Protech 2000 User Manual

PROTECH
1/06
®
AUTOMATIC MICROPHONE MIXER
INSTALLATION & OPERATION MANUAL
www.protechaudio.com
MODEL 2000
WITH MIX-MINUS OUTPUTS.
The Protech Audio Model 2000 Automatic Microphone Mixer is designed to be the best operating, most transparent auto-mixer, for fixed installations. From the Dugan Speech System for transparent gain-sharing, to the mix-minus output on each input channel, to the card frame mechanical packaging, the Model 2000 is constructed to provide the designer and installer with every feature needed for perfect auto-mixer installations.
Before proceeding further, please make note that the Model 2000 is shipped from the factory with all prelimi­nary adjustments made. The gain on each input channel
is set to 50dB, the tone controls on each are set to flat, and the master output level is set to unity. The unit should be installed, turned on and listened to, before any additional adjustments are made. In many installa­tions, no further adjustments will be required. The first feature to make note of is the patented Dugan Speech System for proper gain sharing in automatic mixing applications. This operating system, when properly imple­mented, results in the best, most transparent automatic mixing to be found anywhere. A short listening demonstra­tion has impressed even the most critical audio system designers. We at Protech Audio have worked directly with Dan Dugan Sound Design, for almost 3 years, to achieve the optimum implementation of his superior auto-mixing architecture.
The second feature to be discussed is the mix-minus output on each input channel. Other systems require any number of additional pieces of equipment, like wiring matrixes, to achieve mix-minus. In the Model 2000, the mix-minus feature is inherent in the design. Up to 8 separate mix-minus outputs are inherent in each card frame assem­bly. In addition to the mix-minus output, each input section incorporates a number of features, to allow installations to be done quickly, with a minimum of wiring and set-up time. High-Pass filters, Bass and Treble Controls, Logic Outputs, Phantom Power, and Mute functions are built into each input channel. The output card has provision for two balanced line outputs, Auxillary Input, switch selectable Master/Slave operation, Gain Trim, Remote Volume Control, Group Mute, optional Automatic Level Control, and optional Pink Noise Generator The optional Automatic Level Control works in a very unique manner. Instead of adjusting levels at the output only, the ALC reaches back into each input channel and readjusts the gain at each input. This feature allows the mix­minus to remain properly adjusted. The card frame assemblies are linkable, to create systems with up to 100 microphone inputs. The linking is accom­plished by using standard DB15 cables.
Protech Audio Corp., 192 Cedar River Road, Indian Lake New York, 12842 Voice 518-648-6410 Fax 518-648-6395
INDEX
Page 2 ­Page 3 ­Page 4 ­Page 6 ­Page 7 ­Page 8 ­Page 9 ­Page 9 ­Page 10 ­Page 11 ­Page 12 ­Page 14 ­Page 16 ­Page 17 -
Index and Unpacking Instructions. Unpacking Instructions. Quickstart Set-Up Input Card Description. Input Card Mechanical and Connections. Output Card Description. Output Card Mechanical and Connections. Pink Noise Generator Option Using Mix-Minus Outputs. Linking Chassis' Remote Level Controls Automatic Level Control Option Using INTEGRA III SYSTEM Cards With Model 2000 Blank
Also reference application note AN2000.
The Model 2000 Automatic Microphone Mixer is shipped from the factory with all cards plugged into their proper slots. The mechani­cal drawings on the facing page show the position of individual types of cards. If your system required less than 8 inputs, the system is shipped with the higher number card slots empty. If your systems required more than 8 inputs, additional frames have been shipped, along with the necessary link cables.
CAUTION: The Model 2000 has been assembled and aligned at the factory. The unit should be wired, turned on, and listened to, before any field adjustments are made.
UNPACKING-
1- Remove chassis assembly from carton. 2- Open card frame front panel by loosening two thumbscrews, remove pink anti-static shipping insert and discard. 3- Count input cards, output(s) card, power supply card(s), link cables, power supply transformers, to insure correct quantities.
MOUNTING
The Model 2000 Automatic Microphone Mixer is designed to be mounted in an industry standard 19" EIA rack. Care should be taken not to mount the unit next to power supplies, power amplifiers, or other equipment which generate strong AC fields.
WIRING-
All audio inputs and output(s) should be wired using double conductor shielded cable. Logic circuits may be wired using unshielded cable.
- Page 2 -
FRONT VIEW
PRODUCT COMPONENTS
INPUT CARD SLOT
INPUT CARD SLOT
INPUT CARD SLOT
INPUT CARD SLOT
INPUT CARD SLOT
INPUT CARD SLOT
INPUT CARD SLOT
INPUT CARD SLOT
OUTPUT
CARD
SLOT
1 TO 8 INPUT CHANNELS,
SLOTS 1 THRU 8 MAY BE USED FOR OTHER INTEGRA III SYSTEM MODULES
REAR VIEW
+15
GND
-15
GND ON
MASTER
LINK
IN
5678
4
3
2
POWER
SUPPLY
CARD
SLOT
1
18VACT AC
CT AC
GND
OUT
POWER SUPPLY, 1 PER CHASSIS
Connector Plugs Into Mating Connector On Chassis (18VACT)
MALE
LINK IN
LINK CABLE
DB15
FE­MALE
LINK OUT
- Page 3 -
QUICK START SET-UP, STANDARD AUTOMIXER INSTALLS
Unpacking and Mounting -
Unpack each Model 2000 Card Frame Assembly, loosen thumbscrews and open door. Remove anti­statis bubblepack and discard. Identify which card slots have microphone input cards, and which have line input cards. (See label on bottom side of each card, near handle.) Close door and mount frame in rack. Wire all inputs and outputs with double conductor shielded cable (See connection points on pages 7 & 9.)
Inputs - Microphone
Each microphone input card has gain preset at the factory. If condenser microphones are to be used, set the gain slide switch to the low position on the corresponding input card. The microphone input cards are jumpered for 15 volt phantom power. (See page 6 for details.)
Inputs - Line
Each line input card has gain preset at the factory for unity. The line input cards are designed to be used with devices such as telco echo-cancellers, compact discs, and tape players. The mode switch on each line input is factory preset to "Auto". Depending on the installation, it may be desirable to set it to "Manual". In manual mode, the automix gain function will not effect the line input gain.
Tone Controls -
Each input card has a switch selectable high-pass filter, and Bass and Treble controls. The inputs are shipped with teh high-pass filter switched out, and the tone controls set for "Flat".
Output Cards -
The output card has only slide switch, designed to set the output to Master or Slave operation. If only one chassis is to be used, no adjustment of the factory setting, Master, is necessary. If more than one chassis is to be used, consult page
11.
CAUTION: The Model 2000 has been assembled and aligned at the factory. The unit should be wired, turned on, and listened to, before any field adjustments are made.
Special Features -
The Model 2000 Automatic Mixing system contains many special features, which allow the unit to per­form many special tasks, without the need for addi­tional equipment. Each special feature and how to use it, is described in detail, on the following pages. Please see page 2, for a page index of special features.
UNBALANCED LINE
INPUT
CONNECTION
BALANCED LINE INPUT
CONNECTION
MICROPHONE INPUT
CONNECTION
UNBALANCED LINE OUTPUT
CONNECTION
HI LO SH
BALANCED LINE OUTPUT
CONNECTION
HI LO SH
HI LO SH
HI LO SH
- Page 4 -
- Page 17 -
USING INTEGRA III CARDS WITH MODEL 2000
QUICK START SET-UP, BLOCK DIAGRAM & CONNECTIONS
The Model 2000-CH chassis will accomodate a number of different INTEGRA III cards. Each card has a part number that starts with"2K-", to denote that it was modified at the factory, to allow operation in the Model 2000-CH chassis. All other features are identical. For instance, the Model 665 is a 1 input, 5 output audio distribution amplifier card. The Model 2K-665 is the same card, with a trace modification.
The INTEGRA III cards that are available for use with the Model 2000-CH chassis are;
2K-662 Audio Distribution Amp, 1 x 2 2K-663 Audio Distribution Amp, 1 x 3 2K-664 Audio Distribution Amp, 1 x 4 2K-665 Audio Distribution Amp, 1 x 5
2K-674 Audio Line Mixer, 2 x 1 2K-675 Audio Line Mixer, 3 x 1 2K-676 Audio Line Mixer, 4 x 1 2K-677 Audio Line Mixer, 5 x 1
NOTES:
INPUT CARD, SLOTS 1 THRU 8
EXTERNAL +48VDC
REMOTE
GAIN
CONTROL
INPUT MUTE
INPUT
-1V
+4V
MIX-MINUS INPUTS
+
-
LOGIC OUT
INPUT MUTE
15VDC
Mic/Line
Switch
30/50dB
MASTER OUTPUT CARD, SLOT 9
GAIN
BACK PANEL
GAIN TRIM
HI-PASS
FILTER
MUTE BUSSES GROUP / ALL
BACK PANEL
TREBLE
BASS
EQVCA 1
GROUP MUTE
SWITCH
Mute
CONTROL
MIX
MASTER GAIN
VCA 2
AUTO-MIX CONTROL
MAIN MIX
Not On Logging Slots
MAIN-MIX OUTPUTS
LOG/
MIX
MINUS
PRE MIX
OUT
POST MIX
OUT
DIRECT
IN
LOGIC
OUT
GAIN
INDICATOR
OUT
+
+
-
2K-588 Noise Gate Ducker, 2 x 1 2K-639 Line Amp/Compressor
Other modified INTEGRA III cards are available upon request. The trimpot controls, and the 2 pin connector, on the rear of the Model 2000-CH, will not be functional when modified INTEGRA III cards are placed into that card slot. Only the 15 pin connector will remain functional, to allow termination of the inputs and outputs. An extender card, Model 516, may be required, to allow adjustment of the gain on modified INTEGRA III cards.
1 2 3 4 5 6 7 8
9 10 11 12 13 14 15
GROUP MUTE
ALL MUTE
MASTER REMOTE CONTROL
-1V
+4V
AUX IN
BACK PANEL
MASTER
GAIN TRIM
OPTIONAL AUTOMATIC LEVEL CONTROL
Input Connections Output Connections
Remote Control Voltage for Remote Gain Control. Input Mute, Grounding Pin Mutes Channel Input. Ground. Input Hi. Input Lo. 48V Phantom From External Source. Pre Mix Out, after Remote Volume, Mute, & Tone Controls. Ground Direct MIx Minus Input (Resistor Isolate) Gain Ind. Out Logic Out, Open collector grounded when active. Post Mix Out, Used for Mix-Minus or Console Insert. Ground Mix-Minus Out Hi Mix-Minus Out Lo
1 2 3 4 5 6 7 8
9 10 11 12 13 14 15
Remote Master In. All Mute Ground. Group Mute. Pink Noise Option Activation Do Not Use! Aux Input Hi Aux Input Lo (Ground) Do Not Use! Do Not Use! Mix 1 Out Hi. Mix 1 Out Lo. Ground. Mix 2 Out Hi. Mix 2 Out Lo.
PINK NOISE GENERATOR
-
+
-
EXT. SW.
- Page 16 -
- Page 5 -
AUDIO INPUTS
GAIN -
Each input card has individually adjustable gain. The gain is preset at the factory. Before any field adjustments are made to the Model 2000, it is strongly recommended that the unit be installed, wired, turned on and listened to. If additional gain adjust­ments are necessary, they may be made in one of two ways. (NOTE: If ALC option is used,
switch ALC to "OFF" position, before adjusting gain trimpots.)
First, there is a gain setting slide switch on the input card assembly. This switch allows the preamplifier gain to be set to either 30dB or 50dB. This switch is set to 50dB at the factory. Most applications will require the 50dB setting. The 30dB setting is recommended for condenser type microphones. Second, each input card slot has a VCA 1 gain adjustment trimpot mounted on the backplane as­sembly. The trimpot is set at the factory for -6dB. The gain settings correspond to "clock" positions with 12:00 being straight up. Additional settings are as follows:
7:00 = 8:00 =
9:00 = 10:00 = 11:00 = 12:00 =
1:00 =
2:00 =
3:00 =
4:00 =
5:00 =
HIGH PASS FILTER & TONE CONTROLS -
Each input card has a slide switch selectable high­pass filter. Each input card slot has individual Treble and Bass controls. The Model 2000 is shipped from the factory with the high-pass filter in the "IN" position. The BASS and TREBLE tone controls are set to the "FLAT" position. Counterclockwise rota­tion "CUTS" frequencies, while clockwise rotation "BOOSTS" frequencies. The corner frequency of the BASS control is 315Hz, with a peak at 50Hz. The corner frequency of the TREBLE control is 1150Hz, with a peak at 10KHz.
-35dB
-33dB
-27dB
-20dB
-15dB
-6dB 0dB - Recommended +6dB +11dB +17dB +18dB
WEIGHTING CONTROL -
Each input card slot has a "WEIGHTING" control trimpot. The Model 2000 is shipped from the factory with the "WEIGHTING" control in the maximum clockwise position. Most applications will require this setting. The "WEIGHTING" control is the send for the auto­mixing "pre-mix". Weighting reduction can be used when it becomes necessary to balance the automatic mixing action separately from the audio mix. One situation would be where one microphone is near an air vent, and the noise of the air vent makes the gain go to that microphone when no one is talking. The weight for that channel can be backed off so the auto­mix gains balance. The ambient weighting can be skewed up to 10dB without affecting the mixing of the voice signals. The weight is normally left at maximum position (full clockwise) for maximum dynamic range in the auto mixing system.
PHANTOM POWER -
Each input card has a 3 pin terminal strip to allow jumpering for phantom power. A red push-on jumper is supplied for each input card. By placing the jumper on the #2 and #3 terminals, the card will supply 15VDC phantom power to the microphone. By plac­ing the jumper on the #1 and #2 terminals, the card will allow 48 volt phantom power to be supplied from an external source. Each input card is individu­ally configured. The unit is shipped with the jumper in the external 48 volt position.
MUTE, INPUT MUTE & GROUP MUTE -
Each input card has a MUTE slide switch, used for troubleshooting. Each input card has a separate mute pin. Grounding this pin will mute the input. Each input card has a slide switch that enables the card to be attached to a group mute function. Ground­ing the Group Mute pin on the Master card slot will mute all inputs attached to the Group Mute function. The input cards are shipped with the GROUP MUTE enabled.
AUTOMATIC/MANUAL OPERATION
Each input card has a slide switch that allows the individual card to operate automatically, or manu­ally .
NOTES:
ALC FEATURES
AUTOMATIC LEVEL CONTROL (ALC) CARD ASSEMBLY
(Mounted on Master Output Card Assembly)
A
B
MASTER
C
ON
D
EXTERN.
A­B­C­D­E­F­G-
OFF
ALC Active.......................
(Level Gate)......................
ALC Gain Indicator...........
ALC ON-OFF Switch........
RATE Trimpot..................
TARGET Trimpot.............
WINDOW Trimpot............
RATE
E
Indicates active ALC function N/A Displays gain reduction. Used for set-up Controls speed of ALC action. Controls desired output level. Controls "dead zone" for dynamic range function.
TARGET
WINDOW
F
G
MIX-MINUS - see page 12 mix-minus section.
- Page 6 -
- Page 15 -
AUTOMATIC LEVEL CONTROL OPTION
NOTE 1: Always turn the ALC assembly off (switch down) when adjusting
any system gain controls, includ­ing mixer inputs, master gain control, tone con­trols, system equalizers, and amplifiers. If this procedure is not followed, the ALC may fade the gain back up when someone speaks softly, and the system may go into feedback.
NOTE : The automatic level control card assembly has been aligned at the factory. Normally, no further adjustments are necessary.
How It Works. The ALC's function is to fade the master gain down when the speaker is too loud, and hold it there during pauses. When a quieter speaker talks, the gain will be raised again. The ALC compares the level of the mixer's output, measured with a VU meter characteristic, with a threshold set by the TARGET trimpot control. When the output level is lower than the threshold, the ALC will fade up the master gain. When the output level is higher than the threshold, the ALC will fade the master gain down. The speed of the fade is set with the RATE trimpot control. The gating action of the ALC freezes the master gain when no one is talking. Normally it is con­trolled by the logic outputs of the automatic mixing input channels. Whenever a yellow logic LED on any channel is on, the ALC action is allowed to adjust the output level. The yellow ALC ENABLE LED will come on when any input's logic LED is on, and indicates when the ALC is active.
Factory Settings- Recommended positions.
RATE Trimpot = 12:00, Counterclockwise = Slower TARGET Trimpot = 9:00, Counterclockwise = Downward WINDOW Trimpot = 12:00, Counterclockwise = More Dynamic range
ALIGNMENT PROCEDURE­Unplug the power supply card. Unplug and remove the master output card assembly (with ALC card assembly). Plug the extender card into the master output card slot. Plug the master output card assem­bly into the extender card. Plug in the power supply card With the ALC switched to "OFF", adjust all input gains, master output gains, tone controls, and adja­cent channel input controls, as well as any other equipment in the signal chain (equalizers, power amps, etc.). Be sure to test with speech at all micro­phones after any gain adjustment. Because of the automatic mixing action, a microphone that may be ready to feed back, will not have it's gain turned up until someone speaks into it. Turn the ALC "ON". Have someone speak loudly at a microphone. Adjust the TARGET trimpot down­ward (counterclockwise) until the volume is reduced to a comfortable level. The middle green LED is illuminated to indicate where the target level should be. Now the ALC will fade the master gain down whenever the output level is higher than the TAR­GET level. When a quieter speaker talks, the gain will fade up again. Next adjust the RATE trimpot to 12:00 or lower. This will increase the ALC fade time so that it doesn't "pump". 100% counterclockwise is the slowest setting. If more dynamic range is desired, more difference between loud and soft speakers, turn the window control counterclockwise. This will create a "dead zone" below the threshold level, where the volume can vary naturally without ALC action. A WINDOW setting of 50% gives a dead zone of 5dB, and 0% (full counterclockwise), about 8dB.
Exempting Line Level Inputs From ALC­Since the ALC works by varying the master gain when a logic indicator is active, removing R23 prevents the ALC from changing the gain on the line input, whenever any input becomes active.
INPUT FEATURES
INPUT CARD ASSEMBLY
GROUP MUTE DISABLE ENABLE
RED
NORMAL MUTE
YELLOW GREEN
AUTO MANUAL
A =
Switch allows individual channels to be connected to Group Mute. (Shipped "Enabled")
B =
Switch allows individual channels to be muted for troubleshooting. (Shipped "Normal")
C =
Switch allows either automatic or manual operation of individual input channels.(Shipped "Auto")
D =
High-Pass filter (Rumble). (Shipped "Out")
E =
HI-LO gain switch, 50 or 30 dB, for use with different microphone types. (Shipped "HI")
F =
Placing RED push-on shunt on pins +48 and middle, allows external 48 volt phantom to be used.
(Shipped "15V")
G =
Mic/Line switch, for determining input impedance and gain structure. (Shipped as MIC input)
H =
Factory set, to allow mix-minus output
I =
Placing RED push-on jumper determines whether pre-mix outputs are pre or post mute.
LED's =
Gain Set
Bass Control
Treble Control
Adjacent Channel Mix-Minus L
Adjacent Channel Mix-Minus R
Adjacent Channel In Adjacent Channel In
A
ALL ADJUSTMENTS ON
B
C
Red indicates Mute Function. Yellow indicates Logic function. Green indicates gain function.
DAUGHTER BOARD ARE
MADE AT FACTORY.
DO NOT READJUST ANY
TRIMPOTS ON DAUGHTER
BOARD
TYPICAL INPUT CONNECTION, 1 OF 8
10 11 12 13 14 15
G
Line---Mic
F
E
HI LO
GAIN
1 2 3 4 5 6 7 8 9
Remote Control Voltage Input Mute, Ground. Input Hi. Input Lo. 48V Phantom From External Source. Pre Mix Out Ground
Direct MIx Minus Input (Resistor Isolate)
Gain Ind. Out Logic Out Post Mix Out, Used for Mix-Minus or Console Insert. Ground Mix-Minus Out Hi Mix-Minus Out Lo
I
PRE MUTE POST
IN
PHANTOM +15 +48
H
D
HP
OUT
LOG
M/M
- Page 14 -
- Page 7 -
OUTPUT SET-UP
REMOTE VOLUME CONTROL OPTIONS
GAIN -
Each output card slot has a Master VCA 2 gain adjustment trimpot mounted on the backplane as­sembly. The master gain trimpot adjusts all VCA 2's together. The trimpot is set at the factory for -6dB. The gain settings correspond to "clock" positions with 12:00 being straight up. Additional settings are as follows:
7:00 = 8:00 =
9:00 = 10:00 = 11:00 = 12:00 =
1:00 =
2:00 =
3:00 =
4:00 =
5:00 =
AUXILLARY INPUT -
The Auxillary Input is an unbalanced input, designed to allow insertion of audio signals from devices such as cassette players, computers, tape machines, and CD players.
-33dB
-33dB
-27dB
-23dB
-18dB
-13dB
-10dB
-5dB 0dB +4.5dB +5dB
Recommended
MASTER/SLAVE OPERATION-
Each output card has a slide switch, which deter­mines whether the frame assembly is used as a master or slave. The slave position is used only when two or more frames are linked together. In the "MASTER" position, the frame controls the auto-mixing function for the cards within the frame, and any frames, to which it may be linked. In the "SLAVE" position the frame allows control of the auto-mixing function from an external "MAS­TER" frame. All of the input card signals in the "SLAVE" frame will appear on the outputs of the "MASTER" frame. The "SLAVE" frame main outputs will contain only the input signals originating within the frame.
PINK NOISE GENERATOR OPTION -
The pink noise generator option provides a pink noise signal, that is activated by a ground closure, that appears on the main output, and all mix-minus outputs. This feature is designed to provide privacy, in courtroom applications.
MODELS 2000-RVC-IN & 2000-RVC-OP
REMOTE VOLUME CONTROLS
FRONT VIEW
REAR VIEW
Single-Gang Wall Plate
- Page 8 -
- Page 13 -
REMOTE VOLUME CONTROL CONNECTIONS
OUTPUT FEATURES
Note: Models 2000-RVC-IN (Input Remote Control) & 2000-RVC-OP (Output Re­mote Control) are available to provide the remote control circuits described below. See next page.
Wire one resistor-potentiometer circuit for each output circuit requiring remote
1-
level control. Turn gain trimpots on chassis full counterclockwise, on all channels having
2-
remote level.control circuits Set all remote potentiometers to full clockwise position.
3-
Apply AC power to external power transformer.
4-
Adjust each input and output trimpot to required level by rotating trimpots
5-
clockwise. Suggested settings are 1:00 for input gain trimpots, and 12:00 for the master output trimpot.
This alignment procedure will allow the installer to limit the maximum gain available to the end user.
A =
LED's =
OUTPUT CARD ASSEMBLY
SPACE RESERVED FOR
OPTIONAL ADD-ON
MASTER
AUTOMATIC LEVEL CONTROL
PC ASSEMBLY.
SLAVE.
Switch allows chassis to be linked, as master or slave unit.
Green indicates +DC power.
TYPICAL OUTPUT CONNECTOR
+15
GND
-15
GND ON
18VACT
AC CT AC
GND
MASTER
LINK
IN
OUT
Output
12K
10K Pot
2K
Model 2000-RVC-OP
Circuit
To Pin 1 On Ouput card connector
678
- Page 12 -
+15
-15
5
4
3
Input
6.8K
10K Pot
18K
Model 2000-RVC-IN
Circuit
Master Gain Set
2
1
1 2 3 4 5 6 7 8
9 10 11 12 13 14 15
Remote Master In. All Mute Ground. Group Mute. Pink Noise Option Activation Do Not Use! Aux Input Hi Aux Input Lo (Ground) Do Not Use! Do Not Use! Mix 1 Out Hi. Mix 1 Out Lo. Ground. Mix 2 Out Hi. Mix 2 Out Lo.
OUTPUT CONNECTOR FUNCTIONS
1 -
To Pin 1 On Input card connector
Remote Master In..............
2 -
All Mute............................
3 -
Ground...............................
4 -
Group Mute.......................
5 -
Spare..................................
6 -
N/A.....................................
7 -
AUX In HI.........................
8 -
Ground................................
9 -
N/A....................................
10 -
N/A....................................
11 -
Mix Out Hi.........................
12 -
Mix Out Lo........................
13 -
Ground...............................
14 -
Mix Out Hi.........................
15 -
Mix Out Lo........................
External DC voltage to control master output level. Grounding pin mutes all inputs. Ground. Grounding pin mutes all inputs with group mute switch in "ENABLE" position. Not Used Do Not Use! Auxillary Input High Auxillary Input Low Ground Do Not Use! Main Mix #1 Output High. Main Mix #1 Output Low. Ground. Main Mix #2 Output High. Main Mix #2 Output Low.
- Page 9 -
USING MIX-MINUS OUTPUTS
MULTI-CHASSIS LINKING CONNECTIONS
Each input channel has a discrete mix-minus output. The mix-minus output on each input card has all input signals received on the mixing buss except the signal received on that input (primary signal). In addition to the primary signal being removed on the mix-minus output, each input card has several provisions for additional signals to be removed or attenuated on the mix-minus output. Two signals are referred to as adjacent channel left, and adjacent channel right. This description is intended to describe microphones located next to each other in a room, not card slot locations in the card frame. Additional signals may be removed using the direct input, or the Model 704 Modular Matrix Mixer cards.
CONNECTION AND CONTROL DRAWING
Gain Set
Bass Control
Weighting
Treble Control
Adjacent Channel Mix-Minus L
Adjacent Channel Mix-Minus R
Adjacent Channel In L Adjacent Channel In R
1 2 3 4 5 6 7 8
9 10 11 12 13 14 15
The drawing at the bottom of this page shows the wiring connections needed to use the mix-minus output, with adjacent channels left and right. (Note:
Depending on microphone to speaker spacing, it is not always necessary to attenuate adjacent chan­nels.) The adjacent channels have trimpot controls
that allow the amount of signal attenuation to be adjusted. As shown below, the channel two mix­minus output would have input two removed, and inputs 1 and 3 attenuated to whatever level the adjacent channel trimpots are set. The direct input allows other signals to be removed, should that become necessary. This wiring scheme would be duplicated wherever adjacent channels need attenu­ation.
Remote Control Voltage for Remote Gain Control. Input Mute, Grounding Pin Mutes Channel Input. Ground. Input Hi. Input Lo. 48V Phantom From External Source. Pre Mix Out, after Remote Volume, Mute, & Tone Controls. Ground Direct Mix-Minus Input (Resistor Isolate) Gain Ind. Out Logic Out, Open collector grounded when active. Post Mix Out, Used for Mix-Minus or Console Insert. Ground Mix-Minus Out Hi Mix-Minus Out Lo
On master chassis, set master/slave switch (see output section for location) to
1-
master. On slave chassis(s), set master/slave switch to slave.
2-
Use 2000-CA link cable to connect chassis(s).
3-
Use Master trimpot on master chassis to adjust all input levels simultaneously.
4-
Note: If ALC option is used, the ALC is placed on the output board of the master chassis.
MASTER CHASSIS
+15
GND
-15
GND ON
18VACT
AC CT AC
GND
MASTER
LINK
IN
OUT
678
5
4
3
2
1
TYPICAL INPUT CONNECTION, 1 OF 8
INPUT 3 INPUT 1
1 2 3 4 5 6 7 8
Direct In
9 10 11 12 13 14 15
INPUT 2
1 2 3 4 5 6 7 8
9 10 11 12 13 14 15
- Page 10 -
Direct In
TO
POWER AMP
1 2 3 4 5 6 7 8
9 10 11 12 13 14 15
Direct In
+15
GND
-15
GND ON
18VACT
AC CT AC
GND
MASTER
LINK
IN
OUT
FROM ADDITIONAL CHASSIS
SLAVE CHASSIS
678
- Page 11 -
5
4
23
1
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