Page 1
TONEBONE
™
Owner’s Manual
1638 Kebet Way, Port Coquitlam BC V3C 5W9
tel: 604-942-1001 fax: 604-942-1010 email: info@radialeng.com
www.radialeng.com
Page 2
Owner’s Manual
Index Page
1. Introduction ..................................................... 1
2. Unpacking, powering & getting connected .....2
3. Powering & getting connected ........................ 2
4. Using Tonebone – the starting point ............... 2
5. Tonebone Classic function overview .............. 3
6. Tonebone Hot British function overview......... 4
7. Changing the tube ...................................... 5~6
8. Trouble shooting ............................................. 6
Factory setups - Classic ...........................7~10
Factory setups - Hot British .................... 11~14
User setting charts - Classic ................... 15~16
User setting charts - Hot British ............. 17~18
Warranty ......................................... back cover
1. Introduction:
Congratulations on your purchase of the Radial Tonebone™
Tonebone pedals bring forth a level of quality and performance
never before realized in a tube distortion pedal. Whether set for
tones commonly described as 'edge', 'crunch', 'metal' or just
plain 'scream' the Tonebone gives you rich harmonics and deep
bass throughout a wide range of sounds.
This manual has been designed to show the user how to gain
access to those sounds and more. Once you have read through,
take time to experiment. You will find that the Tonebone is so
well designed; it is practically impossible to make it sound bad!
Most of all, enjoy. If it isn't fun, it isn't music!
™
True to the Music
1638 Kebet Way, Port Coquitlam BC V3C 5W9 www.radialeng.com
tel: 604-942-1001 fax: 604-942-1010 email: info@radialeng.com
www.radialeng.com
Radial is a division of JP Cabletek Electronics Ltd. Radial Tonebone™ manual V1.1 - 07-09-02
Specifications and appearence subject to change without notice.
1
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2. Unpacking your Tonebone:
Your Radial Tonebone pedal has been thoroughly tested at the
factory, and comes with a 15VDC power supply and this owner’s
manual. We recommend that you keep the box and original
receipt in the unlikely event that you should need to send the
unit back for servicing.
3. Powering up and getting connected:
Before you start, turn your guitar amp volume down to zero.
Tonebone comes equipped with a special 15VAC power adapter
with enough power to drive the 12AX7 tube inside. When the power
suppy is connected, the Tonebone will be in standby mode. Like all
tube amps, for best tone let your Tonebone warm up for 5
minutes so that it achieves electrical and thermal stability. The
LED on the unit lights up when the foot switch is depressed to
indicate it is powered up and ready for use.
4. Using Tonebone – The starting point:
Start with all the controls at 12 o’clock and switches set to the
off or flat position. Turn your amp up to a comfortable listening
level and adjust the LEVEL output control for unity gain, i.e.: the
level with Tonebone on (LED is on) matches the level with it off
(LED off). Now start turning knobs!
You will find that most of the controls are intuitive and extremely
sensitive to changes. In other words, small control changes will
make big changes in the sound. Take your time and experiment.
It is important to note that both the Tonebone Classic and the
Tonebone Hot British are ultra-high gain devices that have been
designed to provide ‘over-compensation’ control on all functions.
What this means is that each control when set to maximum is able
to compensate for other controls that may be completely backed
off. For instance, you may have your LEVEL wide open and your
DRIVE almost fully off. This gives you maximum flexibility but also
opens the door to over-saturation, which could lead to
uncontrollable feedback. To safeguard against this, you should
never drive all functions to maximum.
At the back of this manual are a number of setups for popular
sounds for both Tonebone models. Note that you will have to
tweak the settings shown on the setup chart to match your
specific guitar and amp set up.
In addition to the factory sound charts, a number of blank user
setting charts are included at the back of this manual.
Photocopy these handy charts and use them to save your own
‘found sounds’. Once you get a sound you like, chart the knob
positions and guitar/amp/pickup setting. These setup charts will
aid in you in getting familiar with the controls of your new
Tonebone, and help in quickly recreating your exact sounds in
the studio.
Now Go Play!
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5. Tonebone Classic Function Overview
®
LEVEL
Made in Canada15VDC · 400mA
OUTPUT
DRIVE control: Used to adjust overall amount of input gain &
1
HIGH
BRIGHT
DARK
FLAT
TOP END
LOW FILTER
12dB HIGH
7dB
OUT
MED
LOW
DRIVE GAINMID BOOST
DISTORTION
distortion. For even more drive, use the GAIN switch.
GAIN switch: Used to boost the gain at preamp input. LOW = 0dB
2
MED = +9dB HIGH = +20dB.[+] Hint: Start with GAIN in low position
and DRIVE at 9:00 o’clock and LEVEL at 3:00. Then add DRIVE.
FILTER control: Used to balance the high frequency ratio between
3
the amplifier and the ToneBone - Hint: start adjustments at the
full clockwise position and work backwards.
MID BOOST switch: Gives you +7dB & +12dB boost @ 360Hz.
4
Allows guitar to cut through the mix; especially useful for soloing.
DRIVE
INPUT
LOW control: Active ‘post-distortion’ tone control. Boost or cut
5
±14.5 dB @ 100 Hz from 12 o’clock position.
TOP END switch: BRIGHT = +6dB @ 10KHz FLAT is the
6
Recommended position when the amp’s bright switch is on. DARK: 6dB @ 3.3KHz, normally used with super bright inputs.
HIGH control: Active ‘post-distortion’ tone control. Boost or cut
7
±10dB @ 4.3KHz from 12 o’clock position.
LEVEL control: This is used to adjust the output level without
8
altering any of the tonal characteristics.
Foot-switch: True-Bypass type; i.e.: when the Tonebone is off,
9
the signal passes straight through without any effect. An on/off
status indicator LED is provided.
3
Page 5
6. Tonebone Hot British Function Overview
®
®
LEVEL
Made in Canada15VDC · 400mA
OUTPUT
DRIVE control: Used to adjust overall amount of input gain &
1
HIGH
BRIGHT
DARK OUT
FLAT
TOP END
LOW
CONTOUR
FAT 12dB
NOTCH 7dB
OUT
MID BOOSTVOICING
DISTORTION
distortion. For even more drive, use the GAIN switch.
MID BOOST switch: This gives you +7dB & +12dB @ 360Hz.
2
This allows the guitar to cut through the mix and is especially useful
for soloing.
CONTOUR control: Adjust balance of low & high frequencies in the
3
“NOTCH” & “FAT” VOICING mode. Hint: start at 12 o’clock position
VOICING switch: In NOTCH position: passive boost coloration of
4
low’s & high’s in FAT position: passive midrange tight filter.
LOW control: Active ‘post-distortion’ tone control. Boost or cut
5
±14.5dB @ 100 Hz from 12 o’clock position.
DRIVE
INPUT
TOP END switch: BRIGHT = +6dB @ 10KHz; FLAT is the
6
Recommended position when the amp’s bright switch is on. DARK =
6dB @ 3.3KHz; normally used with super bright inputs.
HIGH control: Active ‘post-distortion’ tone control. Boost or cut
7
±10dB @ 4.3KHz from 12 o’clock position.
LEVEL control: This is used to adjust the output level without
8
altering any of the tonal characteristics.
Foot-switch: True-Bypass type; i.e.: when the Tonebone is off,
9
the signal passes straight through without any effect. An on/off
status indicator LED is provided.
4
Page 6
7. Changing the tube:
Your Tonebone has been designed to provide years of performance
before changing the tube. In fact, it is unlikely that a tube change will be
necessary for two to three years or more, depending on use. Change the
tube only when a degradation of sound is noticeable.
Disassembly
1. Remove the rubber knobs by pulling them straight up. These
pressure fitted knobs should be removed with care to avoid damage.
2. Remove the nuts and washers securing the potentiometer, foot
switch, and input/output using an open ended wrench or socket.
Please use caution so as not to mar the exterior finish.
Ready to change the tube? Ok, lets
start here.
3. Remove the 4 bottom screws that hold the top and bottom
chassis halves together. Carefully separate them. Note that the
chassis top and bottom fit snugly so a little careful force may be
needed to clear the two side mounted ¼” input and output connectors.
Watch you don’t loose the nylon washer between the footswitch and
the chassis top!
Ready to wiggle tube out of the socket.
4. Remove and replace the tube: Gently loosen the 12AX7 tube in
the socket by wiggling it back and forth.
Reassembly
1. Install the PC board to the Chassis top: Carefully align the
potentiometers, LED and footswitch with the holes in the chassis and
assemble through the top. Don’t forget the nylon footswitch washer!
2. Attach the pot and footswitch washers and nuts, just finger
tight for now, to allow alignment of the jacks when the bottom is
attached.
Knobs off, nuts & washers off, side jack
nuts & washers off, now removing screws.
12AX7 tube replacement.
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Spread chassis sides to clear input &
output jacks.
3. Carefully push the chassis bottom on, spreading the sides slightly
so as not to stress the side mounted ¼” input and output jacks.
4. Attach the side ¼” jack washers and nuts: Do not over-tighten the
plastic (for isolation) jacks as they strip easily! Attach the 4 chassis
screws (don’t over-tighten). Now you can tighten up the potentiometer
shaft nuts.
5. Re-install the knobs... first rotate the potentiometer shafts fully
counter-clockwise. Place the knobs over the shafts so they point to 7
o’clock and push straight down.
6. Test the pedal to make sure it works… plug in the power. The
LED should light when you depress the footswitch and you will see the
tube filament light up through the side vents.
8. Trouble shooting:
I am not getting any sound at all…
Start by connecting your guitar directly to your amplifier and checking
each cable to make sure they work. Then, make sure that these are
plugged in correctly.
I am getting sound but no distortion…
Make sure you have not connected the Tonebone backwards by
reversing the input and output. If connections are correct, check the
tube. If the problem persists, see your Tonebone dealer.
The LED does not go on…
Check the power adaptor to make sure it is plugged in. If the LED does
not light up, check the outlet with another device to make sure power is
present. If it still does not light up, check the power supply with a
voltmeter or have your dealer check it.
Press on knobs with shafts counterclockwise and pointers at 7 o’clock.
The sound has changed, it sounds thin…
The tube may needs changing. Remove the tube and bring it to your
dealer to have him test it. If low, replace with a 12AX7.
I am getting radio signals though my amplifier…
Poor quality cables and bad grounding are usually the cause. Check to
make sure your amplifier is properly grounded with a 3-prong A/C cord
and that the wall receptacle is standard 3-prong duplex and wired
correctly. Make sure you are using high quality coaxial guitar cables with
proper shielding. Radial Tonebone pedals are engineered and tested to
ensure RF is eliminated as a source of noise.
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Page 8
Slow Hand Bluze
g
g
®
LEVEL
15VDC · 400mA
OUTPUT
Made in Canada
This sound was created using a Strat with a
Duncan Stack and used in the neck
position..
Joe Sat Solo
LEVEL
15VDC · 400mA
OUTPUT
Made in Canada
This sound was created usin
Duncan Jeff Beck humbucker in the neck
HIGH
HIGH
BRIGHT
FLAT
DARK
BRIGHT
FLAT
DARK
TOP EN D
TOP EN D
LOW
12dB
7dB
OUT
MID B OOST
LOW
12dB
7dB
OUT
MID BOOS T
a Strat with a
FILTER
FILTER
HIGH
MED
LOW
DRIVE GAIN
DISTORTION
HIGH
MED
LOW
DRIVE GAIN
DISTORTION
DRIVE
INPUT
®
DRIVE
INPUT
Adams Apple
LEVEL
15VDC · 400mA
OUTPUT
7
HIGH
BRIGHT
DARK
Made in Canada
FLAT
TOP EN D
LOW
12dB HIGH
7dB
OUT
FILTER
LOW
MED
DRIVE GAINMID BOOS T
DISTORTION
This sound was created using a Fender Strat in
e position. Great for cutting through the
the brid
DRIVE
mud!
®
INPUT
Page 9
ZZ Texas Riff
LEVEL HIGH LOW FILTER
BRIGHT
FLAT
DARK
Made in Canada15VDC · 400mA
OUTPUT
TOP END
This sound was created using a Strat with a
Duncan Jeff beck in the neck position
Chunky Rhythm
LEVEL HIGH LOW FILTER
BRIGHT
FLAT
DARK
Made in Canada15VDC · 400mA
OUTPUT
This sound was created using a Strat in the
middle position.
TOP END
12dB HIGH
7dB
OUT
12dB HIGH
7dB
OUT
LOW
MED
LOW
MED
DRIVEDRIVE
DRIVE GAINMID BOOST
DISTORTION
INPUT
DRIVE
DRIVE GAINMID BOOST
DISTORTION
INPUT
Water Smoke
LEVEL HIGH LOW FILTER
BRIGHT
FLAT
DARK
Made in Canada15VDC · 400mA
OUTPUT
This sound was created using a Strat in the
bridge position. Tons of meat.
TOP END
12dB HIGH
7dB
OUT
LOW
MED
DRIVE
DRIVE GAINMID BOOST
DISTORTION
INPUT
8
Page 10
Deep Lazy
®
LEVEL HIGH
LEVEL
LEVEL
BRIGHT
FLAT
DARK
Made in Canada15VDC · 400mA
OUTPUT
OUTPUT
TOP END
This sound was created using a stock Strat with
a Twin using the middle pick-up. Move to the
bridge pickup for more cut.
Dire Violin Singing Strat
LEVEL HIGH
BRIGHT
FLAT
DARK
Made in Canada15VDC · 400mA
OUTPUT
This sound was created using a Les Paul in the neck
position. Used with volume control for effect.
TOP END
LOW FILTER
12dB HIGH
7dB
OUT
LOW FILTER
12dB HIGH
7dB
OUT
MED
LOW
DRIVE GAINMID BOOST
DISTORTION
MED
LOW
DRIVE GAINMID BOOST
DISTORTION
DRIVE
INPUT
®
DRIVE
INPUT
Metalic Shrine
LEVEL HIGH
OUTPUT
This sound was created using a Strat in the
bridge position. Big sound with small pick-up!
9
®
LOW FILTER
BRIGHT
FLAT
DARK
Made in Canada15VDC · 400mA
TOP END
12dB HIGH
7dB
OUT
LOW
DRIVE
MED
DRIVE GAINMID BOOST
DISTORTION
INPUT
Page 11
Johnny B. Goodness
LEVEL HIGH LOW FILTER
BRIGHT
FLAT
DARK
Made in Canada15VDC · 400mA
OUTPUT
TOP END
This sound was created using a Strat in the
bridge position. Great for all kinds of
rhythms when you want extra edge.
Clean Voodoo Child
LEVEL HIGH LOW FILTER
BRIGHT
FLAT
DARK
Made in Canada15VDC · 400mA
OUTPUT
This sound was created using a Strat in the
neck position. Change the volume on the
guitar to get maximum effect.
TOP END
12dB HIGH
7dB
OUT
12dB HIGH
7dB
OUT
LOW
MED
LOW
DRIVE
MED
DRIVE GAINMID BOOST
DISTORTION
INPUT
®®®®®®®®®®
DRIVE
DRIVE GAINMID BOOST
DISTORTION
INPUT
Stone Age Sugar
LEVEL HIGH
Made in Canada15VDC · 400mA
OUTPUT
This sound was created using a Strat and a
twin. Great dynamics for rhythm.
BRIGHT
DARK
FLAT
TOP END
LOW FILTER
12dB HIGH
7dB
OUT
MED
LOW
DRIVE GAINMID BOOST
DISTORTION
DRIVE
®®®®
®®
®®®®®®
INPUT
10
Page 12
Texas Tornado
®
®
LEVEL
15VDC · 400mA
Made in Canada
OUTPUT
This sound was created using a Strat with a Duncan
Stack in the bridge position. Try also single coil in
the mid position.
Stevie R Neck
LEVEL
15VDC · 400mA
OUTPUT
Made in Canada
This sound was created using a Strat in the neck
position. Try reducing the guitar volume and bring up
for solos.
HIGH
BRIGHT
DARK
FLAT
TOP END
LOW
CONTOUR
FAT 12dB
NOTCH 7dB
OUT
DRIVE
OUT
MID BOOSTVOICING
DISTORTION
HIGH DRIVE
BRIGHT
DARK
LOW
FLAT
TOP END
CONTOUR
FAT 12d B
NOTCH 7dB
OUT
OUT
MID BOOSTVOICING
DISTORTION
INPUT
®
®
INPUT
Acey Deacy Chunk
LEVEL
Made in Canada15VDC · 400mA
OUTPUT
This sound was created using a Strat with a Duncan
in the bridge position. Adjust the drive to taste. Very
chunky tone with lots of articulation.
11
HIGH LOW
BRIGHT
FLAT
DARK
TOP END
CONTOUR
FAT 12dB
NOTCH 7dB
OUT
OUT
MID BOOSTVOICING
DISTORTION
DRIVE
®®®®®®
®®®®
INPUT
Page 13
Xtra Grind
LEVEL
Made in Canada15VDC · 400mA
OUTPUT
This sound was created using a Strat with a Duncan
in the bridge position. Great for drop tuning and fast
muted playing. Adjust Contour to taste.
Eric’s Buzz Solo
LEVEL
15VDC · 400mA
OUTPUT
OUTPUT
Made in Canada15VDC · 400mA
This sound was created using a Les Paul in the neck
position. Try rolling off the tone and then bring up the
level to offset.
HIGH LOW
BRIGHT
FLAT
DARK OUT
TOP END
HIGH
BRIGHT
DARK
LOW
FLAT
TOP END
CONTOUR
FAT 12dB
NOTCH 7dB
CONTOUR
FAT 12dB
NOTCH 7dB
OUT
OUT
MID BOOSTVOICING
DISTORTION
OUT
MID BOOSTVOICING
DISTORTION
DRIVE
DRIVE
INPUT
®
®
INPUT
Early Zeppelin
LEVELLEVEL
Made in Canada15VDC · 400mA
OUTPUT
This sound was created using a Les Paul in the
bridge position. Great vintage tones gives you tons
of personality!
HIGH
BRIGHT
FLAT
DARK
TOP END
LOW
CONTOUR
FAT 12dB
NOTCH 7dB
OUT
OUT
MID BOOSTVOICING
DISTORTION
DRIVE
®
®
INPUT
12
Page 14
Big Mean Scoop
LEVEL
OUTPUT
Dark Solo
LEVEL
OUTPUT
HIGH LOW
BRIGHT
FLAT
DARK OUT
Made in Canada15VDC · 400mA
TOP END
CONTOUR
FAT 12dB
NOTCH 7dB
OUT
MID BOOSTVOICING
DISTORTION
This sound was created using a Strat in the bridge
position. Great for metal where you want total control
over the stage... Or the world for that matter.
HIGH
BRIGHT
DARK OUT
Made in Canada15VDC · 400mA
FLAT
TOP END
LOW
CONTOUR
FAT 12dB
NOTCH 7dB
OUT
MID BOOSTVOICING
DISTORTION
This sound was created using a Strat in the middle
and then bridge position. Lots of sustain and mid to
cut through without too many overtones.
DRIVE
INPUT
®®
DRIVE
INPUT®®INPUT®®INPUT
Jethro’s Snot
LEVEL
15VDC · 400mA
OUTPUT
OUTPUT
Made in Canada15VDC · 400mA
This sound was created using a Strat in the bridge
position. Great overtones and dynamics.
13
HIGH
BRIGHT
FLAT
DARK OUT
TOP END
LOW
CONTOUR
FAT 12dB
NOTCH 7dB
OUT
MID BOOSTVOICING
DISTORTION
DRIVE
®
®
INPUT
Page 15
Crimson Solo
®®
LEVEL HIGH
OUTPUT
Vintage Strat neck pickup with tone control for this
pickup rolled off.
King Kong
LEVEL HIGH
OUTPUT
This sound was created using a Strat in the bridge
position.
LOW
BRIGHT
FLAT
DARK OUT
Made in Canada15VDC · 400mA
TOP END
CONTOUR
FAT 12dB
NOTCH 7dB
DRIVE
OUT
MID BOOSTVOICING
DISTORTION
INPUT®®INPUT®®INPUT
®®®®®®
®
LOW
BRIGHT
FLAT
DARK OUT
Made in Canada15VDC · 400mA
TOP END
CONTOUR
FAT 12dB
NOTCH 7dB
DRIVE
OUT
MID BOOSTVOICING
DISTORTION
INPUT®INPUT
Smokin’ China Grove
LEVELLEVEL
Made in Canada15VDC · 400mA
OUTPUT
This sound was created using a Strat in the bridge
position. That big 80’s Marshall tone.
HIGH
BRIGHT
FLAT
DARK
TOP END
LOW
CONTOUR
FAT 12dB
NOTCH 7dB
OUT
OUT
MID BOOSTVOICING
DISTORTION
DRIVE
14
®
®
INPUT
Page 16
®®
LEVEL HIGH
LEVEL HIGH
LEVEL HIGH
LEVEL HIGH
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Sound:
Date:
Reference:
LEVEL HIGH
LEVEL HIGH
LEVEL HIGH
LEVEL HIGH
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Sound:
Date:
Reference:
BRIGHT
BRIGHT
BRIGHT
BRIGHT
FLAT
FLAT
FLAT
FLAT
DARK
DARK
DARK
DARK
TOP END
TOP END
TOP END
TOP END
BRIGHT
BRIGHT
BRIGHT
BRIGHT
FLAT
FLAT
FLAT
FLAT
DARK
DARK
DARK
DARK
TOP END
TOP END
TOP END
TOP END
LOW FILTER
LOW FILTER
LOW FILTER
LOW FILTER
12dB HIGH
12dB HIGH
12dB HIGH
12dB HIGH
7dB
7dB
7dB
7dB
OUT
OUT
OUT
OUT
Guitar:
Pickup:
Amp:
LOW FILTER
LOW FILTER
LOW FILTER
LOW FILTER
12dB HIGH
12dB HIGH
12dB HIGH
12dB HIGH
7dB
7dB
7dB
7dB
OUT
OUT
OUT
OUT
Guitar:
Pickup:
Amp:
MED
MED
MED
MED
LOW
LOW
LOW
LOW
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DISTORTION
DISTORTION
DISTORTION
DISTORTION
MED
MED
MED
MED
LOW
LOW
LOW
LOW
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DISTORTION
DISTORTION
DISTORTION
DISTORTION
DRIVE
DRIVE
DRIVE
DRIVE
DRIVE
DRIVE
DRIVE
DRIVE
®®
LEVEL HIGH
LEVEL HIGH
LEVEL HIGH
LEVEL HIGH
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Sound:
Date:
Reference:
15
BRIGHT
BRIGHT
BRIGHT
BRIGHT
FLAT
FLAT
FLAT
FLAT
DARK
DARK
DARK
DARK
TOP END
TOP END
TOP END
TOP END
LOW FILTER
LOW FILTER
LOW FILTER
LOW FILTER
12dB HIGH
12dB HIGH
12dB HIGH
12dB HIGH
7dB
7dB
7dB
7dB
OUT
OUT
OUT
OUT
Guitar:
Pickup:
Amp:
MED
MED
MED
MED
LOW
LOW
LOW
LOW
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DISTORTION
DISTORTION
DISTORTION
DISTORTION
DRIVE
DRIVE
DRIVE
DRIVE
®®
Page 17
®®
LEVEL HIGH
LEVEL HIGH
LEVEL HIGH
LEVEL HIGH
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Sound:
Date:
Reference:
LEVEL HIGH
LEVEL HIGH
LEVEL HIGH
LEVEL HIGH
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Sound:
Date:
Reference:
BRIGHT
BRIGHT
BRIGHT
BRIGHT
FLAT
FLAT
FLAT
FLAT
DARK
DARK
DARK
DARK
BRIGHT
BRIGHT
BRIGHT
BRIGHT
FLAT
FLAT
FLAT
FLAT
DARK
DARK
DARK
DARK
TOP END
TOP END
TOP END
TOP END
TOP END
TOP END
TOP END
TOP END
LOW FILTER
LOW FILTER
LOW FILTER
LOW FILTER
12dB HIGH
12dB HIGH
12dB HIGH
12dB HIGH
7dB
7dB
7dB
7dB
OUT
OUT
OUT
OUT
Guitar:
Pickup:
Amp:
LOW FILTER
LOW FILTER
LOW FILTER
LOW FILTER
12dB HIGH
12dB HIGH
12dB HIGH
12dB HIGH
7dB
7dB
7dB
7dB
OUT
OUT
OUT
OUT
Guitar:
Pickup:
Amp:
MED
MED
MED
MED
LOW
LOW
LOW
LOW
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DISTORTION
DISTORTION
DISTORTION
DISTORTION
MED
MED
MED
MED
LOW
LOW
LOW
LOW
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DISTORTION
DISTORTION
DISTORTION
DISTORTION
DRIVE
DRIVE
DRIVE
DRIVE
DRIVE
DRIVE
DRIVE
DRIVE
®®
LEVEL HIGH
LEVEL HIGH
LEVEL HIGH
LEVEL HIGH
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Made in Canada15VDC · 400mA
Sound:
Date:
Reference:
BRIGHT
BRIGHT
BRIGHT
BRIGHT
FLAT
FLAT
FLAT
FLAT
DARK
DARK
DARK
DARK
TOP END
TOP END
TOP END
TOP END
LOW FILTER
LOW FILTER
LOW FILTER
LOW FILTER
12dB HIGH
12dB HIGH
12dB HIGH
12dB HIGH
7dB
7dB
7dB
7dB
OUT
OUT
OUT
OUT
Guitar:
Pickup:
Amp:
MED
MED
MED
MED
LOW
LOW
LOW
LOW
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DRIVE GAINMID BOO ST
DISTORTION
DISTORTION
DISTORTION
DISTORTION
DRIVE
DRIVE
DRIVE
DRIVE
®®
16
Page 18
®
®
®
®
LEVEL HIGH
LEVEL HIGH
Sound:
Sound:
Date:
Date:
Reference:
Reference:
LEVEL HIGH
LEVEL HIGH
Sound:
Sound:
Date:
Date:
Reference:
Reference:
LOW
LOW
BRIGHT
BRIGHT
FLAT
FLAT
DARK OUT
DARK OUT
TOP END
TOP END
Guitar:
Guitar:
Pickup:
Pickup:
Amp:
Amp:
LOW
LOW
BRIGHT
BRIGHT
FLAT
FLAT
DARK OUT
DARK OUT
TOP END
TOP END
Guitar:
Guitar:
Pickup:
Pickup:
Amp:
Amp:
CONTOUR
CONTOUR
FAT 12dB
FAT 12dB
NOTCH 7dB
NOTCH 7dB
FAT 12dB
FAT 12dB
NOTCH 7dB
NOTCH 7dB
CONTOUR
CONTOUR
OUT
OUT
OUT
OUT
MID BOOSTVOICING
MID BOOSTVOICING
DISTORTION
DISTORTION
MID BOOSTVOICING
MID BOOSTVOICING
DISTORTION
DISTORTION
DRIVE
DRIVE
DRIVE
DRIVE
®
®
®
®
LEVEL HIGH
LEVEL HIGH
Sound:
Sound:
Date:
Date:
Reference:
Reference:
17
LOW
LOW
BRIGHT
BRIGHT
FLAT
FLAT
DARK OUT
DARK OUT
TOP END
TOP END
Guitar:
Guitar:
Pickup:
Pickup:
Amp:
Amp:
CONTOUR
CONTOUR
FAT 12dB
FAT 12dB
NOTCH 7dB
NOTCH 7dB
OUT
OUT
MID BOOSTVOICING
MID BOOSTVOICING
DISTORTION
DISTORTION
DRIVE
DRIVE
®
®
®
®
Page 19
®
®
®
®
LEVEL HIGH
LEVEL HIGH
Sound:
Sound:
Date:
Date:
Reference:
Reference:
LEVEL HIGH
LEVEL HIGH
Sound:
Sound:
Date:
Date:
Reference:
Reference:
LOW
LOW
BRIGHT
BRIGHT
FLAT
FLAT
DARK OUT
DARK OUT
TOP END
TOP END
Guitar:
Guitar:
Pickup:
Pickup:
Amp:
Amp:
LOW
LOW
BRIGHT
BRIGHT
FLAT
FLAT
DARK OUT
DARK OUT
TOP END
TOP END
Guitar:
Guitar:
Pickup:
Pickup:
Amp:
Amp:
CONTOUR
CONTOUR
FAT 12dB
FAT 12dB
NOTCH 7dB
NOTCH 7dB
FAT 12dB
FAT 12dB
NOTCH 7dB
NOTCH 7dB
CONTOUR
CONTOUR
OUT
OUT
OUT
OUT
MID BOOSTVOICING
MID BOOSTVOICING
DISTORTION
DISTORTION
MID BOOSTVOICING
MID BOOSTVOICING
DISTORTION
DISTORTION
DRIVE
DRIVE
DRIVE
DRIVE
®
®
®
®
LEVEL HIGH
LEVEL HIGH
Sound:
Sound:
Date:
Date:
Reference:
Reference:
LOW
LOW
BRIGHT
BRIGHT
FLAT
FLAT
DARK OUT
DARK OUT
TOP END
TOP END
Guitar:
Guitar:
Pickup:
Pickup:
Amp:
Amp:
CONTOUR
CONTOUR
FAT 12dB
FAT 12dB
NOTCH 7dB
NOTCH 7dB
OUT
OUT
MID BOOSTVOICING
MID BOOSTVOICING
DISTORTION
DISTORTION
DRIVE
DRIVE
18
®
®
®
®
Page 20
RADIAL LIMITED ONE YEAR WARRANTY
Radial Engineering - a division of JP Cabletek Electronics Ltd. ("Radial") warrants this product to
be free from defects in material and workmanship to the original owner and will remedy any such
defects free of charge according to the terms of this warranty. Radial will repair or replace at its
option any defective component(s) of this product, excluding the finish, wear and tear on
components under normal use, and the tube and footswitch (which are warranted for 90 days),
for a period of one (1) year from the original date of purchase. In the event that a particular
product is no longer available, Radial reserves the right to replace the product with a similar
product of equal or greater value. To make a request or claim under this limited warranty, the
product must be returned prepaid in the original shipping container (or equivalent) to Radial or to
an authorized Radial repair centre and you must assume the risk of loss or damage. A copy of
the original invoice showing date of purchase and the dealer name must accompany any request
for work to be performed under this limited warranty. This limited warranty shall not apply if the
product has been damaged due to abuse, misuse, misapplication, accident or as a result of
service of modification by any other than an authorized Radial repair centre.
THERE ARE NO EXPRESSED WARRANTIES OTHER THAN THOSE ON THE FACE
HEREOF AND DESCRIBED ABOVE. NO WARRANTIES WHETHER EXPRESSED OR
IMPLIED, INCLUDING BUT NOT LIMITED TO, ANY IMPLIED WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE SHALL EXTEND
BEYOND THE RESPECTIVE WARRANTY PERIOD DESCRIBED ABOVE OF ONE YEAR.
RADIAL SHALL NOT BE RESPONSIBLE OR LIABLE FOR ANY SPECIAL OR INCIDENTAL
OR CONSEQUENTIAL DAMAGES OF LOSS ARISING FROM THE USE OF THIS PRODUCT.
THIS WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS, AND YOU MAY ALSO HAVE
OTHER RIGHTS, WHICH MAY VARY, FROM STATE/PROVINCE TO STATE/PROVINCE.
1638 Kebet Way, Port Coquitlam BC V3C 5W9
tel: 604-942-1001 fax: 604-942-1010 email: info@radialeng.com
www.radialeng.com
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