PYLE 1020 User Manual

Specifications
PYD1010/1015/1020
Input Sensitivity/Impedance
Mic Phono 1-2 Line 1-6
Output Level
Master Zone Record
Frequency Response
S/N Ratio (at 1 kHz)
Mic Phono Line
Date of Purchase
Purchased at:
Catalog Merchandiser
Music Products Store
Other
Sound Contractor/Installer Mail Order
Model No. Serial #
1.5 mV/600 Ohms
3.0 mV/50K Ohms
150.0 mV/27K Ohms
1.5 V/10-kOhms
1.5 V/10-kOhms 150mV/10-kOhms
20Hz – 20kHz +/- 3 dB
55 dB/1.5mV input 65 dB/3.0mV input 70 dB/150.0 mV input
Name
Address
City, State ZIP
PYLE PRO MIXERS
within 10 days.
warranty, please mail this card
product. To activate your
Thank you for purchasing this PYLE
Distortion
Mic Phono Line
0.50%
0.08%
0.05%
Tone Control
Treble Mid Bass
Talkover Attenuation
Power Source
Dimensions, inches
(mm)
Weight, lbs (kg)
Limited Warranty
Please complete warranty card, detach and return
All PYLE PRO products are carefully constructed and tested before shipment. Units purchased in the USA are warranted to be free of defects in material and workmanship for two (2) years from the date of purchase. This warranty is limited to the original retail purchaser of the mixer.
Should the unit fail due to factory defects in material or workmanship, your unit will be repaired or replaced at the sole discretion of PYLE.
When returning the unit to us for warranty service, it must be carefully packed and shipped, prepaid, to:
10kHz; +10/-30dB 1 kHz; +10/-30dB 100Hz; +10/-30dB
-16dB
120 VAC, 60Hz/230 VAC, 50 Hz
10.25 x 3.6 x 14.0 (260 x 92 x 355)
9.5 (4.3)
R.A.#: _____________ PYLE PRO Service Center 1600 63rd Street Brooklyn, NY 11204
(if available)
14 – Pyle Pro Mixer Owner’s Manual
warranty registration card
You must also include the following items with your return:
• A copy of your sales receipt or other proof of purchase
• A brief letter, indicating the problem you are experiencing with
the product
• Include in your letter your return address, daytime phone number
and R.A. number
• Also include a check or money order for $15.00 for return shipping, handling and insurance, or provide your Visa/MC number with expiration date.
Our obligation under this warranty is limited to the repair or replacement of the defective unit when it is returned to us prepaid. This warranty will be considered void if the unit was tampered with, improperly serviced or subject to misuse, neglect or accidental damage.
Your PYLE PRO Series Performance Mixer
is a sophisticated control center, perfect for mixing sound from multiple playback sources such as microphones, tuners, CD players, turntables or the audio outputs from a VCR. This mixer is ruggedly constructed for home or professional use. Wide range volume controls permit you to adjust sound levels accurately to achieve just the right mix for playing through your speaker system or for recording.
Please read this manual thoroughly before you attempt to set up and use the mixer. It contains a range of suggestions and instructions to insure safe usage. Set up and used properly, you can expect years of trouble-free service from this product.
Owner’s Manual Table of Contents
Using the Crossfader
i
Input/Output Features
1
Features and Controls: PYD-1010
2
Features and Controls: PYD-1015
3
Features and Controls: PYD-1020
4
Presetting Controls Before Use Connecting the Outputs Playing the Mixer’s Output Signal Recording the Mixer’s Output Signal Monitoring the Mixer’s Output Signal in DJ Booth Connecting the Mixer Inputs
5
Connecting the Lamp
6
Using Headphones Using the Mixer Controls
7
Using the Microphone
9
9
Using the Gain Controls Using the Tone Controls
10
Using the Kill Frequency Switches Using the Zone Level Control Using the Master Balance Control
11
Using the Master Level Control Dual Meter Modes Using the Punch Controls
12
Using the Echo Controls (PYD-1020)
13
Troubleshooting Care and Maintenance
14
Specifications Warranty
(PYD-1015/PYD-1020)
Input/Output Features: PYD1010/1015/1020
Stereo Line Inputs let you connect most high-level audio sources, such as CD players, tape deck, tuner or VCR.
Features and Controls: PYD1010 Mixer
MIC 1(DJ Mic) Input Jack
accepts balanced or unbalanced inputs with either XLR or 1/4” plug
MIC Talkover Switch lowers the
level of input sources, permitting you to talk over them using a microphone
MIC 2 Level Control controls the
volume of the secondary microphone
Channel Gain Controls let you
adjust the gain of each input source
Channel Tone Controls permit
adjustment of the treble, midrange and bass of a selected input
Kill Tone Frequency Buttons let you
eliminate the selected frequency range instantly (great for special effects); the LED is illuminated when the kill switch is activated.
Dual Display Meter displays your choice of Master Input Left and Right Levels, or Phones Output Levels for CUE and PGM
Meter Mode Switch and LED Indicators permit you to display either Cue and Summed Program levels OR Left and Right Channel Levels
BNC lamp socket allows you to add a 12V/3W lamp to illuminate the control panel
Power Switch and LED indicator
Input Source Selector lets you
easily select your choice of audio inputs for mixing
Zone Level Control permits adjustment of the volume of the Zone Output, if you have installed speakers in the DJ booth or a remote location
Balance Control adjusts the balance between Left and Right speakers
Master Level Control adjusts the mixer’s overall output volume level
Cue Selectors let you “preview” an input source, using the headphones, so you can adjust the volume prior to mixing it in
Cue Level Control sets the listening level for the headphones
Output Jacks to connect the mixer to a receiver or amplifier – choose to use cables with either 1/4” jacks or RCA plugs.
Zone Output Jacks to connect the mixer to a second receiver or amplifier powering speakers in the DJ booth or in a remote location
Record Output Jacks to connect the mixer to a tape deck for recording the mixed program
Ground Screw for turntables
MIC2 Microphone rear panel connector permits you to connect a
balanced or unbalanced low impedance microphone with 1/4” plug.
Dual Purpose Stereo Inputs for using a turntable with a magnetic cartridge OR a high level input source
Input Select Switches – set these switches based on what is plugged into Phono1/Line1 and Phono2/Line3 input jacks
MIC 1 Level Control adjusts
the microphone volume level within the mix
Channel Level Controls
allow fingertip control of all sound mixing and fading
Crossfader Control
lets you quickly and smoothly switch and mix between two playing input sources
Headphone Jack accepts 1/4” plug
Crossfader Assign Switches
(A and B) let you select the input sources for crossfade mixing
Pyle Pro Mixer Owner’s Manual – 1i – Pyle Pro Mixer Owner’s Manual
Features and Controls: PYD1015 Mixer
MIC 1(DJ Mic) Input Jack
accepts balanced or unbalanced inputs with either XLR or 1/4” plug
MIC Talkover Switch lowers the
level of input sources, permitting you to talk over them using a microphone
MIC 2 Level Control controls the
volume of the secondary microphone
Channel Gain Controls let you
adjust the gain of each input source
Channel Tone Controls permit
adjustment of the treble, midrange and bass of a selected input
Kill Tone Frequency Buttons let you
eliminate the selected frequency range instantly (great for special effects); the LED is illuminated when the kill switch is activated.
MIC 1 Level Control adjusts
the microphone volume level within the mix
Dual Display Meter displays your choice of Master Input Left and Right Levels, or Phones Output Levels for CUE and PGM
Meter Mode Switch and LED Indicators permit you to display either Cue and Summed Program levels OR Left and Right Channel Levels
BNC lamp socket allows you to add a 12V/3W lamp to illuminate the control panel
Power Switch and LED indicator
Input Source Selector lets you
easily select your choice of audio inputs for mixing
Zone Level Control permits adjustment of the volume of the Zone Output, if you have installed speakers in the DJ booth or a remote location
Balance Control adjusts the balance between Left and Right speakers
Master Level Control adjusts the mixer’s overall output volume level
Cue Selectors let you “preview” an input source, using the headphones, so you can adjust the volume prior to mixing it in
Cue Level Control sets the listening level for the headphones
“Punch” buttons let you quickly
“Punch” buttons let you quickly
and easily switch the input
and easily switch the input sources on and off for unusual
sources on and off for unusual and exciting effects
and exciting effects
Features and Controls: PYD1020 Mixer
Features and Controls: PYD1020 Mixer
MIC 1(DJ Mic)
MIC 1(DJ Mic) Input Jack
Input Jack
accepts balanced
accepts balanced or unbalanced
or unbalanced inputs with either
inputs with either XLR or 1/4” jack
XLR or 1/4” jack
MIC Talkover Switch lowers the
level of input sources, permitting you to talk over them using a microphone
MIC 2 Level
MIC 2 Level Control controls the
Control controls the
volume of the
volume of the secondary
secondary microphone
microphone
Channel Gain
Channel Gain Controls let you
Controls let you
adjust the gain of
adjust the gain of each input source
each input source
Channel Tone
Channel Tone Controls permit
Controls permit
adjustment of the
adjustment of the treble, midrange
treble, midrange and bass of a
and bass of a selected input
selected input
Kill Tone Frequency
Kill Tone Frequency Buttons let you
Buttons let you
eliminate the selected
eliminate the selected frequency range
frequency range instantly (great for
instantly (great for special effects); the
special effects); the LED is illuminated
LED is illuminated when the kill switch
when the kill switch is activated.
is activated.
MIC 1 Level Control adjusts
the microphone volume level within the mix
Dual Display Meter displays your choice
Dual Display Meter displays your choice
of Master Input Left and Right Levels, or
of Master Input Left and Right Levels, or Phones Output Levels for CUE and PGM
Phones Output Levels for CUE and PGM
Meter Mode Switch and LED Indicators permit
Meter Mode Switch and LED Indicators permit
you to display either Cue and Summed Program
you to display either Cue and Summed Program levels OR Left and Right Channel Levels
levels OR Left and Right Channel Levels
BNC lamp socket allows you
BNC lamp socket allows you
to add a 12V/3W lamp to
to add a 12V/3W lamp to illuminate the control panel
illuminate the control panel
Power Switch and LED
Power Switch and LED indicator
indicator
Input Source Selector lets you
Input Source Selector lets you
easily select your choice of audio
easily select your choice of audio inputs for mixing
inputs for mixing
Echo Controls permits you to
Echo Controls permits you to
add in this spatial sound for
add in this spatial sound for special effects or tailoring of the
special effects or tailoring of the sound to a particular listening
sound to a particular listening environment
environment
Zone Level Control permits
Zone Level Control permits
adjustment of the volume of the
adjustment of the volume of the Zone Output, if you have
Zone Output, if you have installed speakers in the DJ
installed speakers in the DJ booth or a remote location
booth or a remote location
Cue Selectors let you “preview”
Cue Selectors let you “preview”
an input source, using the
an input source, using the headphones, so you can adjust
headphones, so you can adjust the volume prior to mixing it in
the volume prior to mixing it in
Balance Control adjusts the
Balance Control adjusts the
balance between Left and Right
balance between Left and Right speakers
speakers
Master Level Control adjusts
Master Level Control adjusts
the mixer’s overall output
the mixer’s overall output volume level
volume level
Cue Level Control sets the
Cue Level Control sets the
listening level for the
listening level for the headphones
headphones
“Punch” buttons let you quickly
“Punch” buttons let you quickly
and easily switch the input
and easily switch the input sources on and off for unusual
sources on and off for unusual and exciting effects
and exciting effects
Channel Level Controls
allow fingertip control of all sound mixing and fading
Crossfader Control
lets you quickly and smoothly switch and mix between two playing input sources
Headphone Jack accepts 1/4” plug
Crossfader Assign Switches
(A and B) let you select the input sources for crossfade mixing
Channel Level Controls
Channel Level Controls
allow fingertip control of all
allow fingertip control of all sound mixing and fading
sound mixing and fading
Crossfader Control
Crossfader Control
lets you quickly and smoothly
lets you quickly and smoothly switch and mix between two
switch and mix between two playing input sources
playing input sources
Headphone Jack accepts 1/4” plug
Crossfader Assign Switches
Crossfader Assign Switches
(A and B) let you select the input
(A and B) let you select the input sources for crossfade mixing
sources for crossfade mixing
Pyle Pro Mixer Owner’s Manual – 32 – Pyle Pro Mixer Owner’s Manual
Presetting the Controls Before Use
Power On/Off Balance Gain Tone Controls, Treble, Mid and Bass MIC 1/2, CH 1/2/3, Master and Cue Levels Crossfader
OFF MID MID 0 0 CENTER
Tape Deck Amplifier/Receiver
OFF OFF
FLAT
Since sudden high output levels from your Pyle Pro mixer can damage not only audio devices connected to the mixer output but your hearing as well (especially if you are using headphones), please adjust the mixer’s controls BEFORE connecting AC power or turning on the unit.
Set up the mixer controls like this before you start:
CONTROL SETTING
Connecting the Mixer Inputs
This mixer permits connection of up to eight (10) audio input sources, including up to two microphones. Such a system might include, for example:
Two Microphones Two Turntables Four CD players
Two Microphones Six CD players
Two Microphones Two Turntables Two CD players Two Cassette Decks
Two Microphones Two Turntables Two CD players One Rhythm Synth One Cassette Deck
Connecting the Outputs
After presetting the controls (above), you can then connect the mixer’s output jacks to the output devices’ input jacks. Before connecting these devices, however, be sure to preset their controls to avoid any damage to your equipment due to unexpected high output levels.
Set the output devices’ controls like this before you start:
OUTPUT DEVICE SETTINGCONTROL
POWER POWER
TONE
Playing the Mixer’s Output Signal
To play the mixer’s output signal through your speaker system (for events such as parties, dances, conferences, etc.) connect an audio patch cord (not supplied) from the mixer’s MASTER L and R jacks to your receiver’s left and right input jacks. This mixer permits you to choose cables with either RCA jacks or 1/4” jacks for this connection, but do not use both sets of jacks simultaneously.
Recording the Mixer’s Output Signal
To record the mixer’s output signal, connect audio patch cords (not supplied) from the mixer’s REC (Record) L and R jacks to your tape deck’s left and right input jacks.
Please observe the following:
Connect audio inputs as follows:
1. DJ Microphone. Connect the DJ’s MIC 1 (not supplied) to the mic input jack in the upper left corner of the mixer control panel. The special combo jack permits you to connect with either a 1/4” plug or XLR plug.
2. High Level Output Audio Sources. Connect up to 6 such sources (tuner, cassette deck, CD Player, camcorder or VCR) to the input jacks for Line 1 (if not being used as Phono 1 input), Line 2, Line 3 (if not being used as Phono 2 input), Line 4, Line 5 and Line 6. Please note that Phono 1 and Line 1 (as well as Phono 2 and Line 3) use the same jacks. The selector switch(e)s below the jacks should be set to Line position if the jacks are used for the High Level input sources described here.
Do not connect any audio source with a HIGH LEVEL OUTPUT to the LOW LEVEL PHONO 1 or PHONO 2 mixer
audio input jacks (an audio source output with a volume control is HIGH LEVEL).
Use 1/4” or XLR-type jack
DJ MIC
Use RCA type patch cables
Monitoring the Mixer’s Output signal in the DJ Booth
To monitor the mixer’s output on a second set of speakers in the DJ booth (or in a remote location), connect an audio patch cord from the mixer’s ZONE L and R jacks to the additional amplifier’s left and right input jacks.
High Level Output Audio Source
LEFT output
RIGHT output
CD player, cassette deck, camcorder, VCR, etc.
CD player, cassette deck, camcorder, VCR, etc.
NOTE!
If you use a High Level Output Audio Source(s) in the Phono1/Line1 (and/or Phono2/Line3) input jack(s), be sure to place the Input Select switch in the LINE1 (and/or LINE3) position(s)!
Pyle Pro Mixer Owner’s Manual – 54 – Pyle Pro Mixer Owner’s Manual
Connecting the Mixer Inputs (cont.)
3. Turntables. Connect up to 2 turntables to the Phono 1 and Phono 2 input jacks. Please note that
Phone 1 and Line 1 (as well as Phono 2 and Line 3) use the same jacks. The selector switch below the jacks should be set to Phono position if the jacks are used for phono inputs.
When using a turntable, you should also securely connect its ground wire (usually green or black) to the Ground screw on the input panel of the mixer.
Use RCA type patch cables
Using the Mixer Controls
Turning on the Mixer
1. Turn on the output amplifier and temporarily set its volume to the minimum setting.
2. On the mixer, turn ON the power switch. The adjacent power LED will illuminate.
3. Turn on the audio input sources you wish to mix, and set them to play (or talk continuously into the microphone).
4. To monitor the audio input sources so that you can decide when to mix in each input, see “Monitoring ‘Cueing’ the Inputs.”
Magnetic cartridge turntable
LEFT output
RIGHT output
GROUND wire from turntable
Connecting the Lamp
NOTE!
If you use a Turntable(s) in the Phono1/Line1 (and/or Phono2/Line3) input jacks, be sure to place the Input Select switch in the PHONO1 (and/or PHONO2) position(s)!
12V/3W lamp
If you wish to intall a console lamp (not supplied), simply insert the plug end of an appropriate 12V/3W gooseneck style or similar lamp into the lampsocket provided in the upper right corner of the mixer control panel. Power is supplied to this lamp when the mixer power switch is turned on.
Using Headphones
Plug a pair of stereo headphones (not supplied) with a 1/4” plug into the Phones output. Using headphones not only affords you the opportunity to listen privately, but also enables you to monitor the incoming audio sources so you can locate an exact passage or section before mixing it in. It also gives you the opportunity to set up the relative volume level of the upcoming passage before it joins the mix.
Listen Safely! Please observe the following:
5. To mix the audio input sources so that you can play them through your amplifier system or record them on your tape deck, see “Mixing the Inputs.”
Monitoring (”Cueing”) the Inputs
Follow these steps to monitor the audio input sources.
1. Perform Steps 1 and 2 of “Turning on the Mixer” and put headphones on.
2. Set the CUE switch of the input source (CH1, CH2 or CH3) to the ON position.
CUE switch
3. Set the desired audio input source’s volume to its minimum setting,
turn it on, and set it to play (or speak continuosly into the microphone).
4. Slowly turn the CUE LEVEL control clockwise until you hear the signal
through the headphones at the desired volume level.
Stereo Headphones
Do not listen at extremely high volume levels. Extended,
high-volume listening can lead to permanent hearing loss. Follow these guidelines to protect your hearing, especially when using headphones.
Always start by setting the volume level to the lowest possible level before listening.
Put headphones on, and then gradually increase the volume as necessary.
Once you set the volume level do not increase it. Over
a period of time, your ears adapt to a volume level and there is a temptation to increase it. Even though such an increase may not cause discomfort, it might still damage your hearing.
CUE Level Control
5. Repeat Steps 2-4 to select and adjust the volume level of the other audio input sources, one at a time.
Pyle Pro Mixer Owner’s Manual – 76 – Pyle Pro Mixer Owner’s Manual
Mixing the Inputs
Using the Microphone
Follow these steps to mix the audio input sources.
1. Perform Steps 1 and 2 of “Turning on the Mixer.”
2. Set the selected audio input source’s volume to its minimum setting, turn it on, and set it to play (or speak continuously into the microphone).
3. Set the following input source selectors as desired:
Mixer Channel
1
2
3
4. Set the Channel 1, Channel 2 and Channel 3
volume control sliders to approximately 8-10.
5. Rotate the Master Volume Control clockwise until you observe an average reading of “0”
(zero) on both Output Level LED meters, and
leave it at that setting. (Please note that the Output Level LED meter indicates the total
output signal being mixed from all sources for
each of the Left and Right channels.)
6. When adding an audio input source to the mix, adjust the corresponding Channel 1, 2 and 3 volume control sliders so you maintain the average reading of “0” on both Output Level LED meters.
7. Adjust the receiver/amplifier volume control to the desired volume.
8. To turn off the mixer, push the Power switch to the OFF position; the Power LED will be extinguished.
Audio Input Source
Turntable connected to PHONO1/LINE 1 jacks
High level output audio source connected to the PHONO1/LINE 1 jacks
High level output audio source connected to the LINE 2 jacks
Turntable connected to PHONO2/LINE 3 jacks
High level output audio source connected to the PHONO2/LINE 3 jacks
High level output audio source connected to the LINE 4 jacks
High level output audio source connected to the LINE 5 jacks
High level output audio source connected to the LINE 6 jacks
Input Source Selector Switches
Input Source Volume Control Sliders
Input Selector Switch Setting
PHONO1
LINE1
LINE2
PHONO2
LINE3
LINE4
LINE5
LINE6
Incorporating Voice into the Mix
To blend voice from the microphone with the audio program material, adjust the turn the MIC 1 Talkover Switch to ON and use the MIC1 level slider to increase or decrease the microphone level. This will not affect the main volume inputs. When the microphone is not in use, set the MIC level slider to “0.”
Talkover Mode
Talkover mode allows a voice to be heard clearly through the microphone by attenuating all the other audio input sources. This mode is engaged by setting the Talkover Switch to the TALKOVER position. When not using the microphone, set this switch to the OFF position.
Talkover Switch
Talkover Switch
Using the Crossfader with the Assign Switches
For crossfading effects, you can assign any of the three channels to either A or B sides of the crossfade mix using the Crossfade assign knobs.
When the crossfade slider is in the center position, the two assigned channels play equally. Sliding the control towards the A position will increase the level of A and fade out B proportionally to the distance from center. Likewise, sliding the control towards the B position will increase the level of B and fade out A.
Crossover Assign
Switches
Using the Gain Controls
Adjusting the Gain controls for each channel permits you to fine tune the level of each of the audio inputs, since input levels usually vary. Rotate the Gain control clockwise to increase level. After you preset the gain levels for each input, it is recommended that you do not adjust them further, as you can cause sound level imbalances during a mix.
Gain Controls
Pyle Pro Mixer Owner’s Manual – 98 – Pyle Pro Mixer Owner’s Manual
Using the Tone Controls
To enhance the sound or tailor the highs, mids and low frequencies for each audio source input to the acoustics of a particular performance environment, you can adjust the BASS, MID and TREBLE tone controls. Rotating the bass control, for example, will boost the bass frequencies in the bass range for that channel.
Using the Master Balance Control
In the typical performance environment, you will want the sound to appear to be coming from a point midway between the speakers. If the sound appears to be louder from one speaker, adjust the Balance Control until the sound is properly balanced.
Master Balance
Control
(position on panel varies
between mixer models)
Tone Controls
Using the Frequency Kill Switches
For unique circumstances or interesting special effects, you can completely eliminate the bass, mid or treble frequency range from a particular channel by pressing the Kill button for that range. When the Kill mode is active, the LED above the button will be illuminated.
Using the Zone Level Control
If you have a separate set of monitor speakers in the DJ booth or in a remote location, you can adjust the output level to these speakers using the Zone Level control. Zone speaker level is controlled independent of the Master Level control.
Frequency Kill
Switches
Zone Level
Control
(position on panel varies
between mixer models)
Using the Master Level Control
The overall volume of the mix of all inputs is adjusted using the Master Level control.Turning this control clockwise increases the overall system volume.
Master Level
Control
(position on panel varies
between mixer models)
Changing and Viewing the Dual Meter Modes
Your mixer’s Dual Meter Mode feature allows you to view the levels of each of the left and right channels in the current mix, or to view the cued (upcoming) program level compared with the current mix (summed).
To change the current display, press the Meter Mode button.The LEDs immediately to the left of the button indicate the current meter mode.
Meter Mode
Switch
Pyle Pro Mixer Owner’s Manual – 1110 – Pyle Pro Mixer Owner’s Manual
Using the “Punch” Controls (PYD-1015 and PYD-1020)
This featured control lets you smoothly and quickly turn a playing source on and off, or switch between the two different input sources assigned to Crossfade Channel A and B.
The effect you get depends upon the position of the Crossfader.
With the Crossfader at 100% Channel A (all the way to the left), pressing the Channel A Punch Button will mute the Channel A material.
Similarly, with the Crossfader at 100% Channel B (all the way to the right), pressing the Channel B Punch Button will mute the Channel B material.
With the Crossfader in the middle position, press the Channel A punch button and the Channel A material will be subtracted from the mix, leaving only Channel B material. Likewise, press the Channel B punch button and the Channel B material will be subtracted from the mix.
Punch Control
Troubleshooting
Your mixer should require very little maintenance. If you have problems, refer to the chart below for possible solutions. If you cannot solve the problem, contact a qualified technician for assistance.
PROBLEM POSSIBLE SOLUTION
Nothing works • Check the AC connection. Make sure the AC outlet is “live.”
• Check the power connection to the rest of the system (receiver/amplifier, etc.)
No signal from an audio input source
Hum from PHONO
Hum from other source
Feedback is present
• Check the control setting
• Check the connection between the mixer and the input source
• Check that the turntable’s ground wire (usually black or green) is fastened securely to the GROUND SCREW on the mixer input panel
• Make sure there are no low level inputs connected to the LINE input jacks
• Move the microphone further away from the output speakers, or use a directional microphone
Using the Echo Controls (PYD-1020)
To activate the Echo mode, press the ECHO button.
To change the number of times a sound is repeated, increase of decrease the REPEAT control.
To vary the time in between the repeats, increase or decrease the DELAY control.
To adjust the output level of the echo, increase or decrease the DEPTH control.
Echo Controls
Care and Maintenance
Your Pyle Pro Mixer is an example of superior design and craftsmanship. The following suggestions will help you care for your mixer so you can enjoy years of use:
• Keep the mixer dry. If it gets wet, wipe immediately.
• Use the mixer only in well-ventilated installations.
• Handle the mixer gently and carefully ­do not drop!
• Keep the mixer away from dust and dirt.
• Wipe occasionally with a damp cloth to keep it looking new. Do not use harsh chemicals, solvents or detergents!
Please complete warranty card, detach and return
Place
Stamp
Here
PYLE PRO Audio, Inc.
Brooklyn, NY 11204
1600 63rd Street
Pyle Pro Mixer Owner’s Manual – 1312 – Pyle Pro Mixer Owner’s Manual
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