolo

Gedeckt,

Diapason,

4'

Octave,

(w/chiff),

Gedeckt,

Octave

8'

Gemshorn

41Geigen

2'

Super

2-2/3'

81Octave,

-

18-

Octave,

Nazard,

8'

41Salicet,

2'

Piccolo

I'

Fife

Gemshorn,

4'

Clarion

SwelltoPedal

•

.,

•

3.

MF

(32-A)

4.

5.

Swell:

Great:

Choir:

Pedal:

F

(32-C&32-D)

Swell:

Great:

Choir:

Pedal:

F(32-A)

Swell:

8'

16'

8'

16'

8'

Geigen

Bourdon,

Quintade

Lieblich

Geigen

Bourdon,

Gedeckt,

Bourdon,

Geigen

Diapason,

4'

(w/chiff),2-2/3'

Gedeckt,

Diapason,

4'

Flute,

8'

Diapason,

4'

Octave,2'Super

4'

Octave,2'Super

2-2/3'

Octave,

4'

Geigen

8'

Octave,

Geigen

8'

Geigen

Octave,

Octave

Nazard,

8'

Gemshorn,

Octave,

Nazard,

Gemshorn,

Octave,

4'

2'

Piccolo

8'

2'

Piccolo,

Swell

8'

Salicet,

Trumpet,

2'

Piccolo,

to

Trumpet,

8'

Oboe

SwelltoPedal

4'

Clarion

Mixture

l'

Fife

Pedal

8'

Oboe

.~.

III

Great:

Choir:

Pedal:

, .

Romantic

1.

Soft

Swell:

Great:

Choir:

Pedal:

8'

16'

Ensembles

Strings,

Voix

8'

16'

Bourdon,

Gedeckt,

Bourdon,

with

solo

Celeste

Bourdon,

Clarinet,

Lieblich

4'

Octave,

4'

Flute,

8'

Octave,

on

Choir

II

4'

Flute,

Tremulant

Gedeckt,

2'

Super

2-2/3'

SwelltoPedal

(32-C&32-

SwelltoGreat,

8'

Flute,

Octave,

Nazard,

SwelltoPedal

D)

2'

Full

Mixture

Piccolo

Chorus

II

.

-

19

-

2.

Soft

Strings,

with

solo

on

Choir

(32-

A)

3.

4.

Swell:

Great:

Choir:

Pedal:

Full

Swell

Great:

Choir

Pedal

Full

Swell:

8'

Salicional

8'

Bourdon,

8'

Clarinet,

16'

Romantic

8'

Salicional,

:

8'

Gedeckt,

8'

Viola,

:

16'

:

Romantic

8'

Salicional

Lieblich

Ensemble

8'

Bourdon,

Ensemble

(or

Voix

Celeste

4'

Flute,

Tremulant

Gedeckt,

(32-C&32-D)

Flute

4'

Flute,

Gedeckt,

16'

(32-A) •

(or

SwelltoGreat,

8'

Celeste

2'

4'

Dulciana,

Voix

Celeste

Piccolo,

Flute

II),

4'

Flute,

SwelltoPedal

II,4'Nachthorn,

SwelltoGreat,

8'

Flute,

II),

8'

Salicet,

Full

Chorus

Great

Rohrflute,

to

Tremulant

4'

Salicet

Full

Pedal

4'

Nachthorn,

Chorus

Tremulant

'.

•

'.

'"

•

'.

•

'.

.•

Hymn

1.

2.

Great:

Choir:

Pedal:

Registration

MP-MF

Great:

Choir:

Pedal:

MP-MF

Great:

Choir:

8'

Gedeckt,

8'

Dulciana,

16'

Bourdon,

(32-C&32-D)

8'

Open

8'

Viola,

16'

(32-A)

8'

Open

8'

Dulciana,

Diapason,

8'

Bourdon,

Diapason,

8'

Bourdon,

8'

Gedeckt,

..

8'

Flute,

4'

Gedeckt,

8'

Flute,

4'

8'

Gedeckt,

4'

Flute,

4'

Flute

SwelltoPedal

Flute,

4 '

Flute,

Flute

Great

4'

2'

to

2'

Piccolo

Flute

Piccolo

2'

Pedal

Piccolo,

SwelltoGreat,

Full

Chorus.

•

Pedal:

16'

Bourdon,

8'

Flute,

Great

-

20-

to

Pedal

•

.,

•

3.

MF":F (32-C & 32-D)

4.

5.

Great:

Choir:

Pedal:

MF-F

Great:

Choir:

Pedal:

F-FF

Swell:

Great:

Pedal:

8'

Open

8'

Viola,

16'

Bourdon,

(32-A)

8'

Open

8'

Gedeckt,

16'

Bourdon,

(32-C &

8'

Trumpet,

8'

Open

16'Diapason,

Diapason,

Gedeckt,

Diapason,

32-D)

Diapason,

8'

Octave,

8'

Dulciana,

8'

Octave,

4'

Clarion

16'

8'

Bourdon,

4'

Flute,

8'

Bourdon,

4'

8'

Bourdon,

2'

Flute

Flute,

Flute

8'

Octave,

4'

Octave,

Piccolo

4'

Octave

2'

4'

Octave,

2'

Piccolo

4'

8'

Flute,

Piccolo

Flute,

2'

GreattoPedal

Flute

.-

6.

F-FF

Swell:

Great:

Pedal:

The

reed

Pedal, Great accompanimenttothe

(32-A)

choruses

possibly

Mixture

8'

Trumpet,

8'

Diapason,

16'

Diapason,

on

could

in

the

8'

the

two

nexttothe

be

added

last

verse

Oboe,

Bourdon,

16'

Bourdon,

above

and

.

4'

Salicet

4'

registration

last

verse

possibly

Octave,

8'

Octave,

schemes

of

the

SwelltoGreat

4'

Flute

8'

hymn.

Flute

should

During

coupler

be

played

that

time,

forabrilliant

without

the

21-

-

SYNTHESIS OF SOLO

The

mutations

synthesize

the

organ. sound asafurther best

PUBLISHED SUGGESTION

but

usedincarrying

and

various

many

have

stops

The

suggestions

the

approximate

extensionofthe

that

melodic

soundsofthe

may

be

called

given

below

harmonic

versatility

lines.

32-C&32-D

EFFECTS

Choir

for

but

are

not

structure,

of

the

Division

do

identicalwith

Rodgers

makeitpossible

not

appear

andsoare

Organ.

as

the

given

These

such

required

here

are

32-A

on

to

•

'.

r.

11

:'.

(.

•

r.

'.

r.

Choir

l.

(Above Middle

French

2. (Around

Gemshorn

3.

Krummhorn

4.

Melodia

5. Clarabella

Orchestral

6.

Quintadena

7.

Trumpet

Horn

Middle

or

Flute

G)

C)

2-2/3'

1-3/5'

2-2/3'

2

....

2/3'

1-3/5'

2-2/3'

8'

Viola

Nazard Piccolo

2'

Tierce

8'

Gedeckt

4'

Flute Nazard

(

Tremulant)

8'

Viola

4'

Flute

8'

Viola Nazard Tierce

8'

Gedeckt

4'

Flute

8'

Gedeckt Nazard (Tremulant)

8'

Viola

Nazard Chiff

2-2/3'

1-3/5'

2-2/3'

2-2/3' 1-3/5'

2-2/3'

8'

Dulciana Nazard Piccolo

2'

Tierce

8'

Gedec

4'

Flute Nazard (

Tremulant)

8'

Dulciana

4'

Flute

8'

Dulciana

Nazard Tierce

8'

Gedeckt

Flute

4'

8'

Ge dec

Nazard (

Tremulant)

8'

Viola

Nazard

Chili

kt

'.

•

'.

•

Vox

8.

Humana

(On

Swell

(Low

Register,

Expression

Manual)

Closed)

8'

Salicional

4'

Nachthorn,

8'

Oboe Tremulant

-

22-

Salicet

8'

Salicional

4'

Nachthorn,

8'

Oboe

Tremulant

Salicet

•

SOME ADDITIONAL DESIGN

ELEMENTS

OF

THE RODGERS

Console

Allofthe American are

the

and specifications.

Leveling

To console, the casework

of

the

These larities accurate organ

The

Rodgers

Specifications

console

GuildofOrganists.

precisely

pedalboard.

radiating

Glides

assure

case

console

may

in

may

placed,

The

clavier,

optimum

it

should

overaperiodoftime,

and

equipment.

and

be

adjusted

the

floor.

settings.

havetobe

Organ

dimensions

bothinrelation

pedalboardisa

with

performance

always

bench,

as

A

simple

Thisisparticularly

movedtoseveral

is

conformtothe

The

the

expression

and

betlsquare."

and

The

leveling

and

are

mounted

muchas1-1/2"

spirit

Completely

three

61-note

to

each

standard

lifeofthe

Uneven

extreme

glides

level

useful

locations.

Transistorized

specifications

overhanging

other

A. G. O.

pedals

on to

can

placed

moving

floors

stresses

are

under

heavy

compensate

assure

in

schools

set

by

manuals

andinrelation

32-note,

as

per

A. G.

parts

tendtodistort

will

threaded

the

damage

each

for

most

where

in

the

corner

pins.

irregu-

the

to

.

concave

O.

the

~

e e

~

e

~

Each individual, of

0'

Rodgers keying

which

The cabinets

'voltages

transistor

replacement

noteofeach

voices

thatislargely

tone

are

eliminate

amplifiers

themselves,

long

fully

transistorized

quality.

all

accomplished

literally

in

the

distances.

type,

of

parts,

requiring

organ

In

Rodgers eliminating

two

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Rodgers 32A, 32C, 32D User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual