Read Before You Shoot9
R3D File Format and REDCODE10
Shoot For Video and Stills10
Post Production11
Post Production with REDCINE-X PRO11
HDRX and MAGIC MOTION12
Additional Resources12
CHAPTER 2: Camera System Components 13
Additional Resources13
BRAIN13
RED MINI-MAG System18
Expanders19
DSMC2 Power Modules25
RED Batteries and Chargers29
Displays and Electronic Viewfinders30
LCD/EVF Adaptors35
Camera Control Modules36
Lens Mounts41
Interchangeable OLPFs42
Rails, Mounts, Tactical Gear, and Cables43
CHAPTER 3: Basic Operations44
Power Operations44
Configure Your Camera47
Interchangeable OLPF System53
Use a Tripod or Monopod54
Video Monitor Outputs55
Record56
CHAPTER 4: Basic Menus and Controls58
GUI Menu Introduction58
Upper Status Row (Basic Menu)59
Live Action Area63
Lower Status Row64
Navigation Controls71
CHAPTER 5: Advanced Menus80
Access the Advanced Menus80
Image Menu80
Monitoring Menu89
Overlays Menu95
Power Menu104
Playback107
Media Menu112
Presets Menu113
Settings Menu116
CHAPTER 6: Sensor Calibration158
When to Calibrate Sensor158
Calibrate Sensor: Manual Calibration159
Calibrate Sensor: Auto Calibration161
Calibration Map Naming Conventions163
Calibration Management164
Calibration Map Actions164
Export and Import Calibration Maps164
CHAPTER 7: Audio System165
Audio Overview165
Set Up Audio165
Control166
Mix169
Audio Output Options169
Audio Meter (VU Meter)169
Audio During Playback170
Record Audio in Varispeed Mode171
Timecode173
Genlock176
Master/Slave Operation178
Set Up Stereo/3D Configuration183
Camera Array184
Motion Control (MoCo)185
Compatible Timecode Devices187
Compatible Genlock Devices187
Verify Current Camera Firmware188
Upgrade Camera Firmware188
CHAPTER 10: Camera System
Maintenance190
BRAIN and Accessory Exterior Surfaces190
Clean EVF Screen191
Clean LCD Screens191
Water Damage192
Adjust Back Focus193
CHAPTER 11: Troubleshoot Your Camera 194
Perform a Stress Test194
General Troubleshooting194
Error Messages201
Media Bay and RED MINI-MAG Issues206
Back Focus Lock (Lock Sensor)207
APPENDIX A: Technical Specifications209
EPIC-W 5K S35 Technical Specifications209
APPENDIX B: Mechanical Drawings212
EPIC-W 5K S35 BRAIN212
APPENDIX C: Input/Output Connectors217
DSMC2 Base Expander218
DSMC2 V-Lock I/O Expander219
DSMC2 REDVOLT Expander220
DSMC2 Jetpack Expander221
DSMC2 Jetpack-SDI Expander222
DSMC2 Production Module (V-Lock)223
DSMC2 Tactical Top Plate224
DSMC2 Production Top Plate224
Record/Monitor Out Ports225
Communication Ports228
Audio Ports239
Power Ports241
RED® has made every effort to provide clear and accurate
information in this document, which is provided solely for the user’s
information. While thought to be accurate, the information in this
document is provided strictly “as is” and RED will not be held
responsible for issues arising from typographical errors or user’s
interpretation of the language used herein that is different from that
intended by RED. All safety and general information is subject to
change as a result of changes in local, federal or other applicable
laws.
RED reserves the right to revise this document and make changes
from time to time in the content hereof without obligation to notify any
person of such revisions or changes. In no event shall RED, its
employees or authorized agents be liable to you for any damages or
losses, direct or indirect, arising from the use of any technical or
operational information contained in this document.
This document was generated on 5/2/2019. To see earlier versions of
this document, submit a Support ticket at https://support.red.com.
For comments or questions about content in this document, send a
detailed email to OpsGuides@red.com.
code, and product names used in association with the accompanying
product are the copyrights, trademarks, or other intellectual property
owned and controlled exclusively by RED.COM, LLC. For a
comprehensive list, see www.red.com/trademarks.
TRADEMARK DISCLAIMER
All other company, brand, and product names are trademarks or
registered trademarks of their respective holders. RED has no
affiliation to, is not associated with or sponsored by, and has no
express rights in third-party trademarks. Adobe and Adobe Premiere
Pro are registered trademarks of Adobe Systems Incorporated. AJA
is a registered trademark of AJA Video Systems, Inc. Cooke and S4/i
are registered trademarks of Cooke Optics Limited. DaVinci is a
registered trademark of Blackmagic Design in the U.S. and other
countries. Distagon, Makro- Planar, and Otus are registered
trademarks of Carl Zeiss AG. Fujinon is a registered trademark of
FUJIFILM CORPORATION. HDMI is a registered trademark of HDMI
Licensing LLC in the United States and other countries. Leica is a
registered trademark of Leica Microsystems. Loctite is a registered
trademark of Henkel AG & Company KGaA. Nikkor and Nikon are
registered trademarks of Nikon Corporation. Canon is a registered
trademark of Canon, U.S.A. Apple, Macintosh, Final Cut Pro, and
QuickTime are registered trademarks of Apple Inc. in the U.S. and
other countries. Windex is a registered trademark of S. C. Johnson &
Son, Inc. Windows is a registered trademark of Microsoft Corporation.
Sony is a registered trademark of Sony Corporation. TORX is a
registered trademark of Acument Intellectual Properties, LLC in the
United States or other countries. IOS is a registered trademark of
Cisco in the U.S. and other countries. Avid is a registered trademark
of Avid Technology, Inc. DaVinci Resolve is a registered trademark of
Blackmagic Design in the U.S. and other countries. EDIUS Pro is a
registered trademark of Grass Valley. Vegas Pro is a registered
trademark of Sony Creative Software. IDX is a registered trademark
of IDX Company, Ltd.
TRANSLATION DISCLAIMER
This document was originally prepared in English, and any translations
are provided for convenience only. While reasonable efforts were
made to provide accurate translations, RED will not be held
responsible for any errors, omissions, or ambiguities.
COMPLIANCE STATEMENTS
INDUSTRIAL CANADA EMISSION COMPLIANCE STATEMENTS
This device complies with Industry Canada license- exempt RSS
standards RSS 139 and RSS 210. Operation is subject to the following
two conditions: (1) this device may not cause interference, and (2) this
device must accept any interference, including interference that may
cause undesired operation of the device.
This Class B digital apparatus complies with Canadian ICES-003.
Le présent appareil est conforme aux CNR d’Industrie Canada
applicables aux appareils radio exempts de licence. L’exploitation est
autorisée aux deux conditions suivantes : (1) l’appareil ne doit pas
produire de brouillage, et (2) l’utilisateur de l’appareil doit accepter
tout brouillage radioélectrique subi, même si le brouillage est
susceptible d’en compromettre le fonctionnement.Cet appareil
numérique de la classe B est conforme à la norme NMB-003 du
Canada.
FEDERAL COMMUNICATIONS COMMISSION (FCC)
STATEMENTS
This equipment has been tested and found to
comply with the limits for a Class B digital
device, pursuant to part 15 of the FCC Rules.
These limits are designed to provide
reasonable protection against harmful
interference in a residential installation. This
equipment generates, uses and can radiate
radio frequency energy and, if not installed and used in accordance
with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interference will
not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be
determined by turning the equipment off and on, the user is
encouraged to try to correct the interference by one or more of the
following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from
that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for
help.
In order to maintain compliance with FCC regulations, shielded cables
must be used with this equipment. Operation with non- approved
equipment or unshielded cables is likely to result in interference to
radio and TV reception. The user is cautioned that changes and
modifications made to the equipment without the approval of
manufacturer could void the users authority to operate this equipment.
NOTE: This device complies with Part 15 of the FCC Rules.
Operations subjected to the following two conditions (1) this device
may not cause harmful interference, and (2) this device must accept
any interference received, including that may cause undesirable
interference.
The device shall be used in such a manner that the potential for
human contact is minimized.
This equipment complies with FCC radiation exposure limits set forth
for an uncontrolled environment. This equipment should be installed
and operated with a minimum distance of 20 cm between the radiator
and your body.
This equipment contains specified radio equipment that has been
certified to the Technical Regulation Conformity Certification under the
Radio Law.
CAUTION: Regulations of the FCC and FAA
prohibit airborne operation of radio-frequency
wireless devices because there signals could
interfere with critical aircraft instruments.
CAUTION: If the device is changed or modified
without permission from RED, the user may void
his or her authority to operate the equipment.
AUSTRALIA AND NEW ZEALAND STATEMENTS
RED declares that the radio equipment described in this document
comply with the following international standards.
IEC 60065 – Product Safety
ETSI EN 300 328 – Technical requirement for radio equipment
RED declares digital devices described in this document comply with
the following Australian and New Zealand standards.
AS/NZS CISPR 22 – Electromagnetic Interference
AS/NZS 61000.3.2 – Power Line Harmonics
AS/NZS 61000.3.3 – Power Line Flicker
JAPAN STATEMENTS
This is a Class B product based on the
standard of the Voluntary Control Council
for Interference (VCCI) for information
technology equipment. If this equipment is
used near a radio or television receiver in a
domestic environment, it may cause radio
interference. Install and use the equipment
according to the instruction manual.
EUROPEAN UNION COMPLIANCE STATEMENTS
RED declares that the radio
equipment described in this
document comply with the
R&TTE Directive (1999/5/EC)
issued by the Commission of
the European Community.
Compliance with this directive implies conformity to the following
European Norms (in brackets are the equivalent international
standards).
EN 60065 (IEC 60065) – Product Safety
ETSI EN 300 328 Technical requirement for radio equipment
ETSI EN 301 489 General EMC requirements for radio
equipment.
INFORMATION
Products with the CE marking comply with the EMC Directive
(2004/108/EC) and the Low Voltage Directive (2006/95/EC) issued by
the Commission of the European Community. Compliance with these
directives implies conformity to the following European Product Family
Standards.
EN 55022 (CISPR 22) – Electromagnetic Interference
EN 55024-1 (CISPR 24) – Electromagnetic Immunity
EN 61000-3-2 (IEC610000-3-2) – Power Line Harmonics
EN 61000-3-3 (IEC610000) – Power Line Flicker
EN 60065 (IEC60065) – Product Safety
WASTE ELECTRICAL AND ELECTRONIC EQUIPMENT (WEEE)
The Waste Electrical and Electronic
Equipment (WEEE) mark applies only to
countries within the European Union (EU)
and Norway. This symbol on the product and
accompanying documents means that used
electrical and electronic products should not
be mixed with general household waste. For
proper treatment, recovery and recycling,
please take this product to designated
collection points where it will be accepted
free of charge. Alternatively, in some
countries you may be able to return your
products to your local retailer upon purchase of an equivalent new
product.
Disposing of this product correctly will help save valuable resources
and prevent any potential negative effects on human health and the
environment, which could otherwise arise from inappropriate waste
handling. Please contact your local authority for further details of your
nearest designated collection point. Penalties may be applicable for
incorrect disposal of this waste, in accordance with you national
legislation.
For business users in the European Union, if you wish to discard
electrical and electronic equipment, please contact your dealer or
supplier for further information.
USAGE RESTRICTIONS FOR PRODUCTS T HAT INCORPORATE
RED COMMAND PROTOCOL
Products that fall into this category are denoted
by inclusion of the Class 2 identifier symbol
(exclamation mark in a circle) accompanying
the CE Mark on the products regulatory label,
example to the left.
FRANCE
Usage Restrictions - Geographic Area Where Restriction Applies :
France
For mainland France
2.400 - 2.4835 GHz (Channels 1-16) authorized for indoor use
2.400 - 2.454 GHz (Channels 1-10) authorized for outdoor use
Restrictions d’utilisation - Zone géographique où les restrictions
s’appliquent : France
Pour la France métropolitaine
2.400 - 2.4835 GHz (Canaux 1 à 16) autorisé en usage intérieur
2.400 - 2.454 GHz (Canaux 1 à 10) autorisé en usage extérieur
NORWAY
This subsection does not apply for the geographical area within a
radius of 20 km from the centre of Ny-Ålesund
Dette gjelder ikke for det geografiske området innenfor en radius av
20 km fra sentrum av Ny-Ålesund
RESPONSIBLE PARTY
RED Digital Cinema
34 Parker
Irvine, CA 92618
USA
SAFETY INSTRUCTIONS
DO NOT use the camera or accessories near water. Avoid
exposing your camera to moisture. The unit is not waterproof, so
contact with water could cause permanent damage to the unit as
well as electric shock and serious injury to the user. DO NOT use
the camera in the rain or under other conditions with high
moisture without appropriate protection, and immediately remove
power source if camera or accessories are exposed to moisture.
WARNING: To reduce the risk of fire or electric
shock, do not expose the camera to rain or
moisture.
DO NOT expose the camera to laser beams, as laser beams may
damage the sensor.
DO NOT expose your camera to excessive vibration or impact
(shock). Be careful not to drop your camera. Internal mechanisms
may be damaged by severe shock. Mechanical alignment of
optical elements may be affected by excessive vibration.
ELECTROMAGNETIC INTERFERENCE: The use of devices using
radio or other communication waves may result in the malfunction
or interference with the unit and/or with audio and video signals.
Clean only using a dry cloth. When cleaning your camera,
remember that it is not waterproof and moisture can damage
electronic circuitry. DO NOT rinse or immerse any element of the
camera, lens or other accessory, keep them dry at all times. DO
NOT use soaps, detergents, ammonia, alkaline cleaners, and
abrasive cleaning compounds or solvents. These substances may
damage lens coatings and electronic circuitry.
Maintain sufficient ventilation—DO NOT block any ventilation
openings or obstruct cooling fan airflow.
CAUTION: Proper camera ventilation requires a
minimum 0.5" (1.25 cm) clearance between the
camera ventilation openings and external
surfaces. Verify that objects that can block the fan
intake and exhaust ports do not impede airflow.
Failure to permit adequate airflow may result in
overheating of the camera, degraded operation
and in extreme situations, damage to the camera.
DO NOT operate or store near any heat sources such as
radiators, heat registers, stoves, or any other apparatus that
produce heat. Store in a protected, level and ventilated place.
Avoid exposure to temperature extremes, damp, severe vibration,
strong magnetic fields, direct sunlight or local heat sources during
storage. Remove any batteries from the camera before storage.
Recommended storage and usage temperatures for your camera,
lenses and other accessories are:
Operating range: 0°C to 40°C (32°F to 104°F)
Storage range: –20°C to 50°C (–4°F to 122°F)
If there are any performance issues with your camera or
accessories when operating within this temperature range, submit
a Support ticket at https://support.red.com.
Modules, expanders, and lens mounts are NOT HOT
SWAPPABLE, meaning you cannot remove or install these items
while the camera is turned on. Before installing or removing these
items, you MUST turn off the camera. Failure to do so may result
in damage to the item or camera that is not covered under
warranty.
DO NOT bypass the third prong of the grounding-type plug on the
power cord of the included power adaptor. A grounding-type plug
has two blades and a third “grounding” prong. The third prong is
provided for your safety. A grounding-type plug shall be
connected to an outlet with a protective earthen connection. If the
grounding-type plug does not fit into your outlet, do not attempt to
modify the plug or outlet, consult a qualified electrician.
Protect all power cords from being pinched, walked on or driven
over by a vehicle. Replace any power cords suspected of
sustaining damage due to crushing or other forms physical
damage.
BATTERY STORAGE AND HANDLING
WARNING: DO NOT expose the battery to
excessive heat.
WARNING: Danger of explosion if an incorrect
battery is charged with the RED Charger or is
used to power the camera and accessories.
Replace only with the same or equivalent type
battery.
CAUTION: Refer all service and repair to qualified
RED service personnel. To reduce the risk of
electric shock, and damage to the camera or
accessories, DO NOT attempt to perform any
servicing other than any procedures that are
recommended in the operating instructions.
INDOOR USE ONLY: This device is designed for
use indoors only.
WARNING: Failure to read, understand, and
follow these instructions may result in overheating,
chemical leakage, smoke emission, fire, or other
potentially harmful results.
Products marked with this symbol are class 2
devices. These devices are not provided with a
grounding type plug.
CAUTION: The power cord plug for the included
power adaptor is used as the power disconnect.
To disconnect all power from the power adaptor,
unplug the power cord plug from the wall outlet.
During use, the power cord plug should remain
easily accessible at all times.
Lithium-ion batteries may be subject to special handling
requirements pursuant to federal and local laws. Refer to specific
shipping instructions included with your battery regarding proper
transport of your battery. Do not handle your battery if it is
damaged or leaking. Disposal of batteries must be in accordance
with local environmental regulations. For example, California law
requires that all rechargeable batteries must be recycled by an
authorized recycle center. Storing batteries fully charged or in
high temperature conditions may permanently reduce the life of
the battery. Available battery capacity may also be temporarily
lessened after storage in low temperature conditions.
Always follow proper battery handling and storage practices.
Improper handling and/or failure to abide by proper storage
instructions may cause permanent damage to batteries, or
degrade battery charge holding capacity. Improper handling
practices or failure to comply with instructions may also put you at
risk.
Lithium-Ion batteries, like the REDVOLT®, REDVOLT-V,
REDVOLT XL, and RED BRICK®, self-discharge over time. When
storing for long periods of time, store batteries separately from the
camera or charger and remember to charge batteries to a
capacity level of 40% to 60%. If batteries will be stored for long
periods of time, RED recommends that you check the charge
level at least once every six (6) months, and recharge batteries to
a capacity level of 40% to 60%.
When not in use, remove the battery from the camera or charger
and store the battery in a cool, dry place. Avoid extreme hot
temperatures (such as inside a hot car), corrosive gas, and direct
sunlight. The optimal storage temperature for batteries is between
–20°C to 20°C (–4°F to 68°F).
If the battery gives off an odor, generates heat, becomes
WARNING: Batteries stored in a discharged state
for long periods of time may self-discharge and
lose the ability to hold a charge.
WARNING: If recharging operation fails to
complete even when a specified recharging time
has elapsed, immediately stop further recharging.
DO NOT store batteries in a fully charged state for extended DO
NOT store batteries in a fully charged state for extended periods
of time.
DO NOT store batteries in a fully discharged state for extended
periods of time.
DO NOT store batteries in the camera, in a camera module, or in
a charger for extended periods of time.
DO NOT use batteries for purposes other than their intended use.
DO NOT store batteries in extreme hot or cold temperatures.
DO NOT store batteries in direct sunlight.
DO NOT use third-party chargers with your RED batteries.
DO NOT disassemble or modify the battery.
DO NOT overcharge batteries. Overcharging may increase
internal temperature beyond the recommended limits and cause
permanent damage to the battery.
DO NOT connect the positive (+) and negative (–) terminals to a
metal object such as a wire.
DO NOT transport or store the battery together with metal objects
such as jewelry, hairpins, etc. as they may generate heat if they
come into contact with the battery.
DO NOT discard the battery into fire or heat.
DO NOT store, use, or recharge the battery near a heat source
such as a fire or a heater.
DO NOT allow the battery to get wet.
DO NOT pierce the battery with pointed or other sharp objects.
DO NOT step on, throw, or strike the battery with a hammer.
DO NOT use a battery that appears to be deformed or damaged.
DO NOT directly solder the battery.
DO NOT put the battery into a microwave oven or a pressurized
container.
DO NOT use or subject the battery to intense sunlight or hot
temperatures such as in a car in hot weather.
DO NOT use it in a location where static electricity may be
present.
DO NOT exceed the recharging temperature range of 0˚C to 40˚C
(32˚F to 104˚F).
RED recommends that you only use RED chargers to recharge
RED batteries.
Store the battery in a location where children cannot reach it.
If the battery leaks or gives off a bad odor, discontinue use
immediately.
discolored or deformed, or in any way appears abnormal during
use, recharging or storage, immediately remove it from the
equipment or battery charger and discontinue use.
If electrolyte begins leaking from the battery and comes into
contact with your skin or clothing, immediately wash it away with
running water. Failure to do this may result in skin inflammation.
If the battery leaks and the electrolyte reaches the eyes, do not
rub them. Instead, rinse the eyes with clean running water and
immediately seek medical attention. Failure to do this may result in
eye injury.
If you find discoloration, a bad odor due to leakage, overheating
and/or other irregularities when using the battery for the first time,
submit a Support ticket at https://support.red.com.
NOTE: For more information regarding RED
battery charging and instructions for care, refer to
our Terms and Conditions.
SHIPPING DISCLAIMER
Shipment of Lithium Ion cells and batteries is subject to national and
international shipping requirements. A Class 9 Certified shipper is
required to transport these products within the United States.
REDVOLT, REDVOLT-V, REDVOLT XL, and RED BRICK batteries are
considered Dangerous Goods. Other products such as REDVOLT AA
and RED Li 7.2V batteries may also be classified as Dangerous Goods
when purchased in bulk. Applicable laws prohibit the shipping of
batteries that are physically damaged. We urge you to look into the
formal rules and regulations of shipping Class 9 Dangerous Goods
prior to preparing your shipment. For more information on these
regulations, visit www.iata.org and www.dot.gov.
For more information, see our FAQs for Dangerous Goods (Regulated
The RED EPIC-W® 5K S35 features the GEMINI® 5K S35 sensor, RED’s highest-sensitivity sensor to date. The EPICW 5K S35 is a powerful, dual sensitivity camera that offers the ability to shoot in either Low Light or Standard modes.
The EPIC-W 5K S35 offers cleaner, less-noisy images in low-light conditions as well as improved performance in
shadows.
Capable of shooting motion and stills at 5K 2.4:1 at up to 120 frames per second (fps), or 5K Full Format at 96 fps, the
EPIC-W 5K S35 delivers high frame rates at an S35 format.
As a member of the DSMC2® camera lineup, the EPIC-W 5K S35 benefits from the advanced modularity of the RED
ecosystem. The camera features cable-free peripherals, integrated mounting plate, wireless control, and compatibility
with a growing number of DSMC2 modules and accessories. EPIC-W 5K S35 also supports interchangeable OLPFs
and lens mounts—empowering you to make the most of all of your S35 compatible PL, Nikon, Canon, and Leica
lenses.
This guide is for EPIC-W 5K S35 only. This section introduces the imaging capabilities and advanced features of the
EPIC-W 5K S35 system. For information about other cameras, go to RED Downloads at www.red.com/downloads.
The EPIC-W 5K S35 system includes the following cameras:
SENSOR TYPECAMERA
GEMINI 5K S35EPIC-W 5K S35
NOTE: The camera itself does not have a DC IN power port. A port expander or power module is required to power
the camera. To construct a working configuration for any camera, RED recommends an expander, battery, lens mount,
display, and media.
READ BEFORE YOU SHOOT
Read this operation guide carefully and in its entirety before assembling or operating your camera or other RED
accessories. In addition to this document, RED offers the following operation guides for the camera system:
DSMC Power Operation Guide
DSMC Media Operation Guide
To download RED operation guides, go to RED Downloads at www.red.com/downloads.
All videos and frames are recorded to the R3D® file format. The R3D file format was developed by RED to provide an
efficient and manageable RAW video data format that promotes advanced post production editing capabilities. In the
R3D file format, the digital image received from the sensor is formatted as a pixel-defect corrected (but in all other
aspects unprocessed) 16-bit per pixel RAW data frame. Each RAW frame, or sequence of RAW frames in a clip, is
compressed using a proprietary wavelet based REDCODE® RAW compression, then stored to a RED MINI-MAG®.
RAW data is recorded independently of any RGB domain color processing such as ISO, White Balance, or other RGB
color space settings. Instead, color parameters are saved as reference metadata; that is, color is not burned into the
recorded RAW data. This recording technique promotes flexibility in RGB color processing, which can be deferred to
post production or adjusted in the field, without affecting the recorded RAW data image quality or dynamic range.
REDCODE is a visually lossless, wavelet-based compression codec that reduces R3D RAW files into a manageable
size, allowing longer recording times on media. The ability to compress RAW data is one of the significant
technologies that RED has brought to the industry.
For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads.NOTE: REDCINE-X PRO® can create and export .RMD “Look” files which may then be imported as camera monitor
path color processing presets. This information is stored as reference metadata, so that these color processing
choices can be the default values used in post production. For more information, go to "Looks" on page114.
SHOOT FOR VIDEO AND STILLS
High resolution video, such as the digital footage captured by the camera, has surpassed the detail necessary to
produce professional full-sized prints. Because of the ability to record at high frame rates and resolution, the camera is
ideally suited to capture video and still images, simultaneously.
The camera is equipped with a Stills mode that makes it easier to capture stunning images. With presets optimized for
stills and Swipe-Up Shortcuts for the RED Touch display, switching from Motion mode to Stills mode is seamless.
Using REDCINE-X PRO, or other editing applications supporting the RED SDK, you can pull full resolution still images
from R3D files.
NOTE: Third-party applications may have limited compatibility with R3D files. Third-party developers must use the
most recent R3D SDK to offer compatibility with the latest RED firmware.
Many non-linear editing systems (NLEs) can open and edit RED footage. Each NLE version may have specific
compatibility requirements, such as camera firmware version or camera type. Before shooting, check all compatibility
requirements.
The following programs can be used to open and/or edit R3D files:
REDCINE-X PRO: RED's proprietary NLE. Download REDCINE-X PRO from www.red.com/downloads.
Adobe Photoshop: Can open .R3D files. Requires you to download the RED Adobe Photoshop Installer from
www.red.com/downloads.
Adobe Premiere Pro: For more information on compatibility, go to the RED Support site at
https://support.red.com.
Avid Media Composer
DaVinci Resolve
Edius Pro
Final Cut Pro 7: Requires you to download the RED Apple Workflow Installer from www.red.com/downloads.
Final Cut Pro X: Requires you to download the RED Apple Workflow Installer from www.red.com/downloads.
Vegas Pro
POST PRODUCTION WITH REDCINE-X PRO
REDCINE-X PRO is a professional one-light coloring toolset, equipped with an integrated timeline and a post effects
software collection that provides the ideal environment to review recorded footage, edit metadata, organize projects,
and prepare your R3D files. Use either REDCINE-X PRO or a compatible third-party non-linear editing (NLE) application
to edit R3D files.
RED TETHER, included in REDCINE-X PRO, allows you to record footage from your camera directly to a computer or
an external drive. Using tethering bypasses the need to record to an SSD and offload to a computer later, saving you
time. The latest version of REDCINE-X PRO and the REDCINE-X PRO Operation Guide are available for download at
RED Downloads at www.red.com/downloads.
NOTE: RED TETHER is included in REDCINE-X PRO build 35 or later.
NOTE: RED TETHER requires a GIG-E port, which is available on the DSMC2 Jetpack-SDI Expander, DSMC2
REDVOLT Expander, and DSMC2 Production Module. For more information, go to "Input/Output Connectors" on
HDRX® extends dynamic range up to six (6) stops by simultaneously capturing two (2) images of identical resolution
and frame rate. The first image is a normally exposed track (A-track), while the second is an underexposed track (Xtrack) with an exposure value that reflects the additional stops of highlight protection. These tracks are “motionconjoined” during recording, leaving no time gap between the two (2) exposures. This is different from traditional
alternating exposures, which have small gaps between tracks, producing unwanted motion tracks.
MAGIC MOTION
MAGIC MOTION is a post production method that combines two (2) HDRX tracks to create an image with both natural
motion blur (from the A-track) and sharper reference (the X-track). MAGIC MOTION produces an image with an
extraordinary dynamic range that is not available with any other motion capture camera.
Shooting at 24 fps with a 180° (1/48 sec) shutter on traditional film or digital cameras produces motion blur throughout,
which is not the way the human eye observes motion. For example, ask someone to swing their arm. What you would
observe in a traditional recording of this action is constant motion blur until the arm stops. However, what your eye
sees is both motion blur and a sharper reference of the arm throughout the motion path. MAGIC MOTION creates an
image that matches the natural motion observed by the human eye.
ADDITIONAL RESOURCES
The following resources offer additional information about RED, the DSMC system, and the RED community:
RED.com: Check the official RED website for the latest information about RED products.
RED Learn Articles: RED offers in-depth technical articles about RED cameras, post-production, and digital
cinematography.
RED Downloads: Go to RED Downloads to download the latest firmware, operation guides, and post-production
software.
DSMC Toolkit: Go to RED Downloads to find the DSMC Toolkit, which offers many helpful tools and resources to
customize and improve your camera workflow.
RED Support: Check the RED SUPPORT site for FAQs, or to file a support ticket.
In-Camera Help: Select the Help button on an in-camera screen to open up the help for that screen.
REDUSER: Discuss all things RED on the REDUSER third-party forum.
NOTE: Modules, expanders, and lens mounts are NOT HOT SWAPPABLE, meaning you cannot remove or install
these items while the camera is turned on. Before installing or removing these items, you MUST turn off the camera.
Failure to do so may result in damage to the item or camera that is not covered under warranty.
NOTE: Availability of components listed in this chapter is subject to change at any time.
ADDITIONAL RESOURCES
For more information on power and media, see the following guides, available at www.red.com/downloads:
DSMC Power Operation Guide
DSMC Media Operation Guide
BRAIN
Figure: EPIC-W 5K S35
The DSMC BRAIN® is the image processing center of the camera system and supports power, media, and other
modules.
The only ports on the BRAIN are the DSMC2® Top Handle port and EVF/LCD ports. A port expander or power
module is required to power the camera. All other input/output (I/O) ports are available only via expanders and other
modules. This modular approach allows you to customize your camera and make use of the ports that are most
applicable to your needs.
The RED® Tactical Hand Controller (T.H.C.) cannot pair directly to the camera. To use the T.H.C. with the camera, the
T.H.C. needs to be connected to the W.M.D. (either wired or wirelessly). For more information about the T.H.C., see
the RED 3-Axis System Operation Guide at www.red.com/downloads.
Fully press and hold the PWR/REC key for two (2) seconds to turn on/off.
When the camera is on, fully press and then release the PWR/REC key to toggle record start/stop.
BRAIN LEDS
This section describes the LED functions for the camera.
NOTE: When the camera is powered only by battery and not AC power, the Power Status LED (PWR) on the expander
or module does not turn on. To check the battery charge level, press the button on the battery.
LEDCOLOR/FLASHINGDESCRIPTION
Power Status LED (PWR)OffCamera off
GreenCamera on
Amber flashingCamera on; 5 to 10 min of battery time available
AmberCamera booting
Red flashingCamera on; < 5 min of battery time available
RedCamera shutting down
Record Status LED (REC)OffNo media present
GreenReady to record
AmberFinalizing
Red flashing (slow)Media mounted; > 5% and ≤ 10% of media available
Red flashing (fast)Media mounted; ≤ 5% of media available
RedRecording
Power Status LED (PWR)
and Record Status LED (REC)
2 Top Handle PortMount the DSMC2 Top Handle or DSMC2 Outrigger Handle. This is the only
3 Secondary EVF/LCD Port
4 Focus Hook Mounting Point
5 Focus Hook Screw Storage
Location
6 Mic 1Left audio channels: Ch1 and Ch3. Go to "Audio System" on page165
7 Mic 2Right audio channels: Ch2 and Ch4. Go to "Audio System" on page165
8 Back Focus Adjustment ScrewAdjust back focus
1. The DSMC2 LCD/EVF Adaptor A allows you to mount other RED® displays.
2. Install only the focus hook screw to this mounting point. Damage to the media bay or other components of the camera system caused by
installing other devices is not covered under warranty.
3. Cameras manufactured before December 2017 include a set screw installed in this location. This screw can be stored in either the Focus Hook
Mounting Point, or the Focus Hook Storage location.
2
1
1
Mount a DSMC2 RED Touch LCD
mounting option for the DSMC2 Top Handle or DSMC2 Outrigger Handle (it
cannot be attached backward)
Mount a DSMC2 RED Touch LCD. The secondary LCD/EVF port and an
HDMI/MON-1 port cannot be used at the same time. Go to "Monitor
NOTE: For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads.
RED MINI-MAG® SSDs deliver fast and reliable recording options for your camera. A RED STATION® enables you to
connect media to your computer for offloading and editing.
RED offers the following RED MINI-MAG SSDs:
ITEMPART NUMBER
RED MINI-MAG (120GB)750-0075
RED MINI-MAG (240GB)750-0082
RED MINI-MAG (480GB)750-0090
RED MINI-MAG (512GB) V4
RED MINI-MAG (512GB) V5
RED MINI-MAG (512GB) V6
RED MINI-MAG (960GB)750-0087
RED MINI-MAG (1TB)
1. To see the Model number, go to Menu > Media > Device.
2. The RED MINI-MAG 1TB can take up to 20 seconds to mount to a computer or a camera.
NOTE: Only one (1) expander module can be used at a time.
RED offers the following DSMC2 expanders:
ITEMPART NUMBER
DSMC2 Base Expander720-0033
DSMC2 REDVOLT Expander720-0040
DSMC2 Jetpack Expander720-0039
DSMC2 Jetpack-SDI Expander720-0048
DSMC2 V-Lock I/O Expander720-0045
DSMC2 BASE EXPANDER
Figure: DSMC2 Base Expander
The DSMC2 Base Expander is an ideal connector module for general input/output (I/O) needs. Manufactured from
lightweight and durable magnesium, this low-profile module mounts directly to the BRAIN and offers interface
connections for power (DC IN), HDMI, 3G-SDI (HD-SDI), CTRL and SYNC ports (for Timecode and Genlock), as well
as a 3.5mm microphone input and a 3.5mm line-level headphone out.
The DSMC2 Base Expander also offers rear-mounting support for DSMC2-compatible battery and power modules,
such as the DSMC2 REDVOLT® XL Module. The low profile DSMC2 Base Expander offers a variety of connectors and
is ideal for run-and-gun and independent shooters.
NOTE: Only one (1) expander module can be used at a time.
Designed for advanced configurations, the DSMC2 REDVOLT Expander mounts directly to the camera and offers an
expansive array of I/O connectors and functionality available for the camera system. The DSMC2 REDVOLT Expander
features ports for power in (DC IN), Genlock (BNC), 5-Pin 0B Timecode port, GIG-E, and more. HDMI and two 3G-SDI
(HD-SDI) outputs offer versatility for your video output needs, while an integrated USB power output is available to
support wireless HDMI transmitters.
The DSMC2 REDVOLT Expander offers a removable audio module with two (2) standard XLR connections for most
professional audio needs. Each XLR input features a 3-position selector switch to designate the incoming audio signal
type: Balanced Line Level, Balanced Mic Level, and Balanced Mic with +48V phantom power. Additionally, a 3.5mm
line-level headphone jack lets you sample audio during takes and in playback mode.
The DSMC2 REDVOLT Expander also provides multiple auxiliary power outputs, enabling the use of peripheral camera
accessories and more:
A rear-facing 4-Pin 0B AUX PWR port supports Start/Stop Trigger IN, Tally OUT, and provides power out up to 1.5
Amps.
A front-facing2-Pin 0B AUX PWR port provides 3.0A maximum.
A front-facing 7-Pin 0B SERIAL port provides 1.5A maximum. The SERIAL port is ideal for connecting to motor
drivers.
A rear-facing Timecode port offers 5V at 200 mA for powering external timecode devices.
A rear-facing USB port offers 5V at 1.5A for powering HDMI transmitters or small mobile devices.
The two (2) 3-Pin XLR audio ports in the audio module each offer +48V phantom power.
For hot-swap support when it matters most, the DSMC2 REDVOLT Expander also supports a single REDVOLT
battery. Additional DSMC2-compatible battery and power modules can be mounted for your changing power needs.
The DSMC2 REDVOLT Expander also features a selector switch that enables the camera to automatically boot when
power is provided via the DC IN connector on the expander. This feature allows you to use a connected DC input
supply to turn the camera on and off when the camera is mounted in remote or difficult to maneuver locations. This
expander is the ideal solution for a variety of production environments, maximizing camera interface and functionality
for the most demanding shoots.
CAUTION: The mounting points on top of the DSMC2 REDVOLT Expander are designed for lightweight accessories
only. DO NOT use accessories attached to the expander to pick up or move the camera.
NOTE: Only one (1) expander module can be used at a time.
DSMC2 JETPACK EXPANDER
Figure: DSMC2 Jetpack Expander
The DSMC2 Jetpack Expander is specifically designed for aerial, gimbal, handheld, and other lightweight/remote
configurations. This expander features standard connectors for power (DC-IN), CTRL, and SYNC for all of your
Timecode and Genlock needs. In addition, the DSMC2 Jetpack Expander offers custom- tailored support and
connectors for HDMI and USB power out—perfect for housings and low-profile setups.
The DSMC2 Jetpack Expander also features a selector switch that enables the camera to automatically boot when
power is provided via the DC IN connector on the expander. This feature allows you to use a connected DC input
supply to turn the camera on and off when the camera is mounted in remote or difficult to maneuver locations.
NOTE: Only one (1) expander module can be used at a time.
The DSMC2 Jetpack-SDI Expander is designed for aerial, gimbal, handheld, and other lightweight/remote applications
that require 3G-SDI output. Featuring connections for power (DC IN), SDI (3G-SDI), Gigabit Ethernet (GIG-E), AUX
power, SYNC, and CTRL, the DSMC2 Jetpack-SDI Expander provides a low-profile expander solution. The 3G-SDI
connection provides support for providing a signal to a remote monitoring solution, while the Gigabit Ethernet
connection offers increased bandwidth for streaming high-quality footage.The DSMC2 Jetpack-SDI Expander is ideal
for housings and low-profile configurations that require 3G-SDI outputs or computer tethering.
The DSMC2 Jetpack-SDI Expander also features a selector switch that enables the DSMC2 BRAIN to automatically
boot when power is provided via the DC IN connector on the expander. This feature allows you to use a connected
DC input supply to turn the BRAIN on and off when the camera is mounted in remote or difficult to maneuver locations.
NOTE: Only one (1) expander module can be used at a time.
The DSMC2 V-Lock I/O Expander offers a variety of Input/Output connections, as well as an industry standard V-Lock
mount to power your DSMC2 camera using RED BRICK and REDVOLT-V batteries.
The DSMC2 V-Lock I/O Expander also features a selector switch that enables the BRAIN to automatically boot when
power is provided via the DC IN connector on the expander. This feature allows you to use a connected DC input
supply to turn the BRAIN on and off when the camera is mounted in remote or difficult to maneuver locations.
This expander is an ideal solution for a wide variety of production environments—from low- profile run-and-gun
situations to studio shoots that require mobility.
NOTE: The DSMC2 Top Handle may not be fully compatible with the DSMC2 V-Lock I/O Expander, as the top handle
may interfere with the battery when one is attached to the expander module.
NOTE: Only one (1) expander module can be used at a time.
To be compatible with the DSMC2 V-Lock I/O Expander, third-party batteries must meet these requirements:
Maximum width: approximately 100.6 mm
Minimum radius of the side edge of the V-mount (rear mounting surface): approximately 9.70 mm
The following third-party batteries have been fit-tested by RED and are mechanically compatible with the DSMC2 VLock I/O Expander (additional batteries may be compatible, but have not been tested):
Blueshape® (All BV series)
IDX® (E-HL10DS and E-HL9)
Sony® (BP-FL75)
Switronix (Hypercore series and XP-L90S)
WARNING: While third-party batteries may be mechanically compatible with the camera system, the manufacturer is
responsible for the performance and stability of third-party options, not RED. Damage to the camera system or thirdparty devices caused by using third-party power options is not covered under warranty. The camera may be unable to
determine and display the voltage or remaining battery capacity of third-party power options.
1. The DSMC2 Gold Mount Battery Module supports Gold Mount batteries only.
NOTE: If a power module is attached to the DSMC2 REDVOLT Expander, the power out connectors on the module are
enabled only if power is connected to the module (via DC IN or a battery).
1
720-0053
DSMC2 REDVOLT XL MODULE
Figure: DSMC2 REDVOLT XL Module
The DSMC2 REDVOLT XL Module mounts seamlessly to the back of the camera—and select other I/O expanders—to
provide support for long-lasting and rechargeable REDVOLT XL batteries. The DSMC2 REDVOLT XL Module features
a smaller, more ergonomic design with one (1) dual-action release button for removing an attached battery.
The DSMC2 REDVOLT XL Module offers a DC IN power port that can be used to power the camera system when the
module is attached to the camera. An included protective baseplate enables the DSMC2 REDVOLT XL Module to
serve as a portable and stand-alone REDVOLT XL battery charger. Plug in the DSMC AC Power Adaptor to the 6-Pin
1B DC IN connector on the module and connect a REDVOLT XL battery. While the module is mounted to the camera, it
will only charge an attached REDVOLT XL battery if the camera is powered off.
Two (2) rear facing auxiliary ports provide power for external camera accessories, while remaining out of the way while
shooting.
The DSMC2 V-Lock Battery Module is a low profile cable-free module that enables you to power your DSMC2 BRAIN
and camera accessories using RED BRICK, REDVOLT-V, or other standard V-Lock batteries. The V-Lock mount and
protected release button ensure ongoing power even during mobile shoots.
This DSMC2 battery module offers a P- Tap connector on top and an auxiliary port on the side for powering
peripherals and accessories. Together the P-Tap and auxiliary connectors support a maximum combined current of
3.8 Amps.
This module also offers a DC IN power port that can be used to power the camera system when the module is
attached to the BRAIN. When DC IN power is supplied to the module, and the camera is turned off, this module can
also trickle charge the attached V-Lock battery.
Manufactured from robust aluminum alloy, this DSMC2 battery module offers a blend of utility and power support in a
lightweight and space-saving form factor. The DSMC2 V-Lock Battery Module is an ideal power solution for use with
most DSMC2 expanders. Alternatively, connect the DSMC2 V-Lock Battery Module directly to your DSMC2 BRAIN for
a low-profile, battery-only power configuration.
NOTE: This design of the DSMC2 V-Lock Battery Module (720-0052) replaces the earlier version of the module (720-
0049), which did not have the AUX OUT and DC IN ports. All other functionality is the same.
The DSMC2 Gold Mount Battery Module is a low profile cable-free module that enables you to power your DSMC2
BRAIN and camera accessories using standard Gold Mount batteries. The Gold Mount and protected release button
ensure ongoing power even during mobile shoots.
This DSMC2 battery module offers a P- Tap connector on top and an auxiliary port on the side for powering
peripherals and accessories. Together the P-Tap and auxiliary connectors support a maximum combined current of
3.8 Amps.
This module also offers a DC IN power port that can be used to power the camera system when the module is
attached to the BRAIN. When DC IN power is supplied to the module, and the camera is turned off, this module can
also trickle charge a wide variety of attached Gold Mount batteries.
Manufactured from robust aluminum alloy, this DSMC2 battery module offers a blend of utility and power support in a
lightweight and space-saving form factor. The DSMC2 Gold Mount Battery Module is an ideal power solution for use
with most DSMC2 expanders. Alternatively, connect the DSMC2 Gold Mount Battery Module directly to your DSMC2
BRAIN for a low-profile, battery-only power configuration.
Designed for professional shooting configurations, the DSMC2 Production Module (V-Lock) mounts directly to the
BRAIN and offers a comprehensive array of video, power, communication, and pro audio connections. Constructed
from lightweight and durable aluminum alloy, this module incorporates an industry standard V-Lock mount to power
your DSMC2 camera when using RED BRICK, REDVOLT-V, or other v-lock batteries.
The DSMC2 Production Module includes three (3) BNC video connectors for maximum monitoring flexibility on-set.
Two (2) connectors output a cloned 3G-SDI signal, and one (1) connector serves as an independent monitoring output.
To support production demands for on-board monitors, wireless video transmitters, wireless lens control, and focus
assist systems, the module includes multiple auxiliary power outputs:
Two (2) front-facing 3-Pin Fischer R/S ports support Remote Start/Stop functionality, and provide 24V power out
up to a combined 2.5 Amps.
A front-facing2-Pin 0B AUX PWR port provides power out up to 3.0 Amps.
A 2-Pin P-Tap connector on the top provides power out up to 3.0 Amps.
A rear-facing USB 2.0 port with support for fast charging offers 5V at 1.5 Amps for powering small mobile devices.
Two (2) standard XLR connections are included for most professional audio needs. Each XLR input features a 3position selector switch to designate the incoming audio signal type: Balanced Line Level, Balanced Mic Level, and
Balanced Mic with +48V phantom power. Additionally, a 3.5mm line-level headphone jack allows users to monitor
audio during takes and in playback mode.
The module features ports for power in (DC IN), Genlock (BNC), 5-Pin 0B Timecode port, GIG-E, and CTRL.
The module also features a selector switch that enables the BRAIN to automatically boot when power is provided via
the DC IN connector on the module. This feature allows operators to use a connected DC input supply to turn the
BRAIN on and off when the camera is mounted in remote or difficult to maneuver locations.
NOTE: The battery plate on the DSMC2 Production Module is always enabled, regardless of the Auto Boot on Power
switch position.
The REDVOLT, REDVOLT-V, REDVOLT XL, and RED BRICK are lightweight, rechargeable lithium-ion battery cells that
provide sustained power to the camera. These batteries provide long-term mobile power and attach to the camera via
a power module or other RED accessory. RED chargers replenish lost capacity for REDVOLT, REDVOLT-V, REDVOLT
XL, and RED BRICK batteries.
RED offers the following batteries and chargers:
ITEMPART NUMBER
REDVOLT740-0020
REDVOLT-V740-0043
REDVOLT XL740-0021
RED BRICK740-0002
REDVOLT Travel Charger790-0134
REDVOLT Charger (Quad)740-0015
RED CHARGER740-0006
For more information, see the DSMC Power Operation Guide, available at www.red.com/downloads.
RED offers the following displays and electronic viewfinders (EVFs):
NOTE: RED offers multiple mounting solutions for each camera type.
ITEMRESOLUTIONTILT
1
DSMC2 RED Touch 7.0" LCD (Woven CF)1920 x 1136Total: 180°
Forward: 90°
Backward: 90°
DSMC2 RED Touch 7.0" LCD (Aluminum)1920 x 1136Total: 180°
Forward: 90°
Backward: 90°
DSMC2 RED Touch 4.7" LCD1280 x 720Total: 240°
Forward: 90°
Backward: 150°
RED Touch 5.0" LCD
2
800 x 400Total: 270°
Forward: 180°
Backward: 90°
RED Touch 7.0" LCD
2, 3
1920 x 1136Total: 180°
Forward: 90°
Backward: 90°
RED Touch 9.0" LCD
2
1280 x 768Total: 270°
Forward: 180°
Backward: 90°
SWIVEL
Total: 360°
1
PART NUMBER
730-0018
CW: 180°
CCW: 180°
Total: 360°
730-0024
CW: 180°
CCW: 180°
No swivel 730-0019
Total: 360°
730-0008
CW: 180°
CCW: 180°
Total: 360°
730-0007
CW: 180°
CCW: 180°
Total: 360°
730-0011
CW: 180°
CCW: 180°
RED Pro LCD 7"
RED Pro Touch 7.0" LCD
DSMC2 Touch 7.0" Ultra-Brite LCD
DSMC2 RED EVF (OLED)
BOMB EVF® (LCOS)
BOMB EVF (OLED)
1. Approximate measurements.
2. Using this display with a DSMC2 camera requires a DSMC2 LCD/EVF Adaptor A, DSMC2 Tactical Top Plate, or DSMC2 Production Top Plate.
3. The RED Touch 7.0" LCD requires that your camera is on firmware v5.2.38 or later.
4. The DSMC2 Touch 7.0" Ultra-Brite LCD requires that your camera is on firmware v7.2 or later.
RED displays provide important camera parameters on the graphical user interface (GUI) and offer a variety of monitor
viewing options. RED touchscreen displays enable you to use gestures to navigate menus and adjust camera
parameters. RED displays feature 8-bit RGB, 4:4:4 progressive scan, providing up to 16.7 million colors and up to
70% NTSC color gamut (83% coverage for the DSMC2 Touch 7.0" Ultra-Brite LCD).
LCD PRECAUTIONS
WARNING: DO NOT use a RED display as a handle to lift or carry the camera. Damage to a RED display or other
components of the camera system caused by using the display as a handle are not covered under warranty.
WARNING: DO NOT use the threaded holes in the RED Touch LCD base to mount the display to the camera. Damage
to a RED display or other components of the camera system caused by using these threaded holes is not covered
under warranty.
WARNING: DO NOT try to turn an LCD past its tilt or swivel range. Damage to a RED display or other camera
components caused by excessive force is not covered under warranty. For more information on the tilt and swivel
range for each display, go to "Displays and Electronic Viewfinders" on the previous page.
The BOMB EVF (LCOS) and BOMB EVF (OLED) deliver specialized viewing solutions for the camera. The BOMB EVF
(LCOS) is a high-definition, lightweight, and low-profile viewfinder. The BOMB EVF (OLED) uses OLED technology,
providing deeper blacks and more color accurate images.
ITEMCONTRAST RATIODIOPTER RANGE
BOMB EVF (LCOS)
BOMB EVF (OLED)
1. Using these displays with a DSMC2 camera requires a DSMC2 LCD/EVF Adaptor A.
WARNING: DO NOT point the BOMB EVF (OLED) eyepiece at direct sunlight. Continued exposure to direct sunlight
may damage the EVF. Point the eyepiece away from sunlight when not in use. Damage to the BOMB EVF (OLED)
caused by continued exposure to direct sunlight is not covered under warranty.
1
1
1000:1 typical2.0 to –5.0.1
>10,000:1 typical2.0 to –5.0.1
BOMB EVF FEATURES
# FEATUREDESCRIPTION
1 EVF
Connector
2 EVF Tally
LED
3 Key 1Programmable key
4 Key 2Programmable key
Custom digital video and power interconnection between the camera and RED EVF; Pinout not
published
When enabled, the LED illuminates red when recording; For more information, go to "Indicator" on
The integrated eyepiece heater automatically heats the eyepiece when the EVF detects a low
ambient temperature
EPIC-W GEMINI OPERATION GUIDE
DSMC2 RED EVF
The DSMC2 RED EVF (OLED) is a high definition electronic viewfinder designed as the ideal single-viewer monitoring
solution. Featuring the latest OLED technology, this EVF provides an unmatched personal viewing experience with a
1080p OLED micro-display, and improved color accuracy with 30-bit RGB color represenation. View and monitor your
RED footage as it is intended with truer colors and deeper blacks in a larger field of view.
RED offers multiple mounting solutions for each camera type.
WARNING: DO NOT point the DSMC2 RED EVF (OLED) eyepiece at direct sunlight. Continued exposure to direct
sunlight may damage the EVF. Point the eyepiece away from sunlight when not in use. Damage to the DSMC2 RED
EVF (OLED) caused by continued exposure to direct sunlight is not covered under warranty.
NOTE: DO NOT overtighten the black tension ring on the EVF connector. The EVF is designed to allow rotation even
when the tension ring is fully engaged.
5 Mounting PointMounting point for the DSMC2 RED EVF Mounting Plate
6 DSMC2 RED EVF
Modular Optical Block
1. Not visible. Shown with the DSMC2 RED EVF Mount attached.
1
The DSMC2 RED EVF Mount.
DO NOT overtighten the black tension ring on the EVF connector. The EVF is designed to
allow rotation even when the tension ring is fully engaged.
Custom digital video and power interconnection between the EVF and other RED devices;
Pinout not published; compatible with standard RED LCD/EVF cables.
This section describes the DSMC2 LCD/EVF Adaptor A and the DSMC2 LCD/EVF Adaptor B. These adaptors enable
you to use EPIC/SCARLET displays with your DSMC2 camera and use DSMC2 displays with your EPIC/SCARLET
camera. For more information on available displays, go to "Displays and Electronic Viewfinders" on page30.
ITEMPART NUMBER
DSMC2 LCD/EVF Adaptor A720-0037
DSMC2 LCD/EVF Adaptor B720-0038
DSMC2 LCD/EVF ADAPTOR A
Figure: DSMC2 LCD/EVF Adaptor A
The DSMC2 LCD/EVF Adaptor A makes your existing RED Touch, RED PRO, and RED PRO Touch displays, as well
as RED EVFs, fully compatible with the DSMC2 camera system. The DSMC2 LCD/EVF Adaptor A converts the pogo
connection on the DSMC2 camera to a 16-Pin 1B LCD/EVF port. The DSMC2 LCD/EVF Adaptor A is designed to
attach to the primary (top), or the secondary (side) EVF/LCD port on the DSMC2 camera.
When used along with the DSMC2 LCD/EVF Adaptor B, this adaptor enables you to mount a DSMC2 RED Touch LCD
away from the camera—to a NOGA arm or other stable mounting point.
The DSMC2 LCD/EVF Adaptor A is compatible with the BOMB EVF, (LCOS) and (OLED) models, or later.
DSMC2 LCD/EVF ADAPTOR B
Figure: DSMC2 LCD/EVF Adaptor B
The DSMC2 LCD/EVF Adaptor B enables you to use a DSMC2 RED Touch LCD with your existing EPIC or SCARLET
camera. The DSMC2 LCD/EVF Adaptor B converts the display signal from a pogo connection to a 16-Pin 1B LCD/EVF
port. The DSMC2 LCD/EVF Adaptor B is designed to mount to your EPIC or SCARLET camera using standard 1/4-20
mounting holes.
When used along with the DSMC2 LCD/EVF Adaptor A, this adaptor enables you to mount a DSMC2 RED Touch LCD
away from the camera—to a NOGA arm or other stable mounting point.
This section describes the camera control modules. These devices provide a wide array of programmable buttons,
controls, and other features to interact with the camera. RED offers the following controls:
The DSMC2 SIDEKICK is a lightweight interface solution that offers intuitive integrated control over critical camera
parameters. Engineered exclusively for the DSMC2 system, this low profile interface provides full access to basic and
advanced menus via a 1.7" OLED display. The rotary dial, D-Pad, function buttons, and configurable preset buttons
provide an improved method of controlling your camera.
The DSMC2 SIDEKICK provides full menu control without compromising the tactical advantages of your camera’s
small form-factor and weight.
NOTE: The DSMC2 SIDEKICK goes into Sleep mode after 10 minutes of inactivity.
NOTE: Each DSMC2 SIDEKICK is compatible with all DSMC2 cameras.
Designed for shooters who prefer a compact handheld configuration, the DSMC2 Side Handle offers the most
ergonomic handle option—attaching directly to the side of the camera BRAIN.
The DSMC2 Side Handle features a molded rubber grip and puts primary camera controls right at your fingertips. The
Focus Control Wheel (front) offers direct control over lens focus, while the Iris Control Wheel (side) supports iris
functions. The rotary wheel and D-Pad provide advanced control over menu options directly from the handle. Four (4)
customizable camera parameter buttons provide quick access to controls such as exposure, white balance,
magnification toggle, and autofocus. Additionally, a stepped encoder offers additional operation customization and
lets you incrementally increase or decrease the selected camera parameters.
An intelligent DSMC2 handle wouldn’t be complete without a record button—allowing you to toggle record on/off
directly from the handle. On top of an integrated RECORD button, the DSMC2 Side Handle features a MARK FRAME
button, empowering you to tag frames while shooting and revisit them later in post production.
NOTE: The DSMC2 Side Handle cannot be used simultaneously with the DSMC2 Outrigger Handle or DSMC2
SIDEKICK.
NOTE: The DSMC2 Side Handle (with original grip) supports a maximum weight of 30 lbs when attached directly to
the BRAIN. Damage to the DSMC2 Side Handle or other components of the camera system caused by using a
DSMC2 Side Handle to lift a camera system that exceeds 30 lbs is not covered under warranty.
NOTE: You may replace the original grip of the DSMC2 Side Handle with a third-party grip. However, RED does not
test third-party grips, and cannot confirm if the third-party device will have the same functionality, quality, or strength
as the original grip included by RED in the DSMC2 Side Handle. Damage to the DSMC2 Side Handle or other
components of the camera system caused by using third-party accessories is not covered under warranty.
Ergonomic and intuitive, the DSMC2 Top Handle was engineered entirely around the most important action for any
shooter—the record button. This intelligent top handle puts a new Record Start/Stop button at your fingertips, using
built-in integrated circuitry.
The DSMC2 Top Handle mounts directly to the 1/4-20 mounting points on the top of the camera. With a rubberized
grip and new trigger design—the DSMC2 Top Handle offers the ideal handle and shooting method for your camera.
DSMC2 OUTRIGGER HANDLE
Figure: DSMC2 Outrigger Handle
The DSMC2 Outrigger Handle offers a low profile side handle—designed with an ergonomic molded grip and
integrated Record Start/Stop button. Mounted to the Top Handle Port on your camera, the DSMC2 Outrigger Handle
provides comfort and stability, as well as additional 1/4-20 mounting points for your peripheral camera components.
The built-in Record button puts Start/Stop functionality right at your fingertips—so you are always ready to capture the
perfect shot.
The DSMC2 Outrigger Handle is ideal for shooters who use one hand on the handle, for grip and record button
access, and the other for lens adjustments or support.
Machined from robust 7075 Aluminum, the DSMC2 Tactical Top Plate mounts to the top of your DSMC2 BRAIN to
provide 1/4-20 and 3/8-16 mounting points for RED and third-party accessories. This plate is specifically designed to
provide reliable and seamless functionality with existing DSMC2 battery modules, expanders, and accessories.
The DSMC2 Tactical Top Plate provides multiple ways to trigger record start/stop. First, the plate offers a 3-pin
POGO connector that allows you to mount a RED “smart” handle, extending the DSMC2 BRAIN’s intelligent handle
interface. Second, the plate also offers an unpowered 3-pin Fischer port, boasting the flexibility to interface with
compatible third-party start/stop triggers.
Additionally, the DSMC2 Tactical Top Plate extends the DSMC2 BRAIN's top LCD/EVF interface through a 16-Pin 1B
LCD/EVF connector. This additional connector allows you to remote mount a RED 16-Pin 1B-based display without
the use of a LCD/EVF Adaptor A.
DSMC2 PRODUCTION TOP PLATE
Figure: DSMC2 Production Top Plate
Designed to pair with the DSMC2 REDVOLT Expander and DSMC2 Production Module, the DSMC2 Production Top
Plate provides additional 1/4-20 and 3/8-16 mounting points for RED and third-party accessories. The DSMC2
Production Top Plate offers the same I/O as the DSMC2 Tactical Top Plate: a 3-pin POGO connector to mount a RED
"smart" handle; an unpowered 3-pin Fischer port for start/stop; and a 16-Pin 1B LCD/EVF connector. The plate is
compatible with other RED expanders and modules but may cover the P-Tap connector and Auto Boot on Power
switch, or interfere with the use of rear-mounted batteries.
The camera system includes intelligent, interchangeable optical low pass filters (OLPFs). The camera automatically
recognizes the OLPF type installed, eliminating the need to configure OLPF settings in the camera menu.
RED offers the following modular DSMC2 S35 interchangeable OLPFs:
ITEMPART NUMBER
DSMC2 S35 Standard OLPF790-0513
DSMC2 S35 Skin Tone-Highlight OLPF790-0511
DSMC2 S35 Low Light Optimized OLPF790-0512
DSMC2 S35 H2O OLPF790-0547
DSMC2 S35 OLPF REVISIONS AND COMPATIBILITY
DSMC2 S35 OPLFs shipped through October 2016 have curved glare stops at the top and bottom of the OLPF.
DSMC2 S35 OLPFs shipped after October 2016 have straight glare stops. The images below show the difference
between the original (curved glare stops) and modified (straight glare stops) DSMC2 S35 OLPFs:
Figure: Original DSMC2 S35 OLPF, Curved Glare Stops (Left); and Modified DSMC2 S35 OLPF, Straight Glare Stops
(Right)
The modified DSMC2 S35 OLPFs (straight glare stops) are incompatible with the following lenses due to their
protruding rear elements:
Other lenses that have very long protruding rear elements and require the Leica M Mount may not be fully compatible
with the modified DSMC2 S35 OLPFs (straight glare stops).
If your setup requires the lenses listed above, use the earlier revision of the DSMC2 S35 OLPF (the revision with the
curved glare stops). If you do not have the earlier revision of the DSMC2 S35 OLPF and need it, submit a Support
ticket at https://support.red.com.
RED offers a wide variety of support gear, mounting platforms, cables, accessories, and other equipment. For more
information, visit the RED Store at www.red.com/store.
CAUTION: Attach accessories, plates, and rails directly to the mounting points on the BRAIN. While the DSMC2
REDVOLT Expander has mounting points for lightweight accessories, other expanders and modules are not designed
to support additional weight.
MAXIMUM SUPPORTED WEIGHTS
The table below lists the maximum weight each handle can support in specific configurations. Damage to handles or
other components of the camera system caused by using a handle to lift more than the specified weight is not
covered under warranty.
ITEMPART
NUMBER
DSMC2 Universal
Handle
DSMC2 Production Top
Handle
790-0523Attached directly to the camera body30 lbs
790-0657One riser attached to a plate; handle
CONFIGURATIONMAXIMUM SUPPORTED
WEIGHT
40 lbs
extension attached
Two risers attached to a plate; handle
extension attached
This section describes the basic power operations of the camera system.
For more information, see the DSMC Power Operation Guide, available at www.red.com/downloads.NOTE: Modules, expanders, and lens mounts are NOT HOT SWAPPABLE, meaning you cannot remove or install
these items while the camera is turned on. Before installing or removing these items, you MUST turn off the camera.
Failure to do so may result in damage to the item or camera that is not covered under warranty.
WARNING: While third-party batteries may be mechanically compatible with the camera system, the manufacturer is
responsible for the performance and stability of third-party options, not RED®. Damage to the camera system or thirdparty devices caused by using third-party power options is not covered under warranty. The camera may be unable to
determine and display the voltage or remaining battery capacity of third-party power options.
POWER PRIORITY
When multiple power sources are connected to the camera, power consumption is prioritized in this sequence:
1. Any power supply connected to the DC IN port on the expander
2. Any power supply connected to the DC IN port on a rear battery module
3. Rear battery
4. REDVOLT battery in the DSMC2® REDVOLT Expander
POWER CONSUMPTION
The camera draws approximately 3.3 A (50 W) when configured with the DSMC2 Base Expander, DSMC2 RED Touch
7.0" LCD, and RED MINI-MAG® 512GB.
Under typical conditions batteries provide the following operating time:
REDVOLT: Powers the camera and accessories for approximately 30 minutes.
REDVOLT-V: Powers the camera and accessories for approximately 35 minutes.
REDVOLT XL: Powers the camera and accessories for approximately 90 minutes.
RED BRICK: Powers the camera and accessories for approximately 120 minutes.
POWER STATUS
The power status of the current primary power source displays in the Lower Status Row of the graphical user interface
(GUI). Navigate to the Power In menu at Menu > Power > Power In for the status of all connected power sources.
For more information, go to "Power Menu" on page104.
The DSMC2 cameras accept input voltages of 11.5 V DC to 17 V DC, and can draw a maximum current of 9A. The
camera can be powered continuously by connecting one (1) of the following to an attached module or expander:
DSMC AC Power Adaptor
RED BRICK Charger: Offers two (2) ways to connect to your camera:
Use a RED ONE DC Power Cable (P/N 790-0060) and a 2B-to-1B Power Adaptor Cable (P/N 790-0138).
Use a RED 2B-to-1B Power Cable (P/N 790-0556, 790-0654).
RED BRICK: Requires a DSMC2 V-Lock I/O Expander, Battery Belt Clip (DSMC), or DSMC2 V-Lock Battery
Module. Also supported by a RED Quickplate or RED Cradle using a 2B-to-1B Power Adaptor Cable.
REDVOLT-V: Requires a DSMC2 V-Lock I/O Expander, Battery Belt Clip (DSMC), or DSMC2 V-Lock Battery
Module. Also supported by a RED Quickplate or RED Cradle using a 2B-to-1B Power Adaptor Cable.
XLR DC power source: Requires an XLR Power Cable.
WARNING: While third-party batteries may be mechanically compatible with the camera system, the manufacturer is
responsible for the performance and stability of third-party options, not RED. Damage to the camera system or thirdparty devices caused by using third-party power options is not covered under warranty. The camera may be unable to
determine and display the voltage or remaining battery capacity of third-party power options.
TURN ON THE CAMERA
NOTE: If you have just turned off the camera, wait at least three (3) seconds before turning the camera back on.
1. Attach a power source to the camera.
2. Press and release the PWR/REC key on the right side of the camera.
The Power Status LED illuminates amber as the camera turns on.
The Power Status LED illuminates green to confirm that the camera is turned on and ready to use.
TURN OFF THE CAMERA
Use one of the following methods to turn off the camera:
Go to Menu > Power and select Shutdown.
Press and hold PWR/REC until the Shutting Down... notification shows on the display.
NOTE: The camera turns off automatically if the supply voltage drops to 11.5 V.
The DSMC2 Jetpack Expander, DSMC2 Jetpack-SDI Expander, DSMC2 REDVOLT Expander, DSMC2 V-Lock I/O
Expander, and DSMC2 Production Module feature a selector switch that enables the camera to automatically boot
when power is provided via the DC IN connector on the device. The Auto Boot on Power switch (identified by a line or
a white star) is located on top of the device.
When Auto Boot on Power is enabled, the camera disables all power sources that are not the DC IN connector on the
expander or module, including batteries and the DC IN connectors on any other modules.
NOTE: The battery plate on the DSMC2 Production Module is always enabled, regardless of the Auto Boot on Power
switch position.
Figure: Auto Boot on Power Switch
ENABLE AUTO BOOT ON POWER
1. Toggle the Auto Boot on Power switch to On (identified by a line or a white star).
2. Connect a power source to the DC IN connector.
The camera turns on automatically.
3. Use one of the following methods to turn off the camera:
Go to Menu > Power and select Shutdown.
Press and hold PWR/REC until the Shutting Down... notification shows on the display.
NOTE: Simply disconnecting the power source may result in data loss.
DISABLE AUTO BOOT ON POWER
1. Toggle the Auto Boot on Power switch to Off (identified by a circle or a black star).
NOTE: Each DSMC2 SIDEKICK is compatible with all DSMC2 cameras.
WARNING: Before installing or removing this item, you MUST turn off the camera.
REQUIRED TOOL(S): T10 TORX® driver
1. Turn off the camera.
2. Use a T10 TORX driver to remove the four (4) screws on the BRAIN® side plate (if the side plate is installed).
3. Remove the BRAIN side plate (if the side plate is installed).
4. Place the DSMC2 SIDEKICK in the slot where the lip of the BRAIN side plate was installed.
5. Press the DSMC2 SIDEKICK down flush along the side of camera.
6. Tighten the four (4) captive screws in a cross pattern (“X” pattern) using a T10 TORX driver. DO NOT FULLY
TIGHTEN.
7. Fully tighten the four (4) screws in a cross pattern (“X” pattern) using a T10 TORX driver.
NOTE: Each DSMC2 SIDEKICK is compatible with all DSMC2 cameras.
WARNING: Before installing or removing this item, you MUST turn off the camera.
REQUIRED TOOL(S): T10 TORX® driver
1. Turn off the camera.
2. Use a T10 TORX driver to loosen the four (4) captive screws attaching the DSMC2 SIDEKICK to the camera.
3. Remove the DSMC2 SIDEKICK from the camera.
WARNING: Before installing or removing this item, you MUST turn off the camera.
REQUIRED TOOL(S): T10 TORX driver (if a SIDEKICK Cover or DSMC2 SIDEKICK is installed), M2.5 hex key
1. Turn off the camera.
2. If a SIDEKICK Cover or DSMC2 SIDEKICK is installed, remove the device:
A. Use a T10 TORX driver to remove the four (4) screws on the SIDEKICK Cover or DSMC2 SIDEKICK.
B. Remove the SIDEKICK Cover or DSMC2 SIDEKICK.
3. Place the DSMC2 Side Handle in the slot where the lip of the SIDEKICK Cover was installed.
4. Press the DSMC2 Side Handle down flush along the side of camera.
5. Tighten the three (3) captive screws and the thumbscrew (in the lower left corner) using an M2.5 hex key. DO NOT
FULLY TIGHTEN.
NOTE: If you are unable to reach the thumbscrew with a hex key, hand-tighten the thumbscrew.
6. Fully tighten the three (3) screws and the thumbscrew using an M2.5 hex key.
WARNING: DO NOT OVERTIGHTEN.
NOTE: If you are unable to reach the thumbscrew with a hex key, hand-tighten the thumbscrew.
REMOVE THE DSMC2 SIDE HANDLE
WARNING: Before installing or removing this item, you MUST turn off the camera.
REQUIRED TOOL(S): M2.5 hex key
1. Turn off the camera.
2. Use an M2.5 hex key to loosen the three (3) captive screws and the thumbscrew (in the lower left corner).
NOTE: If you are unable to reach the thumbscrew with a hex key, loosen the thumbscrew by hand.
3. Remove the DSMC2 Side Handle from the camera.
INSTALL THE DSMC2 SIDE HANDLE GRIP
NOTE: You may replace the original grip of the DSMC2 Side Handle with a third-party grip. However, RED does not
test third-party grips, and cannot confirm if the third-party device will have the same functionality, quality, or strength
as the original grip included by RED in the DSMC2 Side Handle. Damage to the DSMC2 Side Handle or other
components of the camera system caused by using third-party accessories is not covered under warranty.
REQUIRED TOOL(S): 5 mm hex key
1. Place the original RED grip at the bottom of the DSMC2 Side Handle.
2. Use a 5 mm hex key to install the orignal M6 x 90 mm screw in the bottom of the grip.
WARNING: Before installing or removing this item, you MUST turn off the camera.
WARNING: When installing and removing a DSMC2 REDVOLT Expander, ensure that a REDVOLT battery is NOT
installed in the expander. Damage to the REDVOLT or camera system caused by failing to remove the REDVOLT
during installation/removal is not covered under warranty.
REQUIRED TOOL(S): T20 TORX driver
1. Turn off the camera.
2. Position the expander on the rear of the camera, aligning the connector on the front of the expander with the
connector on the rear of the camera.
3. Apply pressure and tighten the four (4) captive screws in a cross pattern (“X” pattern) approximately two (2) turns
each using a T20 TORX driver. DO NOT FULLY TIGHTEN.
4. Fully tighten the four (4) screws in a cross pattern (“X” pattern) using a T20 TORX driver.
WARNING: Before installing or removing this item, you MUST turn off the camera.
WARNING: When installing and removing a DSMC2 REDVOLT Expander, ensure that a REDVOLT battery is NOT
installed in the expander. Damage to the REDVOLT or camera system caused by failing to remove the REDVOLT
during installation/removal is not covered under warranty.
REQUIRED TOOL(S): T20 TORX driver
1. Turn off the camera.
2. Loosen the four (4) captive screws in a cross pattern (“X” pattern) using a T20 TORX driver.
3. Remove the expander from the camera.
DSMC2 REDVOLT XL Module
DSMC2 V-Lock Battery Module
DSMC2 Gold Mount Battery Module
DSMC2 Production Module
INSTALL THE DSMC2 POWER MODULE
The DSMC2 power modules mount to the rear of the following items:
BRAIN
DSMC2 Base Expander
DSMC2 REDVOLT Expander
WARNING: Before installing or removing this item, you MUST turn off the camera.
REQUIRED TOOL(S): T20 TORX driver
1. Turn off the camera.
2. Position the module on the rear of the camera or expander, aligning the connector on the front of the module with
the connector on the rear of the camera or expander.
3. Apply pressure and tighten the four (4) captive screws in a cross pattern (“X” pattern) approximately two (2) turns
each using a T20 TORX driver. DO NOT FULLY TIGHTEN.
4. Fully tighten the four (4) screws in a cross pattern (“X” pattern) using a T20 TORX driver.
WARNING: DO NOT OVERTIGHTEN.
REMOVE THE DSMC2 POWER MODULE
WARNING: Before installing or removing this item, you MUST turn off the camera.
REQUIRED TOOL(S): T20 TORX driver
1. Turn off the camera.
2. Loosen the four (4) captive screws in a cross pattern (“X” pattern) using a T20 TORX driver.
3. Remove the module from the camera or expander.
INSTALL THE DSMC2 TOP HANDLE OR DSMC2 OUTRIGGER HANDLE
WARNING: Before installing or removing this item, you MUST turn off the camera.
REQUIRED TOOL(S): 3/16" hex key
1. Turn off the camera.
2. Position the DSMC2 Top Handle or DSMC2 Outrigger Handle on top of the camera, aligning the connector on the
bottom of the handle with the connector on top of the camera.
3. Tighten the two (2) captive screws approximately two (2) turns each using a 3/16" hex key. DO NOT FULLY
TIGHTEN.
4. Fully tighten the two (2) screws using a 3/16" hex key.
WARNING: DO NOT OVERTIGHTEN.
REMOVE THE DSMC2 TOP HANDLE OR DSMC2 OUTRIGGER HANDLE
WARNING: Before installing or removing this item, you MUST turn off the camera.
REQUIRED TOOL(S): 3/16" hex key
1. Turn off the camera.
2. Loosen the two (2) captive screws using a 3/16" hex key.
3. Remove the DSMC2 Top Handle or DSMC2 Outrigger Handle from the camera.
The camera comes with a screw stored in the bottom of the media bay, called the focus hook screw. You can install
this screw in the Focus Hook Mounting point (along the sensor plane), and then pull focus from that location. You can
either attach measuring tape directly to the screw, or you can install a hook to the screw, and attach the measuring
tape to the hook.
To install the focus hook screw, follow the instructions below:
REQUIRED TOOL(S): Slotted screwdriver
NOTE: Cameras manufactured before December 2017 include a set screw installed in the Focus Hook Mounting Point.
If your camera has this screw, remove the screw with a 1.5 mm hex key before installing the focus hook screw.
1. Remove the focus hook screw from the Focus Hook Screw Storage Location on the media bay using a slotted
screwdriver.
2. Tighten the focus hook screw into the Focus Hook Mounting Point on the media bay using a slotted screwdriver.
WARNING: Read these instructions carefully and in their entirety before removing or installing an OLPF. Damage to
the OLPF module, camera, or sensor due to improper handling or use is not covered under warranty.
WARNING: Once an interchangeable OLPF is removed from the camera, the sensor is exposed. Improper handling of
the OLPF modules or camera during this procedure may compromise the installation or cause irreparable damage to
your camera or sensor.
WARNING: DO NOT allow any dirt or debris to enter the optical cavity.
WARNING: Use only DSMC2 S35 OLPFs. DO NOT other OLPFs.
SWAP AN INTERCHANGEABLE OLPF
REQUIRED TOOL(S): T20 TORX driver
1. Turn off the camera.
2. Remove any cables or accessories that may interfere with operations.
3. Loosen and remove the four (4) M4x0.7 x 8 mm lens mount screws in a cross pattern (“X” pattern) using a T20
TORX driver.
NOTE: Some lens mounts have captive screws that are not removable.
NOTE: Screw removal may require a large handle T20 TORX driver and additional leverage.
4. Remove the lens mount.
5. Use a damp, lint-free cloth to gently wipe down the area around the lens mount and OLPF module. Remove as
much dust and debris as possible.
6. Use a T20 TORX driver to turn the OLPF lock on the camera counter-clockwise by a third turn to the Unlock
position. DO NOT turn the indicator mark past the Unlock icon.
WARNING: DO NOT OVERTIGHTEN.
7. Remove the OLPF module and place it in its protective case.
8. Use an LED light to ensure that the optical cavity is clean and free from dust or debris.
9. Ensure the new OLPF module is clean and free of debris.
10. Install the new OLPF module straight into the optical cavity, keeping the front face of the OLPF module parallel to
the front of the camera.
NOTE: Inserting the OLPF module at an angle may cause it to not seat properly.
11. Use a T20 TORX driver to turn the OLPF lock on the camera clockwise by a third turn to the Lock position. DO
NOT turn the indicator mark past the Lock icon.
WARNING: DO NOT OVERTIGHTEN.
NOTE: If the lock does not turn easily, gently press down on the OLPF module while turning the lock.
12. Replace the lens mount.
13. Replace and loosely tighten the four (4) M4x0.7 x 8 mm lens mount screws in a cross pattern (“X” pattern) using a
T20 TORX driver. DO NOT FULLY TIGHTEN.
NOTE: Some lens mounts have captive screws that are not removable.
14. Fully tighten the four (4) lens mount screws in a cross pattern (“X” pattern) using a T20 TORX driver. DO NOT
This section describes the camera mounting points and mounting equipment for use with a tripod or monopod. The
camera is equipped with two (2) 3/8-16 mounting holes and one (1) 1/4-20 mounting hole on the bottom of the camera.
These mounting points are designed for use with a variety of mounting plates and hardware, to support tripods and
other support systems.
WARNING: Ensure that the tripod, monopod, or support system is designed and rated to handle the weight of your
camera configuration. RED is not responsible for any damage caused by using a tripod, monopod, mount, or support
system that does not provide sufficient support.
WARNING: DO NOT use excessive force to mount a support accessory, as this may damage the screw threading.
RED offers the following products for use with tripods and other support systems:
ItemPart Number
Mounting Plate (DSMC)790-0094
DSMC Quick Release Platform Pack790-0183
Quick Release Platform Pack (Bolt-On)790-0078
Quick Release Platform (Dovetail)790-0079
Quick Release Platform (Mini)790-0390
Dovetail Mounting Plate (Long)790-0083
Dovetail Mounting Plate (Short)790-0084
For more information, visit the RED store at www.red.com/store.
NOTE: HD-SDI and HDMI® ports are only available on select DSMC2 expanders and modules. For more information,
go to "Input/Output Connectors" on page217.
The monitoring path converts RAW sensor data to a white balanced 12-bit depth 1920 x 1080 pixel RGB 4:4:4 video
signal. The signal may be modified using ISO, White Balance, or other RGB color space adjustments. The signal is
then scaled and gamma-corrected to provide monitor outputs at 10-bit depth in 4:2:2 YCC or 8-bit depth in 4:4:4
RGB.
The camera offers the following monitor outputs:
EVF/LCD: Supports a RED EVF or LCD display.
HD-SDI: Provides a 720p or 1080p output suitable for monitoring or recording to an external VTR or DDR device. It
may be configured for 10-bit LIN (VIDEO) or 10-bit LOG (FILM) encoded data.
HDMI: Provides a 480p, 720p, or 1080p output suitable for monitoring via a Windows® monitor or most HDTVs.
VIDEO MONITOR CATEGORIES
Video monitor outputs are separated into three (3) categories:
VIEWFINDER: The Upper Status Row, Live Action Area, and Lower Status Row display. Default output is the
EVF/LCD connector located on top of the camera. If an EVF or LCD is not connected, you can transfer the
VIEWFINDER output to either the HDMI or 3G-SDI (HD-SDI) output.
PROGRAM/Clean: None of the graphic overlays display.
PREVIEW: The Live Action Area and associated graphic overlays display.
For more information about changing the video monitor category of your monitor, go to "Monitor Mode" on page90.
Perform one of the following actions to begin recording:
Press PWR/REC on the camera.
Press REC on the media bay.
Press START/STOP on the DSMC2 Top Handle or DSMC2 Outrigger Handle.
Trigger start/stop with a compatible third-party trigger.
Double-tap the right 25% on an attached touchscreen display (when enabled).
NOTE: To enable Double-Tap Right 25% to Record, go "Advanced" on page93.
RECORD VIA HD-SDI OR HDMI
NOTE: Audio is not embedded in the MON-1 signal.
This section describes how to record via HD-SDI or HDMI through simultaneous record (recording to an SSD and an
external recorder at the same time) or external record only.
SIMULTANEOUS RECORD
NOTE: HD-SDI and HDMI ports are only available on select DSMC2 expanders and modules. For more information,
go to "Input/Output Connectors" on page217. NOTE: The secondary LCD/EVF port and an HDMI/MON-1 port cannot be used at the same time. Go to "Monitor
Preferences" on page89.
You can record simultaneously to an external recorder and a RED SSD. To record simultaneously, follow the
instructions below:
1. Attach a DSMC2 expander or module that has an HD-SDI or HDMI port.
2. Connect the camera to an external recorder with an HD-SDI or HDMI cable.
3. Ensure that a formatted SSD is inserted in the camera.
4. Set up the HD-SDI or HDMI output:
A. Go to Menu > Monitoring > Monitors and select a monitor.
B. Select Clean from the Mode drop-down menu (otherwise the external recorder records the overlay).
C. Select the output resolution from the Resolution drop-down menu.
NOTE: The HDMI and HD-SDI maximum resolution is 1080p. For more information, go to "Record/Monitor Out
Ports" on page225.
5. Disable all False Colors (otherwise the external recorder records the False Colors). For more information, go to
"Tools" on page95.
6. If monitoring audio via a third-party monitor that supports audio, set up the monitor mix:
A. Go to Menu > Settings > Audio > Mix > Monitor Mix.
B. Adjust the input channels.
7. Go to Menu > Settings > Recording > Mode.
8. Select Local from the Storage drop-down menu.
9. Begin recording.
NOTE: HD-SDI and HDMI ports are only available on select DSMC2 expanders and modules. For more information,
go to "Input/Output Connectors" on page217. NOTE: The secondary LCD/EVF port and an HDMI/MON-1 port cannot be used at the same time. Go to "Monitor
Preferences" on page89.
You can record to an external recorder without recording to an SSD. To record to an external device only, follow the
instructions below:
1. Attach a DSMC2 expander or module that has an HD-SDI or HDMI port.
2. Connect the camera to an external recorder with an HD-SDI or HDMI cable.
3. Ensure the SSD is ejected.
4. Set up the HD-SDI or HDMI output:
A. Go to Menu > Monitoring > Monitors and select a monitor.
B. Select Clean from the Mode drop-down menu (otherwise the external recorder records the overlay).
C. Select the output resolution from the Resolution drop-down menu.
NOTE: The HDMI and HD-SDI maximum resolution is 1080p. For more information, go to "Record/Monitor Out
Ports" on page225.
5. Disable all False Colors (otherwise the external recorder records the False Colors). For more information, go to
"Tools" on page95.
6. If monitoring audio via a third-party monitor that supports audio, set up the monitor mix:
A. Go to Menu > Settings > Audio > Mix > Monitor Mix.
B. Adjust the input channels.
7. Go to Menu > Settings > Recording > Mode.
8. Select External from the Storage drop-down menu.
9. Begin recording.
This section describes the structure and layout of the graphical user interface (GUI) that overlays the video monitor
signal. Advanced GUI menu controls enable convenient access to menus, overlays, and other critical camera
information. Functionality varies based on monitor output type and firmware version. The GUI menu is separated into
three (3) main sections:
Figure: GUI Control Menu
# ITEMDESCRIPTION
1 Upper Status Row
(Basic Menu)
2 Live Action AreaLive camera recording view, overlays, guides, and more. Go to "Live Action Area" on
3 Lower Status RowCritical camera parameters, record/playback modes, media and power status, and audio
Easy access to primary camera capture parameters. Go to "Upper Status Row (Basic
The Upper Status Row displays basic project parameters. The currently selected parameter in the Upper Status Row
is underlined with a red bar. The Upper Status Row is also known as the Basic Menu.
Figure: Upper Status Row
The Upper Status Row includes the following GUI elements:
# ITEMDESCRIPTIONDETAILS
1 Frame Rate (fps)Recording frame rate"Frame Rate" on page116
2 ISOCamera sensitivity"ISO" on page85
3 ApertureLens aperture (F stop) information"Aperture" on page61
4 Exposure (Shutter)Integration time or shutter angle"Exposure/Shutter" on page117
5 Color TemperatureWhite balance and Tint"White Balance" on page83
6 ResolutionRecord resolution"Format" on page119
7 REDCODE
8 MenuAccess advanced settings"Advanced Menus" on page80
9 CursorIndicates currently selected Upper Status Row elementN/A
For every Upper Status Row item, you can select the Advanced... button to access the related menu in the Advanced
Menus.
For example, select Advanced... in the Frame Rate menu to open Menu > Settings > Project > Frame Rate.
For more information about Advanced Menus, go "Advanced Menus" on page80.
Select the Edit List... button in the Upper Status Row menus to change the values that display for each setting. For
example, if you open the Frame Rate menu and select Edit List..., the camera lets you add or remove values.
Figure: Select "Edit List..." Button
APERTURE
The aperture (also known as the T stop or F stop) parameter displays when a compatible mount and lens are installed.
The aperture controls the depth of field of the image and, in combination with the shutter speed/angle setting, controls
the amount of light that reaches the sensor (exposure).
Increasing the aperture to a higher number increases the depth of field, but reduces the exposure (brightness).
Decreasing the aperture to a lower number decreases the depth of field, but increases the exposure (brightness).
RED DSMC PL MOUNT INSTALLED
The current aperture of the attached lens displays when a DSMC® PL mount is installed and a supported lens
equipped with Cooke® S4/i® system is attached.
DSMC NIKON MOUNT AND CANON MOUNT INSTALLED
The Aperture menu is visible when a DSMC Nikon® Mount, DSMC Canon® Mount, or DSMC RED® MOTION MOUNT
S35 Ti Canon (Captive) is installed and a supported lens is attached. This enables you to adjust the aperture of the
attached lens.
Select the Advanced... button to access the Menu > Settings > Setup > Lens screen. For more information, go to
Select the target REDCODE compression ratio for your project.
If the camera is able to achieve the target compression ratio, the compression ratio displays in white. If the camera is
unable to achieve the target compression ratio, the compression ratio displays in yellow, and the camera uses the next
possible compression ratio.
The current compression ratio is automatically recalculated when changes are made to the project resolution, aspect
ratio, anamorphic setting, frame rate, HDRX® mode, media, or the target REDCODE compression ratio.
The RECODE compression affects the overall quality of the footage. A lower compression (for example: 2:1) increases
the quality of the footage, while a higher compression (for example: 22:1) lowers the quality.
REDCODE range is 2:1 to 22:1. Default is 8:1.
For maximum available REDCODE values, see the DSMC Media Operation Guide at www.red.com/downloads.
The Live Action Area contains the recorded image area, Look Around area, and various overlays. The color of each
overlay can be customized to maximize the contrast between the guide(s) and scene being captured.
Figure: Live Action Area
The Live Action Area includes the following GUI elements:
# ITEMDESCRIPTIONDETAILS
1 Lens InformationLens information when using supported Canon®,
Nikon®, or Cooke® lenses
2 AF StatusCurrently selected auto focus mode"Focus Menu" on
3 Center Crosshair and Spot
Focus Guide
4 Frame GuidesRecord or sensor projection area"Guides" on page101
5 Clip FilenameFilename of the clip being recorded, or filename of the
6 Timecode ValueCurrent timecode value"Timecode" on page173
Crosshair: Center of selected guide
Reference guides: Safe Action/Safe Title, Picture
This section describes the lens information displays when a supported lens is attached.
PL LENSES
Displays the focal length and focal distance when a DSMC PL mount is installed and a lens with the Cooke S4/i
system (or equivalent) is attached. For more information, go to "Lens" on page151.
CANON AND NIKON LENSES
The camera displays the focal length and focal distance when a DSMC Canon Mount or a DSMC Nikon Mount is
installed and an electronically supported lens is attached. When AF is set to Manual or Confirm mode, the focal
distance displays as a pair of Near–Far distances. When in AF mode, an estimated focus distance displays. The focal
length and focal distance values and range vary depending on the attached lens. When the focal length of the lens
changes, the current values displays. For more information, go to "Lens" on page151.
LOWER STATUS ROW
The Lower Status Row provides access to key system information and camera values.
Figure: Lower Status Row
# ITEMSUB-ITEM/DESCRIPTIONDETAILS
1 Camera ModeSwipe up to toggle Motion/Stills/Playback modes"Camera Mode" on page66
2 HistogramHistogram; tap to open the Tools menu"Histogram" on page68
The Camera Mode allows you to seamlessly toggle between Motion mode, Stills mode, and Playback. To select a
camera mode, select the Camera Mode icon in the Lower Status Bar, swipe up, and select a camera mode.
NOTE: Setting adjustments made in Stills mode do not affect the settings in Motion mode, and vice versa.
You can select the following camera modes:
"Motion Mode" below
"Stills Mode" on the next page
"Playback " on page107
MOTION MODE
Motion mode optimizes your camera settings for capturing motion. This mode defaults the camera to Continuous
Record. Motion mode includes the following features:
Motion recording modes:
"Continuous Record" on page123
"Internal Timelapse Timer" on page123
"Frame Trigger" on page124
"Speed Ramp Mode" on page124
"REDCODE Burst" on page125
Swipe-Up Shortcuts
Camera Mode
False Color
Status
Media
Power
Audio
Default Motion Preset (RED)
NOTE: For more information, go to "Swipe-Up Menu" on page73.
NOTE: The sharpness setting affects the Histogram, RAW Level Bars, and RAW Clip Meter. For more information, go
to "Output Sharpness" on page93.
This section describes the elements that comprise the Histogram section in the Lower Status Row. This section of the
GUI helps ensure that recorded footage is properly exposed.
Tap the Histogram in the Lower Status Row to access the Tools menu. For more information, go to "Tools" on
page95.
Figure: Histogram (Exposure)
# ITEMDESCRIPTION
1 RAW Level
Bar (left)
2 RAW Level
Bar (right)
3 RGB
Histogram
4 RAW Clip
Meter
1. The RAW Level Bars represent 1/4 of the total pixels in the image, and illustrate the number of pixels that are noisy or clipped in relation to the
total number of pixels. For example, if the left RAW Level Bar is 1/8 of the total height, that means that approximately 1/32 of the total pixels in
the total image are at an exposure level that is at risk of displaying noise when pushed to higher ISO or FLUT® values in post production.
Also known as a “goal post”. Displays the amount of pixels in the image that are underexposed
1
(noise)
Also known as a “goal post”. Displays the amount of pixels in the image that are overexposed
1
(clipping)
Provides a visual representation of exposure and sensor data levels for red, green, and blue
channels; meter is affected by White Balance, ISO, and VIEW/LOOK settings
Also known as “traffic lights”. Provides a visual representation of exposure and sensor data levels
for red, green, and blue channels; Circles (traffic lights) will light up when clipping occurs
PROJECT STATUS INDICATORS
This section describes the colors and behavior of the Project Status indicators in the Lower Status Row. Tap the
Project Status indicators in the Lower Status Row to access the Project Status menu. For more information, go to
The CAL: T/E indicator shows changes to temperature (T) or exposure (E) in relation to the active calibration map. If the
temperature or exposure change significantly, calibrate the sensor at the desired temperature and exposure. Failure to
properly calibrate the sensor may reduce image quality.
Green: Sensor temperature or exposure are properly calibrated for current settings.
Yellow: Slight change in sensor temperature or exposure.
Red: Significant change in sensor temperature or exposure.
The – and + indicate whether the sensor temperature or exposure has decreased or increased, respectively.
NOTE: T and E indicators change colors independently of each other.
TC INDICATOR
The TC indicator shows the current timecode status.
Grey: No analog timecode is detected.
Red: Analog timecode is detected but not enabled.
Green: Analog timecode is used to jam the time of day timecode.
For more information, go to "Timecode, Genlock, Multi-Camera Setup" on page173.
GEN INDICATOR
The GEN indicator shows the current genlock status.
Grey: No genlock signal is detected, or the signal cannot cross-lock to project (24.00 fps vs. 23.98 fps).
Red: During process of sync, or genlock is lost while recording.
Green: A genlock signal matching the current HD-SDI monitor rate is locked.
Yellow: Timing is cross-locked to compatible but not matching monitor rate. For example, genlock is 24.00 fps,
and HD-SDI monitor rate is 25.00 fps.
NOTE: When the GEN indicator is yellow, DO NOT perform 3D operation. This warns that genlock source settings and
camera settings are not aligned, so phasing of the sync between cameras is not guaranteed.
For more information, go to "Timecode, Genlock, Multi-Camera Setup" on page173.
SYNC INDICATOR
The SYNC indicator shows the current sensor sync status, based on genlock.
Grey: The sensor sync mode is not set to genlock.
Red: The sensor sync mode is set to genlock, but is not locked to a genlock signal. This may occur if genlock or
sensor sync is lost while recording.
Green: The sensor sync mode and HD-SDI monitor rate are locked to a compatible genlock signal.
For more information, go to "Timecode, Genlock, Multi-Camera Setup" on page173.
RM (REMOTE) INDICATOR
The RM indicator displays if the camera is linked to a third-party remote application, such as foolcontrol.
NOTE: The GIG-E port is only available on the DSMC2® REDVOLT Expander, DSMC2 Jetpack-SDI Expander, and
DSMC2 Production Module. For more information, go to "Input/Output Connectors" on page217.
The LAN indicator shows the current status of an external LAN connection through the Gig-E port.
Grey: External control of the camera is not enabled.
Green: Ethernet is enabled.
WIFI INDICATOR
The WiFi indicator shows the wireless connectivity status.
Grey: Wireless is disabled.
Yellow: Wireless is not connected.
Green: Wireless is enabled.
For more information, go to "Wireless Connection" on page144.
POWER STATUS
The Power Status element displays the current supply voltage or remaining battery capacity. Tap the Power Status
element to access the Power menu. For more information, go to "Power Menu" on page104.
DC IN SUPPLY VOLTAGE
When powering the camera via DC power, the current voltage displays. When powering the camera using batteries, the
remaining battery capacity displays. The remaining capacity is indicated by the following colors:
Green: 12.0 V and up
Yellow: 11.8 V to 11.9 V
Red: 11.6 V to 11.7 V
NOTE: The camera turns off automatically if the supply voltage drops to 11.5 V.
BATTERY TIME REMAINING
When using a REDVOLT, REDVOLT-V, or REDVOLT XL battery, the power status displays the location of the power
source and the remaining battery capacity.
The color of the displayed battery capacity represents the amount of time remaining:
Navigate the menus using a touchscreen by using the following gestures:
Tap: Tap has many functions:
Tap to select a Basic Menu, submenu, or button.
If a menu is open, tap anywhere outside the menu to save any changes and close the menu.
Tap the right or left regions of the touchscreen to access the programmable soft keys.
Swipe: Swipe to select different values in spinners or drop-down menus. For more information, go to "Swipe-Up
Menu" on the next page.
Double-Tap: If the monitor is in Clean mode, changes to Overlay mode.
Hold: Tap and hold an icon to bring up an advanced interface display.
Pinch: Move two (2) fingers apart/together to increase/decrease the size of the image. By default, this gesture is
The Swipe-Up Menu is available in the Lower Status Row on RED Touch displays and provides Swipe-Up Shortcuts
for Motion mode, Stills mode, and Playback. For example, select the Camera Mode icon in the Lower Status Bar,
swipe up, and select a Camera Mode. For more information about Stills mode and Motion mode, go to "Camera
Mode" on page66.
Figure: Swipe Up Menu
# SWIPE-UP
SHORTCUT
1 Camera ModeSelect Playback, Motion, or StillsMotion,Stills
2 False ColorSelect a false color mode; go to "False Color Modes" on page95Motion,Stills
3 StatusView detailed status informationMotion,Stills
4 MediaView as Percentage or Time Remaining, eject media, view clip thumbnailsMotion,Stills
5 PowerView as Percentage, Time Remaining, or VoltageMotion,Stills
6 AudioSelect Audio settingsMotion
7 Auto FocusSet Zone, Size, and ModeStills
8 Auto ExposureSet Exp Comp, Speed, Metering, Priority, and ModeStills
9 Record ModeSelect Multi-Shot or Motion + Stills Stills
Figure: Navigation Group (DSMC2 SIDEKICK™ Pictured)
The Navigation Group is the primary control interface on the DSMC2 SIDEKICK and DSMC2 Side Handle.
# NAVIGATION GROUP ELEMENTDESCRIPTION
1 Scroll WheelSelect and adjust the value of a selected setting
2 ENTER keyPress ENTER to confirm a setting or access the selected menu
3 Directional KeysNavigate menus and menu items
Navigate the menus using the following controls:
Press ENTER to open the menu, then rotate the Scroll Wheel clockwise to move right, counterclockwise to move
left to highlight the desired menu or parameter. Press ENTER to select.
Press the Up Directional Key to open the related Advanced Settings menu, if one (1) is available.
The DSMC2 SIDEKICK display reflects the currently selected mode. Use the Scroll Wheel and Directional Keys to
navigate menus. Press MENU to access the Advanced Menu.
Press MODE to toggle between the following modes:
Remote Mode: Navigate with DSMC2 SIDEKICK controls, using an attached LCD, EVF, or other monitor as a
reference. The DSMC2 SIDEKICK displays the primary control screen.
Local Mode: Navigate using the DSMC2 SIDEKICK controls and display. User Keys A-D are inactive.
KEY LOCK/UNLOCK
Lock the keys on the DSMC2 SIDEKICK to prevent inadvertent button presses and menu changes.
Lock: Press A + D simultaneously.
Unlock: Press A + D simultaneously. Alternatively, press and hold ENTER while keys are locked.
The Focus Control Wheel allows you to physically control the focus length directly from the DSMC2 Side Handle. The
wheel features 270° rotation, and each physical location on the wheel maps directly to a specific focus length of the
lens. The far left point (turning counter-clockwise) maps to the shortest focus distance of the lens, while the far right
point (turning clockwise) maps to the farthest focus distance of the lens (or infinity).
When a DSMC2 Side Handle is attached, you can continue to adjust focus via the Lens menu Menu > Settings >
Setup > Lens, if preferred.
To control focus via the Focus Control Wheel, follow the instructions below:
1. Install a DSMC Nikon Mount or DSMC Canon Mount with a supported lens. For more information on supported
lenses, go to "Lenses" on page250.
2. Set the lens to Auto.
3. Turn on the camera (if it is not already turned on). The lens initializes and the camera maps each point on the Focus
Control Wheel to a focal length of the lens.
4. Control the focal length by moving the Focus Control Wheel:
To access the Advanced menus, perform one of the following:
Tap the Menu button on the DSMC2® SIDEKICK™.
Tap the Menu icon on the touchscreen.
Open any menu in the Upper Status Row, and then select the Advanced... button.
NOTE: Some menus are only available if certain hardware is present.
IMAGE MENU
Figure: Image Menu
The Image menu includes tools that control how the image appears, including Color Space and Gamma Curve.
To set up the image pipeline, go to Menu > Image > Image Pipeline.
IMAGE PIPELINE MODE OPTIONS
The camera offers two (2) different ways to process your image. Each mode changes which sub-menus are available in
the Image menu.
Legacy: In Legacy mode, the camera provides the same color options that firmware v6.3 did. Enables the Color,
Gain, Curves, and LGG menus.
IPP2: Image Processing Pipeline 2 (IPP2) is the new image processing pipeline, which is available starting with
firmware v6.4. In IPP2, the camera applies REDWideGamutRGB, which is a color space designed to encompass all
colors a RED camera can generate without clipping. The camera then encodes the image using Log3G10, a gamma
curve that prevents clipping. Using this color space and gamma curve allows you to grade and make color
adjustments in post production, instead of in-camera. Selecting IPP2 enables the CDL menu, and hides the Color,
Gain, Curves, and LGG menus (since those are used for grading).
LEGACY MODE
To use Legacy mode, follow the instructions below:
1. Go to Menu > Image > Image Pipeline > Options.
2. Select Legacy from the Mode drop-down menu.
3. Select OK.
Figure: Legacy Mode
4. Select a color space from the Color Space drop-down menu.
5. Select a gamma curve from the Gamma Curve drop-down menu.
6. If you want to apply a 3D LUT, go to "3D LUT" on page88.
To use IPP2 mode, follow the instructions below:
1. Go to Menu > Image > Image Pipeline > Options.
2. Select IPP2 from the Mode drop-down menu. With IPP2, the Color Space and Gamma Curve are always
REDWideGamutRGB and Log3G10, respectively.
3. Select OK.
Figure: IPP2 Mode
4. If you want to apply a 3D LUT, go to "3D LUT" on page88.
5. Select a color space from the Output Color Space drop-down menu.
6. Select a contrast setting from the Output Tone Map drop-down menu.
7. Select a highlight option from the Highlight Roll-Off drop-down menu.
The Output Summary menu is an information-only menu that displays what image information is applied to the R3D
files and proxy files. To view the output summary, go to Menu > Image > Image Pipeline > Output Summary.
Figure: Image Menu
R3D FILE METADATA
N/A : Displays if the camera is not set to record R3D files. To enable/disable recording to R3D, go to "Select
Record File Format" on page132.
3D LUT: The name of the 3D LUT applied to the file. If no LUT is applied, the screen displays [NONE].
Output Color Space: Applicable to IPP2 mode only. The name of the output color space selected on the Options
tab.
INTERMEDIATE / PROXY FILE
N/A: Displays if the camera is not set to record Apple® ProRes files or Avid DNxHD/HR files. To enable/disable
recording to these files, go to "Select Record File Format" on page132.Color Space / Gamma Curve: Applicable to Legacy mode only. The color space and gamma curve applied to the
file.
Baked-in Settings: Applicable to IPP2 mode only. The image settings that are irreversibly encoded (baked) into
the recorded file. To select these settings, go to "Select Record File Format" on page132.
Codec: The selected codec. To select a codec, go to "Select Record File Format" on page132.
WHITE BALANCE
Select a color temperature. The range is 1700 to 10,000 KELVIN, and the default is 5600 KELVIN.
TINT
Color temperature calculations assume a pure light source that may not be true in the specific scene the camera is
imaging. To compensate for any residual colorcast, the Tint parameter adjusts the RGB color balance with a
compensating magenta-green color component. Tint range is –100 to 100, with a default of 0.000.
The Tint value displays as a rounded number in the Upper Status Row.
NOTE: Selecting Auto White Balance calculates a new Tint value. The value does not change if you adjust the color
temperature manually. Selecting a preset resets the Tint to 0.000.
Each preset has 0.000 Tint. Available preset options are:
Incandescent: 2800 K
Tungsten: 3200 K
Fluorescent: 4500 K
Flash: 5500 K
Daylight: 5600 K
Cloudy: 7500 K
Shade: 9000 K
AUTO WHITE BALANCE
Auto white balance analyzes the central 25% of the image visible in the monitor to calculate a color temperature that
will render a white object as white.
To use auto white balance, follow the instructions below:
1. Place a white or grey object under the ambient light.
2. Go to Menu > Image > White Balance.
3. Select Auto White Balance.
To select an ISO setting, go to Menu > Image > ISO.
SENSOR SENSITIVITY
Select a Sensor Sensitivity:
Standard: Use in normal shooting conditions in which you would expose near ISO 800. Provides the best highlight
retention.
Low Light: Use in lower light conditions in which you would expose for ISO 2500 and higher. Provides the
cleanest shadow detail. When Low Light is selected, the LL symbol appears next to the ISO rating on both the ISO
menu and in the Upper Status Row. For more information, go to "Upper Status Row (Basic Menu)" on page59.
When you switch between Standard and Low Light, the camera applies the correct sensor calibration for the sensor
sensitivity. For more information, go to "Sensor Calibration" on page158.
Figure: ISO Options for Standard (left) and Low Light (right)
ISO
NOTE: To see the full range of ISO ratings, select ISO in the Upper Status Row, select Edit List, and select Custom.
Select the camera ISO rating. The sensitivity value increments in 1/3 stops. When the ISO rating is adjusted, the
camera logs the change as metadata and the monitor path reacts accordingly. Higher ISO values lead to brighter
images in the monitor path, and vice versa.
RED recommends setting the ISO to the default, then adjusting the aperture, lighting, and ND filters to match. The ISO
can later be adjusted around one (1) stop for fine-tuning.
The camera shows a different default ISO range based on the Sensor Sensitivity option. You can expand this list by
opening ISO from the Upper Status Row and selecting Edit List. For more information, go to "Feature: Edit List" on
page61.
Standard: ISO 250 to 1,600. Default is ISO 800.
Low Light: ISO 1,600 to 12,800. Default is ISO 3,200.
RED cameras with HELIUM®, MONSTRO®, and GEMINI® sensors have an ISO calibration that better matches a light
meter and improves overall exposure quality. RED cameras with HELIUM, MONSTRO, and GEMINI sensors therefore
depict a one stop brighter image compared to prior sensors (when set to an otherwise identical ISO, T-stop, and
shutter speed). ISO 400 now appears as bright as ISO 800 did before, for example.
To match exposure between cameras with HELIUM, MONSTRO, and GEMINI sensors and RED cameras that DO NOT
have those sensors, either reduce your camera’s ISO speed by 1 stop compared to the other camera, or deselect the
Menu > Image > ISO > Use updated ISO calibration check box.
As usual, RED recommends using ISO 800 as a starting point for exposure, then adjusting the T-stop and lighting or
ND filters to match.
CDL
NOTE: This menu is only available in IPP2 mode. For more information, go to "Image Pipeline" on page81.
American Society of Cinematographers Color Decision List (ASC CDL) controls are a standardized, camera-agnostic
way to adjust the look of your images. Color corrections made with a device can therefore be applied or modified by
other devices, even if such devices are from different manufacturers and use different standards.
Use the CDL menu to set up:
Slope
Power
Offset
Saturation
MANAGE CDLS
Use the CDLs menu to apply and import/export CDLs.
CDLs can be stored on the camera or transferred to SSD to be shared with other cameras. When exporting CDLs from
camera to an SSD, the CDLs are saved to a folder on the SSD called “cdls”. When importing CDLs from an SSD to
camera, the CDLs must be stored on the SSD in a folder called “cdls”.
Apply: Apply the selected CDL.
Create: Create a new CDL using the current settings.
Delete: Delete the selected CDL.
: Export selected CDL from camera to SSD.
All: Export all CDLs from camera to SSD.
: Import selected CDL from SSD to camera.
All: Import all CDLs from SSD to camera.
COLOR
NOTE: This menu is only available in Legacy mode. For more information, go to "Image Pipeline" on page81.
Saturation: Adjusts color saturation. Range is 0.0 (monochrome) to 4.0 (super color). Default is 1.0.
Contrast: Adjusts the overall contrast of the image. Range is –1.0 (flat) to 1.0 (max contrast). Default is 0.0.
Brightness: Adjusts brightness without crushing highlights. Available range is –10.0 to 10.0. Default is 0.0.
Exp Comp: Adjusts exposure compensation. Available range is –7.0 to 7.0. Default is 0.0.
NOTE: This menu is only available in Legacy mode. For more information, go to "Image Pipeline" on page81.
Adjust the red channel, blue channel, and green channel individually. The range for each is 0.0 (none of the color) to
10.0, and the default for each is 1.0.
CURVES
NOTE: This menu is only available in Legacy mode. For more information, go to "Image Pipeline" on page81.
Define the individual curves for the luma, red, green, and blue channels. You can only adjust one (1) curve at a time.
Select Reset Curve to reset a curve.
LGG (LIFT, GAMMA, GAIN)
NOTE: This menu is only available in Legacy mode. For more information, go to "Image Pipeline" on page81.
Adjust the lift, gamma, and gain for the red channel, blue channel, and green channel individually.
3D LUT
Use the 3D LUT menu to apply and manage LUTs.
SELECT LUT
If you are recording to a 2K Apple ProRes or 2K Avid DNxHD/HR codec while the camera is in IPP2 mode, you can
chose to irreversibly encode (bake) the 3D LUT into the recorded file. For more information, go to "Select Record File
Format" on page132.
When you apply a 3D LUT to a monitor, the name of the 3D LUT displays in the lower left corner of the Live Action
area for that monitor. The Display Preset feature controls which Color Space / Gamma Curve pairing and/or 3D LUT is
applied to the monitor. For more information, go to "Display Preset" on page90.
NOTE: The 3D LUT indicator is part of the default "Standard (RED)" overlay, which you can override by selecting or
creating a different overlay. For more information, go to "Custom Overlays" on page102.
To apply a 3D LUT, follow the instructions below:
1. Go to Menu > Image > 3D LUT.
2. Select a LUT from the Creative 3D LUT drop-down menu.
3. Select OK.
EXPORT/IMPORT LUTS
To export and import 3D LUTs, go to Menu > Image > 3DLUT > Import/Export.
3D LUTs can be stored on the camera or transferred to SSD to be shared with other cameras. When exporting 3D
LUTs from camera to an SSD, the 3D LUTs are saved to a folder on the SSD called “luts”. When importing 3D LUTs
from an SSD to camera, the 3D LUTs must be stored on the SSD in a folder called “luts”.
: Export selected 3D LUT from camera to SSD.
All: Export all 3D LUTs from camera to SSD.
: Import selected 3D LUT from SSD to camera.
All: Import all 3D LUTs from SSD to camera.
The Monitoring menu includes tools that control different monitor outputs, Look Around, and overlays.
MONITORS
To set up monitor preferences, go to Menu > Monitoring > Monitors and select the monitor whose preferences you
want to change. You can set up preferences for each of the following monitors:
LCD Top
EVF Top
LCD Left
EVF Left
HDMI® (only available when an HDMI port is connected to the system)
HD-SDI (only available when an HD-SDI port is connected to the system)
MON-1 (only available with the DSMC2 Production Module)
SDI-1/2 (only available with the DSMC2 REDVOLT Expander and DSMC2 Production Module)
To see what monitor preferences are available, go to "Monitor Preferences" below.
MONITOR PREFERENCES
Set up the preferences for the selected monitor. Some options are only available with specific monitors.
NOTE: While some changes take effect immediately, others take effect when you close the menu.
LCD/EVF LEFT / HDMI SELECT
NOTE: This setting is available for the LCD Left, EVF Left, and HDMI.
NOTE: HDMI ports are only available on select DSMC2 expanders. For more information, go to to "Input/Output
Connectors" on page217.
Select to enable either the secondary LCD/EVF port on the camera or the HDMI port on an expander. The secondary
LCD/EVF port and the HDMI port cannot be used at the same time.
LCD/EVF LEFT / MON-1 SELECT
NOTE: This setting is available for LCD Left, EVF Left, and MON-1 when a DSMC2 Production Module is attached.
Select to enable either the secondary LCD/EVF port on the camera or the MON-1 port on the DSMC2 Production
Module. The secondary LCD/EVF port and the MON-1 port cannot be used at the same time.
Select an option for the Mode setting, which determines the elements displayed on the monitor:
Clean: Only the video displays. The Upper Status Row, Lower Status Row, and overlays do not display.
Overlay: The overlay displays. Overlays include the Upper Status Row and the Lower Status Row.
Mirror: The monitor mirrors another screen at the same resolution. You cannot mirror a screen that is set to Clean.
The Mirror option is available based on the settings of the other attached monitors, and includes the name of the
monitor that can be mirrored.
NOTE: You can set a maximum of four (4) monitors to Overlay at a time. To assign additional monitors to Overlay,
mirror a monitor with the same resolution that is set to Overlay.
NOTE: When two (2) touchscreens are attached to the camera with the same resolution and one (1) is currently the
control surface, set the other to mirror it and give the effect of having two (2) control surfaces.
OVERLAY
Select which overlay shows on top of the video. RED® provides preset overlays, which have “(RED)” in the overlay
name. Create custom overlays in the Overlay tab. For more information, go to "Custom Overlays" on page102.
RESOLUTION
Select the output resolution for monitors (you cannot select a resolution for LCDs and EVFs, since the resolution is
determined automatically). For more information about available HD-SDI and HDMI resolutions, go to "Record/Monitor
Out Ports" on page225.
FREQUENCY
Determines the monitor frequency. Available frequencies depend on the selected monitor. The LCD resolution defaults
to 60.00 Hz, which is the optimal refresh rate for the RED LCDs.
For HD-SDI monitors, the frequency depends on the project time base. For more information, go "Record/Monitor Out
Ports" on page225.
HD-SDI Auto: Sets the frequency equal to the Project Time Base, except when the Project Time Base is 47.95/48 fps.
When the Project Time Base is 47.95/48 fps, the frequency is half that rate (23.98/24 Hz).
DISPLAY PRESET
Select the Color Space and Gamma Curve combination for the monitor. For more information, go to "Image Pipeline"
on page81.
TOOLS
Enables the false color modes on the monitor. For more information, go to "False Color Modes" on page95.
FLIP VIDEO
NOTE: This setting is NOT available on the DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD, RED Touch
7.0" LCD, RED Pro Touch 7.0" LCD, and DSMC2 Touch 7.0" Ultra-Brite LCD.
Flip footage horizontally, so that it is upside down. This setting only affects the monitor, and does not affect captured
The camera can only have one (1) control monitor for interacting with camera settings. The Priority tab determines the
order in which a monitor becomes the control monitor. If you plan on removing or adding monitors during a shoot, set
up the priority list ahead of time.
For a monitor to become the control monitor, the following must occur:
The monitor must be set to Overlay mode in the Monitor Control menu.
Each monitor that has higher priority on the list must be either detached or not set to Overlay mode.
EXAMPLE
By default, the monitor priority is:
1. LCD
2. EVF
3. HDMI
If you remove an LCD when an EVF is attached, then the EVF becomes the control monitor. If you then remove the
EVF when an HDMI monitor is attached, the HDMI monitor becomes the control monitor. If you then re-attach the LCD,
then the LCD is the control monitor again.
TEST SIGNAL
Use the Test Signal menu to replace the video monitor outputs with one of the following video test patterns:
Chip Chart
SMPTE Bars
Luma
NOTE: Test signals are not recordable; they are provided to help align external HD-SDI and HDMI monitors.
AUDIO TONE
To apply an audio tone, follow the instructions below:
1. Go to Menu > Monitoring > Test Signals.
2. Toggle Tone On/Off.
LOOK AROUND
To enable Look Around, go to Menu > Monitoring > Look Around.
When Look Around is enabled, the Frame Guide and recording area are scaled down on the display so that you can
see what images will enter the recording area.
To assign a Shading overlay to the Look Around area (the area outside of the recording area), go to "Guides" on
page101.
Look Around limits the available frame rates. At high resolutions, the recording area on the display shows the full
sensor area or full sensor height, so there is no extra room for Look Around.
Look Around may affect the recorded file:
R3D: Only the area inside the frame is recorded; the Look Around area is NOT recorded.
Apple ProRes: The full image is recorded, including the Look Around area.
Avid DNxHD/HR: The full image is recorded, including the Look Around area.
The dialogs on the RED Touch 9.0" LCD are smaller than the default dialogs.
ALLOW REDUCED JUDDER PREVIEW
Reduced Judder Preview allows the camera to preview images at a refresh rate that is twice the project time base. For
example, if the project time base is 23.98 FPS or 24.00 FPS, enabling Reduced Judder Preview causes the LCD or
EVF to have a refresh rate of 48 Hz (50 Hz).
You cannot use Reduced Judder Preview when:
Varispeed is enabled.
Speed Ramp mode is enabled.
Genlock is enabled.
The shutter angle is 180° or greater.
NOTE: When you disable Reduced Judder Preview mode, the image on the EVF may be disrupted for up to three (3)
seconds.
GLOBAL FLIP/MIRROR
Applies Flip/Mirror to all monitors. For more information, go to "Flip/Mirror" on page91.
DISABLE LCD TEMPERATURE WARNINGS
Disables the “cooling advised” messages for the DSMC2 Touch 7.0" Ultra-Brite LCD. For more information, go to
"Cooling Advised Messages" on page205.
OUTPUT SHARPNESS
Control the sharpness of each monitor output. Move to the left for a sharper image; move to the right for a less sharp
image.
NOTE: The sharpness setting affects the Histogram, RAW Level Bars, RAW Clip Meter, and false color modes. For
more information, go to "Histogram" on page68 and "False Color Modes" on page95.
NOTE: The camera applies the sharpness setting to recorded proxy files.
AUTO FOCUS PEAKING
When Auto Focus Peaking mode is enabled (either Focus or Edge), the camera automatically goes onto Focus
Peaking mode when you manually adjust the focus via the lens.
Off: The camera does not automatically go into Focus Peaking mode.
Focus: The camera automatically goes into Focus Peaking mode when you manually adjust the focus via the lens.
Emphasizes contrast and edges in the image without changing brightness or image content making it easier to
judge focus.
Edge: The camera automatically goes into Focus Peaking mode when you manually adjust the focus via the lens.
Shows the edges/outlines of objects that are in focus.
Lock Touchscreen: Touchscreen control is locked. To unlock, tap the screen and follow the on-screen
instructions.
Pinch to Magnify: Move two (2) fingers apart or together to toggle Magnify. For more information, go to "Display
Modes: Magnify" on page97.
Double Tap Right to Record: Double-tap the right 25% of the video area on the LCD to toggle record.
Double Tap Left to AF: Double-tap the left 25% of the video area on the LCD to start autofocus when compatible
lenses are used.
GENLOCK OFFSET
NOTE: HD-SDI ports are only available on select DSMC2 expanders. For more information, go to "Input/Output
Connectors" on page217.
Offset the video of the HD-SDI out to align it with the genlock signal:
Negative offset: Advances the video, so the video reaches the switcher earlier than it would otherwise.
Positive offset: Delays the video, so the video reaches the switcher later than it would otherwise.
"False Color Modes: Off" below
"False Color Modes: Exposure" on the next page
"False Color Modes: Video" on the next page
"False Color Modes: Focus" on the next page
"False Color Modes: Edge" on the next page
"False Color Modes: Peaking" on page97
"False Color Modes: Gio Scope" on page97
NOTE: Only monitors with the Tools check box selected in the Monitor Control menu show the false colors. For more
information, go to "Tools" on page90.
NOTE: The sharpness setting affects the false color modes. For more information, go to "Output Sharpness" on
page93.
NOTE: False color modes affect video recorded through HDMI® or HD-SDI to an external recorder if the Tools check
box is selected in the Monitor Control menu. When recording through HDMI or HD-SDI, use false color modes only to
help configure project settings, and then disable the mode before recording.
NOTE: Since the 3D LUT modifes the data displayed for the exposure tools, you cannot use the exposure tools with a
3D LUT.
DISPLAY MODES
Display modes include:
"Display Modes: Magnify" on page97
"Display Modes: Log View" on page98
"Display Modes: RAW" on page98
"Display Modes: Horizon" on page98
"Display Modes: Zebras" on page99
FALSE COLOR MODES: OFF
To disable all false color modes, go to Menu > Overlays > Tools > False Color and select Off from the False Color
To enable, go to Menu > Overlays > Tools > False Color and select Exposure from the False Color drop-down
menu.
The Exposure tool displays a color overlay on top of a desaturated image that allows you to check for proper
exposure. When enabled, the “E√” indicator displays in the Lower Status Row.
The Exposure meter colors indicate the following information:
Purple: Underexposed; indicates sensor exposure levels that may be noisy if gained up in post production.
Green: IRE 41–48; based on the RGB levels of the video out signal and not the RAW data.
Red: Overexposed; indicates sensor exposure levels that are clipping.
Purple (underexposure) and red (overexposure) are based on RAW data and show areas that are clipping or close to
clipping. The RGB settings DO NOT affect the Exposure indicators.
FALSE COLOR MODES: VIDEO
To enable, go to Menu > Overlays > Tools > False Color and select Video from the False Color drop-down menu.
The Video tool displays a color overlay that indicates the video level of the RGB monitor path (calibrated to the
SMPTE test signal). When enabled, the “V√” indicator displays in the Lower Status Row.
Colors are based on the RGB levels of the video out signal (that is, the “cooked” look, and not RAW data). The RGB
settings affect the Video indicators.
The Video indicators represent the following IRE values (at all other values, the desaturated image represents the
NOTE: Log View is only available in IPP2 mode. For more information, go to "Image Pipeline" on page81.
To enable, go to Menu > Overlays > Tools and select Log View.
When enabled, the camera displays images in REDWideGamutRGB and Log3G10 that are only affected by the ISO,
Exposure Adjust, Color Temperature, and Tint settings. This allows you to quickly see ungraded footage that remains
unaffected by creative decisions such as the choice of 3D LUT or CDL. Log View affects the video recorded via HDMI
or HD-SDI to an external recorder, but does not affect the R3D file itself.
DISPLAY MODES: HORIZON
To enable, go to Menu > Overlays > Tools and select Horizon.
Displays an overlay that provides a reference to the position of the horizon. The Horizon overlay consists of two (2)
short side-bars that are always horizontally centered on the monitor, and a single longer horizon-line that adjusts to the
horizon based on the orientation of the camera.
The side-bars are green if the pitch is within +/– 1° of the calibrated zero position, otherwise they are red. The horizon-
line is green if the roll is within +/– 1° of the calibrated zero position, otherwise it is red.
To add numerical values for the pitch and roll to the Horizon overlay, follow the instructions below:
1. Go to Menu > Overlays > Custom.
2. Select Create..., Clone..., or Edit..., respectively, for the desired overlay action.
3. Select a location on the interface to add the numerical data for the Horizon overlay.
4. Select Motion: Gyro Data (GYRO) from the Item drop-down menu.
5. Select the desired text size.
6. Select Add.
7. Select Save.
8. Apply the custom overlay to a monitor. For more information, go to "Monitor Preferences" on page89.
NOTE: The internal gyroscope and accelerometer must be calibrated for the Horizon overlay to function properly. For
more information, go to "Gyroscope and Accelerometer Calibration" on page153.
To set up what camera and lens info displays as part of the overlay, go to Menu > Overlays > Status.
CAMERA STATUS OVERLAYS
EXPOSURE
Shutter Speed: Displays the exposure time in seconds (1/xx sec). When you change the frame rate in this mode,
the shutter speed stays the same, but the shutter angle changes. (Default)
Shutter Angle: Displays the exposure as an angle (1° to 360°). When you change the frame rate in this mode, the
shutter angle stays the same, but the shutter speed changes.
POWER
Current Batt %: Displays the remaining percentage of active battery. (Default)
Total Time: Displays the total run-time left of battery power, taking into account all available batteries.
Voltage: Displays the voltage.
VU METER
Input: Displays levels of audio inputs (pre-mixer). (Default)
Output: Displays levels of audio outputs (post-mixer).
HISTOGRAM
RGB: Displays red, green, and blue channels on histogram. (Default)
Luma: Displays luma channel on histogram.
MEDIA
Percentage: Displays media space remaining as a percentage. (Default)
Time Remaining: Displays media space remaining as time in hours and minutes (HHH:MM).
LENS STATUS OVERLAYS
APERTURE INCREMENTS
1/4 Stop: Aperture increments in 1/4 stops.
1/3 Stop: Aperture increments in 1/3 stops. (Default)
FOCUS DISTANCE
Metric: Displays lens focus distances in meters.
Imperial: Displays lens focus distances in feet and inches. (Default)
MOTION MOUNT ND AND MOTION MOUNT ISO PULL
Only applicable when using a DSMC RED MOTION MOUNT® S35 lens mount. For more information, see the RED
MOTION MOUNT Operation Guide, available at www.red.com/downloads.