Ricoh RDC-5300 User Manual

ADVANCED SHOOTING
Changing Flash Modes ........................................ 54
Changing the flash mode ............................... 55
Setting the Exposure Compensation.................. 57
Setting the Exposure Compensation............ 57
Changing the White Balance Mode..................... 59
Special Shooting Functions ................................ 61
Using the Self-Timer ....................................... 61
Focus Lock Shooting...................................... 62
Focus Mode Shooting..................................... 63
Date Imprint Mode ........................................... 65
Redeye Reduction Mode ................................ 66
Monochrome Mode (Black & White) Sepia... 67
Interval (Time lapse) Shooting Mode ............ 68
Using SOFT Mode ........................................... 70
S Mode (Shutter Speed).................................. 71
Using Auto Bracket ......................................... 72
Macro Shooting (Close-up Shooting) ........... 73
Chapter
3
Changing Flash Modes
This section explains how to change the flash mode. Switch the flash mode to meet your photographic needs.
Flash Modes
The mode screen will change in the following sequence as you switch the flash mode:
Flash Off Mode Auto Flash Mode Forced Flash Mode Slow Synchro Mode
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* The factory default setting is flash off mode.
Flash off mode The flash will not fire, even in dark places. Use this mode in places where flash photography is prohibited and in bright indoor settings.
Auto Flash mode The flash will fire automatically in dark places and where there is backlighting.
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Forced Flash mode Backlighting and strong light can produce dark shadows in photographs of the faces of subjects. Use this mode in such situations. The flash will always fire, regardless of the brightness.
Slow synchro mode The flash can be fired to illuminate the subject while a slow shutter speed correctly exposes the background. Use at indoor parties, etc., to clearly photograph the subjects while avoiding a dark background.
Effective Range of the Flash
When you shoot with the flash activated, the flash has an effective range of about 0.4 to 3.0 m (1.3 ft to 9.9 ft) for the telephoto setting and 0.4 to 3.4 m (1.3 ft to 11.2 ft) for the wide-angle setting. The subject will appear dark in the picture if the light from the flash fails to reach it.
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Changing the flash mode
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q Set the Mode dial to [ ].
w Press the Flash button to select the flash
mode ( • • Light • Blink).
The flash mode will change each time the Flash mode button is pressed.
The flash mode will be displayed on the LCD panel and LCD monitor. In the Auto Flash mode, however, the the LCD monitor. This mark will not be displayed on the LCD panel.
mark will be displayed only on
e Press the release button to take the
photograph.
• When the flash fires, the flash lamp (red)
Note
will light when the release button is pressed lightly.
• When the flash is being recharged, the flash lamp will flash and the display will disappear from the LCD monitor. Photographs cannot be taken at this time.
How to Cancel a mode
Press the Flash button and switch to another mode.
3
Advanced Shooting
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Important
When using the flash for nearby subjects (approx. 0.4m (16 inches) or
Note
less), the light from the flash may appear to be reddish in some cases. This also causes overexposure so the subject may appear whitish in the photograph. At such times, select the No Flash mode.
The shutter speed will automatically become slower in dark places. In such cases, either grip the camera firmly or mount the camera on a tripod to prevent hand jitter. Exercise special care when using Tele .
Using external flash
Note
Recommended product: TOCAD COMPANY LIMITED
SUNPAK Auto 544 (USA)” “SUNPAK G4500 (Europe and Asia)
Usage and connection cautions
Exposure is determined by the external flash setting. Camera exposure compensation settings have no effect.
Flash output is determined by the external flash setting. Photographed images can be checked using the LCD monitor. If exposure is incorrect, adjust the F value of the external flash and re-photograph.
When the external flash is on, it will fire regardless of the flash mode to which the camera is set.
When the Quick shooting mode is used, continuous photography may not be possible when the flash is charging and under certain photographic conditions.
It is recommended that the camera flash be used for close-up photography.
Clip-on type flashes cannot be connected. Use a flash that can be attached
using the tripod socket. Do not apply excessive force when connecting.
When connecting an external flash, adjust the end of the sync plug so that it can be firmly connected.
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Setting the Exposure Compensation
As long as the subject is centered in the shooting range, you can take the picture normally as the camera will automatically adjust the exposure compensation for backlighting. If there is a significant difference in brightness between the background and subject, however, the subject tends to be under- or over-exposed. Exposure compensation is useful in this situation. You can also use exposure compensation to produce intentionally under- or over-exposed images.
Exposure Compensation Range ±2.0 EV (in 0.5 EV steps)
Shooting Against the Light The bright background will make the subject appear under-exposed. Set the exposure compensation level to a positive value to adjust the exposure.
Important
If the subject is not centered in the shooting range when taking a picture
Note
against the light, the camera will not assume that the subject is in a backlit state. Exposure compensation is required in this situation.
Shooting a White Image If you shoot an image that appears generally white, the shot will be under-exposed as a whole, with people appearing dark and white objects appearing gray. Set the exposure compensation level to a positive (+) value to adjust the exposure.
Shooting a Black Image If you shoot an image that appears generally black, the shot will be over-exposed as a whole, with people appearing white and black objects appearing gray. Set the exposure compensation level to a negative (–) value to adjust the exposure. Follow the same procedure when shooting a person under a spotlight, for example.
Setting the Exposure Compensation
Set the exposure compensation level.
q Set the mode dial to [ ] and press the
MENU button.
The record menu will be displayed.
3
Advanced Shooting
To cancel the operation, press the
Note
MENU button.
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w Press the or button to select +/–
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EV+0.5
[Exposure Compensation] and press the ENTER button.
The exposure compensation settings menu will be displayed.
• To cancel the operation and return to the
Note
record menu, press the MENU button.
MENU [RECORD
RECORDING MODE : WHITE BALANCE :AUTO +
/– :OFF FOCUS :AUTO DATE IMPRINT :OFF REDEYE REDUCTION:OFF MONOCHROME :OFF INTERVAL MODE :OFF
BACK:MENU SEL.:ENTER
]
e Press the ▼ or button to change the
compensation level.
+/–
+2.0
Pressing the ▲ ( ) button increments the number of frames. Pressing the ( decrements the number of frames. Keep the button depressed to quickly scroll through the
) button
–2.0 EV+0.0 BACK:MENU SEL.:ENTER
frames.
r Press the shutter release button to shoot
the subject.
When you press the shutter release button lightly (halfway), the LCD monitor switches to a normal display. Press down the shutter release button fully to shoot the subject. When the shooting ends, the setup menu is displayed again on the LCD monitor. To accept the new adjustment level, press the ENTER button; to cancel it, press the MENU button to return to the record menu. Then, press the menu button once again to exit the record menu.
How To Cancel the Exposure Compensation Setting
Follow the above procedures and set the compensation level to [±0.0] in step e.
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• To save the exposure compensation setting, set Keep Setting mode. See
Note
“Keep Settings”. (p.104)
• Three frames will be exposed continuously: one at the exposure compensation value, one at -0.5EV and one at +0.5EV. This function is convenient for checking the exposure compensation value setting. See “Using Auto Bracket”. (p.72)
Changing the White Balance Mode
The white balance mode adjusts the white balance so that you can capture your subject in its natural colors regardless of the light source. The auto mode will suffice in most situations. The auto mode automatically adjusts the white balance based on the white areas, ensuring that white is reproduced as white regardless of the light source. Consequently, a subject that lacks in white tones as a whole or that is dominated by dark tones may not achieve an appropriate white balance. Change the white balance mode to shoot such subjects.
Switching White Balance Modes
The mode screen will change in the following sequence as you switch the white balance mode:
オートモ(表
Auto Mode (no display) Daylight Mode Cloudy Mode (Overcast Mode)
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Fluorescent Light Mode Tungsten Light Mode
蛍光灯モード
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太陽モード
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白熱灯モード
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曇天モード
* The factory default setting is auto mode.
Subjects Difficult to Correct in Auto Mode
Monochrome objects
Objects lit by multiple light sources
Changing the White Balance Mode
q Set the mode dial to [ ] and press the
MENU button.
The record menu will be displayed.
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3
Advanced Shooting
To cancel the operation, press the
Note
MENU button.
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