Warranty ...................................................................................................................... Back Cover
INTRODUCTION
Thank you for purchasing the Radial SW4 four-channel switcher. The SW4 is part of Radial’s
growing family of audio switchers designed for use in professional touring and installations where
audio routing can be advantageous.
As you delve into the SW4, you will soon come to realize that although the basic design and
functionality is quite simple, there are many little extras that have been added to provide maximum
fl exibility. This we hope will open the door to resolving challenges that may have been diffi cult
to address in the past. Please take a few minutes to read through this manual so that you can
familiarize yourself with the many features and functions. There are also a number of applications
that are worth reviewing which could open doors to other creative uses.
If after reading you have questions that are not covered in the user guide, please visit the FAQ page
on the web site. This is where we post the latest updates and answers from users. If you do not
fi nd what you need, feel free to send us an email at info@radialeng.com and we will do our best to
reply in short order.
Now get ready to start switching audio with more speed and elegance than ever before!
Note: The Radial SW4 is solely intended for use by audio professionals. These
professionals are expected to be familiar with safety issues regarding electrical
systems and sound pressure levels that could cause ear damage after extended
exposure. If you are not familiar with these, please contact your local electrical and
health authorities as Radial has no means to ensure products like the SW4 are being
used according to local rules and regulations.
True to the Music
SW4 OVERVIEW
Housed in a single space 19” rack enclosure, the Radial SW4 is a balanced analog audio switcher with four channels, each of which is equipped
with A and B XLR inputs and a dedicated XLR output. The four individual channels are essentially straight wire connections. There are no buf fers
or amplifi ers in the signal path that could distort or introduce artifact.
The signal fl ow for each channel is diagramed below. After the A and B inputs, a set of trim controls allow you to fi ne tune input levels. Switching
the A/B inputs can be done via the front panel A/B selector or using the optional JR•2 remote. Each channel may be used independently or
channels may be linked together for stereo, three-channel or four-channel switching.
BALANCED
INPUT-A
BALANCED
INPUT-B
TRIM
LEVEL
A
TRIM
LEVEL
B
LINK
SWITCH
A/B
SELECT
SWITCH
JR•2 REMOTE
A/B SWITCH
To next channel A/B switch
MUTE
ON/OFF
TRANSFORMER
GROUND
LIFT
ISOLATION
MIX
BUS
ON/OFF
CHANNEL
OUTPUT
STEREO
OUTPUT
To eliminate hum and buzz caused by ground loops, each channel output is transformer isolated and equipped with a ground lift switch. These
are rated to handle signal levels in excess of +20dB from 20Hz to 20kHz and work equally well when switching the outputs from professional
mixing consoles as they do for wireless microphones and instrument level signals.
The output from each channel may be independently routed to the stereo mix bus. This equipped with balanced XLR and ¼” outputs. The mix
bus allows you to create a stereo mix from any of the four channels. Channels-1 and 3 are routed to the left output while 2 and 4 are routed to
the right output. A top-mounted mono-sum switch may be engaged to route all four channels to both outputs.
System monitoring is fully supported with signal present LEDs on each input and a PFL (Pre-Fader Listen) system. The PFL system enables the
audio engineer to listen to the primary input-A or secondary input-B sources before switching using headphones or a powered monitor speaker.
There are many applications where the SW4 can be used. Examples include: switching backup wireless microphones or guitars on a busy
stage; switching multi-channel backing tracks from a DAW workstation for a live musical performance; switching FOH mixing consoles at a music
festival. Several of these are detailed later in the manual.
Wireless MicsDAW Workstation
PrimaryPrimary
Radial Engineering Ltd.SW4 Owner’s Manual
BackupBackup
AAAABBBB
Mixing Console
1
FOH
Mixer-1
AAAABBBB
LeftCenterRightFront Fills
FOH
Mixer-2
RRFFCCLL
FEATURE SET OVERVIEW
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True to the Music
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1. INPUT CHANNELS (1-4): Each of the four independent
channels feature A/B switching, trim level controls, LED signal
indicators and PFL monitoring.
2. STEREO LINKING: Channels may be used independently or
linked together for stereo, tri-channel or quad switching.
3. PFL MONITOR: Pre-fader listen switch allows the A or B input
to be monitored via the headphone and auxiliary ¼” mono
outputs.
4. BUS OUT: Volume control with on/off switch and LED indicator
lets you set the level of the mix bus XLR and ¼” outputs.
5. PHONES: Headphone amplifi er equipped with a level control
to monitor the stereo mix bus and PFL system.
6.POWER SUPPLY: External power supply connects with a
locking XLR connector for reliable power.
TOP PANEL DETAILS
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7. FOOT SW and LINK JACKS: The ¼” FOOT SW jack is used
to connect the optional Radial JR•2 remote control. The ¼”
LINK jack is used to pass the control command to more SW4s
and expand the number of channels.
8. BUS OUTPUTS: Stereo balanced XLR and unbalanced ¼”
outputs. Each channel can feed the bus whereby channels-1
and 3 are routed to the left output and channels-2 and 4 routed
to the right. A top mounted mono sum switch may be engaged
to route all four channels to both outputs.
9. CHANNEL INPUTS: Each channel has A and B balanced
inputs for connecting primary and backup source devices.
10. CHANNEL OUTPUT: Each of the four channels features a
balanced XLR output that is transformer isolated to prevent
hum and buzz caused by ground loops.
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See below
11. GROUND LIFT: Disconnects the ground from the channel XLR
outputs to eliminate hum and buzz caused by ground loops.
12. BUS TRIM: This ‘set-n-forget’ control is used to set the level of the
left and right ¼” outputs. It allows the XLR and ¼” bus outputs to
operate at different levels.
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13. BUS GROUND LIFT: Disconnects the ground from the stereo
bus XLR outputs to eliminate hum and buzz caused by ground
loops.
14. BUS ASSIGN: This two position switch lets you operate the
mix bus in either stereo or mono.
SW4 User Guide
True to the Music
INPUT CHANNEL DETAILS
15. ON: This switch turns the channel output on. When the channel is turned
on, the LED indicator illuminates. When turned off, the channel output is
muted.
16. BUS: This recessed switch routes the output of the channel to the stereo
mix bus. Channel-1 and 3 are routed to the left output, and channel-2 and 4
routed to the right. The LED indicator illuminates when the channel is being
routed to the mix bus.
17. A+B (CHANNEL-1 ONLY): This recessed switch allows both A and B
inputs to be active at the same time. When engaged the LED illuminates
and the A/B select switch is disabled and used to combine sources.
18. TRIM A and B: These ‘set-n-forget’ level controls are used to match the
input levels of the A and B sources for seamless audio switching.
19. A/B SELECT SWITCH and LEDs: Front panel control for toggling the A
and B inputs. LED indicators display which input source is active.
20. SIGNAL LED: Two signal present LED indicators under each trim control
illuminate when signal is detected at the A and B inputs. Used to confi rm
the source devices are connected and working before switching.
21. PFL SWITCH: This three position switch lets you listen to either the A or
B input through the headphone and auxiliary ¼” mono outputs. An LED
indicator illuminates when the PFL system is active.
22. LINK: This recessed switch ties the A/B switching to the next adjacent
channel. Allows more than one channel to be switched at the same time.
MIX BUS AND HEADPHONE DETAILS
23. BUS OUT: Controls the output level of the stereo mix bus. Features an on/
off switch and LED indicator.
24. MUTE INDICATOR: LED illuminates to show the SW4 is responding to the
MUTE command issued from the optional Radial JR•2 footswitch or DT2
desktop remotes. When active, all outputs except the front panel phones
and ¼” mono are muted.
25. PFL INDICATOR: Indicates the headphones are monitoring the PFL
system and one or more of the channel PFL switches is set to listen to its
A or B inputs.
26. PHONES: Level control and stereo ¼” output for the headphone amplifi er.
Lets you monitor the mix bus or any of the eight inputs via the PFL system.
27. MONO: ¼” headphone mix output used to connect a powered monitor,
guitar amplifi er or electronic tuner. The phones level control is used to
control the loudness.
28. XLR BUS OUTPUTS: Balanced XLR jacks output a stereo or mono mix
of the four input channels. Transformer isolated to prevent buzz and hum
caused by ground loops.
29. ¼” BUS OUTPUTS: Unbalanced ¼” jacks output a stereo or mono mix of
the four input channels. Transformer isolated to prevent buzz.
31. INPUT-A and B: Balanced A and B XLR inputs for microphone, instrument
or line-level signals. Wired to the AES standard with pin-1 ground, pin-2 hot
(+), and pin-3 cold (-).
32. XLR POWER: Locking 4-pin XLR is used to connect the external power
supply to the SW4.
33. FOOT SW JACK: ¼” jack used to connect the optional Radial JR•2 or
JR•2DT remote controls.
34. LINK JACK: ¼” jack connects to an additional SW4 and passes along
the switching and mute commands. By linking multiple SW4 units you can
switch eight or more A/B channels.
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