Red Digital Cinema Scarlet X 3.3 Operation Guide

Download

Page 1

RED SCARLET-X

OPERATION GUIDE

build v3.3

www.red.com

Page 2

TABLE OF CONTENTS

TABLE OF CONTENTS ............... 1

DISCLAIMER ................................. 3

Trademark Disclaimer ................ 3

COMPLIANCE ............................... 4

Industrial Canada Emission

Compliance Statements ............ 4

Federal Communications Commission (FCC)

Statement .................................. 4

Australia and New Zealand

Statement .................................. 5

Japan Statements ...................... 5

European Union Compliance

Statements ................................ 5

BEFORE YOU START ................... 7

Important Safety

Instructions ................................ 7

THEORY OF OPERATION ............10

MYSTERIUM X® Sensor ...........10

Image Processing .....................10

HDRx™ .....................................11

Magic Motion™ ........................12

Audio Recording .......................12

Microphone Level Analog

Inputs ........................................12

Line Level Analog Inputs ...........13

Video Monitoring Outputs .........13

Bomb EVF ............................13

RED LCD ..............................13

HD-SDI .................................13

HDMI ....................................13

RED LCD / Bomb EVF® ............14

REDMOTE® ...............................15

Digital Magazine (Media) ...........15

Metadata ..............................16

Clip Naming

Conventions .........................16

SMPTE Timecode ................18

Power Consumption ............18

CAMERA OPERATIONAL

CONTROLS ..................................19

Brain .........................................19

Side SSD Module .....................20

Side Handle ..............................22

Top .......................................22

Front .....................................23

Rear ......................................24

Installation / Removal ...........26

DSMC Modules ........................28

Pro I/O Module .....................28

Rear SSD Module.................29

Quad Battery Module ...........29

Dual Battery Module ............ 30

Module Installation /

Removal ............................... 30

REDMOTE ................................ 34

Displays .................................... 36

BOMB EVF and Bomb EVF

(OLED) ...................................... 36

Touchscreen LCD .................... 38

BASIC OPERATION ..................... 39

Power Sources ......................... 39

Side Handle ......................... 39

Quad Battery Module .......... 40

REDVOLT and REDVOLT

XL ........................................ 40

BACKPACK

QUICKPLATE ....................... 41

AC POWER ADAPTOR -

(DSMC) ................................ 42

External DC Power .............. 43

Power UP ............................. 44

Power Down ........................ 45

Graphical User Interface

and Navigation ......................... 46

RED LCD/Touchscreen

LCD, BOMB EVF,

External Monitors ................. 46

Side Handle ......................... 52

REDMOTE ........................... 52

Navigating Menus .................... 53

Using Touchscreen LCD .......... 54

Touchscreen Shortcuts ....... 55

Power Down ........................ 56

Lock / Unlock

Touchscreen Opreration ...... 57

FIRST TIME USE – SETTING

UP YOUR RED EPIC .................... 58

Attach Power Source ............... 58

Battery ................................. 58

Quad Battery Module .......... 59

RED Brick ............................ 60

DC Power ............................ 60

Power UP ................................. 60

Preparing to Record ................. 60

Connect and Format

Media ................................... 60

Perform a Black Shading

Calibration ........................... 62

Adjust Project Settings ........ 62

Recording ................................. 64

Record Indicator .................. 64

Playback ................................... 65

MENU CONTROLS ...................... 66

Adjustments ............................. 66

Basic Setting

Adjustments ......................... 66

Advanced Setting Menus .... 67

MAIN MENU ................................ 68

FPS .......................................... 68

Varispeed ............................ 68

Basic Settings ..................... 69

Advanced Settings .............. 69

ISO (Sensitivity) ........................ 70

F Stop ...................................... 70

Exposure .................................. 72

Basic Settings ..................... 72

Advanced Settings .............. 73

White Balance .......................... 75

Basic Settings ..................... 75

Advanced Settings .............. 76

Resolution ................................ 78

REDcode .................................. 78

REDcode Options for

Various Frame Rates ........... 79

SECONDARY MENUS ................. 79

HDR Menu ............................... 79

HDR ON / OFF .................... 80

Stops ................................... 80

Focus Menu ............................. 80

Mode ................................... 81

DSMC Canon Mount

Electronically Supported

Lenses ................................. 84

Zones .................................. 85

Lens Information Display ......... 88

RED DSMC Ti PL Mount

+ Lens ................................. 88

DSMC Canon Mount +

Lens ..................................... 88

Exposure Menu ........................ 89

Presets Menu ........................... 89

Camera Presets ................... 89

LOOKs Presets .................... 93

Media Menu ............................. 94

Select Media ....................... 94

Format Media ...................... 94

Eject Media ......................... 95

Utilities................................. 96

Settings Menu .......................... 97

Display................................. 97

Look .................................. 109

Project ............................... 113

System Status ................... 116

Audio/Video ....................... 117

Setup ................................. 124

Maintenance ...................... 135

Playback ............................ 145

Power ..................................... 154

Power Status ..................... 154

Shutdown .......................... 155

Page 3

APPENDIX A: UPGRADING

CAMERA FIRMWARE ................156

Verify Current Camera

Firmware .................................156

Upgrade Procedure ................156

APPENDIX B: MANAGING

DIGITAL MEDIA ..........................157

Media ......................................157

Formatting Media ...................157

Media Capacity Remaining

Status .....................................159

Eject Media from Camera

(Unmount) ...............................159

Using REDMOTE /

Touchscreen LCD ..............159

Using Side Handle .............160

Using Side SSD ..................160

Copying Media .......................160

Erasing Media .........................161

Macintosh OS X .................161

Windows ............................161

APPENDIX C: INPUT /

OUTPUT CONNECTORS ...........162

Camera Brain Front ................162

MIC-1, MIC-2

(Microphone Audio) ............163

Camera Brain Rear .................164

HD-SDI ...............................165

Headphone.........................166

SYNC (Video Sync) ............166

CTRL (RS232 Control) ........169

GIG-E (Ethernet) .................170

DC IN (Power Input) ...........171

HDMI Out ...........................172

Side SSD Module ...................173

REDMOTE ..............................174

APPENDIX D: DEFAULT

KEY FUNCTIONS .......................175

APPENDIX E: REDMOTE

OPERATION ............................... 177

Control, Connectors and

Display.................................... 177

Controls ............................. 177

Operation ............................... 180

Docking and Undocking .... 180

Power Up / Down .............. 181

Recording .......................... 183

Accessing Camera

Controls / Settings ............. 183

ADVANCED OPERATION: REDMOTE

Menus ................................ 185

Maintenance ........................... 193

Internal Battery .................. 193

Upgrading REDMOTE FirmwareError! Bookmark not defined.

APPENDIX F: 3D SETUP /

OPERATION ............................... 195

Overview ................................ 206

Camera Setup ........................ 206

Master Camera .................. 206

Slave Camera .................... 207

Clip Naming Conventions ....... 207

Reel No. / Slate (Camera

ID) / Camera Position ......... 207

Connecting Cameras.............. 208

Operation ............................... 209

Changing Settings ............. 209

Recording .......................... 209

Power Down ...................... 209

APPENDIX G: EXPOSURE – USING FALSE COLOR AND

ISO .............................................. 210

Underexposure (~ 2 stops) ..... 210

Overexposure (~ 2 stops) ....... 212

Appropriate Exposure ............ 215

Adjusting the ISO Rating ........ 218

APPENDIX H: POST

PRODUCTION ........................... 220

Monitoring .............................. 220

REDCINE-X® PRO ............. 221

APPENDIX I:

MAINTENANCE ......................... 222

Cleaning ................................. 222

Camera And Accessory

Exterior Surfaces ............... 222

Brain .................................. 222

LCD Screen (Touchscreen / Non-

Touchscreen) ..................... 222

EVF .................................... 223

REDMOTE Screen ............. 223

Lenses ............................... 223

Side Handle LCD ............... 223

Back Focus Adjustment ......... 224

APPENDIX J:

TROUBLESHOOTING ............... 227

No Media Attached ................ 227

Recording Halted: Record

Error - Shutdown ................... 227

Preset Could Not Be

Applied ................................... 227

Camera Cannot Be Paired

to REDMOTE ......................... 227

Cannot See Menus on LCD

Touch Screen ......................... 227

APPENDIX K: TECHNICAL

SPECIFICATIONS ...................... 228

Camera Brain Dimensions ..... 229

APPENDIX L: RESOLUTION

CHART ....................................... 233

APPENDIX M: MENU MAPS ..... 234

RED SCARLET-X® Operation Guide

Version 3.3, Rev. B

Page 4

DISCLAIMER

RED® has made every effort to provide clear and accurate information in this Operation Guide, which is provided solely for the user’s information. While thought to be accurate, the information in this document is provided strictly “as is” and RED will not be held responsible for issues arising from typographical errors or user’s interpretation of the language used herein that is different from that intended by RED. All safety and general information is subject to change as a result of changes in local, federal or other applicable laws.

RED reserves the right to revise this Operation Guide and make changes from time to time in the content hereof without obligation to notify any person of such revisions or changes. In no event shall RED, its employees or authorized agents be liable to you for any damages or losses, direct or indirect, arising from the use of any technical or operational information contained in this document.

For comments or questions specifically about the Operations Guide content, please send a detailed message to OpsGuides@red.com.

COPYRIGHT NOTICE

All trademarks, trade names, logos, icons, images, written material, code, and product names used in association with the accompanying product are the copyrights, trademarks or other intellectual property owned and controlled exclusively by Red.com, Inc.

TRADEMARK DISCLAIMER

All other company, brand and product names are trademarks or registered trademarks of their respective holders. RED has no affiliation to, is not associated or sponsored with, and has no express rights in thirdparty trademarks. MAC trademark of Intel Corporation. Windows trademarks of Microsoft Corporation. AVID trademark of The Foundry Visionmongers Ltd. Torx

EOS

are registered trademarks of Canon Kabushiki Kaisha Corporation.

and QuickTime® are registered trademarks of Apple, Inc. Intel® is the registered

, Microsoft Windows® and Windows Vista® are the registered

is a registered trademark of Avid Technology, Inc. NUKE is a

is a registered trademark of Textron, Inc. Canon® and

Page 5

COMPLIANCE

INDUSTRIAL CANADA EMISSION COMPLIANCE STATEMENTS

This Class B digital apparatus complies with Canadian ICES-003.

Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.

FEDERAL COMMUNICATIONS COMMISSION (FCC) STATEMENT

This equipment has been tested and found to comply with the limits for a class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and if not installed and

used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

1. Reorient or relocate the receiving antenna.

2. Increase the separation between the equipment and receiver.

3. Connect the equipment into an outlet on a circuit different from that to which the receiver is

connected.

4. Consult the dealer or an experienced radio/TV technician for help.

In order to maintain compliance with FCC regulations, shielded cables must be used with this equipment. Operation with non-approved equipment or unshielded cables is likely to result in interference to radio and TV reception. The user is cautioned that changes and modifications made to the equipment without the approval of manufacturer could void the user's authority to operate this equipment.

NOTE: This device complies with Part 15 of the FCC Rules.

Operations subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesirable interference.

CAUTION: If the device is changed or modified without permission from RED, the user may void his or her authority to operate the equipment.

Page 6

AUSTRALIA AND NEW ZEALAND STATEMENT

This device has been tested and found to comply with the limits for a Class B digital device, pursuant to EN 55022:2006

JAPAN STATEMENTS

This is a Class B product based on the standard of the Voluntary Control Council for

Interference (VCCI) for information technology equipment. If this equipment is used near a

radio or television receiver in a domestic environment, it may cause radio interference.

Install and use the equipment according to the instruction manual.

EUROPEAN UNION COMPLIANCE STATEMENTS

RED declares that the equipment described in this document is in conformance with the requirements of the European Council EMC Directive 2004/108/EC, Low Voltage Directive 2006/95/EC, RoHS Directive 2002/95/EC and WEEE Directive 2002/96/EC.

This declaration is based upon compliance of the product to the following standards:

• EN 55022, Information Technology Equipment - Radio Disturbance Characteristics

• EN 55024, Information Technology Equipment - Immunity Characteristics

• EN 61000-3-2, Limits for harmonic current emissions

• EN 61000-3-3, Limits for harmonic current emissions

• EN 60950-1, Information Technology Equipment – Safety

Page 7

The Waste Electrical and Electronic Equipment (WEEE) mark applies only to countries

within the European Union (EU) and Norway. This symbol on the product and

accompanying documents means that used electrical and electronic products should not

be mixed with general household waste. For proper treatment, recovery and recycling,

please take this product to designated collection points where it will be accepted free of

charge. Alternatively, in some countries you may be able to return your products to your

local retailer upon purchase of an equivalent new product.

Disposing of this product correctly will help save valuable resources and prevent any potential negative effects on human health and the environment, which could otherwise arise from inappropriate waste handling. Please contact your local authority for further details of your nearest designated collection point. Penalties may be applicable for incorrect disposal of this waste, in accordance with you national legislation.

For business users in the European Union, if you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.

Responsible party:

Red Digital Cinema 34 Parker Irvine, CA 92618 USA

Page 8

BEFORE YOU START

Congratulations on your purchase of a RED DSMC® Digital Still and Motion Camera.

Please read the attached safety instructions, and only then unpack the camera body and any accessories. If there is any physical damage or missing components for either your camera body or any accessories, please file a support ticket at www.RED.com/support.

RED SCARLET-X Digital Still and Motion Camera

IMPORTANT SAFETY INSTRUCTIONS

READ BEFORE USING YOUR CAMERA

A. Heed all cautions and warnings in these instructions.

B. Read these instructions before operating the camera and accessories.

C. Follow these instructions while operating the camera and accessories.

D. Keep these instructions with the camera and accessories at all times.

E. DO NOT attempt to modify, dismantle or open your camera, lens or other accessory as doing so may

expose you to electric shock and serious injury. There are no user-serviceable parts inside. Alteration or repairs made to the camera, lens or other accessory, except by a RED authorized service facility, will void the Limited Warranty. Users are not permitted to make design changes or otherwise modify the operation of the camera, lenses or other accessories, without the express written approval of RED DIGITAL CINEMA.

F. Only use attachments/accessories specified by RED.

G. Install camera and accessories in accordance with the manufacturer’s instructions.

H. Avoid imaging of laser beams as they may cause damage to the sensor.

I. DO NOT use the camera or accessories near water. Avoid exposing your camera to moisture. The unit

is not waterproof, so contact with water could cause permanent damage to the unit as well as electric

Page 9

shock and serious injury to the user. DO NOT use the camera in the rain or under other conditions with high moisture without appropriate protection, and immediately remove power source if camera or accessories are exposed to moisture.

WARNING: To reduce the risk of fire or electric shock, do not expose the camera or accessories to rain or moisture.

J. DO NOT expose your camera to excessive vibration or impact (shock). Be careful not to drop your

camera. Internal mechanisms may be damaged by severe shock. Mechanical alignment of optical elements may be affected by excessive vibration.

K. ELECTROMAGNETIC INTERFERENCE: The use of devices using radio or other communication

waves may result in the malfunction or interference with the unit and/or with audio and video signals.

L. Clean only using a dry cloth. When cleaning your camera, remember that it is not waterproof and

moisture can damage electronic circuitry. DO NOT rinse or immerse any element of the camera, lens or other accessory, keep them dry at all times. DO NOT use soaps, detergents, ammonia, alkaline cleaners, and abrasive cleaning compounds or solvents. These substances may damage lens coatings and electronic circuitry.

M. Maintain sufficient ventilation - DO NOT block any ventilation openings or obstruct cooling fan airflow.

CAUTION: Proper camera ventilation requires a minimum 1/2” (1,25cm) clearance between the camera ventilation openings and external surfaces. Verify that objects that can block the fan intake and exhaust ports do not impede airflow. Failure to permit adequate airflow may result in overheating of the camera, degraded operation and in extreme situations, damage to the camera.

N. DO NOT operate or store near any heat sources such as radiators, heat registers, stoves, or any other

apparatus that produce heat. Store in a protected, level and ventilated place. Avoid exposure to temperature extremes, damp, severe vibration, strong magnetic fields, direct sunlight or local heat sources during storage. Remove any batteries from the camera before storage. Recommended storage and usage temperatures for your camera, lenses and other accessories are:

a. Operating range: 0°C to +40°C (32°F to 104°F)

o Storage range: -20°C to +50°C (-4°F to 122°F)

If there are any performance issues with your camera or accessories when operating within this temperature range, please file a support ticket on www.RED.com/support.

O. The Side Handle, Side SSD Module, Rear Modules and Lens Mount are NOT HOT SWAPPABLE –

meaning you cannot remove or install them while the camera is powered on. Before installing or removing any of these accessories, you MUST power down the camera. Failure to do so may result in damage to the accessory and / or camera brain that will not be covered under warranty.

P. Do not bypass the third prong of the grounding-type plug on the power cord of the AC Power

Adapter. A grounding-type plug has two blades and a third “grounding” prong. The third prong is provided for your safety. A grounding-type plug shall be connected to an outlet with a protective earthen connection. If the grounding-type plug does not fit into your outlet, do not attempt to modify the plug or outlet, consult a qualified electrician.

Q. Protect all power cords from being pinched, walked on or driven over by a vehicle. Replace any power

cords suspected of sustaining damage due to crushing or other forms physical damage.

Page 10

CAUTION: The power cord plug for the AC Power Adapter is used as the power disconnect. To disconnect all power from the AC Power Adapter, unplug the power cord plug from the wall outlet. During use, the power cord plug should remain easily accessible at all times.

R. Lithium Ion batteries may be subject to special handling requirements pursuant to federal and local

laws. Please refer to specific shipping instructions included with your battery regarding proper transport of your battery. Do not handle your battery if it is damaged or leaking. Disposal of batteries must be in accordance with local environmental regulations. For example, California law requires that all rechargeable batteries must be recycled by an authorized recycle center. Storing batteries fully charged or in high temperature, conditions may permanently reduce the life of the battery. Available battery capacity may also be temporarily lessened after storage in low temperature conditions.

WARNING: Do not expose the battery to excessive heat.

WARNING: Danger of explosion if an incorrect battery is charged with the RED Charger or is used to power the camera and accessories. Replace only with the same or equivalent type battery.

CAUTION: Refer all service and repair to qualified RED service personnel. To reduce the risk of electric shock, and damage to the camera or accessories, DO NOT attempt to perform any servicing other than any procedures that are recommended in the operating instructions.

Page 11

THEORY OF OPERATION

The RED family of Digital Still and Motion Cameras (DSMC) provide high performance digital imaging over a wide range of frame rates and optical formats including Super 35mm / APS-H. The RED DSMC camera is supplied as standard with a PL mount, and may be configured with mounts and 19 mm rods to accommodate most cinematography lenses, matte boxes and follow focus systems. Adaptors for 15mm offset studio and 15mm lightweight rods are also available.

In addition to compatibility with the majority of existing PL mount cinematography lenses; a select range of Super 35mm PL mount prime and zoom lenses are available from RED.

Other lens mounts, including the DSMC Canon mount are available, permitting the use of Canon EF and EF-S photographic lenses. The Canon mount can report lens iris, focus and zoom data when mated to an appropriate lens. In addition, iris and manual or auto-focus settings may be controlled from the camera.

Lens mounts may be exchanged in the field, however it is highly recommended that this be performed in a dust-free environment, as the optical path will be exposed to the elements during this process.

A B4 mount to PL mount adaptor is also available to permit use of 2/3” HD broadcast lenses on the RED DSMC camera. The optical coverage it provides is approximately equivalent to 16mm, hence the maximum recording resolution operating with a B4 mount 2/3” lens is 2K (2048 x 1152 pixels) progressive scan.

MYSTERIUM X® SENSOR

The MYSTERIUM X sensor has been specifically designed for use with the RED DSMC camera, and provides variable frame rate imaging at up to 120fps at 5K resolution, and up to 240 fps at 2K resolution.

Native color balance for the MYSTERIUM X sensor is 5,000 KELVIN, but it may be electronically compensated for any color temperature in the range 1,700 to 10,000 KELVIN. White balance preset values include Tungsten (3200K) and Daylight (5600K) light sources. The camera may also calculate a color neutralizing White Balance value on demand by imaging on a standard white or 18% grey card.

The MYSTERIUM X sensor includes high precision analog to digital conversion, capable of delivering up to 13.5 stops of dynamic range with daylight light sources over a camera sensitivity rating of 320-800 ISO. In HDR mode, dynamic range can be extended to approximately 18 stops.

IMAGE PROCESSING

The digital image received from the sensor is formatted as a pixel defect corrected (but in all other aspects unprocessed) 12-bit, 14-bit or 16-bit per pixel RAW data frame. When operating in STILLS mode, each image received from the sensor is treated as a unique FRAME; however when operating in MOVIE mode, successive images received from the sensor are collected together into a CLIP. In all other regards, a frame of information gathered in STILLS mode or MOVIE mode is identical.

Each RAW frame or sequence of RAW frames in a clip is compressed using proprietary wavelet based REDCODE

RAW compression, then stored to a digital media Magazine such as REDMAG™ 1.8” SSD.

When recorded, the RAW data is independent of any RGB domain color processing such as ISO, White Balance or other RGB color space adjustments made by the camera operator. These parameters are saved with the RAW data as reference METADATA; i.e. color is not burned into the recorded RAW data.

Page 12

This recording technique permits RGB color processing choices to be deferred to post production or to be adjusted in the field to help a director visualize alternative color treatments, without affecting the recorded RAW data’s image quality or dynamic range.

The camera’s monitoring path converts RAW sensor data to a white balanced 12-bit depth 2048 x 1080 pixel RGB 4:4:4 video signal. This signal may be modified using ISO, White Balance or other RGB color space adjustments as desired by the operator, and is then scaled and gamma corrected to provide VIEWFINDER, HD-SDI and HDMI monitor outputs at 10-bit depth in 4:2:2 YCC or 8-bit depth in 4:4:4 RGB.

Frame guides and other camera data may be added as desired by the user to one or more of the outputs.

NOTE: The supplied REDCINE-X look” files which may then be imported as camera monitor path color processing PRESETs. This information is stored as reference metadata, so that this color processing choice can be the default value used in Post Production. Refer to SECONDARY MENUS > PRESETS for details how to import and apply .RMD file metadata.

PRO application software can create and export .RMD “color

HDRX™

HDRx is an option for extending dynamic range up to 6 stops over the base Dynamic Range offered by the camera. When enabled HDRx simultaneously shoots two images of identical resolution and frame rate

- a normally exposed primary track (A-track), and an underexposed secondary track (X-track) whose exposure value reflects the additional stops of highlight protection desired.

i.e. if you select an HDR value of +2 and your primary track exposure is 1/48th sec, the secondary track exposure will be 2 stops under, or 1/192 sec. The ISO and Aperture remain the same for both exposures.

During acquisition and recording, the two tracks are "motion-conjoined", meaning there is no gap in time between the two exposures. This is very important to note because if they were traditional alternating exposures, there would be a time gap between the two tracks that would show up as an undesirable motion artifact. Both tracks (A & X) are stored in a single .R3D

Since there are two exposures in HDRx mode, the camera is recording double the amount of frames each second. For example, when shooting at 24fps, the camera is recording two 24fps tracks, which is the data rate equivalent of 48fps; however after combining the A and X tracks in postproduction you will see only one 24fps blended image sequence.

HDRx provides multiple options for exploitation in postproduction.

• Blend the two tracks in post tools like REDCINE-X, Storm or any other application that supports the

SDK to create Magic Motion™. This blending of the two tracks comes with a slider so you can decide just how much of each track you want to use. A preview window shows you the combined result of your selection, or you can view each track individually.

• Combine the two tracks using MNMB (More Normal Motion Blur). MNMB is designed to emulate the

motion of a traditional camera with full motion blur. This is a tool created by The Foundry that uses a new motion estimation algorithm designed specifically for HDRx. The shorter exposure (sharper image) is blended to match the motion blur of the normal exposure. Again, a preview window shows the combined result of your selection, or you can view each track individually.

file.

• Use the X-track data for motion tracking, then combine the X-track with the A-track, or just motion

stabilize the A-track using the motion analysis data extracted from the X-track.

Page 13

• Exporting to EXR file format will give you a multi-view EXR with both exposures (like a stereo EXR).

NOTE: If you ignore the X-track data, you will have a standard exposure with up to 13.5 stops of dynamic range just as if you had not enabled HDRx. For this reason, we encourage the A-track exposure to be "normal" as it provides the most options. If you are tempted to shoot "over-under", you are then fully committed to using HDRx and your postproduction options are reduced.

NOTE: When recording in HDRx mode the camera records twice as many frames per second so the maximum frame rate or minimum REDCODE ratio, and the maximum record time on your media will be cut in half.

MAGIC MOTION™

Shooting at 24fps and with an 180 degree (1/48th) shutter on a film or digital camera may create an optical illusion we are familiar with, however it is not really the way the eye sees motion. To understand this, ask someone to stand in front of you and swing their arm over their head from one side to the other. What you would observe in the recording is a constant motion blur until the arm stopped. What your eye sees though is both motion blur AND a sharper reference to the arm and hand all along the motion path. "Magic Motion" provides such a combination of motion blur (A-track) and a sharper reference (X-track), with the bonus of extreme dynamic range not available with any other motion capture camera system.

AUDIO RECORDING

The RED DSMC camera can record up to two discreet channels of microphone level uncompressed 24bit, 48 KHz audio (four channels of microphone level or line level audio inputs when equipped with a PRO I/O Module), that are synchronized with video and timecode to a REDMAG 1.8” SSD digital media Magazine.

Input signals are routed via a high quality pre-amplifier and soft clip analog limiter in order to achieve the desired audio reference / recording level and maximize dynamic range.

To assist with audio reference level setup, the camera provides a color-coded Audio Level Meter in the Graphical User Interface. Meter range is –36dBu to +20dBu (-56dBFS to 0dBFS) with audio input type, reference level and audio input clipping indicators.

Audio monitor output options include a 2-channel headphone output on the camera Brain and 2-channel line level analog outputs from the optional PRO I/O Module, plus 2-channel and 4-channel 24-bit 48KHz uncompressed digital audio embedded in the HD-SDI and HDMI outputs.

MICROPHONE LEVEL ANALOG INPUTS

The recording level of a Microphone input is affected by the sensitivity of the microphone and the Gain setting of the camera’s pre-amplifier. Available pre-amplifier range is +8dB to +62dB, with a default value of +10dB. The camera operator should choose a Gain value that aligns the input signal to the 0dBu reference line drawn on the camera’s Audio Level Meter (or the 0VU reference line if operating at that level).

This setting provides up to 30dB of input signal headroom above reference 0dBu level before clipping (up to 26dB above 0VU reference level) and maximizes the signal to noise ratio of the 24-bit digital recording.

Page 14

LINE LEVEL ANALOG INPUTS

The recording level of a Line input is affected only by the signal provided by the field production sound mixer or other external line level source. The sound mixer operator should choose a mixer output level that aligns a reference tone signal to the 0dBu (-20dBFS) reference mark drawn on the camera’s Audio Level Meter, or if using 0VU as reference level, a mixer output level that aligns a reference tone signal to the 0VU (-16dBFS) reference mark.

This setting provides up to 24dB of input signal headroom above reference 0dBu level before clipping (up to 20dB above 0VU reference level) and maximizes the signal to noise ratio of the 24-bit digital recording.

VIDEO MONITORING OUTPUTS

In its default configuration, the RED DSMC camera can simultaneously support one VIEWFINDER output (suitable for use by a BOMB EVF (suitable for use by HDMI or HD-SDI monitors). The various monitor outputs can support a set of overlay graphics including camera GUI, timecode, clip name and framing guides; the specific overlay graphics for each type of output is user configurable.

The default VIEWFINDER output is the EVF / LCD connector located on the front face of the Side SSD Module. If neither of these is connected, the VIEWFINDER output can be transferred to either the HDMI output or the HD-SDI output of the camera Brain.

, or RED LCD) plus one PROGRAM output and one PREVIEW output

BOMB EVF

A 1280 x 784 pixel progressive scan color display providing the equivalent of viewing a 17” reference monitor from a distance of about 3ft (1m). Display includes Surround View™ look around area, frame guides and safe action / title, zebra and false color exposure overlays, operation status and setup menus.

RED LCD

A 800 x 480 pixel progressive scan color display supporting a touchscreen overlay. Display includes Surround View™ look around area, frame guides and safe action / title, zebra and false color exposure overlays, operation status and setup menus.

HD-SDI

A 720p or 1080p progressive scan output suitable for monitoring or recording to an external VTR or DDR device. May be configured for 10-bit LIN (VIDEO) or 10-bit LOG (FILM) encoded data.

HDMI

A 720p or 1080p progressive scan output suitable for monitoring via a PC monitor or most HDTV displays.

Page 15

Example of HDMI Monitor Output in MENUS mode.

RED LCD / BOMB EVF®

The optional RED LCD and BOMB EVF are specialized video monitors that provide the user with a variety of tools to assist framing, focus and exposure, including:

- Surround View™, which is an additional look around area, visible outside of the recorded image.

- Frame Guides, showing common film presentation and television aspects such as 2.40:1 and 16:9.

- Focus, aided by high display resolution, 1:1 Focus Check function and False Color overlay.

- Exposure, aided by dual Zebras, False Color overlay, RAW “Traffic Lights” and RGB histogram.

- System information including current frame rate, ISO rating, shutter speed, color temperature, record

resolution, record quality, clip name, timecode value and the remaining battery and media capacity.

For applications where use of an attached RED EVF or RED LCD is not desired – for example when working on a crane – the VIEWFINDER / MENU output can be transferred to the HD-SDI or HDMI outputs, supporting remote camera monitoring up to 200 ft away.

Page 16

REDMOTE®

REDMOTE is a camera control unit for RED’s family of DSMC cameras that attaches to the rear of the camera Brain or rearmost expansion module. REDMOTE may also be detached from the camera or rearmost module and provide wireless remote control of the camera over proprietary REDlink™ protocol.

Whether attached or operating via wireless, REDMOTE supports all controls necessary to operate the camera, including Record Start / Stop, Shutter Speed, White Balance, ISO and programmable User Keys. A color LCD displays critical camera parameters, including media and battery capacity, timecode and clip name, lens data and exposure information..

REDMOTE LCD display

REDMOTE includes a rechargeable Li-Ion battery, which automatically re-charges when attached to the camera or rearmost module. It may also be re-charged by connecting to a USB 2.0 based power source such as a laptop PC or cell phone charger. Under typical operating conditions, REDMOTE should operate for up to 8 hours without requiring a re-charge and support a wireless communication range of approximately 50 ft.

DIGITAL MAGAZINE (MEDIA)

REDCODE RAW compressed MOVIE clips and STILL images; time code, multi-channel audio and metadata may be recorded to REDMAG 1.8” SSD solid-state digital media Magazine of 64GB, 128GB or 256GB capacity.

Each MOVIE clip is recorded with a unique name in a Clip folder with the extension .RDC. This folder contains all appropriate information describing the clip, including one or more REDCODE RAW.R3D files and all color grading metadata and other system level metadata such as lens and location information. Refer to CLIP NAMING CONVENTIONS.

The individual Clip folders are placed into a Magazine folder (i.e. root directory) on the digital media. This Magazine folder has the extension .RDM. As this folder contains all the recorded Clips; copying all clips recorded on the SSD to other media may be performed by a drag and drop operation on the .RDM folder.

Page 17

Typical Magazine Folder and clip structure

For additional information about digital magazines, refer to APPENDIX B: MANAGING DIGITAL MEDIA.

METADATA

RED’s family of DSMC cameras record the Metadata, which is data for each frame of the recording:

• Clip Name

• Time Code

• Date and GMT

• Lens and shutter speed /

angle parameters

• Audio configuration

• Firmware version #

• media serial #

• LTC user bits (3 32-bit

word reg-dump from ISP)

• s4i static data

• s4i dynamic data

• GMT time/data

• RGB curves

• shadow control

• Luma curve

• Lens name, brand, ID,

near focus, far focus

• Camera Network Name

• Production Name

• Director Name

• DP Name

• Copyright

• Unit

• Camera Name

• Location

• Scene

• Take

• Accelerometer Data

• Gyro Data

CLIP NAMING CONVENTIONS

When you press RECORD, the camera automatically creates a unique name for the CLIP being recorded to the REDMAG 1.8” SSD media. The format of this name is:

Camera Letter + Reel Number + Month + Day

e.g. A001_C002_0502**.RDC

Page 18

Where: A = camera A, 001 = reel 001, C002 = clip 002, and 0502 = May 02, and the digits * * are two random characters generated by the camera to prevent any possibility of duplicate names being created.

So a three Clip sequence of Clip Folders within a Magazine Folder on Camera A would look like this:

A001_C001_0502**.RDC

A001_C002_0502**.RDC

A001_C003_0502**.RDC

Page 19

MULTI CAMERA SHOOTS

The scheme provides flexibility to uniquely identify Clips from different cameras on a multi-camera shoot.

For example three cameras, slated as camera A, camera B, and camera C respectively, can generate these easily recognizable clips on their respective digital media Magazines.

A001_C001_0502**.RDC B001_C001_0502**.RDC C001_C001_0502**.RDC

3D (STEREO) CAMERA SHOOTS

The scheme also allows unique identification of Clips from left and right eye cameras on a stereo shoot.

For example two cameras, both slated as Camera S, can generate these easily recognizable clips on their respective digital media Magazines.

S001_L001_0502**.RDC S001_R001_0502**.RDC

For more information refer to APPENDIX F: 3D SETUP / OPERATION > CLIP NAMING CONVENTIONS.

SMPTE TIMECODE

Time Code (TC) is a SMPTE timecode track that synchronizes to the camera’s high precision internal clock, or if operated in Jam Sync mode, references to an externally supplied SMPTE master timecode signal. TC is a sequential code that is continuous from frame to frame, but is discontinuous from clip to clip.

Edge Code (EC) is a SMPTE timecode track that always starts at 1.00.00.00 on the first frame recorded to the digital media. It is a sequential code that is continuous from frame to frame and also continuous from clip to clip. EC is equivalent to RUN RECORD commonly found on broadcast cameras.

Irrespective of the timecode mode selected, once recording starts the camera’s timecode counter will update at the same instantaneous frame rate as the recording. This ensures that a valid SMPTE timecode value is created for every frame in the clip, eliminating any timecode count jumps that could affect playback or editing.

If operating in Jam Sync mode referenced to an external timecode source, the clip’s master time reference point is the first frame of the recorded clip.

NOTE: When in Loop Record mode, Edge Code will also become discontinuous from clip to clip, because frames copied into the cache memory are discarded. This may lead to editing difficulties with postproduction applications that assume continuous timecode.

POWER CONSUMPTION

The camera draws approximately 60 watts when recording in 4K resolution, 24fps MOVIE mode. The camera is cooled by convection from the camera body assisted by a fan contained in a sealed air duct.

Under typical operating conditions, a REDVOLT minutes and a REDVOLT

XL battery will run the camera and accessories for about 90 minutes.

battery will run the camera and accessories for about 30

Page 20

CAMERA OPERATIONAL CONTROLS

This section describes the available operational controls on the RED DSMC camera Brain, Side SSD Module, Side Handle and REDMOTE accessories.

BRAIN

• Power / Record Button: Powers camera Up / Down and initiates Record Stop / Start

• Power Status LED: Indicates Power status:

o LED Red = Power Present, Camera OFF

o LED Yellow = Power present, Camera Booting

o LED Green = Power present, Camera ON

o LED Green Blinking = Power present. Running on Battery

o LED Yellow Blinking = Power present. 5-10 minutes of Battery time left

o LED Red Blinking = Power present. Less than 5 minutes of Battery time left

Power / Record Button / Status LEDs

Power Status LED

Power / Record Button

Record Status LED

Page 21

• Record Status LED: Indicates record status:

C A D

FRONT

REAR

o LED Off = No Media present.

o LED Green = Ready to Record

o LED Red Constant = Recording

o LED Red Slow Blink = Recording, 25% Media Left

o LED Red Fast Blink = Recording, 5% Media Left

o LED Yellow = Finalizing

• Both LEDs: Indicates camera status:

o Both LEDs Green Blink = firmware update in Progress

SIDE SSD MODULE

Side SSD Module Controls

SSD Slot

User Key 1

User Key 2

Focus / Record Button

Media Indicator

Page 22

• SSD Slot: Slot for REDMAG 1.8” SSD digital media Magazine.

• User Key 1: Initiates user defined camera function. Undefined by Default.

• User Key 2: Initiates user defined camera function. Undefined by Default.

• User Key 1 + User Key 2 : Press both keys to Eject (unmount) REDMAG 1.8” SSD Magazine.

• Focus / Record Button: Touch for Auto Focus, fully depress to Start or Stop Record.

• Media Indicator LED: Indicates status of media:

o LED Off = No Media

o LED Green = Ready to Record

o LED Red Constant = Recording

o LED Red Slow Blink = Recording, 25% Media Left

o LED Red Fast Blink = Recording, 5% Media Left

o LED Yellow = Finalizing

o LED Yellow Blinking = Media Access (Format etc...)

Page 23

SIDE HANDLE

A B C D E

TOP

Battery Release

Focus / Record Button

Adjustment Ring

RED Side Handle Controls - Top

LCD Menu Keys

LCD Display

LCD Backlight Button

• Battery Door Release Button: Releases Side Handle battery door to permit battery exchange.

• Focus / Record Button: Touch for Auto Focus, fully depress to Start or Stop Record.

• Adjustment Ring: Selects and adjusts camera parameter values. Similar to the scroll wheel on the

navigation group.

• LCD Menu Keys: The specific functions for each key are defined by the LCD screen. Defaults are:

1 – ISO 2 – F-Stop 3 – Shutter Speed 4 – White Balance

• LCD Display: Displays key camera parameter values.

• LCD Backlight Button: Enables LCD backlight.

Note: Side Handle controls can be locked/unlocked by holding the 1 and 4 buttons simultaneously.

Page 24

FRONT

A Stills / Movie Slider

Side Handle Controls - Front

• Stills / Movie Slider: Selects between STILLS and MOVIE modes of operation.

NOTE: This switch is not active at this time. Default camera operation is MOVIE

Page 25

REAR

A B C D E

RED Side Handle Controls - Rear

MENU Button

Rocker Switch

Navigation Group

User Keys A-D

System Keys 1- 3

Thumbwheel Lock

• Menu Button: Press to access / camera setup menus.

• Rocker Switch: Increases or decreases selected value based on parameter selected in USER KEYs.

Page 26

• Navigation Group: Allows navigation through camera menus, selection of camera parameter for

adjustment, and adjustment of selected camera parameter.

Side Handle Navigation Group

Scroll Wheel

Direction Keys

Enter Button

o Scroll Wheel: Selects and adjusts camera parameter value.

o Direction Keys: Navigates camera menus and may select parameter for adjustment.

o Enter Button: Confirms selected parameter value adjustment.

• User Keys: User Function Keys A-D. The specific function of these keys may be programmed by the

user. Default settings for User Function Keys A-D are as follow:

- User Key A – Toggles Focus Assist indicator

- User Key B – Performs White Balance calculation.

- User Key C – Toggles False Color > 1:1 Magnify

- User Key D – Toggles False Color > Exposure Check

• System Keys: Function is defined by System Firmware.

- Upper: Toggles False Color > Exposure Check

- Center: Not currently defined

- Lower: Ejects (unmounts) the currently selected Media

Page 27

INSTALLATION / REMOVAL

Insert lip into top of

camera brain.

Press side handle flush

against camera brain.

Rotate thumbscrew

upwards until tight.

WARNING: THE SIDE HANDLE IS NOT HOT SWAPPABLE - MEANING YOU CANNOT REMOVE OR INSTALL WHILE THE CAMERA IS POWERED ON. BEFORE INSTALLING OR REMOVING THE SIDE HANDLE, YOU MUST POWER DOWN THE CAMERA. FAILURE TO DO SO MAY RESULT IN DAMAGE TO THE SIDE HANDLE AND / OR CAMERA BRAIN THAT IS NOT COVERED BY WARRANTY.

To install the side handle:

1. Power down the camera if necessary.

2. Remove the brain side plate (if installed) by removing the single screw located at the bottom.

3. Rotate upwards to disengage lip at top of side plate from camera brain.

4. Insert the lip at the top of the side handle into the area where the lip from the side plate was installed.

5. Rotate side handle down flush along side of camera brain.

6. Rotate thumbscrew upwards until tight. Ensure side handle is secure to camera brain. You may have

to apply steady pressure to get the screw started.

Page 28

Rotate thumbscrew

downwards until loose.

Rotate side handle

upwards to remove.

Disengage lip from top

of camera brain.

To remove the side handle:

1. Power down the camera if necessary.

2. Rotate the thumbscrew downwards until detached from camera body.

3. Rotate upwards and pull down to disengage lip at top of side handle from camera brain.

4. Remove side handle from camera.

Page 29

DSMC MODULES

PRO I/O MODULE

The PRO I/O MODULE brings together the essential I/O connections into one module, providing a central hub for professional audio and video components.

• Centralized ports make it easy to manage connections and cables

• LCD/EVF port allows you to connect an additional RED LCD or EVF

• Customize triggers and interface with 3rd party GPIO and RS232 control devices using RED Pro I/O

cables

• Attach an additional DSMC module or a REDMOTE to the back of the PRO I/O MODULE for additional

expansion

• Internal cooling system maintains appropriate operating temperature

Page 30

Battery Eject

REAR SSD MODULE

The Rear SSD Module secures onto the back of the DSMC brain to serve as a rear location for recording onto 1.8" REDMAG SSD media.

QUAD BATTERY MODULE

• The QUAD MATTERY MODULE holds up to 4 REDVOLTs or 2 REDVOLT-XLs

• Batteries may be hot swapped

Button

Quad Battery Module – Shown with REDVOLT batteries Installed

Page 31

DUAL BATTERY MODULE

• The DUAL BATTERY MODULE holds up to 2 REDVOLTs

• Batteries may be hot swapped

Dual Battery Module – Shown with REDVOLT batteries Installed

MODULE INSTALLATION / REMOVAL

To install a DSCM Module to the camera, an Adaptor Plate must be purchased separately. The following procedure details installation of the Adaptor Plate and DSMC Module.

Install the Adapter Plate

1. Power down the camera.

2. Remove the REDMOTE.

3. Place the adapter plate over the v-mount on the rear of the camera brain.

Page 32

Page 33

4. Using a T-20 Torx, lightly tighten the four screws. Do not over tighten.

2 3 4

5. Tighten the screws again in a cross pattern until tight.

ATTACHING THE DSMC MODULE

WARNING: DSMC Modules are NOT hot swappable - meaning you cannot remove or install while the camera is powered on. Before installing or removing a Module, you MUST power down the camera. Failure to do so may result in damage to the Module and / or camera brain that is not covered by warranty.

Quad Battery Module shown.

1. Insert the lip at the top of the module into the recess at the top of the adaptor plate.

Page 34

Insert Lip At Top of Adaptor Plate

Rotate Module Down Until Flush

with Adaptor

2. Rotate module down flush with the rear of the adaptor plate.

Page 35

3. While applying steady pressure to hold the module against the adaptor plate, use a T-20 Torx

Rotate Lock Clockwise

Until Red Dot Lines Up

with Lock Icon

Press Battery Module

Flush with Adaptor

screwdriver to rotate the lock on the adapter plate clockwise to secure the module.

Installation is now complete.

To remove the DSMC Module and Adaptor Plate:

1. Power down the camera.

2. Use a T-20 Torx screwdriver to rotate the lock on the adapter plate to the Unlock position.

3. Rotate the module upwards and down to disengage lip at top of module from adaptor plate.

4. Remove module from adapter plate.

5. Use a T-20 to loosen the screws attaching the adaptor plate the camera brain.

6. Remove the adaptor plate from the camera brain.

REDMOTE

This section describes the physical controls on the REDMOTE. For complete details on REDMOTE control, refer to APPENDIX E: REDMOTE OPERATION.

IMPORTANT: For your REDMOTE to operate with this camera build version, ensure your REDMOTE has been upgraded to the latest firmware. Refer to APPENDIX E: REDMOTE OPERATION > MAINTENANCE > UPGRADING REDMOTE FIRMWARE.

Page 36

C D A B E G F

H J I N M K L

REDMOTE Controls

Still/Motion Slider

Release Button (L)

Record LED

Power LED

Rocker Switch

User Keys A-D

MENU Button

Soft Menu Keys 1-3

Navigation Group

Focus / Record Button

Soft Menu Keys 4-8

Power/Lock Slider

Release Button (L)

USB Connector

• Stills / Motion Slider: Allows selection of STILLS or MOVIE operational modes.

• Rocker Switch: Provides continuous adjustment of parameter specified in USER KEYS menu.

• User Keys: Press to initiate camera functions as defined in USER KEY menu.

Default settings for User Function Keys A-D are as follow:

- User Key A – Toggles Focus Assist Indicator

- User Key B – Toggles False Color > RAW Check

- User Key C – Toggles False Color > 1:1 Magnify.

- User Key D – Toggles False Color > Exposure Check

• Menu Button: Press to access / camera setup menus.

• Soft Menus Keys 1-3: Below the LCD are three (3) Soft Menu buttons 1-3 (H) whose functions are

defined on the LCD screen. For complete information refer to APPENDIX E: REDMOTE OPERATION > OPERATION > REDMOTE MENUS > SOFT MENU BUTTONS 1-3.

Page 37

• Navigation Group: Allows navigation through camera menus, selection of camera parameter and

adjustment of selected camera parameter.

REDMOTE Navigation Group

- Scroll Wheel: Selects and adjusts selected camera parameter value.

- Direction Keys: Navigates camera menus and may select parameter for adjustment.

- Enter Button: Confirms selected parameter value adjustment.

• Focus / Record Button: Touch for Auto Focus, fully depress to Start or Stop Record.

• Soft Menus Keys 4-8: To the right of the LCD are five Soft Menu buttons 4-8. These are pages

displaying camera settings. For complete information refer to APPENDIX E: REDMOTE OPERATION > OPERATION > REDMOTE MENUS > SOFT MENU BUTTONS 4-8.

• Power / Lock Slider: Slide and hold down for two seconds to power up / down REDMOTE and or

camera. Slide up to lock keys.

Scroll Wheel

Direction Keys

Enter Button

DISPLAYS

BOMB EVF AND BOMB EVF (OLED)

BOMB EVF is a high-definition, lightweight viewfinder that aligns quality performance with compact form

factor.

• Resolution: 1280 (wide) x 784 (high) full-color

Page 38

Focus Ring

Brightness Controls

Talley Light

Focus Ring

Brightness Controls

Talley Light

• Contrast Ratio: 1000:1 typical

• Available diopter range: +2.0 to -5.0.l

RED BOMB EVF (OLED) brings advanced OLED technology into the field, providing truer blacks and more color accurate images

• Resolution: 1280 (wide) x 1024 (high) full-color

• Contrast Ratio: >10,00:1 typical

• Available diopter range: +2.0 to -5.0.l l

NOTE: The specific function of EVF user keys (B/C) may be programmed by the user.

Page 39

TOUCHSCREEN LCD

User Key 1

User Key 2

Backlight Adjust

Red offers a five inch touch screen LCD with 800 X 400 resolution and 4:4:4 progressive scan. The touchscreen LCD allows navigation of camera menus and selection and adjustment of camera parameters by directly touching icons on the screen. Gestures supported include:

• Tap: Tap on an icon to bring up a quick adjustment display.

• Hold: Touch and hold on an icon to bring up an advanced interface display.

• Slide: Touch and slide on an icon to increment a value.

• Pinch: Touch with two fingers, then open or close to magnify or normalize the video image.

1:1 Magnify

Exposure Check

RED 5” Touchscreen LCD Shown

NOTE: Default functions shown. All keys may be programmed by the user.

Page 40

BASIC OPERATION

This section describes basic operation, starting from power up, Viewfinder layout and Menu navigation.

WARNING: THE SIDE HANDLE, SIDE SSD MODULE, REAR MODULES AND LENS MOUNT ARE NOT HOT SWAPPABLE – MEANING YOU CANNOT REMOVE OR INSTALL THEM WHILE THE CAMERA IS POWERED ON. BEFORE INSTALLING OR REMOVING ANY OF THESE ACCESSORIES, YOU MUST POWER DOWN THE CAMERA. FAILURE TO DO SO MAY RESULT IN DAMAGE TO THE ACCESSORY AND / OR CAMERA BRAIN THAT WILL NOT BE COVERED UNDER WARRANTY.

Power draw is prioritized as follows when multiple power sources are available to the camera.

1. DC (Voltage) or Brick (%)

2. Battery Module batteries

3. Side Handle battery

POWER SOURCES

SIDE HANDLE

The optional Side Handle accepts one REDVOLT.

Side Handle Battery Compartment

Page 41

QUAD BATTERY MODULE

The optional QUAD BATTERY MODULE accepts up to four REDVOLT or up to two REDVOLT XL batteries, which can power the camera and typical accessories.

Figure 16: Quad Battery Module

REDVOLT AND REDVOLT XL

REDVOLT and REDVOLT XL

Note: When multiple batteries are installed in the Quad Battery Module, the power management circuit will select the lowest charged battery to supply power to the camera. On depletion, a battery may be ejected from the Quad Battery Module for re-charging, and a new charged battery may be inserted in its place. i.e. batteries may be hot swapped, there is no need for the operator to power down the camera to replace a REDVOLT battery when using the Quad Battery Module.

Page 42

BACKPACK QUICKPLATE

The optional BACKPACK QUICKPLATE attaches directly to the back of the DSMC BACKPACK to provide a compact REDBRICK configuration for EPIC or SCARLET-X.

Note: DSMC BACKPACK is required for use of the BACKPACK QUICKPLATE

BACKPACK QUICKPLATE

REDBRICK

Page 43

AC POWER ADAPTOR - (DSMC)

When powering from the Module it is called in the lower UI as Rear Module (RM Bx) Bay number on lower UI, and identified as Rear 1-4 in the POWER status menu.

In use, an LED on the Quad Battery Module will flash to show the battery currently powering the camera.

Current battery LED indicates status as follow:

• LED Off = No Battery

• LED Constant Green = Battery Not used but Charged

• LED Green Blinking = Battery Used (100% - 11%)

• LED Yellow Blinking = Battery has 10 minutes of run time remaining

• LED Red Blinking = Battery has 5 minutes of run time remaining

• LED Constant Red = Battery Discharged

Remaining batteries will have a steady LED on module.

When current battery reaches 4% charge, the battery module will automatically switch over another battery, by default the LOWEST charge capacity battery of the remaining batteries installed in the Module.

Page 44

Battery location and status are displayed in the lower UI. In this case RM B1 (Rear Module, Bay 1).

Battery location and status are also displayed on REDMOTE. In this case RM B3 (Rear Module, Bay 3).

The POWER menu also shows all installed batteries and their state of charge.

EXTERNAL DC POWER

RED DSMC Cameras accept input voltages between 11.5V - 17V D.C and can draw a maximum current of 12 Amps.

• An appropriate 150W supply with DC output rated at 15V 10A such as AC Power Adapter P/N 740-

0019 available from RED DIGITAL CINEMA.

• RED Charger. For RED Charger you must use 2B-to-1B Power Adapter Cable P/N 790-0138.

• RED BRICK

Clip, or RED Cradle via 2B-to-1B Power Adapter Cable P/N 790-0138.

• 4-pin XLR DC power sources may be used with the camera via adaptor cable P/N 790-0164.

140Wh batteries may be used with Backpack Quickplate, RED Quickplate, Battery Belt

Page 45

POWER UP

Locate the camera’s Power / Record button on the right face of the Brain.

NOTE: This button also serves as a Record Start / Stop button once the camera is powered up.

Power / Record Button / Status LEDs

Power Status LED

Power / Record Button

Media Status LED

When an appropriate power source is connected to the Brain, the Power Status LED will illuminate Red. If it is illuminated, depress and then release the Power / Record button. The Power Status LED will initially go out and within 5 seconds illuminate Orange to confirm the camera is powering up, then it will illuminate Green, confirming the camera is powered up and ready to use.

If a formatted REDMAG 1.8” SSD is attached to the Brain, once powered up the Media Status LED will illuminate Green. If this LED is not illuminated, verify a formatted REDMAG 1.8” SSD is inserted into the Side SSD Module and / or format the SSD if it has not previously been formatted on the camera.

NOTE: Once powered up, if the Power Status LED illuminates Red, it indicates low remaining battery capacity and a battery exchange or switch over to external DC power is recommended.

Page 46

POWER DOWN

The camera can be powered down in two ways:

1. Using REDMOTE or Side Handle Menu controls, or via Touch Screen LCD icons. Refer to

SECONDARY MENUS > POWER.

2. Depress and continue to hold the Power / Record button in its fully depressed position until the

INITIATING CAMERA SHUTDOWN shows on the display.

After Power Down, the Power Status LED will illuminate Red, if an appropriate power source is available.

Page 47

GRAPHICAL USER INTERFACE AND NAVIGATION

TIMECODE

ISO RATING

WHITE BALANCE

SHUTTER SPEED

RESOLUTION /

FRAME RATE

MEDIA

AUDIO METER

HISTOGRAM

RAW CLIP

METER

POWER SOURCE / STATUS

NEXT CLIP FILENAME

FRAME GUIDE

PICTURE CENTER / SPOT FOCUS

TITLE GUIDE

ACTION GUIDE

RAW NOISE

LEVEL BAR

RAW CLIP

LEVEL BAR

RESOLUTION

FALSE COLOR MODE

HDRx MODE

QUALITY

TEMPERATURE

DROP

SHUTTER SYNC

GENLOCK

MAGNIFY

REDMOTE

LAN

RIG STATUS

FAN

F STOP

OVERLAY GRID

LENS INFO

RED LCD/TOUCHSCREEN LCD, BOMB EVF, EXTERNAL MONITORS

The following is a general description of the structure of the camera’s Graphical User Interface (GUI) which overlays the video monitor signal on the Viewfinder output(s) of the camera.

PROJECT FRAME RATE /

SPEED

GUI Display Elements

The display elements include:

• Frame Rate: Current frame capture rate

• ISO Rating: Camera sensitivity

• F Stop: Functional when optional mount and

lens are installed

• Shutter Speed: Exposure Time (or Degrees)

• White Balance: Color Temp

SOURCE / STATUS

• Resolution Record Resolution

• Quality: REDCODE setting

• Lens Info: Lens information when using

specific Canon or Cooke lenses.

• Cursors: Reference cursors – Safe Action / Safe Title, Picture Center, Grid Overlay

Page 48

• Frame Guide: Record or Projection area

• Next Clip Filename: Filename of the clip that

will be shot next

• Project Frame Rate: Current project TIME BASE

• Noise Level Bar: Relative number of RAW pixels in noise

• Histogram: RGB Histogram.

• Clip Level Bar: Relative number of RAW

pixels near clip

• Clip Meter: RGB sensor RAW clipping status

• Temperature: Displays camera sensor and

core temperature in that order (xx/xxC)

• Drop: Indicates if any frames were dropped during recording of the clip

• Genlock: Indicates presence of valid Genlock signal / sensor sync to genlock

• Shutter Sync: Indicates shutter sync status

• RM: Indicates communication to REDMOTE

• LAN: Indicates communication via Ethernet

connection

• RIG: Indicates 3D rig metadata is present

• Media Status: Media location and remaining

media capacity in %

• Power: Indicates D.C supply voltage or % of remaining battery capacity Including current supply voltage

• Audio Meter: Audio input selection and levels

• Timecode: Current timecode value

• Fan Speed: Displays fan speed in %

• HDR Mode: Displays HDRx mode status

• False Color Mode: Displays false color

overlay mode

• Magnify: Tallies 1:1 if magnify is selected

• TC: Indicates presence of valid SMPTE

timecode signal and Jam Sync status

• Menu ICON : In the upper Right corner on the touchscreen LCD - Opens the Secondary Menus

• Playback ICON : In the upper Left corner on the touchscreen LCD - Accesses the Playback Function

Page 49

The GUI is broken down into the following three main sections: the Upper Status Row, the Live Action Area, and the Lower Status Row. On VIEWFINDER output(s), all three sections are visible, on PREVIEW outputs only the Live Action Area and associated graphic overlays are visible. On PROGRAM outputs, none of the graphic overlays are visible, i.e. a PROGRAM output is defined to be a CLEAN FEED output.

UPPER STATUS ROW

Provides immediate feedback on the most critical image composition parameter settings, including (from Left to Right):

• Playback Access (Touchscreen)

• Current frame capture rate

• ISO Rating

• Shutter Speed (or Shutter Angle)

Whichever parameter is underlined with a red bar may be immediately adjusted by pressing ENTER in the Navigation Group of the Side Handle or REDMOTE, then using the Scroll Wheel to change the value of that parameter. To confirm the parameter change press ENTER a second time.

NOTE: Shutter angle is displayed in Relative mode by default, as indicated by Yellow text.

If the red bar is not on the parameter you wish to change, first use the Scroll Wheel to position the red bar under that parameter, then press ENTER, adjust with the Scroll Wheel and press ENTER a second time to confirm the value change.

In the above GUI example, the Scroll Wheel has been used to move the red cursor to the Shutter Speed parameter; and the ENTER key has been pressed. This reveals the Parameter Adjust Widow. Adjust the value using the Scroll Wheel and then press ENTER to confirm the value change, then close the submenu.

• White Balance

• Record Resolution

• Record Quality

• Secondary Menus Access (Touchscreen)

Page 50

LIVE ACTION AREA

Contains the recorded image area plus Surround View™ look around area, plus overlays for Frame Guide, Safe Action / Safe Title and the current Clip Name and Timecode values. Each overlay may be color coded in one of 5 colors to maximize the contrast between the guide(s) and scene being captured.

LOWER STATUS ROW

The Lower Status Row provides feedback on key systems level camera values, including:

• Clip Settings

• Exposure (Histogram)

ICON BEHAVIOR

• TC Gray - No analog time code is currently detected.

• TC Red - Analog time code is being detected, but the use of it is not enabled.

• TC Green - Analog time code is being used to jam the time of day time code. TC will revert to gray if

the signal is no longer detected.

• Temperature, Power and Sync

• Media Status

• Power Status

• Audio Levels

GEN

• GEN Gray - No genlock signal is currently detected.

Page 51

• GEN Green - A genlock signal compatible with the current project and monitor rates has been locked to.

SYNC

• SYNC Gray - The sensor sync mode is not Genlock.

• SYNC Red - The sensor sync mode is Genlock, but it is not locked to any genlock signal.

• SYNC Green - A genlock signal compatible with the current project and monitor rates has been locked

to and the sensor timing is also locked to it.

POWER STATUS

If powering camera through DC power, the current voltage will be displayed.

If using a REDBRICK or similar external battery to power the camera through DC IN, power status displays the current supply voltage available from the battery. Supply voltage decreases as battery is discharged, the displayed text is color coded as follows:

• Green = 12.0 V and up • Yellow = 11.9 – 11.8 V • Red = 11.7 – 11.6 V

NOTE: The camera will automatically power down if supply voltage drops to 11.5 Volts.

If using a REDVOLT battery in the Side Handle or Battery Module to power the camera, power status displays the location of the power source (example: SH: Side Handle; RM: Rear Module) and reports the remaining battery capacity and the displayed text is color coded as follows:

• Green: >10 minutes • Yellow: 5-10 minutes • Red: <5 minutes

If using a RED BRICK battery connected to DC IN, power status displays BRICK and reports the % of remaining battery capacity and the displayed text is color coded as follows:

• Green: >10 minutes • Yellow: 5-10 minutes • Red: <5 minutes

Page 52

RAW CLIP METER

The RAW Clip meter looks a traffic light style meter and indicates if either of the Red, Blue or Green channels of the RAW sensor data are clipping. This meter is unaffected by White Balance, ISO, VIEW or LOOK settings and therefore represents a true measurement of the exposure levels of the sensor at all times.

RAW NOISE LEVEL BAR

The RAW noise level bar displays the amount of pixels in the image that are in noise. For example, if the bar is about 1/8 of the total height, this would indicate approximately 1/8 of the total pixels in the image are at an exposure level at risk of displaying noise when pushed at higher ISO or FLUT values in postproduction.

RAW CLIP LEVEL BAR

The RAW clip level bar displays the amount of pixels in the image that are clipping. For example, if the bar is about 1/4 of the total height, this would indicate approximately 1/8 of the total pixels in the image are at an exposure level at risk of clipping and may not be recoverable by lowering ISO or FLUT values in postproduction.

Page 53

SIDE HANDLE

As you navigate and adjust settings on the camera (main menu settings only), they will be reflected on the Side Handle LCD display.

The display elements include:

• Power: Camera power status (DC Shown)

• Frame Rate: Image capture rate

• Resolution Recording Resolution

• Quality: REDCODE setting

REDMOTE

• ISO Rating: Camera sensitivity

• Shutter Speed: Exposure Time (or Degrees)

• White Balance: Color Temp

The display elements include:

• Camera ID: Displays camera ID (DEFAULT shown)

• Wireless Status: Displays signal strength when connected wirelessly

• Battery Indicator: Displays battery life or charge status (shown) of REDMOTE

• Resolution Recording Resolution

• Quality: REDCODE setting

• Frame Rate: Image capture rate

• ISO Rating: Camera sensitivity

Page 54

• Frame Rate: Current frame capture rate

• Shutter Speed: Exposure Time (or Degrees)

• White Balance: Color Temp

• Resolution Record Resolution

• Quality: REDCODE setting

• Clip Filename: Filename of the clip that will

be shot

• Project Frame Rate: Current project TIME BASE

• Clip Meter: RGB sensor RAW clipping status

• HDR Mode: Displays HDRx mode status

• False Color Mode: Displays false color

overlay mode

• Magnify: Tallies 1:1 if magnify is selected

• Gen: Indicates presence of valid Genlock

signal

• Sync: Timecode Jam Sync status

• RIG: Indicates 3D rig metadata is present

• LAN: Indicates communication via Ethernet

connection

• Media Status: Media location and remaining media capacity in %

• Power: Indicates D.C supply voltage or % of remaining battery capacity Including current supply voltage

• Audio Meter: Audio input selection and levels

• Timecode: Current timecode value

• Histogram: Displays histogram

• TC: Indicates presence of valid SMPTE

timecode signal

NAVIGATING MENUS

The primary method to navigate Menus is via the Scroll Wheel on the REDMOTE or Side Handle. Rotate clockwise to move right, counter clockwise to move left. However, the Left and Right direction Navigation Keys (REDMOTE or Side Handle) or Adjustment Ring (Side Handle) may also be used for this purpose.

The Up and Down direction Navigation Keys provide additional navigation functions when pressed:

UP Selects Advanced Settings menu.

DOWN Selects standard Settings menu.

As an example, position the Cursor under the Shutter Speed (24FPS) icon and press the UP Direction Key to access advanced adjustment values for Shutter Speed.

Page 55

USING TOUCHSCREEN LCD

If operating a Touchscreen LCD, camera menu navigation may be made through finger gestures.

• To adjust a parameter value, simply touch it, and then swipe the finger left / right to adjust its value.

• To access an advanced parameter settings display, press and hold down on the parameter icon.

• Touch anywhere outside the overlay windows to enter the value changes and to hide the sub-menus.

• To enter the Secondary Menus, touch the MENU icon.

• To return to the Main Menus, touch the MENU icon again.

• To access the Playback function, touch the arrow.

• To exit the Playback function, touch the circle.

Page 56

TOUCHSCREEN SHORTCUTS

The bottom portion of the touchscreen contains shortcuts to the most-used camera screens.

Page 57

POWER DOWN

NOTE: Camera will automatically power down if supply voltage drops to 11.5 Volts.

POWER MENU

1. Select the MENU icon in the right corner of the Upper Status Bar to reveal the Secondary Menus.

2. Select POWER.

3. Select SHUTDOWN.

4. The camera will immediately power down.

USING POWER STATUS DISPLAY

1. Select the POWER status located between the audio channels and media remaining indicator, to reveal the same menu illustrated above.

2. Select SHUTDOWN.

3. The camera will immediately power down.

Page 58

LOCK / UNLOCK TOUCHSCREEN OPRERATION

LOCK

To lock out the touchscreen operation, touch and hold the MENU icon until the LOCK icon displays; indicating the touchscreen has been locked out. When locked, the main menu will be displayed.

UNLOCK

To unlock out the touchscreen and allow normal operation, touch and hold the LOCK icon until the MENU icon displays; indicating the touchscreen has been unlocked.

Page 59

FIRST TIME USE – SETTING UP YOUR RED EPIC

ATTACH POWER SOURCE

If a REDVOLT battery is installed in the Side Handle and DC power is connect through the DC IN connector, the DC IN power supply has priority and will power the camera instead of the battery.

BATTERY

Connect a RED battery to the camera in one of the following ways:

SIDE HANDLE

Attach a Side Handle and insert a REDVOLT battery.

INSTALL

1. Press the battery door release button (A).

2. Open battery door (B).

3. Press upwards on retainer (C).

4. Insert a REDVOLT battery until it is fully seated and retainer (C) clicks into place.

5. Close battery door.

Page 60

REMOVE

1. Press the battery door release button (A).

2. Open battery door (B).

3. Press upwards on retainer (C) to release battery.

4. Remove battery from side handle.

QUAD BATTERY MODULE

Attach a Quad Battery Module and insert one or more REDVOLT batteries.

INSTALL

Insert battery into desired location and press until a click is heard and battery is seated.

REMOVE

1. Press the battery eject button (A) for desired battery.

2. When battery pops out, remove battery from battery module (B).

Page 61

RED BRICK

Attach to the camera using a V-Plate and 2B-to-1B Power Adapter Cable P/N 790-0138 to the DC IN connector.

DC POWER

Connect a DC power source to the camera in one of the following ways:

• Plug the RED AC Power Adapter into AC power, and the LEMO connector to the DC IN connector.

• Plug the RED CHARGER into AC power, and the LEMO connector to the DC IN connector via 2B-to-

1B Power Adapter Cable P/N 790-0138.

• Plug a 12V XLR based power source into the DC IN connector via adaptor cable P/N 790-0164.

NOTE: The maximum sustainable power load of the DSMC AC Power Adapter is 150W (15V@10A). The output of the adapter is over current protected, and will shut down if an excess load condition occurs. If the output trips for any reason, remove any external loads from the camera, such as lights, motors etc, turn off the Adapter and repeat the above procedure.

POWER UP

Locate the camera’s Power ON / OFF button on the right face of the Brain. If the Power Status LED is illuminated Red, depress and then release the Power / Record button. If not illuminated, check your battery charge status or external power source cable connection. Once powered up the Power Status LED will illuminate Green, confirming the camera is ready to use.

PREPARING TO RECORD

Before each days recording, the camera should be prepared as follows:

- Physically set-up camera as desired.

- Verify camera is using the latest firmware version at www.RED.com/support and if appropriate,

upgrade the camera firmware. Refer to APPENDIX A: UPGRADING CAMERA FIRMWARE.

- Insert a blank (or previously used but erasable) REDMAG 1.8” SSD and format it.

- Perform a BLACK SHADING CALIBRATION of the Sensor.

- Check your PROJECT SETTINGS (Time Base, Record Resolution, Record Quality, etc.).

- Frame, focus and record.

CONNECT AND FORMAT MEDIA

Identify a REDMAG 1.8” 64GB, 128GB or 256GB SSD that has not previously been recorded to, or is not a camera master and may therefore be erased and re-used. Aligned the RED logo of the SSD to the outside, and then push the SSD firmly, but without excessive force, into the slot in the Side SSD Module.

Page 62

NOTE: When fully inserted, the SSD media protrudes slightly from the SSD slot as indicated above.

When SSD media is inserted into the camera, the camera will recognize if the media is unformatted:

- On LCD, EVF and external monitors, in the media section of the GUI, NONE will be displayed twice (as opposed to when no media is inserted, the GUI displays NONE with three dashes below “---“).

- On REDMOTE, NONE will be displayed twice (as opposed to when no media is inserted, the GUI displays NONE with three dashes below “---“).

- On the Side Handle, NA will be displayed (same as if no media is present).

To format the media select SECONDARY MENUS > MEDIA > FORMAT MEDIA.

When FORMAT is selected, a FORMAT dialog box will appear allowing you to add Camera Identity and 3D Position properties when formatting. When desired options are set, select FORMAT.

NOTE: If any clips will be erased on the attached media, you will be informed of the number.

Page 63

PERFORM A BLACK SHADING CALIBRATION

Refer to SECONDARY MENUS > SETTINGS > MAINTENANCE > CALIBRATION for complete details for performing a Black Shading Calibration.

ADJUST PROJECT SETTINGS

TIME BASE

To adjust the project TIME BASE, press the MENU button on the Side Handle or REDMOTE. Then use the Scroll Wheel or Direction Keys to navigate to SETTINGS > PROJECT > TIME BASE and press ENTER. Adjust to the desired value using the Scroll Wheel and press ENTER once more to confirm.

If using a Touch Screen, select SECONDARY MENUS > SETTINGS > PROJECT > TIME BASE. Adjust by sliding your finger up / down or tapping on the desired value, and then press anywhere else on the touch screen to confirm.

The following TIME BASES are currently available:

• 23.98 fps

• 24.00 fps

NOTE: A project can only support one Time Base as this defines the frame count to be used for time code and as the clip playback and editing frame rate. It is also the primary frame rate for acquisition, but variable speed (over-crank and under-crank) recordings can be made above and below this base frame rate using the VARISPEED menu.

• 25.00 fps

• 29.97 fps

• 47.96 fps

• 48.00 fps

• 50.00 fps

• 59.94 fps

Page 64

RECORD RESOLUTION

To adjust Record Resolution, navigate the Cursor to the RESOLUTION icon in the Upper Status Row and press the Navigation Group ENTER key. Adjust to the desired value using the Scroll Wheel and press ENTER a second time to confirm.

If using a Touch Screen, press the RESOLUTION ICON, adjust RESOLUTION by sliding your finger left / right, or tap on the desired resolution, and then press anywhere else on the touch screen to confirm.

The following Recording Resolutions are currently available:

• 5K

• 5K HD

• 5K 2:1

• 5K WS

• 5K ANA

RECORD QUALITY (REDCODE)

Allows adjustment of REDCODE settings.

Range is 3:1 to 18:1

Default is 8:1

Use the scroll ribbon to select a target REDCODE compression ratio.

The camera will automatically select the closest REDCODE to the desired target.

• 4K

• 4K HD

• 3K

• 3K HD

• 2K

• 2K HD

• 2K WS

• 1K HD

• 1K WS

The display will always show the "current" compression ratio being used by the camera.

If the camera is able to achieve the desired target compression ratio, it will be displayed in white. If the camera is unable to achieve the target compression ratio, it will be displayed in yellow.

The current compression ratio will automatically be re-calculated when changes are made to Resolution, FPS, HDRX Mode, Media, or Target REDCODE.

Page 65

CAMERA ID (SLATE)

If operating on a multi-camera production, enter a different Camera ID for each camera; otherwise skip this step; the camera is ready to shoot.

The Camera ID is set when the media is formatted. Refer to ADVANCED MENU > MEDIA for details.

RECORDING

Ensure a formatted REDMAG 1.8” SSD is inserted in the camera’s Side SSD Module, then fully depress any one of the RECORD buttons located on the Brain, Side SSD Module, Side Handle or REDMOTE.

Fully depress again to stop recording. The camera will automatically create a unique and sequential file name for each clip recorded on the SSD based on the Camera’s I.D set in the MEDIA menu.

REDCODE RAW data recordings store the Color Temperature and Exposure (ISO) and any RGB color processing values you use in the monitor path as metadata. This metadata is used in REDCINE-X or other post-production software as initial white balance, exposure and color correction points however, you are free to change these values at any time when you process the RAW footage.

Time Code and Edge Code values used by the camera are Non Drop Frame (NDF); Drop Frame (DF) is not supported. Audio is captured uncompressed at 24-bit resolution, 48KHz sample rate per channel.

Digital media such as REDMAG 1.8” SSDs are very robust, but should be treated with equal care as exposed film or a videotape master. We recommend storing digital media that contains your footage in a secure location and backing up the data to a digital archival media, such as data tape or hard disk drive.

RECORD INDICATOR

When recording, the RED DSMC camera provides a variety of record indications (tallies):

- Timecode, normally displayed in white colored text, will be displayed in red colored text.

- A small Red dot will appear in the top right corner of the VIEWFINDER output(s).

- The REC LED on the right side of the camera Brain will illuminate Red.

- REDMOTE upper LED will illuminate Red, and the Timecode will turn Red.

Page 66

- If using a BOMB-EVF, the LED on the front will illuminate Red if Tally is enabled

- SMPTE-RP188 timecode VITC-2 HANC metadata record flag will be enabled on HD-SDI outputs.

- If enabled in the USER KEYS menu, the GPO trigger output in the CNTL connector will pulse.

PLAYBACK

Playback is available on the RED DSMC Camera by going to SECONDARY MENUS > SETTINGS > PLAYBACK or by touching the Playback arrow icon in the upper Left corner of the GUI.

The Playback function will display.

For complete details, go to SECONDARY MENUS > SETTINGS > PLAYBACK.

Page 67

MENU CONTROLS

Displayed in the Upper Display Group of the VIEWFINDER output(s), are FRAMERATE (FPS), EXPOSURE (ISO), _._ (F/Stop), WHITE BALANCE, RESOLUTION, and QUALITY (REDCODE). These parameters are adjustable directly through this screen. When using the touchscreen, directly to the right of these

parameters is the MENU icon which when pressed will take you to the secondary camera set up menus.

ADJUSTMENTS

BASIC SETTING ADJUSTMENTS

SIDE HANDLE / REDMOTE

• The MENU button can be used to ENTER the secondary menus, as well as CANCEL inside lists and for navigating back up menus.

• Navigate to the desired setting using the NAVIGATION GROUP direction keys and press ENTER.

• Use the Scroll Wheel or Adjustment Ring to increase or decrease the parameter value.

• When the desired value has been selected, press ENTER to set.

BASIC ADJUSTMENTS USING SIDE HANDLE ONLY

Although not recommended, the Side Handle can be used stand alone to make basic adjustments to FPS, ISO, Shutter Speed, Resolution and REDCODE located on the Main Menu screen. Use the Navigation Group to make these adjustments while watching the cursor placement under the desired setting on the side handle LCD. When desired setting is selected, press the Enter button to access, then use the Scroll Wheel, Directional Pad or Adjustment Ring to make changes. When done, press the Enter button again to set the changed parameter. The MENU button can be used to ENTER the secondary menus, as well as CANCEL inside lists and for navigating back up menus.

TOUCHSCREEN

• The MENU ICON can be used to ENTER the secondary menus, as well as CANCEL inside lists and for navigating back up menus.

• Touch the desired parameter for adjustment.

• Slide your finger across the screen to scroll through the available parameter values.

• When desired the parameter value has been selected, touch anywhere in the screen area to set.

Page 68

• To close an alpha numeric keypad when entering information directly, tap anywhere on the screen outside the keypad.

ADVANCED SETTING MENUS

At this time, only FRAMERATE, F-STOP, SHUTTER SPEED and WHITE BALANCE on the MAIN MENU have advanced settings

SIDE HANDLE / REDMOTE

1. Navigate to the desired setting using the NAVIGATION GROUP direction keys and then press the UP directional key.

2. Use the direction keys to navigate to the desired parameter adjustment field and press ENTER to confirm.

3. Use the Scroll Wheel to adjust the selected parameter value.

4. When desired selection is made, press the MENU button to set.

TOUCHSCREEN

1. Press and hold the desired parameter to gain access to advanced setting adjustments.

2. Press the field - a keypad type menu may appear to allow adjustments.

3. Press the desired parameter settings to adjust.

4. When desired selection is made, press anywhere in the screen area to set and exit the advanced settings submenu.

Page 69

MAIN MENU

Available options under the MAIN MENU are FRAMERATE (FPS), ISO (SENSITIVITY), F STOP, 1/SEC (EXPOSURE), WHITE BALANCE, RESOLUTION, and QUALITY (REDCODE).

FPS

The following TIME BASES are currently available:

• 23.98 fps

• 24.00 fps

• 25.00 fps

• 29.97 fps

• 47.96 fps

• 48.00 fps

• 50.00 fps

• 59.94 fps

VARISPEED

When a frame rate other than the current TIME BASE has been selected, the FPS text will turn Yellow and VARISPEED will be shown where the Audio Meter is normally displayed at the lower right of the display.

Page 70

BASIC SETTINGS

Provides quick selection of the most common VARISPEED frame rates.

ADVANCED SETTINGS

When selected a numerical keypad will appear allowing the desired VARISPEED Framerate to be entered in 1 fps increments. Maximum frame rate is a function of RECORD RESOLUTION and REDCODE settings. Granularity is 0.001 FPS.

On Touchscreen systems, a Keypad is available for direct numeric entry of the VARISPEED FPS value. Touch the value bounded by the + and – labels to bring up, press outside the keypad to confirm the value.

Page 71

ISO (SENSITIVITY)

Adjusts the camera’s ISO rating. The sensitivity value is adjustable in 1/3rd stop increments. When the ISO rating is adjusted, the camera logs the change as metadata and the monitor path reacts accordingly. Higher ISO values lead to brighter images in the monitor path, and vice versa.

Range is ISO 250 – 12800

Default is ISO 800

F STOP

Aperture controls the depth of field of the subject imaged by the camera, and in combination with the shutter speed / angle setting controls the amount of light falling on the sensor. i.e. exposure. Increasing the F stop to a higher number reduces exposure as well as increases the depth of field, decreasing the F stop to a lower number increases the exposure and decreases the depth of field. You can chose either 1/3 or 1/4 stops.

RED DSMC Ti PL Mount Installed

When a lens equipped with Cooke’s S4/i system is attached to the DSMC Ti PL Mount, the camera will display the current aperture (F stop) of the attached lens. This is for information only and on-camera adjustment is NOT available, manual adjustment only as indicated by being Grayed out.

DSMC Canon Mount Installed

This menu will appear when a DSMC Canon Mount is installed and a Canon EF or EF-S Lens or equivalent is attached (a Non-Canon EF or EF-S Lens may not function as smoothly or accurately). Adjusts the aperture (F stop) of the attached lens.

The attached lens for the example shown is a Canon EF 24-70mm.

Page 72

BASIC SETTINGS

Allows adjustment of the aperture (F stop) of the attached lens. The range will vary depending on the attached lens.

ADVANCED SETTINGS

When selected, the advanced settings menu allows fine control over the f-stop value under APERTURE and focal distance under FOCUS.

APERTURE (F STOP)

Provides the ability to enter the F stop value directly.

Range depends on attached lens.

Default depends on attached lens.

Page 73

FOCUS

Provides the ability to enter the focal distance directly.

Range depends on attached lens.

Default depends on attached lens.

EXPOSURE

BASIC SETTINGS

Adjusts the exposure of each frame captured by the MYSTERIUM X sensor. Shutter speed presets are provided for all common speeds (and shutter angles) for 24 / 25 fps and 50 / 60 fps project frame rates.

Decreasing Shutter Speed increases the amount of time over which light falls on the sensor, increasing exposure and motion blur on any objects moving within the frame. Increasing Shutter Speed shortens the amount of time over which light falls on the sensor, decreasing exposure and motion blur on objects moving within the frame.

Range is 1/24 fps it is 1/24

Default is 1/48

sec – 1/8000th sec - Slowest available speed is 1 second per frame / frame rate, so for 24

sec.

Sec.

Page 74

ADVANCED SETTINGS

When selected, the advanced settings menu allows fine control over the Exposure value, and permits entry in any of the three following common units – EXPOSURE (Shutter Speed), INTEGRATION TIME or ABSOLUTE ANGLE (Shutter Angle).

EXPOSURE (SPEED)

Provides the ability to enter the Exposure value as a Shutter Speed (1/xx sec).

Range is 2 – 1/8000

Default is 1/48

Sec - Slowest available speed is 1/frame rate, so for 24 fps it is 1/24th Sec.

Sec.

Page 75

INTEGRATION TIME

Provides the ability to enter the Exposure value as a Shutter Integration Time (xx milliseconds).

Range is 0.125 to 41.708 mS (milliseconds)

Default is 20.833 MS

ABSOLUTE ANGLE

Provides the ability to enter the Exposure value as a Shutter Angle (xx Degrees).

Range is 1.000 to 360.000 Degrees

Default is 180.0 Degrees

As you adjust any of these three parameters, the camera will automatically calculate the equivalent value in the other units, but as a quick reference here are some common Speeds and Angles.

Page 76

To Convert Shutter Speed to Angle Equivalent:

Equivalent Degrees = (Shutter Speed x Frame Rate x 360)

E.g. = (1/48 x 24 x 360) = (8640/48) = 180

SHUTTER DEGREES SHUTTER DEGREES

1/32 270 1/120 72

1/48 180 1/192 45

1/50 172.8 1/348 22.5

1/60 144 1/696 11

1/96 90 1/1000 8.6

Equivalent Shutter = 1 / (Frame Rate x 360 / Angle)

E.g. = 1/ (24 x 360/180) = 1/ (8640/180) = 1/48

DEGREES SHUTTER DEGREES SHUTTER

270 1/32 72 1/120

180 1/48 45 1/192

172.8 1/50 22.5 1/348

144 1/60 11 1/696

90 1/96 8.6 1/1000

WHITE BALANCE

BASIC SETTINGS

Allows you to manually set Color Temperature in the range from 1,700 to 100,000 KELVIN.

Range is 1,700 K to 10,000 K.

Default is 5600K.

Page 77

ADVANCED SETTINGS

When selected, allows additional adjustment of the White Balance. Available options are PRESET, COLOR TEMP, TINT, and CALCULATE WHITE BALANCE. Press APPLY PRESET for settings to take effect.

PRESET

Available preset options are:

SHADE

Preset to 9,000K

CLOUDY

Preset to 7,500K

COLOR TEMP

Allows you to manually set Color Temperature in the range from 1,700 to 100,000 KELVIN. Default is 5600K.

DAYLIGHT

Preset to 5,600K

FLASH

Preset to 5,500K

FLOURESCENT

Preset to 4,500K

TUNGSTEN

Preset to 3,200K

INCANDECENT

Preset to 2,800K

Page 78

TINT

Color Temperature calculations assume a pure light source that may not be true in the specific scene the camera is imaging. To compensate for any residual colorcast, the TINT parameter can adjust the RGB color balance with a compensating Magenta - Green color component. Default is 0.000. When selected, a secondary keypad will appear allowing you to enter the desired Tint value directly.

NOTE: Selecting Calc White Balance calculates a new Tint value. This is maintained if the Color Temp is adjusted via the Color Temp parameter. If you select ANY presets, Tint will be reset to zero, which is the default value.

CALC WHITE BALANCE

The Calc White Balance function analyzes the central 25% of the image visible in the monitor to calculate a Color Temperature that will render a white object as white.

To use Calc White Balance function, place a White or Gray object under the ambient light, select the Calc White Balance function and then press the Calc White Balance function box. Calc White Balance is also assigned to a User Key on the REDMOTE and Side Handle as a factory default setting.

Page 79

RESOLUTION

Allows adjustment of resolution.

Default is 5K 2:1

FORMAT WIDTH (PX) HEIGHT (PX)

1K WS 1280 480

1K HD 1280 720

2K WS 2048 854

2K HD 1920 1080

2K 2048 1080

3K HD 2880 1620

3K 3072 1620

4K HD 3840 2160

4K 4096 2160

5K ANA 3600 2700

5K WS 5120 2160

5K 2:1 5120 2560

5K HD 4800 2700

5K 5120 2700

REDCODE

Allows adjustment of REDCODE settings.

Range is 3:1 to 18:1

Default is 8:1

Use the scroll ribbon to select a target REDCODE compression ratio.

The camera will automatically select the closest REDCODE to the desired target.

The display will always show the "current" compression ratio being used by the camera.

Page 80

If the camera is able to achieve the desired target compression ratio, it will be displayed in white. If the camera is unable to achieve the target compression ratio, it will be displayed in yellow.

The current compression ratio will automatically be re-calculated when changes are made to Resolution, FPS, HDRX Mode, Media, or Target REDCODE.

REDCODE OPTIONS FOR VARIOUS FRAME RATES

Minimum frame rate is 1 sec per frame; maximum frame rate is a function of REDCODE setting, and record resolution:

FPS 24

3:1

2:1

3:1

ANA

3:1

2.4:1

3:1

2.4:1

30 48 50 60 72 75 90 96 100 120 150 175 210 250 288 300

4:1

RC 3:1

4:1

RC 4:1

RC 3:1

6:1

RC 6:1

RC 4:1

RC 5:1

RC 4:1

RC 3:1

7:1

6:1

5:1

4:1

3:1

8:1

RC 8:1

RC 5:1

RC 6:1

RC 5:1

RC 3:1

9:1

RC 9:1

RC 6:1

RC 8:1

RC 6:1

RC 3:1

10:1

RC 9:1

RC 7:1

RC 8:1

RC 6:1

RC 3:1

12:1

11:1

8:1

9:1

7:1

3:1

12:1

10:1

- - - - - - - -

8:1

- - - - - -

3:1

RC 4:1

RC 8:1

RC 3:1

10:1

RC 8:1

RC 3:1

12:1

10:1

RC 5:1

RC 6:1

RC 7:1

SECONDARY MENUS

Press the Menu button on the REDMOTE / Side Handle or touch the MENU icon on the LCD to access the Secondary Menus.

Available options in this menu screen are HDR, FOCUS, PRESETS, MEDIA, SETTINGS, and POWER. EXPOSURE is not implemented at this time.

HDR MENU

Available options are HDR OFF, HDRx and STOPS.

NOTE: HDR mode cannot be modified when in Magnify 1:1 mode.

Page 81

HDR ON / OFF

By default, HDRx is OFF (HDR button is illuminated Blue). In the Lower Status Group of the Viewfinder screen, the HDR text is Gray, indicating HDRx is inactive.

To turn HDRx on, navigate to the HDRx button using the Navigation Group and press ENTER, or from the touchscreen directly touch the HDRx button. In the Lower Status Group of the Viewfinder screen, the HDR text will turn White, indicating HDRx is active.

STOPS

To adjust the STOPS parameter, select the Stops box and use the UP / DOWN arrows to adjust.

Range is 1 to 6.

Default is 2.

FOCUS MENU

The Focus Menu is used to enable and select Focus parameters including MODE and ZONES.

Page 82

MODE

MANUAL FOCUS

To adjust the MODE parameter, select the Menu box and use the UP / DOWN arrows to adjust. Available options are MANUAL and CONFIRM. Default is MANUAL.

MANUAL

When selected all focus operations are manual.

CONFIRM

Enables the Center or Spot focus square for use with manual focus. This mode provides additional focus assistance to the photographer using RED, YELLOW, and GREEN color changes to the focus spot window. Inadequate subject illumination and/or contrast may interfere with normal Focus Confirm operation.

For best results with Focus Confirm, operators should 'rock' the focus ring -- focusing through the point of optimum focusing and back again in decreasing amplitude -- as when 'zeroing-in' for precision manual focus.

AUTO FOCUS

NOTE: The following menus will ONLY appear if a DSMC Canon Mount is installed with a Canon or Sigma lens attached.

With a DSMC Canon Mount installed and a supported lens attached, available options become MANUAL, CONFIRM, SINGLE, CONTINUOUS, TOUCH TRACK, and RACK. Default is MANUAL.

All settings except MANUAL place a single square (Center) or a single rectangle (Spot) on the screen (depending on the ZONES selection) that indicate where the image is in focus.

Pressing the designated button for spot focus (REDMOTE / Side Handle button A default) will cycle you through each Focus Mode option in order as you press the button repeatedly.

Page 83

Performance of Auto Focus may be reduced under the following conditions:

• The subject is dark or distant.

• There is inadequate contrast between the subject and background.

• The scene has reflective highlights.

• The subject is backlit.

• There is inadequate surface contrast/detail inside the window.

NOTE: Edge Mode can be used for additional assistance in these conditions. Refer to SETTINGS MENU > DISPLAY > TOOLS > EDGE.

MANUAL

When selected all focus operations are manual.

CONFIRM

SINGLE

A Focus / Record Button half-press performs single-shot AF. Optimized for rapid focus even under lowcontrast conditions. Works with both Center and Spot Zones.

Page 84

CONTINUOUS

Once engaged with half-press, will attempt to keep objects in AF window in focus. Works best with good lighting and contrast. Works with both Center and Spot Zones.

TOUCH TRACK

Dynamically updating positionable AF using touchscreen. Works with Spot Zone only. Keep AF Spot on subject while moving across frame, will continuously focus on spot.

RACK

For quickly selecting two focus points and executing rack focus between them. Focus points are selected using the Touchscreen. Shutter half-press executes rack movement. Works with Spot Zone only.

Rack mode remembers the last Center or Spot position and focus setting as the first rack point. A second rack point needs to be defined by moving the spot window to the desired second location. If the

spot window is not moved, a shutter half-press will only cause the lens to execute a single AF adjustment on the original Spot. On the other hand, when two rack points have already been defined, the rack point can be updated by moving the spot to a new location. This will replace the rack point that is not in focus at that moment.

Page 85

DSMC CANON MOUNT ELECTRONICALLY SUPPORTED LENSES

Canon EF 100-400mm f/4.5-5.6L IS

Canon EF 100mm f/2.0 USM

Canon EF 100mm f/2.8L Macro IS USM

Canon EF 135mm f/2.0L

Canon EF 135mm f/2.8 Soft Focus

Canon EF 14mm f/2.8L II USM

Canon EF 15mm f/2.8 Fisheye

Canon EF 16-35mm f/2.8L II

Canon EF 17-40mm f/4L

Canon EF 180mm f/3.5L Macro

Canon EF 200mm f/2.0L IS

Canon EF 200mm f/2.8L II

Canon EF 20mm f/2.8 USM

Canon EF 24mm f/1.4L II

Canon EF 24-105mm f/4L IS

Canon EF 24-70mm f/2.8L

Canon EF 24mm f/2.8

Canon EF 28-300mm f/3.5-5.6L IS

Canon EF 28mm f/1.8 USM

Canon EF 28mm f/2.8

Canon EF 300mm f/2.8L IS

Canon EF 300mm f/4L IS

Canon EF 35mm f/1.4L

Canon EF 35mm f/2

Canon EF 400mm f/2.8L IS

Canon EF 400mm f/4.0 DO IS

Canon EF 400mm f/5.6L

Canon EF 500mm f/4L IS

Canon EF 50mm f/1.2L

Canon EF 50mm f/1.4 USM

Canon EF 50mm f/2.5 Compact Macro

Canon EF 600mm f/4L IS

Canon EF 70-200mm f/2.8L IS

Canon EF 70-200mm f/2.8L IS II USM

Canon EF 70-200mm f/4L

Canon EF 70-300mm f/4-5.6 IS USM Canon EF 70-300mm f/4.5-5.6 DO IS USM Canon EF 800mm f/5.6L IS Canon EF 85mm f/1.2L II Canon EF 85mm f/1.8 USM Canon EF-S 10-22mm f/3.5-4.5 USM Canon EF-S 17-55mm f/2.8 IS USM Canon EF-S 18-200mm f/3.5-5.6 IS Canon EF-S 60mm f/2.8 Macro USM Sigma 10-20mm f/3.5 EX DC HSM Sigma 20mm f/1.8 EX DG ASP RF Sigma 24-70mm f/2.8 IF EX DG HSM Sigma 50mm f/1.4 EX DG HSM Sigma 70-200mm f/2.8 EX DG APO Macro HSM II Sigma 85mm f/1.4 EX DG HSM Sigma APO 50-150mm f/2.8 II EX DC APO HSM Zeiss Distagon T* 18mm f/3.5 Zeiss Distagon T* 21mm f/2.8 Zeiss Distagon T* 25mm f/2 Zeiss Distagon T* 28mm f/2 Zeiss Distagon T* 35mm f/2 Zeiss Planar 50mm f/1.4 ZE Zeiss Makro-Planar 50mm f/2 Zeiss Planar T* 85mm f/1.4 Zeiss Makro-Planar 100mm f/2 Zeiss Distagon T* 18mm f/3.5 Zeiss Distagon T* 21mm f/2.8 Zeiss Distagon T* 25mm f/2 Zeiss Distagon T* 28mm f/2 Zeiss Distagon T* 35mm f/2 Zeiss Planar 50mm f/1.4 ZE Zeiss Makro-Planar 50mm f/2 Zeiss Planar T* 85mm f/1.4 Zeiss Makro-Planar 100mm f/2

Page 86

ZONES

Available options are CENTER and SPOT. Default is CENTER. This control allows selection of the boxes

used to indicate objects in/out of focus.

CENTER

Provides a large, square target for focus. When objects located in the circle are in focus, the square will

be Yellow or Green. When objects located in the square are out of focus, the square will be Red.

Page 87

SPOT

Provides a small, square target for precise focus (similar to Center focus, only smaller). When objects

located in the square are in focus, the square will be Yellow or Green. When objects located in the

square are out of focus, the square will be Red.

SPOT FOCUS INDICATOR

Moving

The spot focus square can be moved around the screen.

Touchscreen

Tap on the spot focus square directly on the touchscreen and drag to the location you wish to relocate

the spot focus circle.

Page 88

Side Handle / REDMOTE

1. Navigate to the focus menu.

2. Press the down arrow on the Navigation Group.

3. The spot focus square line weight will increase and the Red cursor under FOCUS will dim slightly.

4. Press the ENTER button.

5. Use the directional arrows to move the Spot Focus square to the desired location.

6. To exit:

- Press the ENTER button, the spot focus square line weight will increase, then press the UP arrow to go back to the FOCUS menu.

- Press the MENU button.

Resizing

The spot focus square can be resized using the Navigational Wheel or the Touchscreen.

Touchscreen

Tap two times on the square directly on the touchscreen to increase size. You can increase the size 3 times. After that, when you double-tap the spot focus square, it will decrease in size.

Page 89

LENS INFORMATION DISPLAY

RED DSMC TI PL MOUNT + LENS

When a RED DSMC Ti PL Mount is installed and a Lens equipped with Cooke’s S4/i system (or equivalent is attached, the Focal Length and Focal Distance is displayed on the LCD, EVF and external monitors.

The focal length and focal distance values and range will vary depending on the attached lens. When the focal length or focal distance of the lens is manipulated, the current values are displayed.

DSMC CANON MOUNT + LENS

When a DSMC Canon Mount is installed, and a Canon EF or EF-S Lens or equivalent is attached, the Focal Length and Focal Distance is displayed on the LCD, EVF and external monitors. When AF is set to Manual or Confirm mode, the focus distance displays as a pair of Near - Far distances. When it is in AF mode, a single estimated Focus distance is displayed.

The focal length and focal distance values and range will vary depending on the attached lens. When the focal length of the lens is manipulated, the current value is displayed under Focal Length. The Focal Distance can be changed under MAIN MENU > -.- (F-STOP) > ADVANCED SETTINGS.

Page 90

EXPOSURE MENU

Not implemented at this time.

PRESETS MENU

CAMERA PRESETS

Camera Presets are used to store and recall camera setup information such as LOOKs, key mappings, I/O configuration, etc.

Your RED DSMC camera has a number of factory-installed settings.

APPLYING A PRESET

• Select

• Select the desired preset from the selection ribbon

• Press APPLY button

• Use the selection ribbon to selcet

Custom presets may be created to store groups of camera settings. For example; White Balance and ISO settings for a particular shooting location can be captured and as a preset and easily recalled later.

Presets can also be saved on an SSD and applied to other RED DSMC cameras.

CREATING A PRESET

• Select

Presets

from the secondary menus

Page 91

• Select

• Press OK on keyboard to save the preset name

• Copy the desired settings from the left box of the interface to the right box using the

Create

select all

and enter a name for the new preset using the QWERTY keyboard

button

select one

(-->)

• Select and press

The preset has been created and is now stored on the camera.

Create

button (upper right corner of the screen)

Page 92

On Camera

On SSD

SHARING PRESETS

Presets may be shared between RED DSMC cameras using SSD media.

Camera to camera

Select

Presets

from the secondary menu:

Camera to multiple cameras

Page 93

COPY PRESETS FROM CAMERA TO SSD

• Use scroll ribbon to select desired preset in camera box

• Use --> button to move the preset to the SSD box

COPY PRESETS FROM SSD TO CAMERA

• Use scroll ribbon to select desired preset in SSD box

• Use --> button to move the preset to the Camera box

• The following window will appear

• Select

• Select No to copy the preset to the camera without applying the settings

MANAGING PRESET FILES

• The APPLY, DELETE, and CREATE buttons are only affect the camera box. Presets on the SSD will remain there until the media is reformatted.

• Copy the desired settings from the the

Yes

to copy the preset to the camera and apply the setting

select one

(-->) or

select all

S-SSD\Presets

button

side of the interface to the

Camera

side using

Page 94

LOOKS PRESETS

Look Presets allows you to save the specific color, image, white balance, and detail settings to be used for other projects. Meta is the default settings shot on the camera and cannot be deleted. As looks are created, they will be displayed alphabetically.

For detailed information on LOOKs, see the REDCINE-X Operation Guide, available on RED.com

Page 95

MEDIA MENU

The Media Menu is used to format media (SSD) prior to use on the camera as well as to Eject (unmount) the media prior to removal from the camera. Available options when selected are SELECT MEDIA, FORMAT MEDIA, EJECT MEDIA, and UTILITIES.

IMPORTANT: Media MUST be ejected from the camera before removal to prevent corruption and/or loss of data on media.

SELECT MEDIA

Allows you to select the Media location to be used by the camera. Default is the Side SSD (S-SSD) Module.

FORMAT MEDIA

When selected, a new dialog box will appear allowing you to add properties to the media highlighted in the Current Media box when formatting. Available options are REEL NO, CAM ID, CAM POS, and FORMAT to format the media with the values entered.

Page 96

NOTE: If clips are present on the media, you will be informed of how many clips will be erased when you format the media.

REEL NO.

When selected a keypad will appear allowing you to enter a value between 1 and 999.

CAMERA ID (SLATE)

Identifies the camera with a letter A through Z. Default is A.

CAMERA POS (POSITION)

Identifies the camera position as Right, Left or Center. Default is Center.

FORMAT

When selected, formats the media and adds the selected properties.

• During formatting, the camera will display “Formatting” with a Green status bar. REDMOTE will also display this message.

• When formatting is complete, camera will display “The magazine was successfully re-formatted. The digital magazine is ready for immediate use. REDMOTE will also display this message.

EJECT MEDIA

When selected will Eject (unmount) the media highlighted in the Select Media box.

When ejected, camera will display “Media Ejected Successfully”. REDMOTE will also display this message.

Page 97

UTILITIES

Options are SECURE FORMAT.

SECURE FORMAT

Secure Format is a low-level format the rebuilds the SSD file system. It should only be used if the performance of the SSD is in question.

NOTE: If clips are present on the media, you will be informed of how many clips will be erased when you secure format the media.

Page 98

SETTINGS MENU

This section describes the various secondary controls available to configure the camera. Menu options are DISPLAY, LOOK, SENSOR, PROJECT, MODES, AUDIO/VIDEO, SETUP, MAINTENANCE, and PLAYBACK.

DISPLAY

Available options are TOOLS, ZEBRA, OVERLAY, MODES, FRAME GUIDE, AREA GUIDES, and MONITOR.

TOOLS

The Tools menu permits the operator to adjust the GUI elements displayed on the Viewfinder output(s) Available options are OFF, EXPOSURE, FOCUS, VIDEO, EDGE, MAGNIFY, and RAW. The Dialog is available by either going to SETTINGS > DISPLAY > TOOLS or simply clicking on the histogram in the lower left.

OFF

Turns off any of the display modes in the first line.

Page 99

EXPOSURE

This will show areas of under exposure (Purple) or over exposure (Red) on top of a monochrome image. The color is based on RAW data so over/under exposure refers to data actually close to clipping in the sensor. When selected, the icon “E√” will be displayed in the Lower Status Group.

The EXPOSURE meter’s color bands provide the following information:

PURPLE

RED

Between minimum and maximum exposure values, the image is displayed as a monochrome image.

In the image, Purple areas represent sensor exposure levels that are likely to be noisy if gained up in postproduction. Red areas represent sensor exposure levels that are at clipping.

Minimum Exposure

Maximum Exposure

NOTE: As EXPOSURE meters sensor RAW information, it is not affected by any RGB domain adjustments - such as ISO rating, FLUT, White Balance, Video Gain or other LOOK information.

NOTE: Because the RAW data represents a wider color space than RGB, provided that the Red (clip) color is not present in EXPOSURE view, even if Red (clip) color is present in VIDEO view, the apparently clipped RGB highlights can be recovered in post production by adjustment of ISO, FLUT or changing the KNEE and WHITE values of the CURVE box.

Page 100

FOCUS

This will emphasize edges in the image without changing brightness/image content so it is easier to judge if the image is in focus. By adjusting your lens zoom and focus you can see which objects are coming into and falling out of focus. When selected, the icon “F√” will be displayed in the Lower Status Group.

VIDEO

VIDEO displays a multi-color color overlay that allows you to check the video level of the RGB monitor path (calibrated to the SMPTE test signal) and any outputs driven from that path - such as HD-SDI and HDMI. When selected, the icon “V√” will be displayed in the Lower Status Group.

Purple represents Super-Black, Dark Blue represents Black, Teal represents 3-stops under 18% Gray, Green represents 18% Gray, Pink represents Skin Tone, Straw represents White, and Yellow, Orange and RED represent various degrees of signal clipping in RGB space.

By adjusting ISO, FLUT and Shadow while looking at VIDEO check, the operator can ensure that Black, White and 18% Gray values conform to the desired levels on the HD-SDI and /or HDMI outputs.

The VIDEO bands provide the following information:

PURPLE

BLUE

TEAL

GREEN

PINK

STRAW

YELLOW

Typical Level for 18% Gray Card (IRE 44-47)

Typical level for Caucasian Skin (IRE 54-57)

Super Black (IRE 1-0)

Black (IRE 1-3)

Dark Gray (IRE 9-12)

White (IRE 96-98)

Super White (IRE 101-104)

Red Digital Cinema Scarlet X 3.3 Operation Guide

Specifications and Main Features

Frequently Asked Questions

User Manual

TABLE OF CONTENTS ............... 1

DISCLAIMER

COPYRIGHT NOTICE

TRADEMARK DISCLAIMER

COMPLIANCE

INDUSTRIAL CANADA EMISSION COMPLIANCE STATEMENTS

FEDERAL COMMUNICATIONS COMMISSION (FCC) STATEMENT

AUSTRALIA AND NEW ZEALAND STATEMENT

JAPAN STATEMENTS

EUROPEAN UNION COMPLIANCE STATEMENTS

BEFORE YOU START

IMPORTANT SAFETY INSTRUCTIONS

THEORY OF OPERATION

MYSTERIUM X® SENSOR

IMAGE PROCESSING

HDRX™

MAGIC MOTION™

AUDIO RECORDING

MICROPHONE LEVEL ANALOG INPUTS

LINE LEVEL ANALOG INPUTS

VIDEO MONITORING OUTPUTS

BOMB EVF

RED LCD

HD-SDI

HDMI

RED LCD / BOMB EVF®

REDMOTE®

DIGITAL MAGAZINE (MEDIA)

METADATA

CLIP NAMING CONVENTIONS

MULTI CAMERA SHOOTS

3D (STEREO) CAMERA SHOOTS

SMPTE TIMECODE

POWER CONSUMPTION

CAMERA OPERATIONAL CONTROLS

BRAIN

SIDE SSD MODULE

SIDE HANDLE

FRONT

REAR

INSTALLATION / REMOVAL

DSMC MODULES

DSMC MODULES

PRO I/O MODULE

REAR SSD MODULE

QUAD BATTERY MODULE

DUAL BATTERY MODULE

MODULE INSTALLATION / REMOVAL

ATTACHING THE DSMC MODULE

REDMOTE

DISPLAYS

BOMB EVF AND BOMB EVF (OLED)

TOUCHSCREEN LCD

BASIC OPERATION

POWER SOURCES

SIDE HANDLE

QUAD BATTERY MODULE

REDVOLT AND REDVOLT XL

BACKPACK QUICKPLATE

AC POWER ADAPTOR - (DSMC)

EXTERNAL DC POWER

POWER UP

POWER DOWN

GRAPHICAL USER INTERFACE AND NAVIGATION

RED LCD/TOUCHSCREEN LCD, BOMB EVF, EXTERNAL MONITORS

UPPER STATUS ROW

LIVE ACTION AREA

LOWER STATUS ROW

ICON BEHAVIOR

SYNC

POWER STATUS

RAW CLIP METER

RAW NOISE LEVEL BAR

RAW CLIP LEVEL BAR

SIDE HANDLE

REDMOTE