The term “WARNING!” indicates instructions regarding personal safety. If the instructions are not followed the result may be bodily injury or death.
The term “CAUTION!” indicates instructions regarding possible damage to physical equipment. If these instructions are not followed, it may result in
damage to the equipment that may not be covered under the warranty.
The term “IMPORTANT!” indicates instructions or information that are vital to the successful completion of theprocedure.
The term "NOTE" is used to indicate additional useful information.
The intent of the lightning flash with arrowhead symbol in a triangle is to alert the user to the presence of un-insulated "dangerous"
voltage within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to humans.
The intent of the exclamation point within an equilateral triangle is to alert the user to the presence of important safety, and operating
and maintenance instructions in this manual.
IMPORTANT SAFETY INSTRUCTIONS
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Do not submerge the apparatus in water or liquids.
7. Do not use any aerosol spray, cleaner, disinfectant or fumigant on, near or into the apparatus.
8. Clean only with a dry cloth.
9. Do not block any ventilation opening. Install in accordance with the manufacturer's instructions.
10. Keep all ventilation openings free of dust or other matter.
11. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
12. To reduce the risk of electrical shock, the power cord shall be connected to a mains socket outlet with a protective earthing connection.
13. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A
grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided
plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
14. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from
theapparatus.
15. Do not unplug the unit by pulling on the cord, use the plug.
16. Only use attachments/accessories specified by the manufacturer.
17. Unplug this apparatus during lightning storms or when unused for long periods of time.
18. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply
cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture,
does not operate normally, or has been dropped.
19. The appliance coupler, or the AC Mains plug, is the AC mains disconnect device and shall remain readily accessible after installation.
20. Adhere to all applicable, local codes.
21. Consult a licensed, professional engineer when any doubt or questions arise regarding a physical equipment installation.
22. Inspect the apparatus, including the power supply for signs of external wear and tear or signs of damage. All damage to the apparatus should
be immediately repaired by a QSC authorized service station or QSC International Distributor. Failure to perform necessary repairs could lead
to additional damage or to safety hazards. Failure to perform necessary repairs voids the limited warranty and QSC is not responsible for any
injury, harm or related damages arising from any failure to perform those repairs.
Maintenance and Repair
WARNING!:
maintenance and repair methods. To avoid a danger of subsequent damage to the apparatus, injuries to persons and/or the creation
of additional safety hazards, all maintenance or repair work on the apparatus should be performed only by a QSC authorized service
station or an authorized QSC International Distributor. QSC is not responsible for any injury, harm or related damages arising from any
failure of the customer, owner or user of the apparatus to facilitate those repairs.
TD-001578-01-C
Advance technology, e.g., the use of modern materials and powerful electronics, requires specially adapted
ii
Page 3
FCC Statement
NOTE:
FCCRules.
These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses
and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct
the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
Warranty
For a copy of the QSC Limited Warranty, visit the QSC website at www.qsc.com
Para una copia de la Garantía Limitada de QSC, visite el sitio web de QSC, en www.qsc.com
Pour obtenir une copie de la garantie limitée de QSC, visitez le site de QSC à www.qsc.com
Besuchen Sie die Webseite von QSC (www.qsc.com) um eine Kopie der beschräenkte Garantie von QSC zu erhalten.
如果您想要QSC有限保修的複印本,请造访QSC品的网站www.qsc.com
Для ознакомления с условиями ограниченной гарантии, посетите страницу компании QSC в интернете www.qsc.com
The information provided in this section gives you a detailed description of the screens and controls for the Music & Paging Zone Mixer and the
Music & Paging Zone Mixer remote apps.
Getting Started
The QSC MP-M music and paging mixers are fixed architecture mixer/processors offering unprecedented capabilities combined with ease of
configuration and operation. The products are intended for retail and hospitality applications in which high-quality audio from various sources
is routed to multiple zones. Live mixing functions are also supported for applications requiring reinforcement of entertainment, presentations or
conferences.
System Requirements
The MP-M Apps support:
• Android – 5.0 or later
• iOS – 8.0 or later
• macOS – 10.9 or later
• Windows – 10
MP Install
This app (for iOS / Android tablets, Windows and Mac OS) allows system designers and installers to
quickly and easily design and configure systems for MP-M Series mixers. This wireless control features
an intuitive Workflow Wizard to navigate through room tuning and speed commissioning.
MP Manage
For wireless control, the MP Manage app (for iOS / Android tablets and smartphones) provides end users day-today operation of basic system functions including zone level, source selection, scene recall, scheduling, and mixer
control. It also offer a unique store-and-forward zone paging functionality to the MP-M Series mixer.
MP-MFC Controllers
The MP-MFC Controllers are intuitive wall mount controls to enable customizable system adjustments for the MP-M
Series music and paging mixer. They provide zone source selection, zone output level, select input levels, and scene recall.
Designers can configure these peripherals to provide end users with as much or as little control over the system as needed.
TD-001578-01-C
1
Page 8
MP-M Hardware
Front Panel
NOTE:
1.
CUE
– Headphones, 3.5 mm, stereo
2.
USB
– USB-A (rear panel – 1, front panel – 1), firmware & configuration uploads, USB Wi-Fi
3.
STATUS
4.
POWER
–
–
MP-M80 is shown.
ActionAppearance Definition
OffOK
OnBooting
Slow BlinkFirmware Upgrade
SOS BlinkUpgrade Failure
OnOff
Rear Panel
NOTE:
MP-M80 is shown.
19
1.
INPUTS (MIC/LINE)
connectors
2.
INPUTS (MONO SUMMING)
3.
OUTPUTS (LINE LEVEL)
Euroblockconnectors
MUSIC ON HOLD
4.
5.
USB
– USB-A (rear panel – 1, front panel – 1), firmware & configuration uploads, USB Wi-Fi
6.
Ethernet
7.
GPI
8.
MFC
9.
AC Mains
– RJ45 For connecting to a network, wired and/or wireless.
– 2 Inputs, Euroblock
– MP-MFC ports, up to 4 MFC’s per connection, 2 RJ45 connectors
– power connection, 100-240 V, ~85 W, 50/60 Hz
CAUTION!:
– Mic / Line Inputs, balanced, 12 V Phantom power, MP-M80 has 8 inputs, MP-M40 has 4 inputs, 6-pin Euroblock
– RCA Pairs, summed to mono, MP-M80 has 8 pairs, MP-M40 has 4 pairs
– Balanced, Line Level, MP-M80 has 8 line level outputs, MP-M40 has 4 line level outputs, 6-pin
– Transformer-balanced, 3-pin Euroblock connector
If AC power is removed, wait for 5 seconds before reapplying the AC power.
THD<0.005%, +4 dBu and -2 dBr; 20 Hz-20 kHz, unity gain, any input to any output
Frequency response20 Hz-20 kHz +/-0.5 dB, mic/line or line input to any line output
Dynamic range>106 dB unweighted
Crosstalk>90 dB typical, >80 dB max
Gain (mic inputs)51 dB
Maximum input level+24 dBu (mic/line inputs), +10dBV (line inputs)
Maximum output level+21 dBu (line-level outputs), +10dBV (Music on Hold)
Phantom powerAll microphone inputs (+12 volts)
Latency2.3 msec
Input Processing
EQ4-band parametric EQ with high/low shelving option, variable 24 dB/octave HPF and LPF
DynamicsGate, choice of Auto Gain Control (AGC) or compressor
Output Processing
EQ1/3 octave GEQ
Anti-feedback filters12-band variable notch filters
DynamicsComp/limiter, ducker, loudness
Delay100 msec
Loudspeaker tunings
Control Accessories
MP-MFCOptional wall controller
MP InstallFor configuration/design functions (for iOS/Android tablets, Windows and Mac OS PCs),
MP ManageFor end user control functions (for iOS/Android tablets and smartphones)
Other Connections
Ethernet1 x RJ45 for connection to Wi-Fi router (user supplied)
MP-MFC ports 2 x RJ45
USB2 USB-A (firmware & configuration uploads, USB Wi-Fi)
GPI2 inputs (Euroblock)
Power requirements100-240VAC, 50-60 Hz, universal supply, IEC inlet
Indicators
Dimensions (Net)
Weight
Shipping11.0 lb (5.0 kg)
Net7.0 lb (3.2 kg)
Specifications are subject to change without notice.
Factory: Intrinsic Correction™ voicing for QSC loudspeakers
User: 6-band parametric EQ, HPF & LPF (Linkwitz-Riley or Butterworth; 12, 18 or 24 dB/octave)
Blue POWER LED, blue STATUS LED
1.75 in x 19 in x 14 in (4.5 cm X 48.3 cm X 35.6 cm)
TD-001578-01-C
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Page 10
MP Install
1
MP Install is an app that runs on iOS, Android and Windows. It is intended for use by system designers and installers. See the Network section of
this document for instructions on logging in to a new MP-M for the first time.
Control Panel
The Control Panel (right side of screen) provides navigation
to all mixer controls, indicators and functions.
Navigational Controls
1.
Inputs
– Opens a screen that displays icons
representing the controls and processing blocks for
input channels.
2.
Outputs
representing the controls and processing blocks for
output channels.
3.
Mixer
4.
Setup Wizard
checklist of setup tasks and links to areas of the mixer
where the tasks are performed.
5.
Menu
functions for the system.
Operational Controls
6.
Cue Level
7.
Copy
but simple copy and paste function. Copy and Paste is
context sensitive so what you are looking at is what will
be copied. Only “like” things can be copied and pasted
from and to each other. For example, a PEQ cannot
be pasted to a GEQ. Some screens cannot be copied,
for example the Inputs Home screen. In these cases a
dialog displays saying “Copy not available here”.
8.
Prev
or previous channel.
9.
Nudge
decreases the value setting of the selected control.
10.
Zero
factory default value.
11.
Fine
that will be applied by the Nudge buttons.
12.
Cue Level
of audio from the Cue output jack.
13. Cue Level
pop-up.
– Opens a screen that displays the icons
– Opens the MP-M built-in mixer screen.
– Opens a screen that provides a
– Opens a screen providing access to the setup
button – Opens the Cue Level pop-up.
and
Paste
buttons – The MP-M has a powerful
&
up & down buttons – Increases or
button – Returns the selected control to its
button – Decreases the amount of change
Next
buttons – Navigate to the next
fader – Touch and drag to adjust the level
Close
button – Touch to close the Cue fader
6
7
8
9
10
2
3
4
12
5
13
11
TD-001578-01-C
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Page 11
Input Channels
+12 V
To Outputs
To Outputs
Wireless Paging
To Outputs
Mixer
Input Channels Block Diagrams
Mic/Line Input Channels and Auto-Mixer
MP-M40: 1 of 4 Mic/Line Inputs / MP-M80: 1 of 8 Mic/Line Inputs
Gain
Delay
Polarity
Φ
Automatic Microphone Mixer
Compare
Compare
Compare
Compare
MP-M40: 4 Channels
MP-M80: 8 Channels
Mic/Line
Input 1
From
Mic/Line
Input 1
From
Mic/Line
Input 2
From
Mic/Line
Input 3
From
Mic/Line
Input 4
Mic Pre
A/D
Line Inputs, USB Inputs, Music on Hold, Cue, Wireless Paging
High CutPEQComp
Low Cut
Auto-Mixer
Algorithm
Gate
To
Mic/Line
Ch. 2
To
Mic/Line
Ch. 3
To
Mic/Line
Ch. 4
Store &
Forward
From GPI
or Gate
AGC
Gain
Gain
Level
Pan
Mute
Mute
FX
Cue
Mixer
L R
FX
Touch Inputs
Cue
L R
To Cue
To FX
To Mixer
MP-M40: 1 of 4 Mic/Line Inputs / MP-M80: 1 of 8 Mic/Line Inputs
Line
Input 1
Low Cut
High CutPEQ
Low Cut
High CutPEQDynamics
Low Cut High CutPEQAGC
Level
Low Cut High CutPEQAGC
Line
Input 1 & 2
Linked
USB Input
Music On Hold
MOH Source
Selection
From Inputs
From
Wi-Fi
Signal
Generator
From
Cue
Sum
A/D
A/D
A/D
Frequency
Sine
Noise
Delay
Delay
Dynamics
DAC
Level
Gain
Gain
Level
Gain
Gain
Noise Level
Cue
Gain
Gain
Mute
Mute
Cue
Mute
Mute
Cue
DAC
DAC
Pan
Balance
Cue
Mute
Cue
FX
FX
Line inputs only
L R
L R
FX
Cue
To Mixer
To FX
To
Linked
Outputs
To Cue
Music
On
Hold
To Cue
To Cue
To
Outputs
Phones
TD-001578-01-C
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Page 12
Input Channels – Home Screen
The Inputs home screen displays a high-level overview
of the channels in a channel bank along with links to the
various control groups, Setup, PEQ, Dynamics, and so on.
– Touch to access the Presets screen to access recall, reset, save / save as, Factory and User presets, and more.
– Dark button indicates the PEQ is not engaged, light button indicates the PEQ is engaged. Touch the button to access the PEQ
screen where all PEQ parameters and engaging / disengaging the PEQ can be accessed.
7.
Dynamics
– The Dynamics consists of a Compressor and an AGC. A dark button indicates the Compressor / AGC is not engaged, light
button indicates the Dynamics are engaged. Touch the button to access the Dynamics screen where switching between the AGC or Compressor,
and modifying all parameters and engaging / disengaging the Dynamics can be accomplished.
8.
Gate
– Dark button indicates the Gate is not engaged, light button indicates the Gate is engaged. Touch the button to access the Gate
screen where you can modify all Gate parameters and engage / disengage the Gate.
TD-001578-01-C
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Page 13
Input Channel − Navigation
Mic/Line
and Master Controls
Input channels are the audio source for all Output Zones
and for the MP-M Internal Mixer. All controls on the input
channels affect the Mixer and the Output Zones with the
exception of the Fader, Pan and Auto-Mix which affect only
the Mixer. When an Input Channel is selected the following
controls and indicators are available
Input Channel Navigation Controls
The icons at the top of the screen are used to navigate the
channel processing blocks. Refer to the individual topics
for details of the following:
1.
Setup
– The Setup screen provides controls to
change the channel name, input trim, and various
otherfunctions.
2.
Overview
provides controls for most of the parameters
associated with a channel.
3.
Presets
recall, save, and manage presets.
4.
PEQ
adjust the parametric EQ for the channel.
5.
Dynamics
either.
6.
Gate
7.
Prev / Next
Input1.
Input Channel Master Controls
– The Overview screen displays and
– The Presets screen provides controls to
– The Parametric EQ screen provides controls to
– The Dynamics screen provides the option to select the Compressor or AGC (Automatic Gain Control), and the controls to adjust
– The Gate screen provides controls to setup and make adjustments to the Gate.
– Navigates to the next or previous channel. The buttons cycle through the Input, Line In, and FX channel, then loops back to
Inputs
1
3
2
4
5
Touch an
Input Bank
(RCA / More)
6
11
12
13
Touch a Channel
7
8
9
16
10
14
15
17
18
Setup Button
8.
Channel
9.
Cue
10.
Channel Type and Number
label – Displays the name as entered in the Setup screen’s Input Name field.
– Sends the pre-fader channel signal to the Cue headphone output.
– Displays the type of channel (Mic, Stereo, Playback, Record, FX) and its number. This cannot be changed.
11. G – Indicates that the Gate for the channel is engaged or not.
12. C – Indicates that the Dynamic processing (Compressor or AGC) for the channel in engaged or not.
13. P – Indicates that Phantom power for the channel is engaged or not.
14.
Meter
– Indicates the channel signal level. This meter is Pre-fader.
15.
Mute
– Mutes the channel going to the zones and to the MP-M internal mixer.
NOTE:
The MP-M includes an internal mixer. The following controls adjust the channel’s signal in the mixer only and have no effect
on the channel signal that is sent to the zones.
16.
Fader
– Adjusts the level of the channel’s signal in the MP-M internal mixer.
17.
Pan
– Adjusts the Left/Right balance of the channel in the MP-M internal mixer.
18.
Auto-Mix
(microphone inputs only) – Applies the Auto-Mixer (see the Mixer Section topic) to the channel.
TD-001578-01-C
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Page 14
Input Channel − Setup
Mic/Line
Inputs
Touch an
Input Bank
Touch a Channel
Setup Button
The setup screen includes a number of functions that are
primarily “set once and forget”. Channel Setup is provided
for all input channels.
1.
Setup
button – Selects the Setup screen.
2.
Stereo Link
button – Links / unlinks adjacent
channels for stereo operation. The odd numbered
channel settings are copied to the even numbered
1
4
5
(RCA / More)
2
3
6
channel. Pan settings are mirrored. Only odd/even
linking is supported (1-2, 3-4, etc.). Even/odd linking
(2-3, 4-5) is not available.
3.
Reset
button – Returns all Setup settings, for this
channel, to default values.
4.
Input Name
field – Displays the name of the channel.
7
8
Touch to display a keyboard and rename the channel
with a “friendly name”. Use only upper and lower case
alpha characters.
5.
Polarity
inputsignal.
6.
Channel Safe During Scene Recall
switch – Inverts the polarity of the
switch – When
9
10
set to Safe, the channel will not be affected by a
scenerecall.
7.
Input Trim
knob – Adjusts the input sensitivity for the
Mic/Line channels. Not available on the USB Player or Wifi Paging.
8.
Phantom Power
switch – Turns phantom power on or off for the channel (Mic/Line input channels only). (available on MP-M80 channels1-8
and on MP-M40 channels 1-4)
9.
Video Sync Delay
slider – Video Sync Delay allows the audio to be delayed by up to 100 milliseconds. The delay value is also displayed in feet
and meters. This feature is typically used to compensate for “lip flap” which occurs when the latency of a video signal is greater than that of the
accompanying audio.
10.
Delay Enable
switch – Engages or disengages the Video Sync Delay.
TD-001578-01-C
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Page 15
Input Channel − Overview
Mic/Line
Touch
Inputs
Touch an
Input Bank
Touch a Channel
Overview Button
The Input Overview screen displays an at-a-glance view
of the settings for the selected input. Most controls on this
screen also appear on other input screens.
To copy all the settings for an input, touch the Copy button
while this screen is displayed. To paste the settings to
1
(RCA / More)
2
3
another input, navigate to the target input and touch Paste.
The following items are available on the Input Channel
Overview screen.
1.
Navigation
icons – Touch an icon to navigate to the
associated Input Channel processing block. (See topics
for details.)
2.
Preset
button – Displays the currently active input
4
5
6
7
8
preset. Touch the field to navigate to the Presets
processing block to recall or manage presets. This field
is not available on the USB Player or WiFi channels.
9
10
11
(See topic for details.)
3.
Reset
button – Touch to reset all Input Channel
controls to the factory default setting.
4.
Input Trim
knob – Adjusts the input sensitivity for the
Mic/Line channels. Not available on the USB Player or
Wifi Paging.
5.
Stereo Link
button – Links adjacent, odd/even
channels for stereo operation. Not available on the USB Player or WiFi channels.
6.
Phantom Power
switch – Turns phantom power on or off for the channel (Mic/Line input channels only). (available on MP-M80 channels1-8
and on MP-M40 channels 1-4)
7.
Polarity
8.
Gate
switch – Reverses the polarity for the channel signal. Available on Mic/Line input channels only.
– Available controls on this screen are: In, Threshold, Attack, Release, Attenuation, and Hold. Select a control and use the Nudge buttons
to change values. Not available on the USB Player or WiFi channels. (See topic for details.)
9.
Delay
knob and
10.
PEQ
– Available controls on this screen are: In, HPF, LPF, Gain, and Frequency. Select a control and use the Nudge buttons to change values.
Enable
button – Adjusts delay and enables / disables the delay. Not available on the USB Player or WiFi channels.
(See topic for details.)
11.
Comp
and
AGC
–
a. Available controls for the Compressor on this screen are: In, Thresh, Attack, Release, Ratio, and Gain. Select a control and use the Nudge
buttons to change values. (See topic for details.)
b. Available controls for the AGC on this screen are: In, Max Target, Min Target, Max Gain, Threshold, and Release. Select a control and use the
Nudge buttons to change values. (See topic for details.)
TD-001578-01-C
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Page 16
Input Channel − Presets
1
The MP-M includes presets for speech and musical
instruments. The musical instrument presets are intended
for applications in which the Mixer section is used for
reinforcement of live entertainment.
An Input Channel Preset consists of settings for the
channel EQ, dynamics and gate that can be saved and
recalled. The channel name and level settings are also
stored with the preset but may be omitted from a preset
recall by setting the Recall Omits switches to omit them.
Factory Presets
1.
Presets
2.
Preset Info
message with details about the current Preset. Touch
OK on the pop-up to close.
3.
Current Preset
currently active preset.
4.
Factory / User switch
switch to Factory. Selects between the internal factory
presets or user presets. Refer to the User Presets topic
for details.
5.
Recall Omits
unaffected by a preset recall. The parameters that can be selected are:
the switch is “on”.
6.
Recall
7.
Selection windows
button – Displays the Presets screen.
button – Touch to displays a pop-up
field – Displays the name of the
– For this topic, set the
– Allows selected parameters to be
button – Touch to recall the preset selected in the Selection windows.
– These windows (
Input, Type
, and
Preset Name
InputsTouch an Input Bank
Mic/Line
(RCA / More)
2
4
Levels, Name, 12V
5
7
phantom power. The parameter is selected when
) are used to select a preset for recall.
Touch a Channel
Presets Button
3
6
12 V
TD-001578-01-C
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Page 17
User Presets
1
The User Preset screen is where custom user tunings and
presets are stored and managed.
1.
Presets
2.
Save / Save as
message with details about the current Preset. Touch
OK on the pop-up to close.
button – Displays the Presets screen.
button – Touch to display a pop-up
TIP:
If a Factory Preset is recalled, it
can then be saved as a user preset. This
InputsTouch an Input Bank
Mic/Line
(RCA / More)
2
4
8
9
5
7
3
6
10
Touch a Channel
Presets Button
can be used as a start on which to build
custompresets.
Save Preset As
a.
field – touch the field to access a
11
12
keyboard and enter a different name for the preset
or, leave the name as it is, and continue to the
13
14
nextstep.
b.
Storage Location
switch – Select either
MP-M Internal (on the mixer), or USB attached to
themixer.
c.
Save
button – Touch the button to save the preset
15
in the selected location.
d.
Cancel
button – Touch the button to exit the dialog
without saving the preset.
3.
Current Preset
4.
Factory / User switch
field – Displays the name of the currently active preset.
– Selects between the internal factory presets or user presets. User
2a
presets may be stored and recalled to and from the MP-M internal memory or an attached
USB storage device.
5.
Recall Omits
– Allows selected parameters to be unaffected by a preset recall. The
2b
parameters that can be selected are: Levels, Name, 12V Phantom power. The parameter is
selected when the switch is “on”.
6.
Recall
button – Touch to recall the preset selected in either the MP-M Internal, or the USB
2c2d
External list.
7.
Selection windows
– These windows (App Storage, MP-M Internal, and USB External) are
used to select a preset for recall and to copy presets from one location to another.
8.
App Storage
list - Displays any user presets stored in the internal memory of the device being used to control the MP-M. When this panel is
selected, the Copy to MP-M button will copy the preset to MP-M internal memory. You cannot Recall a preset from App Storage. To Recall, save
the preset to MP-M Internal, then Recall.
9.
MP-M Internal
list – Displays any user presets stored in the MP-M internal memory. When this panel is selected, the selected Preset can be
copied to either the App Storage or USB External. In addition, the Preset can be recalled, then be saved or saved as a different preset.
10.
USB External
copied to the MP-M Internal storage. In addition, the Preset can be recalled, then can be saved or saved as a different preset.
list – Displays any user presets stored on a connected USB device. When this panel is selected, the selected Preset can be
One item in the App Storage list, MP-M Internal list, or the USB External list must be selected for the following controls to be available.
11.
Copy To MP-M
12.
Copy to USB
13.
Copy To App
14.
Copy to MP-M
15.
Delete
button – Deletes the selected preset.
button – Touch to copy a selected preset from the App Storage to the MP-M Internal storage.
button – Touch to copy a selected preset from the MP-M Internal storage to the USB storage.
button– Touch to copy a selected preset from the MP-M Internal storage to the App Storage.
button– Touch to copy a selected preset from the USB External storage to the MP-M Internal storage.
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Page 18
Input Channel − PEQ
This screen controls and displays the settings for the
Input Channel parametric equalization.
The PEQ is a 4-band, fully parametric EQ that includes
variable HPF (High Pass Filter) & LPF (Low Pass Filter).
• The HPF is variable with a range of 20 Hz
to 2,000 Hz. It passes frequencies above
the setting while cutting those below.
• The LPF is variable with a range of 1 kHz
to 20 kHz. It passes frequencies below the
setting while cutting those above.
• Bands 1 and 4 may be configured as
shelvingfilters.
1.
PEQ
tab – Selects the EQ screen.
2.
PEQ Out/In
3.
RTA On
analyzer that displays the tonal balance of the
channel’s signal including peak hold indicators.
– Engages / disengages the equalizer.
– Engages / disengages the a real time
Inputs
2
6
7
9
10
8
1
11
12
13
Touch an
Input Bank
Mic/Line
(RCA / More)
34
5
10
Touch a Channel
PEQ Button
9
NOTE:
Only one RTA may be running on
15
14
15
the system at a time. Touch the RTA
The RTA is currently being
used by [device name]. Do
you want to assign it in-
stead to this device?
YesNo
Simple
4.
button. If another device is using the RTA,
the message to the right displays.
NOTE:
When the RTA is off, the Parametric EQ graph expands to use the entire graph area.
button – Hides the Frequency, and Q controls for all bands and low and high cut filters. Changing to Simple mode does not affect
existingsettings.
5.
Reset
button – Sets all the PEQ controls to their factory default position.
6.
RTA
display – Displays the amplitude of the channel signal in 1/3 octave bands. Peak hold indicators are displayed for each band.
•
RTA
graph vertical scale – Represents audio level from -60 dB to-5dB.
•
RTA
graph horizontal scale – Represents frequency from 31.5 Hz to 16 kHz.
7.
Parametric EQ
graph – A graphic representation of the equalization curve based on the PEQsettings. The trace dims to indicate that the PEQ
is Out(disengaged).
•
EQ
graph vertical scale – Represents audio level from -20 dB to+20dB.
•
EQ
graph horizontal scale – Represents frequency from 20 Hz to 20 kHz.
8.
EQ
handles – Touch, hold, and drag to change the Frequency and Gain of the associated PEQ band. The frequency band button must be
engaged to see the handles.
9.
High Pass
10.
Low Shelf and High Shelf
and
Low Pass
buttons – Engages / disengages the HPF and LPF (described above).
filter buttons – Changes EQ Band 1 and Band 4 from parametric filters to shelving filters. When a shelf filter is
engaged, the Q control is not available. The low shelving filter raises or lowers a range of frequencies below the set frequency. The high shelving
filter raises or lowers a range of frequencies above the set frequency.
11.
Frequency Bands 1, 2, 3, and 4
buttons – Engages / disengages the associated parametric EQ band. Each band is fully parametric with a
frequency range of 20 Hz to 20 kHz.
12.
Gain
control knob and readout – Adjusts the gain at the frequency setting of the associated EQ band. Range of -15 dB to +15 dB.
13.
Freq
control knob (Frequency bands 1 – 4) – Sets the center frequency of the associated EQ band. If the Shelving filter is engaged, the Freq
control sets the knee frequency of the shelf filter.
14. Q knob – Adjusts the Q of the associated EQ band. When the Shelf Filter is selected, the Q control is hidden. In addition, Q can be adjusted by
“pinching”.
15.
Freq control knob
(Low and High Cut) – Sets the frequency of the low and/or high cut filter as measured from a point 3 dB below 0 or unity.
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Page 19
Input Channel − Dynamics
1
(Compressor / AGC)
The Input Channel Dynamics processing block may
be configured as either a Compressor or an Automatic
Gain Control (AGC).
Compressor
The Compressor controls the dynamic range of a signal
above a setThreshold.
1.
Dynamics
screen.
2.
Compressor / AGC
Compressor or AGC.
3.
In
switch – Engages and disengages the
Compressor or AGC processor.
4.
Knee In
Determines how
abruptly or gradually the
compressor transitions
in and out of gain
reduction as the threshold
iscrossed.
5.
Simple
When on, it hides all controlsexcept:
• Compressor / AGC
• Comp In
• Simple
• Reset
• Compression (Threshold)
All other controls remain at the value set prior to engaging the Simple mode button.
6.
Reset
7.
Input
8.
Reduction
of whether the In button is engaged or not.
9.
Output
10.
Compressor
•
•
•
•
11.
Threshold
12.
Attack
13.
Release
14.
Ratio
15.
Gain
16.
Compressor in/out
button – Selects the Compressor / AGC
button – Selects either
button –
Knee
In
button – Turns Simple mode on and off.
button – Sets all the Compressor and AGC controls, for this channel, to their factory defaultposition.
meter – Displays the RMS input signal level.
meter – The red display indicates how much the signal is being reduced by the compressor. This meter displays a signal regardless
meter – Output level after any applied compression
graph – Vertical scale from 0 dB to -60 dB; horizontal measurement is time. When engaged, the trace displays.
Threshold
Attack
Ratio
Release
thethreshold.
slider – Sets the ratio of input level change to output level change when the signal exceeds the threshold.
slider – Adjusts the overall output gain to makeup any loss after the signal is compressed.
(A) – The level at which compression begins.
time (B to E) – The time it takes for the compression to reach its maximum compression after the input exceeds the thresholdlevel.
(A to E) – The amount of compression applied to the signal.
time (C to D) – The time it takes for the compressed signal to rise to the threshold level once the input level no longer exceeds
slider – Sets the point at which the compressor begins to reduce signal level.
slider – Adjusts how quickly the compressor reacts to a signal that exceeds the threshold.
slider – Adjusts how quickly the compressor stops compressing when signal falls below threshold.
indicator – When the Compressor (or AGC) is In, an orange “C” displays on the channel controls strip.
2
7
10
BECDA
Out
InputsTouch an Input Bank
Mic/Line
(RCA / More)
3
8
11
12
13
14
15
4
6
5
Touch a Channel
Dynamics Button
9
16
TD-001578-01-C
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Page 20
Automatic Gain Control (AGC)
1
The Automatic Gain Control is used to compensate for
variations in the audio level of the source material.
1.
Dynamics
screen.
2.
Compressor / AGC
Compressor or AGC.
3.
In
AGCprocessor.
4.
Reset
AGC controls, for this channel, to their factory
defaultposition.
5.
Input
6.
Reduction
level has been altered by the AGC. The center (0
dB) indicates that no gain change is being applied.
Rightward movement of the meter indicates that
gain is being applied. Leftward movement indicates
attenuation (reduction) of the signal level.
7.
Output
after AGC has been applied.
8.
AGC
When the AGC is engaged, the trace is displayed.
a.
b.
c.
9.
Max Target
10.
Min Target
11.
Max Gain
12.
Threshold
intentional silence and the AGC will apply no additional gain.
13.
Release
14.
AGC
button – Selects the Compressor / AGC
button – Selects either
switch – Engages and disengages the
button – Sets all the Compressor and
meter
–
Displays the RMS input signal level
meter – Indicates how much the signal
meter – Indicates the output signal level
graph – Vertical scale from 0 dB to -60 dB.
Max Target
Min Target
Threshold
– Indicates the maximum level that the AGC will maintain.
– Indicates the minimum level that the AGC will attempt to maintain.
– Indicates the level at which the AGC becomes active / inactive.
slider – Sets the maximum level that the AGC will maintain.
slider – Sets the minimum level that the AGC will attempt to maintain.
slider – Sets a limit on the amount of gain the AGC will apply regardless of the target settings.
slider – Sets the level at which the AGC becomes active / inactive. Signals that fall below the threshold level are assumed to be
slider – Adjusts how long the AGC holds its gain change after the input signal level changes.
in/out indicator – When the AGC (or Compressor) is In, an orange “C” displays on the channel controls strip.
Touch
Inputs
Touch an Input Bank
Mic/Line
(RCA / More)
Touch a Channel
Dynamics Button
2
5
8
8a
8b
8c
3
6
9
10
11
12
13
4
7
14
NOTE:
The AGC should not be used on microphone inputs if there is any possibility of feedback.
If the source device lacks an output volume control, use the input channel gain control to simulate low and high level playback. Use
the Cue output and headphones to listen to the results of the AGC.
To Adjust the AGC
1. Using program material that is slightly greater in level than the desired maximum signal level, adjust the Max Target slider until the Reduction
indicates a slight amount of gain reduction by moving to the left of center.
2. Using program material that is slightly lower in level than the desired minimum signal level, adjust the Min Target slider until the Reduction
Meter indicates a slight amount of gain addition by moving to the right of center.
3. If some low-level passages of the program material are being boosted excessively, use the Max Gain control to decrease the maximum gain the
AGC applies.
4. With no program material playing, adjust the Threshold so that the Reduction Meter shows no additional gain being applied. This adjustment
prevents the AGC from applying full gain to residual noise from the sources when no signal is present.
TD-001578-01-C
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Page 21
Input Channel − Gate
Mic/Line
The Gate passes audio above a set Threshold, and
attenuates audio below the Threshold. In addition,
the Gate is used as part of the Store & Forward
pagingfunction.
1.
Gate
button – Selects the Gate Screen.
2.
Gate In
3.
Simple
Hides all controlsexcept:
• Gate In button
• Simple button
• Reset button
• Gating slider
4.
Reset
factory default position.
5.
In
6.
G.R.
the signal is being reduced by the Gate.
7.
Out
8.
Gate
turns green. Horizontal axis is time, vertical axis
islevel.
• Threshold (A)
• Attack time (A-B)
• Release time (C-D)
• Attenuation Level (E).
9.
Threshold
10.
Attack
11.
Release
12.
Attenuation
13.
Hold
drops below the Threshold.
14.
Gate in/out
switch – Engages or disengages the Gate.
button – Turns Simple mode on and off.
button – Sets all the Gate controls to their
meter – RMS input level
meter – Gain Reduction – indicates how much
meter – Output level
graph – When the Gate is engaged, the trace
slider – Sets the point at which the Gate allows audio to pass.
slider – Adjusts how quickly the gate reacts to a signal that exceeds the threshold.
slider – Adjusts how quickly the Gate attenuates the audio when signal falls below threshold.
slider – Sets the amount of attenuation applied to the output when the signal is below the Threshold.
slider – Sets the minimum time the Gate stays open once it is opened, and the length of time the Gate stays open after the input level
indicator – When the Gate is In, a green “G” displays on the channel controls strip.
InputsTouch an Input Bank
(RCA / More)
2
5
8
A
A
B
E
DC
1
34
6
9
10
11
12
13
7
Touch a Channel
Gate Button
14
TD-001578-01-C
15
Page 22
Input Channel − USB Player Setup
The setup screen includes a number of functions that are
primarily “set once and forget”. Channel Setup is provided
for all input channels.
1.
Setup
button – Selects the Setup screen
2.
Reset
button – Returns all Setup settings, for this
channel, to default values.
3.
Input Name
Touch to display a keyboard and rename the channel
with a “friendly name”. Use only upper and lower case
alpha characters.
4.
Channel Safe During Scene Recall
set to Safe, the channel will not be affected by a
scenerecall.
field – Displays the name of the channel.
switch – When
InputsTouch an Input Bank
More
1
34
Touch a Channel
Dynamics Button
2
TD-001578-01-C
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Page 23
Input Channel − USB Player Overview
1
The Overview screen provides an abbreviated view of
each section in the Input Channel USB Player function.
Only the primary controls are available for adjustment in
theoverview.
1.
Overview
button – Selects the USB Player
Overviewscreen.
2.
Reset
button – Sets all the PEQ controls to their
factory default position.
3.
Digital Gain
knob –Compensates for digital audio
files that are too low or high in level.
PEQ section
4.
Parametric EQ
graph – A graphic representation of
the equalization curve based on the PEQsettings. The
trace dims to indicate that the PEQ is Out(disengaged).
•
EQ graph vertical scale
– Represents audio
level from -20 dB to+20dB.
•
EQ Graph horizontal scale
– Represents
frequency from 20 Hz to 20 kHz.
5.
EQ Out/In
6.
EQ Handles
– Engages / disengages the equalizer.
– Touch, hold, and drag to change the
Frequency and Gain of the associated frequency band.
The frequency band button must be engaged to see
the handles.
7.
High Pass filter
button – Engages / disengages the high-pass filter. The HPF is variable with a range of 20 Hz to 2,000 Hz. It passes
frequencies above the setting while cutting those below.
8.
Parametric Band 1 and 2
– Engages / disengages the associated parametric EQ band. Each band is fully parametric with a frequency range
of 20 Hz to 20 kHz.
9.
Gain
control knobs and readouts – Adjusts the gain at the frequency setting of the associated filter. Range of -15 dB to +15 dB.
10.
Freq
control knob – Sets the frequency of the associated filter.
Dynamics Section (AGC)
Inputs
Touch Input Bank
More
Touch
Overview
More
2
3
4
7
9
10
5
8
11
6
14
12
13
15
16
18
17
AGC is used to compensate for variations in the audio level of the source material. Refer to the AGC topic for complete details.
11.
AGC
display – Graphically shows the relationship of the controls as they are set.
12.
AGC In
switch – Engages / disengages the AGC.
13.
Reduction
meter – Indicates how much the signal level has been altered by the AGC. The center (0 dB) indicates that no gain change is being
applied. Rightward movement of the meter indicates that gain is being applied. Leftward movement indicates attenuation (reduction) of the
signal level.
14.
Max Target
15.
Min Target
16.
Max Gain
17.
AGC Threshold
NOTE:
Select a control then use the Nudge buttons to adjust.
control – Sets the maximum level that the AGC will maintain.
control – Sets the minimum level that the AGC will attempt to maintain.
control – Sets a limit on the amount of gain the AGC will apply regardless of the target settings.
control – Sets the level at which the AGC becomes active / inactive. Signals that fall below the threshold level are assumed to
be intentional silence and the AGC will apply no additional gain.
18.
Release
TD-001578-01-C
control – Adjusts how long the AGC holds its gain change after the input signal level changes.
17
Page 24
Input Channel −
USB
Player
Inputs
Use the USB Player for MP3 playback from a USB storage
device attached to one of the MP-M USB ports.
• The USB storage device must be formatted FAT32.
1
• The audio files must be in the root directory.
• Files are displayed in alpha-numeric order.
2
• MP3 files must have a sample rate of 44.1k.
• USB Playback must be enabled from Menu > Settings
in order for this feature to be available for the MP
Manage app.
1.
Audio Player
button – Selects the Audio
34
Playerscreen.
2.
MP3 Songs
– Displays a list of MP3 titles on the
inserted USB drive.
3.
Digital Trim
– Provides input gain control. (-12 dB to
7
5
6
0.00 dB)
4.
Playback Mode
•
Normal
–
button – plays the files in listed order
12
13
(alpha-numeric)
•
Shuffle
button – plays the files in random order.
•
Single
button – plays the selected file one time. Does not repeat.
5.
MP3
– Displays title of currently selected MP3 file.
6. Top-of-List – Touch to move to the beginning of the filelist.
7. Previous file – Touch to move to the previous file in the file list.
8. Play – Touch to begin playback of the currently selected MP3 file.
9. Next file – Touch to move to the next file in the file list.
10. Stop Play – Touch to stop playback of the currently selected MP3 file.
11. Playback Time – Indicates elapsed time since beginningplayback.
12. Progress Line indicates the approximate playback position in the file.
13. Position Progress – Touch, hold, and drag to desired position on the Progress Line.
14. 00:00:00 – Represents the start of the file.
15. HH:MM:SS – Indicates the length of the file.
Touch Input Bank
8
9
14
More
More
10
Touch Audio Player
Button
11
15
TD-001578-01-C
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Page 25
Input Channel − USB Player PEQ
This screen controls and displays the settings for the
Input Channel 2-Trk PB parametric equalization.
The PEQ is a 2-band, high / low shelving EQ that
includes variable HPF (High Pass Filter).
The HPF cuts frequencies from 20 Hz to 2,000 Hz (low
cut) and passes frequencies above 2,000 Hz (high
pass).
1.
PEQ
button – Selects the EQ screen.
2.
EQ Out/In
3.
RTA On
analyzer. The RTA displays the tonal balance of the
channel’s signal. Peak hold indicators are displayed
for each band.
– Engages / disengages the equalizer.
– Engages / disengages the a real time
The RTA is currently being
NOTE:
Only one
RTA may be
running on the
system at a time.
used by [device name]. Do
you want to assign it in-
stead to this device?
YesNo
Touch the RTA
button. If another device is using the RTA,
the message to the right displays.
Inputs
Touch the
More button
Touch a Channel
PEQ Button
More
2
5
6
8
9
1
34
7
10
11
12
NOTE:
Reset
4.
5.
6.
button – Sets all the PEQ controls to their factory default position.
RTA
display – Displays the amplitude of the channel signal in 1/3 octave bands. Peak hold indicators are displayed for each band.
•
RTA
•
RTA
Parametric EQ
When the RTA is off, the Parametric EQ graph expands to use the entire graph area.
graph vertical scale – Represents audio level from -60 dB to-5dB.
graph horizontal scale – Represents frequency from 31.5 Hz to 16 kHz.
graph – A graphic representation of the equalization curve based on the PEQsettings. The trace dims to indicate that the PEQ
is Out(disengaged).
•
EQ
graph vertical scale – Represents audio level from -20 dB to+20dB.
• EQ Graph horizontal scale – Represents frequency from 20 Hz to 20 kHz.
7. EQ handles – Touch, hold, and drag to change the Frequency and Gain of the associated frequency band. The frequency band button must be
engaged to see the handles.
8.
High Pass
9.
High Pass Freq
10.
Low Shelf and High Shelf
filter button – Engages / disengages the HPF (described above).
control knob – Sets the frequency of the high pass filter (20 Hz to 2,000 Hz). The frequency reading is taken at -3 dB.
filter buttons – Engages / disengages the low and high shelving filters. The low shelving filter raises or lowers a
range of frequencies below the set frequency. The high shelving filter raises or lowers a range of frequencies above the set frequency.
11.
Gain
control knob and readout – Adjusts the gain at the frequency setting of the associated shelving filter. Range of -15 dB to +15 dB.
12.
Freq
control knob (Low and High Shelving) – Sets the frequency of the low / high shelving filter.
TD-001578-01-C
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Page 26
Input Channel – USB Dynamics
1
Automatic Gain Control (AGC)
The Automatic Gain Control is used to compensate for
variations in the audio level of the source material.
1.
Dynamics
2.
AGC In
AGCprocessor.
3.
Reset
channel, to their factory defaultposition.
4.
Input
5.
Reduction
level has been altered by the AGC. The center (0
dB) indicates that no gain change is being applied.
Rightward movement of the meter indicates that
gain is being applied. Leftward movement indicates
attenuation (reduction) of the signal level.
6.
Output
after AGC has been applied.
7.
AGC
When the AGC is engaged, the trace is displayed.
a.
b.
c.
8.
Max Target
9.
Min Target
10.
Max Gain
11.
Threshold
intentional silence and the AGC will apply no additional gain.
12.
Release
13.
AGC
button – Selects the AGC screen.
switch – Engages and disengages the
button – Sets all the AGC controls, for this
meter
–
Displays the RMS input signal level
meter – Indicates how much the signal
meter – Indicates the output signal level
graph – Vertical scale from 0 dB to -60 dB.
Max Target
– Indicates the maximum level
that the AGC will maintain.
Min Target
– Indicates the minimum level that
the AGC will attempt to maintain.
Threshold
– Indicates the level at which the AGC becomes active / inactive.
slider – Sets the maximum level that the AGC will maintain.
slider – Sets the minimum level that the AGC will attempt to maintain.
slider – Sets a limit on the amount of gain the AGC will apply regardless of the target settings.
slider – Sets the level at which the AGC becomes active / inactive. Signals that fall below the threshold level are assumed to be
slider – Adjusts how long the AGC holds its gain change after the input signal level changes.
in/out indicator – When the AGC is In, an orange “D” displays on the channel controls strip.
Touch
Inputs
Touch Input
Bank More
More
Touch the
Dynamics Button
2
4
7
7a
7b
7c
5
8
9
10
11
12
3
6
13
NOTE:
The AGC should not be used on microphone inputs if there is any possibility of feedback.
If the source device lacks an output volume control, use the input channel gain control to simulate low and high level playback. Use
the Cue output and headphones to listen to the results of the AGC.
To Adjust the AGC
1. Using program material that is slightly greater in level than the desired maximum signal level, adjust the Max Target slider until the Reduction
indicates a slight amount of gain reduction by moving to the left of center.
2. Using program material that is slightly lower in level than the desired minimum signal level, adjust the Min Target slider until the Reduction
Meter indicates a slight amount of gain addition by moving to the right of center.
3. If some low-level passages of the program material are being boosted excessively, use the Max Gain control to decrease the maximum gain the
AGC applies.
4. With no program material playing, adjust the Threshold so that the Reduction Meter shows no additional gain being applied. This adjustment
prevents the AGC from applying full gain to residual noise from the sources when no signal is present.
TD-001578-01-C
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Page 27
Output Zones
To Zone
Outputs
Outputs
Output Zone – Block Diagrams
Touch Inputs
Mono Zone
Routing
Matrix
Sources: From inputs, mixer, other zones, USB, wireless paging
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Primary Source
Level
Secondary Source
Level
Source 1
Level
Source 2
Level
Source 3
Level
Source 4
Level
Polarity
Ducker
1
Source
Select
Zone
GEQ
Φ
Custom Loudspeaker Tuning
Override
Zone
Level
Ducker 2Ducker
MP-M40: 4 of 8 potential sources shown
MP-M80: 4 of 16 potential sources shown
1
QSC
Tuning
Low Cut High CutPEQ
System
Generator
From
Test
Signal
Output
Level
Limiter
Auto
Loudness
Gain
Gain
Delay
Cue
DAC
To Cue
Routers
Zone
Follows
Zone
Stereo (Linked) Zone
Polarity
Sources: From inputs, mixer, other zones, USB, wireless paging
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Primary Source
Level
Secondary Source
Level
Source 1
Level
Source 2
Level
Source 3
Level
Source 4
Level
Ducker
1
Source
Select
GEQ
Φ
Bypass
Zone
Level
Ducker
Zone
Low Cut High CutPEQ
QSC
Tuning
Custom Loudspeaker Tuning
From
System
Test
Signal
Generator
2
Ducker
1
Limiter
Auto
Loudness
Gain
Gain
Output
Level
Delay
Cue
DAC
DAC
To Cue
TD-001578-01-C
MP-M40: 4 of 8 potential sources shown
MP-M80: 4 of 16 potential sources shown
21
Page 28
Output Zones – Home Screen
The Outputs Home screen displays the processing blocks for
the output channels. Touch any block to see the associated
controls and displays for the Output Zone processing block.
1.
Zones
/
Music on Hold
(MP-M80 shown) – Zones
displays the Zones (output channels) and processing
block for the corresponding Zones. Music on Hold
displays the Music on Hold output channel and its
processing blocks.
2. Titles for the processing block columns.
3. Linked stereo processing block.
4. Mono processing block.
5. Light-colored blocks (highlighted) indicate that the block
is engaged.
6. Dark-colored blocks indicate that the block is
notengaged.
1
2
3
6
4
5
TD-001578-01-C
22
Page 29
Output Zone − Navigation &
34
1
96
8
5
27
Master Controls
Touch
Outputs
Touch Setup
Output Zone Navigation Icons
The icons at the top of the screen display when you select
a channel. Use these to navigate to other processing
blocks for the output channel. These icons remain visible
when an output channel-processing block isselected.
1.
Setup
– The Setup screen provides controls to change
the channel name, link channels, set Channel Safe and
set the delay.
2.
Overview
– The Overview screen displays and
provides controls for most of the settings for the
selected channel.
3.
Sources
– The Sources screen provides controls
to select the sources and their priority for the
selectedchannel.
4.
Speakers
– The Speakers screen provides controls
to select, recall, save custom settings, and sets which
parameters of a preset to recall.
5.
GEQ
– The GEQ screen provides a 28 band GEQ and
an RTA display.
6.
Anti FB
– The Anti-Feedback screen provides controls
to set automatic anti-feedback, or manual kill, and provides a wizard for automatically finding feedback-prone frequencies.
7.
Loudness
8.
Limiter
9.
Prev / Next
– The Loudness screen provides controls to maintain a constant perceived tonal balance when the output level setting isadjusted.
– The Limiter screen provides controls to limit the output level.
buttons – Navigates to adjacent channels. The overall movement is circular; when the last channel is reached, continue in the
same direction to start over.
Output Zone Master Controls
10
11
12
13
14
15
16
17
To the right of the screen are the channel’s Master controls and indicators. These controls remain visible no matter which output channel’s
processing block is selected.
10.
Zone label
11.
Cue
12.
Output Channel label
– Displays the name entered in the Setup Output Name field.
– Sends the channel signal to the Cue headphone output.
13. L – Indicates that the Limiter for the channel is engaged or not.
14. AF – Indicates that the Anti-Feedback Filters for the channel are engaged or not.
15.
Fader
– Adjusts the output level of the channel.
16.
Meter
– Indicates the channel signal level.
Mute
17.
– Mutes and indicates mute status of the channel.
– Displays the system number for the Output channel.
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Output Zones − Setup / Delay
Various utility setup functions for Aux and Main
outputchannels.
1.
Setup
button – Selects the Setup screen
2.
Stereo Link
operation. Only odd / even linking is supported (1-2, 3-4,
etc.). Even / odd linking (2-3, 4-5) is not available.
About Stereo Linking:
Signal routing and summing for linked inputs and outputs
functions as follows:
• Mono input (source) to mono output (zone) – The mono
source signal is output from the zone as a mono signal.
• Mono input (source) to stereo linked output (zone) – The
mono source signal is routed equally to the odd and even
numbered outputs.
– Links adjacent channels for stereo
Touch
Outputs
1
2
4
7
5
6
3
Touch Setup
• Stereo input (source) to mono output (zone) – The stereo
source signal is summed and output to the zone as a
mono signal.
8
9
• Stereo input (source) to stereo linked output (zone) –
The stereo source signal from the odd numbered input
channel is routed to the odd numbered output channel.
The stereo source signal from the even numbered input channel is routed to the even numbered output channel.
3.
Reset
– Returns Setup parameters to factory defaultvalues.
4.
Output Name
5.
Polarity
6.
Channel Safe
7.
Min/Max Output
– Displays the name of the output channel. Touch to display a keyboard and rename the output as needed.
– Engage to reverse the channel’s polarity.
– When set to Safe, the channel will not be affected by a scene recall.
– Sets a minimum and maximum level for the channel. These are the minimum and maximum settings that can be set from an
MFC or from the MP Manage app. On the MFC and MP Manage app, the Min setting is displayed as 0% and the Max setting is displayed as 100%.
8.
Architectural Delay
9.
Delay Enable
– is variable up to 100 msec and is displayed in feet, meters and milliseconds.
– Engages or disengages the Delay.
About Delay:
The output delay on the MP-M is primarily useful for “architectural delay”. Architectural delay is used to align the arrival of sound from nearby speakers
to the arrival of sound from a more distant source. When the delay is set correctly, the listeners will have the impression that they are hearing the distant
source when most of what they hear is actually coming from the nearby speakers. To adjust the delay:
• Set the delay for the nearby speakers so that the distance equals the distance between the nearby speakers and the distant source. Note that the
source could be an acoustic source such as a piano, guitar or a talker, or it could be another speaker system.
• Get into the coverage area of the nearby speaker. While listening to the source and the nearby speaker, add up to 30 msec. of delay. You’ll know it’s
right when you’re ear tells you that the sound is coming from the source.
• Precedence Effect (also known as Haas Effect) creates the illusion that we aren’t hearing the delayed sound from the nearby speakers because we
heard the sound from the distant source first.
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Output − Music On Hold (MoH)
The MP-M has the ability to route an input signal to a
dedicated Music on Hold output that can be connected to a
telephone system.
Note that the MoH output audio bandwidth has been
deliberately limited to reduce distortion that may
occur if excessive low-frequency signal is sent to a
telephonesystem.
1.
Select Source
scrollablelist.
2. Adjust the level control to the desired output level.
– Touch a source from the
Touch
Outputs
Touch
Music On Hold
Music On Hold
Touch
Setup
1
2
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Page 32
Output Zone − Overview
1
OutputsTouch Zones
The output overview provides an aggregated, “at a glance”
view of channel settings. Most of the controls are present
on other processing blocks and will be described in detail
in the sections covering their respective functions.
1.
Overview
button – Touch to select the
Overviewscreen.
2.
Preset
button – Displays the name of the currently
loaded output channel preset. Touch to open the
4a
6
4b
7
Presetscreen.
3.
Reset
button – Returns the Zone output channel to
factory default setting.
4.
Sources
– Displays the names of the sources selected
8a
8b
from the Presets screen.
a.
Primary
display button – Touch to change the
primary source.
b.
Secondary
secondary source.
c.
Active
active source.
5.
Anti-Feedback In
display button – Touch to change the
display button – Touch to change the
switch – Engages / disengages the
10a
10b
11b
anti-feedback filters.
6.
Stereo Link
7.
Tuning
8.
Min
/
display button – Indicates if the output is linked to the adjacent channel. Touch to toggle Stereo Link on and off.
display button – Displays the name of the currently loaded loudspeaker tuning. Touch to select a different tuning.
Max Output
–
a. Readout controls – Displays the current setting. Touch the readout and use the Nudge controls to adjust.
b. Sliders – Adjust the minimum and maximum output level for the output. Touch and drag to adjust.
9.
Loudness
–
a. In switch – Engages / disengages Loudness compensation and
b. Slider – adjusts the Threshold.
10.
Delay
–
a. Knob – Adjusts the output delay.
b. Button – Enables / disables the output Delay.
11.
GEQ –
a. In switch – Engages / disengages the GEQ.
b. Sliders – Displays and allows adjustment of the settings for the output’s graphic equalizer.
12.
Limiter
–
a. In switch – Engages / disengages the Limiter.
Limiter
b.
c.
d.
e.
graph – Displays the settings for the limiter.
Threshold
Attack
Release
readout control – Touch to select; use the Nudge controls to adjust.
readout control – Touch to select; use the Nudge controls to adjust .
readout control – Touch to select; use the Nudge controls to adjust
4c
11a
Zones
2
12c12e
Touch a Channel
Overview Button
3
5
9a
9b
12a
12b
12d
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Output Channel − Sources
A primary purpose of the MP-M is to route audio signals
from the inputs (Sources) to the outputs (Zones). The
Sources screen is where the available sources are
assigned to an output and given their roles.
The MP-M uses Priority Sources to designate which inputs
are able to override the signal from other inputs. Each
output zone includes two duckers that are triggered by the
Priority inputs. (A ducker is a dynamic processor that uses
one audio signal to reduce the level of another signal.)
Assignments to sources are made from MP Install and
cannot be changed from the MP Manage app or the
MFCcontrollers.
• A signal arriving at the Primary input will reduce the
level of the Secondary Source and the Selectable
Sources audio.
OutputsTouch Zones
Touch a Channel
Sources Button
Zones
4
5
1
2
10
3
6
11
12
• A signal arriving at the Secondary input will reduce the
7
level of the Selectable Sources audio but will not affect
the Primary Source input.
1.
Sources
2.
Reset
button – Selects the Sources screen.
button – Returns all controls on the Sources
8
9
screen to their factory default.
Priority Sources
3.
Primary
4.
Source select
5.
Source Level
6.
Override Zone Level
/
Secondary
switch – Selects either the Primary source selection and setup, or the Secondary source selection and setup.
button – Touch the drop-down menu to display and select from a list of available sources for the priority input.
– Sets volume level for the Primary or Secondary signals relative to the other zone inputs.
(Primary Source only) – When the switch is set to the Yes position, the Primary Source level will not be affected by the
output’s master level control. This allows, for example, a page message to be heard at a pre-set volume no matter what the zone’s level setting
may be.
7.
Threshold
8.
Depth
9.
Hold
– Sets the level that the priority source must reach to trigger ducking.
– Sets the amount of attenuation applied to the Selectable Source when ducking is triggered.
– Determines how long attenuation is applied after the Priority input signal drops below Threshold.
Selectable Sources
A single output (Zone) may have up to 8 Selectable Sources assigned to it.
10. On – Selects the associated source as the active source for the output.
11.
Selectable Source
• Any input channel
buttons – Touch one of the selection buttons to display and select from a list of available sources. Available sources are:
• The output from the internal mixer section of the MP-M.
• Any other output zone or “Zone-Follows-Zone”. This function is used, for example, if a single area of a facility has different kinds of
loudspeakers (full-range / subwoofer) that require differing processing but it’s desirable for the entire area to operate as a single zone.
It can also be used for room combining in facilities with movable air walls.
• Silence – Silence may be selected as a means of muting an output. If silence is selected, the Priority sources will still function normally.
• None – None is the default selection. If None is the source for any of the 8 available source selection ‘slots’, that slot will not appear on
MP Install or on the MFC controllers.
Level
12.
– Adjusts the level of each source relative to the other sources.
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Output Zone − Presets
1
The Presets screen is used to perform these tasks:
• Creating, saving and recalling custom loudspeaker
tunings using the provided Filters and PEQ.
• Saving and recalling output channel settings.
Factory Loudspeaker Library
When Factory / User is set to Factory, a list of QSC
loudspeakers is displayed. Factory tunings for QSC
loudspeakers use a processing block, comprised of FIR
and IIR filters, that is not user accessible.
Recalling a factory-tuned loudspeaker also recalls all of the
factory default channel settings unless the Recall Omits
have been set. (See item 6 below.)
To recall a QSC loudspeaker preset:
a. Select a loudspeaker series from the
A list of QSC models from the selected series is
displayed in the Type panel.
b. Select a
Type
(model) from the Type panel.
Some loudspeaker models may have variations on
the basic tuning for use in different applications.
These variations will be shown in the Preset Name panel.
c. Make a selection from the
d. Touch
Recall
to load the preset.
Preset Name
To clear a preset:
a. Scroll to the top of the Series panel, select (Default)
b. Touch
Recall
.
Controls:
1.
Presets
2.
Filters/PEQ
button – Opens the Presets screen.
button – Opens the Filters/PEQ screen (described below) where custom tunings can be created. This equalizer may also be used
in addition to the factory tuning to “season to taste”.
3.
Preset Info
4.
Current Preset
5.
Factory / User
6.
Recall Omits
button – Displays a text box with information about the selected preset.
field – Displays the name of the currently loaded loudspeaker preset.
switch – Touch User to open a screen where custom user tunings and presets are stored and managed.
– When an Output Channel Preset is saved, all output channel settings are saved with the preset. The Recall Omits section allows
some settings to remain unchanged when the preset is recalled.
a.
Omit Levels and Sources
b.
Omit Speaker Tuning
c.
Omit Processing Blocks
7.
Recall
button – Loads the loudspeaker tuning selected from the Series, Type and Preset panel. If “Default” is selected, the factory tuning filters
switch – Level and Source assignments are not affected by the preset recall.
switch – The factory and user tunings are not affected by the preset recall.
switch – The GEQ, Anti-Feedback, Loudness, and Limiter are not affected by the preset recall.
will be set to flat.
8.
Series
panel – A listing of selectable QSC loudspeaker families or Series.
9.
Type
panel – A listing of selectable loudspeaker Types or models belonging to the selected Series.
10.
Preset Name
panel – A listing of available presets for the selected Series and Type.
Series
panel.
panel.
2
5
8
6
3
6a6b6c
4
7
109
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User Presets
The User Preset screen is where custom user tunings and
presets are stored and managed.
OutputsTouch Zones
Zones
Touch a Channel
Presets Button
NOTE:
Controls described below are
unique to the User Preset Library screen.
Descriptions of controls which are visible on
this screen, but not described below, may
2
1
11
be found in the Factory Loudspeaker Library
topic or the Filters / PEQ topic.
1.
Save / Save As
button – Opens a dialog box used
to save all output channel settings to the internal
34
6
5
7
MP-M memory, or a USB device attached to the
MP-M. When a preset is saved, it becomes the
CurrentPreset.
TIP:
If a Factory Loudspeaker preset is
8
9
recalled, it can then be saved as a user
preset. This can be used as a start on which
to build custom presets.
a.
Save Preset As
field – touch the field to access
10
a keyboard and enter a different name for the
preset or, leave the name as it is, and continue to the next step.
b.
Storage Location
switch – Select either MP-M Internal (on the mixer), or USB attached
2a
to the mixer.
c. Save button – Touch the button to save the preset in the selected location.
d. Cancel button – Touch the button to exit the dialog without saving the preset.
2.
Factory / User
switch – When set to User, the User Loudspeaker Preset Library screen
2b
isdisplayed.
3.
App Storage
list - Displays any user presets stored in the internal memory of the device
2c2d
being used to control the MP-M. When this panel is selected, the Copy to MP-M button will
copy the preset to MP-M internal memory. You cannot Recall a preset from App Storage. To
Recall, save the preset to MP-M Internal, then Recall.
4.
MP-M Internal
list – Displays any user presets stored in the MP-M internal memory. When this panel is selected, the selected Preset can be
copied to either the App Storage or USB External. In addition, the Preset can be recalled, then be saved or saved as a different preset.
5.
USB External
list – Displays any user presets stored on a connected USB device. When this panel is selected, the selected Preset can be
copied to the MP-M Internal storage. In addition, the Preset can be recalled, then can be saved or saved as a different preset.
One item in the App Storage list, MP-M Internal list, or the USB External list must be selected for the following controls to be available.
6.
Copy To MP-M
7.
Copy to USB
8.
Copy To App
9.
Copy to MP-M
10.
Delete
button – Deletes the selected preset.
button – Touch to copy a selected preset from the App Storage to the MP-M Internal storage.
button – Touch to copy a selected preset from the MP-M Internal storage to the USB storage.
button– Touch to copy a selected preset from the MP-M Internal storage to the App Storage.
button– Touch to copy a selected preset from the USB External storage to the MP-M Internal storage.
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Filters / PEQ
Filters / PEQ
The Filters / PEQ screen provides the tools to create
custom speaker presets.
The PEQ is a 6-band, fully parametric EQ that includes
variable HPF (High Pass Filter) & LPF (Low Pass Filter) and
High and Low Shelving Filters.
1. PEQ button – Selects the EQ screen.
2. Presets In – Engages / disengages the equalizer.
3. Filters / PEQ button – Opens or closes the Filters /
PEQ screen.
4. LPF/HPF button – Available only when the Filters / PEQ
screen is open. Touch to display a dialog for setting the
HPF and LPF slope and type.
a. Select either Butterworth or Linkwitz-Riley for both LPF
and HPF.
b. Select the slope per octave: 12 dB, 18 dB, or 24 dB
for each.
c. Touch the Close button to close the dialog box.
Changes are saved.
5. RTA On – Engages / disengages the real time analyzer
that displays the tonal balance of the channel’s signal
including peak hold indicators.
OutputsTouch Zones
27
8
9
12
11
1716
34
10
Zones
1
Touch
Touch a Channel
Presets Button
5
6
13
14
15
Filters / PEQ
12
11
17
Button
NOTE:
Only one RTA may be running on the system at a time. Touch the RTA button.
If another device is using the RTA, the message “The RTA is currently being
used by (device name) Do you want to assign it instead to this
device?”
NOTE:
When the RTA is off, the Parametric EQ graph expands to use the entire
1
2
grapharea.
6. Simple button – Hides the Frequency, and Q controls for all bands and low and high cut filters.
3
Changing to Simple mode does not affect existingsettings.
7. Reset button – Sets all the PEQ controls to their factory default position.
8. RTA display – Displays the amplitude of the channel signal in 1/3 octave bands. Peak hold indicators
are displayed for each band. The vertical scale represents audio level from -60 dB to-5dB. The horizontal scale represents frequency from 31.5 Hz to 16
kHz.
9. Parametric EQ graph – A graphic representation of the equalization curve based on the PEQsettings. The trace dims to indicate that the PEQ is
Out(disengaged). The vertical scale represents audio level from -20 dB to+20dB. The horizontal scale represents frequency from 20 Hz to 20 kHz.
10. EQ handles – Touch, hold, and drag to change the Frequency and Gain of the associated PEQ band. The frequency band button must be engaged to see
the handles.
11. High Pass and Low Pass buttons – Engages / disengages the HPF and LPF. The HPF is variable with a range of 20 Hz to 2,000 Hz. It passes
frequencies above the setting while cutting those below. The LPF is variable with a range of 1 kHz to 20 kHz. It passes frequencies below the setting while
cutting those above.
12. Low Shelf and High Shelf filter buttons – Changes EQ Band 1 and Band 6 from parametric filters to shelving filters. When a shelf filter is engaged,
the Q control is not available. The low shelving filter raises or lowers a range of frequencies below the set frequency. The high shelving filter raises or
lowers a range of frequencies above the set frequency. Bands 1 and 6 and their respective shelving buttons must be “on” for the shelving filters to work.
13. Frequency Bands 1, 2, 3, 4, 5, and 6 buttons – Engages / disengages the associated parametric EQ band. Each band is fully parametric with a
frequency range of 20 Hz to 20 kHz.
14. Gain control knob and readout – Adjusts the gain at the frequency setting of the associated EQ band. Range of -15 dB to +15 dB.
15. Freq control knob (Frequency bands 1 – 6) – Sets the center frequency of the associated EQ band. If the Shelving filter is engaged, the Freq control sets
the knee frequency of the shelf filter.
16. Q knob – Adjusts the Q of the associated EQ band. When the Shelf Filter is selected, the Q control is hidden. In addition, Q can be adjusted by “pinching”.
17. Freq control knob (Low and High Cut) – Sets the frequency of the low and/or high cut filter as measured from a point 3 dB below 0 or unity.
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Output Zone − Graphic Equalizer (GEQ)
Each output includes a 1/3 octave graphic equalizer (GEQ)
that may be used to adjust the tonal balance of the output.
1.
GEQ
button – Touch to access the GEQ.
2.
Graphic Equalizer In
switch – Engages / disengages
the GEQ.
3.
RTA On
button – Touch to activate / deactivate a Real
Time Analyzer display for the output. When the RTA
is not enabled, the GEQ screen is enlarged to occupy
both the RTA and GEQ screen area.
4.
Reset
– Sets all GEQ faders to 0 (flat).
5.
GEQ Band
sliders – Touch and drag a slider to change
the amplitude of the selected frequency band. Use the
Nudge buttons and Fine button for greater precision.
Touch
Outputs
1
2
5
34
Touch GEQ
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Output Zone − Anti-Feedback
For applications in which microphones will be used for live
sound reinforcement, the MP-M includes twelve narrowband, anti-feedback filters on each output. These filters
are extremely useful for eliminating feedback frequencies
while having very little effect on overall tonal balance. The
filters may be adjusted manually or automatically using the
“Feedback Wizard”.
NOTE:
necessary to use all 12 filters to achieve a
stable system. Typically, 4 – 6 filters will be
sufficient. Use of more filters may degrade
sound quality unnecessarily.
1.
Anti-Feedback In
thefilters.
2.
Feedback Frequency
system automatically identifies and displays suspected
feedback frequencies in real time.
Manual Kill
3.
frequency is identified, touching this button applies a
filter at that frequency. The filter marker selected is
simply the first available marker numerically.
4.
Wizard
button – Touching this button opens the Feedback Wizard which will guide the operator through the anti-feedback process.
5.
Reset
button – Sets all the Filter controls and markers to their factory default position. Note that the Feedback Wizard will only use a filter if its
Cut has been set to0.0.
6.
Display
– Shows the frequency and depth (cut) of applied filters.
•
Vertical scale
•
Horizontal scale
7.
Filter markers
amount of cut is indicated by a descending vertical line.
In most situations, it is not
button – Engages / disengages
readout – The Anti-Feedback
button – When a suspected feedback
= dB
= frequency
– These markers are color-coded to correspond with their associated controls. Horizontal position indicates frequency. The
Touch
Outputs
Touch an Anti-
Feedback button
1
6
7
2
8
9
10
11
34
5
12
NOTE:
Markers and their associated frequency controls are not tied to a specific frequency band. Marker 1 may attenuate a high
frequency, while Marker 12 may attenuate a low frequency.
8.
Filter
In/Out – The numbered buttons engage/disengage the filters. When a filter is disengaged, the associated marker is not displayed.
9.
Freq
– Sets the center frequency of afilter.
10.
Cut
– Adjusts amount of Cut (or attenuation) for a filter. Range is from 0.00 dB to -20.0 dB.
11.
Filter Depth –
12.
Filter Q –
TD-001578-01-C
Increases or reduces the depth (amount of cut) for all the filters.
Adjusts the width of the filter from a Q of 10 to a Q of 30.
32
Page 39
Output Zone − Loudness
Touch
Outputs
Touch
Loudness
How the human ear perceives tonal balance depends on
the level of the sound being heard. As level decreases,
more low-frequencies (relative to the mid-frequencies)
are needed to maintain the perception that tonal balance
1
is unchanged. Psychoacoustic research has established
Constant Loudness Contours that describe how the
2
3
perception changes with level.
The Loudness function works with the output Zone Level
4
control to maintain a constant perceived tonal balance
when the Zone Level setting is adjusted.
1.
Loudness
2.
Loudness In
Loudness function. When “In” the Zone Level and
Threshold lines are highlighted.
3.
Reset
button – Selects the Loudness screen.
switch – Engages and disengages the
button – Returns all controls to the factory
5
5
7
6
6
settings.
4.
Equal Loudness Contours
the Equal Loudness Contours. It is a static image and is
provided for reference purposes.
5.
Threshold
– Adjusts the point at which the Zone
– The graph represents
8
Output Level can be set without applying any loudness
compensation. When the Output Level and the
Threshold controls are both set to the same level, there will be no loudness compensation. If the Output Level is then lowered by 10 dB, a
Loudness Contour that compensates for the 10 dB change is applied.
6.
Zone Level
– Graphic representation of the Zone channel Output Level.
7. Shaded Area – The difference between the Threshold setting and the Zone Level setting will be represented by a shaded area overlaying the
Equal Loudness Contours.
8.
Scale
– The Scale control adjusts how much loudness compensation is applied. If too much low-frequency is heard at low level, reduce the
setting. If more low-frequency is desired at lower-levels, increase the Scale value.
To Set Loudness Compensation:
1. Bring the Zone channel Output Fader up to the level at which there should be no loudness compensation applied. This will usually be the
loudest, normal operating level for the output zone.
2. Adjust the Threshold slider so that the blue Threshold line overlays the white Zone Level line.
3. Use the Scale control to adjust how much compensation is applied. To set the Scale, bring the Zone output level to the lowest normal operating
level. If too much Loudness Compensation is present, reduce the Scale setting.
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Output Zone − Limiter
1
The Limiter prevents the audio level from exceeding a
preset threshold.
1.
Limiter – Opens the Limiter screen.
2.
Limiter Out/In
compressor or limiter.
3.
Simple
• Limiting Slider
• Limiter In button
• Simple button
• Reset button
4.
Reset
button – Sets all the Limiter controls to their
factory default position.
5. In meter – Displays the RMS input signal level
6.
Reduction
level is reduced by the Limiter.
7.
Output
8.
Limiter
fuchsia.
•
Threshold
•
Attack time
limiter to reach maximum limiting after the input
exceeds the threshold level.
•
Ratio
•
Release
thethreshold.
• Vertical scale = dB
9.
Threshold
10.
Attack slider
11.
Release slider
switch – Engages or disengages the
button – Hides all controls except:
meter – indicates how much the signal
meter – Output signal level
graph – When engaged, the Limiter trace is
(A) – The level at which limitingbegins.
(B to C) – The time it takes for the
(A to E) – The amount of limiting applied to the signal.
time (C to D) – The time it takes for the limited signal to rise to the threshold level once the input level no longer exceeds
slider – Sets the point at which the limiter begins to reduce the signal level.
– Adjusts how quickly the processor reacts to a signal that exceeds thethreshold.
– Adjusts how quickly the processor stops compressing or limiting when signal falls below the Threshold.
2
5
8
B CDA
E
Touch
Outputs
34
6
9
10
11
7
Touch
Limiter
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Mixer
Level
To Cue
Channels
The MP-M includes a stereo mixer with Auto-Mix capability and an FX engine allowing it to be used for meeting/conference or live entertainment
applications. All MP-M Input Channels are available as a an audio source to the mixer. The mixer’s stereo output can be used as an audio source
for any of the MP-M Output Channels.
Mixer Main – Block Diagram
Touch
Mixer
From
Input
Eects
Eects
Level
PEQ
GainMute
Gain
Cue
To
Linked
Zones
To
Mono
Zones
Mixer Main – Home Screen
(MP-M80 shown)
1.
Inputs
1–8 (Mic/Line), Inputs 9–16 (RCA), USB/FX
(USB Player and FX Channel) banks – Select a bank (or
group) of Input Channels.
2.
Select
(Input Channel Name) – Displays the Input
Channel’s friendly name. Touch to access the
Input PEQ, Compressor, AGC, Gate, Presets, and
setupscreens.
3.
Main
– Touch to access the Mixer’s Main channel
6-band PEQ screen.
4.
Cue
– Routes the Input Channel’s signal to the Cue
(headphone) output.
5.
Pan
– Places the channel’s signal in a stereo
soundfield.
6.
MFC Mixer Channels –
Allows the selection of
specific Input levels for control from an MFC.
7.
Level
faders – Adjusts the output level from the Input
Channels going to the Mixer Main channel.
8.
Level
meter – Indicates the pre-fader signal level from
the Input Channels.
9.
Main Level
meter – Indicates the post-fader output of
the Mixer Main channel.
10.
Main Output
11.
Auto-Mix
fader – Adjusts the output level of the Mixer. The Main output can be selected as a Source for any of the Zone outputs.
– Engages the automatic microphone mixer.
The MP-M auto-mixer is a gain-sharing design and may be used on any or all of the Mic/Line input channels. It works by comparing the signals
from the input channels and applying attenuation (level reduction). In operation, the auto-mixer senses which channels are being spoken into
and allocates gain to the active channels while reducing gain of the inactive channels.
12. Mute button – Mutes the Input Channel
13. Mute button – Mutes the Main Mixer output.
1
2
4
5
7
8
11
12
3
6
13
MFC Mixer
Channels
9
10
Touch
Mixer
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Mixer Main – PEQ
Main
This screen controls and displays the settings for the Mixer
Main Channel parametric equalization.
The PEQ is a 6-band, fully parametric EQ that includes
variable High Shelf and Low Shelf Filters. Bands 1 and 6
may be configured as shelvingfilters.
1.
PEQ
tab – Selects the EQ screen.
2.
PEQ Out/In
3.
RTA On
analyzer that displays the tonal balance of the
channel’s signal including peak hold indicators.
– Engages / disengages the equalizer.
– Engages / disengages the a real time
NOTE:
Only one
RTA may be running
on the system at a
time. Touch the RTA
The RTA is currently being
used by [device name]. Do
you want to assign it in-
stead to this device?
YesNo
button. If another
device is using the
RTA, the message shown above displays.
NOTE:
When the RTA is off, the Parametric
EQ graph expands to use the entire
grapharea.
Touch
Mixer
1
2
6
7
8
9
10
11
12
13
34
5
9
Touch Main
Select
4.
Simple
button – Hides the Frequency, and Q controls for all bands. Changing to Simple mode does not affect existingsettings.
5.
Reset
button – Sets all the PEQ controls to their factory default position.
6.
RTA
display – Displays the amplitude of the channel signal in 1/3 octave bands. Peak hold indicators are displayed for each band.
•
RTA
graph vertical scale – Represents audio level from -60 dB to-5dB.
RTA
graph horizontal scale – Represents frequency from 31.5 Hz to 16 kHz.
•
7.
Parametric EQ
graph – A graphic representation of the equalization curve based on the PEQsettings. The trace dims to indicate that the PEQ
is Out(disengaged).
•
EQ
graph vertical scale – Represents audio level from -20 dB to+20dB.
•
EQ
graph horizontal scale – Represents frequency from 20 Hz to 20 kHz.
8.
EQ
handles – Touch, hold, and drag to change the Frequency and Gain of the associated PEQ band. The frequency band button must be
engaged to see the handles.
9.
Low Shelf and High Shelf
filter buttons – Changes EQ Band 1 and Band 6 from parametric filters to shelving filters. When a shelf filter is
engaged, the Q control is not available. The low shelving filter raises or lowers a range of frequencies below the set frequency. The high shelving
filter raises or lowers a range of frequencies above the set frequency.
Frequency Bands 1, 2, 3, 4, 5, 6
10.
buttons – Engages / disengages the associated parametric EQ band. Each band is fully parametric with a
frequency range of 20 Hz to 20 kHz.
11.
Gain
control knob and readout – Adjusts the gain at the frequency setting of the associated EQ band. Range of -15 dB to +15 dB.
12.
Freq
control knob (Frequency bands 1 – 6) – Sets the center frequency of the associated EQ band. If the Shelving filter is engaged, the Freq
control sets the knee frequency of the shelf filter.
13. Q knob – Adjusts the Q of the associated EQ band. When the Shelf Filter is selected, the Q control is hidden. In addition, Q can be adjusted
by“pinching”.
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Mixer – FX Channel
Mixer – FX Effect
The FX Channel is used to assign an effect to any of the
Mixer
Touch the
USB/FX Bank
USB / FX
Input Channels used as inputs to the mixer. Each input
channel can have different levels of the effect applied. With
the exception of the amount, or level of the effect, all other
effect parameters are applied equally to the channels
1.
Effect
button – Displays the Effect selection screen.
2. Effect select button – Touch to display a pop-up to make
an effect selection. The following selections are available:
1
2
5
34
7
• Mono Delay
• Stereo Delay
• Chorus
• Pitch Shift
• Dense Reverb
• Lush Reverb
• None
• Cancel
3.
Preset
button – Touch to display the FX Presets
8
screen where preset selection can be made.
4.
Reset
button – Resets all Effect controls to the
factorydefault.
5.
Input
meter – Displays the input signal level.
6.
Output
meter – Displays the Output signal level after the effect has been applied.
7.
Effect
controls – These controls set the parameters for the effect. Each effect has its own controls to give its unique sound.
8.
FX Inputs
sliders – These control the amount of Input Channel signal going through the Effect. When the slider is at the left side, none of that
Input Channel goes through the effect processor. Far right gives that Input Channel the full effect of the Effect.
Touch FX 1Touch Effect
FX 1
6
Mixer − FX Presets
The MP-M includes presets for each of the available Effects.
An FX Channel Preset consists of settings for the channel
EQ, Effect, and changes to the Effect that can be saved
and recalled.
Factory Presets
1.
Presets
2.
Save / Save As
Preset or save with a new name.
3.
Current Preset
currently active preset.
4.
Recall
the Selection windows.
5.
Factory
selected Effect. Touch one then touch Recall.
6.
MP-M Internal
that have been saved or copied to the MP-M
Internalmemory.
7.
USB External
have been saved or copied to a USB device attached to
the MP-M.
button – Touch to display the Presets screen.
button – Touch to save the Current
field – Displays the name of the
button – Touch to recall the preset selected in
window – Displays a list of presets for the
window – Displays a list of presets
window – Displays a list of presets that
2
Touch the
USB/FX Bank
USB / FX
3
Touch FX 1
FX 1
4
7
Mixer
5
1
6
Touch
Presets
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Mixer – FX Shelf EQ
This screen controls and displays the settings for
the FX Channel high and low shelf equalization and
high-passfilter.
• The HPF is variable with a range of 20 Hz to
2,000 Hz. It passes frequencies above the
setting while cutting those below.
• Bands 1 and 2 are shelvingfilters.
1.
PEQ
tab – Selects the EQ screen.
2.
PEQ Out/In
3.
RTA On
analyzer that displays the tonal balance of the
channel’s signal including peak hold indicators.
– Engages / disengages the equalizer.
– Engages / disengages the a real time
Mixer
2
5
6
7
1
Touch the
USB/FX Bank
USB / FX
Touch FX 1Touch PEQ
FX 1
34
NOTE:
Only one
RTA may be running
on the system at a
time. Touch the RTA
The RTA is currently being
used by [device name]. Do
you want to assign it in-
stead to this device?
YesNo
8
9
10
11
button. If another
device is using the
13
12
RTA, the message to the right displays.
NOTE:
Reset
4.
5.
6.
button – Sets all the EQ controls to their factory default position.
RTA
display – Displays the amplitude of the channel signal in 1/3 octave bands. Peak hold indicators are displayed for each band.
•
RTA
•
RTA
EQ
graph – A graphic representation of the equalization curve based on the EQsettings. The trace dims to indicate that the EQ is
When the RTA is off, the Parametric EQ graph expands to use the entire graph area.
graph vertical scale – Represents audio level from -60 dB to-5dB.
graph horizontal scale – Represents frequency from 31.5 Hz to 16 kHz.
Out(disengaged).
•
EQ
graph vertical scale – Represents audio level from -20 dB to+20dB.
•
EQ
graph horizontal scale – Represents frequency from 20 Hz to 20 kHz.
7.
EQ
handles – Touch, hold, and drag to change the Frequency and Gain of the associated EQ band. The frequency band button must be engaged
to see the handles.
8.
High Pass
9.
Low Shelf and High Shelf
button – Engages / disengages the HPF (described above).
buttons – EQ Band 1 and Band 2 are shelving filters. The low shelving filter raises or lowers a range of frequencies
below the set frequency. The high shelving filter raises or lowers a range of frequencies above the set frequency.
10.
Frequency Bands 1 and 2
11.
Gain
control knob and readout – Adjusts the gain at the frequency setting of the associated EQ band. Range of -15 dB to +15 dB.
12.
Freq
control knob (Frequency bands 1 – 2) – Sets the knee frequency of the associated shelf band.
13.
Freq control knob
(High Pass) – Sets the frequency of the high pass filter as measured from a point 3 dB below 0 or unity.
buttons – Engages / disengages the associated shelving EQ band.
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Setup Wizard
Setting up a multi-source, multi-zone system can be a
complex project that requires completion of many tasks.
The Setup Wizard assists in three ways.
• It provides a list, in work-flow sequence, of the
individual tasks that need to be accomplished.
• As the tasks are completed, the installer can check
them off using the provided check-off button.
• Each task also includes a link button for one-touch
navigation to the pages where the task is executed.
On the Screen
1. Progress bar
2. Task title
3. Link to task’s screen
4. Task check-off button
Touch Setup
Wizard
2
1
34
Wizard Steps
Task No. Task TitleLink to Screen
1. Load Configuration File: Load Configuration
2. Enter Job Information: Reports
3. Name and Link Inputs: Input Setup
4. Name and Configure Outputs: Output Setup
5. Assign sources: Output Sources
6. Load Speaker Tunings: Output Speaker
7. Adjust Input Settings: Input Overview
8. Adjust Output Settings: Output Overview
9. Set up MFC: Controllers
10. Set up Smartphone Control: Smartphone
The completion status of the Setup Wizard is captured in the Report.
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Menu
Menu – Home Screen
Provides access to various utility functions. Each function
is described below.
1.
Configurations
Configurations
2.
Scenes
button – Recall, save, and manage Scenes.
Scenes can include the values of all settings for the
included input channels, output channels and the mixer
section.
3.
Scheduling
“Events”.
4.
Controllers
Controllers.)
5.
Smartphone
Smartphones.
6.
GPI Setup
functionality
7.
Report
button – Generate System Report
8.
System Test
Outputs
9.
Network
10.
Security
11.
Settings
Touch the button for the desired functionality.
button – Recall and save system
button – Schedule Scene recalls or
button – Manage MF-C (Multi-function
button – Manage access profiles for
button – Setup GPI (General Purpose Input)
button – Check Audio Inputs and
button – Setup the MP-M Network
button – Manage Login and Passwords
button – Manage hardware settings and software upgrades.
Touch
Menu
1
3
4
6
2
5
7
8
9
10
11
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Menu – Configurations
A Configuration is a design file that contains all mixer settings
including presets, permissions and scenes. The Configuration may
be created online or offline. If a Configuration is exported from
one MP-M and loaded onto another, the second MP-M becomes
functionally and operationally identical to the first.
Configurations may be stored on:
• A Windows computer (MP Install App Storage location).
• A USB storage device (connected to the MP-M).
• An iOS or Android tablet (MP Install mobile app storage).
• The MP-M internal memory.
Managing Configurations – Online
The Configurations screen includes the following controls and
indicators:
1.
Save / Save As button – Opens the Save Configuration As
dialog where the configuration can be saved as is, or saved
with a new name, effectively creating a new version.
When the App is connected (live) to the MP-M and a
configuration is saved or saved as, that configuration
becomes the Current Configuration
a.
Save Configuration As – Touch the name box
to rename the configuration or leave the name as is to
overwrite the existing configuration.
b.
Storage Location – Determines where the
configuration is to be saved.
»
MP-M Internal – Saves the configuration to the MP-M internal memory.
»
USB – Saves the configuration to a USB storage device attached to the mixer.
c.
Save – Saves the configuration to the selected name and location.
d.
Cancel – Closes the Save Configuration As dialog without saving the configuration.
2.
Current Configuration – Displays the name of the configuration that is currently loaded to
the mixer.
3.
Recall – Touch to recall the selected configuration in either the MP-M Internal, or USB External
list. Only one configuration, in one list, can beselected.
4
4a
10
11
Touch
Menu
1
5
7
9
1111
Windows Screen Shown
1a
2
3
6
8
7
1b
Touch
Configurations
NOTE: There are three possible storage locations for a configuration file. The
configuration files display in one or more of three panels. Each panel represents one of
1c
1d
the three storage locations.
4.
App Storage – Displays a list of configurations that are stored in the tablet’s memory or
designated Windows directory. Configurations cannot be recalled from the tablet and must be copied to the mixer or USB memory.
a.
Change Directory (Windows only) – If the app is running on a Windows PC, the chosen path for asset storage is displayed on the Configurations screen. To
change the path, click the Change Directory button to open Windows Explorer navigation and select a new location.
NOTE: Changing the directory does not move or copy assets from the old location to the new location. It only designates a new location to store assets
from that point forward. Assets may be manually moved or copied from any location to the new location and will appear in MP Install when it is re-launched.
5.
MP-M Internal – Displays a list of configurations that are stored in the mixer’s internal memory. These configurations may be recalled.
6.
USB External – Displays a list of configurations that are stored on a USB memory device attached to the MP-M. These configurations may be recalled.
7.
Copy to MP-M – Copies the selected Configuration file to the MP-M internal memory.
8. Copy to USB – Copies the selected Configuration file to a USB memory device attached to the MP-M. Configurations may not be copied from a USB to the App Storage.
9.
Copy to App – Copies the selected Configuration file to the App storage. Configurations may not be copied from the App Storage to a USB.
10.
Export from App – From a tablet, select a configuration and touch Export from App to open a dialog box with options for sharing the configuration file via email
or uploading the configuration to cloud storage. Note that an internet connection is required. From Windows, select a configuration and click Export from App to open
Windows Explorer navigation and select a location to export the configuration file.
11.
Delete – Deletes the selected configuration from memory.
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Managing Configurations – Offline
The MP Manage app supports offline operation allowing most aspects of MP-M setup to be performed on a tablet or computer without being
connected to an MP-M. This includes the creation of configurations.
When the app is offline, it uses the configuration that was last opened in offline mode. When the app connects to an MP-M, the MP-M online
configuration takes over. To restore the offline configuration, click the Connection button on the lower right corner of the screen and select None
(offline). The last offline configuration to be recalled will be loaded. Even so, it’s good practice to save any offline or online configuration before
changing mode.
Configurations include a password whether they are created online or offline. For this reason it may be necessary to enter a password when
switching between an online and an offline configuration.
Configuration Files and Windows
• Having full file system access with the Windows version of MP Install offers the user more file management control to accommodate more varied
workflows.
• Therefore, the Windows handling of Configurations differs slightly from the tablet versions of MP Install.
• By default, MP Install will store Configuration files in the current user’s Documents directory. The default storage location for MP Install v1.0 was
C:1\ProgramData\QSC\MP-M\. For v1.1 and later, the default location is:
%USERPROFILE%\Documents\QSC\MP-M\
Which, for example, may equate to an absolute path of C:\Users\my.name\Documents\QSC\MP-M\
Common Workflow Scenarios
Fresh Start (New Configuration)
In this scenario, there may or may not be any configurations in the MP Install App Storage location on the Windows PC. Either way, an existing
configuration will not be used. The user will most likely be working offline.
Best practice steps to get started:
1. Launch MP Install.
2. Click Menu, then Configurations.
3. Click Save / Save As.
4. Enter a name for your new Configuration and click Save.
5. Get to work.
Basing a New Configuration on an Existing Configuration (Template)
In this scenario, there will be at least one configuration in the MP Install App Storage location on the Windows PC. The user will most likely be
working offline.
Best practice steps to get started:
1. Launch MP Install.
2. Click Menu, then Configurations.
3. Select a Configuration to use as a basis or “template” and click Recall.
4. Click Save / Save As.
5. Enter a name for your new Configuration and click Save.
6. Get to work.
Continuing Work on Existing Configuration (Recalling)
In this scenario, there will be at least one configuration in the MP Install App Storage location on the Windows PC. The user will most likely be
working offline.
Best practice steps to get started:
1. Launch MP Install.
2. Click Menu, then Configurations.
3. Select a Configuration and click Recall.
4. Get to work.
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Importing a Configuration
In this scenario, there may or may not be any configurations in the MP Install App Storage location on the Windows PC. The user may have been
provided a configuration file created by a colleague or on another device that they wish to continue working on or deploy to hardware. The user will
most likely be working offline.
Best practice steps to get started:
1. Store your file somewhere accessible by Windows Explorer and browse to that location.
2. Ensure MP Install is not running. Exit it if it was.
3. Double-click the configuration file. MP Install will launch and import the configuration into the specified App Storage location. A message will
convey the import operation is taking place and notify when complete.
4. Click Menu, then Configurations.
5. Select the imported Configuration and click Recall.
6. Get to work.
Transferring a Configuration to an MP-M Using a USB Drive
If a configuration has been saved to a USB drive from an MP-M, the drive may be used, as is to transfer the configuration to another MP-M. If the
Configuration is copied to a USB drive, the USB drive must be prepared as follows.
Prepare a USB drive.
• If an MP-M is available, it may be used to format the drive. Menu > Settings > Format USB Drive. The directory structure will be created by the
MP-M.
• If no MP-M is available, format the drive as FAT32 using the computer.
• Create a folder on the drive and name it MPM_Settings.
NOTE:
this is the case you may update the MP-M firmware to the latest version or use a folder name TouchMix-Presets on the USB drive.
The Configurations Screen includes a summary of these steps.
To Transfer a Configuration Using a USB Drive
• Format drive as FAT32.
• Create a folder named MPM_Settings.
• Save Configurations to the folder.
Transfer the Configuration using one of the following methods.
1. Method 1
a. From the Configurations screen, select a Configuration from the App Storage window.
a. Click the Export Selected Configuration button. A dialog will appear “Export Configuration file “Config Name” to another location?”
a. Select Continue to save the Configuration or Exit to go back.
a. Browse to the MPM_Settings folder on the USB drive and click Save.
2. Method 2
a. Using Windows Explorer, navigate to the folder where the Configuration is stored.
Select the Configuration (or Configurations) and copy/paste or drag them to MPM_settings folder on the USB drive.
MP-M mixers with firmware versions earlier than 1.1 search for the Configuration files in a folder named TouchMix-Presets. If
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Menu – Scenes
A Scene includes the values of all settings for input
channels, output channels and the mixer section.
• Scenes may be limited to individual input channels,
individual output channels or the mixer section of the
MP-M in any combination.
• Omitted sections are unaffected by a Scene recall.
• Underlying settings such as those for network settings,
permissions, and controller configurations are not part
of a Scene.
Touch
Menu
Touch
Scenes
1
6
7
34
2
5
8
• At the installer’s discretion, facility staff may edit and
save level, source selection and mixer (the MP-M
internal live sound mixer) settings for Scenes using
the MP Manage app. No other Scene parameters are
accessible from MP Manage.
NOTE:
When a scene is created and
saved to the MP-M memory, it automatically
becomes part of the MP-M Configuration.
13
141414
Individual scenes may also be saved to a USB
drive. Once saved, scenes may be copied to a
tablet. Since some of the MP-M settings can
be omitted from a Scene it’s possible to create a Scene that, when recalled over existing settings will function in an undesired way.
1.
Save / Save As
2.
Current Scene
– Touch the Save / Save As button to display a dialog and determine how the scene is saved.
field – Displays the name of the configuration that is currently loaded to the mixer.
NOTE:
Recall Omits switches (Levels & Sources and Outputs) can be set to protect selected parameters from being altered by a
scene recall.
3.
Levels & Sources
4.
Outputs
5.
Recall
6.
App Storage
switch – Move to the right to prevent any change to the output processing settings.
button – Touch to recall the selected Scene in either the MP-M Internal, or USB External storage location.
switch – Move to the right to prevent any change to output level and source selection for the output zones.
list – Displays a list of scenes that are stored in the tablet’s memory. Scenes cannot be recalled from the tablet and must be
copied to the mixer or USB memory.
7.
MP-M Internal
8.
USB External
9.
Copy To MP-M
10.
Copy to USB
11.
Copy To App
12.
Copy to MP-M
13.
Delete
button – Deletes the selected scene from memory. Each storage location has its own Delete button.
14.
Export from App
list – Displays a list of scenes that are stored in the mixer’s internal memory. These scenes may be recalled.
list – Displays a list of scenes that are stored on a USB memory device attached to the MP-M. These scenes may be recalled.
button – Touch to copy a selected scene from App Storage to the MP-M Internal storage.
’ button – Touch to copy a selected scene from MP-M Internal storage to the USB storage.
button– Touch to copy a selected scene from MP-M Internal storage to the App Storage.
button– Touch to copy a selected scene from USB External storage to the MP-M Internal storage.
button– Select a scene and touch Export from App to open a dialog with options for sharing the scene file via email or
uploading the scene to cloud storage. Note that an Internet connection is required.
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Menu – Scheduling
1
The Scheduling screen is used to set up scheduled recall
of scenes. Each scheduled recall is known as an Event.
This function is also supported in MP Manage if enabled
by the installer.
Touch
Menu
Touch
Scheduling
2
NOTE:
Scheduling depends on the internal
clock of the MP-M being set to the correct
time. If the MP-M is connected to the
Internet, its internal clock will be automatically
updated. If it is not connected to the Internet,
the clock may be set to match the time of a
connected device from the settings screen.
1.
New Event
button – Touch this button to create a new
scheduled event.
Left Side of Screen
2.
Event List
Event Name
3.
4.
Start
5.
Active
– Displays a scrollable list of events
– The user-defined event name
– Frequency and start time of the event
– Green is active, red is inactive
Right Side of Screen
6.
Event Name
event.
7.
Active
without changing any of the event settings.
8.
Start Date
when the event is to occur for the first time.
9.
Start Time
of day the event is to occur.
10.
Load Scene
available scenes.
11.
End Date
on which the event will no longer occur.
12.
Repeat
event repeats. Options are:
a.
No Repeat
b.
Daily
c.
Weekdays
d.
Weekly
Start Date
e.
Weekends
13.
Delete
field – Touch to enter a name for the
switch – Activates or deactivates the event
button – Displays a pop-up to set the date
button – Displays a pop-up to set the time
button – Displays a pop-up with a list of
button – Displays a pop-up to set the date
button – Displays a pop-up to select when the
– one-time event
– seven days per week
– Monday – Friday
– one time per week beginning on the
– Saturday and Sunday only
button – Deletes the selected Event.
34
5
8
6
7
8
9
10
11
12
13
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Menu – Controllers
Touch Menu
Touch MFC
Controller
Navigates to a screen where you can manage the
MFCs. An MP-M can support up to 8 MFCs. You may
assigned a unique set of functions to each one.
1.
Controllers
– Displays a list of 8 “virtual
controllers”. Touch a controller name to setup
or edit its functions. The default names are
Controller1–8.
2.
MFC Name
– Touch to display a keyboard you can
1
5
2
Single ZoneMulti ZoneScenes Only
6
3
4
7
use to enter a name for the virtual controller.
3.
Pair
– Touch this button to pair a virtual controller
8
with a physical controller. A message displays on
all connected controller screens “Press a switch to
9
pair this device [Device ID].The mixer waits for a
button push from an
MFC.
The first MFC button
Paired device fbxxxxxx
with virtual controller 2.
push pairs that
physical controller
Ok
with the virtual
controller. The app will display a pop-up message
indicating successfulpairing.
4.
Reset
– Returns the controls for the selected
controller to factory default settings.
5.
Single Zone / Multi Zone –
Select whether the controller can address a single zone or multiple zones. In Single Zone mode, only one zone
may be assigned to the controller. In Multi Zone mode, any or all of the zones may be assigned to the controller.
6.
Scenes Only
– Designates an MFC for the recall of scenes only with no control over zone source selection, zone output level, or select
inputlevels.
7.
Scenes
– This is a list of all the scenes on the mixer. Scenes in the app or USB do not display in this list. Use the scrollable list to select which
scene or scenes the paired controller can recall. Assigned scenes are indicated by next to the scene name. Touch a scene name to assign
or unassign.
8.
Add All
– Selects all stored scenes making them available to the paired controller.
9.
Remove All
– Removes all stored scenes from the list of scenes available to the paired controller.
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Menu – Smartphone
Use Smartphone Access Profiles to define access groups
for controlling which functions wireless devices can access
with the MP Manage app.
For example, a manager may be given access to all MP
Manage functions while a bartender may be limited to just
control over the source and level for the bar area. Up to 8
Smartphone Access Profiles can be created.
1.
Profiles
Touch a Profile Name to set up or edit its functions. By
default, the names are Profile 1 – 8
2.
Profile Name
entering a name for the profile.
3.
Save
selected profile.
– Displays a list of 8 smartphone profiles.
– Touch to display a keyboard for
– Saves the setting that have been made for the
Touch Menu
Touch
Smartphone
1
4
2
5
6
7
8
9
3
IMPORTANT:
Make sure the selected
Profile is saved before moving to the
nextProfile.
4.
Zones
– Select the zone or zones you want the profile
to control.
Access Options
5.
Paging
– Enables the wireless Store-and-Forward paging function.
6.
Scheduler
7.
Recall Scenes
8.
Save Scenes
9.
Security
10.
Lock Zones
prevent a scheduled scene recall from interrupting an event.
11.
Mixer
12.
USB Player
– Enables access to the Event Scheduler.
– Gives the profile the ability to Recall Scenes.
– Gives the profile the ability to save Scenes with changes.
– Gives users with access to this profile the ability to grant access to other users.
– Gives users the ability to lock a zone so that a scene recall won’t change the zones setting. This would be useful to (for example)
– Enables access to the mixer.
– Enables access to the USB player track list and transport controls
10
11
12
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Menu − GPI Setup
GPI-1GPI-2
The General Purpose Input (GPI) is used to recall Scenes
using a (hardware) switch connected to the rear panel of
the MP-M. There are two GPIs.
To use the GPI, at least one Scene must exist.
In the diagram, the condition of
GPI 1 is open, and the condition
of GPI 2 is closed.
1.
GPI 1 Open
Open) – Recalls the Scene
associated with the GPI 1 Open when the switch
attached to GPI 1 Open
isopened.
2.
GPI 1 Close
Close) – Recalls the Scene
associated with the GPI 1 Close when the switch
attached to GPI 1 Open isclosed.
3.
Action Name
when the condition of open or close is satisfied.
4.
Disabled
selected condition.
5.
Reset
6.
Recall Scene
To Setup the Recall Conditions
(or GPI 2
(or GPI 2
– The name of the Scene to be recalled
/
Recall
switch – Enables or disables the
– Resets the selected condition; no scene selected, and the Recall / Disabled switch to Disabled.
list – Displays the list of scenes created in the MP-M.
Touch
Menu
1
2
3
6
4
5
Touch GPI
a. Select one of the following: GPI 1 Open, GPI 1 Close, GPI 2 Open, or GPI 2 Close.
b. From the Recall Scene list, select a Scene to be recalled.
c. Set the Disabled / Recall switch to Recall.
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Menu – Report
Use this screen to enter information identifying the
installation location, installer name and facility contacts.
Report Format
The report will be saved as an ASCII text file so that it can
easily be copied and pasted into other documents. The
following sample report is abbreviated to fit the page.
-------System Information (auto-entered)--------MP-M model: MPM-8094
Serial Number: Not set
Installer Password: Admin
Manager Password: Access
Configuration File: Default
-----------------Input Channels-----------------Input 1 Name: In 1
..........THROUGH..........
Input 16 Name: Line In 16
-----------------Output Channels----------------Output 1 Name: Zone 1
Output 1 Sources:
------------------GPI Settings------------------GPI 1 Action When Open: Not in use
GPI 1 Action When Closed: Not in use
GPI 2 Action When Open: Not in use
GPI 2 Action When Closed: Not in use
--------------Setup Wizard Checklist------------Load Configuration File : Incomplete or not applicable
Enter Job Information : Incomplete or not applicable
Name & Link Inputs : Incomplete or not applicable
Name & Configure Outputs : Incomplete or not applicable
Assign Sources : Incomplete or not applicable
Load Speaker Tunings : Incomplete or not applicable
Adjust Input Settings : Incomplete or not applicable
Adjust Output Settings : Incomplete or not applicable
Setup MFC : Incomplete or not applicable
Setup Smartphone Controllers : Incomplete or not applicable
Setup Wizard Completion: 0%
-----------------------End-----------------------
Generate Report
10.
button – When the Generate Report button is
touched, the MP-M will populate the rest of the report with data
from its settings and open a window with options for saving or
emailing the report.
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Menu – System Test
1.a1.b
The System Test screen is a setup and trouble-shooting
tool used to send test signals to the MP-M outputs.
1.
Source / RTA
a. When
with options for selection of signal sources and
outputs to test.
b. When
displayed.
2. Source
a. Select
signal source.
i. Select
ii. Select
b. Select
the test signal source.
i. Select
c. Select
as the test signal.
i. Select
ii. Select
3.
Select Output(s)
testsignal.
4.
Enable
5.
Meter
6. Select RTA –
a. Select
input’s pre-EQ signal.
b. Select
output’s post-EQ signal.
–
Source
is selected, a screen is displayed
RTA
is selected a Real Time Analyzer is
Input / Pink Noise / Sine Wave
Source
>
Input
to use an Input as the test
Source
>
Input
>
Input
to choose the
–
MP-M Input to be used as a test signal source.
Source
>
Input
>
Gain
to adjust the
level of the Input test signal.
Source
>
Source
Pink Noise
>
to use Pink Noise as
Pink Noise
>
Gain
to adjust
the level of the Pink Noise test signal.
Source
>
Source
Sine Wave
>
to use a Sine Wave
Sine Wave
>
Frequency
the Sine Wave test signal.
Source
>
Sine Wave
>
Gain
to adjust the level of the test
signal.
– Selects which output or outputs will receive the
– Toggles the test signal on and off.
– Displays the output level of the source.
RTA
>
Inputs
– Select any input to view an RTA display of the
RTA
>
Outputs
– Select any output to view an RTA display of the
2.a.i
to adjust the frequency of
2.a.ii
2.c.i
2.a2.b2.c
3
2.a2.b2.c
2.b.i
2.a2.b2.c
Touch
Menu
5
4
Touch
System Test
5
4
5
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6.b
1.a1.b
50
2.c.ii
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Page 57
Menu − Network
USB Wi-Fi adapters
For short range applications with fewer potential sources of interference, an optional USB adapter, supplied by QSC, and available at – https://parts.
qsc.com/cp-000033-00. No other USB Wi-Fi adapters have been qualified for use with the MP-M. Be aware that its range and connection reliability
will be limited compared to an external Wi-Fi router.
If the optional QSC USB Wi-Fi adapter is installed, the mixer automatically creates its own network on power up. The factory-default network name
will be “MPM-” followed by a random number. The mixer’s factory-default local network password is 1234509876.
Network Help button
Reset MP-M Network
necessary to restore network settings to factory default values.
1. Push and hold the pinhole reset button (located to the right of the MFC jacks) for
2. After 10 seconds, release the button and the fan will run briefly to indicate that this step is complete.
3. Power cycle the MP-M. To power cycle the MP-M, disconnect and reconnect AC power to the MP-M.
4. The MP-M network connection is reestablished.
settings – Press the Network Help button to display the following information: If network connectivity is lost, it may be
10seconds
to reset the MP-M network settings.
Connecting to a Facility’s Network
Networks in commercial facilities have been set up by IT professionals who are concerned about security. They may be very reluctant to allow you
to connect a mixer to their network. But if they do, they will want to know two things.
1. What port do you want them to give you? Answer – any open port will work. The mixer will find it.
2. What services do you need? Answer – none. The mixer implements zero-configuration networking using Bonjour®.
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Menu – Wired Network Setup: Auto IP Address
3
4
4
111
2
3
APPS
MP Install
MP Manage
MPMEthernet Switch
Wireless Router
DHCP Enabled
MP
Manage
MP
Install
2
APPS
1
= wired Ethernet connection (RJ-45 connectors)
2
= wireless connection established between a wireless device and the wireless router
3
= MP Install running on PC and tablet device (MP Manage not available on a PC.)
4
= MP Manage running on a smart phone and tablet device (MP Install not available on a smart phone.)
Wired Ethernet
to an Ethernet network (1) with DHCP enabled, the MP-M
attempts to automatically obtain an IP address. If this isn’t
possible, the MP-M auto-assigns a link-local IP address.
The mobile devices join the network via the wireless
router(2). (Refer to the manufacturer’s instructions for
devices (iOS, Android) connecting to a network.)
Once an IP address is established for the MP-M, and
the devices with MP Install or MP Manage installed are
connected to the network, the MP Install app and the
MP Manage app can connect to the MP-M using the
default passwords “Admin” (
(4) for MP Manage. A strongly worded message displays
encouraging the integrator to change the network and
mixer passwords along with fields to enter the new
passwords.
1.
Mixer Name
Enter to confirm the change.
2.
Network Type
3.
Wired Network Settings
4.
Assigned IP Address
supplied by the DHCP or the link-local address if the
DHCP did not provide an address.
5.
Connection Status
Connected, Not Connected, Searching
connection – when an MP-M is wired
1
3
3
) for MP Install and “Access”
4
– Enter a name for the mixer. Press
– Set to Wired.
– Auto IP Address (DHCP)
5
6
– displays the IP Address
– Displays the current status of the connection between the MP-M and the wireless router. Some possible readings are:
2
9
Touch
Menu
Touch
Network
6.
Apply
7. Touch
IMPORTANT:
– Touch to configure the mixer according to the network settings. A message “Wired Ethernet connection operational” displays.
NOTE:
Okay
Make sure changes are confirmed for all text fields by pressing Enter while the cursor is in the field.
This step may take several minutes.
The devices can now connect to the mixer via the wireless router.
• A device connects to the wireless router in the device’s Wi-Fi settings using the router’s SSID (name) and password. Refer to the remote device
manufacturer’s instructions for joining networks.
• When the device is connected to the wireless router, follow instructions to logon to the MP-M. .
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Menu – Wired Network Setup: Static IP Address
MPM
DHCP Not Enabled
1
Wireless Router
1
= wired Ethernet connections (RJ-45 connectors)
2
= wireless connection established between a wireless device and the wireless router
3
= MP Install running on PC and tablet device (MP Manage not available on a PC.)
4
= MP Manage running on a smart phone and tablet device (MP Install not available on a smart phone.)
IMPORTANT:
Connect an Ethernet
1
MP
Install
3
2
3
MP Install
4
MP Manage
APPS
2
4
MP
Manage
APPS
wireless router to the mixer’s RJ45 jack.
The
Wired Network Settings
Address
(
1
(user selected) provides wired communications
) between a MP-M and the wireless router. Make sure
there is no other equipment connected to the same
with a
Static IP
1
network with the same IP address.
The remote devices (smart phones, tablets) join the
network via the wireless router(2). Refer to the device
manufacturer’s instructions for joining a network.
3
Once the network is set up, and the remote devices
have joined, the MP Install (3) and MP Manage (4) can
4
log into the MP-M using the default passwords “Admin”
for MP Install and “Access” for MP Manage. A strongly
worded message displays encouraging the integrator to
change the network and mixer passwords along with fields
5
6
to enter the new passwords.
1.
Mixer Name
– Enter a name for the mixer. Press
7
Enter to confirm the change.
2.
Network Type
3.
Static IP Address
– Set to
Wired
.
– Select to use a static IP address
8
for the mixer.
4.
Network Address
– Enter the network address (i.e.
Static Address) for the mixer. Press Enter.
5.
Network Mask
6.
Gateway Address
7.
Connection Status –
– Enter the network mask for the mixer. Press Enter.
– Enter the gateway address for the mixer. Press Enter.
Displays the current status of the connection between the MP-M and the wireless router. Some possible readings are:
Connected, Not Connected, Searching
Touch
Menu
2
Touch
Network
8.
IMPORTANT:
Apply
– Touch to configure the mixer according to the network settings.
NOTE:
Make sure changes are confirmed for all text fields by pressing Enter while the cursor is in the field.
This step may take several minutes.
The devices can now connect to the mixer via the wireless router.
• A device connects to the wireless router in the device’s Wi-Fi settings using the router’s SSID (name) and password. Refer to the remote device
manufacturer’s instructions for joining networks.
• When the device is connected to the wireless router, follow instructions to logon to the MP-M. .
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Menu – Wireless Network Setup: Create New Network
MP-MQSC Dongle
IMPORTANT:
Create New Network
using a USB Wi-Fi dongle
1
Requires the USB Wi-Fi adapter (QSC Part # cp-000033-00)
MP Install
MP Manage
APPS
provides short range wireless communication (1) between
the MP-M and Android and/or iOS devices (2) with the
MP Install (3) or MP Manage (4) app installed.
If the optional QSC USB Wi-Fi adapter is installed, the
mixer automatically creates its own local network on
power up. The factory-default local MP-M network name
is “MPM-nnnn” (“nnnn” is a random number.) The mixer’s
factory-default local network password is1234509876.
1.
Mixer Name
– Enter a name for the MP-M Mixer.
Press Enter to confirm the change.
2.
Network Type
3. Select
4.
Create New Network
Set Password
– Set to
Wireless
.
– Enter a ten-digit (numerical)
password. Press Enter to confirm the change.
3
22
4
4
MP
Manage
APPS
Touch
Menu
Touch
Network
1
3
4
2
IMPORTANT:
Make sure changes are
confirmed for all text fields by pressing Enter
while the cursor is in the field.
5.
Apply
– Touch to configure the mixer according
5
to the network settings. Remote devices may now
join the mixer’s local network using the
Name
and
Password
. Refer to the remote device
Mixer
manufacturer’s instructions for joining networks.
NOTE:
This step may take several minutes.
The devices can now connect to the mixer via the mixer’s network.
• A device connects to the mixer’s network in the device’s Wi-Fi settings using the mixer’s SSID (name) and password. Refer to the remote device
manufacturer’s instructions for joining networks.
• When the device is connected to the mixer’s network, follow instructions to logon to the MP-M.
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Menu – Wireless Network Setup: Connect to Existing Network
4
MP
Manage
APPS
MP-M
QSC Dongle
IMPORTANT:
Connect to Existing
1
Wireless Router
3
MP Install
4
MP Manage
APPS
22
Requires an Ethernet Wi-Fi router and the USB Wi-Fi adapter (QSC Part # cp-000033-00).
(Ethernet)
Network
using a USB Wi-Fi dongle provides short range wireless communication(1) between an
MP-M mixer and a longer range wireless router. The Android and/or iOS remote devices with the apps, MP Install (3) or MP Manage (4) installed,
communicate (2) with the MP-M via the wireless router.
1.
Mixer Name:
– Enter a name for the MP-M Mixer.
Press Enter to confirm the change.
2.
Network Type
3. Select
4.
Connect to Existing Network
Network SSID
– Set to
–
Wireless
.
.
a. Enter a known SSID of an Ethernet wireless router.
Touch
Menu
1
2
Touch
Network
Press Enter to confirm the choice.
OR
b.
Scan
– The mixer searches for, and displays, a
3
list of available wireless routers. Select the desired
wireless router.
5.
Password
– Enter the password for the wireless
router network being joined. Press Enter to confirm
thechange.
6.
Security
– Select the Security setting used by the
4
5
6
4a
4b
wireless router network.
7.
Signal Strength
strength of the wireless router signal.
– Displays an icon showing the
IMPORTANT:
Make sure changes are
7
8
confirmed for all text fields by pressing Enter
while the cursor is in the field.
8.
Apply
– Touch to configure the mixer according to the network settings.
The devices can now connect to the mixer via the wireless router.
• A device connects to the wireless router in the device’s Wi-Fi settings using the router’s SSID (name) and password. Refer to the remote device
manufacturer’s instructions for joining networks.
• When the device is connected to the wireless router, follow instructions to logon to the MP-M.
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Menu – Security
Security Setup
Passwords
default passwords are shown in the image below. These
should be changed to prevent unauthorized access.
Touch one of the
keyboard and enter a new password.
1.
MP Install
to and control of all MP-M functions.
2.
MP Manage
access to the functions that let a manager grant
access to users of smartphones with the MP Manage
app installed. See the MP Manage and Smartphone
sections of this document for more detail.
3.
MP External Control
password allows a control system to authenticate with
the MP-M for external control via Ethernet using its API.
Staff Access Management
The first staff member to access the mixer with MP
Manage app must use the manager password that was
entered by the installer. If the password is forgotten, use
the reset procedure to return the passwords to the factory
defaults. From then on, the associated device is authorized for all access.
Reset Passwords
is used to change the
Admin
for the MP Install and MP Manage apps. The
Set Password
fields to display a
– The MP Install password allows access
– The MP Manage password allows
– The MP External Control
Touch
Menu
1
2
3
Touch
Security
If Installer and Manager passwords are lost, they may be reset to the factory programmed defaults by pushing and holding the “Reset” pin-hole
switch (located next to the MFC RJ-45 jacks) for
2 seconds
.
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Menu – Settings
1.
USB playback
MP-Manage app to play audio files from a USB storage
device. When disabled, USB playback controls are not
displayed in the MP Manage app.
Mixer Time:
The MP-M has an internal real time clock that is used with
the Scheduler to schedule scene recall events.
2.
Time
– Displays the date (DD-MM-YYYY) and time
(hh:mm:am/pm).
3.
Time Zone
time zones. Touch the time zone in which the mixer
islocated.
4.
Sync MP-M to App Time
MP-M time to the connected device’s time.
Storage and Log:
5.
Save System Log to USB
log that may be useful to QSC technicians for troubleshooting purposes.
– Enables or disables the ability of the
button – Touch to display a listing of
button – Touch to sync the
button – Touch to save a
CAUTION!: Formatting a drive removes all
data stored on the drive. Make sure there
are no valuable files on the drive.
Touch
Menu
Touch
Settings
1
2
5
8
9
3
6
1112
4
7
10
6.
Format USB Drive
button – The MP-M requires a FAT32 format USB drive for upgrades and for Configuration, Scene and Preset files. This
button provides an easy means of applying a FAT32 format to a storage device installed in one of the MP-M USB ports.
7.
Clear Internal Storage
button – Clears all user presets, user scenes and remote device access settings from internal memory. A confirmation
dialog displays.
Software:
The Software section is used to check the currently installed firmware version and to perform updates.
8.
End User License Agreement
9.
Reset Mixer
10.
Version
11.
Download Upgrade
button – Restores MP-M settings to factory default values.
– Displays the number of the currently loaded firmware version.
button – Touch to check for and download the upgrade file. If the MP-M is connected to the Internet, it can check for
button – Touch to display and read the End User License Agreement.
software versions newer than that currently installed. In order to download the software, a FAT32 USB drive with at least 1 GB of available
memory must be connected to one of the MP-M USB ports.
12.
Upgrade
button – Touch to begin the process of upgrading the MP-M firmware. A FAT32 format drive with the upgrade firmware is required.
NOTE:
There is no automatic check for newer versions. Checking for upgrades must be manually initiated.
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Multi-Function Controller
Volume indicator
The controller controls volume, source, and scene selection with the available
parameters and limits that were assigned to the zone duringsetup.
Setup
Refer to Menu – Controllers on page 46
Friendly name
Current source
MFC Name
Source
Volume:
60
Operation
Starting from Sleep mode:
Pushing any button wakes the MFC but does nothing else. Upon waking, the
MFC displays the following based on how it was configured by theinstaller.
If configured for Single Zone control:
• MFC friendly name as defined during MFC setup.
• Current Source (friendly name)
• To select a different source:
• Press Enter, a list of available sources display.
• Use Up and Down buttons to highlight a
newSource.
• Press Enter to finalize selection.
• To select a new Scene:
• Press Enter two times, a list of available
Scenes display.
• Use Up and Down to highlight a new Scene
or “EXIT”.
• Press Enter to finalize selection.
• To adjust the Volume:
• With the Volume indicator visible, use the up
and down buttons to make the change.
If configured for Multi Zone control:
• Pick Zone: <List of Available Zones>.
• Press up and down to select a zone to adjust.
• Press Enter to finalize selection.
• Zone Name.
• Current Source (friendly name)
• To select a different source:
• Press Enter, a list of available sources display.
• Use Up and Down buttons to highlight a
newSource.
• Press Enter to finalize selection.
• To select a new Scene:
• Press Enter two times, a list of available
Scenes display.
• Use Up and Down to highlight a new Scene
or “EXIT”.
• Press Enter to finalize selection.
• To adjust the Volume:
Up
Enter
Down
If configured for Scenes Only control:
• Current Scene: <Last Scene Recalled>.
• To select a new Scene:
• Press Enter once, a list of available
Scenesdisplays.
• Use Up and Down to highlight a new Scene
or “EXIT”.
• Press Enter to finalize selection.
TD-001578-01-C
• With the Volume indicator visible, use the up
and down buttons to make the change.
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MP Manage
MP Manage − Security
The Music & Paging Manager App (MP Manage) is a stand-alone app for use by
facility manager and staff. The MP Manage app may be run on tablet devices or
smartphones. The MP-M installer may create up to eight Smartphone Access
Profiles. Each Profile can include access to any combination of MP Manage
functions (described below). These functions may relate to a staff position or an
area of the facility.
Devices cannot control the MP-M unless they are granted access by a user who
has logged in as Manager. In order to access the Manager profile, the user must
log in using a password that was created by the Installer.
Log in as Manager
1. Connect an Android or iOS device to the Wi-Fi network used by the MP-M.
2. Launch the MP Manage app.
3. A connection confirmation pop-up displays. Touch OK
4. Touch the Password button and enter the Manager password provided by
theinstaller.
5. Touch the Security button.
6. Make sure that the name of the smartphone or tablet (A) is highlighted on the
right of the screen.
7. Select Manager (B) from the Access Profiles list.
8. Touch the Save Access button (C) and a pop-up displays with a list of the other
functions that the installer included in the Manager Access Profile. Touch OK to
begin using MP Manage.
Touch the MP
Manage Start icon
B
C
D
Touch Password
button
A
Touch the
Security button
Add a New UserS
No password is required for other users. However, new users will not be able to
use MP Manage functions until a Manager grants access.
To log in using a new device:
1. Connect to the Wi-Fi network used by the MP-M:
2. Launch the MP Manage app.
3. A pop-up displays on the new device indicating that “You are connected to MPM-xxxx and have access to: No Access has been granted yet. OK”
4. If there is a device logged in as Manager, having access to Security, a pop-up displays indicating that “A new device [DEVICE NAME] has
connected to the mixer. See Security in MP Manage to grant access.”
On the Manager’s device:
5. Touch OK to dismiss the message.
6. If prompted, enter the Manager password.
7. Touch the Security button
8. Make sure that the name of the new device is highlighted on the right of the screen.
9. Select an Access Profile
10. Touch the Save Access button and a pop-up displays with a list of the functions that the installer included in the selected profile.
The new user’s device displays a message indicating which functions they may access and they can begin using MP Manage.
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MP Manage − Home Screen
The Home screen provides links to the functional areas available to connected
devices. The following list provides brief explanations of the items accessed
through this screen.
1.
Custom Logo
display in MP Manage on controlling client devices. Place a “logo.png” file less
than 1.3 MB in size onto the root of a USB thumb drive and insert the drive
into the MP-M. Connect to the MP-M with the MP Manage app and you will
see your custom logo instead of the default QSC logo. Once the logo has been
verified, the thumb drive can be removed, and the custom logo will continue
to be used. The custom logo is saved in the configuration, so that it can be
redeployed on additional similarly configured mixers.
2.
Zones
3.
Scheduler
events, and Sync the MP-M time to the App time.
4.
Scenes
5.
Security
6.
Player
change play mode.
7.
Mixer
8.
Paging
– A user-supplied logo can be loaded onto the MP-M for
– Change the Source, Volume, and Lock/unlock the zone.
– Add new scheduled events, Modify scheduled events, Delete
– Recall and Update Scenes.
– Manage access profiles.
– Operate the USB Player. Select files to play, start and stop play, and
– Mute mixer channels and set mixer channel volume.
– Record Page, Preview Page, and Send Page.
1
2
45
6
8
Touch the MP
Manage Start icon
3
7
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MP Manage − Zone Overview
The Zone Overview screen shows high-level settings for all zones on a single
screen as well as links to individual zones.
1.
Zones
– Displays the zone number
2.
Friendly Name
3.
Source
4.
Volume
5.
Lock
– The current lock status of the zone. When a zone is locked, the zone
is protected by zone controls or scene recall. The user must have Lock Zones
access allowed in the access profile to lock or unlock a zone. A lock icon
displays when the zone is locked.
Zones that are not available to the user are grayed out.
– User-defined name of the zone.
– The current input source selected for the zone.
– Touch and drag the fader to adjust the zone volume.
Touch
Zones
1
2
34
5
MP Manage – Zone Edit
To access the Zone Edit screen, touch one of the zones on the Zone
Overviewscreen.
1. Back button – Return to the Zone Overview screen.
2. Friendly Name – User-defined name of the zone.
3. Source – Displays the current source for the Zone. Touch to select a different
source from the list of available sources.
4. Digital readout – Displays the current position of the volume fader.
5. Volume fader – Touch and drag the fader to adjust the zone volume.
6. Level meter – 3-segment LED (Green, Yellow, Red) showing the overall zone
output volume.
Touch
Zones
1
2
3
4
6
Touch a
Zone
1
5
TD-001578-01-C
61
Page 68
MP Manage − Scheduler
Displays a list of scheduled events. Up to 32 events may be scheduled. A Scene
is recalled when a scheduled event occurs. Each event is displayed as a row with
these settings:
1.
Back
button – Returns to the Home screen.
2.
Event Name
3.
Start
4.
Active
a. Green – The event will occur at the designated time.
b. Red – The End Date/Time for the event is in the past but the settings are
preserved. Or the Active switch has been manually set to Inactive.
5.
New
touch Modify to setup the event.
6.
Modify
7.
Delete
8.
Settings
you are finished.
– The name of the scheduled action.
– The day, date and time on which the action occurs for the first time.
indicator –
– Touch to create a new event. A new event is placed in the event list,
– Edit the settings of the selected event.
– Delete the selected event.
– Sync the time on the MP-M to that of the app. Touch close when
Touch
Scheduler
1
2
34
To Modify an Event (New or Existing)
Select the event to be modified and touch Modify. The Modify Event screen
displays. The following controls are available.
1.
Back
button – Touch to return to the Event Scheduler home screen.
2.
Event Name
3.
Active
place as set up.
4.
Start Date
you can set the Month, Day, and Year the event is to start. Touch done to close
the dialog.
5.
Start Time
you can set the the time in Hours, Minutes, Seconds, and AM/PM the event is
tostart. Touch done to close the dialog.
Load Scene
6.
the start time and date are reached. Touch enter to close the dialog.
7.
End Date
can set the Month, Day, and Year the event is to end. Touch done to close the
dialog.
8.
Repeat
Choices are No repeat, Daily, Weekly, Monthly, Weekdays, and Weekends.
Touch done to close the dialog.
– Touch the field, a keyboard displays. Enter a new name.
switch – Touch the Active switch to indicate that the event will take
– Touch the start date to open a calendar-selection dialog where
– Touch the start time to open a time-selection dialog where
– Touch Load Scene to designate the scene to be recalled when
– Touch the end date to open a calendar-selection dialog where you
– Touch Repeat to select the occurrence frequency of the event.
5
6
7
8
1
2
3
4
5
6
7
TD-001578-01-C
8
62
Page 69
MP Manage − Scenes
This screen is used to recall scenes (Presets) from a menu. The “Manage” function
is only available to authorized devices. To recall a scene scroll and select from the
list and touch Recall. A confirmation pop-up displays.
1.
Back
button – Returns to the Home screen.
2.
Select Scene to Recall
3.
Update
button – Saves the currently active scene with any changes made
since the scene was last saved. A pop-up displays with the zones affected by
the scene.
4.
Recall
button – Recalls the selected scene.
list – Select one scene from the list to recall.
Touch
Scenes
1
2
3
MP Manage − Player
Use the USB Player for MP3 playback from a USB storage device attached to one
of the MP-M USB ports.
• The USB storage device must be formatted FAT32.
• The audio files must be in the root directory.
• Files are displayed in alpha-numeric order.
• MP3 files must have a sample rate of 44.1k.
• USB Playback must be enabled by the installer in order for this feature to be
available for the MP Manage app.
1.
Back
button – Returns to MP Manage Home page.
2.
MP3 Songs
3.
Track
4. Playback Time – Indicates elapsed time since beginningplayback.
5. Duration – The total time of the file (must be playing).
6. Position Progress – Touch, hold, and drag to desired position on the
Progress Line.
7.
Playback Mode
a.
Normal
b.
Shuffle
c.
Single
8. Top-of-List – Touch to move to the beginning of the filelist.
9. Previous file – Touch to move to the previous file in the file list.
10. Play – Touch to begin playback of the currently selected MP3 file.
11. Next file – Touch to move to the next file in the file list.
– Displays a list of MP3 titles on the inserted USB drive.
– Displays title of currently selected MP3 file.
–
button – plays the files in listed order (alpha-numeric)
button – plays the files in random order.
button – plays the selected file one time. Does not repeat.
4
1
3
4
77a7b7c
8
9
2
6
10
Touch
Player
5
11
TD-001578-01-C
63
Page 70
MP Manage − Mixer
This screen is used to adjust the levels of the Input channels going to the MP-M
Internal Mixer and the output of the mixer. The mixer output can be designated as
a source for the MP-M outputs.
1. Back button – Returns to the MP Manage Home screen.
2. Mute buttons – Mutes and un Mutes the associated channel.
3. Level faders – This is a scrollable list of Input Channels with their associated
faders. The first item in this list is the Main Mixer L/R output fader. Touch and
drag to set level.
Touch Mixer
1
2
3
4
TD-001578-01-C
64
Page 71
MP Manage − Paging
These screens are used to record, preview, and send pages over the
MP-M system.
Make sure the tablet or smartphone is set up so that the MP-Manager
app has access to the device’s microphone.
Make sure that the Zones to receive the pages are set up so that WiFi
Paging is a Priority Source to the Zones.
1.
Record Page
2. The
Recording
3.
Speak
recording is taking place.
4.
Stop / Exit Recording
5.
Preview Page
6.
Progress
audio plays back through the device.
7.
Stop Playback / Exit
playback screen
8.
Send Page
9.
Paging System In Use
played back over the designated zones.
– Touch to start recording the page.
screen displays.
the message. The progress bar moves to indicate
– Touch to stop recording.
– Touch to listen to the page.
bar – Indicates progress of the recorded page. The
– Touch to stop playback and exit the
– Touch to send the page over the system.
– Displays to indicate the page is being
Touch
Paging
2
1
5
3
8
4
6
7
9
TD-001578-01-C
65
Page 72
MP-M Dimensions
43.6 mm
481.3 mm
1.72 in
18.95 in
465.4 mm
18.32 in
Rear mounting bracket
Rear View
377.0 mm
14.84 in
345.4 mm
13.6 in
21.8 mm
0.86 in
23.9 mm
0.94 in
Front mounting bracket
31.8 mm
1.25 in
5.9 mm
0.23 in
TD-001578-01-B
5.1 x 11.4mm
0.20 x 0.45 in
12.7 mm
0.5 in
15.5 mm
0.6 in
18.3 mm
0.72 in
12.7 mm
0.5 in
21.8 mm
0.86 in
Side View
66
358.7 mm
14.12 in
Page 73
MP-M Block Diagrams
+12 V
Mic/Line
To Outputs
Mic/Line Input Channels & Auto Mixer
Input 1
From
Mic/Line
Input 1
From
Mic/Line
Input 2
From
Mic/Line
Input 3
From
Mic/Line
Input 4
Mic Pre
Gain
A/D
Delay
Polarity
Φ
Automatic Microphone Mixer
Compare
Compare
Compare
Compare
MP-M40: 4 Channels
MP-M80: 8 Channels
Low Cut
High CutPEQComp
Auto-Mixer
Algorithm
Gate
Store &
Forward
From GPI
or Gate
To
Mic/Line
Ch. 2
To
Mic/Line
Ch. 3
To
Mic/Line
Ch. 4
AGC
Gain
Gain
Level
Pan
Mute
Mute
FX
Cue
Mixer
L R
FX
Cue
L R
To Cue
To FX
To Mixer
TD-001578-01-B
67
Page 74
To Outputs
Wireless Paging
To Outputs
Mixer
Line Inputs, USB Inputs, Music on Hold, Cue, Wireless Paging
Line
Input 1
Line
Input 1 & 2
Linked
USB Input
Music On Hold
MOH Source
Selection
From Inputs
Sum
A/D
A/D
A/D
Low Cut
Low Cut
Low CutHigh CutPEQAGC
High CutPEQ
High CutPEQDynamics
Level
Delay
Delay
Dynamics
DAC
Gain
Gain
Gain
Gain
Level
Level
Mute
Mute
Cue
Mute
Mute
Cue
Pan
Balance
Line inputs only
FX
FX
L R
Cue
L R
FX
To Mixer
To FX
To
Linked
Outputs
To Cue
Music
On
Hold
From
Wi-Fi
Signal
Generator
From
Cue
TD-001578-01-B
Sine
Noise
Frequency
Low CutHigh CutPEQAGC
68
Noise Level
Cue
Gain
Gain
DAC
DAC
Cue
Mute
Cue
To Cue
To Cue
To
Outputs
Phones
Page 75
To Zone
Outputs
Mono Zone Output
Zone
Polarity
GEQ
Φ
Routing
Matrix
Sources: From inputs, mixer, other zones, USB, wireless paging
Override
Zone
Level
Ducker
2
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Primary Source
Level
Secondary Source
Level
Source 1
Level
Source 2
Level
Source 3
Level
Ducker
1
Source
Select
QSC
Tuning
Custom Loudspeaker Tuning
Ducker
1
Low CutHigh CutPEQ
From
System
Signal
Generator
Test
Limiter
Loudness
Output
Level
Auto
Gain
Gain
Delay
Cue
DAC
To Cue
Routers
Zone
Follows
Zone
Mono Input
Stereo Input
TD-001578-01-B
Source 4
Level
MP-M40: 4 of 8 potential sources shown
MP-M80: 4 of 16 potential sources shown
69
Page 76
Stereo (Linked) Zone Outputs
Outputs
Zone
Polarity
GEQ
Φ
Sources: From inputs, mixer, other zones, USB, wireless paging
Bypass
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Mono Input
Stereo Input
Primary Source
Level
Secondary Source
Level
Source 1
Level
Source 2
Level
Source 3
Level
Ducker
1
Source
Select
Zone
Level
Ducker
2
QSC
Tuning
Custom Loudspeaker Tuning
Ducker
1
Low CutHigh CutPEQ
From
System
Test
Signal
Generator
Limiter
Auto
Loudness
Output
Gain
Gain
Level
Delay
Cue
DAC
DAC
To Cue
Mono Input
Stereo Input
TD-001578-01-B
Source 4
Level
MP-M40: 4 of 8 potential sources shown
MP-M80: 4 of 16 potential sources shown
70
Page 77
Level
To Cue
Channels
Mixer
From
Input
Eects
Eects
Level
PEQ
GainMute
Gain
Cue
To
Linked
Zones
To
Mono
Zones
TD-001578-01-B
71
Page 78
®
Contact QSC
QSC, LLC
Mailing Address: 1675 MacArthur Boulevard
Main Number: +1.714.754.6175
World Wide Web: www.qsc.com
Sales & Marketing:
Voice: +1.714.957.7100 or
FAX: +1.714.754.6174
e-mail: info@qsc.com
QSC Customer Support
Application Engineering and Technical Services
(Monday – Friday 7 AM to 5 PM PST (Excludes Holidays)
Voice +1.714.957.7150
FAX +1.714.754.6173
Costa Mesa, CA 92626-1468 U.S.
1.800.854.4079 toll free (U.S. only)
1.800.772.2834 toll free (U.S. only)
QSC Self-Help Portal
Access our Self-Help Portal for additional information, FAQs, and
documents. You may also register or login to open a case with
QSCTechnicalServices.
iPhone, iOS, macOS and Bonjour are trademarks of Apple Inc., registered in the U.S. and other countries. Android is a trademark of Google Inc. Microsoft and Windows are
trademarks of Microsoft Corporation
All other trademarks are the property of their respective owners.
http://patents.qsc.com.
https://qscprod.force.com/selfhelpportal/s/
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