PYLE Audio PMX402M, PMX802M, PMX602M User Manual

Owner’s Manual

PMX402M 4 CHANNELS
PMX602M 6 CHANNELS
PMX802M 8 CHANNELS

www.pyleaudio.com

FEATURES

Balanced microphone inputs, high impedance microphone/line Inputs and

Tape/CD inputs. All may be used simultaneously reverb built in with individual control

on each channel line out for connection to external amplifiers record out jack for taping

performances R.F interference protection on all inputs and outputs.

The family of products built-in high-quality, high-effect of MP3 players can play in

the USB disk MP3 format songs. Blue backlit LCD display screen can display the total

number of songs in the USB disk, songs of the total play time ,play time at present, play
/ stop sign, symbol cycle, as well as the EQ. Through four key touch with LCD display

is easy to operate MP3 player.

SAFETY INSTRUCTIONS

CAUTION: To reduce the risk of electrical shock, do not

remove the cover (or back). No user serviceable parts
inside; refer servicing to qualified personnel.

WARNING: To reduce the risk of fire or electrical shock, do not

expose this appliance to rain or moisture.

This symbol, wherever it appears,
alerts you to the presence of
uninsulated dangerous voltage
inside the enclosure-voltage that
may be sufficient to constitute a
risk of shock.

This symbol, wherever it appears,
alerts you to important operating
and maintenance instructions in
the accompanying literature. Read
the manual.

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A. FRONT PANEL SECTION FEATURES

1. BALANCE INPUT (MIC)

Electronic Balanced inputs acceptable a standard XLR male connector. It is designed to accept a
balanced low impedance input signal, Phantom power (15 volts) for condenser microphones is always
on and available. It has an input impedance of 1K ohm. The connector is wired as: Pin= shield ;
Pin3= negative(cold).

2. BALANCE INPUT(LINE)

Electronic Balanced inputs acceptable a standard 1/4

＂ jacks connector. It is designed to accept a

balanced high impedance input signal (This use for connection Deck , Turntable, Keyboard etc… ).

3. VOLUME

This is function to adjust the volume of signal connection into each channel and adjust the
volume of output, together with master fader.

4. TREBLE

This control gives you up to 15 db of boost or cut at 10 kHz and above, and it is also flat at the
detent. Use it to add sizzle to cymbals, and an overall sense of transparency or edge to key-boards,
vocals, guitar, and bacon frying. Turn it down a little to reduce sibilance, or to hide tape hiss.

5. LOW FREQUENCY

This control gives you up to 15 dB boost or cut at 100Hz and below. This circuit is flat (no boost
or cut) at the center detent position. This frequency represents the punch in bass drums, bass guitar, fat
synch patches, and some really serious male singers.

6. REVERB DEPTH/EFFECT BALANCE

This is a send control to the reverb buss, It controls the amount of reverberation added to the
Input signals.

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