PYLE PMX802M User Manual

Owner’s Manual

PMX402M 4 CHANNELS

PMX602M 6 CHANNELS

PMX802M 8 CHANNELS

www.pyleaudio.com

FEATURES

Rugged and easy to operate, PMX402m/602m/802m offers great features and
performance at an extremely affordable price and is ideal for many small venue
applications.

• 4/6 /8 mono Mic inputs with XLR jacks

• 4/6/8 ¼” line inputs(CD, Tuner, Tape Deck Etc)

• Individual control for each channel

• Line out for external amplifier or recording device

• Output/Input signals Send/Return for a sound processor or digital

processors

• USB Port input with blue LCD display

• Shielded internal power supply with 110v 60hz/220v 50hz select switch

SAFETY INSTRUCTIONS

CAUTION: To reduce the risk of electrical shock, do

not remove the cover (or back). No user
serviceable parts Inside; refer servicing to
qualified personnel.

WARNING: To reduce the risk of fire or electrical shock,

do not expose this appliance to rain or
moisture.

This symbol, wherever it
appears, alerts you to the
presence of uninsulated
dangerous voltage.Inside
the enclosure-voltage that
may be sufficient to
constitute a risk of shock.

This symbol, wherever it appears,
alerts you to important operating
and maintenance instructions in
the accompanying literature. Read
the manual.

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A. FRONT PANEL SECTION FEATURES

1. BALANCED Mic INPUT

Electronic Balanced inputs acceptable a standard XLR male connector. It is designed
to accept a balanced low impedance input signal, Phantom power (15 volts) for
condenser microphones is always on and available. It has an input impedance of 1K
ohm. The connector is wired as: Pin= shield; Pin3= negative (cold).

2. BALANCE INPUT(LINE)

Electronic Balanced inputs acceptable a standard 1/4＂ jacks connector. It is
designed to accept a balanced high impedance input signal

3. VOLUME

This is function to adjust the volume of a signal connection into each channel and
adjust the volume of output, together with the master fader.

4. TREBLE

This control gives you up to 15 db of boost or cut at 10 kHz and above, and it is also
flat at the detent. Use it to add sizzle to cymbals, and an overall sense of transparency
or edge to key-boards, vocals, guitar, and bacon frying. Turn it down a little to reduce
sibilance, or to hide tape hiss.

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