Prostage S.L.
•
Apdo 57
•
ES-07560 Cala Millor
info@prostage.eu
• www.prostage.eu
Remote Volume (VCA)
Users Manual
Firmware Version 1.51
As at 22th February 2014
Page 2
Table of Contents
1 Introduction 3
1.1 Remote Volume Features 3
1.2 The Prostage System 3
2 Terminology 4
2.1 MIDI - WTF is that??? 4
2.2 VCA 4
2.3 Expression Pedal 4
2.4 Instant Access = On/Off Switches (Stompbox Mode) 4
2.5 Preset | Program Change 4
2.6 Control Change | CC = > Real-time control with an Expression Pedal (e.g. Volume) 5
2.7 Bypass | Hard-Bypass 5
3 Connecting the Remote Volume 6
3.1 The Front Panel 6
3.2 The Rear Panel 6
4 Using the Remote Volume 7
4.1 Basic Functions of the Remote Volume 7
4.2 Switching the Remote Volume On and Off 7
5 Creating Presets Using the Prostage System Manager Software 8
5.1 Connecting the Remote Volume to the XDS | XLS | XTMpro 8
5.2 Reading the Settings of the Remote Volume 9
5.3 Recalling Presets 9
5.4 Adjusting and Store the Settings in the Remote Volume 9
5.5 Renaming Presets 10
5.6 Saving the Settings to the Local Hard Disk 10
5.7 Reading the Settings from Local Hard Disk 10
6 Creating Presets with a Sequencer Software 11
6.1 Controling the Parameters using Control Change Commands 11
6.2 Saving Presets and Changing the Basic Settings using Sysex Commands 11
7 The Settings of the Remote Volume 12
7.1 Global Parameters 12
7.2 Preset Related Parameters 12
8 Examples 14
8.1 Volume Pedal 14
8.2 Line Driver | Buffer Amp 14
8.3 Volume Boost 15
8.4 Volume Reduction 15
8.5 Mute 16
9 Warning Instructions and Warranty 17
9.1 Warnings and Safety Instructions 17
9.2 Warranty / Support 17
9.3 Disposal of Old Devices 17
10 Declaration of Conformity 18
11 Apendix A | MIDI Implementation Cart 19
11.1 Control Change List 20
Page 3
1 Introduction
Dear Customer
Thank you for purchasing the Prostage Remote Volume. This effect device has been designed to allow you to
remotely control the volume using a MIDI expression pedal. The device has no controls, but is completely controlled
via MIDI.
The Remote Volume allows you to process the entire guitar signal inside the rack. At the front edge of the stage, all
you need is a MIDI foot controller with expression pedal, but no more effect pedals. Stompboxes can be integrated
into your rack using the Prostage XDS loop system. You need several meters of guitar cable less and the associated
sound and dynamic losses are omitted.
The Remote Volume consists of a pure analog audio circuit. You can use the effect unit as a standard volume pedal,
but also as a booster and you can create e.g. a mute program. You can store the different volume control modes
as presets.
1.1 Remote Volume Features
•Volume control (VCA)
•Level booster up to 31dB
•Pure analog audio circuit
•Controlled via MIDI
•Compatible with all MIDI expression pedals
•A voltage-controlled circuit, called a VCA, fulfills the task of the potentiometer. The VCA is controlled remotely
via MIDI.
•Easy creation of presets using the System Manager software on your Mac or PC. (XDS | XLS looper | switcher or
XTMpro adaptor required).
•128 presets (different volume control modes) can be saved in memory.
•Input impedance: 1 Mega Ohm
•Output impedance: 470 Ohm
1.2 The Prostage System
Prostage stands for professional live-equipment. The different units are to be regarded as a coherent system, all of
which are configured using the System Manager software. If the Remote Volume is connected to a Prostage XDS
| XLS | XTMpro, presets can be created very easily using the System Manager software.
If you have any questions, or if something does not work as you expect, please do not hesitate to contact us: info@
prostage.eu. Your questions will also help us to improve this users manual.
The Prostage team wish you lots of fun with the new Remote Volume and big success in your musical career.
Lukas Truninger
Founder & Developer
NOTE => This manual uses digital bookmarks. You can show them by clicking on the "flag" icon in the top left of
Acrobat Reader. A click on a topic flips directly to that chapter.
Page 4
2 Terminology
2.1 MIDI - WTF is that???
MIDI stands for “Music Instrument Digital Interface”. MIDI is the global standard for transmitting notes and control
commands to and from all kinds of electronic instruments and sound-processing equipment.
You can connect your Remote Volume and use the basic functions directly, without having to deal with MIDI. All
you have to do is to configure your expression pedal so that it sends CC number 7. You can find more information
about this in the users manual of your foot controller. And, of course, you’ve got to connect the Remote Volume
to the foot controller with a MIDI cable (see chapter 3.2).
If you own a Prostage XDS | XLS | XTMpro, you can program the Remote Volume very easily using the System
Manager software. No MIDI knowledge is required to do this.
But you can also program the Remote Volume without the XDS | XLS | XTMpro. Then, you need a MIDI interface
and a sequencer software that can send Sysex data. For this, MIDI knowledge is necessary. Detailed information
about MIDI can be found on www.midi.org and many other sites on the internet.
2.2 VCA
VCA is the abbreviation for "Voltage Controlled Amplifier". In simple terms, this is a potentiometer that can be
controlled remotely. To be more accurately, a VCA is an input amplifier (line driver) whose gain is controlled by a
control voltage. The gain of the Remote Volume ranges from -100db (almost "mute") up to +31 db (boost). The
control voltage for the VCA is created by the MIDI data.
2.3 Expression Pedal
An expression pedal is a kind of volume pedal that is connected to a MIDI foot controller (or which is part of the
foot controller). However, the expression pedal does not control a guitar signal, but generates MIDI commands
(Continuous Controller), with which the volume of the Remote Volume can be controled.
2.4 Instant Access = On/Off Switches (Stompbox Mode)
Instant Access are “hardwired” on/off switches. These work like an analog footswitch connected directly to your
amplifier, e.g. to switch channels. At the foot controller you can, for example, define a button which switches the
Remote Volume on and off.
2.5 Preset | Program Change
Presets are stored settings in the effects unit. You can recall presets using the switches on the foot controller. For
this purpose, a program number is selected on the foot controller. This is known as a Program Change.
A preset contains all the settings of the Remote Volume belonging to one sound. For example, the following
presets are stored:
•Preset 2 => Normal volume pedal: mute to normal volume (unity gain)
•Preset 3 => Slight level reduction to soften the distortion
•Preset 4 => Solo boost from normal volume up to + 31dB
•Preset 5 => Mute
If you now press button 2 on the foot controller, the adjustable values - so-called parameters - are set within the
Remote Volume so that it works as a standard volume pedal.
If you press button 3, the parameters are changed in a way that the Remote Volume just slightly lowers the level.
In preset 4 the Remote Volume is used as a booster.
And in preset 5, the guitar is silent :)
Page 5
2.6 Control Change | CC = > Real-time control with an Expression Pedal (e.g. Volume)
The abbreviation CC stands for MIDI "Control Change". Control Changes are commands, with which parameters
(e.g. volume) are controlled in real time. To this end, an expression pedal sends - as long as it is moved - so called
Continuous Controller and tells the effects device its position. Control Changes can also switch functions at the
receiver device on and off.
2.7 Bypass | Hard-Bypass
Bypass means that the signal is passed from the input jack of an effect device directly to its output. The effect is
thus bypassed, ie it is off. With a hard-bypass, this is done with a relay. That is as whether the jacks are soldered
directly to each other. The Prostage Remote Volume uses such a hard-bypass.
There are also devices that control the bypass electronically. In this case, at least one electronic component (an
input amplifier) will always remain in the signal path. Thus, the guitar signal will be affected even if the effect is off.
9V�AC
50mA
Page 6
3 Connecting the Remote Volume
3.1 The Front Panel
Effect On LED
This LED illuminates when the effect is turned on. Important: This is not a “Power” LED indicating that the device
has power. If the effect is bypassed, this LED does not light even if the Remote Volume is powered.
3.2 The Rear Panel
Power Connector
The Remote Volume must be powered necessarily using a 9V~AC (alternating current) power supply. The Remote
Volume will not work with direct current (DC). Higher voltages can destroy the Remote Volume.
MIDI In
Connect the [MIDI In] of the Remote Volume using a MIDI cable to the [MIDI Out] of the foot controller or the
[MIDI Out] of the Prostage XDS | XLS | XTMpro. If several MIDI effect devices are used, the [MIDI In] from the Remote Volume can be connected to the MIDI [Thru] of another device in your MIDI chain.
MIDI Out/Thru
The [MIDI Out/Thru] of the Remote Volume is set as MIDI “Thru” ex works. This means that all data arriving at
the MIDI Input will be forwarded. On [MIDI Thru], you can connect e.g. a multi-effects device or a MIDI-capable
guitar amp.
Guitar In
Connect your Guitar to the [Guitar In] using a jack cable.
Guitar Out
Connect the [Guitar Out] to your guitar amplifier using a jack cable.
Page 7
4 Using the Remote Volume
The Remote Volume can be controlled by any standard MIDI foot controller with expression pedal. The expression
pedal must send Control Change no. 7 (Volume). When using a Prostage foot controller, we recommend to use
the setting “Hi Res” instead of Control Change no. 7, since the resolution of the expression pedal is, thus, eight
times higher.
The Remote Volume receives ex-works on all MIDI channels (Omni).
4.1 Basic Functions of the Remote Volume
A MIDI expression pedal controls the volume. The Remote Volume can store up to 128 presets with different control ranges of the volume. They are recalled by MIDI Program Change commands. Ex-works, all presets work as
standard volume (mute to unity gain).
4.2 Switching the Remote Volume On and Off
There are various ways to turn the Remote Volume on and off :
•Preset Change
You can define different presets. Among others, you can also store a "Bypass" preset. If you recall the "Bypass"
preset, the effect turns off. If you recall another preset where the Remote Volume is active, it switches on.
•Instant Access Switch | Control Change Command
You can turn on and off the Remote Volume with a switch on the foot controller. The switch must be defined as
an Instant Access switch and must send Control Change (CC) 74.
power
tap
relais
StageWire™
foot controller
StageWire™
XLR to MIDI converter
MIDI mapper / router
switch system
usb out A
MIDI
inout B
1 2 3 4
store
relais switches
XTMpro
power
tap
relais
StageWire™
foot controller
StageWire™
XLR to MIDI converter
MIDI mapper / router
switch system
usb out A
MIDI
inout B
1 2 3 4
store
relais switches
XTMpro
Page 8
5 Creating Presets Using the Prostage System Manager Software
The Prostage System Manager software (available as free download on the Prostage website) is the user’s interface
for configuring the Prostage system. The software provides a tab for the Remote WahWah, which allows you to
also create presets for the Remote Volume very easily. Therefore, a XDS | XLS | XTMpro is required. It is used as
MIDI interface and is the heart of every Prostage system.
IMPORTANT => The Remote Volume is the little brother of the Remote WahWah. All settings in the System
Manager software are made in the tab “Remote WahWah”. The settings for WahWah and Contour Boost do not
affect the Remote Volume.
5.1 Connecting the Remote Volume to the XDS | XLS | XTMpro
In order that the System Manager software can communicate with the Remote Volume, it must be connected to
the XDS | XLS | XTMpro via MIDI. Connect [MIDI Out A] or [MIDI Out B] from the XDS | XLS | XTMpro to the [MIDI
In] of the Remote Volume. In the System Manager window in the upper left you have to specify which MIDI Out
you are using [WahWah is connected to MIDI Out A B].
In order to also read the settings of the Remote Volume, another MIDI cable is required from the [MIDI Out/ Thru]
of the Remote Volume to the [MIDI In] of the XDS | XLS | XTMpro. In the System Manager window, [MIDI Out
Thru] has to be set to „Out“.
MIDI Cable
MIDI Cables
Page 9
5.2 Reading the Settings of the Remote Volume
IMPORTANT => The Remote Volume is not automatically synchronized with the System Manager software. Inside
the System Manager and the Remote Volume, different presets may be stored. To view in the System Manager
software the presets stored in the Remote Volume, you have to read out the Remote Volume first by clicking on
the button [Read WahWah]. All 128 presets and the global/basic settings are read.
Using the button [Read Preset], it is also possible to read an individual preset.
IMPORTANT => The preset names are not stored in the Remote Volume. Thus, when reading the Remote Volume
no preset names are read. The names are only stored on the local hard drive. See chapter 5.6 for more information.
NOTE => You can also edit all parameters without reading the Remote Volume. In this case, you need only one
MIDI cable from the XDS | XLS | XTMpro [MIDI Out] to the Remote Volume [MIDI In]. But be aware that the settings
on the display do not necessarily correspond to the settings in the Remote Volume.
5.3 Recalling Presets
When calling up presets, you have to consider the following:
If a preset is recalled via the foot controller (StageWire or [MIDI In] of the XDS | XLS | XTMpro), the Remote Volume
loads the locally stored preset in the unit and the corresponding preset within the System Manager window will
be selected. If the Remote Volume has not previously been read out, the screen displays the settings stored in the
computer - not the settings that are stored in the Remote Volume.
The presets can also be selected via the preset list on the left side of the System Manager window. In this case, the
software will send all settings to the Remote Volume as shown on the screen. This means that the preset inside the
Remote Volume will be overwritten temporarily. If you want to save the settings permanently, it must be stored by
clicking the [Store Preset] button.
5.4 Adjusting and Store the Settings in the Remote Volume
You can adjust the parameters of the Remote Volume (see chapter 7) using the sliders and knobs in the System
Manager software. You can create 128 individual presets.
To store the changes permanently to the preset, click the [Store Preset] button. Otherwise they will be lost on
preset change.
IMPORTANT => Storing a preset will always save the settings that are currently set inside the Remote Volume
(that is what you hear). When you store a preset, no settings will be sent from the System Manager to the Remote
Volume.
Page 10
5.5 Renaming Presets
Presets can be renamed using the button [Rename Preset]. However, the preset names are only stored to the hard
disk. They are not stored in the Remote Volume. Thus, when reading out the Remote Volume, no preset names are
read and the “old” preset names will remain on the screen.
5.6 Saving the Settings to the Local Hard Disk
The complete settings of the Remote Volume can be saved to the local hard disk. This makes sense e.g. if you play
in two different bands using two different setups. With [File] => [Save WahWah Presets], the configuration of the
Remote Volume is stored to the hard disk.
IMPORTANT => Do not forget to read out the Remote Volume first (see chapter 5.2) in order to store the correct
settings on your local hard disk.
5.7 Reading the Settings from Local Hard Disk
[File] => [Open WahWah Presets] will open the Remote Volume settings stored on the hard disk (file extension
.pwf). The data is loaded into the System Manager window only.
In order to also send all the settings to the Remote Volume, you have to click the button [Update WahWah]. This
will overwrite all the presets and the basic settings inside the Remote Volume using the settings from the System
Ma nager.
Sequencer
Software
MIDI
Interface
MIDI
Out
Page 11
6 Creating Presets with a Sequencer Software
The presets of the Remote Volume can be edited using a sequencer software. Of course, a MIDI interface must be
available too and MIDI knowledge is required.
MIDI Cable
6.1 Controling the Parameters using Control Change Commands
The following CC (Control Change) commands are used to adjust the parameters (more on the parameters in
chapter 7):
CC 07 (0-127) Volume (respectively “Initial Position”)
CC 89 (0-127) Lowest Value (-100 dB ... 0 dB)
CC 95 (0-127) Output Gain (0 dB ... +31 dB)
CC 72 (off/on) “Do Not Change” Initial Position disabled / enabled
CC 73 (off/on) “Curve” linear / logarithmic
CC 74 (off/on) “Bypass” effect off / on
For CC 72 to 74, the controller values are 0 = off, 127 = on.
6.2 Saving Presets and Changing the Basic Settings using Sysex Commands
IMPORTANT => In the commands listed below, XX | XY stands for a hexadecimal value each. Values from 00 up
to 7F (= 127) are permitted. Higher values are not allowed.
•Save the current settings:
F0 00 20 75 00 7F F7 => Store to the current preset number
F0 00 20 75 00 7F XX F7 => Store to a specific preset number, where XX = preset number
•MIDI channel and MIDI Out/Thru assignment
F0 00 20 75 00 70 XY F7 Y => 0-F = MIDI channel (0 = channel 1, F = channel 16);
X => 0 => MIDI receive channel = Y, MIDI Out/Thru = Out
1 => MIDI receive channel = Omni, MIDI Out/Thru = Out
2 => MIDI receive channel = Y, MIDI Out/ Thru = Thru
4 => MIDI receive channel = Omni, MIDI Out/Thru = Thru
Page 12
7 The Settings of the Remote Volume
In the following, we explain all adjustable values (so called parameters) of the Remote Volume based on the System
Manager software. These parameters can also be adjusted with MIDI CC and Sysex commands (see chapter 6).
7.1 Global Parameters
The parameters on the darker background in the upper right corner of the System Manager window are global.
This means that they apply to all presets. All other parameters are individual for each preset. The global parameters
are immediately stored in the Remote Volume, without having to click [Update WahWah] or [Store Preset].
Global Parameters
MIDI Channel | MIDI Out Thru
[MIDI Channel] selects the MIDI receive channel of the Remote Volume. “Omni” means that the Remote Volume receives on all MIDI channels, respectively that the MIDI channel is ignored. If in doubt, the right setting is
“Omn i”.
[MIDI Out Thru] determines whether the MIDI Output is used as MIDI Out or MIDI Thru. If you want to read
the settings from the Remote Volume, it must be set to “Out”. If you want to control another MIDI device after
the Remote Volume, the connector must be configured as “Thru”.
Note => The settings [Auto Enable], [Disable Time] and [Auto Wah] apply only to the Remote WahWah and do
not affect the Remote Volume.
7.2 Preset Related Parameters
The following parameters can be set individually for each preset. When adjusting the knobs and buttons, the settings in the Remote Volume are temporarily overridden. To keep the changes permanently, you need to confirm
the new settings with the button [Store Preset]. Otherwise they will be lost at preset change.
Bypassed | On
The Remote Volume has a true-bypass. This means that in [Bypassed] mode, the signal goes directly from the
input jack to the output jack without affecting the signal in any way.
Curve lin | log
This setting determines how the Remote Volume responds to the expression pedal. It affects how the Remote
Volume “feels under the foot”: linear or logarithmic. Technically, it is about the volume level in the middle area of
the control path.
Depending on the settings, for one preset [lin] may be more pleasant, while with a different preset, [log]
might feel better. For example: using a volume preset with [Lowest Value] of “-99.9dB” (mute), probably [log]
is more pleasant. While a slight volume reduction with [Lowest Value] at “-20dB”, [lin] would be very enjoyable.
Try it!
Page 13
Curve lin * Curve log *
Expression Pedal Expression Pedal
Lowest Value
This setting determines how loud the volume pedal is in the lower stop (MIDI position 0). The values range from
-99.9 dB (mute) to 0. If set to 0, however, the expression pedal is ineffective. With the setting 0, you can create a
line driver (buffer amp) preset with fix gain.
If, for example, the value is set to -20dB, the volume pedal does not range from unity gain to mute, but reduces
the volume just a little bit.
Initial Position | Do Not Change
The [Initial Position] value determines the position of the effect when you recall a preset. It thus determines the
volume when you recall the preset.
If [ Do Not Change] is selected, [Initial Position] setting is ignored. The volume remains unchanged when recalling a preset. This means, it will be overtaken from the old preset. If the old preset was a “Bypass” preset, [Initial
Position] will be used even if [ Do Not Change] checkbox is activated. This feature makes sense if you, for example, switch from a normal volume preset to a solo Boost preset. With active [ Do Not Change] function there are
no volume jumps at preset changes. The volume only changes when the pedal is moved.
If you want to program a “Mute” preset, [ Do Not Change] must be disabled so that the Remote Volume switches to “Mute” when recalling the preset.
IMPORTANT => After a new preset is loaded, the volume usually does not match the position of the expression
pedal. The Remote Volume, therefore, has a latching function. That is, after recalling a preset, the expression pedal
must “run over” the current value where the Remote Volume is acoustically. Once the position of the expression
pedal matches the volume, the Remote Volume latches and from now on follows the movement of the expression
pedal.
This has the great advantage that the volume does not jump when the expression pedal is moved for the first time
after a preset change. When this function is out of range, the pedal latches onto the upper or lower dead stop of
the expression pedal. This can result in level jumps.
Output Gain
[Output Gain] adjusts the output volume. Thus, the Remote Volume can also be used as a level booster (0 to 31.25
dB).
* The factory preset curves for [lin] [log] can be changed. Please contact Prostage for more information.
Effect
Effect
Page 14
8 Examples
8.1 Volume Pedal
Normal volume pedal, mute to 0dB. The volume will not change when recalling the preset. Correspond to the
factory presets of the Remote Volume.
8.2 Line Driver | Buffer Amp
The Remote Volume can be used as a line driver | buffer amp with fixed gain (the expression pedal has no effect
on the volume). Thereto, “Lowest Value” must be all the way to the right (0dB), [ Do Not Change] has to be
disabled. This preset can be used as a “Bypass” where the input amp remains in the signal path.
0 dB + 9.5 dB
-11 dB 0 dB
Page 15
8.3 Volume Boost
Volume boost of 9.5 dB. The pedal moves between 0 dB (unity gain) and 9.5 dB boost. [ Do Not Change] is disabled so that the VCA will jump to -9.5 dB at the preset change, thus compensating the output gain. This means
that the volume is at 0 dB (unity gain) when changing the preset.
8.4 Volume Reduction
Volume reduction of 11 dB. The volume will jump to 0db (unity gain) when recalling the preset. The pedal moves
between -11 dB and 0dB (unity gain).
Page 16
8.5 Mute
For the Mute function, all three sliders (Lowest Value, Initial Position and Output Gain) have to be in the left end
position. [ Do Not Change] must be disabled.
Page 17
9 Warning Instructions and Warranty
9.1 Warnings and Safety Instructions
For reasons of the product liability, we are obligated to make clear certain safety aspects which must not be ignored under any circumstances. The devices must not be stored or operated in damp or wet environment.
The Remote Volume may only be operated with 9V~AC.
The device serves as an audio effects processor and may be used for this purpose exclusively.
The equipment may be opened by qualified technical personnel only. There are no user serviceable parts
inside the devices.
In order to avoid damages, you should be careful when transporting and setting up the device. Please avoid
strong variations in temperature. Particularly the change from the cold transport vehicle to the, usually warm,
stage can cause condensing humidity, which can cause leaks and thus can evoke defects. Usually, 60 minutes are
sufficient to equalize the temperature. For transportation, always carry the devices in a robust packing or rack,
especially if you change your place of work frequently.
No containers filled with liquid may be placed on the equipment!
9.2 Warranty / Support
All Prostage PurpleLine units are covered by a 2-year warranty. Prostage shall not be liable if the damage was
caused by inappropriate use or if the units are not connected as described in this users manual. There are no user
serviceable parts inside the unit. The detailed terms of the warranty can be downloaded from the Prostage website.
If you need technical support, please contact your local dealer or email to info@prostage.eu
9.3 Disposal of Old Devices
The PurpleLine products are subject to the European guideline 2002/96/EC. All old electric and electronic devices
must be disposed separately from the domestic waste, using the collection points provided by the government.
The devices may not be disposed with domestic or skip refuse. Information about collecting points or collection
dates, can be asked from the local administration or the local waste management company.
Please also carry the packing to an environmentally fair disposal. Cardboard boxes can be transferred with wastepaper collections or to the public collecting stations for recycling. Foils of the shipment are collected by the local
waste management company and are forwarded to environmentally fair disposal.
Page 18
10 Declaration of Conformity
Company: Prostage SL
Apdo 57
ES-07560 Cala Millor
Type of Equipment: PurpleLine System
Trademarks: Prostage / StageWire
Models: Remote WAHWAH, Remote Volume (VCA)
The products meet the requirements of the following standards:
EMC: EN 55103-2 | EN 55103-1:2009 | EN 55103-2:2009
EN 61000-3-2
EN 61000-4-2 | EN 61000-4-3 | EN 61000-4-4 | EN 61000-4-5 | EN 61000-4-3 | EN 61000-4-11
Safety: IEC 60065:2001 | EN 60065:2002 / A1:2006 / Cor.:2007 / A11:2008
Jahr: 2011
Cala Millor, 14. Dezember 2011 Lukas Truninger, CEO
Information to the user:
Class B Statement:
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part
15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may cause harmful interference to radio communications. However,
there is no guarantee that interference will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be determined by turning the equipment off and
on, the user is encouraged to try to correct the interference by one or more of the following measures:
- Reorient or relocate the receiving antenna.
- Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.
Manufacturer: Prostage Model: Remote Volume Date: January, 2014
Transmit/
Export
Recognize /
Import
Remarks
1. Basic Information
MIDI Channels No 1-16 Channel 1 is set by default
Note Numbers No No
Program Change No Yes
Bank Select Response No No
Note-On Velocity No No
Note-Off Velocity No No
Channel Aftertouch No No
Poly (Key) Aftertouch No No
Pitch Bend No Yes
StageWire Instant Acces Switches No No Prostage unique feature
Active Sensing No No
System Reset No No
Tune Request No No
Universal System Exclusive No No
Manufacturer System Exclusive Yes Yes Manuf. ID: 00 20 75
NRPNs No No
2. MIDI Timing and Synchronization
MIDI Clock No No
Song Position Pointer No No
Song Select No No
Start No No
Continue No No
Stop No No
MIDI Time Code No No
MIDI Machine Control No No
MIDI Show Control No No
3. Extensions Compatibility
General MIDI compatible No No
DLS compatible No No
Standard MIDI Files No No
XMF Files No No
SP-MIDI compatible No No
Page 19
11 Apendix A | MIDI Implementation Cart
Control Number Information
Control # Function Transmited Recognized Remarks
0 Bank Select (MSB) No No
1 Modulation Wheel (MSB) No No
2 Breath Controller (MSB) No No
3 Undefined No No
4 Foot Pedal (MSB) No No
5 Portamento Time (MSB) No No
6 Data Entry (MSB) No No
7 Volume No 0 - 127 Remote Volume
8 Balance (MSB) No No
9 Expression-Pedal No No
10 Pan (MSB) No No
11 Expression Controller (MSB) No No
12 Effect Control 1 (MSB) No No
13 Effect Control 2 (MSB) No No
14 Tap (latching) No No
15 Tap ( m ome ntary) No No
16 General Purpose Controller 1 (MSB) No No
17 General Purpose Controller 2 (MSB) No No
18 General Purpose Controller 3 (MSB) No No
19 General Purpose Controller 4 (MSB) No No
20 Undefined No No
21 Undefined No No
22 Undefined No No
23 Undefined No No
24 Undefined No No
25 Undefined No No
26 Undefined No No
27 Undefined No No
28 Undefined No No
29 Undefined No No
30 Undefined No No
31 Undefined No No
32 LSB for CC 00 No No
33 LSB for CC 01 No No
34 LSB for CC 02 No No
35 LSB for CC 03 No No
36 LSB for CC 04 No No
37 LSB for CC 05 No No
38 LSB for CC 06 No No
39 LSB for CC 07 No No
40 LSB for CC 08 No No
41 LSB for CC 09 No No
42 LSB for CC 10 No No
43 LSB for CC 11 No No
44 LSB for CC 12 No No
45 LSB for CC 13 No No
46 LSB for CC 14 No No
47 LSB for CC 15 No No
48 LSB for CC 16 No No
49 LSB for CC 17 No No
50 LSB for CC 18 No No
51 LSB for CC 19 No No
52 LSB for CC 20 No No
53 LSB for CC 21 No No
54 LSB for CC 22 No No
55 LSB for CC 23 No No
56 LSB for CC 24 No No
57 LSB for CC 25 No No
58 LSB for CC 26 No No
59 LSB for CC 27 No No
60 LSB for CC 28 No No
61 LSB for CC 29 No No
62 LSB for CC 30 No No
63 LSB for CC 31 No No
Page 20
11.1 Control Change List
Control Number Information
Control # Function Transmited Recognized Remarks
64 Sustain Pedal Yes Yes
65 Portamento On/Off Yes Yes
66 Sostenuto Yes Yes
67 Soft Pedal Yes Yes
68 Legato Footswitch Yes Yes
69 Hold Pedal 2 Yes Yes
70 Sound Controller 1 Yes Yes
71 Sound Controller 2 Yes Yes
72 Sound Controller 3 Ye s Yes Do Not Change
73 Sound Controller 4 Ye s Yes Curve Select
74 Sound Controller 5 Yes Ye s Bypass
75 Sound Controller 6 Yes Yes
76 Sound Controller 7 Yes Yes
77 Sound Controller 8 Yes Yes
78 Sound Controller 9 Ye s Yes
79 Sound Controller 10 Yes Yes
80 General Purpose Controller 5 Yes Yes
81 General Purpose Controller 6 Yes Yes
82 General Purpose Controller 7 Yes Yes
83 General Purpose Controller 8 Yes Yes
84 Portamento Control Yes Yes
85 Undefined Yes Yes
86 Undefined Yes Yes
87 Undefined Yes Yes
88 Undefined Yes Yes
89 Undefined Yes Yes Lowest VCA Value
90 Undefined Yes Yes
91 Effects 1 Depth Yes Yes
92 Effects 2 Depth Yes Yes
93 Effects 3 Depth Yes Yes
94 Effects 4 Depth Yes Ye s
95 Effects 5 Depth Yes Yes Output Gain
96 Data Increment Yes Yes
97 Data Decrement Yes Yes
98 Non-Registered Parameter Number (LSB) Yes Yes
99 Non-Registered Parameter Number (MSB) Yes Yes
100 Registered Parameter Number (LSB) Ye s Yes
101 Registered Parameter Number (MSB) Yes Yes
102 Undefined Ye s Yes
103 Undefined Ye s Yes
104 Undefined Yes Yes
105 Undefined Ye s Yes
106 Undefined Yes Yes
107 Undefined Yes Ye s
108 Undefined Ye s Yes
109 Undefined Ye s Yes
110 Undefined Yes Ye s
111 Undefined Ye s Yes
112 Undefined Yes Yes
113 Undefined Yes Yes
114 Undefined Yes Ye s
115 Undefined Yes Ye s
116 Undefined Yes Ye s
117 Undefined Yes Yes
118 Undefined Yes Ye s
119 Undefined Yes Ye s
120 All Sound Off No No
121 Reset All Controllers No No
122 Local Control On/Off No No
123 All Notes Off No No
124 Omni Mode Off No No
125 Omni Mode On No No
126 Poly Mode Off No No
127 Poly Mode On No No
Page 21
© 2014 Prostage SL
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