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Scarlet X 4.0
Operation Guide
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Red Digital Cinema Scarlet X 4.0 Operation Guide

RED SCARLET-X
OPERATION GUIDE
SCARLET-X / BUILD V4.0
RED.COM
RED SCARLET-X OPERATION GUIDE

TABLE OF CONTENTS

DISCLAIMER 5
COPYRIGHT NOTICE 5 TRADEMARK DISCLAIMER 5
COMPLIANCE 6
INDUSTRIAL CANADA EMISSION COMPLIANCE STATEMENTS 6 FEDERAL COMMUNICATIONS COMMISSION (FCC) STATEMENT 6 AUSTRALIA AND NEW ZEALAND STATEMENT 7 JAPAN STATEMENTS 7 EUROPEAN UNION COMPLIANCE STATEMENTS 7
BEFORE YOU START 10
IMPORTANT SAFETY INSTRUCTIONS 10
READ BEFORE USING YOUR CAMERA 10
THEORY OF OPERATION 13
MYSTERIUM X® SENSOR 13 IMAGE PROCESSING 13 HDRX™ 14 MAGIC MOTION™ 15 AUDIO RECORDING 15 MICROPHONE LEVEL ANALOG INPUTS 15 LINE LEVEL ANALOG INPUTS 16 VIDEO MONITORING OUTPUTS 16
BOMB EVF 16 RED TOUCH LCD 16 HD-SDI 17 HDMI 17
REDMOTE® 18 DIGITAL MAGAZINE (MEDIA) 18
METADATA 19 CLIP NAMING CONVENTIONS 20 SMPTE TIMECODE 20 POWER CONSUMPTION 21
CAMERA OPERATIONAL CONTROLS 21
BRAIN 21 SIDE SSD MODULE 22 SIDE HANDLE 23
TOP 23 FRONT 24 REAR 25 INSTALLATION / REMOVAL 26
DSMC MODULES 28
PRO I/O MODULE 28 REAR SSD MODULE 29 QUAD BATTERY MODULE 29 DUAL BATTERY MODULE 30 MODULE INSTALLATION / REMOVAL 30
REDMOTE 34
NAVIGATION GROUP 35
DISPLAYS 35
BOMB EVF AND BOMB EVF (OLED) 35 TOUCHSCREEN LCD 37
BASIC OPERATION 38
POWER SOURCES 38
SIDE HANDLE 38 QUAD BATTERY MODULE 39 REDVOLT AND REDVOLT XL 39 BACKPACK QUICKPLATE 40 AC POWER ADAPTOR - (DSMC) 41 EXTERNAL DC POWER 43 POWER UP 43 POWER DOWN 44
GRAPHICAL USER INTERFACE AND NAVIGATION 45
RED LCD/TOUCHSCREEN LCD, BOMB EVF, EXTERNAL MONITORS45 SIDE HANDLE 52 REDMOTE 52
NAVIGATING MENUS 53 USING TOUCHSCREEN LCD 53
TOUCHSCREEN SHORTCUTS 55 ACCESSING SOFT KEYS 56 POWER DOWN 57 LOCK / UNLOCK TOUCHSCREEN OPRERATION 57
FIRST TIME USE – SETTING UP YOUR RED SCARLET-X 58
ATTACH POWER SOURCE 58
BATTERY 58 QUAD BATTERY MODULE 59 RED BRICK 59 DC POWER 59
POWER UP 60 PREPARING TO RECORD 60
CONNECT AND FORMAT MEDIA 60 PERFORM A BLACK SHADING CALIBRATION 61 ADJUST PROJECT SETTINGS 61
RECORDING 63
RECORD INDICATOR 64
PLAYBACK 65
MENU CONTROLS 66
ADJUSTMENTS 66
BASIC SETTING ADJUSTMENTS 66 ADVANCED SETTING MENUS 67
MAIN MENU 68
FPS 68
VARISPEED 68 BASIC SETTINGS 69 ADVANCED SETTINGS 69
ISO (SENSITIVITY) 70 F STOP 70 EXPOSURE 72
BASIC SETTINGS 72 ADVANCED SETTINGS 73
WHITE BALANCE 75
BASIC SETTINGS 75 ADVANCED SETTINGS 76
RESOLUTION 78 REDCODE 79
REDCODE OPTIONS FOR VARIOUS FRAME RATES 79
SECONDARY MENUS 80
HDR MENU 80
HDR ON / OFF 80 STOPS 81
FOCUS MENU 81
MODE 82 ZONES 84 ENHANCED A/F 86
LENS INFORMATION DISPLAY 90
RED DSMC TI PL MOUNT + LENS 90 DSMC CANON MOUNT + LENS 90
EXPOSURE MENU 91
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PRESETS MENU 91
CAMERA PRESETS 91 LOOKS PRESETS 95 AUTO PRESETS 96
MEDIA MENU 96
SELECT MEDIA 97 FORMAT MEDIA 97 EJECT MEDIA 98 UTILITIES 98
SETTINGS MENU 100
DISPLAY 100 LOOK 117 PROJECT 120 SYSTEM STATUS 124 AUDIO 124 RECORDING 127 SETUP 133 MAINTENANCE 143 PLAYBACK 154
POWER 162
POWER STATUS 162 SHUTDOWN 162 POWER OUT 163 POWER SAVE 164
APPENDIX A: UPGRADING CAMERA FIRMWARE 165
VERIFY CURRENT CAMERA FIRMWARE 165 UPGRADE PROCEDURE 165 RESTORE DEFAULT FACTORY SETTINGS 165
APPENDIX B: MANAGING DIGITAL MEDIA 165
MEDIA 166 FORMATTING MEDIA 166 MEDIA CAPACITY REMAINING STATUS 167 EJECT MEDIA FROM CAMERA (UNMOUNT) 168
USING REDMOTE / TOUCHSCREEN LCD 169 USING SIDE HANDLE 170 USING SIDE SSD 170
COPYING MEDIA 170 ERASING MEDIA 171
MACINTOSH OS X 171 WINDOWS 171
APPENDIX C: INPUT / OUTPUT CONNECTORS 172
CAMERA BRAIN FRONT 172
MIC-1, MIC-2 (MICROPHONE AUDIO) 173
CAMERA BRAIN REAR 174
HD-SDI 175 HEADPHONE 175 SYNC (VIDEO SYNC) 176 CTRL (RS232 CONTROL) 178 GIG-E (ETHERNET) 179 DC IN (POWER INPUT) 180 HDMI OUT 181
SIDE SSD MODULE 181 REDMOTE 182
APPENDIX D: SUPPORTED LENSES 183
DSMC CANON MOUNT ELECTRONICALLY SUPPORTED LENSES 183 DSMC NIKON MOUNT ELECTRONICALLY SUPPORTED LENSES 184 DSMC LEICA-M MOUNT LENSES 184
APPENDIX E: AUDIO SUBSYSTEM INFORMATION 185
AUDIO FORMAT 185 CHANNEL SETUP 185 SOURCE SELECTION 185 CHANNEL MODES 185
BALANCED MICROPHONE 186 UNBALANCED MICROPHONE 186 LINE IN 0 DBU 186 LINE IN 0 VU 186 PHANTOM POWER 186 LIMITER 186
AUDIO RECORDING 186 PEAK METER 187 DATA PATH 188 HD-SDI/HDMI EMBEDDED AUDIO 188 AUDIO DURING PLAYBACK 191
APPENDIX F: DEFAULT KEY FUNCTIONS 192
APPENDIX G: REDMOTE OPERATION 194
CONTROL, CONNECTORS AND
DISPLAY 194
CONTROLS 194
OPERATION 197
DOCKING AND UNDOCKING 197 POWER UP / DOWN 198 RECORDING 199 ACCESSING CAMERA CONTROLS / SETTINGS 200 ADVANCED OPERATION: REDMOTE MENUS 201
INTERNAL BATTERY 209
CHARGE STATUS 209 BATTERY LIFE 210 CHARGING 210
UPGRADE REDMOTE FIRMWARE 211
UPGRADE REDMOTE THROUGH DSMC 211 UPGRADE REDMOTE (MACINTOSH) 211 UPGRADE REDMOTE (WINDOWS) 216
APPENDIX H: 3D SETUP / OPERATION 224
OVERVIEW 224 CAMERA SETUP 224
MASTER CAMERA 224 SLAVE CAMERA 225
CLIP NAMING CONVENTIONS 225
REEL NO. / SLATE (CAMERA ID) / CAMERA POSITION 225
CONNECTING CAMERAS 226 OPERATION 227
CHANGING SETTINGS 227 RECORDING 228 POWER DOWN 228
APPENDIX I: EXPOSURE – USING FALSE COLOR AND ISO 229
UNDEREXPOSURE (~ 2 STOPS) 229 OVEREXPOSURE (~ 2 STOPS) 231 APPROPRIATE EXPOSURE 233 ADJUSTING THE ISO RATING 235
APPENDIX J: POST­PRODUCTION 237
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MONITORING 237
REDCINE-X® PRO 238
APPENDIX K: MAINTENANCE 239
CLEANING 239
CAMERA AND ACCESSORY EXTERIOR SURFACES 239 BRAIN 239 LCD SCREEN (TOUCHSCREEN / NON-TOUCHSCREEN) 239 EVF 240 REDMOTE SCREEN 240 LENSES 240 SIDE HANDLE LCD 240
BACK FOCUS ADJUSTMENT 241
APPENDIX L: TROUBLESHOOTING 243
NO MEDIA ATTACHED 243 RECORDING HALTED: RECORD ERROR - SHUTDOWN 243 PRESET COULD NOT BE APPLIED 243 CAMERA CANNOT BE PAIRED TO REDMOTE 243 CANNOT SEE MENUS ON LCD TOUCH SCREEN 243
APPENDIX M: TECHNICAL
SPECIFICATIONS 244
CAMERA BRAIN DIMENSIONS 245
FRONT VIEW 245 SIDE VIEW 246 TOP VIEW 247 BOTTOM VIEW 247 BACK VIEW 248
APPENDIX N: RESOLUTION CHART 249
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DISCLAIMER

RED® has made every effort to provide clear and accurate information in this Operation Guide, which is provided solely for the user’s information. While thought to be accurate, the information in this document is provided strictly “as is” and RED will not be held responsible for issues arising from typographical errors or user’s interpretation of the language used herein that is different from that intended by RED. All safety and general information is subject to change as a result of changes in local, federal or other applicable laws.
RED reserves the right to revise this Operation Guide and make changes from time to time in the content hereof without obligation to notify any person of such revisions or changes. In no event shall RED, its employees or authorized agents be liable to you for any damages or losses, direct or indirect, arising from the use of any technical or operational information contained in this document.
For comments or questions specifically about the Operations Guide content, please send a detailed message to
OpsGuides@red.com

COPYRIGHT NOTICE

COPYRIGHT © 2013 Red.com, Inc.
.
All trademarks, trade names, logos, icons, images, written material, code, and product names used in association with the accompanying product are the copyrights, trademarks or other intellectual property owned and controlled exclusively by Red.com, Inc.

TRADEMARK DISCLAIMER

All other company, brand and product names are trademarks or registered trademarks of their respective holders. RED has no affiliation to, is not associated or sponsored with, and has no express rights in third-
®
party trademarks. MAC trademark of Intel Corporation. Windows trademarks of Microsoft Corporation. AVID trademark of The Foundry Visionmongers Ltd. Torx
®
are registered trademarks of Canon Kabushiki Kaisha Corporation.
EOS
and QuickTime® are registered trademarks of Apple, Inc. Intel® is the registered
®
, Microsoft Windows® and Windows Vista® are the registered
®
is a registered trademark of Avid Technology, Inc. NUKE is a
®
is a registered trademark of Textron, Inc. Canon® and
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COMPLIANCE

INDUSTRIAL CANADA EMISSION COMPLIANCE STATEMENTS

This device complies with Industry Canada license-exempt RSS standards RSS 139 and RSS 210. Operation is subject to the following two conditions: (1) this device may not cause interference, and (2) this device must accept any interference, including interference that may cause undesired operation of the device.
This Class B digital apparatus complies with Canadian ICES-003.
Le présent appareil est conforme aux CNR d'Industrie Canada applicables aux appareils radio exempts de licence. L'exploitation est autorisée aux deux conditions suivantes : (1) l'appareil ne doit pas produire de brouillage, et (2) l'utilisateur de l'appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d'en compromettre le fonctionnement.Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.

FEDERAL COMMUNICATIONS COMMISSION (FCC) STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment
generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur
in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
In order to maintain compliance with FCC regulations, shielded cables must be used with this equipment. Operation with non-approved equipment or unshielded cables is likely to result in interference to radio and TV reception. The user is cautioned that changes and modifications made to the equipment without the approval of manufacturer could void the users authority to operate this equipment.
Note: This device complies with Part 15 of the FCC Rules Operations subjected to the following two conditions (1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including that may cause undesirable interference.
Caution: Exposure to Radio Frequency Radiation. The device shall be used in such a manner that the potential for human contact is minimized
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This equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment. This equipment should be installed and operated with a minimum distance of 20cm between the radiator and your body.
Caution: Regulations of the FCC and FAA prohibit airborne operation of radio-frequency wireless devices because there signals could interfere with critical aircraft instruments.
Caution: If the device is changes or modified without permission from RED, the user may void his or her authority to operate the equipment.

AUSTRALIA AND NEW ZEALAND STATEMENT

RED declares that the radio equipment described in this document comply with the following international standards.
IEC 60065 - Product Safety
ETSI EN 300 328 - Technical requirement for radio equipment
RED declares digital devices described in this document comply with the following Australian and New Zealand standards.
AS/NZS CISPR 22 – Electromagnetic Interference
AS/NZS 61000.3.2– Power Line Harmonics
AS/NZS 61000.3.3 – Power Line Flicker

JAPAN STATEMENTS

This is a Class B product based on the standard of the Voluntary Control Council for Interference (VCCI) for information technology equipment. If this equipment is used near a radio or television receiver in a domestic environment, it may cause radio interference. Install and use the equipment according to the instruction manual.

EUROPEAN UNION COMPLIANCE STATEMENTS

RED declares that the radio equipment described in this document comply with the R&TTE Directive (1999/5/EC) issued by the Commission of the European Community.
Compliance with this directive implies conformity to the following European Norms (in
brackets are the equivalent international standards).
EN 60065 (IEC 60065) – Product Safety
ETSI EN 300 328 Technical requirement for radio equipment
ETSI EN 301 489 General EMC requirements for radio equipment
.
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Information
Products with the CE marking comply with the EMC Directive (2004/108/EC) and the Low Voltage Directive (2006/95/EC) issued by the Commission of the European Community. Compliance with these directives implies conformity to the following European Product Family Standards.
EN 55022 (CISPR 22) – Electromagnetic Interference
EN 55024-1 (CISPR 24) – Electromagnetic Immunity
EN 61000-3-2 (IEC610000-3-2) – Power Line Harmonics
EN 61000-3-3 (IEC610000) – Power Line Flicker
EN 60065 (IEC60065) – Product Safety
Usage Restrictions for Products that Incorporate REDlink
Products that fall into this category are denoted by inclusion of the Class 2 identifier symbol (exclamation mark in a circle) accompanying the CE Mark on the products regulatory label, example below:
France
Usage Restrictions - Geographic Area Where Restriction Applies : France
For mainland France
2.400 - 2.4835 GHz (Channels 1-16) authorized for indoor use
2.400 -2.454 GHz (Channels 1-10) authorized for outdoor use
Restrictions d'utilisation - Zone géographique où les restrictions s'appliquent : France
Pour la France métropolitaine
2.400 - 2.4835 GHz (Canaux 1 à 16) autorisé en usage intérieur
2.400 -2.454 GHz (canaux 1 à 10) autorisé en usage extérieur
Norway
This subsection does not apply for the geographical area within a radius of 20 km from the centre of Ny­Ålesund
Dette gjelder ikke for det geografiske området innenfor en radius av 20 km fra sentrum av Ny-Ålesund
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The Waste Electrical and Electronic Equipment (WEEE) mark applies only to countries within the European Union (EU) and Norway. This symbol on the product and accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling, please take this product to designated collection points where it will be accepted free of charge. Alternatively, in some countries you may be able to return your products to your local retailer upon purchase of an equivalent new product.
Disposing of this product correctly will help save valuable resources and prevent any potential negative effects on human health and the environment, which could otherwise arise from inappropriate waste handling. Please contact your local authority for further details of your nearest designated collection point. Penalties may be applicable for incorrect disposal of this waste, in accordance with you national legislation.
For business users in the European Union, if you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.
Responsible party:
®
RED Digital Cinema 34 Parker Irvine, CA 92618 USA
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BEFORE YOU START

Congratulations on your purchase of a RED DSMC® Digital Still and Motion Camera.
Please read the attached safety instructions, and only then unpack the camera body and any accessories. If there is any physical damage or missing components for either your camera body or any accessories, please file a support ticket at
www.RED.com/support
.
RED SCARLET-X Digital Still and Motion Camera

IMPORTANT SAFETY INSTRUCTIONS

READ BEFORE USING YOUR CAMERA

A. Heed all cautions and warnings in these instructions. B. Read these instructions before operating the camera and accessories. C. Follow these instructions while operating the camera and accessories. D. Keep these instructions with the camera and accessories at all times. E. DO NOT attempt to modify, dismantle or open your camera, lens or other accessory as doing so may
expose you to electric shock and serious injury. There are no user-serviceable parts inside. Alteration or repairs made to the camera, lens or other accessory, except by a RED authorized service facility, will void the Limited Warranty. Users are not permitted to make design changes or otherwise modify the operation of the camera, lenses or other accessories, without the express written approval of RED
DIGITAL CINEMA. F. Only use attachments/accessories specified by RED. G. Install camera and accessories in accordance with the manufacturer’s instructions. H. Avoid imaging of laser beams as they may cause damage to the sensor. I. DO NOT use the camera or accessories near water. Avoid exposing your camera to moisture. The unit is
not waterproof, so contact with water could cause permanent damage to the unit as well as electric
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shock and serious injury to the user. DO NOT use the camera in the rain or under other conditions with
high moisture without appropriate protection, and immediately remove power source if camera or
accessories are exposed to moisture.
WARNING: To reduce the risk of fire or electric shock, do not expose the camera or accessories to rain
or moisture. J. DO NOT expose your camera to excessive vibration or impact (shock). Be careful not to drop your
camera. Internal mechanisms may be damaged by severe shock. Mechanical alignment of optical
elements may be affected by excessive vibration. K. ELECTROMAGNETIC INTERFERENCE: The use of devices using radio or other communication waves
may result in the malfunction or interference with the unit and/or with audio and video signals. L. Clean only using a dry cloth. When cleaning your camera, remember that it is not waterproof and
moisture can damage electronic circuitry. DO NOT rinse or immerse any element of the camera, lens or
other accessory, keep them dry at all times. DO NOT use soaps, detergents, ammonia, alkaline cleaners,
and abrasive cleaning compounds or solvents. These substances may damage lens coatings and
electronic circuitry. M. Maintain sufficient ventilation - DO NOT block any ventilation openings or obstruct cooling fan airflow.
CAUTION: Proper camera ventilation requires a minimum 1/2” (1,25cm) clearance between the camera
ventilation openings and external surfaces. Verify that objects that can block the fan intake and exhaust
ports do not impede airflow. Failure to permit adequate airflow may result in overheating of the camera,
degraded operation and in extreme situations, damage to the camera. N. DO NOT operate or store near any heat sources such as radiators, heat registers, stoves, or any other
apparatus that produce heat. Store in a protected, level and ventilated place. Avoid exposure to
temperature extremes, damp, severe vibration, strong magnetic fields, direct sunlight or local heat
sources during storage. Remove any batteries from the camera before storage. Recommended storage
and usage temperatures for your camera, lenses and other accessories are:
Operating range: 0°C to +40°C (32°F to 104°F)
•
Storage range: -20°C to +50°C (-4°F to 122°F)
•
If there are any performance issues with your camera or accessories when operating within this
temperature range, please file a support ticket on
O. The Side Handle, Side SSD Module, Rear Modules and Lens Mount are NOT HOT SWAPPABLE –
meaning you cannot remove or install them while the camera is powered on. Before installing or
removing any of these accessories, you MUST power down the camera. Failure to do so may result in
damage to the accessory and / or camera brain that will not be covered under warranty. P. Do not bypass the third prong of the grounding-type plug on the power cord of the AC Power Adapter. A
grounding-type plug has two blades and a third “grounding” prong. The third prong is provided for your
safety. A grounding-type plug shall be connected to an outlet with a protective earthen connection. If the
grounding-type plug does not fit into your outlet, do not attempt to modify the plug or outlet, consult a
qualified electrician. Q. Protect all power cords from being pinched, walked on or driven over by a vehicle. Replace any power
cords suspected of sustaining damage due to crushing or other forms physical damage.
CAUTION: The power cord plug for the AC Power Adapter is used as the power disconnect. To
disconnect all power from the AC Power Adapter, unplug the power cord plug from the wall outlet.
During use, the power cord plug should remain easily accessible at all times.
www.RED.com/support
.
R. Lithium Ion batteries may be subject to special handling requirements pursuant to federal and local laws.
Please refer to specific shipping instructions included with your battery regarding proper transport of
your battery. Do not handle your battery if it is damaged or leaking. Disposal of batteries must be in
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accordance with local environmental regulations. For example, California law requires that all
rechargeable batteries must be recycled by an authorized recycle center. Storing batteries fully charged
or in high temperature, conditions may permanently reduce the life of the battery. Available battery
capacity may also be temporarily lessened after storage in low temperature conditions.
WARNING: Do not expose the battery to excessive heat. WARNING: Danger of explosion if an incorrect battery is charged with the RED Charger or is used to power
the camera and accessories. Replace only with the same or equivalent type battery. CAUTION: Refer all service and repair to qualified RED service personnel. To reduce the risk of electric
shock, and damage to the camera or accessories, DO NOT attempt to perform any servicing other than any procedures that are recommended in the operating instructions.
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THEORY OF OPERATION

The RED family of Digital Still and Motion Cameras (DSMC) provide high performance digital imaging over a wide range of frame rates and optical formats including Super 35mm / APS-H. The RED DSMC camera is supplied as standard with a PL mount, and may be configured with mounts and 19 mm rods to accommodate most cinematography lenses, matte boxes and follow focus systems. Adaptors for 15mm offset studio and 15mm lightweight rods are also available.
In addition to compatibility with the majority of existing PL mount cinematography lenses; a select range of Super 35mm PL mount prime and zoom lenses are available from RED.
Other lens mounts, including the DSMC Canon mount are available, permitting the use of Canon EF and EF­S photographic lenses. The Canon mount can report lens iris, focus and zoom data when mated to an appropriate lens. In addition, iris and manual or auto-focus settings may be controlled from the camera.
Lens mounts may be exchanged in the field, however it is highly recommended that this be performed in a dust-free environment, as the optical path will be exposed to the elements during this process.
A B4 mount to PL mount adaptor is also available to permit use of 2/3” HD broadcast lenses on the RED DSMC camera. The optical coverage it provides is approximately equivalent to 16mm, hence the maximum recording resolution operating with a B4 mount 2/3” lens is 2K (2048 x 1152 pixels) progressive scan.

MYSTERIUM X® SENSOR

The MYSTERIUM X sensor has been specifically designed for use with the RED DSMC camera, and provides variable frame rate imaging at up to 120fps at 5K resolution, and up to 240 fps at 2K resolution.
Native color balance for the MYSTERIUM X sensor is 5,000 KELVIN, but it may be electronically compensated for any color temperature in the range 1,700 to 10,000 KELVIN. White balance preset values include Tungsten (3200K) and Daylight (5600K) light sources. The camera may also calculate a color neutralizing White Balance value on demand by imaging on a standard white or 18% grey card.
The MYSTERIUM X sensor includes high precision analog to digital conversion, capable of delivering up to
13.5 stops of dynamic range with daylight light sources over a camera sensitivity rating of 320-800 ISO. In HDR mode, dynamic range can be extended to approximately 18 stops.

IMAGE PROCESSING

The digital image received from the sensor is formatted as a pixel defect corrected (but in all other aspects unprocessed) 12-bit, 14-bit or 16-bit per pixel RAW data frame.
Each RAW frame or sequence of RAW frames in a clip is compressed using proprietary wavelet based
®
REDCODE
When recorded, the RAW data is independent of any RGB domain color processing such as ISO, White Balance or other RGB color space adjustments made by the camera operator. These parameters are saved with the RAW data as reference METADATA; i.e. color is not burned into the recorded RAW data.
RAW compression, then stored to a digital media Magazine such as REDMAG™ 1.8” SSD.
This recording technique permits RGB color processing choices to be deferred to post-production or to be adjusted in the field to help a director visualize alternative color treatments, without affecting the recorded RAW data’s image quality or dynamic range.
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The camera’s monitoring path converts RAW sensor data to a white balanced 12-bit depth 2048 x 1080 pixel RGB 4:4:4 video signal. This signal may be modified using ISO, White Balance or other RGB color space adjustments as desired by the operator, and is then scaled and gamma corrected to provide VIEWFINDER, HD-SDI and HDMI monitor outputs at 10-bit depth in 4:2:2 YCC or 8-bit depth in 4:4:4 RGB.
Frame guides and other camera data may be added as desired by the user to one or more of the outputs.
®
NOTE: The supplied REDCINE-X which may then be imported as camera monitor path color processing PRESETs. This information is stored as reference metadata, so that this color processing choice can be the default value used in Post Production. Refer to SECONDARY MENUS > PRESETS for details how to import and apply .RMD file metadata.

HDRX™

HDRx is an option for extending dynamic range up to 6 stops over the base Dynamic Range offered by the camera. When enabled HDRx simultaneously shoots two images of identical resolution and frame rate - a normally exposed primary track (A-track), and an underexposed secondary track (X-track) whose exposure value reflects the additional stops of highlight protection desired.
i.e. if you select an HDR value of +2 and your primary track exposure is 1/48th sec, the secondary track exposure will be 2 stops under, or 1/192 sec. The ISO and Aperture remain the same for both exposures.
PRO application software can create and export .RMD “color look” files
During acquisition and recording, the two tracks are "motion-conjoined", meaning there is no gap in time between the two exposures. This is very important to note because if they were traditional alternating exposures, there would be a time gap between the two tracks that would show up as an undesirable motion
®
artifact. Both tracks (A & X) are stored in a single .R3D
Since there are two exposures in HDRx mode, the camera is recording double the amount of frames each second. For example, when shooting at 24fps, the camera is recording two 24fps tracks, which is the data rate equivalent of 48fps; however after combining the A and X tracks in postproduction you will see only one 24fps blended image sequence.
HDRx provides multiple options for exploitation in postproduction.
Blend the two tracks in post tools like REDCINE-X, Storm or any other application that supports the SDK
to create Magic Motion™. This blending of the two tracks comes with a slider so you can decide just
how much of each track you want to use. A preview window shows you the combined result of your
selection, or you can view each track individually.
Combine the two tracks using MNMB (More Normal Motion Blur). MNMB is designed to emulate the
motion of a traditional camera with full motion blur. This is a tool created by The Foundry that uses a
new motion estimation algorithm designed specifically for HDRx. The shorter exposure (sharper image) is
blended to match the motion blur of the normal exposure. Again, a preview window shows the combined
result of your selection, or you can view each track individually.
Use the X-track data for motion tracking, then combine the X-track with the A-track, or just motion
file.
stabilize the A-track using the motion analysis data extracted from the X-track.
Exporting to EXR file format will give you a multi-view EXR with both exposures (like a stereo EXR).
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NOTE: If you ignore the X-track data, you will have a standard exposure with up to 13.5 stops of dynamic range just as if you had not enabled HDRx. For this reason, we encourage the A-track exposure to be "normal" as it provides the most options. If you are tempted to shoot "over-under", you are then fully committed to using HDRx and your postproduction options are reduced.
NOTE: When recording in HDRx mode the camera records twice as many frames per second so the maximum frame rate or minimum REDCODE ratio, and the maximum record time on your media will be cut in half.
NOTE: HDRx mode can be used with sensor syncing.

MAGIC MOTION™

Shooting at 24fps and with an 180 degree (1/48th) shutter on a film or digital camera may create an optical illusion we are familiar with, however it is not really the way the eye sees motion. To understand this, ask someone to stand in front of you and swing their arm over their head from one side to the other. What you would observe in the recording is a constant motion blur until the arm stopped. What your eye sees though is both motion blur AND a sharper reference to the arm and hand all along the motion path. "Magic Motion" provides such a combination of motion blur (A-track) and a sharper reference (X-track), with the bonus of extreme dynamic range not available with any other motion capture camera system.

AUDIO RECORDING

The RED DSMC camera can record up to two discreet channels of microphone level uncompressed 24-bit, 48 KHz audio (four channels of microphone level or line level audio inputs when equipped with a PRO I/O Module), that are synchronized with video and timecode to a REDMAG 1.8” SSD digital media Magazine.
Input signals are routed via a high quality pre-amplifier and soft clip analog limiter in order to achieve the desired audio reference / recording level and maximize dynamic range.
To assist with audio reference level setup, the camera provides a color-coded Audio Level Meter in the Graphical User Interface. Meter range is –36dBu to +20dBu (-56dBFS to 0dBFS) with audio input type, reference level and audio input clipping indicators.
Audio monitor output options include a 2-channel headphone output on the camera Brain and 2-channel line level analog outputs from the optional PRO I/O Module, plus 2-channel and 4-channel 24-bit 48KHz uncompressed digital audio embedded in the HD-SDI and HDMI outputs.

MICROPHONE LEVEL ANALOG INPUTS

The recording level of a Microphone input is affected by the sensitivity of the microphone and the Gain setting of the camera’s pre-amplifier. Available pre-amplifier range is+30dB to +60dB. The camera operator should choose a Gain value that aligns the input signal to the 0dBu reference line drawn on the camera’s Audio Level Meter (or the 0VU reference line if operating at that level).
This setting provides up to 30dB of input signal headroom above reference 0dBu level before clipping (up to 26dB above 0VU reference level) and maximizes the signal to noise ratio of the 24-bit digital recording.
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LINE LEVEL ANALOG INPUTS

The recording level of a Line input is affected only by the signal provided by the field production sound mixer or other external line level source. The sound mixer operator should choose a mixer output level that aligns a reference tone signal to the 0dBu (-20dBFS) reference mark drawn on the camera’s Audio Level Meter, or if using 0VU as reference level, a mixer output level that aligns a reference tone signal to the 0VU (-16dBFS) reference mark.
This setting provides up to 24dB of input signal headroom above reference 0dBu level before clipping (up to 20dB above 0VU reference level) and maximizes the signal to noise ratio of the 24-bit digital recording.

VIDEO MONITORING OUTPUTS

In its default configuration, the RED DSMC camera can simultaneously support one VIEWFINDER output
®
(suitable for use by a BOMB EVF (suitable for use by HDMI or HD-SDI monitors). The various monitor outputs can support a set of overlay graphics including camera GUI, timecode, clip name and framing guides; the specific overlay graphics for each type of output is user configurable.
The default VIEWFINDER output is the EVF / LCD connector located on the front face of the Side SSD Module. If neither of these is connected, the VIEWFINDER output can be transferred to either the HDMI output or the HD-SDI output of the camera Brain.
, or RED LCD) plus one PROGRAM output and one PREVIEW output
All monitors are able to display a variety of features, including:
Surround View™, which is an additional look around area, visible outside of the recorded image.
Frame Guides, showing common film presentation and television aspects such as 2.40:1 and 16:9.
Focus, aided by high display resolution, 1:1 Focus Check function and False Color overlay.
Exposure, aided by dual Zebras, False Color overlay, RAW “Traffic Lights” and RGB histogram.
System information including current frame rate, ISO rating, shutter speed, color temperature, record
resolution, record quality, clip name, timecode value and the remaining battery and media capacity.

BOMB EVF

The BOMB EVFs are high-definition, lightweight viewfinders that align quality performance with compact form factor.
For applications where use of an attached RED EVF or RED LCD is not desired – for example when working on a crane – the VIEWFINDER / MENU output can be transferred to the HD-SDI or HDMI outputs, supporting remote camera monitoring up to 200 ft away.

RED TOUCH LCD

The RED TOUCH LCD pixel progressive scan color displays allow you to view your image and navigate through menu settings using touchscreen functionality.
For applications where use of an attached RED EVF or RED LCD is not desired – for example when working on a crane – the VIEWFINDER / MENU output can be transferred to the HD-SDI or HDMI outputs, supporting remote camera monitoring up to 200 ft away.
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HD-SDI

A 720p or 1080p progressive scan output suitable for monitoring or recording to an external VTR or DDR device. May be configured for 10-bit LIN (VIDEO) or 10-bit LOG (FILM) encoded data.

HDMI

A 720p or 1080p progressive scan output suitable for monitoring via a PC monitor or most HDTV displays.
Example of HDMI Monitor Output in MENUS Mode
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REDMOTE®

REDMOTE is a camera control unit for RED’s family of DSMC cameras that attaches to the rear of the camera Brain or rearmost expansion module. REDMOTE may also be detached from the camera or rearmost module and provide wireless remote control of the camera over proprietary REDlink™ protocol.
Whether attached or operating via wireless, REDMOTE supports all controls necessary to operate the camera, including Record Start / Stop, Shutter Speed, White Balance, ISO and programmable User Keys. A color LCD displays critical camera parameters, including media and battery capacity, timecode and clip name, lens data and exposure information.
REDMOTE LCD Display
REDMOTE includes a rechargeable Li-Ion battery, which automatically re-charges when attached to the camera or rearmost module. It may also be re-charged by connecting to a USB 2.0 based power source such as a laptop PC or cell phone charger. Under typical operating conditions, REDMOTE should operate for up to 8 hours without requiring a re-charge and support a wireless communication range of approximately 50 ft.

DIGITAL MAGAZINE (MEDIA)

REDCODE RAW compressed MOTION clips and STILL images; time code, multi-channel audio and metadata may be recorded to a
Each clip is recorded with a unique name in a clip folder with the extension .RDC. This folder contains all appropriate information describing the clip, including one or more REDCODE RAW .R3D files and all color grading metadata and other system level metadata such as lens and location information. Refer to NAMING CONVENTIONS.
The individual clip folders are placed into a magazine folder (i.e. root directory) on the digital media. This magazine folder has the extension .RDM. As this folder contains all the recorded clips; copying all clips recorded on the SSD to other media may be performed by a drag and drop operation on the .RDM folder.
NOTE: When using a RED STATION in conjunction with a 512GB REDMAG, an AC Power Adaptor will be required for offload. The RED STATION may not function properly when powered by a USB or Firewire cable.
REDMAG 1.8” SSD
magazine of 64GB, 128GB, 256GB, or 512GB capacity.
CLIP
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Typical Magazine Folder and Clip Structure
For additional information about digital magazines, refer to APPENDIX B: MANAGING DIGITAL MEDIA.

METADATA

RED’s family of DSMC cameras record the Metadata, which is data for each frame of the recording:
Clip Name
Time Code
Date and GMT
Lens and shutter speed / angle parameters
Audio configuration
Firmware version #
media serial #
LTC user bits (3 32-bit word reg-dump from ISP)
s4i static data
s4i dynamic data
GMT time/data
RGB curves
shadow control
Luma curve
Lens name, brand, ID, near focus, far focus
Camera Network Name
Production Name
Director Name
DP Name
Copyright
Unit
Camera Name
Location
Scene
Take
Accelerometer Data
Gyro Data
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CLIP NAMING CONVENTIONS

When you press RECORD, the camera automatically creates a unique name for the CLIP being recorded to the REDMAG 1.8” SSD media. The format of this name is:
Camera Letter + Reel Number + Month + Day
e.g. A001_C002_0502**.RDC
Where: A = camera A, 001 = reel 001, C002 = clip 002, and 0502 = May 02, and the digits * * are two random characters generated by the camera to prevent any possibility of duplicate names being created.
So a three Clip sequence of Clip Folders within a Magazine Folder on Camera A would look like this:
A001_C001_0502**.RDC A001_C002_0502**.RDC A001_C003_0502**.RDC
MULTI CAMERA SHOOTS
The scheme provides flexibility to uniquely identify Clips from different cameras on a multi-camera shoot.
For example three cameras, slated as camera A, camera B, and camera C respectively, can generate these easily recognizable clips on their respective digital media Magazines.
A001_C001_0502**.RDC B001_C001_0502**.RDC C001_C001_0502**.RDC
3D (STEREO) CAMERA SHOOTS
The scheme also allows unique identification of Clips from left and right eye cameras on a stereo shoot.
For example two cameras, both slated as Camera S, can generate these easily recognizable clips on their respective digital media Magazines.
S001_L001_0502**.RDC S001_R001_0502**.RDC
For more information refer to APPENDIX F: 3D SETUP / OPERATION > CLIP NAMING CONVENTIONS.

SMPTE TIMECODE

Time Code (TC) is a SMPTE timecode track that synchronizes to the camera’s high precision internal clock, or if operated in Jam Sync mode, references to an externally supplied SMPTE master timecode signal. TC is a sequential code that is continuous from frame to frame, but is discontinuous from clip to clip.
Edge Code (EC) is a SMPTE timecode track that always starts at 1.00.00.00 on the first frame recorded to the digital media. It is a sequential code that is continuous from frame to frame and also continuous from clip to clip. EC is equivalent to RUN RECORD commonly found on broadcast cameras.
Irrespective of the timecode mode selected, once recording starts the camera’s timecode counter will update at the same instantaneous frame rate as the recording. This ensures that a valid SMPTE timecode value is created for every frame in the clip, eliminating any timecode count jumps that could affect playback or editing.
If operating in Jam Sync mode referenced to an external timecode source, the clip’s master time reference point is the first frame of the recorded clip.
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SCARLET-X BRAIN
Power Status LED
Indicates Power Status:
Power/Record Button
Powers Camera Up / Down and Indicates Record Stop / Start
Record Status LED
Indicates Record Status:
A
C B

POWER CONSUMPTION

The camera draws approximately 60 watts when recording in 4K resolution, 24fps MOVIE mode. The camera is cooled by convection from the camera body assisted by a fan contained in a sealed air duct.
®
Under typical operating conditions, a REDVOLT
®
minutes and a REDVOLT
XL battery will run the camera and accessories for about 90 minutes.

CAMERA OPERATIONAL CONTROLS

This section describes the available operational controls on the RED DSMC camera Brain, Side SSD Module, Side Handle and REDMOTE accessories.

BRAIN

battery will run the camera and accessories for about 30
A. Power Status LED B. Power/Record Button C. Record Status LED
LED Red = Power Present, Camera OFF LED Yellow = Power Present, Camera Booting LED Green = Power Present, Camera ON LED Green Blinking = Power Present, Running on Battery LED Yellow Blinking = Power Present, 5-10 Minutes of Battery Time Left LED Red Blinking = Power Present, Less than 5 Minues of Battery Time Left
LED Off = No Media Present
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LED Green = Ready to Record
Both LEDs
Indicates Camera Status:

Side SSD Module

SSD Slot
Slot for REDMAG 1.8” SSD Digital Media Magazine
S-SSD User Key 1
Initiates User Defined Camera Function. Undefined by Default
S-SSD User Key 2
Initiates User Defined Camera Function. Undefined by Default
S-SSD User Key 1 + 2
The specific function of pressing these keys may be programmed by
Focus/Record Button
Touch for Auto Focus, Fully Depress to Start or Stop Record
Media Indicator LED
Indicates Status of Media:
FRONT
REAR
A
B
C
D E
LED Red Constant = Recording LED Red Slow Blink = Recording, 25% Media Left LED Red Fast Blink = Recording, 5% Media Left LED Yellow = Finalizing
Both LEDs Green Blink = Firmware Update in Progress
SIDE SSD MODULE
A. SSD Slot B. S-SSD User Key 1 C. S-SSD User Key 2 D. Focus/Record Button E. Media Indicator
the user. By default, press both keys to Eject (Unmount) REDMAG 1.8” SSD Magazine
LED Off = No Media LED Green = Ready to Record LED Red Constant = Recording LED Red Slow Blink = Recording, 25% Media Left LED Red Fast Blink = Recording, 5% Media Left LED Yellow = Finalizing LED Yellow Blinking = Media Access (Format etc…)
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Side Handle - Top
Battery Door Release
Releases Side Handle battery door to permit battery exchange Focus/Record Button
Touch for Auto Focus, fully depress to Start or Stop Record
Adjustment Ring
Selects and adjusts camera parameter values. Similar to the scroll
SH User Keys 1-4
The specific functions for each key are defined by the LCD screen.
LCD Display
Displays key camera parameter values
LCD Backlight Button
Enables LCD backlight
A
B
C D E F

SIDE HANDLE

TOP
A. Battery Release B. Focus/Record Button C. SH Rotary Front D. SH User Keys 1-4 E. LCD Display F. LCD Backlight Button
Button
NOTE: Side Handle (SH) controls can be locked/unlocked by holding the 1 and 4 buttons simultaneously.
wheel on the navigation group. Can assign different functions to clockwise and counter-clockwise directions
Defaults are: 1 = ISO 2 = F-Stop 3 = Shutter Speed 4 = Color Temperature
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Side Handle – Front
Stills/Movie Switch
The specific function of this switch may be programmed by the user.
A

FRONT

A. Stills/Movie Switch
Default settings are as follows: STILLS = Change focus mode to Still Movie = Changes focus mode to Movie/Motion
The DSMC has two AF modes: one for stills and one for movies/motion. In Stills mode, you can select a specific AF setting, and then go to Movie/Motion mode and change your AF setting. By default, the Stills/Movie Switch toggles between these two AF settings.
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Side Handle – Rear
Menu Button
Press to access / camera setup menus
Rocker Switch
The specific function of these keys may be programmed by the user. Navigation Group
Allows navigation through camera menus, selection of camera
SH User Keys A-D
The specific function of these keys may be programmed by the user.
SH User Keys 5-7
Function is defined by System Firmware:
Thumbwheel Lock
Locks Side Handle in position on camera
A B C
D
E F

REAR

A. Menu Button B. Rocker Switch C. Navigation Group D. SH User Keys A-D E. SH User Keys 5-7 F. Thumbwheel Lock
Default Settings are as follows: Rocker Switch+ = Opens Iris Rocker Switch - = Closes Iris
parameter for adjustment and adjustment of selected camera parameter
Default settings are as follows: User Key A = Toggles Focus Assist indicator User Key B = Performs White Balance calculation User Key C = Toggles False Color > 1:1 Magnify User Key D = Toggles False Color > Exposure Check
User Key 5 = Toggles False Color > Exposure Check User Key 6 = Disabled User Key 7 = Eject Media
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Side Handle Navigation Group
Scroll Wheel
Selects and adjusts camera parameter value
Direction Keys
Navigates camera menus and may select parameter for adjustment
Enter Button
Confirms selected parameter value adjustment
C
B
A
NAVIGATION GROUP
A. Scroll Wheel B. Direction Keys C. Enter Button

INSTALLATION / REMOVAL

WARNING: The Side Handle is NOT hot swappable - meaning you cannot remove or install while the camera is powered on. Before installing or removing the Side HANDLE, you MUST power down the camera. Failure to do so may result in damage to the Side Handle and / or camera brain that is not covered by warranty.
To install the side handle:
1. Power down the camera if necessary.
2. Remove the brain side plate (if installed) by removing the single screw located at the bottom.
3. Rotate upwards to disengage lip at top of side plate from camera brain.
Remove Screw and Rotate Side Plate Upwards to Remove
4. Insert the lip at the top of the side handle into the area where the lip from the side plate was installed.
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Insert Lip into Top of Camera Brain Press Side Handle Flush Against Camera Brain Rotate Thumbwheel Upwards Until Tight
5. Rotate side handle down flush along side of camera brain.
6. Rotate thumbscrew upwards until tight. Ensure side handle is secure to camera brain. You may have to
apply steady pressure to get the screw started.
To remove the side handle:
7. Power down the camera if necessary.
8. Rotate the thumbscrew downwards until detached from camera body.
Rotate Thumbwheel Downwards Until Loose Rotate Side Handle Upwards to Remove Disengage Lip from Top of Camera Brain
9. Rotate upwards and pull down to disengage lip at top of side handle from camera brain.
10. Remove side handle from camera.
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DSMC MODULES

PRO I/O MODULE

The PRO I/O MODULE brings together the essential I/O connections into one module, providing a central hub for professional audio and video components.
Centralized ports make it easy to manage connections and cables
LCD/EVF port allows you to connect an additional RED LCD or EVF
Customize triggers and interface with third-party GPIO and RS232 control devices using RED Pro I/O
cables
Attach an additional DSMC module or a REDMOTE to the back of the PRO I/O MODULE for additional
expansion
Internal cooling system maintains appropriate operating temperature
Pro I/O Module
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Battery Eject Button
REAR SSD MODULE
The Rear SSD Module secures onto the back of the DSMC brain to serve as a rear location for recording onto 1.8" REDMAG SSD media.

Rear SSD Module

QUAD BATTERY MODULE

The QUAD BATTERY MODULE holds up to 4 REDVOLTs or 2 REDVOLT-XLs
Batteries may be hot swapped
Quad Battery Module
Shown with REDVOLT Batteries Installed
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DUAL BATTERY MODULE

The DUAL BATTERY MODULE holds up to 2 REDVOLTs
Batteries may be hot swapped
Dual Battery Module
Shown with REDVOLT Batteries Installed

MODULE INSTALLATION / REMOVAL

To install a DSMC Module to the camera, an Adaptor Plate must be purchased separately. The following procedure details installation of the Adaptor Plate and DSMC Module.
Install the Adapter Plate
1. Power down the camera.
2. Remove the REDMOTE.
3. Place the adapter plate over the v-mount on the rear of the camera brain.
Place the Adaptor Plate Over the V-Mount on the Rear of the Camera Brain
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