IMPORTANT SAFETY PRECAUTIONS AND EXPLANATION OF SYMBOLS
WARNING!
The lightning flash with the arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of
uninsulated “dangerous” voltage within the product’s enclosure that may be of sufficient magnitude to constitute a risk of
shock to humans.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operation and
maintenance (servicing) instructions in this manual.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
WARNING: To prevent fire or electric shock, do not expose this equipment to rain or moisture. Do not use this apparatus
near water.
5. Clean only with a dry cloth.
6. Allow a minimum of 6" (152 mm) clearance behind cabinet for convection cooling. Keep anything that might restrict airflow from the rear
of the enclosure (i.e. draperies, fabric, etc.). Do not block any ventilation opening. This product is a power amplifier that produces heat.
7. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
8. Do not defeat the safety purpose of the grounding-type plug on the three-pronged “Edison” style power cable. The grounding plug has
two blades and a grounding prong. The third prong is provided for your safety. If the provided plug does not fit your outlet, consult an
electrician for the replacement of the obsolete outlet. Do not cut off the grounding plug or use an adapter that breaks the grounding circuit.
This apparatus must be properly grounded for your safety.
9. Protect the power cord from being walked on or pinched, particularly plugs, convenience receptacles, and the point where they exit from
the apparatus.
10. The appliance coupler is the AC mains disconnect and should remain readily operable after installation.
11. Use only attachments/accessories specified by QSC Audio Products, LLC.
12. Use only with hardware, brackets, and components sold with the apparatus or by QSC Audio Products, LLC.
13. Unplug the apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power
supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain
or moisture, does not operate normally or has been dropped.
15. The appliance shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on
the apparatus.
1
Warranty (USA only; other countries, see your dealer or distributor)
Disclaimer
QSC Audio Products, LLC is not liable for any damage to amplifiers, or any other equipment that is caused by negligence or improper installation and/
or use of this loudspeaker product.
QSC Audio Products 6-Year Limited Warranty
QSC Audio Products, LLC (“QSC”) guarantees its products to be free from defective material and / or workmanship for a period of six (6) years from date
of sale, and will replace defective parts and repair malfunctioning products under this warranty when the defect occurs under normal installation and use
- provided the unit is returned to our factory or one of our authorized service stations via prepaid transportation with a copy of proof of purchase (i.e.,
sales receipt). This warranty provides that the examination of the return product must indicate, in our judgment, a manufacturing defect. This warranty
does not extend to any product which has been subjected to misuse, neglect, accident, improper installation, or where the date code has been removed
or defaced. QSC shall not be liable for incidental and/or consequential damages. This warranty gives you specific legal rights. This limited warranty is
freely transferable during the term of the warranty period. Customer may have additional rights, which vary from state to state.
In the event that this product was manufactured for export and sale outside of the United States or its territories, then this limited warranty shall not apply.
Removal of the serial number on this product, or purchase of this product from an unauthorized dealer, will void this limited warranty.
Periodically, this warranty is updated. To obtain the most recent version of QSC’s warranty statement, please visit www.qscaudio.com.
Contact us at 800-854-4079 or visit our web site at www.qscaudio.com.
These rugged, fan-cooled, 2-channel, 2RU amplifiers provide high-value performance and power in a strong, compact chassis. The series comprises
four models: the CMX 300V, CMX 500V, CMX 800V and CMX 2000V. The CMX 2000V is covered in a separate manual.
Features
• Independent, user-defeatable clip limiters
• Fully selectable low-frequency filtering; choice of 30 or 50 Hz roll-off
• Stereo (dual-channel), parallel-input, or Bridge Mono operating modes
• Front panel LED indicators for signal and clip and power
• Attenuation control security plate
Stereo mode, both channels driven
8Ω / FTC 20 Hz –20 kHz / 0.1% THD185 W260 W450 W
8Ω /EIA 1 kHz / 0.1% THD200 W300 W500 W
4Ω / FTC 20 Hz – 20 kHz / 0.1% THD280 W400 W650 W
4Ω /EIA 1 kHz / 0.5% THD300 W500 W800 W
2Ω /EIA 1 kHz / 1% THD430 W700 W1200 W
70V Direct Drive /EIA 1 kHz / 1% THD--400 W
Front Panel
1. Power switch
2. Power indicator LED
3. Cooling vents
4. Clip and Signal indicator LEDs, (Channel 1)
CMX
300V
– Table 1 –
5. Attenuation control (Channel 1)
6. Clip and Signal indicator LEDs, (Channel 2)
7. Attenuation control (Channel 2)
8. Lockout plate retention screw
CMX
500V
CMX
800V
1234
– Figure 1 –
3
5
67
8
Back Panel
1
2
3956810
1147
1. Barrier strip input
2. XLR inputs, Channels 1 and 2
3. Configuration dip switches
4. TRS inputs, Channels 1 & 2
5. Fan
6. Speakon™ output, Channel 1 and 2
7. Terminal block connector outputs, Channels 1 and 2
8. Circuit Breaker
9. Serial number label
10. Configuration switch chart
11. IEC power inlet (power cord connector)
1
2
4
3
5
6
7
8
9
1011
– Figure 2 –
Features and setup
Clip Limiter
What it is
When the audio signal drives the amplifier's output circuit beyond its power capability, it clips, flattening the peaks of the waveform. The clip limiter
detects this and reduces the gain to minimize the amount of overdrive. To preserve as much of the program dynamics as possible, limiting reduces the
average program level until peaks barely clip.
Each channel has its own clip limiter, and you can switch it on or off independently, as shown in (Figure 3).
When to use it (or not)
When driving full-range speakers, clip limiting reduces high-frequency distortion caused by bass overloads. It also protects higher frequency drivers
from excess overdrive and harsh clipping harmonics.
When driving subwoofers, some users let the amplifier clip without limiting because it gives extra “punch” to kick drums and similar sounds.
CAUTION: In bi-amp systems, excessive limiting will affect the frequency balance.
– Figure 3 –
4
6
Input Filter
What it is
The low-frequency (LF) filter rolls off signals below either 30 Hz or 50 Hz (Figure 6 and 7). This improves bass performance by limiting sub-audio
cone motion, making more power available for the speakers' rated frequency range.
The filter settings for each channel are controlled individually through the DIP switch settings shown in (Figure 4). When the filter is turned off
(Figure 5), a 5 Hz roll off protects against DC or deep sub-audio inputs.
When to use it (or not)
As a rule, your speakers will sound better with proper filtering. Unless you already have filtering in a preceding device, match the setting to the low
frequency rating of your speakers. Vented (bass reflex, ported, etc.) speakers are especially sensitive to cone over-excursion at frequencies below their
rated limit.
The 50 Hz filter works well with most compact full-range speakers, and has a slight boost at 100 Hz for greater fullness. The 30 Hz filter is intended for
subwoofers and large full-range cabinets. The “off” position should be used only for applications such as studio playback monitoring, where you need
to know if there are unwanted sub-audio signals present in your mix.
– Figure 4 –
– Figure 5 –
– Figure 6 –
– Figure 7 –
5
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