Red Digital Cinema Red Raven 7.1 User Manual

REDRAVEN

OPERATION GUIDE

REDDRAGON 4.5K | V7.1

RED.COM

REDRAVEN OPERATION GUIDE

TABLE OF CONTENTS

Table of Contents 2

Disclaimer 4
Copyright Notice 4
Trademark Disclaimer 4
Translation Disclaimer 4
Compliance Statements 4
Safety Instructions 6
Battery Storage and Handling 7
Shipping Disclaimer 8

CHAPTER 1: Product Introduction 9

Read Before You Shoot 9
R3D File Format and REDCODE 10
Shoot For Video and Stills 10
Post Production 11
Post Production with REDCINE-X PRO 11
HDRX and MAGIC MOTION 12
Additional Resources 12

CHAPTER 2: Camera System Components 13

Additional Resources 13
BRAIN 13
RED MINI-MAG System 18
Expanders 19
DSMC2 Power Modules 25
RED Batteries and Chargers 29
Displays and Electronic Viewfinders 30
LCD/EVF Adaptors 35
Camera Control Modules 36
Rails, Mounts, Tactical Gear, and Cables 41

CHAPTER 3: Basic Operations 42

Power Operations 42
Configure Your Camera 45
Use a Tripod or Monopod 51
Video Monitor Outputs 52
Record 53

CHAPTER 4: Basic Menus and Controls 55

GUI Menu Introduction 55
Upper Status Row (Basic Menu) 56
Live Action Area 59
Lower Status Row 60
Navigation Controls 67

CHAPTER 5: Advanced Menus 76

Access the Advanced Menus 76
Image Menu 76
Monitoring Menu 80
Overlays Menu 86
Power Menu 95
Playback 98
Media Menu 103
Presets Menu 104
Settings Menu 107

CHAPTER 6: Sensor Calibration 145

When to Calibrate Sensor 145
Calibrate Sensor: Manual Calibration 146
Calibrate Sensor: Auto Calibration 147
Calibration Map Naming Conventions 148
Calibration Management 148
Calibration Map Actions 148
Export and Import Calibration Maps 149

CHAPTER 7: Audio System 150

Audio Overview 150
Set Up Audio 150
Control 151
Mix 154
Audio Output Options 154
Audio Meter (VU Meter) 154
Audio During Playback 155
Record Audio in Varispeed Mode 156

CHAPTER 8: Timecode, Genlock, Multi­Camera Setup 158

Timecode 158
Genlock 161
Master/Slave Operation 163
Set Up Stereo/3D Configuration 168
Camera Array 169
Motion Control (MoCo) 170
Compatible Timecode Devices 172
Compatible Genlock Devices 172

CHAPTER 9: Upgrade Camera Firmware 173

Verify Current Camera Firmware 173
Upgrade Camera Firmware 173

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CHAPTER 10: Camera System
Maintenance 175

BRAIN and Accessory Exterior Surfaces 175
Clean EVF Screen 176
Clean LCD Screens 176
Water Damage 177

CHAPTER 11: Troubleshoot Your Camera 178

Perform a Stress Test 178
General Troubleshooting 178
Error Messages 185
Media Bay and RED MINI-MAG Issues 190

APPENDIX A: Technical Specifications 191

RED RAVEN Technical Specifications 191

APPENDIX B: Mechanical Drawings 193

RED RAVEN BRAIN 193

APPENDIX C: Input/Output Connectors 200

DSMC2 Base Expander 201
DSMC2 V-Lock I/O Expander 202
DSMC2 REDVOLT Expander 203
DSMC2 Jetpack Expander 204
DSMC2 Jetpack-SDI Expander 205
DSMC2 Production Module (V-Lock) 206
DSMC2 Tactical Top Plate 207
DSMC2 Production Top Plate 207
Record/Monitor Out Ports 208
Communication Ports 211
Audio Ports 222
Power Ports 224

APPENDIX D: Lenses 229

Lenses 229

APPENDIX E: Default Key Functions 235

Default Keys 235

APPENDIX F: Menu Map 238

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DISCLAIMER

RED® has made every effort to provide clear and accurate
information in this document, which is provided solely for the user’s
information. While thought to be accurate, the information in this
document is provided strictly “as is” and RED will not be held
responsible for issues arising from typographical errors or user’s
interpretation of the language used herein that is different from that
intended by RED. All safety and general information is subject to
change as a result of changes in local, federal or other applicable
laws.

RED reserves the right to revise this document and make changes
from time to time in the content hereof without obligation to notify any
person of such revisions or changes. In no event shall RED, its
employees or authorized agents be liable to you for any damages or
losses, direct or indirect, arising from the use of any technical or
operational information contained in this document.

This document was generated on 5/2/2019. To see earlier versions of
this document, submit a Support ticket at https://support.red.com.

For comments or questions about content in this document, send a
detailed email to [e-mail].

COPYRIGHT NOTICE

COPYRIGHT© 2019 RED.COM, LLC.
All trademarks, trade names, logos, icons, images, written material,

code, and product names used in association with the accompanying
product are the copyrights, trademarks, or other intellectual property
owned and controlled exclusively by RED.COM, LLC. For a
comprehensive list, see www.red.com/trademarks.

TRADEMARK DISCLAIMER

All other company, brand, and product names are trademarks or
registered trademarks of their respective holders. RED has no
affiliation to, is not associated with or sponsored by, and has no
express rights in third-party trademarks. Adobe and Adobe Premiere
Pro are registered trademarks of Adobe Systems Incorporated. AJA
is a registered trademark of AJA Video Systems, Inc. Cooke and S4/i
are registered trademarks of Cooke Optics Limited. DaVinci is a
registered trademark of Blackmagic Design in the U.S. and other
countries. Distagon, Makro- Planar, and Otus are registered
trademarks of Carl Zeiss AG. Fujinon is a registered trademark of
FUJIFILM CORPORATION. HDMI is a registered trademark of HDMI
Licensing LLC in the United States and other countries. Leica is a
registered trademark of Leica Microsystems. Loctite is a registered
trademark of Henkel AG & Company KGaA. Nikkor and Nikon are
registered trademarks of Nikon Corporation. Canon is a registered
trademark of Canon, U.S.A. Apple, Macintosh, Final Cut Pro, and
QuickTime are registered trademarks of Apple Inc. in the U.S. and
other countries. Windex is a registered trademark of S. C. Johnson &
Son, Inc. Windows is a registered trademark of Microsoft Corporation.
Sony is a registered trademark of Sony Corporation. TORX is a
registered trademark of Acument Intellectual Properties, LLC in the
United States or other countries. IOS is a registered trademark of
Cisco in the U.S. and other countries. Avid is a registered trademark
of Avid Technology, Inc. DaVinci Resolve is a registered trademark of
Blackmagic Design in the U.S. and other countries. EDIUS Pro is a
registered trademark of Grass Valley. Vegas Pro is a registered
trademark of Sony Creative Software. IDX is a registered trademark
of IDX Company, Ltd.

TRANSLATION DISCLAIMER

This document was originally prepared in English, and any translations
are provided for convenience only. While reasonable efforts were
made to provide accurate translations, RED will not be held
responsible for any errors, omissions, or ambiguities.

COMPLIANCE STATEMENTS

INDUSTRIAL CANADA EMISSION COMPLIANCE STATEMENTS

This device complies with Industry Canada license- exempt RSS
standards RSS 139 and RSS 210. Operation is subject to the following
two conditions: (1) this device may not cause interference, and (2) this
device must accept any interference, including interference that may
cause undesired operation of the device.

This Class B digital apparatus complies with Canadian ICES-003.
Le présent appareil est conforme aux CNR d’Industrie Canada

applicables aux appareils radio exempts de licence. L’exploitation est
autorisée aux deux conditions suivantes : (1) l’appareil ne doit pas
produire de brouillage, et (2) l’utilisateur de l’appareil doit accepter
tout brouillage radioélectrique subi, même si le brouillage est
susceptible d’en compromettre le fonctionnement.Cet appareil
numérique de la classe B est conforme à la norme NMB-003 du
Canada.

FEDERAL COMMUNICATIONS COMMISSION (FCC)
STATEMENTS

This equipment has been tested and found to
comply with the limits for a Class B digital
device, pursuant to part 15 of the FCC Rules.
These limits are designed to provide
reasonable protection against harmful
interference in a residential installation. This

equipment generates, uses and can radiate
radio frequency energy and, if not installed and used in accordance
with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interference will
not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be
determined by turning the equipment off and on, the user is
encouraged to try to correct the interference by one or more of the
following measures:

Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from

that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for

help.

In order to maintain compliance with FCC regulations, shielded cables
must be used with this equipment. Operation with non-approved
equipment or unshielded cables is likely to result in interference to
radio and TV reception. The user is cautioned that changes and
modifications made to the equipment without the approval of
manufacturer could void the users authority to operate this equipment.

NOTE: This device complies with Part 15 of the FCC Rules.
Operations subjected to the following two conditions (1) this device

may not cause harmful interference, and (2) this device must accept
any interference received, including that may cause undesirable
interference.

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GITEKI CERT IFICATION

CAUTION: Exposure to Radio Frequency

Radiation.

The device shall be used in such a manner that the potential for
human contact is minimized.

This equipment complies with FCC radiation exposure limits set forth
for an uncontrolled environment. This equipment should be installed
and operated with a minimum distance of 20 cm between the radiator
and your body.

This equipment contains specified radio equipment that has been
certified to the Technical Regulation Conformity Certification under the
Radio Law.

CAUTION: Regulations of the FCC and FAA
prohibit airborne operation of radio- frequency
wireless devices because there signals could
interfere with critical aircraft instruments.

CAUTION: If the device is changed or modified
without permission from RED, the user may void
his or her authority to operate the equipment.

AUSTRALIA AND NEW ZEALAND ST ATEMENT S

RED declares that the radio equipment described in this document
comply with the following international standards.

IEC 60065 – Product Safety
ETSI EN 300 328 – Technical requirement for radio equipment

RED declares digital devices described in this document comply with
the following Australian and New Zealand standards.

AS/NZS CISPR 22 – Electromagnetic Interference
AS/NZS 61000.3.2 – Power Line Harmonics
AS/NZS 61000.3.3 – Power Line Flicker

JAPAN STATEMENTS

This is a Class B product based on the
standard of the Voluntary Control Council
for Interference (VCCI) for information
technology equipment. If this equipment is
used near a radio or television receiver in a
domestic environment, it may cause radio
interference. Install and use the equipment
according to the instruction manual.

EUROPEAN UNION COMPLIANCE STATEMENTS

RED declares that the radio
equipment described in this
document comply with the
R&TTE Directive (1999/5/EC)
issued by the Commission of
the European Community.

Compliance with this directive implies conformity to the following
European Norms (in brackets are the equivalent international
standards).

EN 60065 (IEC 60065) – Product Safety
ETSI EN 300 328 Technical requirement for radio equipment
ETSI EN 301 489 General EMC requirements for radio

equipment.

INFORMATION

Products with the CE marking comply with the EMC Directive
(2004/108/EC) and the Low Voltage Directive (2006/95/EC) issued by
the Commission of the European Community. Compliance with these
directives implies conformity to the following European Product Family
Standards.

EN 55022 (CISPR 22) – Electromagnetic Interference
EN 55024-1 (CISPR 24) – Electromagnetic Immunity
EN 61000-3-2 (IEC610000-3-2) – Power Line Harmonics
EN 61000-3-3 (IEC610000) – Power Line Flicker
EN 60065 (IEC60065) – Product Safety

WASTE ELECTRICAL AND ELECTRONIC EQUIPMENT (WEEE)

The Waste Electrical and Electronic
Equipment (WEEE) mark applies only to
countries within the European Union (EU)
and Norway. This symbol on the product and
accompanying documents means that used
electrical and electronic products should not
be mixed with general household waste. For
proper treatment, recovery and recycling,
please take this product to designated
collection points where it will be accepted
free of charge. Alternatively, in some

countries you may be able to return your
products to your local retailer upon purchase of an equivalent new
product.

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Disposing of this product correctly will help save valuable resources
and prevent any potential negative effects on human health and the
environment, which could otherwise arise from inappropriate waste
handling. Please contact your local authority for further details of your
nearest designated collection point. Penalties may be applicable for
incorrect disposal of this waste, in accordance with you national
legislation.

For business users in the European Union, if you wish to discard
electrical and electronic equipment, please contact your dealer or
supplier for further information.

USAGE RESTRICTIONS FOR PRODUCTS THAT INCORPORATE
RED COMMAND PROTOCOL

Products that fall into this category are denoted
by inclusion of the Class 2 identifier symbol
(exclamation mark in a circle) accompanying
the CE Mark on the products regulatory label,
example to the left.

FRANCE

Usage Restrictions - Geographic Area Where Restriction Applies :
France

For mainland France

2.400 - 2.4835 GHz (Channels 1-16) authorized for indoor use

2.400 - 2.454 GHz (Channels 1-10) authorized for outdoor use

Restrictions d’utilisation - Zone géographique où les restrictions
s’appliquent : France

Pour la France métropolitaine

2.400 - 2.4835 GHz (Canaux 1 à 16) autorisé en usage intérieur

2.400 - 2.454 GHz (Canaux 1 à 10) autorisé en usage extérieur

NORWAY

This subsection does not apply for the geographical area within a
radius of 20 km from the centre of Ny-Ålesund

Dette gjelder ikke for det geografiske området innenfor en radius av
20 km fra sentrum av Ny-Ålesund

RESPONSIBLE PARTY

RED Digital Cinema
34 Parker
Irvine, CA 92618
USA

SAFETY INSTRUCTIONS

DO NOT use the camera or accessories near water. Avoid
exposing your camera to moisture. The unit is not waterproof, so
contact with water could cause permanent damage to the unit as
well as electric shock and serious injury to the user. DO NOT use
the camera in the rain or under other conditions with high
moisture without appropriate protection, and immediately remove
power source if camera or accessories are exposed to moisture.

WARNING: To reduce the risk of fire or electric
shock, do not expose the camera to rain or
moisture.

DO NOT expose the camera to laser beams, as laser beams may
damage the sensor.

DO NOT expose your camera to excessive vibration or impact
(shock). Be careful not to drop your camera. Internal mechanisms
may be damaged by severe shock. Mechanical alignment of
optical elements may be affected by excessive vibration.

ELECTROMAGNETIC INTERFERENCE: The use of devices using
radio or other communication waves may result in the malfunction
or interference with the unit and/or with audio and video signals.

Clean only using a dry cloth. When cleaning your camera,
remember that it is not waterproof and moisture can damage
electronic circuitry. DO NOT rinse or immerse any element of the
camera, lens or other accessory, keep them dry at all times. DO
NOT use soaps, detergents, ammonia, alkaline cleaners, and
abrasive cleaning compounds or solvents. These substances may
damage lens coatings and electronic circuitry.

Maintain sufficient ventilation—DO NOT block any ventilation
openings or obstruct cooling fan airflow.

CAUTION: Proper camera ventilation requires a
minimum 0.5" (1.25 cm) clearance between the
camera ventilation openings and external
surfaces. Verify that objects that can block the fan
intake and exhaust ports do not impede airflow.
Failure to permit adequate airflow may result in
overheating of the camera, degraded operation
and in extreme situations, damage to the camera.

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DO NOT operate or store near any heat sources such as
radiators, heat registers, stoves, or any other apparatus that
produce heat. Store in a protected, level and ventilated place.
Avoid exposure to temperature extremes, damp, severe vibration,
strong magnetic fields, direct sunlight or local heat sources during
storage. Remove any batteries from the camera before storage.
Recommended storage and usage temperatures for your camera,
lenses and other accessories are:

Operating range: 0°C to 40°C (32°F to 104°F)
Storage range: –20°C to 50°C (–4°F to 122°F)

If there are any performance issues with your camera or
accessories when operating within this temperature range, submit
a Support ticket at https://support.red.com.

Modules and expanders are NOT HOT SWAPPABLE, meaning
you cannot remove or install these items while the camera is
turned on. Before installing or removing these items, you MUST
turn off the camera. Failure to do so may result in damage to the
item or camera that is not covered under warranty.

DO NOT bypass the third prong of the grounding-type plug on the
power cord of the included power adaptor. A grounding-type plug
has two blades and a third “grounding” prong. The third prong is
provided for your safety. A grounding-type plug shall be
connected to an outlet with a protective earthen connection. If the
grounding-type plug does not fit into your outlet, do not attempt to
modify the plug or outlet, consult a qualified electrician.

Protect all power cords from being pinched, walked on or driven
over by a vehicle. Replace any power cords suspected of
sustaining damage due to crushing or other forms physical
damage.

Products marked with this symbol are class 2
devices. These devices are not provided with a
grounding type plug.

CAUTION: The power cord plug for the included
power adaptor is used as the power disconnect.
To disconnect all power from the power adaptor,
unplug the power cord plug from the wall outlet.
During use, the power cord plug should remain
easily accessible at all times.

Lithium-ion batteries may be subject to special handling
requirements pursuant to federal and local laws. Refer to specific
shipping instructions included with your battery regarding proper
transport of your battery. Do not handle your battery if it is
damaged or leaking. Disposal of batteries must be in accordance
with local environmental regulations. For example, California law
requires that all rechargeable batteries must be recycled by an
authorized recycle center. Storing batteries fully charged or in
high temperature conditions may permanently reduce the life of
the battery. Available battery capacity may also be temporarily
lessened after storage in low temperature conditions.

BATTERY STORAGE AND HANDLING

Always follow proper battery handling and storage practices.
Improper handling and/or failure to abide by proper storage
instructions may cause permanent damage to batteries, or
degrade battery charge holding capacity. Improper handling
practices or failure to comply with instructions may also put you at
risk.

Lithium-Ion batteries, like the REDVOLT®, REDVOLT-V,
REDVOLT XL, and RED BRICK®, self-discharge over time. When
storing for long periods of time, store batteries separately from the
camera or charger and remember to charge batteries to a
capacity level of 40% to 60%. If batteries will be stored for long
periods of time, RED recommends that you check the charge
level at least once every six (6) months, and recharge batteries to
a capacity level of 40% to 60%.

When not in use, remove the battery from the camera or charger
and store the battery in a cool, dry place. Avoid extreme hot
temperatures (such as inside a hot car), corrosive gas, and direct
sunlight. The optimal storage temperature for batteries is between
–20°C to 20°C (–4°F to 68°F).

WARNING: DO NOT expose the battery to
excessive heat.

WARNING: Danger of explosion if an incorrect
battery is charged with the RED Charger or is
used to power the camera and accessories.
Replace only with the same or equivalent type
battery.

CAUTION: Refer all service and repair to qualified
RED service personnel. To reduce the risk of
electric shock, and damage to the camera or
accessories, DO NOT attempt to perform any
servicing other than any procedures that are
recommended in the operating instructions.

INDOOR USE ONLY: This device is designed for
use indoors only.

WARNING: Failure to read, understand, and
follow these instructions may result in overheating,
chemical leakage, smoke emission, fire, or other
potentially harmful results.

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If the battery gives off an odor, generates heat, becomes

WARNING: Batteries stored in a discharged state
for long periods of time may self-discharge and
lose the ability to hold a charge.

WARNING: If recharging operation fails to
complete even when a specified recharging time
has elapsed, immediately stop further recharging.

DO NOT store batteries in a fully charged state for extended DO
NOT store batteries in a fully charged state for extended periods
of time.

DO NOT store batteries in a fully discharged state for extended
periods of time.

DO NOT store batteries in the camera, in a camera module, or in
a charger for extended periods of time.

DO NOT use batteries for purposes other than their intended use.
DO NOT store batteries in extreme hot or cold temperatures.
DO NOT store batteries in direct sunlight.
DO NOT use third-party chargers with your RED batteries.
DO NOT disassemble or modify the battery.
DO NOT overcharge batteries. Overcharging may increase

internal temperature beyond the recommended limits and cause
permanent damage to the battery.

DO NOT connect the positive (+) and negative (–) terminals to a
metal object such as a wire.

DO NOT transport or store the battery together with metal objects
such as jewelry, hairpins, etc. as they may generate heat if they
come into contact with the battery.

DO NOT discard the battery into fire or heat.
DO NOT store, use, or recharge the battery near a heat source

such as a fire or a heater.
DO NOT allow the battery to get wet.
DO NOT pierce the battery with pointed or other sharp objects.
DO NOT step on, throw, or strike the battery with a hammer.
DO NOT use a battery that appears to be deformed or damaged.
DO NOT directly solder the battery.
DO NOT put the battery into a microwave oven or a pressurized

container.
DO NOT use or subject the battery to intense sunlight or hot

temperatures such as in a car in hot weather.
DO NOT use it in a location where static electricity may be

present.
DO NOT exceed the recharging temperature range of 0˚C to 40˚C

(32˚F to 104˚F).
RED recommends that you only use RED chargers to recharge

RED batteries.
Store the battery in a location where children cannot reach it.
If the battery leaks or gives off a bad odor, discontinue use

immediately.

discolored or deformed, or in any way appears abnormal during
use, recharging or storage, immediately remove it from the
equipment or battery charger and discontinue use.

If electrolyte begins leaking from the battery and comes into
contact with your skin or clothing, immediately wash it away with
running water. Failure to do this may result in skin inflammation.

If the battery leaks and the electrolyte reaches the eyes, do not
rub them. Instead, rinse the eyes with clean running water and
immediately seek medical attention. Failure to do this may result in
eye injury.

If you find discoloration, a bad odor due to leakage, overheating
and/or other irregularities when using the battery for the first time,
submit a Support ticket at https://support.red.com.

NOTE: For more information regarding RED
battery charging and instructions for care, refer to
our Terms and Conditions.

SHIPPING DISCLAIMER

Shipment of Lithium Ion cells and batteries is subject to national and
international shipping requirements. A Class 9 Certified shipper is
required to transport these products within the United States.
REDVOLT, REDVOLT-V, REDVOLT XL, and RED BRICK batteries are
considered Dangerous Goods. Other products such as REDVOLT AA
and RED Li 7.2V batteries may also be classified as Dangerous Goods
when purchased in bulk. Applicable laws prohibit the shipping of
batteries that are physically damaged. We urge you to look into the
formal rules and regulations of shipping Class 9 Dangerous Goods
prior to preparing your shipment. For more information on these
regulations, visit www.iata.org and www.dot.gov.

For more information, see our FAQs for Dangerous Goods (Regulated

Items).

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CHAPTER 1:

PRODUCT INTRODUCTION

Figure: RED RAVEN Camera and Accessories

The RED RAVEN® camera is part of the second-generation Digital Still and Motion Camera (DSMC2®) system. The
DSMC2 family, a subset of the DSMC family®, includes WEAPON®, EPIC-W®, SCARLET-W®, and RAVEN. RAVEN
includes the full capabilities of the RED DRAGON® sensor family in RED’s smallest form factor to date. RAVEN is built
to shoot exceptionally high-speed, high resolution content. As one of the smallest and most lightweight RED®
cameras yet, RAVEN is uniquely suited for hand-held shooting, as well as gimbal and drone applications.

This guide is for RAVEN only. This section introduces the imaging capabilities and advanced features of the RAVEN
system. For information about other cameras, go to RED Downloads at www.red.com/downloads.

NOTE: The camera itself does not have a DC IN power port. A port expander or power module is required to power
the camera. To construct a working configuration for any camera, RED recommends an expander, battery, display,
and media.

READ BEFORE YOU SHOOT

Read this operation guide carefully and in its entirety before assembling or operating your camera or other RED
accessories. In addition to this document, RED offers the following operation guides for the camera system:

DSMC Power Operation Guide
DSMC Media Operation Guide

To download RED operation guides, go to RED Downloads at www.red.com/downloads.

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R3D FILE FORMAT AND REDCODE

All videos and frames are recorded to the R3D® file format. The R3D file format was developed by RED to provide an
efficient and manageable RAW video data format that promotes advanced post production editing capabilities. In the
R3D file format, the digital image received from the sensor is formatted as a pixel-defect corrected (but in all other
aspects unprocessed) 16-bit per pixel RAW data frame. Each RAW frame, or sequence of RAW frames in a clip, is
compressed using a proprietary wavelet based REDCODE® RAW compression, then stored to a RED MINI-MAG®.

RAW data is recorded independently of any RGB domain color processing such as ISO, White Balance, or other RGB
color space settings. Instead, color parameters are saved as reference metadata; that is, color is not burned into the
recorded RAW data. This recording technique promotes flexibility in RGB color processing, which can be deferred to
post production or adjusted in the field, without affecting the recorded RAW data image quality or dynamic range.

REDCODE is a visually lossless, wavelet-based compression codec that reduces R3D RAW files into a manageable
size, allowing longer recording times on media. The ability to compress RAW data is one of the significant
technologies that RED has brought to the industry.

For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads.
NOTE: REDCINE-X PRO® can create and export .RMD “Look” files which may then be imported as camera monitor

path color processing presets. This information is stored as reference metadata, so that these color processing
choices can be the default values used in post production. For more information, go to "Looks" on page105.

SHOOT FOR VIDEO AND STILLS

High resolution video, such as the digital footage captured by the camera, has surpassed the detail necessary to
produce professional full-sized prints. Because of the ability to record at high frame rates and resolution, the camera is
ideally suited to capture video and still images, simultaneously.

The camera is equipped with a Stills mode that makes it easier to capture stunning images. With presets optimized for
stills and Swipe-Up Shortcuts for the RED Touch display, switching from Motion mode to Stills mode is seamless.
Using REDCINE-X PRO, or other editing applications supporting the RED SDK, you can pull full resolution still images
from R3D files.

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POST PRODUCTION

NOTE: Third-party applications may have limited compatibility with R3D files. Third-party developers must use the

most recent R3D SDK to offer compatibility with the latest RED firmware.
Many non-linear editing systems (NLEs) can open and edit RED footage. Each NLE version may have specific

compatibility requirements, such as camera firmware version or camera type. Before shooting, check all compatibility
requirements.

The following programs can be used to open and/or edit R3D files:

REDCINE-X PRO: RED's proprietary NLE. Download REDCINE-X PRO from www.red.com/downloads.
Adobe Photoshop: Can open .R3D files. Requires you to download the RED Adobe Photoshop Installer from

www.red.com/downloads.

Adobe Premiere Pro: For more information on compatibility, go to the RED Support site at

https://support.red.com.

Avid Media Composer

DaVinci Resolve

Edius Pro
Final Cut Pro 7: Requires you to download the RED Apple Workflow Installer from www.red.com/downloads.
Final Cut Pro X: Requires you to download the RED Apple Workflow Installer from www.red.com/downloads.

Vegas Pro

POST PRODUCTION WITH REDCINE-X PRO

REDCINE-X PRO is a professional one-light coloring toolset, equipped with an integrated timeline and a post effects
software collection that provides the ideal environment to review recorded footage, edit metadata, organize projects,
and prepare your R3D files. Use either REDCINE-X PRO or a compatible third-party non-linear editing (NLE) application
to edit R3D files.

RED TETHER, included in REDCINE-X PRO, allows you to record footage from your camera directly to a computer or
an external drive. Using tethering bypasses the need to record to an SSD and offload to a computer later, saving you
time. The latest version of REDCINE-X PRO and the REDCINE-X PRO Operation Guide are available for download at

RED Downloads at www.red.com/downloads.

NOTE: RED TETHER is included in REDCINE-X PRO build 35 or later.
NOTE: RED TETHER requires a GIG-E port, which is available on the DSMC2 Jetpack-SDI Expander, DSMC2

REDVOLT Expander, and DSMC2 Production Module. For more information, go to "Input/Output Connectors" on

page200.

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HDRX AND MAGIC MOTION

HDRX

HDRX® extends dynamic range up to six (6) stops by simultaneously capturing two (2) images of identical resolution
and frame rate. The first image is a normally exposed track (A-track), while the second is an underexposed track (X­track) with an exposure value that reflects the additional stops of highlight protection. These tracks are “motion­conjoined” during recording, leaving no time gap between the two (2) exposures. This is different from traditional
alternating exposures, which have small gaps between tracks, producing unwanted motion tracks.

MAGIC MOTION

MAGIC MOTION is a post production method that combines two (2) HDRX tracks to create an image with both natural
motion blur (from the A-track) and sharper reference (the X-track). MAGIC MOTION produces an image with an
extraordinary dynamic range that is not available with any other motion capture camera.

Shooting at 24 fps with a 180° (1/48 sec) shutter on traditional film or digital cameras produces motion blur throughout,
which is not the way the human eye observes motion. For example, ask someone to swing their arm. What you would
observe in a traditional recording of this action is constant motion blur until the arm stops. However, what your eye
sees is both motion blur and a sharper reference of the arm throughout the motion path. MAGIC MOTION creates an
image that matches the natural motion observed by the human eye.

ADDITIONAL RESOURCES

The following resources offer additional information about RED, the DSMC system, and the RED community:

RED.com: Check the official RED website for the latest information about RED products.
RED Learn Articles: RED offers in-depth technical articles about RED cameras, post-production, and digital

cinematography.
RED Downloads: Go to RED Downloads to download the latest firmware, operation guides, and post-production

software.
DSMC Toolkit: Go to RED Downloads to find the DSMC Toolkit, which offers many helpful tools and resources to

customize and improve your camera workflow.

RED Support: Check the RED SUPPORT site for FAQs, or to file a support ticket.
In-Camera Help: Select the Help button on an in-camera screen to open up the help for that screen.
REDUSER: Discuss all things RED on the REDUSER third-party forum.

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CHAPTER 2:

CAMERA SYSTEM COMPONENTS

NOTE: Modules and expanders are NOT HOT SWAPPABLE, meaning you cannot remove or install these items while
the camera is turned on. Before installing or removing these items, you MUST turn off the camera. Failure to do so
may result in damage to the item or camera that is not covered under warranty.

NOTE: Availability of components listed in this chapter is subject to change at any time.

ADDITIONAL RESOURCES

For more information on power and media, see the following guides, available at www.red.com/downloads:

DSMC Power Operation Guide
DSMC Media Operation Guide

BRAIN

Figure: RED RAVEN BRAIN

The DSMC BRAIN® is the image processing center of the camera system and supports power, media, and other
modules.

The only ports on the BRAIN are the DSMC2® Top Handle port and EVF/LCD ports. A port expander or power
module is required to power the camera. All other input/output (I/O) ports are available only via expanders and other
modules. This modular approach allows you to customize your camera and make use of the ports that are most
applicable to your needs.

The RED® Tactical Hand Controller (T.H.C.) cannot pair directly to the camera. To use the T.H.C. with the camera, the
T.H.C. needs to be connected to the W.M.D. (either wired or wirelessly). For more information about the T.H.C., see
the RED 3-Axis System Operation Guide at www.red.com/downloads.

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BRAIN CONTROL: PWR/REC KEY

Fully press and hold the PWR/REC key for two (2) seconds to turn on/off.
When the camera is on, fully press and then release the PWR/REC key to toggle record start/stop.

BRAIN LEDS

This section describes the LED functions for the camera.
NOTE: When the camera is powered only by battery and not AC power, the Power Status LED (PWR) on the expander

or module does not turn on. To check the battery charge level, press the button on the battery.

LED COLOR/FLASHING DESCRIPTION

Power Status LED (PWR) Off Camera off

Green Camera on

Amber flashing Camera on; 5 to 10 min of battery time available

Amber Camera booting

Red flashing Camera on; < 5 min of battery time available

Red Camera shutting down

Record Status LED (REC) Off No media present

Green Ready to record

Amber Finalizing

Red flashing (slow) Media mounted; > 5% and ≤ 10% of media available

Red flashing (fast) Media mounted; ≤ 5% of media available

Red Recording

Power Status LED (PWR)
and Record Status LED (REC)

Both green flashing Firmware update in progress

Both red flashing Firmware update error

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BRAIN CONNECTORS, FOCUS HOOK

Figure: RED RAVEN BRAIN Ports and Features

This section describes the ports and features on the BRAIN.

NOTE: For more information on how to install the focus hook, go to "Install the Focus Hook Screw" on page50.

# PORT/ITEM DESCRIPTION

1 Primary EVF/LCD Port

2 Top Handle Port Mount the DSMC2 Top Handle or DSMC2 Outrigger Handle. This is the only

3 Secondary EVF/LCD Port

4 Focus Hook Mounting Point

5 Focus Hook Screw Storage

Location

6 Mic 1 Left audio channels: Ch1 and Ch3. Go to "Audio System" on page150

7 Mic 2 Right audio channels: Ch2 and Ch4. Go to "Audio System" on page150

2

1

1

Mount a DSMC2 RED Touch LCD

mounting option for the DSMC2 Top Handle or DSMC2 Outrigger Handle (it
cannot be attached backward)

Mount a DSMC2 RED Touch LCD. The secondary LCD/EVF port and an
HDMI/MON-1 port cannot be used at the same time. Go to "Monitor

Preferences" on page80

2, 3

Mount the focus hook

Store the focus hook screw

1. The DSMC2 LCD/EVF Adaptor A allows you to mount other RED® displays.
2. Install only the focus hook screw to this mounting point. Damage to the media bay or other components of the camera system caused by

installing other devices is not covered under warranty.

3. Cameras manufactured before December 2017 include a set screw installed in this location. This screw can be stored in either the Focus Hook

Mounting Point, or the Focus Hook Storage location.

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MEDIA BAY CONTROLS

Figure: RED RAVEN Media Bay Controls

# CONTROL DESCRIPTION

1 User Key 1 Programmable key

User Key 1 + 2 Press: Eject Media

2 REC Button Programmable key

Full Press: Record Toggle
Half Press: AF Start

3 User Key 2 Programmable key

User Key 1 + 2 Press: Eject Media

For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads.

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MEDIA BAY LEDS

Figure: RED RAVEN Media Bay LEDs

This section describes the LED functions for the media bay.

# LED COLOR/FLASHING DESCRIPTION

1 Media Status LED (Back of media

bay)

2 Record Status LED

1. For more information on how to enable/disable this LED, go to "Indicator" on page122. If media is not mounted, this LED is off.

1

Off No media mounted

Green Preview; media mounted; > 10% of media space

available

Amber Record finalizing or playback mode

Amber flashing
(slow)

Red flashing (slow) Media mounted; > 5% and ≤ 10% of media available

Red flashing (fast) Media mounted; ≤ 5% of media available

Red Recording; media mounted; > 10% of media available

Off Not recording, or media not mounted

Red Recording

Formatting media

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RED MINI-MAG SYSTEM

Figure: RED MINI-MAG (120GB)

NOTE: For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads.
RED MINI-MAG® SSDs deliver fast and reliable recording options for your camera. A RED STATION® enables you to

connect media to your computer for offloading and editing.
RED offers the following RED MINI-MAG SSDs:

ITEM PART NUMBER

RED MINI-MAG (120GB) 750-0075

RED MINI-MAG (240GB) 750-0082

RED MINI-MAG (480GB) 750-0090

RED MINI-MAG (512GB) V4

RED MINI-MAG (512GB) V5

RED MINI-MAG (512GB) V6

RED MINI-MAG (960GB) 750-0087

RED MINI-MAG (1TB)

1. To see the Model number, go to Menu > Med ia > Device.
2. The RED MINI-MAG 1TB can take up to 20 seconds to mount to a computer or a camera.

1

1

1

2

750-0078

750-0078

750-0078

750-0081

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EXPANDERS

NOTE: Only one (1) expander module can be used at a time.

RED offers the following DSMC2 expanders:

ITEM PART NUMBER

DSMC2 Base Expander 720-0033

DSMC2 REDVOLT Expander 720-0040

DSMC2 Jetpack Expander 720-0039

DSMC2 Jetpack-SDI Expander 720-0048

DSMC2 V-Lock I/O Expander 720-0045

DSMC2 BASE EXPANDER

Figure: DSMC2 Base Expander

The DSMC2 Base Expander is an ideal connector module for general input/output (I/O) needs. Manufactured from
lightweight and durable magnesium, this low-profile module mounts directly to the BRAIN and offers interface
connections for power (DC IN), HDMI, 3G-SDI (HD-SDI), CTRL and SYNC ports (for Timecode and Genlock), as well
as a 3.5mm microphone input and a 3.5mm line-level headphone out.

The DSMC2 Base Expander also offers rear-mounting support for DSMC2-compatible battery and power modules,
such as the DSMC2 REDVOLT® XL Module. The low profile DSMC2 Base Expander offers a variety of connectors and
is ideal for run-and-gun and independent shooters.

NOTE: Only one (1) expander module can be used at a time.

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DSMC2 REDVOLT EXPANDER

Figure: DSMC2 REDVOLT Expander

Designed for advanced configurations, the DSMC2 REDVOLT Expander mounts directly to the camera and offers an
expansive array of I/O connectors and functionality available for the camera system. The DSMC2 REDVOLT Expander
features ports for power in (DC IN), Genlock (BNC), 5-Pin 0B Timecode port, GIG-E, and more. HDMI and two 3G-SDI
(HD-SDI) outputs offer versatility for your video output needs, while an integrated USB power output is available to
support wireless HDMI transmitters.

The DSMC2 REDVOLT Expander offers a removable audio module with two (2) standard XLR connections for most
professional audio needs. Each XLR input features a 3-position selector switch to designate the incoming audio signal
type: Balanced Line Level, Balanced Mic Level, and Balanced Mic with +48V phantom power. Additionally, a 3.5mm
line-level headphone jack lets you sample audio during takes and in playback mode.

The DSMC2 REDVOLT Expander also provides multiple auxiliary power outputs, enabling the use of peripheral camera
accessories and more:

A rear-facing 4-Pin 0B AUX PWR port supports Start/Stop Trigger IN, Tally OUT, and provides power out up to 1.5
Amps.

A front-facing2-Pin 0B AUX PWR port provides 3.0A maximum.
A front-facing 7-Pin 0B SERIAL port provides 1.5A maximum. The SERIAL port is ideal for connecting to motor

drivers.
A rear-facing Timecode port offers 5V at 200 mA for powering external timecode devices.
A rear-facing USB port offers 5V at 1.5A for powering HDMI transmitters or small mobile devices.
The two (2) 3-Pin XLR audio ports in the audio module each offer +48V phantom power.

For hot-swap support when it matters most, the DSMC2 REDVOLT Expander also supports a single REDVOLT
battery. Additional DSMC2-compatible battery and power modules can be mounted for your changing power needs.

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The DSMC2 REDVOLT Expander also features a selector switch that enables the camera to automatically boot when
power is provided via the DC IN connector on the expander. This feature allows you to use a connected DC input
supply to turn the camera on and off when the camera is mounted in remote or difficult to maneuver locations. This
expander is the ideal solution for a variety of production environments, maximizing camera interface and functionality
for the most demanding shoots.

CAUTION: The mounting points on top of the DSMC2 REDVOLT Expander are designed for lightweight accessories
only. DO NOT use accessories attached to the expander to pick up or move the camera.

NOTE: Only one (1) expander module can be used at a time.

DSMC2 JETPACK EXPANDER

Figure: DSMC2 Jetpack Expander

The DSMC2 Jetpack Expander is specifically designed for aerial, gimbal, handheld, and other lightweight/remote
configurations. This expander features standard connectors for power (DC-IN), CTRL, and SYNC for all of your
Timecode and Genlock needs. In addition, the DSMC2 Jetpack Expander offers custom- tailored support and
connectors for HDMI and USB power out—perfect for housings and low-profile setups.

The DSMC2 Jetpack Expander also features a selector switch that enables the camera to automatically boot when
power is provided via the DC IN connector on the expander. This feature allows you to use a connected DC input
supply to turn the camera on and off when the camera is mounted in remote or difficult to maneuver locations.

NOTE: Only one (1) expander module can be used at a time.

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DSMC2 JETPACK-SDI EXPANDER

Figure: DSMC2 Jetpack-SDI Expander

The DSMC2 Jetpack-SDI Expander is designed for aerial, gimbal, handheld, and other lightweight/remote applications
that require 3G-SDI output. Featuring connections for power (DC IN), SDI (3G-SDI), Gigabit Ethernet (GIG-E), AUX
power, SYNC, and CTRL, the DSMC2 Jetpack-SDI Expander provides a low-profile expander solution. The 3G-SDI
connection provides support for providing a signal to a remote monitoring solution, while the Gigabit Ethernet
connection offers increased bandwidth for streaming high-quality footage.The DSMC2 Jetpack-SDI Expander is ideal
for housings and low-profile configurations that require 3G-SDI outputs or computer tethering.

The DSMC2 Jetpack-SDI Expander also features a selector switch that enables the DSMC2 BRAIN to automatically
boot when power is provided via the DC IN connector on the expander. This feature allows you to use a connected
DC input supply to turn the BRAIN on and off when the camera is mounted in remote or difficult to maneuver locations.

NOTE: Only one (1) expander module can be used at a time.

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DSMC2 V-LOCK I/O EXPANDER

Figure: DSMC2 V-Lock I/O Expander

The DSMC2 V-Lock I/O Expander offers a variety of Input/Output connections, as well as an industry standard V-Lock
mount to power your DSMC2 camera using RED BRICK and REDVOLT-V batteries.

The DSMC2 V-Lock I/O Expander also features a selector switch that enables the BRAIN to automatically boot when
power is provided via the DC IN connector on the expander. This feature allows you to use a connected DC input
supply to turn the BRAIN on and off when the camera is mounted in remote or difficult to maneuver locations.

This expander is an ideal solution for a wide variety of production environments—from low-profile run-and-gun
situations to studio shoots that require mobility.

NOTE: The DSMC2 Top Handle may not be fully compatible with the DSMC2 V-Lock I/O Expander, as the top handle
may interfere with the battery when one is attached to the expander module.

NOTE: Only one (1) expander module can be used at a time.

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THIRD-PARTY BATTERY COMPATIBILITY

To be compatible with the DSMC2 V-Lock I/O Expander, third-party batteries must meet these requirements:

Maximum width: approximately 100.6 mm
Minimum radius of the side edge of the V-mount (rear mounting surface): approximately 9.70 mm

The following third-party batteries have been fit-tested by RED and are mechanically compatible with the DSMC2 V­Lock I/O Expander (additional batteries may be compatible, but have not been tested):

Blueshape® (All BV series)
IDX® (E-HL10DS and E-HL9)
Sony® (BP-FL75)
Switronix (Hypercore series and XP-L90S)

WARNING: While third-party batteries may be mechanically compatible with the camera system, the manufacturer is
responsible for the performance and stability of third-party options, not RED. Damage to the camera system or third­party devices caused by using third-party power options is not covered under warranty. The camera may be unable to
determine and display the voltage or remaining battery capacity of third-party power options.

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DSMC2 POWER MODULES

ITEM PART NUMBER

DSMC2 REDVOLT XL Module 740-0034

DSMC2 V-Lock Battery Module 720-0052

DSMC2 Gold Mount Battery Module

DSMC2 Production Module (V-Lock) 720-0054

1. The DSMC2 Gold Mount Battery Module supports Gold Mount batteries only.

NOTE: If a power module is attached to the DSMC2 REDVOLT Expander, the power out connectors on the module are
enabled only if power is connected to the module (via DC IN or a battery).

1

720-0053

DSMC2 REDVOLT XL MODULE

Figure: DSMC2 REDVOLT XL Module

The DSMC2 REDVOLT XL Module mounts seamlessly to the back of the camera—and select other I/O expanders—to
provide support for long-lasting and rechargeable REDVOLT XL batteries. The DSMC2 REDVOLT XL Module features
a smaller, more ergonomic design with one (1) dual-action release button for removing an attached battery.

The DSMC2 REDVOLT XL Module offers a DC IN power port that can be used to power the camera system when the
module is attached to the camera. An included protective baseplate enables the DSMC2 REDVOLT XL Module to
serve as a portable and stand-alone REDVOLT XL battery charger. Plug in the DSMC AC Power Adaptor to the 6-Pin
1B DC IN connector on the module and connect a REDVOLT XL battery. While the module is mounted to the camera, it
will only charge an attached REDVOLT XL battery if the camera is powered off.

Two (2) rear facing auxiliary ports provide power for external camera accessories, while remaining out of the way while
shooting.

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DSMC2 V-LOCK BATTERY MODULE

Figure: DSMC2 V-Lock Battery Module

The DSMC2 V-Lock Battery Module is a low profile cable-free module that enables you to power your DSMC2 BRAIN
and camera accessories using RED BRICK, REDVOLT-V, or other standard V-Lock batteries. The V-Lock mount and
protected release button ensure ongoing power even during mobile shoots.

This DSMC2 battery module offers a P- Tap connector on top and an auxiliary port on the side for powering
peripherals and accessories. Together the P-Tap and auxiliary connectors support a maximum combined current of

3.8 Amps.
This module also offers a DC IN power port that can be used to power the camera system when the module is

attached to the BRAIN. When DC IN power is supplied to the module, and the camera is turned off, this module can
also trickle charge the attached V-Lock battery.

Manufactured from robust aluminum alloy, this DSMC2 battery module offers a blend of utility and power support in a
lightweight and space-saving form factor. The DSMC2 V-Lock Battery Module is an ideal power solution for use with
most DSMC2 expanders. Alternatively, connect the DSMC2 V-Lock Battery Module directly to your DSMC2 BRAIN for
a low-profile, battery-only power configuration.

NOTE: This design of the DSMC2 V-Lock Battery Module (720-0052) replaces the earlier version of the module (720-

0049), which did not have the AUX OUT and DC IN ports. All other functionality is the same.

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DSMC2 GOLD MOUNT BATTERY MODULE

Figure: DSMC2 Gold Mount Battery Module

The DSMC2 Gold Mount Battery Module is a low profile cable-free module that enables you to power your DSMC2
BRAIN and camera accessories using standard Gold Mount batteries. The Gold Mount and protected release button
ensure ongoing power even during mobile shoots.

This DSMC2 battery module offers a P- Tap connector on top and an auxiliary port on the side for powering
peripherals and accessories. Together the P-Tap and auxiliary connectors support a maximum combined current of

3.8 Amps.
This module also offers a DC IN power port that can be used to power the camera system when the module is

attached to the BRAIN. When DC IN power is supplied to the module, and the camera is turned off, this module can
also trickle charge a wide variety of attached Gold Mount batteries.

Manufactured from robust aluminum alloy, this DSMC2 battery module offers a blend of utility and power support in a
lightweight and space-saving form factor. The DSMC2 Gold Mount Battery Module is an ideal power solution for use
with most DSMC2 expanders. Alternatively, connect the DSMC2 Gold Mount Battery Module directly to your DSMC2
BRAIN for a low-profile, battery-only power configuration.

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DSMC2 PRODUCTION MODULE (V-LOCK)

Figure: DSMC2 Production Module (V-Lock)

Designed for professional shooting configurations, the DSMC2 Production Module (V-Lock) mounts directly to the
BRAIN and offers a comprehensive array of video, power, communication, and pro audio connections. Constructed
from lightweight and durable aluminum alloy, this module incorporates an industry standard V-Lock mount to power
your DSMC2 camera when using RED BRICK, REDVOLT-V, or other v-lock batteries.

The DSMC2 Production Module includes three (3) BNC video connectors for maximum monitoring flexibility on-set.
Two (2) connectors output a cloned 3G-SDI signal, and one (1) connector serves as an independent monitoring output.

To support production demands for on-board monitors, wireless video transmitters, wireless lens control, and focus
assist systems, the module includes multiple auxiliary power outputs:

Two (2) front-facing 3-Pin Fischer R/S ports support Remote Start/Stop functionality, and provide 24V power out
up to a combined 2.5 Amps.

A front-facing2-Pin 0B AUX PWR port provides power out up to 3.0 Amps.
A 2-Pin P-Tap connector on the top provides power out up to 3.0 Amps.
A rear-facing USB 2.0 port with support for fast charging offers 5V at 1.5 Amps for powering small mobile devices.

Two (2) standard XLR connections are included for most professional audio needs. Each XLR input features a 3­position selector switch to designate the incoming audio signal type: Balanced Line Level, Balanced Mic Level, and
Balanced Mic with +48V phantom power. Additionally, a 3.5mm line-level headphone jack allows users to monitor
audio during takes and in playback mode.

The module features ports for power in (DC IN), Genlock (BNC), 5-Pin 0B Timecode port, GIG-E, and CTRL.
The module also features a selector switch that enables the BRAIN to automatically boot when power is provided via

the DC IN connector on the module. This feature allows operators to use a connected DC input supply to turn the
BRAIN on and off when the camera is mounted in remote or difficult to maneuver locations.

NOTE: The battery plate on the DSMC2 Production Module is always enabled, regardless of the Auto Boot on Power
switch position.

NOTE: Only one (1) module can be used at a time.

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RED BATTERIES AND CHARGERS

Figure: REDVOLT XL (left) and REDVOLT (right)

The REDVOLT, REDVOLT-V, REDVOLT XL, and RED BRICK are lightweight, rechargeable lithium-ion battery cells that
provide sustained power to the camera. These batteries provide long-term mobile power and attach to the camera via
a power module or other RED accessory. RED chargers replenish lost capacity for REDVOLT, REDVOLT-V, REDVOLT
XL, and RED BRICK batteries.

RED offers the following batteries and chargers:

ITEM PART NUMBER

REDVOLT 740-0020

REDVOLT-V 740-0043

REDVOLT XL 740-0021

RED BRICK 740-0002

REDVOLT Travel Charger 790-0134

REDVOLT Charger (Quad) 740-0015

RED CHARGER 740-0006

For more information, see the DSMC Power Operation Guide, available at www.red.com/downloads.

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REDRAVEN OPERATION GUIDE

DISPLAYS AND ELECTRONIC VIEWFINDERS

RED offers the following displays and electronic viewfinders (EVFs):

NOTE: RED offers multiple mounting solutions for each camera type.

ITEM RESOLUTION TILT

1

DSMC2 RED Touch 7.0" LCD (Woven CF) 1920 x 1136 Total: 180°

Forward: 90°
Backward: 90°

DSMC2 RED Touch 7.0" LCD (Aluminum) 1920 x 1136 Total: 180°

Forward: 90°
Backward: 90°

DSMC2 RED Touch 4.7" LCD 1280 x 720 Total: 240°

Forward: 90°
Backward: 150°

RED Touch 5.0" LCD

2

800 x 400 Total: 270°

Forward: 180°
Backward: 90°

RED Touch 7.0" LCD

2, 3

1920 x 1136 Total: 180°

Forward: 90°
Backward: 90°

RED Touch 9.0" LCD

2

1280 x 768 Total: 270°

Forward: 180°
Backward: 90°

SWIVEL

Total: 360°

1

PART NUMBER

730-0018
CW: 180°
CCW: 180°

Total: 360°

730-0024
CW: 180°
CCW: 180°

No swivel 730-0019

Total: 360°

730-0008
CW: 180°
CCW: 180°

Total: 360°

730-0007
CW: 180°
CCW: 180°

Total: 360°

730-0011
CW: 180°
CCW: 180°

RED Pro LCD 7"

RED Pro Touch 7.0" LCD

DSMC2 Touch 7.0" Ultra-Brite LCD

DSMC2 RED EVF (OLED)

BOMB EVF® (LCOS)

BOMB EVF (OLED)

1. Approximate measurements.
2. Using this display with a DSMC2 camera requires a DSMC2 LCD/EVF Adaptor A, DSMC2 Tactical Top Plate, or DSMC2 Production Top Plate.
3. The RED Touch 7.0" LCD requires that your camera is on firmware v5.2.38 or later.
4. The DSMC2 Touch 7.0" Ultra-Brite LCD requires that your camera is on firmware v7.2 or later.

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2

2

2, 4

2

2

2

1024 x 600 No tilt No swivel 730-0009

1920 × 1136 No tilt No swivel 730-0025

1920 x 1200 No tilt No swivel 730-0026

1920 x 1080 N/A N/A 730-0021

1280 x 784 N/A N/A 730-0004

1280 x 1024 N/A N/A 730-0010

REDRAVEN OPERATION GUIDE

RED LCDS

Figure: DSMC2 RED Touch 7.0" LCD

RED displays provide important camera parameters on the graphical user interface (GUI) and offer a variety of monitor
viewing options. RED touchscreen displays enable you to use gestures to navigate menus and adjust camera
parameters. RED displays feature 8-bit RGB, 4:4:4 progressive scan, providing up to 16.7 million colors and up to
70% NTSC color gamut (83% coverage for the DSMC2 Touch 7.0" Ultra-Brite LCD).

LCD PRECAUTIONS

WARNING: DO NOT use a RED display as a handle to lift or carry the camera. Damage to a RED display or other

components of the camera system caused by using the display as a handle are not covered under warranty.
WARNING: DO NOT use the threaded holes in the RED Touch LCD base to mount the display to the camera. Damage

to a RED display or other components of the camera system caused by using these threaded holes is not covered
under warranty.

WARNING: DO NOT try to turn an LCD past its tilt or swivel range. Damage to a RED display or other camera
components caused by excessive force is not covered under warranty. For more information on the tilt and swivel
range for each display, go to "Displays and Electronic Viewfinders" on the previous page.

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BOMB EVFS

Figure: BOMB EVF (OLED)

The BOMB EVF (LCOS) and BOMB EVF (OLED) deliver specialized viewing solutions for the camera. The BOMB EVF
(LCOS) is a high-definition, lightweight, and low-profile viewfinder. The BOMB EVF (OLED) uses OLED technology,
providing deeper blacks and more color accurate images.

ITEM CONTRAST RATIO DIOPTER RANGE

BOMB EVF (LCOS)

BOMB EVF (OLED)

1. Using these displays with a DSMC2 camera requires a DSMC2 LCD/EVF Adaptor A.

WARNING: DO NOT point the BOMB EVF (OLED) eyepiece at direct sunlight. Continued exposure to direct sunlight
may damage the EVF. Point the eyepiece away from sunlight when not in use. Damage to the BOMB EVF (OLED)
caused by continued exposure to direct sunlight is not covered under warranty.

1

1

1000:1 typical 2.0 to –5.0.1

>10,000:1 typical 2.0 to –5.0.1

BOMB EVF FEATURES

# FEATURE DESCRIPTION

1 EVF

Connector

2 EVF Tally

LED

3 Key 1 Programmable key

4 Key 2 Programmable key

Custom digital video and power interconnection between the camera and RED EVF; Pinout not
published

When enabled, the LED illuminates red when recording; For more information, go to "Indicator" on

page122

Magnify: Toggle

Exposure Check: Toggle

5 Eyepiece

Heater

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The integrated eyepiece heater automatically heats the eyepiece when the EVF detects a low
ambient temperature

REDRAVEN OPERATION GUIDE

DSMC2 RED EVF

The DSMC2 RED EVF (OLED) is a high definition electronic viewfinder designed as the ideal single-viewer monitoring
solution. Featuring the latest OLED technology, this EVF provides an unmatched personal viewing experience with a
1080p OLED micro-display, and improved color accuracy with 30-bit RGB color represenation. View and monitor your
RED footage as it is intended with truer colors and deeper blacks in a larger field of view.

RED offers multiple mounting solutions for each camera type.
WARNING: DO NOT point the DSMC2 RED EVF (OLED) eyepiece at direct sunlight. Continued exposure to direct

sunlight may damage the EVF. Point the eyepiece away from sunlight when not in use. Damage to the DSMC2 RED
EVF (OLED) caused by continued exposure to direct sunlight is not covered under warranty.

NOTE: DO NOT overtighten the black tension ring on the EVF connector. The EVF is designed to allow rotation even
when the tension ring is fully engaged.

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REDRAVEN OPERATION GUIDE

DSMC2 RED EVF FEATURES

Figure: DSMC2 RED EVF

# FEATURE DESCRIPTION

1 DSMC2 RED EVF

Mount

2 EVF Connector

3 Key 1 Programmable key

4 Key 2 Programmable key

5 Mounting Point Mounting point for the DSMC2 RED EVF Mounting Plate

6 DSMC2 RED EVF

Modular Optical Block

1. Not visible. Shown with the DSMC2 RED EVF Mount attached.

1

The DSMC2 RED EVF Mount.
DO NOT overtighten the black tension ring on the EVF connector. The EVF is designed to

allow rotation even when the tension ring is fully engaged.

Custom digital video and power interconnection between the EVF and other RED devices;
Pinout not published; compatible with standard RED LCD/EVF cables.

Magnify: Toggle

Exposure Check: Toggle

Fully coated with a > 32° field of view

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REDRAVEN OPERATION GUIDE

LCD/EVF ADAPTORS

This section describes the DSMC2 LCD/EVF Adaptor A and the DSMC2 LCD/EVF Adaptor B. These adaptors enable
you to use EPIC/SCARLET displays with your DSMC2 camera and use DSMC2 displays with your EPIC/SCARLET
camera. For more information on available displays, go to "Displays and Electronic Viewfinders" on page30.

ITEM PART NUMBER

DSMC2 LCD/EVF Adaptor A 720-0037

DSMC2 LCD/EVF Adaptor B 720-0038

DSMC2 LCD/EVF ADAPTOR A

Figure: DSMC2 LCD/EVF Adaptor A

The DSMC2 LCD/EVF Adaptor A makes your existing RED Touch, RED PRO, and RED PRO Touch displays, as well
as RED EVFs, fully compatible with the DSMC2 camera system. The DSMC2 LCD/EVF Adaptor A converts the pogo
connection on the DSMC2 camera to a 16-Pin 1B LCD/EVF port. The DSMC2 LCD/EVF Adaptor A is designed to
attach to the primary (top), or the secondary (side) EVF/LCD port on the DSMC2 camera.

When used along with the DSMC2 LCD/EVF Adaptor B, this adaptor enables you to mount a DSMC2 RED Touch LCD
away from the camera—to a NOGA arm or other stable mounting point.

The DSMC2 LCD/EVF Adaptor A is compatible with the BOMB EVF, (LCOS) and (OLED) models, or later.

DSMC2 LCD/EVF ADAPTOR B

Figure: DSMC2 LCD/EVF Adaptor B

The DSMC2 LCD/EVF Adaptor B enables you to use a DSMC2 RED Touch LCD with your existing EPIC or SCARLET
camera. The DSMC2 LCD/EVF Adaptor B converts the display signal from a pogo connection to a 16-Pin 1B LCD/EVF
port. The DSMC2 LCD/EVF Adaptor B is designed to mount to your EPIC or SCARLET camera using standard 1/4-20
mounting holes.

When used along with the DSMC2 LCD/EVF Adaptor A, this adaptor enables you to mount a DSMC2 RED Touch LCD
away from the camera—to a NOGA arm or other stable mounting point.

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REDRAVEN OPERATION GUIDE

CAMERA CONTROL MODULES

This section describes the camera control modules. These devices provide a wide array of programmable buttons,
controls, and other features to interact with the camera. RED offers the following controls:

ITEM PART NUMBER

DSMC2 SIDEKICK™ (Forged CF) 720-0041

DSMC2 SIDEKICK (Woven CF) 720-0036

DSMC2 SIDEKICK (Magnesium) 720-0032

DSMC2 Side Handle 720-0050

DSMC2 Top Handle 720-0035

DSMC2 Outrigger Handle 720-0044

DSMC2 Tactical Top Plate 790-0624

DSMC2 Production Top Plate 790-0669

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DSMC2 SIDEKICK

Figure: DSMC2 SIDEKICK (Woven CF)

The DSMC2 SIDEKICK is a lightweight interface solution that offers intuitive integrated control over critical camera
parameters. Engineered exclusively for the DSMC2 system, this low profile interface provides full access to basic and
advanced menus via a 1.7" OLED display. The rotary dial, D-Pad, function buttons, and configurable preset buttons
provide an improved method of controlling your camera.

The DSMC2 SIDEKICK provides full menu control without compromising the tactical advantages of your camera’s
small form-factor and weight.

NOTE: The DSMC2 SIDEKICK goes into Sleep mode after 10 minutes of inactivity.
NOTE: Each DSMC2 SIDEKICK is compatible with all DSMC2 cameras.

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DSMC2 SIDE HANDLE

Figure: DSMC2 Side Handle

Designed for shooters who prefer a compact handheld configuration, the DSMC2 Side Handle offers the most
ergonomic handle option—attaching directly to the side of the camera BRAIN.

The DSMC2 Side Handle features a molded rubber grip and puts primary camera controls right at your fingertips. The
Focus Control Wheel (front) offers direct control over lens focus, while the Iris Control Wheel (side) supports iris
functions. The rotary wheel and D-Pad provide advanced control over menu options directly from the handle. Four (4)
customizable camera parameter buttons provide quick access to controls such as exposure, white balance,
magnification toggle, and autofocus. Additionally, a stepped encoder offers additional operation customization and
lets you incrementally increase or decrease the selected camera parameters.

An intelligent DSMC2 handle wouldn’t be complete without a record button—allowing you to toggle record on/off
directly from the handle. On top of an integrated RECORD button, the DSMC2 Side Handle features a MARK FRAME
button, empowering you to tag frames while shooting and revisit them later in post production.

NOTE: The DSMC2 Side Handle cannot be used simultaneously with the DSMC2 Outrigger Handle or DSMC2
SIDEKICK.

NOTE: The DSMC2 Side Handle (with original grip) supports a maximum weight of 30 lbs when attached directly to
the BRAIN. Damage to the DSMC2 Side Handle or other components of the camera system caused by using a
DSMC2 Side Handle to lift a camera system that exceeds 30 lbs is not covered under warranty.

NOTE: You may replace the original grip of the DSMC2 Side Handle with a third-party grip. However, RED does not
test third-party grips, and cannot confirm if the third-party device will have the same functionality, quality, or strength
as the original grip included by RED in the DSMC2 Side Handle. Damage to the DSMC2 Side Handle or other
components of the camera system caused by using third-party accessories is not covered under warranty.

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DSMC2 TOP HANDLE

Figure: DSMC2 Top Handle

Ergonomic and intuitive, the DSMC2 Top Handle was engineered entirely around the most important action for any
shooter—the record button. This intelligent top handle puts a new Record Start/Stop button at your fingertips, using
built-in integrated circuitry.

The DSMC2 Top Handle mounts directly to the 1/4-20 mounting points on the top of the camera. With a rubberized
grip and new trigger design—the DSMC2 Top Handle offers the ideal handle and shooting method for your camera.

DSMC2 OUTRIGGER HANDLE

Figure: DSMC2 Outrigger Handle

The DSMC2 Outrigger Handle offers a low profile side handle—designed with an ergonomic molded grip and
integrated Record Start/Stop button. Mounted to the Top Handle Port on your camera, the DSMC2 Outrigger Handle
provides comfort and stability, as well as additional 1/4-20 mounting points for your peripheral camera components.
The built-in Record button puts Start/Stop functionality right at your fingertips—so you are always ready to capture the
perfect shot.

The DSMC2 Outrigger Handle is ideal for shooters who use one hand on the handle, for grip and record button
access, and the other for lens adjustments or support.

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REDRAVEN OPERATION GUIDE

DSMC2 TACTICAL TOP PLATE

Figure: DSMC2 Tactical Top Plate

Machined from robust 7075 Aluminum, the DSMC2 Tactical Top Plate mounts to the top of your DSMC2 BRAIN to
provide 1/4-20 and 3/8-16 mounting points for RED and third-party accessories. This plate is specifically designed to
provide reliable and seamless functionality with existing DSMC2 battery modules, expanders, and accessories.

The DSMC2 Tactical Top Plate provides multiple ways to trigger record start/stop. First, the plate offers a 3-pin
POGO connector that allows you to mount a RED “smart” handle, extending the DSMC2 BRAIN’s intelligent handle
interface. Second, the plate also offers an unpowered 3-pin Fischer port, boasting the flexibility to interface with
compatible third-party start/stop triggers.

Additionally, the DSMC2 Tactical Top Plate extends the DSMC2 BRAIN's top LCD/EVF interface through a 16-Pin 1B
LCD/EVF connector. This additional connector allows you to remote mount a RED 16-Pin 1B-based display without
the use of a LCD/EVF Adaptor A.

DSMC2 PRODUCTION TOP PLATE

Figure: DSMC2 Production Top Plate

Designed to pair with the DSMC2 REDVOLT Expander and DSMC2 Production Module, the DSMC2 Production Top
Plate provides additional 1/4-20 and 3/8-16 mounting points for RED and third-party accessories. The DSMC2
Production Top Plate offers the same I/O as the DSMC2 Tactical Top Plate: a 3-pin POGO connector to mount a RED
"smart" handle; an unpowered 3-pin Fischer port for start/stop; and a 16-Pin 1B LCD/EVF connector. The plate is
compatible with other RED expanders and modules but may cover the P-Tap connector and Auto Boot on Power
switch, or interfere with the use of rear-mounted batteries.

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REDRAVEN OPERATION GUIDE

RAILS, MOUNTS, TACTICAL GEAR, AND CABLES

RED offers a wide variety of support gear, mounting platforms, cables, accessories, and other equipment. For more
information, visit the RED Store at www.red.com/store.

CAUTION: Attach accessories, plates, and rails directly to the mounting points on the BRAIN. While the DSMC2
REDVOLT Expander has mounting points for lightweight accessories, other expanders and modules are not designed
to support additional weight.

MAXIMUM SUPPORTED WEIGHTS

The table below lists the maximum weight each handle can support in specific configurations. Damage to handles or
other components of the camera system caused by using a handle to lift more than the specified weight is not
covered under warranty.

ITEM PART

NUMBER

DSMC2 Universal
Handle

DSMC2 Production Top
Handle




790-0523 Attached directly to the camera body 30 lbs

790-0657 One riser attached to a plate; handle

CONFIGURATION MAXIMUM SUPPORTED

WEIGHT

40 lbs

extension attached

Two risers attached to a plate; handle
extension attached

80 lbs

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REDRAVEN OPERATION GUIDE

CHAPTER 3:

BASIC OPERATIONS

POWER OPERATIONS

This section describes the basic power operations of the camera system.
For more information, see the DSMC Power Operation Guide, available at www.red.com/downloads.
NOTE: Modules and expanders are NOT HOT SWAPPABLE, meaning you cannot remove or install these items while

the camera is turned on. Before installing or removing these items, you MUST turn off the camera. Failure to do so
may result in damage to the item or camera that is not covered under warranty.

WARNING: While third-party batteries may be mechanically compatible with the camera system, the manufacturer is
responsible for the performance and stability of third-party options, not RED®. Damage to the camera system or third­party devices caused by using third-party power options is not covered under warranty. The camera may be unable to
determine and display the voltage or remaining battery capacity of third-party power options.

POWER PRIORITY

When multiple power sources are connected to the camera, power consumption is prioritized in this sequence:
1. Any power supply connected to the DC IN port on the expander
2. Any power supply connected to the DC IN port on a rear battery module
3. Rear battery
4. REDVOLT battery in the DSMC2® REDVOLT Expander

POWER CONSUMPTION

The camera draws approximately 3.3 A (50 W) when configured with the DSMC2 Base Expander, DSMC2 RED Touch

7.0" LCD, and RED MINI-MAG® 512GB.

Under typical conditions batteries provide the following operating time:

REDVOLT: Powers the camera and accessories for approximately 30 minutes.
REDVOLT-V: Powers the camera and accessories for approximately 35 minutes.
REDVOLT XL: Powers the camera and accessories for approximately 90 minutes.
RED BRICK: Powers the camera and accessories for approximately 120 minutes.

POWER STATUS

The power status of the current primary power source displays in the Lower Status Row of the graphical user interface

(GUI). Navigate to the Power In menu at Menu > Power > Power In for the status of all connected power sources.

For more information, go to "Power Menu" on page95.

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APPROVED EXTERNAL DC POWER

The DSMC2 cameras accept input voltages of 11.5 V DC to 17 V DC, and can draw a maximum current of 9A. The
camera can be powered continuously by connecting one (1) of the following to an attached module or expander:

DSMC AC Power Adaptor
RED BRICK Charger: Offers two (2) ways to connect to your camera:

Use a RED ONE DC Power Cable (P/N 790-0060) and a 2B-to-1B Power Adaptor Cable (P/N 790-0138).
Use a RED 2B-to-1B Power Cable (P/N 790-0556, 790-0654).

RED BRICK: Requires a DSMC2 V-Lock I/O Expander, Battery Belt Clip (DSMC), or DSMC2 V-Lock Battery
Module. Also supported by a RED Quickplate or RED Cradle using a 2B-to-1B Power Adaptor Cable.

REDVOLT-V: Requires a DSMC2 V-Lock I/O Expander, Battery Belt Clip (DSMC), or DSMC2 V-Lock Battery
Module. Also supported by a RED Quickplate or RED Cradle using a 2B-to-1B Power Adaptor Cable.

XLR DC power source: Requires an XLR Power Cable.

WARNING: While third-party batteries may be mechanically compatible with the camera system, the manufacturer is

responsible for the performance and stability of third-party options, not RED. Damage to the camera system or third­party devices caused by using third-party power options is not covered under warranty. The camera may be unable to
determine and display the voltage or remaining battery capacity of third-party power options.

TURN ON THE CAMERA

NOTE: If you have just turned off the camera, wait at least three (3) seconds before turning the camera back on.

1. Attach a power source to the camera.
2. Press and release the PWR/REC key on the right side of the camera.

The Power Status LED illuminates amber as the camera turns on.
The Power Status LED illuminates green to confirm that the camera is turned on and ready to use.

TURN OFF THE CAMERA

Use one of the following methods to turn off the camera:

Go to Menu > Power and select Shutdown.
Press and hold PWR/REC until the Shutting Down... notification shows on the display.

NOTE: The camera turns off automatically if the supply voltage drops to 11.5 V.

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REDRAVEN OPERATION GUIDE

AUTO BOOT ON POWER

The DSMC2 Jetpack Expander, DSMC2 Jetpack-SDI Expander, DSMC2 REDVOLT Expander, DSMC2 V-Lock I/O
Expander, and DSMC2 Production Module feature a selector switch that enables the camera to automatically boot
when power is provided via the DC IN connector on the device. The Auto Boot on Power switch (identified by a line or
a white star) is located on top of the device.

When Auto Boot on Power is enabled, the camera disables all power sources that are not the DC IN connector on the
expander or module, including batteries and the DC IN connectors on any other modules.

NOTE: The battery plate on the DSMC2 Production Module is always enabled, regardless of the Auto Boot on Power
switch position.

Figure: Auto Boot on Power Switch

ENABLE AUTO BOOT ON POWER

1. Toggle the Auto Boot on Power switch to On (identified by a line or a white star).
2. Connect a power source to the DC IN connector.

The camera turns on automatically.

3. Use one of the following methods to turn off the camera:

Go to Menu > Power and select Shutdown.
Press and hold PWR/REC until the Shutting Down... notification shows on the display.

NOTE: Simply disconnecting the power source may result in data loss.

DISABLE AUTO BOOT ON POWER

1. Toggle the Auto Boot on Power switch to Off (identified by a circle or a black star).

The camera will not turn on automatically.

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REDRAVEN OPERATION GUIDE

CONFIGURE YOUR CAMERA

This section describes common options for configuring your camera system.

DSMC2 SIDEKICK: INSTALL/REMOVE

INSTALL THE DSMC2 SIDEKICK

This section applies to the following items:

DSMC2™ SIDEKICK (Forged CF)
DSMC2 SIDEKICK (Woven CF)
DSMC2 SIDEKICK (Magnesium)

NOTE: Each DSMC2 SIDEKICK is compatible with all DSMC2 cameras.
WARNING: Before installing or removing this item, you MUST turn off the camera.
REQUIRED TOOL(S): T10 TORX® driver

1. Turn off the camera.
2. Use a T10 TORX driver to remove the four (4) screws on the BRAIN® side plate (if the side plate is installed).
3. Remove the BRAIN side plate (if the side plate is installed).
4. Place the DSMC2 SIDEKICK in the slot where the lip of the BRAIN side plate was installed.
5. Press the DSMC2 SIDEKICK down flush along the side of camera.
6. Tighten the four (4) captive screws in a cross pattern (“X” pattern) using a T10 TORX driver. DO NOT FULLY

TIGHTEN.

7. Fully tighten the four (4) screws in a cross pattern (“X” pattern) using a T10 TORX driver.

WARNING: DO NOT OVERTIGHTEN.

REMOVE THE DSMC2 SIDEKICK

This section applies to the following items:

DSMC2 SIDEKICK (Forged CF)
DSMC2 SIDEKICK (Woven CF)
DSMC2 SIDEKICK (Magnesium)

NOTE: Each DSMC2 SIDEKICK is compatible with all DSMC2 cameras.
WARNING: Before installing or removing this item, you MUST turn off the camera.
REQUIRED TOOL(S): T10 TORX® driver

1. Turn off the camera.
2. Use a T10 TORX driver to loosen the four (4) captive screws attaching the DSMC2 SIDEKICK to the camera.
3. Remove the DSMC2 SIDEKICK from the camera.

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INSTALL THE DSMC2 SIDE HANDLE

WARNING: Before installing or removing this item, you MUST turn off the camera.
REQUIRED TOOL(S): T10 TORX driver (if a SIDEKICK Cover or DSMC2 SIDEKICK is installed), M2.5 hex key

1. Turn off the camera.
2. If a SIDEKICK Cover or DSMC2 SIDEKICK is installed, remove the device:

A. Use a T10 TORX driver to remove the four (4) screws on the SIDEKICK Cover or DSMC2 SIDEKICK.

B. Remove the SIDEKICK Cover or DSMC2 SIDEKICK.
3. Place the DSMC2 Side Handle in the slot where the lip of the SIDEKICK Cover was installed.
4. Press the DSMC2 Side Handle down flush along the side of camera.
5. Tighten the three (3) captive screws and the thumbscrew (in the lower left corner) using an M2.5 hex key. DO NOT

FULLY TIGHTEN.
NOTE: If you are unable to reach the thumbscrew with a hex key, hand-tighten the thumbscrew.

6. Fully tighten the three (3) screws and the thumbscrew using an M2.5 hex key.

WARNING: DO NOT OVERTIGHTEN.
NOTE: If you are unable to reach the thumbscrew with a hex key, hand-tighten the thumbscrew.

REMOVE THE DSMC2 SIDE HANDLE

WARNING: Before installing or removing this item, you MUST turn off the camera.
REQUIRED TOOL(S): M2.5 hex key

1. Turn off the camera.
2. Use an M2.5 hex key to loosen the three (3) captive screws and the thumbscrew (in the lower left corner).

NOTE: If you are unable to reach the thumbscrew with a hex key, loosen the thumbscrew by hand.

3. Remove the DSMC2 Side Handle from the camera.

INSTALL THE DSMC2 SIDE HANDLE GRIP

NOTE: You may replace the original grip of the DSMC2 Side Handle with a third-party grip. However, RED does not

test third-party grips, and cannot confirm if the third-party device will have the same functionality, quality, or strength
as the original grip included by RED in the DSMC2 Side Handle. Damage to the DSMC2 Side Handle or other
components of the camera system caused by using third-party accessories is not covered under warranty.

REQUIRED TOOL(S): 5 mm hex key
1. Place the original RED grip at the bottom of the DSMC2 Side Handle.
2. Use a 5 mm hex key to install the orignal M6 x 90 mm screw in the bottom of the grip.

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DSMC2 EXPANDER: INSTALL/REMOVE

INSTALL A DSMC2 EXPANDER

This section applies to the following items:

DSMC2 Base Expander
DSMC2 V-Lock I/O Expander
DSMC2 REDVOLT Expander
DSMC2 Jetpack Expander
DSMC2 Jetpack-SDI Expander

WARNING: Before installing or removing this item, you MUST turn off the camera.

WARNING: When installing and removing a DSMC2 REDVOLT Expander, ensure that a REDVOLT battery is NOT

installed in the expander. Damage to the REDVOLT or camera system caused by failing to remove the REDVOLT

during installation/removal is not covered under warranty.

REQUIRED TOOL(S): T20 TORX driver
1. Turn off the camera.
2. Position the expander on the rear of the camera, aligning the connector on the front of the expander with the

connector on the rear of the camera.

3. Apply pressure and tighten the four (4) captive screws in a cross pattern (“X” pattern) approximately two (2) turns

each using a T20 TORX driver. DO NOT FULLY TIGHTEN.

4. Fully tighten the four (4) screws in a cross pattern (“X” pattern) using a T20 TORX driver.

WARNING: DO NOT OVERTIGHTEN.

REMOVE A DSMC2 EXPANDER

This section applies to the following items:

DSMC2 Base Expander
DSMC2 V-Lock I/O Expander
DSMC2 REDVOLT Expander
DSMC2 Jetpack Expander
DSMC2 Jetpack-SDI Expander

WARNING: Before installing or removing this item, you MUST turn off the camera.

WARNING: When installing and removing a DSMC2 REDVOLT Expander, ensure that a REDVOLT battery is NOT

installed in the expander. Damage to the REDVOLT or camera system caused by failing to remove the REDVOLT

during installation/removal is not covered under warranty.

REQUIRED TOOL(S): T20 TORX driver
1. Turn off the camera.
2. Loosen the four (4) captive screws in a cross pattern (“X” pattern) using a T20 TORX driver.
3. Remove the expander from the camera.

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DSMC2 POWER MODULES: INSTALL/REMOVE

DSMC2 power module options include:

DSMC2 REDVOLT XL Module
DSMC2 V-Lock Battery Module
DSMC2 Gold Mount Battery Module
DSMC2 Production Module

INSTALL THE DSMC2 POWER MODULE

The DSMC2 power modules mount to the rear of the following items:

BRAIN
DSMC2 Base Expander
DSMC2 REDVOLT Expander

WARNING: Before installing or removing this item, you MUST turn off the camera.

REQUIRED TOOL(S): T20 TORX driver

1. Turn off the camera.
2. Position the module on the rear of the camera or expander, aligning the connector on the front of the module with

the connector on the rear of the camera or expander.

3. Apply pressure and tighten the four (4) captive screws in a cross pattern (“X” pattern) approximately two (2) turns

each using a T20 TORX driver. DO NOT FULLY TIGHTEN.

4. Fully tighten the four (4) screws in a cross pattern (“X” pattern) using a T20 TORX driver.

WARNING: DO NOT OVERTIGHTEN.

REMOVE THE DSMC2 POWER MODULE

WARNING: Before installing or removing this item, you MUST turn off the camera.

REQUIRED TOOL(S): T20 TORX driver

1. Turn off the camera.
2. Loosen the four (4) captive screws in a cross pattern (“X” pattern) using a T20 TORX driver.
3. Remove the module from the camera or expander.

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DSMC2 TOP HANDLE AND DSMC2 OUTRIGGER HANDLE:

INSTALL/REMOVE

INSTALL THE DSMC2 TOP HANDLE OR DSMC2 OUTRIGGER HANDLE

WARNING: Before installing or removing this item, you MUST turn off the camera.

REQUIRED TOOL(S): 3/16" hex key

1. Turn off the camera.
2. Position the DSMC2 Top Handle or DSMC2 Outrigger Handle on top of the camera, aligning the connector on the

bottom of the handle with the connector on top of the camera.

3. Tighten the two (2) captive screws approximately two (2) turns each using a 3/16" hex key. DO NOT FULLY

TIGHTEN.

4. Fully tighten the two (2) screws using a 3/16" hex key.

WARNING: DO NOT OVERTIGHTEN.

REMOVE THE DSMC2 TOP HANDLE OR DSMC2 OUTRIGGER HANDLE

WARNING: Before installing or removing this item, you MUST turn off the camera.

REQUIRED TOOL(S): 3/16" hex key

1. Turn off the camera.
2. Loosen the two (2) captive screws using a 3/16" hex key.
3. Remove the DSMC2 Top Handle or DSMC2 Outrigger Handle from the camera.

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INSTALL THE FOCUS HOOK SCREW

The camera comes with a screw stored in the bottom of the media bay, called the focus hook screw. You can install

this screw in the Focus Hook Mounting point (along the sensor plane), and then pull focus from that location. You can

either attach measuring tape directly to the screw, or you can install a hook to the screw, and attach the measuring

tape to the hook.

To install the focus hook screw, follow the instructions below:

REQUIRED TOOL(S): Slotted screwdriver

NOTE: Cameras manufactured before December 2017 include a set screw installed in the Focus Hook Mounting Point.

If your camera has this screw, remove the screw with a 1.5 mm hex key before installing the focus hook screw.
1. Remove the focus hook screw from the Focus Hook Screw Storage Location on the media bay using a slotted

screwdriver.

2. Tighten the focus hook screw into the Focus Hook Mounting Point on the media bay using a slotted screwdriver.

WARNING: DO NOT OVERTIGHTEN.

Figure: Focus Hook Mounting Point

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USE A TRIPOD OR MONOPOD

This section describes the camera mounting points and mounting equipment for use with a tripod or monopod. The

camera is equipped with two (2) 3/8-16 mounting holes and one (1) 1/4-20 mounting hole on the bottom of the camera.

These mounting points are designed for use with a variety of mounting plates and hardware, to support tripods and

other support systems.

WARNING: Ensure that the tripod, monopod, or support system is designed and rated to handle the weight of your

camera configuration. RED is not responsible for any damage caused by using a tripod, monopod, mount, or support

system that does not provide sufficient support.

WARNING: DO NOT use excessive force to mount a support accessory, as this may damage the screw threading.

RED offers the following products for use with tripods and other support systems:

Item Part Number

Mounting Plate (DSMC) 790-0094

DSMC Quick Release Platform Pack 790-0183

Quick Release Platform Pack (Bolt-On) 790-0078

Quick Release Platform (Dovetail) 790-0079

Quick Release Platform (Mini) 790-0390

Dovetail Mounting Plate (Long) 790-0083

Dovetail Mounting Plate (Short) 790-0084

For more information, visit the RED store at www.red.com/store.

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VIDEO MONITOR OUTPUTS

NOTE: HD-SDI and HDMI® ports are only available on select DSMC2 expanders and modules. For more information,

go to "Input/Output Connectors" on page200.

The monitoring path converts RAW sensor data to a white balanced 12-bit depth 1920 x 1080 pixel RGB 4:4:4 video

signal. The signal may be modified using ISO, White Balance, or other RGB color space adjustments. The signal is

then scaled and gamma-corrected to provide monitor outputs at 10-bit depth in 4:2:2 YCC or 8-bit depth in 4:4:4

RGB.

The camera offers the following monitor outputs:

EVF/LCD: Supports a RED EVF or LCD display.
HD-SDI: Provides a 720p or 1080p output suitable for monitoring or recording to an external VTR or DDR device. It

may be configured for 10-bit LIN (VIDEO) or 10-bit LOG (FILM) encoded data.

HDMI: Provides a 480p, 720p, or 1080p output suitable for monitoring via a Windows® monitor or most HDTVs.

VIDEO MONITOR CATEGORIES

Video monitor outputs are separated into three (3) categories:

VIEWFINDER: The Upper Status Row, Live Action Area, and Lower Status Row display. Default output is the
EVF/LCD connector located on top of the camera. If an EVF or LCD is not connected, you can transfer the
VIEWFINDER output to either the HDMI or 3G-SDI (HD-SDI) output.

PROGRAM/Clean: None of the graphic overlays display.
PREVIEW: The Live Action Area and associated graphic overlays display.

For more information about changing the video monitor category of your monitor, go to "Monitor Mode" on page81.

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RECORD

Perform one of the following actions to begin recording:

Press PWR/REC on the camera.
Press REC on the media bay.
Press START/STOP on the DSMC2 Top Handle or DSMC2 Outrigger Handle.
Trigger start/stop with a compatible third-party trigger.
Double-tap the right 25% on an attached touchscreen display (when enabled).

NOTE: To enable Double-Tap Right 25% to Record, go "Advanced" on page83.

RECORD VIA HD-SDI OR HDMI

NOTE: Audio is not embedded in the MON-1 signal.

This section describes how to record via HD-SDI or HDMI through simultaneous record (recording to an SSD and an

external recorder at the same time) or external record only.

SIMULTANEOUS RECORD

NOTE: HD-SDI and HDMI ports are only available on select DSMC2 expanders and modules. For more information,

go to "Input/Output Connectors" on page200.

NOTE: The secondary LCD/EVF port and an HDMI/MON-1 port cannot be used at the same time. Go to "Monitor

Preferences" on page80.

You can record simultaneously to an external recorder and a RED SSD. To record simultaneously, follow the

instructions below:
1. Attach a DSMC2 expander or module that has an HD-SDI or HDMI port.
2. Connect the camera to an external recorder with an HD-SDI or HDMI cable.
3. Ensure that a formatted SSD is inserted in the camera.
4. Set up the HD-SDI or HDMI output:

A. Go to Menu > Monitoring > Monitors and select a monitor.
B. Select Clean from the Mode drop-down menu (otherwise the external recorder records the overlay).

C. Select the output resolution from the Resolution drop-down menu.

NOTE: The HDMI and HD-SDI maximum resolution is 1080p. For more information, go to "Record/Monitor Out

Ports" on page208.

5. Disable all False Colors (otherwise the external recorder records the False Colors). For more information, go to

"Tools" on page86.

6. If monitoring audio via a third-party monitor that supports audio, set up the monitor mix:

A. Go to Menu > Settings > Audio > Mix > Monitor Mix.

B. Adjust the input channels.
7. Go to Menu > Settings > Recording > Mode.
8. Select Local from the Storage drop-down menu.
9. Begin recording.

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EXTERNAL RECORD

NOTE: HD-SDI and HDMI ports are only available on select DSMC2 expanders and modules. For more information,

go to "Input/Output Connectors" on page200.
NOTE: The secondary LCD/EVF port and an HDMI/MON-1 port cannot be used at the same time. Go to "Monitor

Preferences" on page80.

You can record to an external recorder without recording to an SSD. To record to an external device only, follow the

instructions below:
1. Attach a DSMC2 expander or module that has an HD-SDI or HDMI port.
2. Connect the camera to an external recorder with an HD-SDI or HDMI cable.
3. Ensure the SSD is ejected.
4. Set up the HD-SDI or HDMI output:

A. Go to Menu > Monitoring > Monitors and select a monitor.
B. Select Clean from the Mode drop-down menu (otherwise the external recorder records the overlay).

C. Select the output resolution from the Resolution drop-down menu.

NOTE: The HDMI and HD-SDI maximum resolution is 1080p. For more information, go to "Record/Monitor Out

Ports" on page208.

5. Disable all False Colors (otherwise the external recorder records the False Colors). For more information, go to

"Tools" on page86.

6. If monitoring audio via a third-party monitor that supports audio, set up the monitor mix:

A. Go to Menu > Settings > Audio > Mix > Monitor Mix.

B. Adjust the input channels.
7. Go to Menu > Settings > Recording > Mode.
8. Select External from the Storage drop-down menu.
9. Begin recording.

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CHAPTER 4:

BASIC MENUS AND CONTROLS

GUI MENU INTRODUCTION

This section describes the structure and layout of the graphical user interface (GUI) that overlays the video monitor
signal. Advanced GUI menu controls enable convenient access to menus, overlays, and other critical camera
information. Functionality varies based on monitor output type and firmware version. The GUI menu is separated into
three (3) main sections:

Figure: GUI Control Menu

# ITEM DESCRIPTION

1 Upper Status Row

(Basic Menu)

2 Live Action Area Live camera recording view, overlays, guides, and more. Go to "Live Action Area" on

3 Lower Status Row Critical camera parameters, record/playback modes, media and power status, and audio

Easy access to primary camera capture parameters. Go to "Upper Status Row (Basic

Menu)" on the next page.

page59.

meter. Go to "Lower Status Row" on page60.

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UPPER STATUS ROW (BASIC MENU)

The Upper Status Row displays basic project parameters. The currently selected parameter in the Upper Status Row
is underlined with a red bar. The Upper Status Row is also known as the Basic Menu.

Figure: Upper Status Row

The Upper Status Row includes the following GUI elements:

# ITEM DESCRIPTION DETAILS

1 Frame Rate (fps) Recording frame rate "Frame Rate" on page107

2 ISO Camera sensitivity "ISO" on page79

3 Aperture Lens aperture (F stop) information "Aperture" on page58

4 Exposure (Shutter) Integration time or shutter angle "Exposure/Shutter" on page108

5 Color Temperature White balance and Tint "White Balance" on page77

6 Resolution Record resolution "Format" on page110

7 REDCODE

8 Menu Access advanced settings "Advanced Menus" on page76

9 Cursor Indicates currently selected Upper Status Row element N/A

®

REDCODE compression setting "REDCODE" on page58

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ACCESS ADVANCED MENUS

For every Upper Status Row item, you can select the Advanced... button to access the related menu in the Advanced
Menus.

For example, select Advanced... in the Frame Rate menu to open Menu > Settings > Project > Frame Rate.
For more information about Advanced Menus, go "Advanced Menus" on page76.

Figure: Select "Advanced..." Button

Figure: Advanced Menu

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FEATURE: EDIT LIST

Select the Edit List... button in the Upper Status Row menus to change the values that display for each setting. For
example, if you open the Frame Rate menu and select Edit List..., the camera lets you add or remove values.

Figure: Select "Edit List..." Button

APERTURE

The aperture (also known as the T stop or F stop) parameter displays when a compatible lens is installed. The aperture
controls the depth of field of the image and, in combination with the shutter speed/angle setting, controls the amount
of light that reaches the sensor (exposure).

Increasing the aperture to a higher number increases the depth of field, but reduces the exposure (brightness).
Decreasing the aperture to a lower number decreases the depth of field, but increases the exposure (brightness).

The Aperture menu is visible when a supported lens is attached. This enables you to adjust the aperture of the
attached lens.

Select the Advanced... button to access the Menu > Settings > Setup > Lens screen. For more information, go to

"Lens" on page139.

REDCODE

Select the target REDCODE compression ratio for your project.
If the camera is able to achieve the target compression ratio, the compression ratio displays in white. If the camera is

unable to achieve the target compression ratio, the compression ratio displays in yellow, and the camera uses the next
possible compression ratio.

The current compression ratio is automatically recalculated when changes are made to the project resolution, aspect
ratio, frame rate, HDRX® mode, media, or the target REDCODE compression ratio.

The RECODE compression affects the overall quality of the footage. A lower compression (for example: 2:1) increases
the quality of the footage, while a higher compression (for example: 22:1) lowers the quality.

REDCODE range is 2:1 to 22:1. Default is 8:1.
For maximum available REDCODE values, see the DSMC Media Operation Guide at www.red.com/downloads.

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LIVE ACTION AREA

The Live Action Area contains the recorded image area and various overlays. The color of each overlay can be
customized to maximize the contrast between the guide(s) and scene being captured.

Figure: Live Action Area

The Live Action Area includes the following GUI elements:

# ITEM DESCRIPTION DETAILS

1 Lens Information Lens information when using supported Canon®, Nikon®,

or Cooke® lenses

2 AF Status Currently selected auto focus mode "Focus Menu" on

3 Center Crosshair and Spot

Focus Guide

4 Frame Guides Record or sensor projection area "Guides" on

5 Clip Filename Filename of the clip being recorded, or filename of the next

6 Timecode Value Current timecode value "Timecode" on

Crosshair: Center of selected guide
Reference guides: Safe Action/Safe Title, Picture Center,

Grid Overlay

clip to be recorded

"Lens Information"
below

page124

"Guides" on
page92

page92

N/A

page158

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LENS INFORMATION

This section describes the lens information displays when a supported lens is attached.

CANON LENSES

The camera displays the focal length and focal distance when an electronically supported lens is attached. When AF is
set to Manual or Confirm mode, the focal distance displays as a pair of Near–Far distances. When in AF mode, an
estimated focus distance displays. The focal length and focal distance values and range vary depending on the
attached lens. When the focal length of the lens changes, the current values displays. For more information, go to

"Lens" on page139.

LOWER STATUS ROW

The Lower Status Row provides access to key system information and camera values.

Figure: Lower Status Row

# ITEM SUB-ITEM/DESCRIPTION DETAILS

1 Camera Mode Swipe up to toggle Motion/Stills/Playback modes "Camera Mode" on page62

2 Histogram Histogram; tap to open the Tools menu "Histogram" on page64

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# ITEM SUB-ITEM/DESCRIPTION DETAILS

3 Project Status

Indicators

4 Media Status Media location and remaining capacity; file type (R3D and/or

Tap to open the Project Status menu "Project Status" on page143

Camera sensor and core temperature "Sensor Calibration" on page145

Cal: T/E "CAL: T/E Indicator" on page65

HDRX®: Displays when HDRX mode is on "HDRX Menu" on page123

False Color Mode: Displays modes "False Color Modes" on page86

Magnify mode "Display Modes: Magnify" on

Timecode "TC Indicator" on page65

Genlock "GEN Indicator" on page65

Sync "SYNC Indicator" on page65

RM "RM (Remote) Indicator" on

LAN "LAN Indicator" on page66

RIG: Indicates 3D rig metadata is present N/A

WIFI: Indicates wireless connection "WiFi Indicator" on page66

third-party proxy); tap to open the Media Menu

page88

page65

"Media Menu" on page103

5 Power Status DC voltage or remaining battery capacity; tap to open the

Power menu

6 Audio Meter Audio input and volume; tap to open the Audio menu "Audio Meter (VU Meter)" on

"Power Status" on page66

page154

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CAMERA MODE

The Camera Mode allows you to seamlessly toggle between Motion mode, Stills mode, and Playback. To select a
camera mode, select the Camera Mode icon in the Lower Status Bar, swipe up, and select a camera mode.

NOTE: Setting adjustments made in Stills mode do not affect the settings in Motion mode, and vice versa.
You can select the following camera modes:

"Motion Mode" below
"Stills Mode" on the next page
"Playback " on page98

MOTION MODE

Motion mode optimizes your camera settings for capturing motion. This mode defaults the camera to Continuous
Record. Motion mode includes the following features:

Motion recording modes:

"Continuous Record" on page112
"Internal Timelapse Timer" on page112
"Frame Trigger" on page113
"Speed Ramp Mode" on page113
"REDCODE Burst" on page114

Swipe-Up Shortcuts

Camera Mode
False Color
Status
Media
Power
Audio

Default Motion Preset (RED)

NOTE: For more information, go to "Swipe-Up Menu" on page69.

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STILLS MODE

Stills mode optimizes your camera settings for capturing stills. Stills mode includes the following features:

Stills recording modes:

"Multi-Shot" on page115
"Motion + Stills" on page116

Swipe-Up Shortcuts:

False Color
Status
Media
Power
Auto Focus
Auto Exposure
Record Mode

Default Stills Preset (RED)

For more information, go to "Swipe-Up Menu" on page69.

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HISTOGRAM

NOTE: The sharpness setting affects the Histogram, RAW Level Bars, and RAW Clip Meter. For more information, go

to "Output Sharpness" on page84.
This section describes the elements that comprise the Histogram section in the Lower Status Row. This section of the

GUI helps ensure that recorded footage is properly exposed.
Tap the Histogram in the Lower Status Row to access the Tools menu. For more information, go to "Tools" on

page86.

Figure: Histogram (Exposure)

# ITEM DESCRIPTION

1 RAW Level

Bar (left)

2 RAW Level

Bar (right)

3 RGB

Histogram

4 RAW Clip

Meter

1. The RAW Level Bars represent 1/4 of the total pixels in the image, and illustrate the number of pixels that are noisy or clipped in relation to the

total number of pixels. For example, if the left RAW Level Bar is 1/8 of the total height, that means that approximately 1/32 of the total pixels in
the total image are at an exposure level that is at risk of displaying noise when pushed to higher ISO or FLUT® values in post production.

Also known as a “goal post”. Displays the amount of pixels in the image that are underexposed

1

(noise)

Also known as a “goal post”. Displays the amount of pixels in the image that are overexposed

1

(clipping)

Provides a visual representation of exposure and sensor data levels for red, green, and blue
channels; meter is affected by White Balance, ISO, and VIEW/LOOK settings

Also known as “traffic lights”. Provides a visual representation of exposure and sensor data levels
for red, green, and blue channels; Circles (traffic lights) will light up when clipping occurs

PROJECT STATUS INDICATORS

This section describes the colors and behavior of the Project Status indicators in the Lower Status Row. Tap the
Project Status indicators in the Lower Status Row to access the Project Status menu. For more information, go to

"Project Status" on page143.

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CAL: T/E INDICATOR

The CAL: T/E indicator shows changes to temperature (T) or exposure (E) in relation to the active calibration map. If the
temperature or exposure change significantly, calibrate the sensor at the desired temperature and exposure. Failure to
properly calibrate the sensor may reduce image quality.

Green: Sensor temperature or exposure are properly calibrated for current settings.
Yellow: Slight change in sensor temperature or exposure.
Red: Significant change in sensor temperature or exposure.

The – and + indicate whether the sensor temperature or exposure has decreased or increased, respectively.

NOTE: T and E indicators change colors independently of each other.

TC INDICATOR

The TC indicator shows the current timecode status.

Grey: No analog timecode is detected.
Red: Analog timecode is detected but not enabled.
Green: Analog timecode is used to jam the time of day timecode.

For more information, go to "Timecode, Genlock, Multi-Camera Setup" on page158.

GEN INDICATOR

The GEN indicator shows the current genlock status.

Grey: No genlock signal is detected, or the signal cannot cross-lock to project (24.00 fps vs. 23.98 fps).
Red: During process of sync, or genlock is lost while recording.
Green: A genlock signal matching the current HD-SDI monitor rate is locked.
Yellow: Timing is cross-locked to compatible but not matching monitor rate. For example, genlock is 24.00 fps,

and HD-SDI monitor rate is 25.00 fps.

NOTE: When the GEN indicator is yellow, DO NOT perform 3D operation. This warns that genlock source settings and
camera settings are not aligned, so phasing of the sync between cameras is not guaranteed.

For more information, go to "Timecode, Genlock, Multi-Camera Setup" on page158.

SYNC INDICATOR

The SYNC indicator shows the current sensor sync status, based on genlock.

Grey: The sensor sync mode is not set to genlock.
Red: The sensor sync mode is set to genlock, but is not locked to a genlock signal. This may occur if genlock or

sensor sync is lost while recording.
Green: The sensor sync mode and HD-SDI monitor rate are locked to a compatible genlock signal.

For more information, go to "Timecode, Genlock, Multi-Camera Setup" on page158.

RM (REMOTE) INDICATOR

The RM indicator displays if the camera is linked to a third-party remote application, such as foolcontrol.

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LAN INDICATOR

NOTE: The GIG-E port is only available on the DSMC2® REDVOLT Expander, DSMC2 Jetpack-SDI Expander, and

DSMC2 Production Module. For more information, go to "Input/Output Connectors" on page200.
The LAN indicator shows the current status of an external LAN connection through the Gig-E port.

Grey: External control of the camera is not enabled.
Green: Ethernet is enabled.

WIFI INDICATOR

The WiFi indicator shows the wireless connectivity status.

Grey: Wireless is disabled.
Yellow: Wireless is not connected.
Green: Wireless is enabled.

For more information, go to "Wireless Connection" on page132.

POWER STATUS

The Power Status element displays the current supply voltage or remaining battery capacity. Tap the Power Status
element to access the Power menu. For more information, go to "Power Menu" on page95.

DC IN SUPPLY VOLTAGE

When powering the camera via DC power, the current voltage displays. When powering the camera using batteries, the
remaining battery capacity displays. The remaining capacity is indicated by the following colors:

Green: 12.0 V and up
Yellow: 11.8 V to 11.9 V
Red: 11.6 V to 11.7 V

NOTE: The camera turns off automatically if the supply voltage drops to 11.5 V.

BATTERY TIME REMAINING

When using a REDVOLT, REDVOLT-V, or REDVOLT XL battery, the power status displays the location of the power
source and the remaining battery capacity.

The color of the displayed battery capacity represents the amount of time remaining:

Green: >10 minutes
Yellow: 5 to 10 minutes
Red: <5 minutes

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NAVIGATION CONTROLS

This section describes basic controls for navigating the camera menus.

TOUCHSCREEN NAVIGATION

You can control certain settings and navigate the camera menu using buttons and gestures on the RED Touch
displays.

RED TOUCH DISPLAY BUTTONS

RED Touch displays offer intuitive menu control and four (4) programmable buttons.

Figure: DSMC2 RED Touch 7.0" LCD

# RED TOUCH BUTTON DESCRIPTION

1 User Key 1 Magnify: Toggle

2 Up Button Increase display brightness

3 Down Button Decrease display brightness

4 User Key 2 Toggle Exposure Mode on/off

NOTE: RED Touch display keys are programmable. For more information, go to "Key Mapping" on page129.

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RED TOUCH DISPLAY GESTURES

Navigate the menus using a touchscreen by using the following gestures:

Tap: Tap has many functions:

Tap to select a Basic Menu, submenu, or button.
If a menu is open, tap anywhere outside the menu to save any changes and close the menu.
Tap the right or left regions of the touchscreen to access the programmable soft keys.

Swipe: Swipe to select different values in spinners or drop-down menus. For more information, go to "Swipe-Up

Menu" on the next page.

Double-Tap: If the monitor is in Clean mode, changes to Overlay mode.
Hold: Tap and hold an icon to bring up an advanced interface display.
Pinch: Move two (2) fingers apart/together to increase/decrease the size of the image. By default, this gesture is

disabled.

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SWIPE-UP MENU

The Swipe-Up Menu is available in the Lower Status Row on RED Touch displays and provides Swipe-Up Shortcuts
for Motion mode, Stills mode, and Playback. For example, select the Camera Mode icon in the Lower Status Bar,
swipe up, and select a Camera Mode. For more information about Stills mode and Motion mode, go to "Camera

Mode" on page62.

Figure: Swipe Up Menu

# SWIPE-UP

SHORTCUT

1 Camera Mode Select Playback, Motion, or Stills Motion,Stills

2 False Color Select a false color mode; go to "False Color Modes" on page86 Motion,Stills

3 Status View detailed status information Motion,Stills

4 Media View as Percentage or Time Remaining, eject media, view clip thumbnails Motion,Stills

5 Power View as Percentage, Time Remaining, or Voltage Motion,Stills

6 Audio Select Audio settings Motion

7 Auto Focus Set Zone, Size, and Mode Stills

8 Auto Exposure Set Exp Comp, Speed, Metering, Priority, and Mode Stills

9 Record Mode Select Multi-Shot or Motion + Stills Stills

DESCRIPTION MODE

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NAVIGATION GROUP

Figure: Navigation Group (DSMC2 SIDEKICK™ Pictured)

The Navigation Group is the primary control interface on the DSMC2 SIDEKICK and DSMC2 Side Handle.

# NAVIGATION GROUP ELEMENT DESCRIPTION

1 Scroll Wheel Select and adjust the value of a selected setting

2 ENTER key Press ENTER to confirm a setting or access the selected menu

3 Directional Keys Navigate menus and menu items

Navigate the menus using the following controls:

Press ENTER to open the menu, then rotate the Scroll Wheel clockwise to move right, counterclockwise to move
left to highlight the desired menu or parameter. Press ENTER to select.

Press the Up Directional Key to open the related Advanced Settings menu, if one (1) is available.

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DSMC2 SIDEKICK

Figure: DSMC2 SIDEKICK

# CONTROL/ITEM DESCRIPTION

1 User Keys (A–D)

2 MENU Button Access menus or exit currently selected menu

3 Navigation Group Navigate menus and menu items; Go to "Navigation Group" on the previous page

4 MODE Button Toggle between Remote and Local Modes

1. Press User Keys A + D simultaneously to lock/unlock DSMC2 SIDEKICK buttons to prevent inadvertent menu changes.

NOTE: DSMC2 SIDEKICK keys are programmable. For more information, go to "Key Mapping" on page129.

1

A: Cycle Auto-Focus Mode
B: Auto White Balance
C: Toggle: Magnify
D: Toggle Exposure Mode

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OPERATION MODES

The DSMC2 SIDEKICK display reflects the currently selected mode. Use the Scroll Wheel and Directional Keys to
navigate menus. Press MENU to access the Advanced Menu.

Press MODE to toggle between the following modes:

Remote Mode: Navigate with DSMC2 SIDEKICK controls, using an attached LCD, EVF, or other monitor as a
reference. The DSMC2 SIDEKICK displays the primary control screen.

Local Mode: Navigate using the DSMC2 SIDEKICK controls and display. User Keys A-D are inactive.

KEY LOCK/UNLOCK

Lock the keys on the DSMC2 SIDEKICK to prevent inadvertent button presses and menu changes.

Lock: Press A + D simultaneously.
Unlock: Press A + D simultaneously. Alternatively, press and hold ENTER while keys are locked.

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DSMC2 SIDEKICK DISPLAY

The DSMC2 SIDEKICK OLED display provides basic camera parameters during operation.

Figure: DSMC2 SIDEKICK OLED (Local Mode)

The DSMC2 SIDEKICK displays the following camera parameters:

# ITEM DESCRIPTION

1 Frame Rate Current Recording Frame Rate

2 Lens Information Displays aperture if a supported Canon lens is attached

3 White Balance Color temperature

4 REDCODE REDCODE compression setting

5 Media Status Displays media location and remaining media capacity

6 Timecode Current timecode value

7 Power Status DC supply voltage or % of remaining battery capacity

8 Resolution Recording resolution

9 Shutter Speed Integration time or shutter angle

10 ISO Camera sensor sensitivity

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DSMC2 SIDE HANDLE

Figure: DSMC2 Side Handle

# CONTROL/ITEM DESCRIPTION

1 Focus Control Wheel

2 Focus/Record Button Half-press for auto-focus; full press to Start/Stop Record

3 User Key 1 (Mark Frame Button) Mark a frame so that you can easily return to it in playback

4 Rotary Side (Iris Control Wheel)

5 User Keys (A–D) A: Cycle Auto-Focus Mode

6 Thumb Pad Resting area for thumb

7 MENU Button Access menus or exit currently selected menu

8 Navigation Group Navigate menus and menu items; Go to "Navigation Group" on page70

9 Grip Ergonomic molded rubber grip

1. The Focus Control Wheel is NOT programmable; it cannot be mapped to another function. However, it can be disabled. For more information,

go to "Options" on page129.

2. For granular iris control, you can map keys to Iris: Close (Fine Control) and Iris: Open (Fine Control). The Fine Controls open/close the iris in

increments of 0.1 F stops.

NOTE: Some DSMC2 Side Handle keys are programmable. For more information, go to "Default Key Functions" on

page235.

1

Clockwise (Away from camera): Increase focus distance
Counter-Clockwise (Toward camera): Decrease focus distance

2

Clockwise (Up): Open Iris
Counter-Clockwise (Down): Close Iris

B: Auto White Balance
C: Toggle: Magnify
D: Toggle Exposure Mode

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FOCUS CONTROL WHEEL

The Focus Control Wheel allows you to physically control the focus length directly from the DSMC2 Side Handle. The
wheel features 270° rotation, and each physical location on the wheel maps directly to a specific focus length of the
lens. The far left point (turning counter-clockwise) maps to the shortest focus distance of the lens, while the far right
point (turning clockwise) maps to the farthest focus distance of the lens (or infinity).

When a DSMC2 Side Handle is attached, you can continue to adjust focus via the Lens menu Menu > Settings >
Setup > Lens, if preferred.

To control focus via the Focus Control Wheel, follow the instructions below:

1. Install a DSMC Nikon Mount or DSMC Canon Mount with a supported lens. For more information on supported

lenses, go to "Lenses" on page229.
2. Set the lens to Auto.
3. Turn on the camera (if it is not already turned on). The lens initializes and the camera maps each point on the Focus

Control Wheel to a focal length of the lens.
4. Control the focal length by moving the Focus Control Wheel:

Clockwise (Away from camera): Increase focus distance
Counter-Clockwise (Toward camera): Decrease focus distance

5. To re-initialize the lens (remap the Focus Control Wheel to the lens focal lengths), go to Menu > Settings > Setup

> Lens and select Lens Init.

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CHAPTER 5:

ADVANCED MENUS

ACCESS THE ADVANCED MENUS

To access the Advanced menus, perform one of the following:

Tap the Menu button on the DSMC2® SIDEKICK™.
Tap the Menu icon on the touchscreen.
Open any menu in the Upper Status Row, and then select the Advanced... button.

NOTE: Some menus are only available if certain hardware is present.

IMAGE MENU

Figure: Image Menu

The Image menu includes tools that control how the image appears, including Color Space and Gamma Curve.

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IMAGE PIPELINE

To set up the image pipeline, go to Menu > Image > Image Pipeline.

IMAGE PIPELINE MODE OPTIONS

Legacy: In Legacy mode, the camera provides the same color options that firmware v6.3 did.

LEGACY MODE

To use Legacy mode, follow the instructions below:
1. Go to Menu > Image > Image Pipeline > Options.
2. Select Legacy from the Mode drop-down menu.
3. Select OK.

Figure: Legacy Mode

4. Select a color space from the Color Space drop-down menu.
5. Select a gamma curve from the Gamma Curve drop-down menu.

WHITE BALANCE

Select a color temperature. The range is 1700 to 10,000 KELVIN, and the default is 5600 KELVIN.

TINT

Color temperature calculations assume a pure light source that may not be true in the specific scene the camera is

imaging. To compensate for any residual colorcast, the Tint parameter adjusts the RGB color balance with a

compensating magenta-green color component. Tint range is –100 to 100, with a default of 0.000.

The Tint value displays as a rounded number in the Upper Status Row.

NOTE: Selecting Auto White Balance calculates a new Tint value. The value does not change if you adjust the color

temperature manually. Selecting a preset resets the Tint to 0.000.

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PRESETS

Each preset has 0.000 Tint. Available preset options are:

Incandescent: 2800 K
Tungsten: 3200 K
Fluorescent: 4500 K
Flash: 5500 K
Daylight: 5600 K
Cloudy: 7500 K
Shade: 9000 K

AUTO WHITE BALANCE

Auto white balance analyzes the central 25% of the image visible in the monitor to calculate a color temperature that

will render a white object as white.

To use auto white balance, follow the instructions below:
1. Place a white or grey object under the ambient light.
2. Go to Menu > Image > White Balance.
3. Select Auto White Balance.

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ISO MENU

To select an ISO setting, go to Menu > Image > ISO.

ISO

NOTE: To see the full range of ISO ratings, select ISO in the Upper Status Row, select Edit List, and select Custom.

Select the camera ISO rating. The sensitivity value increments in 1/3 stops. When the ISO rating is adjusted, the

camera logs the change as metadata and the monitor path reacts accordingly. Higher ISO values lead to brighter

images in the monitor path, and vice versa.

RED recommends setting the ISO to the default, then adjusting the aperture, lighting, and ND filters to match. The ISO

can later be adjusted around one (1) stop for fine-tuning.

Range is ISO 250 to 12,800. Default is ISO 800.

FLUT

Floating Point Lookup Table (FLUT) is an exposure control exclusive to RED. FLUT works like a traditional ISO

setting, but can be fine-tuned in post production to any level of exposure precision. FLUT automatically protects

highlights and shadows, even when changed substantially.

The FLUT setting is expressed in terms of relative exposure value (EV), where each unit represents a 1-stop change in

midtone exposure level. Range is –8.0 to 8.0. Default is 0.0.

SHADOW

Shadow adjusts the toe value of the FLUT (the tone near black). Increasing the Shadow value raises the video level of

near blacks. Lowering the Shadow value crushes the video level of near blacks. Range is –2.0 to 2.0. Default is 0.0.

COLOR

Saturation: Adjusts color saturation. Range is 0.0 (monochrome) to 4.0 (super color). Default is 1.0.
Contrast: Adjusts the overall contrast of the image. Range is –1.0 (flat) to 1.0 (max contrast). Default is 0.0.
Brightness: Adjusts brightness without crushing highlights. Available range is –10.0 to 10.0. Default is 0.0.
Exp Comp: Adjusts exposure compensation. Available range is –7.0 to 7.0. Default is 0.0.

GAIN

Adjust the red channel, blue channel, and green channel individually. The range for each is 0.0 (none of the color) to

10.0, and the default for each is 1.0.

CURVES

Define the individual curves for the luma, red, green, and blue channels. You can only adjust one (1) curve at a time.

Select Reset Curve to reset a curve.

LGG (LIFT, GAMMA, GAIN)

Adjust the lift, gamma, and gain for the red channel, blue channel, and green channel individually.

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MONITORING MENU

The Monitoring menu includes tools that control different monitor outputs and overlays.

MONITORS

To set up monitor preferences, go to Menu > Monitoring > Monitors and select the monitor whose preferences you

want to change. You can set up preferences for each of the following monitors:

LCD Top
EVF Top
LCD Left
EVF Left
HDMI® (only available when an HDMI port is connected to the system)
HD-SDI (only available when an HD-SDI port is connected to the system)
MON-1 (only available with the DSMC2 Production Module)
SDI-1/2 (only available with the DSMC2 REDVOLT Expander and DSMC2 Production Module)

To see what monitor preferences are available, go to "Monitor Preferences" below.

MONITOR PREFERENCES

Set up the preferences for the selected monitor. Some options are only available with specific monitors.

NOTE: While some changes take effect immediately, others take effect when you close the menu.

LCD/EVF LEFT / HDMI SELECT

NOTE: This setting is available for the LCD Left, EVF Left, and HDMI.

NOTE: HDMI ports are only available on select DSMC2 expanders. For more information, go to to "Input/Output

Connectors" on page200.

Select to enable either the secondary LCD/EVF port on the camera or the HDMI port on an expander. The secondary

LCD/EVF port and the HDMI port cannot be used at the same time.

LCD/EVF LEFT / MON-1 SELECT

NOTE: This setting is available for LCD Left, EVF Left, and MON-1 when a DSMC2 Production Module is attached.

Select to enable either the secondary LCD/EVF port on the camera or the MON-1 port on the DSMC2 Production

Module. The secondary LCD/EVF port and the MON-1 port cannot be used at the same time.

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MONITOR MODE

Select an option for the Mode setting, which determines the elements displayed on the monitor:

Clean: Only the video displays. The Upper Status Row, Lower Status Row, and overlays do not display.
Overlay: The overlay displays. Overlays include the Upper Status Row and the Lower Status Row.
Mirror: The monitor mirrors another screen at the same resolution. You cannot mirror a screen that is set to Clean.

The Mirror option is available based on the settings of the other attached monitors, and includes the name of the
monitor that can be mirrored.

NOTE: You can set a maximum of four (4) monitors to Overlay at a time. To assign additional monitors to Overlay,

mirror a monitor with the same resolution that is set to Overlay.

NOTE: When two (2) touchscreens are attached to the camera with the same resolution and one (1) is currently the

control surface, set the other to mirror it and give the effect of having two (2) control surfaces.

OVERLAY

Select which overlay shows on top of the video. RED® provides preset overlays, which have “(RED)” in the overlay

name. Create custom overlays in the Overlay tab. For more information, go to "Custom Overlays" on page93.

RESOLUTION

Select the output resolution for monitors (you cannot select a resolution for LCDs and EVFs, since the resolution is

determined automatically). For more information about available HD-SDI and HDMI resolutions, go to "Record/Monitor

Out Ports" on page208.

FREQUENCY

Determines the monitor frequency. Available frequencies depend on the selected monitor. The LCD resolution defaults

to 60.00 Hz, which is the optimal refresh rate for the RED LCDs.

For HD-SDI monitors, the frequency depends on the project time base. For more information, go "Record/Monitor Out

Ports" on page208.

HD-SDI Auto: Sets the frequency equal to the Project Time Base, except when the Project Time Base is 47.95/48 fps.

When the Project Time Base is 47.95/48 fps, the frequency is half that rate (23.98/24 Hz).

DISPLAY PRESET

Select the Color Space and Gamma Curve combination for the monitor. For more information, go to "Image Pipeline"

on page77.

TOOLS

Enables the false color modes on the monitor. For more information, go to "False Color Modes" on page86.

FLIP VIDEO

NOTE: This setting is NOT available on the DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD, RED Touch

7.0" LCD, RED Pro Touch 7.0" LCD, and DSMC2 Touch 7.0" Ultra-Brite LCD.

Flip footage horizontally, so that it is upside down. This setting only affects the monitor, and does not affect captured

footage.

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FRAMED OVERLAY

The video display is scaled down on the monitor so that the overlay items fit outside of the video area rather than over

it. This setting only affects the monitor, and does not affect captured footage.

AUTO HIDE MENUS

Hides the Upper Status Row and Lower Status Row. When this option is disabled, the video is scaled so that the

menus are not overlaid on the video. When this option is enabled, the video is not scaled. This option creates a

control surface on a monitor without scaling the video. This setting only affects the monitor, and does not affect

captured footage.

To toggle display/hide the menus when Auto Hide Menus is enabled, perform either of the following actions:

Press the Menu button on the DSMC2 SIDEKICK.
Tap the touchscreen.

NOTE: Enabling this option on a non-control surface results in the menus never displaying on that monitor.

FLIP/MIRROR

NOTE: This setting is ONLY available on the DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD, RED Touch

7.0" LCD, RED Pro Touch 7.0" LCD, and DSMC2 Touch 7.0" Ultra-Brite LCD.

Mirror and flip (invert) the graphical user interface (GUI) and footage, effectively rotating the entire displayed image

180°. Use this setting when mounting a monitor or the entire camera rig upside down. This setting only affects the

monitor, and does not affect captured footage.

UI FLIP/MIRROR

NOTE: This setting is NOT available on the DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD, RED Touch

7.0" LCD, RED Pro Touch 7.0" LCD, and DSMC2 Touch 7.0" Ultra-Brite LCD.

Flip the GUI vertically and mirror horizontally (not rotated). Use this setting when mounting a monitor upside down.

This setting only affects the monitor, and does not affect captured footage.

BRIGHTNESS

Control the brightness of each LCD and EVF. Move to the right for a brighter display; move to the left for a dimmer

display.

SIDEKICK LCD BRIGHTNESS

To control the brightness of the DSMC2 SIDEKICK, go to Menu > Monitoring > Monitors > SIDEKICK. Move to the

right for a brighter display; move to the left for a dimmer display.

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PRIORITY

The camera can only have one (1) control monitor for interacting with camera settings. The Priority tab determines the

order in which a monitor becomes the control monitor. If you plan on removing or adding monitors during a shoot, set

up the priority list ahead of time.

For a monitor to become the control monitor, the following must occur:

The monitor must be set to Overlay mode in the Monitor Control menu.
Each monitor that has higher priority on the list must be either detached or not set to Overlay mode.

EXAMPLE

By default, the monitor priority is:
1. LCD
2. EVF
3. HDMI

If you remove an LCD when an EVF is attached, then the EVF becomes the control monitor. If you then remove the

EVF when an HDMI monitor is attached, the HDMI monitor becomes the control monitor. If you then re-attach the LCD,

then the LCD is the control monitor again.

TEST SIGNAL

Use the Test Signal menu to replace the video monitor outputs with one of the following video test patterns:

Chip Chart
SMPTE Bars
Luma

NOTE: Test signals are not recordable; they are provided to help align external HD-SDI and HDMI monitors.

AUDIO TONE

To apply an audio tone, follow the instructions below:
1. Go to Menu > Monitoring > Test Signals.
2. Toggle Tone On/Off.

ADVANCED

Provides access to additional monitor settings.

VIDEO

SMALL DIALOGS ON 9" LCD

The dialogs on the RED Touch 9.0" LCD are smaller than the default dialogs.

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ALLOW REDUCED JUDDER PREVIEW

Reduced Judder Preview allows the camera to preview images at a refresh rate that is twice the project time base. For

example, if the project time base is 23.98 FPS or 24.00 FPS, enabling Reduced Judder Preview causes the LCD or

EVF to have a refresh rate of 48 Hz (50 Hz).

You cannot use Reduced Judder Preview when:

Varispeed is enabled.
Speed Ramp mode is enabled.
Genlock is enabled.
The shutter angle is 180° or greater.

NOTE: When you disable Reduced Judder Preview mode, the image on the EVF may be disrupted for up to three (3)

seconds.

GLOBAL FLIP/MIRROR

Applies Flip/Mirror to all monitors. For more information, go to "Flip/Mirror" on page82.

DISABLE LCD TEMPERATURE WARNINGS

Disables the “cooling advised” messages for the DSMC2 Touch 7.0" Ultra-Brite LCD. For more information, go to

"Cooling Advised Messages" on page189.

OUTPUT SHARPNESS

Control the sharpness of each monitor output. Move to the left for a sharper image; move to the right for a less sharp

image.

NOTE: The sharpness setting affects the Histogram, RAW Level Bars, RAW Clip Meter, and false color modes. For

more information, go to "Histogram" on page64 and "False Color Modes" on page86.

NOTE: The camera applies the sharpness setting to recorded proxy files.

AUTO FOCUS PEAKING

When Auto Focus Peaking mode is enabled (either Focus or Edge), the camera automatically goes onto Focus

Peaking mode when you manually adjust the focus via the lens.

Off: The camera does not automatically go into Focus Peaking mode.
Focus: The camera automatically goes into Focus Peaking mode when you manually adjust the focus via the lens.

Emphasizes contrast and edges in the image without changing brightness or image content making it easier to
judge focus.

Edge: The camera automatically goes into Focus Peaking mode when you manually adjust the focus via the lens.
Shows the edges/outlines of objects that are in focus.

TOUCH

Lock Touchscreen: Touchscreen control is locked. To unlock, tap the screen and follow the on-screen

instructions.
Pinch to Magnify: Move two (2) fingers apart or together to toggle Magnify. For more information, go to "Display

Modes: Magnify" on page88.

Double Tap Right to Record: Double-tap the right 25% of the video area on the LCD to toggle record.
Double Tap Left to AF: Double-tap the left 25% of the video area on the LCD to start autofocus when compatible

lenses are used.

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GENLOCK OFFSET

NOTE: HD-SDI ports are only available on select DSMC2 expanders. For more information, go to "Input/Output

Connectors" on page200.

Offset the video of the HD-SDI out to align it with the genlock signal:

Negative offset: Advances the video, so the video reaches the switcher earlier than it would otherwise.
Positive offset: Delays the video, so the video reaches the switcher later than it would otherwise.

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OVERLAYS MENU

The Overlays menu includes settings that display on top of the monitor image.

TOOLS

The Tools menu provides access to false color and display modes.

For more information, see the Exposure with RED Cameras: False Color & Zebra Tools article , available at

www.red.com/learn/red-101/exposure-false-color-zebra-tools.

FALSE COLOR MODES

False color modes include:

"False Color Modes: Off" below
"False Color Modes: Exposure" on the next page
"False Color Modes: Video" on the next page
"False Color Modes: Focus" on the next page
"False Color Modes: Edge" on the next page
"False Color Modes: Peaking" on page88
"False Color Modes: Gio Scope" on page88

NOTE: Only monitors with the Tools check box selected in the Monitor Control menu show the false colors. For more

information, go to "Tools" on page81.

NOTE: The sharpness setting affects the false color modes. For more information, go to "Output Sharpness" on

page84.

NOTE: False color modes affect video recorded through HDMI® or HD-SDI to an external recorder if the Tools check

box is selected in the Monitor Control menu. When recording through HDMI or HD-SDI, use false color modes only to

help configure project settings, and then disable the mode before recording.

DISPLAY MODES

Display modes include:

"Display Modes: Magnify" on page88
"Display Modes: RAW" on page89
"Display Modes: Horizon" on page89
"Display Modes: Zebras" on page90

FALSE COLOR MODES: OFF

To disable all false color modes, go to Menu > Overlays > Tools > False Color and select Off from the False Color

drop-down menu.

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FALSE COLOR MODES: EXPOSURE

To enable, go to Menu > Overlays > Tools > False Color and select Exposure from the False Color drop-down

menu.

The Exposure tool displays a color overlay on top of a desaturated image that allows you to check for proper

exposure. When enabled, the “E√” indicator displays in the Lower Status Row.

The Exposure meter colors indicate the following information:

Purple: Underexposed; indicates sensor exposure levels that may be noisy if gained up in post production.
Green: IRE 41–48; based on the RGB levels of the video out signal and not the RAW data.
Red: Overexposed; indicates sensor exposure levels that are clipping.

Purple (underexposure) and red (overexposure) are based on RAW data and show areas that are clipping or close to

clipping. The RGB settings DO NOT affect the Exposure indicators.

FALSE COLOR MODES: VIDEO

To enable, go to Menu > Overlays > Tools > False Color and select Video from the False Color drop-down menu.

The Video tool displays a color overlay that indicates the video level of the RGB monitor path (calibrated to the

SMPTE test signal). When enabled, the “V√” indicator displays in the Lower Status Row.

Colors are based on the RGB levels of the video out signal (that is, the “cooked” look, and not RAW data). The RGB

settings affect the Video indicators.

The Video indicators represent the following IRE values (at all other values, the desaturated image represents the

luminance value of the ISO adjusted image):

Purple: IRE 0–4
Blue: IRE 5
Teal: IRE 10–12
Green: IRE 41–48
Pink: IRE 61–70
Straw: IRE 92–93
Yellow: IRE 94–95
Orange: IRE 96–98
Red: IRE 99–100

FALSE COLOR MODES: FOCUS

To enable, go to Menu > Overlays > Tools > False Color and select Focus from the False Color drop-down menu.

The Focus tool emphasizes contrast and edges in the image without changing brightness or image content making it

easier to judge focus. Adjust zoom and focus to easily see which objects are coming into focus.

When enabled, the “F√” indicator displays in the Lower Status Row.

FALSE COLOR MODES: EDGE

To enable, go to Menu > Overlays > Tools > False Color and select Edge from the False Color drop-down menu.

Shows the edges/outlines of objects that are in focus. When enabled, the “F√” indicator displays in the Lower Status

Row.

NOTE: The Edge setting may interfere with recordings done via HDMI or HD-SDI in Clean mode.

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FALSE COLOR MODES: PEAKING

To enable, go to Menu > Overlays > Tools > False Color and select Peaking from the False Color drop-down

menu.

The Focus Peaking tool displays a red overlay on top of in-focus edges. Select a Peaking Level of 1 to 10 (weak to

strong). The RGB settings affect the indicators.

The Focus Peaking indicators are applied after the image is scaled to a monitor, so the indicators may look different

on different monitors.

When enabled, the “P√” indicator displays in the Lower Status Row.

FALSE COLOR MODES: GIO SCOPE

To enable, go to Menu > Overlays > Tools > False Color and select Gio Scope from the False Color drop-down

menu.

Displays a color overlay on top of a desaturated image, identifying 16 increments within the dynamic range of the

sensor.

When enabled, the “G√” indicator displays in the Lower Status Row. The Gio Scope indicators are based on RAW

data. The RGB settings (color temperature, ISO, LGG, etc.) DO NOT affect the indicators.

Each number indicates a different increment of dynamic range.

11: Represents mid-grey.
16: Represents the top increment, and is broken up into 1/8th sub-increments to show highlight roll-off. Each 1/8th

increment is represented by a different shade of red, ranging from light red (less light) to dark red (most light).

DISPLAY MODES: MAGNIFY

To enable, go to Menu > Overlays > Tools and select Magnify.

The Magnify tool displays the central region of the sensor in 1:1 pixel resolution on an attached monitor. When

enabled, the 1:1 text in the Lower Status Row turns green, and the AF Window and the magnified region display. The

AF Window determines the center point of the magnified region. If the lens is not capable of autofocus with the

camera, use Confirm mode to turn on the AF Window. Sharpening is disabled when Magnify mode is enabled. The

camera automatically exits Magnify mode when recording begins.

The Magnify tool magnifies a 1920 x 1020 region, centered on a 1920 x 1080 display. If the resolution is lower than

1920 x 1020, the image border cannot be magnified. Use the following equations to determine the area of the image

border that will not be magnified:

Border width: (1920 – W) / 2
Border height: (1020 – H) / 2

NOTE: Frame rate and resolution cannot be modified in Magnify mode.

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DISPLAY MODES: RAW

To enable, go to Menu > Overlays > Tools and select RAW.

When enabled, the camera displays images unaffected by the RGB settings (color temperature, ISO, LGG, etc.). RAW

affects the video recorded via HDMI or HD-SDI to an external recorder. RAW image parameters DO NOT affect image

metadata; the parameters only affect the monitor output.

The RAW image parameters are:

Color Space: DRAGONcolor2
Gamma Space: REDgamma4
White Balance: 5600K
ISO: 800 ISO
Tint: 0 Tint

NOTE: In RAW mode, the following controls are disabled on all cameras: color temperature, tint, saturation, RGB

gains, ISO, contrast, brightness, shadow, FLUT®, exposure compensation, LGG controls, RGB curves, and luma

curve.

DISPLAY MODES: HORIZON

To enable, go to Menu > Overlays > Tools and select Horizon.

Displays an overlay that provides a reference to the position of the horizon. The Horizon overlay consists of two (2)

short side-bars that are always horizontally centered on the monitor, and a single longer horizon-line that adjusts to the

horizon based on the orientation of the camera.

The side-bars are green if the pitch is within +/– 1° of the calibrated zero position, otherwise they are red. The horizon-

line is green if the roll is within +/– 1° of the calibrated zero position, otherwise it is red.

To add numerical values for the pitch and roll to the Horizon overlay, follow the instructions below:
1. Go to Menu > Overlays > Custom.
2. Select Create..., Clone..., or Edit..., respectively, for the desired overlay action.
3. Select a location on the interface to add the numerical data for the Horizon overlay.
4. Select Motion: Gyro Data (GYRO) from the Item drop-down menu.
5. Select the desired text size.
6. Select Add.
7. Select Save.
8. Apply the custom overlay to a monitor. For more information, go to "Monitor Preferences" on page80.

NOTE: The internal gyroscope and accelerometer must be calibrated for the Horizon overlay to function properly. For

more information, go to "Gyroscope and Accelerometer Calibration" on page141.

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DISPLAY MODES: ZEBRAS

Use Zebra mode to enable and adjust the upper and lower values for two (2) independent zebra indicators. Use Zebra

1 for highlight exposure, and use Zebra 2 for mid-tones or shadows. Zebras are visible in Magnify mode and are

disabled by default.

The camera offers two (2) zebra types:

Video: IRE-based mode; evaluates based on the current ISO and Look settings, and not the RAW image.
RAW: Evaluates based on the RAW image.

For more information, see the Exposure with RED Cameras: False Color & Zebra Tools article , available at

www.red.com/learn/red-101/exposure-false-color-zebra-tools.

ENABLE ZEBRA INDICATORS

1. Go to Menu > Overlays > Tools and select Zebras.
2. Select a Zebra:

Zebra 1:

Video: Areas of the image exposed within the IRE range are indicated by red diagonal lines at –45°. Default

is 98 to 100 IRE.

RAW: Areas of the image exposed within the range of stops are highlighted. Default is 15.80 to 16.00 stops.

Zebra 2:

Video: Areas of the image exposed within the IRE range are indicated by green diagonal lines at 45°. Default

is 41 to 48 IRE.
RAW: Areas of the image exposed within the range of stops are highlighted. Default is 0.00 to 4.00 stops.

3. If you selected RAW, select how you want the RAW areas to look by setting up the Raw Style options (fill and

color).

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CAMERA AND LENS STATUS

To set up what camera and lens info displays as part of the overlay, go to Menu > Overlays > Status.

CAMERA STATUS OVERLAYS

EXPOSURE

Shutter Speed: Displays the exposure time in seconds (1/xx sec). When you change the frame rate in this mode,

the shutter speed stays the same, but the shutter angle changes. (Default)
Shutter Angle: Displays the exposure as an angle (1° to 360°). When you change the frame rate in this mode, the

shutter angle stays the same, but the shutter speed changes.

POWER

Current Batt %: Displays the remaining percentage of active battery. (Default)
Total Time: Displays the total run-time left of battery power, taking into account all available batteries.
Voltage: Displays the voltage.

VU METER

Input: Displays levels of audio inputs (pre-mixer). (Default)
Output: Displays levels of audio outputs (post-mixer).

HISTOGRAM

RGB: Displays red, green, and blue channels on histogram. (Default)
Luma: Displays luma channel on histogram.

MEDIA

Percentage: Displays media space remaining as a percentage. (Default)
Time Remaining: Displays media space remaining as time in hours and minutes (HHH:MM).

LENS STATUS OVERLAYS

APERTURE INCREMENTS

1/4 Stop: Aperture increments in 1/4 stops.
1/3 Stop: Aperture increments in 1/3 stops. (Default)

FOCUS DISTANCE

Metric: Displays lens focus distances in meters.
Imperial: Displays lens focus distances in feet and inches. (Default)

RACK SHOW DISTANCE

On: Displays the focus distance of each rack point on the Live Action Area when rack focus is enabled. For more

information, go to "Set Up Rack Focus" on page126.
Off: Does not display the focus distance of rack points when rack focus is enabled. (Default)

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GUIDES

Use the Guides menu to configure the Frame Guide, Action Guide, and Title Guide.

MODE

Off: Disable all guides.
Full: Guide has the same aspect ratio as the record format.
4:3, 16:9, 1.85:1, 1.9:1, 2.4:1: Guide has the selected aspect ratio.
User: Select an aspect ratio from the drop-down menu that displays when you select this option.
Absolute: Guide is defined by absolute pixel dimensions rather than aspect ratio and scale. When you select

Absolute, the Width/Height fields replace the Scale field.

SCALE

Percentage to scale guide from its maximum possible size. Available range is 0 to 100%.

WIDTH/HEIGHT

The Width/Height fields replace the Scale field when you select Absolute from the Mode drop-down menu. Select the

values for the width and height of the guide in pixels.

OFFSET X/Y

Percentage to offset guide from its default centered position. Available range is –100 to 100%.

100%: Right-aligned (for X offset) and bottom-aligned (for Y offset).

-100%: Left-aligned (for X offset) and top-aligned (for Y offset).

APPEARANCE

Line Style: Select one of the following line styles: Solid, Dashed, or Bracket.
Color: Select the color that has the highest contrast to the scene. The default is White.
Opacity: Set the guide opacity. Available options are 25%, 50%, 75% and 100%.

RELATIVE TO FRAME GUIDE

Select the Relative to Frame Guide check box to size and position the guide relative to (and have it bounded by) the

Frame Guide instead of the record format.

NOTE: The Relative to Frame Guide check box is available on the Action Guide and Title Guide tabs.

Enable/Disable and select the location (Relative To), color, and opacity of the following elements:

Center: The center crosshair. You can select the following shapes: Cross (crosshair), Small Dot, Medium Dot.
Grid: Rule-of-thirds grid.
Shading: The shaded region outside of the area of interest.

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CUSTOM OVERLAYS

Create custom overlays that include specific items. Overlays can be stored on the camera or transferred to SSD to be

shared with other cameras.

Camera: Overlays saved internally on the camera display in the Overlay drop-down menu on the Monitor Control >
Monitor tab.

Media: Overlays saved to an SSD can be found at On Media: \overlays:.

NOTE: Overlays that end with (RED) are provided by default and cannot be edited, deleted, or exported.

OVERLAY ACTIONS

Create...: Create a new custom overlay using a blank overlay template in the Overlay Editor.
Clone...: Create a new custom overlay using the selected camera overlay as a template in the Overlay Editor.
Edit...: Edit the selected camera overlay in the Overlay Editor.
Delete: Delete the selected camera overlay.

EXPORT AND IMPORT OVERLAYS

: Export selected overlay from camera to SSD.
All: Export all overlays from camera to SSD.
: Import selected overlay from SSD to camera.
All: Import all overlays from SSD to camera.

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CREATE AND EDIT OVERLAYS

1. Go to Menu > Overlays > Custom.
2. Select Create, or select an existing overlay and select Clone or Edit.
3. If creating a new overlay, enter a name for the overlay and select OK.
4. Select any of the following check boxes to add the corresponding guides to the overlay:

Frame Guide
Action Guide
Title Guide

5. Select a button on the matrix to add a user interface element to that position on the matrix.

By default, the Magnify indicator (MI) is on the top left, the Record indicator (REC) is on the top right, the Clip
Name (CLIP) is on the bottom left, and the Timecode (TC) is on the bottom right.

Selecting one (1) of the buttons opens a new dialog that lets you choose a user interface element.
6. Select the Item that you want to add.
7. Select the Size of the item.
8. If adding a Custom Label (LBL), enter the Custom Text for that item.
9. Select Add to return to the previous screen.

10. Add all of the items to the overlay.
11. Select Create or Save.

The new overlay displays in the Camera list.

NOTE: Except for the Custom Label (LBL), you can only add each element once. If you add an element you have

already added to the overlay, the element moves to the new position.

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POWER MENU

The Power menu displays the power status of all attached power sources and allows you to turn off the camera.
To access the Power Menu, go to Menu > Power.
NOTE: For more information about powering the camera, see the DSMC Power Operation Guide, available at

www.red.com/downloads.

POWER IN

The power status displays for all attached power devices. The menu displays the voltage of the source or the relative
percentage of the power left, as well as the time left, if applicable.

Figure: Power In Menu

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LOW VOLTAGE WARNING

When the Low Voltage Warning is enabled and the incoming voltage is less than the level you select, the camera
shows a warning message and the Power Status indicator in the Lower Status Row turns red. This warning gives you
the opportunity to change the battery or prepare for the camera to lose power. The warning continues to show until the
incoming voltage is equal to or higher than the level you select.

RED does not recommend a specific voltage threshold, since that depends on the power draw of the attached

accessories.

To enable the Low Voltage warning, follow the instructions below:
1. Go to Menu > Power.
2. Select the Low Voltage Warning check box.
3. Select the voltage level threshold. The camera warns you when the incoming voltage is less than this level.

Figure: Low Voltage Warning

POWER OUT

The Power Out menu shows the status of the power out ports on the attached devices. The statuses are:

N/A: The device is not present.
OK: The power out port is functional.
FAULT: A short or overcurrent tripped the electronic fuse. Remove the device that is connected to the port, as it

may be drawing too much power. Select RESET to clear the fault.

When the DSMC2 REDVOLT Expander is attached, you can see the current output of each power out port (in amps),

and toggle those ports on/off.

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POWER SAVE

You can select the following power saving options (the default for each is Never):

Low Power Preview: The camera uses a lower amount of power after the specified period of inactivity.
Sleep: All monitors turn off and keys do not perform mapped actions after the specified period of inactivity. Tap

the touchscreen or press a key to exit Sleep mode.
Auto Shutdown: The camera turns off after the specified period of inactivity.

Figure: Power Save

SHUTDOWN

Shutdown controls are interlocked to prevent the camera from being accidentally turned off. For more information

about different ways to turn off your camera, go to "Turn Off the Camera" on page43.
1. Go to Menu > Power.
2. Select Shutdown.

The Shutting Down... message displays and the camera turns off.

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PLAYBACK

To view clips from the SSD:

Go to Menu > Playback.
Press the Record/Playback toggle in the lower left corner of the touchscreen.

NOTE: The camera uses RGB color space in Playback mode by default, regardless of settings in Record mode. To

playback clips in RAW mode, enable to RAW mode. For more information, go to "Tools" on page86.

PLAYBACK MENUS

In Playback mode, the menu is pared-down, so you cannot access all menus. Some menus offer different options.

MEDIA

Includes the Playlist menu, which lists all available clips on the attached SSD. You can perform the following actions:

: Move selected clip to the Play List.

All : Move all clips to the Play List.

RECORD (EXIT)

Select Record to exit Playback mode. You can also press any button mapped to Record to exit Playback mode.

PLAYBACK STATUS BAR

Displays the progress of the clip during playback. When using the touchscreen, swipe your finger right and left to fast-

forward and rewind the clip, respectively.

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PLAYBACK CONTROLS

GENERAL PLAYBACK CONTROLS

Figure: Playback Controls

# CONTROL DESCRIPTION

1 Clips View clips as thumbnails

2 Load Previous Clip Loads the previous clip in the playlist.

3 Frame-by-Frame

Reverse

4 Reverse Play/Pause

toggle

5 Play/Pause toggle Toggles between play and pause.

6 Frame-by-Frame

Forward

7 Load Next Clip Loads the next clip in the playlist.

8 Play Options Displays the following subset of options: Play Once, Loop, Loop Playlist, and Playback

9 Marker Options Displays the following subset of options: In Point, Remove In/Out Point, Out Point,

Moves through the clip frame-by-frame in reverse.

Plays clip in reverse, and toggles between play and pause.

Moves through the clip frame-by-frame.

Speed.

Previous Marker, and Next Marker.

10 Apple ProRes

Playback

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Displays the following subset of options: R3D and ProRes

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PLAYBACK FILE TYPE

Figure: Playback Controls

# CONTROL DESCRIPTION

11 R3D Playback Plays the R3D clip.

12 ProRes Plays the Apple ProRes clip.

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