Rockford Fosgate punch 360.6 Operation & Installation

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® ®
car audio
fanatics
for
punch
6-Channel Amplifier Operation & Installation
ana
®
360.
6
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Dear Customer, Congratulations on your purchase of the world's finest brand of car audio amplifiers.
At Rockford Fosgate we are fanatics about musical reproduction at its best, and we are pleased you chose our product. Through years of engineering expertise, hand craftsman­ship and critical testing procedures, we have created a wide range of products that reproduce music with all the clarity and richness you deserve.
For maximum performance we recommend you have your new Rockford Fosgate product installed by an Authorized Rockford Fosgate Dealer, as we provide specialized training through Rockford Technical Training Institute (RTTI). Please read your warranty and retain your receipt and original carton for possible future use.
Great product and competent installations are only a piece of the puzzle when it comes to your system. Make sure that your installer is using 100% authentic installation accessories from Connecting Punch in your installation. Connecting Punch has everything from RCA cables and speaker wire to Power line and battery connectors. Insist on it! After all, your new system deserves nothing but the best.
To add the finishing touch to your new Rockford Fosgate image order your Rockford wearables, which include everything from T-shirts and jackets to hats and sunglasses.
To get a free brochure on Rockford Fosgate products and Rockford accessories, in the U.S. call 602-967-3565 or FAX 602-967-8132. For all other countries, call +001-602­967-3565 or FAX +001-602-967-8132.
If, after reading your manual, you still have questions regarding this product, we recommend that you see your Rockford Fosgate dealer. If you need further assistance, you can call us direct at 1-800-795-2385. Be sure to have your serial number, model number and date of purchase available when you call.
PRACTICE SAFE SOUND™
CONTINUOUS EXPOSURE TO SOUND PRESSURE LEVELS OVER
100dB MAY CAUSE PERMANENT HEARING LOSS. HIGH
POWERED
AUTOSOUND SYSTEMS MAY PRODUCE SOUND
PRESSURE
LEVELS WELL OVER 130dB. USE COMMON SENSE
AND
PRACTICE SAFE SOUND.
The serial number can be found on the outside of the box. Please record it in the space provided below as your permanent record. This will serve as verification of your factory warranty and may become useful in recovering your amplifier if it is ever stolen.
Serial Number: ________________________________ Model Number:________________________________
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TABLE OF CONTENTS
Introduction ............................................................................................. 1
Punch Amplifier Accessory Pack .............................................................. 1
Technical Design Features ....................................................................... 2
360.6 Design Features.............................................................................. 5
Installation Considerations ....................................................................... 7
Mounting Location................................................................................... 8
Battery and Charging................................................................................9
Wiring the System ....................................................................................9
Using the XCard..................................................................................... 12
Customizing the XCard .......................................................................... 12
Resistor Chart......................................................................................... 13
XCard Configurations .............................................................................14
Using the Phase Switch..........................................................................16
Using the Signal Switching Network ...................................................... 17
360.6 Installation ...................................................................................25
System Diagrams....................................................................................31
Troubleshooting .....................................................................................35
Dynamic Power Measurements.............................................................. 38
Specifications......................................................................................... 40
Warranty Information............................................................................. 41
International Information........................................................................ 42
Sections marked
ADVANCED OPERATION
include in-depth
technical information
Sections marked
TROUBLESHOOTING
include recommendations
for curing
installation problems
Sections marked
INSTALLATION
include “slam dunk”
wiring connections
I N S T A L L A T
I O N
® ®
TROUBLE-
S H O O T
I N G
Welcome to Rockford Fosgate! This manual is designed to provide information for the owner, salesperson and installer. For those of you who want quick information on how to install this product, please turn to the
Installation Section
of this manual or refer to the icons listed below. Other information can be located by using the Table of Contents. We, at Rockford Fosgate, have worked very hard to make sure all the information in this manual is current. But, as we are constantly finding new ways to improve our product, this information is subject to change without notice.
G
ETTING
S
TARTED
a d v a n c e d
O p e r a t
i o n
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INTRODUCTION
The Punch 360.6, is a 360 watt, 6 channel amplifier with integrated features for accommodating “single amplifier” system designs. Built into the amplifier are four internal XCards and a Signal Switching Network. These features simplify signal processing and enable custom signal distribution for each set of channels. Also integrated is a Phase Switch and Bass EQ circuit designed to improve system tuning. The engineering effort applied to the Punch 360.6 amplifier represents how an impressive 3-way system can be easily installed while keeping the components used to a minimum.
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ACCESSORY PACK
Installation & Operation Manual Punch Verification Certificate (4) Amplifier mounting screws (#8 x 3/4" Phillips) (16) Speaker & power connector screws (3/32" Allen) (4) End cap mounting screws (9/64" Allen) (1) Allen Wrench 9/64" (1) Allen Wrench 3/32" (1) AGU Fuseholder (1) AGU 50 Amp Fuse
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TECHNICAL DESIGN FEATURES
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TRANS•ANA
(TRANSconductance Active Nodal Amplifier)
The
TRANS•ANA
(TRANSconductance Active Nodal Amplifier) is a
circuit that allows the audio signal to pass through the amplifier at
low
voltage
. The signal is directly level-shifted to the fixed high voltage
rails via a pair of driver transistors. Signal linearity is assured by an
active node
formed by the drive transistors at ultrasonic frequencies.
This allows amplifier performance similar to trans•
nova
which is highly stable and linear while utilizing the advantages of a non­floating power supply.
THE RESULT: An extended frequency bandwidth accurately supplied to the output stages of the amplifier.
TOP AZ (Tracking Operation Pre-Amplifier Zone)
The
TOPAZ
(Tracking Operation Pre-Amplifier Zone) circuitry solves ground loop noise problems common to automotive amplifier design. This innovative new development allows vastly improved isolation of the input signal grounds from the power supply ground of the amplifier. This is accomplished by allowing the source unit to control the potential “environment” of the entire input structure or “zone” of the amplifier. This process improves the noise rejection of the ampli­fier by 30-40dB – an astounding 30-100 times better than amplifiers without TOPAZ.
THE RESULT: Elimination of troublesome ground loop noise between source and amplifier.
Bass EQ
The Bass EQ helps correct for acoustical deficiencies in the listening environment. A unique potentiometer that controls bass compen­sates for the lack of low frequencies present in most car environ­ments. Unlike a conventional tone control, the Bass EQ corrects the specific problem of poor low bass response.
THE RESULT: Provides better low bass response.
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DSM (Discrete Surface Mount) Technology
The
DSM
(Discrete Surface Mount) manufacturing process combines the advantages of both discrete components and integrated circuitry. Rockford Fosgate is the only American amplifier manufacturer to have invested millions into this process. DSM components differ from conventional discrete components in different ways. They are more compact, more rugged, and they efficiently dissipate generated heat. Using them wherever appropriate allows the advantages associated with discrete circuitry to be retained while also providing room for both highly advanced processing features and generous PC board copper paths where needed. Their short lead-out structures allow maximum audio performance and highest signal-to-noise ratios to be obtained in amplifiers of desirable package size without resorting to “amplifier-on-a-chip” shortcuts. These advantages are shown below in Figure 1.
Figure 1
THE RESULT: Fewer connections, improved reliability, shorter signal
paths, superior signal-to-noise ratio and awesome sonic performance.
XCard (Internal Crossover)
The Punch amplifiers utilize internal active crossovers. These cross­overs have many performance advantages such as using discrete components for exact frequency adjustments which are far superior to potentiometers. Additionally, the
XCard
can be configured for high­pass, low-pass and full range operation. With slight modifications, many crossover frequencies and slope configurations can be achieved.
THE RESULT: Increased system design flexibility with a precise electronic crossover without the limitations of conventional potenti-
ometer designs.
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Solder
Solder
Component
Thru-Hole Surface Mount
PC
Board
PC
Board
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MOSFET Devices
Rockford Fosgate is one of the few manufacturers in the sound community to utilize MOSFET devices in both the
power supply
and
the
output stages. MOSFET
(Metal Oxide Semiconductor Field Effect
Transistor) devices offer several important inherent advantages over
the 30 year old technology of bi-polar design. These advantages include: thermal stability, switching speed, ultra low output imped­ance and wider bandwidth linearity. In addition, MOSFETs operate very similarly to vacuum tubes in which they are more linear than bi­polar transistors. However, MOSFETs can deliver the midrange clarity without the limitations of transient response and high frequency phase shifting normally associated with tube operation.
THE RESULT: Operational characteristics similar to vacuum tubes without the performance limitations of tube design.
NOMAD (NOn-Multiplying Advanced Decision)
The Punch amplifiers use an
analog computer process
to maximize
safe output power under all operating conditions. The innovative
NOMAD
(NOn-Multiplying Advanced Decision) system is the most sophisticated version of this technique ever used, bringing previously unavailable levels of accuracy, stability, temperature immunity and reliability to this critical process. NOMAD makes advanced deci­sions based on device voltages to precisely control the awesome levels of current available in the output MOSFETs to safe values – but only when absolutely needed.
THE RESULT: Extremely fast protection system that always protects the amplifier and never degrades the sound.
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Signal Switching Network
The Signal Switching Network allows the RCA input signals to be distributed to the amplifier channels in multiple configurations. Among the many possible configurations, a setting called
E-Z bridge
uses a single RCA (L mono) and gain (L) control to feed a pair of channels, thus simplifying the bridging process.
THE RESULT: Allows input signals to be distributed to amplifier channels in many different configurations.
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360.6 DESIGN FEATURES
1. Cast Aluminum Heatsink – The cast aluminum heatsink of the Punch amplifier dissipates heat generated by the amplifier's circuitry. The inherent advantage of casting provides a 30% improvement of cooling over conventional extrusion heatsink designs.
2. End Caps – The unique end caps conceal the wiring and input cables, giving the amplifier a clean “stealth” look.
3. Speaker Terminals – The heavy duty, gold-plated terminal block connectors (+ and –) will accept wire sizes from 8 AWG to 18 AWG. These gold-plated connectors are immune to corrosion that can cause signal deterioration.
4. Power Terminals – The power and ground connectors on the Punch amplifier are gold-plated and will accommodate up to 8 AWG wire maximizing the input current capability of the amplifier.
5. REM Terminal – This gold-plated spade terminal is used for the auto power/remote turn on of the Punch amplifier.
6. RCA Input Jacks – The industry standard RCA jacks provide easy connections for signal level input. They are gold-plated to resist the signal degradation caused by corrosion.
7. Signal Input Switches – These switches allow the input signals to be distributed to the outputs in many different configurations.
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Ch. A
+ R –+ L –
Ch. A
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
+ L –
Ch. C
+ R –
Ch. C
Ch. B
REM Dual GNDDual B+– R +– L +
Ch. B
3
12
98 6 8
3
3
35
4
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8. Input Sensitivity Controls – The input level controls are preset
to match the output of most source units. They can be adjusted to match output levels from a variety of source units.
9. Bass EQ Control – The Bass EQ allows a narrow band adjustment
of up to +18dB centered at 45Hz. The bass boost can be bypassed by turning the control to its minimum or counterclock­wise position. The Bass EQ is dedicated for “Channel C” only.
10. Internal Crossovers – These built-in crossover cards are
configurable for a multitude of operating frequencies. The orientation of the card in its socket determines the function of high-pass, low-pass, or full range operation.
11. Channel C Phase Switch – This switch enables you to easily
invert the phase of “Channel C” (0°/180°) without having to disconnect the speaker wires.
12. LED Power Indicator – The LED illuminates when the unit is
turned on.
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*Please refer to Owner's
Manual for signal input
switch configurations.
Phase
Switch
*Signal
Input
Switches
–180° 0°
Ch. C XCard
Ch. A XCards
XCard C
XCard B
XCard B
XCard A
Ch. B Dual Filter XCards
XCard C
XCard B
XCard B
XCard A
–180° 0°
10
11
7
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INSTALLATION CONSIDERATIONS
The following is a list of tools you will need for installing the Punch amplifier:
Allen wrenches 9/64" & 3/32" (included) Voltmeter Wire strippers Battery post wrench Electric hand drill w/assorted bits Wire cutters Wire crimpers Assorted connectors
– 7 –
This section focuses on some of the vehicle considerations for installing your new Punch amplifier. Checking your battery and present sound system, as well as pre-planning your system layout and best wiring routes will save installation time. When deciding how to lay out your new system, be sure that each component will be easily accessible for making adjustments.
Before beginning any installation, be sure to follow these simple rules:
1. Be sure to carefully read and understand the instructions before attempting to install the amplifier.
2. For safety, disconnect the negative lead from the battery prior to beginning the installation.
3. For easier assembly, we suggest you run all wires prior to mounting your amplifier in place.
4. Route all of the RCA cables close together and away from any high current wires.
5. Use high quality connectors for a reliable installation and to minimize signal or power loss.
6. Think before you drill! Be careful not to cut or drill into gas tanks, fuel lines, brake or hydraulic lines, vacuum lines or electrical wiring when working on any vehicle.
7. Never run wires underneath the vehicle. Running the wires inside the vehicle provides the best protection.
8. Avoid running wires over or through sharp edges. Use rubber or plastic grommets to protect any wires routed through metal, especially the firewall.
9. ALWAYS protect the battery and electrical system from damage with proper fusing. Install a fuseholder and appropriate fuse on the +12V power wire within 18” (45.7 cm) of the battery terminal.
10. When grounding to the chassis of the vehicle, scrape all paint from the metal to ensure a good, clean ground connection. Grounding connections should be as short as possible and always be connected to metal that is welded to the main body, or chassis, of the vehicle.
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MOUNTING LOCATION
The mounting location and position of your amplifier will have a great effect on its ability to dissipate the heat generated during normal operation. The design of our cast aluminum heatsink serves to easily dissipate the heat generated over a wide range of operating condi­tions. However, to maximize the performance of your amplifier, care should be taken to ensure adequate ventilation.
Trunk Mounting
Mounting the amplifier vertically on a surface with the fin grooves running up and down will provide the best cooling of the amplifier.
Mounting the amplifier on the floor of the trunk will work but provides less cooling capability than vertical mounting.
Mounting the amplifier upside down to the rear deck of the trunk will not provide proper cooling and will severely affect the performance of the amplifier and is strongly
not
recommended.
Passenger Compartment Mounting
Mounting the amplifier in the passenger compartment will work as long as you provide a sufficient amount of air for the amplifier to cool itself. If you are going to mount the amplifier under the seat of the vehicle, you must have at least 1" (2.54cm) of air gap around the amplifier's heatsink.
Mounting the amplifier with less than 1" (2.54cm) of air gap around the amplifier's heatsink in the passenger compartment will not provide proper cooling and will severely affect the performance of the amplifier and is strongly
not
recommended.
Engine Compartment Mounting
Rockford Fosgate amplifiers should
never
be mounted in the engine compartment. Not only will this void your warranty but could create an embarrassing situation caused by the ridicule from your friends.
– 8 –
Page 12
BATTERY AND CHARGING
– 9 –
Amplifiers will put an increased load on the vehicle's battery and charging system. We recommend checking your alternator and battery condition to ensure that the electrical system has enough capacity to handle the increased load of your stereo system. Stock electrical systems which are in good condition should be able to handle the extra load of any Rockford amplifier without problems, although battery and alternator life can be reduced slightly. To maximize the performance of your Rockford Fosgate amplifier, we suggest the use of a heavy duty battery and an energy storage capacitor.
WIRING THE SYSTEM
CAUTION:
Avoid running power wires near the low level input cables, antenna, power leads, sensitive equipment or harnesses. The power wires carry substantial current and could induce noise into the audio system.
For safety, disconnect the negative lead from the battery prior to beginning the installation.
1. Configure the internal XCard crossover and Signal Switching
Network prior to installation. Refer to pages 12 & 13 for further information.
2. Plan the wire routing. Take care when running signal level RCA
cables to keep them close together but isolated from the amplifier's power cables and any high power auto accessories, especially electric motors. This is done to prevent coupling the noise from radiated electrical fields into the audio signal. When feeding the wires through the firewall or any metal barrier, protect them with plastic or rubber grommets to prevent short circuits. Leave the wires long at this point to adjust for a precise fit at a later time.
3. Prepare the Power cable for at-
tachment to the amplifier by strip­ping 5/8" of insulation from the end of the wire. To prevent the wire from fraying, strip the insula­tion at a 45° angle. Insert the bared wire into the B+ terminal with the long side of the insulation on the top. Bend the cable down at a 90° angle. Tighten the set screw to secure the cable in place.
><
5/8"
INSULATION
STRIP WIRE
>
>
AMP
>
Page 13
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Mount the fuseholder within 18" of the battery using two (2) #8 screws. Disassemble the fuseholder. You should have 2 black plastic end caps, 2 gold-plated fuse clips, a plastic spacer and the fuseholder body. Trim the amplifier power cable to reach the fuseholder and strip the wire 3/8". Slide one of the end caps over the wire (narrow end first) and insert the wire into one of the fuse clips. Tighten the set screw. Screw the black end cap to the fuseholder body to secure the cable. Use the section of cable that was trimmed earlier and connect it to the other end of the fuseholder. Install the plastic spacer in the fuseholder and attach the cable to the fuseholder body.
NOTE: The B+ cable MUST be fused 18" or less from the vehicle's battery. Install the fuseholder under the hood and prepare the cable ends as stated above. Connections should be water tight.
4. Strip 3/8" from the battery end of the power cable and crimp a large ring terminal to the cable. Use the ring terminal to connect to the battery positive terminal. Do not install the fuse at this time.
5. Prepare a length of cable to be used for the GND connection. Strip 5/8" of insulation from the end of the cable as described previously and connect to the appropriate terminal of the amplifier. Prepare the chassis ground by scraping any paint from the metal surface and thoroughly clean the area of all dirt and grease. Strip the other end of the wire and attach a ring connector. Fasten the cable to the chassis using a non-anodized screw and a star washer.
6. Prepare the REM turn-on wire for connection to the amplifier by
stripping 1/4" of insulation from the wire end and crimping an insulated spade connector in place. Slide the connector over the REM terminal on the amplifier. Connect the other end of the REM wire to a switched 12 volt positive source. The switched signal is usually taken from the source unit's auto antenna or the accessory lead. If the source unit does not have these outputs available, the recommended solution is to wire a mechanical switch in line with a 12 volt source to activate the amplifier.
7. Securely mount the amplifier (with supplied screws) to the
vehicle or amp rack. Be careful not to mount the amplifier on cardboard or plastic panels. Doing so may enable the screws to pull out from the panel due to road vibration or sudden vehicle stops.
Page 14
8. Connect the source signal to the amplifier by plugging the RCA cables into the input jacks at the amplifier.
9. Connect the speakers. Strip the speaker wires 5/8". Insert the bared wire into the speaker terminal and tighten the set screw to secure into place. Be sure to maintain proper speaker polarity.
DO NOT chassis ground any of the speaker leads as unstable operation may result.
10. Perform a final check of the completed system wiring to ensure that all connections are accurate. Check all power and ground connections for frayed wires and loose connections which could cause problems.
11. After the final inspection is complete, install the power fuse and enjoy listening. During the initial listening period, you may need to “fine tune” any phasing and level settings within your particular vehicle. To aid in this procedure, play a track with high musical content and cruise around your neighborhood. After fully evalu­ating the transient response of your system and making any final adjustments, all your neighbors within a 1 mile radius will assume that you have just successfully completed another upgrade to your audio system for which they will probably spill thumbtacks on your driveway.
– 11 –
Page 15
– 12 –
3386
f
o
= R (in kΩ) for .047µf cap
= R (in kΩ) for .022µf cap
7234
f
o
Where: R =
fo = desired crossover frequency c = capacitor in farads ex: .047 x 10-6 for .047mf cap
Crossover Card
High Pass Low Pass Full Range
R1
R2
R1
R2
FULL
The crossover point can be altered by changing all 4 resistor values. Use the following formula to select the appropriate resistor value to
be placed on the XCard.
USING THE XCARD
1
2πfoc
The actual formula is:
R =
The crossover functions are controlled through the use of an XCard and can be set for high-pass, low-pass or full range operation. The XCard installed in your amplifier is set for Full Range. Each crossover card has two faces: one face operates Full Range, the other has arrows to indicate the edge for selecting HP (high-pass) or LP (low-pass) operation. Orient the card with the desired operating edge, indicated by the arrow, toward the socket terminals inside the amplifier. Firmly,
but carefully, plug the card into the socket.
a d v a n c e d
O p e r a t
i o n
CUSTOMIZING THE XCARD
Low-Pass Full RangeHigh-Pass
FULL
HP
LP
HP
LP
Page 16
RESISTOR CHART
Frequency R1 R2 20Hz 169k
169k
25Hz 133k 133k 30Hz 110k 110k 35Hz 95.3k 95.3k 40Hz 84.5k 84.5k 45Hz 75k 75k 50Hz 68.1k 68.1k 55Hz 61.9k 61.9k 60Hz 56.2k 56.2k 65Hz 52.3k 52.3k 70Hz 48.7k 48.7k 75Hz 45.3k 45.3k 80Hz 42.2k 42.2k 85Hz 40.2k 40.2k 90Hz 37.4k 37.4k
200Hz 16.9k 16.9k 300Hz 11.3k 11.3k 400Hz 8.45k 8.45k 500Hz 6.65k 6.65k 600Hz 5.62k 5.62k 700Hz 4.75k 4.75k 800Hz 4.22k 4.22k 900Hz 3.74k 3.74k 1kHz 3.40k 3.40k
1.2kHz 2.80k 2.80k 2kHz 1.69k 1.69k 3kHz 1.10k 1.10k 4kHz 845 845 5kHz 665 665 6kHz 562 562 7kHz 487 487 8kHz 422 422
Butterworth Alignment Q = .707
1% resistors used with 0.047µF caps
Butterworth Alignment Q = .707
1% resistors used with 0.022µF caps
Our tests have shown that using 0.047µf capacitors for frequencies below 100Hz, and
0.022µf capacitors for frequencies above 100Hz, result in more linear crossover control. Refer to the Specifications page to determine the capacitor value of each supplied XCard.
Frequency R1 R2
20Hz 357k 357k 25Hz 287k 287k 30Hz 237k 237k 35Hz 205k 205k 40Hz 178k 178k 45Hz 162k 162k 50Hz 143k 143k 55Hz 130k 130k 60Hz 121k 121k 65Hz 110k 110k 70Hz 102k 102k 75Hz 95.3k 95.3k 80Hz 90.9k 90.9k 85Hz 84.5k 84.5k 90Hz 80.6k 80.6k
200Hz 35.7k
35.7k
300Hz 23.7k 23.7k 400Hz 17.8k 17.8k 500Hz 14.3k 14.3k 600Hz 12.1k 12.1k 700Hz 10.2k 10.2k 800Hz 9.9k 9.9k 900Hz 8.6k 8.6k
1.0kHz 7.15k 7.15k
1.2kHz 6.04k 6.04k
2.0kHz 3.57k 3.57k
3.0kHz 2.37k 2.37k
4.0kHz 1.76k 1.76k
5.0kHz 1.43k 1.43k
6.0kHz 1.21k 1.21k
7.0kHz 1.02k 1.02k
8.0kHz 909 909
– 13 –
Page 17
– 14 –
XCARD CONFIGURATIONS
Configure a 12dB/octave filter for Channel A
• XCard A set to High-Pass or Low-Pass
Configure a 12dB/octave filter for Channel B
• XCard B1 set to High-Pass or Low-Pass
• XCard B2 set to Full Range
Ch. A
Ch. A
Ch. B
REM Dual GNDDual B+– R +– L +
Ch. B
HP
XCard A
80Hz-20kHz
12dB/octave HP
80Hz-20kHz
12dB/octave HP
+ L – + R –
0° 180°
XCard C XCard B XCard B XCard A
Ch. A
Ch. A
Ch. B
REM Dual GNDDual B+
Ch. B
LP
XCard B1
20Hz-80Hz
12dB/octave LP
20Hz-80Hz
12dB/octave LP
+ L – + R –– L + – R +
Full
Range
XCard B2
0° 180°
XCard C XCard B XCard B XCard A
Page 18
Configure a 24dB/octave filter for Channel B
• XCard B1 & B2 set identically to High-Pass or Low-Pass
Configure a 12dB/octave Bandpass filter for Channel B
• XCard B1 inserted as High-Pass
• XCard B2 inserted as Low-Pass
Ch. A
Ch. A
Ch. B
REM Dual GNDDual B+
Ch. B
20Hz-80Hz
24dB/octave LP
20Hz-80Hz
24dB/octave LP
+ L – + R –– L + – R +
LP
XCard B1
LP
XCard B2
0° 180°
XCard C XCard B XCard B XCard A
Ch. A
Ch. A
Ch. B
REM Dual GNDDual B+
Ch. B
80Hz-4kHz
12dB/octave BP
80Hz-4kHz
12dB/octave BP
+ L – + R –– L + – R +
HP
XCard B1
LP
XCard B2
0° 180°
XCard C XCard B XCard B XCard A
*
*Note: Both XCards must be customized to the same frequency for proper 24dB/octave operation. Refer to “Using the XCard” on page 12 for altering the cutoff frequency.
– 15 –
Page 19
USING THE PHASE SWITCH
Vehicle interiors can cause acoustical irregularities with the system's bass response. The Punch amplifier has a 0°/–180° phase switch that allows both Channel C outputs to be inverted simultaneously. Since woofers will typically be connected to Channel C, the system's bass response can be improved by experimenting with the phase switch.
• Phase Switch set to 0°
• Phase Switch set to –180°
Configure a 12dB/octave Low-Pass filter for Channel C
• XCard C set to High-Pass or Low-Pass
20Hz-80Hz
12dB/octave LP
LP
XCard C
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
RLR
L
R
Ch. C
Ch. C
+ R –
+ L –
0° 180°
XCard C XCard B XCard B XCard A
0° Phase
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
RLR
L
R
Ch. C
Ch. C
+ R –
+ L –
0° –180°
XCard C XCard B XCard B XCard A
180° Phase
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
RLR
L
R
Ch. C
Ch. C
+ R –
+ L –
0° –180°
XCard C XCard B XCard B XCard A
– 16 –
Page 20
USING THE SIGNAL SWITCHING NETWORK
The Signal Switching Network allows the RCA input signals to be distributed to the outputs in many different configurations. The
orientation of
both switches
configure the distribution pattern. The
switches can be oriented in the following configurations:
Configuration #1
Ch. A inputs => Ch. A outputs
Ch. B inputs => Ch. B outputs
Ch. A & B inputs
summed
=> Ch. C outputs
Configuration #2
Ch. A inputs => Ch. A outputs
Ch. B inputs => Ch. B outputs
Ch. C inputs => Ch. C outputs
Configuration #3 (E-Z bridge Ch. C) Ch. A inputs => Ch. A outputs
Ch. B inputs => Ch. B outputs
Ch. C (L mono) input => Ch. C outputs
Configuration #4
Ch. A inputs => Ch. A, B, & C outputs
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
– 17 –
Factory Default
Setting
Page 21
Configuration #5
Ch. A inputs => Ch. A & B outputs
Ch. C inputs => Ch. C outputs
Configuration #6 (E-Z bridge Ch. C) Ch. A inputs => Ch. A & B outputs
Ch. C ( L mono) input => Ch. C outputs
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
– 18 –
Page 22
Configuration #1
Ch. A inputs => Ch. A outputs
Ch. B inputs => Ch. B outputs
Ch. A & B inputs
summed
=> Ch. C outputs
Ch. A
Ch. A
Ch. B
REM Dual GNDDual B+
Ch. B
+ L – + R –– R +– L +
B B A A
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ R –
+ L –
A&B
BB
AA
Ch. C Ch. B Ch. A
XCard C
XCard B XCard B XCard A
–180°
0°
A&B
– 19 –
Factory Default
Setting
Page 23
Configuration #2
Ch. A inputs => Ch. A outputs
Ch. B inputs => Ch. B outputs
Ch. C inputs => Ch. C outputs
– 20 –
Ch. A
Ch. A
Ch. B
REM Dual GNDDual B+
Ch. B
+ L – + R –– R +– L +
B B A A
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ R –
+ L –
C
C
CC BB
AA
Ch. C Ch. B Ch. A
XCard C
XCard B XCard B XCard A
–180°
0°
Page 24
Configuration #3 (E-Z bridge Ch. C) Ch. A inputs => Ch. A outputs
Ch. B inputs => Ch. B outputs
Ch. C (L mono) input => Ch. C outputs
Ch. A
Ch. A
Ch. B
REM Dual GNDDual B+
Ch. B
+ L – + R –– R +– L +
B B A A
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ R –
+ L –
C
C
C
(Mono)
BB
AA
Ch. C Ch. B Ch. A
XCard C
XCard B XCard B XCard A
–180°
0°
– 21 –
Page 25
Configuration #4
Ch. A inputs => Ch. A, B, & C outputs
Ch. A
Ch. A
Ch. B
REM Dual GNDDual B+
Ch. B
+ L – + R –– R +– L +
A A A A
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ R –
+ L –
A
A
AA
Ch. C Ch. B Ch. A
XCard C
XCard B XCard B XCard A
–180°
0°
– 22 –
Page 26
Configuration #5
Ch. A inputs => Ch. A & B outputs
Ch. C inputs => Ch. C outputs
Ch. A
Ch. A
Ch. B
REM Dual GNDDual B+
Ch. B
+ L – + R –– R +– L +
A A A A
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ R –
+ L –
C
C
AA
Ch. B Ch. A
XCard C
XCard B XCard B XCard A
–180°
0°
CC
Ch. C
– 23 –
Page 27
Configuration #6 (E-Z bridge Ch. C) Ch. A inputs => Ch. A & B outputs
Ch. C ( L mono) input => Ch. C outputs
– 24 –
Ch. A
Ch. A
Ch. B
REM Dual GNDDual B+
Ch. B
+ L – + R –– R +– L +
A A A A
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ R –
+ L –
C
C
AA
Ch. B Ch. A
XCard C
XCard B XCard B XCard A
–180°
0°
C
(Mono)
Ch. C
Page 28
– 25 –
360.6 INSTALLATION
*Keep grounds as short as possible
Power Connections (Option #1)
I N S T A L L A T I O N
® ®
Ch. A
Ch. A
Ch. B
Ch. B
+ L – + R –– R +– L + REM Dual B+ Dual GND
+
*Keep grounds as short as possible
Power Connections (Option #2)
Connect to remote turn-on lead of source unit
less than 18"
Battery
Connect to chassis ground of vehicle*
Connect to B+ of battery
with 50 amp fuse
1.0
®
the connecting
® ®
1 farad • 20 VDC • 95°C
1.0
cap
punch
Ch. A
Ch. A
Ch. B
Ch. B
+ L – + R –– R +– L + REM
+
Dual B+ Dual GND
Connect to B+ of battery
with 50 amp fuse
Battery
Connect to remote turn-on lead of source unit
less than 18"
Connect to chassis ground of vehicle*
Optional Energy Storage Capacitor
Page 29
– 26 –
I N S T A L L A T I O N
® ®
3-Channel Operation
Gain Control for channels A & B set
equally
to balance the left and
right speakers
Gain Control for channel C operates
independently
Impedance Load for bridged left channel should be
4Ω minimum
Impedance Load for bridged right channel should be
4Ω minimum
Impedance Load for bridged C channel should be
4Ω minimum
XCards A & B set identically as 12dB High-Pass, 12dB Low-Pass or Full Range
XCard C can be set for High-Pass, Low-Pass or Full Range
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND– L + + L –– R + + R –
Left
–+
4 ohm min.
Right
+
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
4 ohm min.
+ R –
+ L –
4 ohm min.
Page 30
– 27 –
I N S T A L L A T I O N
® ®
3-Channel Mono Operation
Gain Control for channels A, B & C operate
independently
Impedance Load for bridged channel A should be
4Ω minimum
Impedance Load for bridged channel B should be
4Ω minimum
Impedance Load for bridged channel C should be
4Ω minimum
XCard A can be set for High-Pass, Low-Pass or Full Range
XCard B can be set for 12dB High-Pass, 12dB Low-Pass or Full Range
XCard C can be set for High-Pass, Low-Pass or Full Range
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND– L + – R + + R –
–+
4 ohm min.
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ R –
+ L –
4 ohm min.
+ L –
+
4 ohm min.
Page 31
– 28 –
I N S T A L L A T
I O N
® ®
Gain Control for channels A & B
set equally
Gain Control for channel C operates
independently
Impedance Load for bridged left channel should be
4Ω minimum
Impedance Load for bridged right channel should be
4Ω minimum
Impedance Load for stereo channel C should be
2Ω minimum
XCards A & B set identically as 12dB High-Pass, 12dB Low-Pass or Full Range
XCard C can be set for High-Pass, Low-Pass or Full Range
4-Channel Stereo Operation
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND– L + + L –– R + + R –
Left
–+
4 ohm min.
Right
+
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
4 ohm min.
+ L –
2 ohm min.
+
2 ohm min.
+ R –
Page 32
Gain Controls for channels A, B & C operate
independently
Impedance Load for stereo channel A should be 2
minimum
Impedance Load for stereo channel B should be 2
minimum
Impedance Load for bridged channel C should be
4Ω minimum
XCard A can be set for High-Pass, Low-Pass or Full Range
XCard B can be set for 12dB/24dB High-Pass, 12dB/24dB Low-Pass 12dB Bandpass or Full Range
XCard C can be set for High-Pass, Low-Pass or Full Range
5-Channel Operation
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND
Rear
+
2 ohm min.
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ R –
+ L –
4 ohm min.
– L +
+
– R +
Front
2 ohm min.
2 ohm min.
+ +
2 ohm min.
+ R –+ L –
– 29 –
Page 33
Gain Control for channels A, B & C operate
independently
Impedance Load for stereo channels A, B & C should be 2
minimum
XCard A can be set for High-Pass, Low-Pass or Full Range
XCard B can be set for 12dB/24dB High-Pass, 12dB/24dB Low-Pass 12dB Bandpass or Full Range
XCard C can be set for High-Pass, Low-Pass or Full Range
6-Channel Stereo Operation
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND
Rear
+
2 ohm min.
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ L –
2 ohm min.
– L +
+
– R +
Front
2 ohm min.
2 ohm min.
+ +
2 ohm min.
+ R –+ L –
+
2 ohm min.
+ R –
– 30 –
Page 34
– 31 –
360.6 SYSTEM DIAGRAMS
Bridged Left & Right w/Bridged Subwoofer
360.
6
®
®®
ACTIVE TWEETER PROTECTION PCH-142x
®
®®
ACTIVE TWEETER PROTECTION PCH-142x
+
8 Ohm
RFP-1812
8 Ohm
+
+
+
+
+ –
XCard C
XCard B XCard B XCard A
–180°
0°
80Hz LP
FULL 80Hz HP 80Hz HP
18dB/octave High-Pass
6kHz-20Hz
12dB/octave Bandpass
80Hz-6kHz
18dB/octave High-Pass
6kHz-20Hz
12dB/octave Bandpass
80Hz-6kHz
12dB/octave Low-Pass
20Hz-80Hz
RFA-514 RFA-514
AUD
SEL
1 2 3 4 5 6
RDM
RPT
SCAN
PAUSE
D.SCN
DIM
AM
FM
Ch
RPTLD
RDM
DISC
ST
P.SCN LOUDDSPL
R
CLOCK
ILLUM
PWR
AUTO
® ®
VOL
TUNE
Page 35
– 32 –
Front & Rear w/Bridged Subwoofer
360.
6
®
®®
ACTIVE TWEETER PROTECTION PCH-142x
®
®®
ACTIVE TWEETER PROTECTION PCH-142x
+
8 Ohm
RFP-1812
8 Ohm
+
+
+
+ –
+
XCard C
XCard B XCard B XCard A
–180°
0°
80Hz LP
FULL 80Hz HP 80Hz HP
®
®®
ACTIVE TWEETER PROTECTION PCH-142x
+
+
®
®®
ACTIVE TWEETER PROTECTION PCH-142x
+
+ –
18dB/octave High-Pass
6kHz-20Hz
12dB/octave Bandpass
80Hz-6kHz
18dB/octave High-Pass
6kHz-20Hz
12dB/octave Bandpass
80Hz-6kHz
RFA-514 RFA-514
12dB/octave Low-Pass
20Hz-80Hz
AUD
SEL
1 2 3 4 5 6
RDM
RPT
SCAN
PAUSE
D.SCN
DIM
AM
FM
Ch
RPTLD
RDM
DISC
ST
P.SCN LOUDDSPL
R
CLOCK
ILLUM
PWR
AUTO
® ®
VOL
TUNE
Page 36
– 33 –
Front & Rear w/Bridged Subwoofer
+
+
+
+
XCard C
XCard B
XCard B
XCard A
–180°
0°
80Hz LP
4.5kHz LP
80Hz HP
4.5kHz HP
360.
6
360.
6
+
8 Ohm
RFP-1812
8 Ohm
+
+
+
+
+
XCard C
XCard B
XCard B
XCard A
–180°
0°
Not Used
4.5kHz LP
80Hz HP
4.5kHz HP
Front
12dB/octave High-Pass
4.5kHz-20Hz 12dB/octave Bandpass
80Hz-6kHz
12dB/octave High-Pass
4.5kHz-20Hz
12dB/octave Bandpass
80Hz-4.5kHz
12dB/octave High-Pass
4.5kHz-20Hz 12dB/octave Bandpass
80Hz-4.5kHz
RFA-14
RFA-14
RFA-54 RFA-54
12dB/octave High-Pass
4.5kHz-20Hz 12dB/octave Bandpass
80Hz-4.5kHz
RFA-14
RFA-14
RFA-54 RFA-54
AUD
SEL
1 2 3 4 5 6
RDM
RPT
SCAN
PAUSE
D.SCN
DIM
AM
FM
Ch
RPTLD
RDM
DISC
ST
P.SCN LOUDDSPL
R
CLOCK
ILLUM
PWR
AUTO
® ®
VOL
TUNE
Page 37
Front & Rear w/Midbass and Bridged Subwoofer
– 34 –
+
+
+
+
XCard C
XCard B
XCard B
XCard A
–180°
0°
80Hz LP
4.5kHz LP
400Hz HP
4.5kHz HP
360.
6
360.
6
+
+
+
+
+
XCard C
XCard B
XCard B
XCard A
–180°
0°
80Hz LP
4.5 kHz LP
400Hz HP
4.5kHz HP
Front
12dB/octave High-Pass
4.5kHz-20Hz
12dB/octave High-Pass
6dB/octave Low-Pass
80Hz-400Hz
+
+
+
12dB/octave High-Pass
6dB/octave Low-Pass
80Hz-400Hz
12dB/octave Bandpass
400Hz-4.5kHz
+
+
12dB/octave Low-Pass
20Hz-80Hz
12dB/octave Bandpass
400Hz-4.5kHz
80Hz-400Hz
12dB/octave High-Pass
6dB/octave Low-Pass
12dB/octave Bandpass
400Hz-4.5kHz
12dB/octave High-Pass
4.5kHz-20Hz
12dB/octave High-Pass
4.5kHz-20Hz
RFA-14
RFA-14
RFA-54 RFA-54
12dB/octave High-Pass
4.5kHz-20Hz
RFA-14
RFA-14
RFA-54 RFA-54
RFA-64
RFA-64
RFA-64 RFA-64
12dB/octave High-Pass
6dB/octave Low-Pass
80Hz-400Hz
12dB/octave Bandpass
400Hz-4.5kHz
8 Ohm
8 Ohm
RFP-1812
80Hz LP
XCard
AUD
SEL
1 2 3 4 5
6
RDM
RPT
SCAN
PAUSE
D.SCN
DIM
AM
FM
Ch
RPTLD
RDM
DISC
ST
P.SCN LOUDDSPL
R
CLOCK
ILLUM
PWR
AUTO
® ®
VOL
TUNE
Page 38
– 35 –
TROUBLESHOOTING
Amplifier does not turn on
(Power LED is off)
Symptom Diagnosis Remedy
Voltage applied to the REM terminal of the amplifier is not between
10.5 and 15.5 volts or there is no voltage present.
Voltage to the B+ termi­nal of the amplifier is not between 10.5 and
15.5 volts or there is no voltage present.
Amplifier is not prop­erly grounded.
Amplifier has no sound
(Power LED is on)
RCA Input from source unit is not connected or not functioning prop­erly.
XCard is missing or not placed properly in cross­over slots.
Speaker leads are shorted to each other or to the chassis of the ve­hicle.
Speakers are defective.
Check connections, substi­tute with known working source and cables and repair or replace as necessary.
Check XCard position and repair or replace as neces­sary.
Disconnect existing speak­ers and test with known working speakers and wires. If amplifier plays, check and repair wiring and installa­tion of speakers as neces­sary.
Disconnect existing speak­ers and test with known working speakers. If ampli­fier plays, check and repair speakers as necessary.
Check the alternator, bat­tery, fuse, and wiring and repair as necessary. If the voltage is above 15.5 volts, have the electrical system inspected by an authorized car service center.
Check the alternator, bat­tery, fuse, and wiring and repair as necessary. If the voltage is above 15.5 volts, have the electrical system inspected by an authorized car service center.
Check wiring and repair as necessary.
TROUBLE-
S H O O
T
I N G
Page 39
– 36 –
Speaker Output Low or Distorted
Readjust input gains of amplifier.
Check system with known working source and repair or replace original source as needed.
Check XCard position and repair or replace as neces­sary.
Check the alternator, bat­tery, fuse, and power and ground wiring. Repair as necessary.
Symptom Diagnosis Remedy
Input gain signal for am­plifier is incorrectly set.
Source unit output too low or source unit has no output.
XCard is missing or not placed properly in cross­over slots.
Low battery voltage or large voltage drops to the amplifier under load.
TROUBLE-
S H O O T
I N G
No Output on Channel A, Chan­nel B, or Channel C
Signal Input Switches not configured properly.
XCard(s) missing or not placed properly in cross­over slot.
Check Signal Input Switches and reconfigure as necessary.
Check XCard position(s) and repair or replace as necessary.
Amplifier Noise
(Turn-on pop)
Voltage spike from out­put of preceding compo­nent is entering amplifier through input signal.
Voltage spike from remote turn-on lead is entering through REM input termi­nal.
Disconnect input signal to amplifier and turn ampli­fier on and off. If noise is eliminated, connect REM lead of amplifier to source unit with a delay turn-on module.
Use a different 12 volt source for REM lead of amplifier. (i.e., battery di­rect) If noise is eliminated, use a relay to isolate am­plifier from noisy turn-on output.
Low Output on Channel C
(L mono RCA input)
Signal Input Switches do not configure Channel C for E-Z Bridge.
Check Signal Input Switches and reconfigure as necessary.
Page 40
– 37 –
Noise is radiating into RCA signal cable.
Bad component in the sig­nal chain.
Noise is radiating into speaker cables.
Multiple grounds in the audio system.
Ground loop between source unit and antenna.
Engine Noise
Symptom Diagnosis Remedy
Check connections, run the RCA cables on a different route away from sources of high current.
Check connections, bypass additional components (crossovers and equalizers) between the source unit and the amplifier. Connect one component at a time to determine the culprit. Repair or replace compo­nents as necessary.
Disconnect existing speak­ers and connect a test speaker to the output ter­minals of the amplifier. If noise is gone, reroute the speaker cables away from sources of high voltage.
Check ground connections and connect amplifiers, sig­nal processors, and other components to a central location or try a different grounding point on the chassis.
Check connections, dis­connect antenna from source unit. If noise is gone, install an antenna ground loop isolator.
• If noise persists, see your Authorized Rockford Fosgate Dealer.
TROUBLE-
S H O O T I N G
Page 41
– 38 –
DYNAMIC POWER MEASUREMENTS
About the Dynamic Power Measurements
The Audio Graph PowerCube is a test instrument used to measure the output of an amplifier in accordance with IHF-202 industry standards. The IHF-202 standard is a dynamic power measurement and was developed as a means of measuring power in a manner that best represents the Real World operation of an amplifier. Many manufacturers, including Rockford Fosgate, at times will measure amplifier power into a fixed resistor (4 ohm, 2 ohm). While this method is useful in some types of evaluation and testing, it is not representative of an amplifier that is connected to a speaker and playing music.
Music
Music is dynamic; the sound waves are complex and constantly changing. In order to simulate this, the IHF-202 standard calls for the input signal to the amplifier to be a 1kHz bursted tone. This signal is input (on for 20 milliseconds) and reduced 20dB for 480 milliseconds. The signal is gradually increased in level until the amplifier's output exceeds 1% Total Harmonic Distortion (THD). At 1% distortion becomes audible, therefore, any power produced above that level is considered
unusable
. Many manufacturers represent their amplifiers' output power in excess of 10% distortion. They use many names for this measurement, such as Total Maximum Power or Maximum Output Power. This is not indicative of the
actual usable output power
.
Listening to Loudspeakers - Not Resistors
A loudspeaker is not a resistor. A resistor's value (resistance measured in ohms) is fixed. A loudspeaker's impedance is dynamic. It is constantly changing in value, dependent upon the frequency of the input signal. Therefore, measuring power with the amplifier loaded into a 4 ohm resistor is not the same as measuring power with the amplifier connected to a 4 ohm speaker. Most people do not listen to music through a resistor.
A 4 ohm speaker may experience a drop in impedance 4-6 times lower than its nominal (printed) impedance. A speaker will also create phase shifts in the signal that is passed through it. These phase shifts happen because a speaker is an inductor (voice coil) and a capacitor (compliance of the surround/spider), as well as a resistor (voice coil wire).
To simulate a speaker the Audio Graph PowerCube measures output power into 20 different loads. It tests at 8 ohms, 4 ohms, 2 ohms and 1 ohm. Each of these impedances is also tested at –60°, –30°, 0°, +30° and +60° phase angles. These different impedances and phase angles repre­sent the shifts in impedance and phase that can occur in a typical loudspeaker.
Page 42
Information Cubed
The data acquired in the testing procedure is then graphed in the form of a 3-dimensional cube, hence the name PowerCube.
The
Phase Angle
is expressed on the horizontal axis, the
Output
Voltage
is presented on the vertical axis and the
Impedance
is
displayed on the Z axis.
Output Power,
in watts, is listed on the left
hand side for each impedance at each phase angle.
What is an Amplifier?
An amplifier by definition is a voltage generating device, recreating the signal which is input to it identically but with increased volume. It will be connected to a reactive load (the speaker). The impedance of this load and phase of the signal passing through the load will vary, dependent upon the frequency of the input signal (music).
Therefore, a perfect amplifier will be able to maintain the same output voltage regardless of load characteristics and will not alter the signal it is reproducing. A perfect amplifier when measured by the Audio Graph PowerCube would present data that forms a perfect cube. Unfortunately, amplifiers are not perfect. The laws of physics gener­ally prevent it. A great amplifier is about the best one can hope to attain.
As you can see by the PowerCube and as you will experience by listening, your Punch amplifier is a GREAT AMPLIFIER!
– 39 –
–60° (Cap)
0°
(Ind) +60°
1
2
4
Impedance
8
10V
30V
50V
8 –60°
–30°
0° 30° 60°
4 –60°
–30°
0° 30° 60°
2 –60°
–30°
0° 30° 60°
1 –60°
–30°
0° 30° 60°
85 W 84 W 84 W 84 W
86 W 162 W 157 W 156 W 157 W 162 W 273 W 258 W 251 W 256 W 271 W 390 W 356 W 346 W 352 W 390 W
Audio Graph – The PowerCube™
Amplifier: Serial No: Owner :
PUNCH 200.
2
14.4V x 2
ROCKFORD CORPORATION
Rated Power : 100 W @ 4 Ohms
IMPEDANCE
MODEL BEING
TESTED
x2 = STEREO
MONO = BRIDGED MONO
VOLTAGE FROM
BATTERY
OUTPUT VOLTAGE
*
*
*
*
PHASE ANGLES
{
POWER
IN
WATTS
{
{
• Example of a Punch 200.2 PowerCube
Page 43
– 40 –
Continuous Power Rating (Competition Standard) - Measured at 13.8 Battery Volts RMS continuous power per channel, 30 Watts x 6
all channels driven into a 4 load from 20 to 20,000 Hz with less than
0.05% Total Harmonic Distortion (THD) RMS continuous power per channel, 60 Watts x 6
all channels driven into a 2 load from 20 to 20,000 Hz, with less than
0.1% Total Harmonic Distortion (THD) RMS continuous power bridged into a 120 Watts x 3
4 load from 20 to 20,000 Hz, with less than 0.1% Total Harmonic Distortion (THD)
Dynamic Power Rating (IHF-202 Standard) - Measured at 14.4 Volts Per channel into a 4 Load 60 Watts x 6 Per channel into a 2 Load 95 Watts x 6 Bridged into a 4Ω Load 190 Watts x 3
Signal-to-Noise Ratio > 100dB A-weighted Frequency Response 20Hz-20kHz ±0.5dB Bandwidth 10Hz-250kHz ±3dB Damping Factor @ 4 >200 (at output connector) Slew Rate 30 V/µs IM Distortion (IHF) <0.05% Input Impedance 20k Ohms Input Sensitivity Variable from 300mV to 5V
Preset at the factory for 500mV B+ Fuse Size (External to Amplifier) 50 amp or two 25 amp Fuse Type AGU Crossover Alignment 12dB/octave Butterworth
(XCard C) = 80Hz (.047µf)
(XCard B) = 4.5kHz (.022µf)
(XCard B) = 80Hz (.047µf)
(XCard A) = 80Hz (.047µf) Dimensions (including end caps) 9
5
8"H x 189⁄32"W x 25⁄8"D
(24.45cm x 46.43cm x 6.67cm)
SPECIFICATIONS
Page 44
WARRANTY INFORMATION
– 41 –
Ship to:
Speakers
Rockford Acoustic Design (Receiving-speakers) 609 Myrtle N.W. Grand Rapids, MI 49504 RA#:_________________
Ship to:
Electronics
Rockford Corporation Warranty Repair Department 2055 E. 5th Street Tempe, AZ 85281 RA#:_________________
Rockford Corporation offers a limited warranty on Rockford Fosgate products on the following terms:
Length of Warranty 3 years on electronics 90 days on electronic B-stock (receipt required) 2 years on source units 30 days on speaker B-stock (receipt required)
What is Covered This warranty applies only to Rockford Fosgate products sold to consumers by Authorized Rockford Fosgate Dealers in the United States of America or its possessions. Product purchased by consumers from an Authorized Rockford Fosgate Dealer in another country are covered only by that country’s Distributor and not by Rockford Corporation.
Who is Covered This warranty covers only the original purchaser of Rockford product purchased from an Authorized Rockford Fosgate Dealer in the United States. In order to receive service, the purchaser must provide Rockford with a copy of the receipt stating the customer name, dealer name, product purchased and date of purchase.
Products found to be defective during the warranty period will be repaired or replaced (with a product deemed to be equivalent) at Rockford's discretion.
What is Not Covered
1. Damage caused by accident, abuse, improper operations, water, theft
2. Any cost or expense related to the removal or reinstallation of product
3. Service performed by anyone other than Rockford or an Authorized Rockford Fosgate Service Center
4. Any product which has had the serial number defaced, altered, or removed
5. Subsequent damage to other components
6. Any product purchased outside the U.S.
7. Any product not purchased from an Authorized Rockford Fosgate Dealer
Limit on Implied Warranties Any implied warranties including warranties of fitness for use and merchantability are limited in duration to the period of the express warranty set forth above. Some states do not allow limitations on the length of an implied warranty, so this limitation may not apply. No person is authorized to assume for Rockford Fosgate any other liability in connection with the sale of the product.
How to Obtain Service Please call 1-800-669-9899 for Rockford Customer Service. You must obtain an RA# (Return Authorization number) to return any product to Rockford Fosgate. You are responsible for shipment of product to Rockford.
Page 45
I
NTERNATIONAL
INFORMATION
– 42 –
Page 46
LEA DETENIDAMENTE LAS SIGUIENTES INSTRUCCIONES DE INSTALACION DEL PRODUCTO. EVITARA POSIBLES DAÑOS A VD., AL VEHICULO O AL PRODUCTO.
Montaje en el Malatero
Monte el amplificador verticalmente con las lineas del radiador orientadas de arriba hacia abajo. De esta manera conseguira la mejor ventilacion.
Montaje en el Compartimento de Pasajeros
El montaje en el compartimento de pasajeros sera eficiente en funcion de la ventilacion que tenga el amplificador. Si va a instalar el amplificador bajo un asiento deberá dejar al menos 2.5cm libres sobre la carcasa del amplificador.
Instalacion
Por seguridad, desconecte el terminal negativo de la bateria antes de comenzar la instalacion.
Terminal B+
El cable B+ debe ir provisto de un fusible a una distancia no mayor de 45cm de la bateria. Prepare el cable e instale el portafusibles en el compartimento del motor. Las conexiones han de ser impermeables.
Terminal GND
Prepare un trozo de cable para usarlo como toma de masa. Prepare un punto de masa en el chasis rascando y eliminando la pintura de la superficie de metal y limpielo de toda suciedad asegure el cable al chasis con un tornillo.
Terminal REM
Conecte el cable REM a un punto de +12V con mutable. La señal se suele coger de la salida auto antena del radio cassette si este no tiene salida remote.
UBICACIÓN PARA EL MONTAJE
– 43 –
El Punch 360.6 es un amplificador de 6 canales de 360 vatios con caracteristicas integradas para permitir diseños de sistemas con un solo amplificador. Dentro del amplificador hay 4 crossovers XCards y un circuito de conmutación de señal. Estos dispositivos simplifican el procesado de señal y permiten una distribución de la señal a medida de las necesidades para cada canal. También están integrados un conmutador de fase y un circuito ecualizador de graves diseñados para optimizar el ajuste del sistema. El esfuerzo de ingeniería realizado en el diseño del Punch 360.6 se hace patente al ver la facilidad con que es instalado un sistema de tres vías usando un mínimo número de componentes.
INTRODUCCION
Page 47
– 44 –
ESPAÑOL
UTILIZACION DEL CIRCUITO DE CONMUTACION
DE
SEÑAL
El circuito de conmutación de señal permite distribuir las entradas RCA a las salidas de varias diferentes maneras. La orientación de ambos conmutadores configura la distribución de señal. Los conmutadores pueden ser posicionados en las siguientes configuraciones.
Configuración n°1
Entrada canal A => Salida canal A
Entrada canal B => Salida canal B
Canal A y B
sumados
=> Salida canal C
Configuración n°2
Entrada canal A => Salida canal A
Entrada canal B => Salida canal B
Entrada canal C => Salida canal C
Configuración n°3 Canal C puente Entrada canal A => Salida canal A
Entrada canal B => Salida canal B
Entrada canal C (mono) => Salida canal C
Configuración n°4
Entrada canal A => Salida canal A, B y C
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
Page 48
Configuración n°5
Entrada canal A => Salida canal A y B
Entrada canal C => Salida canal C
Configuración n°6 Canal C puente
Entrada canal A => Salida canal A y B
Entrada canal C (mono) => Salida canal C
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
– 45 –
Page 49
Funcionamiento en tres canales
– 46 –
Las ganancias de los canales A y B han de ser fijadas
igual
para
igualar los canales
La ganancia del canal C funciona
independientemente
La impedancia del canal izquierdo puenteado no debe ser menor de
4
La impedancia del canal derecho puenteado no debe ser menor de
4
Las XCards para A y B han de er iguales y fijadas en 12dB HP, 12dB LP o Full Range
La XCard C puede fijarse en cualquier posición
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND– L + – R + + R –
–+
4 ohm min.
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ R –
+ L –
4 ohm min.
+ L –
+
4 ohm min.
Page 50
L Ganancia de los canales A, B y C funcionan
independientemente
La Impedancia para los canales A, B y C estereo no debe ser menor de 2
La XCard A se puede posicionar en HP, LP o Full Range
La XCard B se puede fijar en 12dB/24dB HP, 12dB/24dB LP o 12dB Bandpass o Full Range
La XCard C se puede posicionar en HP, LP o Full Range
Funcionamiento en 6 canales Estereo
– 47 –
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND
Rear
+
2 ohm min.
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ L –
2 ohm min.
– L +
+
– R +
Front
2 ohm min.
2 ohm min.
+ +
2 ohm min.
+ R –+ L –
+
2 ohm min.
+ R –
Page 51
ATTENTION: Veuillez lire les instructions suivantes pour l'installation de cet amplifcateur. Ne pas les suivre pourrait causer des blessures ou endommager le véhicule.
Le Punch 360.6, est un amplificateur à 6 canaux de 360 watts avec des caractéristiques reprises aux amplificateurs 2 canaux. Quatre cartes de filtrage sont intégrées dans l'ampli ainsi qu'un réseau de commutation du signal. Ces caractéristiques simplifient le traitement du signal et permettent une configuration personnalisée de la distribution du signal à chaque paire de canaux. Afin d'améliorer le réglage de votre système nous avons également intégré un commutateur de phase et un circuit d'égalisation des basses. Le développment du Punch 360.6 montre à quel point un système 3 voies de qualité peut être facilement installé tout en utilisant un minimum de composants.
INTRODUCTION
Montage dans le coffre
Monter l'amplificateur verticalement avec les rainures de haut en bas ce qui lui permet de refroidir plus facilement.
Montage dans l'habitacle
Monter l'amplificateur dans l'habitacle ne pose aucun problème, du moment qu'il y ait assez d'air pour le refroidir. Si vous montez l'ampli en dessous du siège, prévoyez 3 cm d'air autour du radiateur.
Installation
Pour votre sécurité, déconnectez la borne négative de la batterie du véhicule avant de commencer l'installation.
Terminal B+
Il est impératif qu'il y ait un fusible sur le câble pour la connexion à la masse. Préparez le châssis en grattant la peinture de la surface métallique et nettoyez la saleté et l'huile. Attachez le câble au châssis avec une vis.
Terminal GND
Préparez une longueur de câble pour la connexion à la masse. Préparez le châssis en grattant la peinture de la surface métallique et nettoyez la saleté et l'huile. Attachez le câble au châssis avec une vis.
Terminal REM
Connectez le fil REM à une commande 12 volts positive de la source. La commande 12 volts est habituellement prise sur la sortie antenne électrique de la source ou la commande accessoire. Si la source ne dispose pas de ces sorties, nous vous recommandons d'installer un interrupteur qui fournira un positif 12 volts au REM de l'amplificateur.
MONTAGE
– 48 –
FRANÇAIS
Page 52
– 49 –
UTILISATION DU RÉSEAU DE COMMUTATION
DU
SIGNAL
Le réseau de commutation du signal permet au signal provenant des RCA e'entrée d'être distribué vers les sorties dans de multiple configu­rations. L'orientation des deux commutateurs configure la distribu- tion de signal. Les commutateurs peuvent être orientés afin d'obtenir les configurations suivantes:
Configuration #1
entrée A => sortie A
entrée B => sortie B
somme des entrées A et B => sortie C
Configuration #2
entrée A => sortie A
entrée B => sortie B
entrée C => sortie C
Configuration #3 (E-Z bridge canal C) entrée A => sortie A
entrée B => sortie B
entrée C (L mono) => sortie C
Configuration #4
entrée A => sortie A, B et C
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
Page 53
Configuration #5
entrée A => sortie A et B
entrée C => sortie C
Configuration #6 (E-Z bridge canal C) entrée A => sortie A et B
entrée C (L mono) => sortie C
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
– 50 –
Page 54
Configuration à 3 canaux
Les controles de gain des canaux A et B sont réglés de manière
égale pour équilibrer le subwoofer
Les controles de gain des canaux C sont
indépendants
L'impédance pour le canal bridgé de gauche doit être de
4
minimum
L'impédance pour le canal bridgé de droit doit être de
4Ω minimum
L'impédance pour le canal bridgé C doit être de
4Ω minimum
Les cartes de filtrage A et B doivent être réglées de manière
identique: 12dB passe-haut, passe-bas ou full range
La carte de filtrage C doit étre réglée en passe-haut, passe-bas ou
full range
– 51 –
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND– L + – R + + R –
–+
4 ohm min.
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ R –
+ L –
4 ohm min.
+ L –
+
4 ohm min.
Page 55
Les controles de gain des canaux A, B et C sont
indépendants
L'impédance pour le canal bridgé de gauche doit être de
4Ω mini-
mum
L'impédance pour le canal bridgé de droit doit être de
4Ω minimum
La carte de filtrage A peut être réglée en passe-haut, passe-bas ou full range
Les cartes de filtrage B peuvent être réglées en 12/24dB passe-haut, 12/24dB passe-bas, 12dB passe-bande ou full range
La carte de filtrage C peut étre réglée en passe-haut, passe-bas ou full range
Configuration à 6 canaux
– 52 –
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND
Rear
+
2 ohm min.
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ L –
2 ohm min.
– L +
+
– R +
Front
2 ohm min.
2 ohm min.
+ +
2 ohm min.
+ R –+ L –
+
2 ohm min.
+ R –
Page 56
BITTE LESEN SIE DIESE GEBRAUCHSANLEITUNG ZUERST SORGFÄLTIG DURCH. DAS KANN SIE VOR DEM FALSCHEN EINSATZ, AUSFALLEN ODER SOGAR BESCHÄDIGUNG DES PRODUKTES ODER IHRES FAHRZEUGES SCHÜTZEN.
Im Fahrzeugkofferraum
Der vertikale Einbau der Endstufen, das bedeutet, daβ die Kühlrippen von oben nach unten verlaufen, gibt dem Verstärker die beste Kühlung.
Auf der Beifahrerseite
Sollte der Verstärker auf der Beifahrerseite montiert werden, so ist es sehr wichtig, für eine ausreichende Kühlung zu sorgen. Sollte der Verstärker z.B. unter dem Beifahrersitz montiert werden, sollte dem Kühlkörper mindestens ein Luftspalt von 3 cm bleiben, um so für eine ausreichende Kühlung zu sorgen.
Einbau
Zur Sicherheit klemmen Sie den Negativ-Pol der Batterie während des gesamten Einbaues ab.
B+ Anschluss
Die Plus-Leitung MUβ ca. 40 cm nach dem Plus-Pol der Batterie abgesichert sein. Preparieren Si die Kabellängen und montieren Sie den Sicherungshalter im Motorraum. ALLE Verbindungen müssen wasserdicht sein.
GND Anschluss
Preparieren Sie Ihr Kabel für die Negativ Leitung (Erdung). Preparieren Sie die Anschluβstelle des Erdungskabels, indem Sie das Metall gründlich reinigen und vom Lack befreien. Befestigen Sie nun die Erdung an dieser Stelle mit einer Schraube.
REM Anschluss
Verbinden Sie das Ein-und Ausschaltungskontroll-Kabel mit Ihrem Radio (12 Volt positiv). Normalerweise verwenden Sie hierfür die Ant.­Remote Ihres Radios oder ein eigens dafür vorgesehenes Kabel (Amp­Remote). Sollte Ihr Radio diesen Anschluβ nicht besitzen, so verwenden Sie eine 12 Volt Spannung, die Sie durch einen Schalter ein- und ausschalten können.
EINBAUORT
Die Punch 360.6 ist ein 360 Watt, 6-Kanal Verstärker mit integrierten Besonderheiten, um ein “ein Verstärker” System zu kreieren. Eingebaut sind vier interne Frequenzkarten und ein schaltbares Signal Netzwerk. Diese Besonderheiten vereinfachen die Signalbearbeitung und ermöglichen es, jedem Kanal die “richtigen” Frequenzen zuzuteilen. Ein Phasenumschalter und eine Bass-Equilizer Schaltung sind ebenfalls eingebaut, um Ihr System optimal anzupassen. Die Anstrengungen der Ingenieure lagen darin, ein vollwertiges 3-Wege System mit möglichst wenig Komponenten zu realisieren.
EINLEITUNG
– 53 –
Page 57
– 54 –
BENUTZEN DES SIGNAL NETZWERKES
Das Schaltbare Signal Netzwerk erlaubt es, die Eingangssignale den verschiedenen Ausgangen optimal zuzuteilen. Die verschiedenen Stellungen der Schalter sind in den folgenden Beispielen dargestellt.
Beispiel #1
Kanal A Eingang => Kanal A Ausgang Kanal B Eingang => Kanal B Ausgang Kanal A & B
Eingang addiert => Kanal C Ausgang
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
Beispiel #2
Kanal A Eingang => Kanal A Ausgang Kanal B Eingang => Kanal B Ausgang Kanal C Eingang => Kanal C Ausgang
Beispiel #3
(E-Z gebrückt Kanal C) Kanal A Eingang => Kanal A Ausgang
Kanal B Eingang => Kanal B Ausgang Kanal C (L mono) Eingang => Kanal C Ausgang
Beispiel #4
Kanal A Eingang => Kanal A, B & C Ausgang
DEUTSCH
Page 58
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
Beispiel #5
Kanal A Eingang => Kanal A & B Ausgang Kanal C Eingang => Kanal C Ausgang
Beispiel #6
(E-Z gerbrückt Kanal C)
Kanal A Eingang => Kanal A & B Ausgang Kanal C (L mono) Eingang => Kanal C Ausgang
– 55 –
Page 59
3-Kanal Operation
– 56 –
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND– L + – R + + R –
–+
4 ohm min.
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ R –
+ L –
4 ohm min.
+ L –
+
4 ohm min.
Gain-Kontrolle für die Kanäle A & B gleich einstellen, um die Subwoofer auszubalancieren
Gain-Kontrolle für Kanal C arbeitet unabhängig davon
Die Impedanz für den gebrückten linken Kanal sollte minimum 4 betragen
Die Impedanz für den gebrückten rechten Kanal sollte minimum 4 betragen
Die Impedanz für den gebrückten C Kanal sollte minimum 4 betragen
Die Aktivweichen-Modul A & B sollten gleich gesteckt werden, als 12dB Hochpass, 12dB Tiefpass oder Full Range
Das Aktivweichen-Modul für Kanal C sollte auf Hochpass, Tiefpass oder Full Range gesteckt werden
Page 60
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND
Rear
+
2 ohm min.
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ L –
2 ohm min.
– L +
+
– R +
Front
2 ohm min.
2 ohm min.
+ +
2 ohm min.
+ R –+ L –
+
2 ohm min.
+ R –
6-Kanal Stereo Operation
Gain-Kontrolle für die Kanäle A, B & C arbeiten unabhängig voneinander
Die Impedanz für die Stereo-Kanäle A, B & C sollten mindestens 2 begragen
Das Aktivweichen-Modul für Kanal A kann auf Hochpass, Tiefpass oder Full Range gesteckt werden
Das Aktivweichen-Modul für Kanal B kann auf 12dB/24dB Hochpass, 12dB/24dB tiefpass oder Full Range gesteckt werden
Das Aktivweichen-Modul für Kanal C kann auf Hochpass, Tiefpass oder Full Range gesteckt werden
– 57 –
Page 61
ITALIANO
ATTENZIONE: SI PREGA DI LEGGERE LE SEGUENTI ISTRUZIONI PER L'INSTALLAZIONE DI QUESTO PRODOTTO. IL NON SEGUIRLE POTREBBE RISULTARE SERIAMENTE DANNOSO PER LA PERSONA O PER IL VEICOLO.
Il Punch 360.6 é un amplificatore da 360 watt totali e 6 canali progettato per essere installato come un singolo apparato. Al suo interno trovano posto caratteristiche che consentono questa elevatissima versatilitá, come le 4 XCard e la rete di selezione degli ingressi. tutte queste caratteristiche semplificano il processo del segnale audio e permettono all'utilizzatore di smistare il segnale a ciascuna coppia di canali. É presente anche uno switch di inversione fase e un circuito di equalizzazione in gamma bassa per agevolare le operazioni di taratura del sistema. Lo sforzo ingegneristico applicato al 360.5 dimostra come un sistema a 3 vie possa essere installato con facilitá mantenendo ridotto il numero di componenti.
INTRODUZIONE
Nel Bagagliaio
Montando l'amplificatore su una superficie in verticale con le alette direzionate dall'alto verso il basso vi garantirá un miglior raffreddamento dell'amplificatore.
Nell'abitacolo
Montandop l'amplificatore nell'abitacolo si avrá un funzionamento regolare se si garantisce un flusso d'aria sufficiente. Per l'installazione sotto un sedile, é necessario avere uno spazio di almeno 3 cm attorno a tutto l'amplificatore.
Installazione
Per sicurezza, scollegare il polo negativo della batteria dell'auto prima di iniziare l'installazione.
Terminale B+ (cavo positivo)
Il cavo positivo deve essere protetto da un fusibile a non piú di 45 cm dalla batteria. Terminare il cavo e installare il fusibile nel vano motore. Tutte le connessioni devono essere a prova d'acqua.
Terminale GND (cavo negativo)
Decidere la lunghezza del cavo e terminarlo. Preparare la massa grattando la vernice dal telaio dell'auto ed eliminando tracce di olio o sporco. Fissare il cavo di massa al telaio con una vite.
Terminale REM (Consenso di accensione)
Collegare il cavo REM ad un positivo presente solo ad autoradio accesa (normalmente il cavo pilota dell'antenna elettrica o il cavo accessori dell'autoradio). Se la sorgente non dovesse essere equipaggiata con queste uscite, la soluzione raccomandabile é di inserire un interruttore su un cavo positivo e connettersi all'amplificatore.
DOVE POSIZIONARLO
– 58 –
Page 62
– 59 –
IMPIEGARE LA RETE DI SELEZIONE DEGLI INGRESSI
Configurazione #1
Ingresso A => Uscita A Ingresso B => Uscita B Ingressi A e B sommati => Uscita C
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
La rete di selezione degli ingressi permette al segnale RCA di essere diretto alle uscite in molti modi distinti. La posizione di entrambi i selettori stabilisce la configurazione adottata. I selettori possono essere configurati nei modi seguenti:
Configurazione #2
Ingresso A => Uscita A Ingresso B => Uscita B Ingresso C => Uscita C
Configurazione #3 (E-Z bridge Uscita C)
Ingresso A => Uscita A Ingresso B => Uscita B Ingresso C (L mono) => Uscita C
Configurazione #4
Ingresso A => Uscita A, B, C
Page 63
Configurazione #5
Ingresso A => Uscita A, B Ingresso C => Uscita C
XCard C
XCard B XCard B XCard A
–180°
0°
XCard C
XCard B XCard B XCard A
–180°
0°
Configurazione #6
(E-Z bridge Uscita C)
Ingresso A => Uscita A, B Ingresso C (L mono) => Uscita C
– 60 –
Page 64
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND– L + – R + + R –
–+
4 ohm min.
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ R –
+ L –
4 ohm min.
+ L –
+
4 ohm min.
Funzionamento a 3 canali
I gain dei canali A e B regolati identici per bilanciare il subwoofer
Il gain dei canale C opera indipendentemente
L'impedenza per il canale a ponte sinistro deve essere minimo 4
L'impedenza per il canale a ponte destro deve essere minimo 4
L'impedenza per il canale C deve essere minimo 4
Le XCard A & B devono essere identiche e posizionate allo stesso modo, Passa alto 12dB/ott, Passa basso 12dB/ott o gamma intera
La XCard C puó essere indipendentemente posizionata Passa alto, Passa basso o gamma intera
– 61 –
Page 65
Ch. A Ch. ACh. B Ch. B
REM Dual B+ Dual GND
Rear
+
2 ohm min.
+
LED
Ch. C
Bass EQ
Ch. C Gain
Ch. C Ch. B Ch. A
Ch. B Gain
Ch. A Gain
L
R
L
R
L
R
Ch. C
Ch. C
+ L –
2 ohm min.
– L +
+
– R +
Front
2 ohm min.
2 ohm min.
+ +
2 ohm min.
+ R –+ L –
+
2 ohm min.
+ R –
Funzionamento a 6 canali stereo
I gain per i canali A, B, C operano in modo indipendente
L'impedenza per il canali stereo A, B, C deve essere minimo 2
La XCard A puó essere impiegata Passa alto, Passa basso o gamma intera
La XCard B puó essere impiegata Passa alto 12/24dB/ott, Passa basso 12/24dB/ott, Passa banda 12dB/ott o gamma intera
La XCard C puó essere impiegata come Passa alto, Passa basso o gamma intera
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NOTES
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NOTES
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9/96 MAN-1364-A
MADE IN THE USA
This product is designed, developed and assembled in the USA by a dedicated
group of American workers. The majority of the components used in the
construction of this product are produced by American companies. However, due
to the global nature of their manufacturing facilities and the loudspeaker parts
industry in general, some parts may be manufactured in other countries.
Rockford Fosgate
Rockford Corporation
546 South Rockford Drive
Tempe, Arizona 85281 U.S.A.
In U.S.A., (602) 967-3565
In Europe, Fax (49) 4207-801250
In Japan, Fax (81) 559-79-1265
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