Propellerhead RECORD CONTROL, RECORD 1.5 User Manual

Control Surface Details

Control Surface Details Manual by Fredrik Hylvander

The information in this document is subject to change without notice and does not represent a commitment on the part of Propellerhead Software AB. The software described herein is subject to a License Agreement and may not be copied to any other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Propellerhead Software AB.

©2009 Propellerhead Software and its licensors. All specifications subject to change without notice. Record and Reason are trademarks of Propellerhead Software. All other commercial symbols are protected trademarks and trade names of their respective holders. All rights reserved.

Introduction

This document describes the control surfaces and keyboards that are supported in Record version 1. It also describes the default mappings for all the Record and Reason version 4 devices (useful if you have Reason version 4 installed on the same computer as Record).

For information about how to set up and use the Remote functions in Record, please refer to the Record Operation Manual.

Support for new control surfaces will be added continuously. Registered users will be able to download new Remote drivers from www.propellerheads.se.

! The set of control surfaces listed in this document are the ones that are installed with Record. A Reason user

can download and install Record and run it in demo mode - this will install all the latest Remote files too.

About keyboard shortcut variations

If a control surface is said to use keyboard shortcut variations, this means you can switch variations from the computer keyboard and change which parameters are controlled by the knobs, sliders or buttons on the surface. To select a keyboard shortcut variation, press [Ctrl]-[Alt] (Windows) or [Command]-[Option] (Mac) and one of the number keys on the main part of the computer keyboard.

The number of variations available depends on the control surface and which Record device has Master Keyboard Input in the track list. To select the default variation, press [Ctrl]-[Alt]-[1] or [Command]-[Option]-[1]. This is done automatically when you change Master Keyboard Input to another device.

INTRODUCTION

Supported Control Surfaces

Akai 6

MPD24 6 MPD32 8 MPK49 10

Alesis 12

Photon X25 12

Behringer 14

BCF2000 14 BCR2000 17

CME 20

UF Series 20

Doepfer 22

Drehbank 22 Pocket Control 22 Pocket Dial 22 Pocket Fader 23 Regelwerk 23

Edirol 24

PCR-1 24 PCR-M1 24 PCR-300/500/800 25 PCR-30/50/80/A30 27 PCR-M30/M50/M80 series 27 UR-80 28

Evolution 30

MK-249C 30 MK-425C 31 MK-449C 31 MK-461C 32 UC-33 (original version) 33 UC-33e 35 X-Session 35

Frontier Design 37

AlphaTrack 37 TranzPort 38

Kenton 39

Control Freak Original 39 Control Freak Live 41 Control Freak Studio Edition 43 Spin Doctor 43

SUPPORTED CONTROL SURFACES

Keyfax 44

Phatboy 44

Korg 45

KONTROL49 45 MicroKONTROL 47 NanoKONTROL 49 NanoKEY 51 NanoPAD 52

Line 6 53

TonePort KB37 53

M-Audio 55

Axiom 25 55 Axiom Pro 25 57 Axiom 49/61 59 Axiom Pro 49/Pro 61 61 Keystation Pro-88 63 O2 65 Oxygen 8 and Oxygen 8 v2 67 Oxygen 49/61 69 Ozone 71 Ozonic 73 Radium 49/61 75 ProjectMix I/O 77

Mackie 80

C4 80 Control 83 Mackie Control + Extender Combo 86 Mackie Extender 88

Novation 90

Automap for ReMOTE SL, SL Compact, SL MkII and Nocturn 90 ReMOTE series 90 ReMOTE LE 92 XioSynth 94 X-Station 96

Peavey 98

PC 1600x 98

About creating your own remote maps 100

SUPPORTED CONTROL SURFACES

Akai

MPD24

The Remote codec and mapping for the MPD24 was written by Akai. The files are included with Record courtesy of Akai.

Requirements/Setting up:

• Record will automatically find the MPD24 if you click the Auto-detect button on the “Keyboards and Control Surfaces” page in the Preferences.

About the controls:

The MPD24 has 16 pads, 6 faders and 8 knobs, plus transport controls.

About the default mapping:

D General mapping

The transport controls on the MPD24 are mapped to the corresponding controls in the Record main sequencer. Pads 13 and 14 select previous and next patch where applicable. Pad 15 selects previous track and pad 16 selects next track in the sequencer.

D Main Mixer Channel

There are two keyboard shortcut variations: “Insert+Comp” and “EQ+Send”. For both variations, Fader 1 controls Level, A1 Mute and A2 Solo. When the “Insert+Comp” variation is selected, Fader 2-5 control Rotary 1-4, A5-A8 control Button 1-4 and A4 controls Bypass Insert FX. Knob 1 controls Pan, Knob 2 Width and Knobs 3-8 control the Compressor parameters. When the “EQ+Send” variation is selected, Fader 2-5 control FX1-FX4 Send Levels and A5-A8 control FX1-FX4 Send On. Knobs 1-8 control EQ parameters, A3 controls EQ On and A4 controls EQ “E” Mode.

D Main Mixer Master Section

There are two keyboard shortcut variations: “Channels” and “Master”. For both variations, A7 and A8 controls Previous and Next Remote Base Channel respectively and Knob 2 controls Master Level. When the “Channels” variation is selected, Faders 1-6 control Channel 1-6 Levels, A1-A6 control Channel 1-6 Mute and Knob 3-8 control Channel 1-6 Pan. When the “Master” variation is selected, Faders 1-6 control FX1-FX6 Return Levels, A1-A6 control FX1-FX6 Mute and Knobs 3-8 control Master Compressor parameters.

D Mixer 14:2

There are five keyboard shortcut variations: “Level and Pan 1-6”, “Level and Pan 7-12”, “Level and Send 1-6”, “Level and Send 7-12” and “Level and Send 13-14”. When the “Level and Pan” variations are selected, the faders control the levels and the knobs control the pan. When the “Level and Send 1-6 and 7-12” variations are selected, the faders control the levels and the knobs control the Aux 1 sends. When “Level and Send 13-14” is selected, faders 1-2 control channels 13 and 14 levels and fader 6 controls Master Level. Knob 1-2 control channel 13-14 Aux 1 send and knobs 5-8 control Aux 1-4 return levels.

D Line Mixer 6:2

There are two keyboard shortcut variations: “Level and Pan” and “Level and Send”. When the “Level and Pan” variations are selected, the faders control the levels and the knobs control the pan. When the “Level and Send” variation is selected, the faders control the levels and the knobs control the Aux sends.

AKAI

D Subtractor

There are three keyboard shortcut variations: “Filter & Env”, “Osc” and “Mod”. Pad 13 selects previous patch and pad 14 selects next patch. In “Filter & Env” mode the faders and knobs control filter and amp parameters. In “Osc” mode the faders and knobs control the Osc 1 & 2 parameters. In “Mod” mode the faders control the Mod Env parameters and the knobs control the other modulation parameters.

D Malström

There are four keyboard shortcut variations: “Filters”, “OscA”, “OscB” and “Modulators”. Pad 13 selects previous patch and pad 14 selects next patch. The faders and knobs control the different parameter groups Filters, Oscillator A, Oscillator B and Modulators depending on selected keyboard shortcut variation.

D Redrum

There are six keyboard shortcut variations: “Level and Pan 1-5”, “Level and Pan 6-10”, “Level and Pitch 1-5”, “Level and Pitch 6-10”, “Length and Pitch 1-5“ and “Length and Pitch 6-10”. In all variations pads 1-4 select Banks A-D, pads 5-8 select Patterns 5-8 and pads 9-12 select Patterns 1-4. Knob 1 controls Flam Amount, knob 2 is used for patch selection and fader 6 controls Master Level. When the “Level and Pan” variations are selected the faders control the drum levels and the knobs control the drum pan. When the “Level and Pitch” variations are selected the faders control the drum levels and the knobs control the drum pitches. When the “Length and Pitch” variations are selected the faders control the drum lengths and the knobs control the drum pitches.

D BV-512 Vocoder

There are five keyboard shortcut variations: “Band 1-6”, “Band 7-12”, “Band 13-18”, “Band 19-24” and “Band 2532”. In all variations knobs 2-8 control the BV-512 panel parameters. The faders control the band levels in the respective variations.

D ReGroove Mixer

There are two keyboard shortcut variations: A1-4 and A5-8 for controlling ReGroove channels 1-4 and 5-8 respectively. Faders 1-4 control Groove Amount, Knobs 1-4 control Shuffle, Knobs 5-8 control Slide, A1-A4 control Pre-Align and A5-A8 control Global Shuffle On/Off. In both variations Fader 6 controls Global Shuffle Amount.

AKAI

MPD32

The Remote codec and mapping for the MPD32 was written by Akai. The files are included with Record courtesy of Akai.

Requirements/Setting up:

• Record will automatically find the MPD32 if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

About the controls:

The MPD32 has 16 pads, 8 switches, 8 faders and 8 knobs, plus transport controls. There are 4 pad banks allowing for a total of 64 pad assignments and 3 control banks for a total of 24 switch assignments, 24 fader assignments and 24 knob assignments.

About the default mapping:

D General mapping

The transport controls on the MPD32 are mapped to the corresponding controls in the Record main sequencer. Switch 15 selects previous patch on the target device. Switch 16 selects next patch on the target device. Switch 7 selects previous track in the sequencer. Switch 8 selects next track in the sequencer. Switch 23 selects previous keyboard shortcut variation. Switch 24 selects next keyboard shortcut variation. Footswitch 1 is damper pedal Footswitch 2 selects Click On/Off

D Main Mixer Channel

There are no keyboard shortcut variations. Fader 1 controls Level, Knob 1-2 control Pan and Width and Switch 1-2 control Mute and Solo. Faders 5-8 control the Insert FX Rotaries, Switch 4 controls Insert FX Bypass and Switches 5-8 control Insert FX buttons 1-4. Knobs 3-8 control the Compressor parameters. Faders 9-16, Switch 9-12 and Knobs 9-16 control EQ parameters. Faders 17-24 control the Send FX levels and Switch 17-24 control Send FX On/Off.

D Main Mixer Master Section

There are no keyboard shortcut variations. Switch 1 and 2 control “Previous 8” and “Next 8” Remote Base Channel respectively. Faders 1-8 control channel Levels and Knobs 1-8 control channel Pan. Fader 9 controls Master Level, Fader 13-16 control Master Insert FX rotaries 1-4. Switch 12 controls Master Insert Bypass and Switch 13-16 control the Master Insert buttons 1-4. Knobs 9-15 control the Master Compressor. Faders 17-24 control FX Return Levels, Switch 17-24 control Send FX Mute and Knobs 17-24 control Send FX Pan.

D Mixer 14:2

There are five keyboard shortcut variations: “Level Pan Mutes1 1-14”, “Level Sends Mutes1 1-14”, “Level Sends Mutes2 1-14”, “Level Sends Mutes3 1-14” and “Level Sends Mutes4 1-14”. For all variations, fader 8 controls the master level. In the Level Pan Mutes1 1-14 variation, the faders control the levels, the knobs control the pan and the switches control the mute.

AKAI

In the Level Sends Mutes1 1-14 variations, the faders control the levels, the knobs control respective aux 1 send and the switches control the mute. The Level Sends Mutes2 1-14 variation has the same mapping except that the knobs control the aux 2 send. The remaining two variations work in the same fashion but with aux 3 send and aux 4 send instead.

D Thor

There are no keyboard shortcuts for Thor. All faders, switches and knobs control most of the Thor parameters. Knobs 7 and 8 control Rotary 1 and 2 respectively.

D Redrum

There are two keyboard shortcut variations: “Level and Pan 1-8” and “Level and Pan 9-10”. In both variations pads 1-4 select Banks A-D, pads 5-8 select Patterns 5-8 and pads 9-12 select Patterns 1-4. When the “Level and Pan 1-8” variation is selected, faders 1-8 control the drum levels, faders 9-16 control the pitches, faders 17-24 control the velocities, knobs 1-8 control the pan and knobs 9-16 control the lengths and knobs 17-24 control the Send 1 amount for drum channels 1-8. When the “Level and Pan 9-10” variation is selected, the faders and knobs control the corresponding parameters for drum channels 9 and 10 instead.

D BV-512 Vocoder

There are three keyboard shortcut variations: “Band 1-24”, “Mod Level 1-24” and “Mod Band 25-32”. In all variations knobs 1-6 and switches 1-2 control the BV-512 panel parameters. In the “Band 1-24” variation faders 1-24 control the levels for bands 1-24. In the “Mod Level 1-24” variation faders 1-24 control the mod levels for bands 1-24. In the “Band Mod 25-32” variation faders 1-8 control the band levels for band 25-32 and faders 9-12 and 21-24 control the mod level for bands 25-32.

D Matrix

Pads 1-4 select Bank A-D. Pads 5-12 select Pattern 1-8. Faders1-3 control the Matrix panel parameters. Switch 1 controls Run and switch 2 controls Pattern Enable.

D RPG-8

Switches 1-6 and faders 1-6 control the RPG-8 panel parameters. Switches 9-22 control pattern steps 1-12.

D ReGroove Mixer

There are two keyboard shortcut variations: Shuffle and Slide. Knobs 1-8 control the Shuffle amount and in the “Shuffle” variation and the Slide amount in the “Slide” variation. Faders 1-8 control Groove Amount in both variations.

AKAI

MPK49

The Remote codec and mapping for the MPK49 was written by Akai. The files are included with Record courtesy of Akai.

Requirements/Setting up:

• To use the MPK49 with Record , you should select MIDI channel 1 on the MPK49.

• Record will automatically find the MPK49 if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

About the controls:

The MPK49 has 49 keys, 12 pads, 8 switches, 8 faders and 8 knobs, plus transport controls. There are 4 pad banks allowing for a total of 48 pad assignments and 3 control banks for a total of 24 switch assignments, 24 fader assignments and 24 knob assignments.

About the default mapping:

D General mapping

The transport controls on the MPK49 are mapped to the corresponding controls in the Record main sequencer. Switches 15 and 16 select previous and next patch on the target device. Switches 7 and 8 select previous and next track in the sequencer. Switches 23 and 24 select previous and next keyboard shortcut variation. Mod Wheel and Pitch Bend control the corresponding functions in Record. Channel pressure controls channel pressure/aftertouch in Record. Damper Pedal controls damper pedal.

D Main Mixer Channel

There are no keyboard shortcut variations. Fader 1 controls Level, Knob 1-2 control Pan and Width and Switch 1-2 control Mute and Solo. Faders 5-8 control the Insert FX Rotaries and Switches 3-6 control Insert FX buttons 1-4. Knobs 3-8 control the Compressor parameters. Faders 9-16, Switch 9-12 and Knobs 9-16 control EQ parameters. Faders 17-24 control the Send FX levels and Switch 17-24 control Send FX On/Off.

D Main Mixer Master Section

There are no keyboard shortcut variations. Switch 1 and 2 control “Previous” 8 and “Next 8” Remote Base Channel respectively. Faders 1-8 control channel Levels and Knobs 1-8 control channel Pan. Fader 9 controls Master Level, Fader 13-16 control Master Insert FX rotaries 1-4. Switch 12 controls Master Insert Bypass and Switch 13-16 control the Master Insert buttons 1-4. Knobs 9-15 control the Master Compressor. Faders 17-24 control FX Return Levels, Switch 17-24 control Send FX Mute and Knobs 17-24 control Send FX Pan.

D Mixer 14:2

AKAI

D Redrum

D BV-512 Vocoder

D Matrix

Pads 10, 7, 4 and 1 select Bank A-D. Pads 11, 8, 5, 2, 12, 9, 6 and 3 select Pattern 1-8. Faders1-3 control the Matrix panel parameters. Switch 1 controls Run and switch 2 controls Pattern Enable.

D RPG-8

Switches 1-6 and faders 1-6 control the RPG-8 panel parameters. Switches 9-22 control pattern steps 1-12.

D ReGroove Mixer

AKAI

Alesis

Photon X25

Requirements/Setting up:

To use the Photon X25 with Record , you should select a “default” preset (or the “Record preset”, if that is included in the device).

If you have overwritten all default presets in the Photon X25, you can create a Record preset by making the following assignments for the Photon controls:

Control

Dome, X-axis 02

Dome, Y-axis 03

Dome, Z-axis 04

Knob 1-10, layer 1 10-19

Knob 1-10, layer 2 20-29

Knob 1-10, layer 3 70-79

Button 1-10 80-89

MIDI CC

About the controls:

The Photon X25 has ten knobs with three “layers”. This means that there are really 30 different knobs available for use in Record ,. If you use Remote Override mappings, the knobs are named “Knob 1-1”, “Knob 1-2” and so on up to “Knob 3-10” (the first number denotes the layer and the second is the knob number).

For the AXYZ dome to be active, you need to press the button next to it.

About the default mapping:

D When controlling devices with few parameters, not all knob layers will be used.

If nothing happens when you turn a knob, make sure layer 1 is selected on the Photon X25!

D By default, the AXYZ dome is mapped to Breath (X axis), Channel Pressure (Y axis) and Mod Wheel (Z axis).

Whether Breath and/or Channel Pressure is received depends on the settings in the Record , devices. Remember that you can use Remote Overrides to map the AXYZ dome to whatever parameter you like.

D For devices with patches, buttons 7 and 8 select the previous and next patch, respectively.

D Buttons 9 and 10 are used for Target Previous/Next Track (move the master keyboard input up or down in the

track list).

D Pattern devices uses the following buttons:

Button|Mapped to

1 Select pattern 1

2 Step through the patterns in the current bank

3 Step through bank A-D

4 Pattern Enable on/off

5Run

When you select another bank, you need to select a pattern before the bank select takes effect.

ALESIS

D Main Mixer Channel

Button 1 and 2 control Mute and Solo respectively. Button 3 controls Phase INV, Button 4 controls EQ On and Button 5 controls EQ “E” mode. Button 6 controls Insert FX On/Off. The knobs in layer 1 control the Insert parameters. The knobs in layer 2 control the Dynamics parameters. The knobs in layer 3 control the EQ parameters.

D Main Mixer Master Section

Button 1-2 control Previous and Next Remote Base Channel. Button 3 controls Compressor On, Button 4 Key On and Button 5 Inserts Pre. Button 6 controls Inserts Pre and Button 7-8 select Previous and Next FX Patch. The knobs in layer 1 control Pan and Levels for channels 1-5. The knobs in layer 2 control the Compressor parameters and Master Insert rotaries. Knob 10 controls Master Level. The knobs in layer 3 control the Send FX Return Levels.

D Mixer 14:2

There are two keyboard shortcut variations: “Levels and Pan” and “Sends”. When the “Levels and Pan” variation is selected, the upper row of knobs control pans, and the lower row controls levels, with knob 3-10 being the master level. When the “Sends” variation is selected, the upper and lower rows control Aux sends 1 and 2, respectively. The Aux return levels are on knobs 3-5 and 3-10. In both variations, you select which mixer channels to control by using the Layers (channel 1-5, 6-10 or 11-14).

D Malström

There are two keyboard shortcut variations “Osc” and “Mod”. In both variations Layer 1 contains filter settings. In the “Osc” variation, layer 2 and 3 contain settings for Oscillator A and B respectively. In the “Mod” variation, layer 2 and 3 contain settings for Modulator A and B respectively.

D Thor

Buttons 1 and 2 control the Thor front panel buttons 1 & 2. The knobs in layer 1 control Rotaries 1 and 2 and filter parameters. Layer 2 control Osc and Amp Env and layer 3 control LFO, Amp, Delay, Shaper and Portamento.

D NN19

Layer 1 contains filter and LFO settings, while layer 2 contains oscillator settings, Amp Envelope and master level.

D Dr. REX

Layer 1 contains filter settings, layer 2 contains Osc, LFO and Amp Envelope settings.

D Redrum

Each knob corresponds to a drum sound. The tree layers control level, pitch and length of the sounds.

D MClass Equalizer

Layer 1 control the Low Shelf and Parametric parameters. Layer 2 control the Hi Shelf parameters.

D RV7000 Reverb

Layer 1 control the RV7000 panel parameters. Layer 2 control the soft knobs on the RV7000 Remote Programmer panel.

D Scream 4 Distortion

Layer 1 control the Scream 4 Damage and EQ parameters plus the Master Level. Layer 2 control the Body parameters.

D BV-512 Vocoder

Layer 1 control the front panel parameters. Knobs 1-8 in layers 2 and 3 are used to control the individual band levels. You select which vocoder bands to control (1-16 or 17-32) by using keyboard shortcut variations.

D ReGroove Mixer

Buttons 1-4 and 6-9 control Pre-Align. Layer 1 control Groove Amount, layer 2 control Shuffle and layer 3 control Slide.

ALESIS

Behringer

BCF2000

Requirements/Setting up:

• The BCF2000 must have firmware v1.07 or later installed - refer to http://www.behringer.com for more info.

• Before you add the BCF2000 as a control surface in Record, please make sure that the BCF2000 is set to Device ID 1. This is done in the global setup menu: Hold down the EDIT key and press the STORE key, release both keys and then use Encoder 5 to set the Device ID. Press EXIT to leave the global setup menu.

• If you connect the BCF2000 via USB, you need to set it to operating mode "U-1": Hold down the EDIT key and press the STORE key, release both keys and then use Encoder 1 to set the operating mode. Press EXIT to leave the global setup menu.

• If you connect the BCF2000 via MIDI, you need to use two MIDI cables: one from the "IN" port to the out port on your MIDI interface, and one from the "OUT B/THRU" port to the in port on your MIDI interface. Then set the BCF2000 to operating mode "S-3".

• Record will automatically find the BCF2000 if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

About the controls:

All faders, rotary encoders and buttons on the BCF2000 are available as control surface items in Record (except for the four Encoder Group buttons).

The BCF2000 has up to 32 rotary encoders - four groups of eight encoders. You select which group to use by pressing the Encoder Group buttons below the display. How many groups are available when you are using the default mapping depends on which Record device has MIDI input from the BCF - devices with few parameters may only use the first group, while devices with many parameters use all four groups.

The motor faders on the BCF are not touch sensitive. This means that if they receive MIDI data from Record (e.g. automated level changes) you cannot grab them and change their setting. To "punch in" on automated fader movements, you have to click and drag the corresponding parameter on the screen in Record.

About the default mapping:

D The following buttons in the right part of the panel are used for global functions:

Edit Button: Loop On/Off

Store Button: Record

Learn Button: Target Previous Track (move master keyboard input up in the track list)

Exit Button: Target Next Track (move master keyboard input down in the track list)

Top Left User Button: Rewind

Top Right User Button: Fast Forward

Bottom Left User Button: Stop

Bottom Right User Button: Play

D For devices with patches, you can use Button 8 in the upper and lower row to select the previous or next patch,

respectively.

D For effect devices, Button 7 in the upper row controls the Bypass/On/Off state.

BEHRINGER

D Main Mixer Channel

Fader 1 controls Level, Encoder 1:1-1:3 control Pan, Width and VU Meter mode. Upper row button 1 controls Solo and lower row button 1 controls Mute. Encoders 1:5-1:8 control the Insert FX rotaries. Pushing the encoders control the corresponding Insert FX buttons. Upper row button 8 selects previous Insert FX patch and the lower row button 8 selects next patch. Lower row button 7 controls Insert FX Bypass. Encoder Group 2 and upper row buttons 2-7 control Compressor parameters. Lower row button 2 controls Phase INV. Encoders Group 3, Fader 4-8 and lower row buttons 3-6 control EQ parameters. Pushing encoders 3:1 and 3:2 switches LPF and HPF on/off. Encoders Group 4 control Send FX levels. Pushing the encoders switches the Send FX buttons on/off.

D Main Mixer Master Section

The left and right Preset buttons select previous and next 8 Remote Base Channels. Encoder 2:8 controls Master Level. Pushing the encoder controls the Dim -20 dB button. The Faders control the channel levels. The upper row buttons control Solos. The lower row buttons control Mutes. Encoder Group 1 controls Pans. Encoder Group 2 controls Insert FX parameters and Master Compressor parameters. Pushing Encoders 2:6 and 2:7 control All Mutes Off and All Solo Off. Encoder Group 3 controls Send FX levels and Mutes. The LEDs of Encoder Group 4 show the channels’ VU Meters.

D Mixer 14:2

The Preset left/right buttons select which mixer channels should be controlled (channel 1-7 or channel 8-14). Fader 8 always controls the master level.

Faders 1-7 control levels Encoders 1:1-1:7 control pan. Encoders 2:1-2:7 control Aux 1 send levels and Encoder 2:8 controls Aux 1 return level. Encoders 3:1-3:7 control Aux 2 send levels and Encoder 3:8 controls Aux 2 return level. If you select Encoder Group 4, the LED rings around the encoders will serve as peak meters - you cannot use the encoders in this mode. The lower buttons 1-7 control Mute and the upper buttons 1-7 control Solo.

D Mixer 6:2

Faders 1-6 control levels and fader 8 is master level. Encoders 1:1 to 1:6 control pan. Encoders 2:1 to 2:6 control Aux Send and Encoder 2:8 is Aux Return. If you select Encoder Group 3, the LED rings around the encoders will serve as peak meters - you cannot use the encoders in this mode. Lower row buttons control Mute and upper row buttons control Solo.

D Thor

The buttons control the switch parameters in Thor. The faders control Filter Env and Amp Env parameters. Encoder Group 1 control Rotary 1&2 and Filter parameters. Encoder Group 2 control Osc and Amp parameters. Encoder Group 3 control LFO, Portamento, Shaper, Delay and Chorus parameters.

BEHRINGER

D Subtractor

The faders control Filter Env and Amp Env parameters. Encoder Group 1 control Filter, FM, Osc Mix and Master Level parameters. Encoder Group 2 control Osc parameters. Encoder Group 3 control LFO and Noise parameters. The lower row buttons control Filter parameters: The upper row buttons control LFO and Osc parameters.

D Malström

The faders control Filter, Shaper and Master Level parameters. Encoder Group 1 control Filter, FM, Osc Mix and Master Level parameters. Encoder Group 1 Click (push) control Filter switch parameters. Encoder Group 2 control Osc A parameters. Encoder Group 3 control Osc B parameters. Encoder Group 4 control Modulator and Osc parameters. The buttons control Osc, Shaper, Filter and Modulator switch parameters.

D NN-19

Faders 1-7 control filter parameters and fader 8 controls master level. Encoder Group 1 control Osc, Amp Env and Portamento parameters. Encoder Group 2 control LFO parameters. Lower row buttons control various switch parameters.

D Dr. REX

Faders 1-7 control filter parameters and fader 8 controls master level. Encoder Group 1 control Osc and Amp Env parameters. Encoder Group 2 control LFO parameters. Lower row buttons 1-3 control various switch parameters.

D Redrum

There are two keyboard shortcut variations: Play Mode and Pattern Select Mode. In Play Mode, the upper row buttons can be used to audition drum sounds and the lower row buttons are Mute buttons. In Pattern Select Mode, buttons 1-6 on the upper and lower row select patterns and banks.

The Preset left/right buttons select which drum channels should be controlled (drum 1-7 or drum 8-10). Fader 8 always controls the master level.

D BV-512 Vocoder

The band levels are controlled by the faders. The Preset left/right buttons select which bands should be controlled. Encoders 1:1-1:6 and buttons 1-2 and 7 control the panel parameters. Encoder Group 2 control Mod level for the selected bands.

D RPG-8

Upper row buttons 1-8 control the panel switch parameters and Encoders 1:1-1:7 control the continuous panel parameters.

D Matrix

Buttons 1-6 on the upper and lower row select patterns and banks. Button 7 on the upper row controls the Pattern Enable switch. Foot Switch controls Run.

D ReGroove

The faders control the A1-A8 Groove amount. Encoder Group 1 control A1-A8 Shuffle. Encoder Group 2 control A1-A8 Slide. Lower row buttons control A1-A8 Pre-Align. Upper row buttons control A1-A8 Global Shuffle On/Off.

BEHRINGER

BCR2000

Requirements/Setting up:

• The BCR2000 must have firmware v1.07 or later installed - refer to http://www.behringer.com for more info.

• Before you add the BCR2000 as a control surface in Record, please make sure that the BCR2000 is set to Device ID 1. This is done in the global setup menu: Hold down the EDIT key and press the STORE key, release both keys and then use Encoder 5 to set the Device ID. Press EXIT to leave the global setup menu.

• If you connect the BCR2000 via USB, you need to set it to operating mode "U-1": Hold down the EDIT key and press the STORE key, release both keys and then use Encoder 1 to set the operating mode. Press EXIT to leave the global setup menu.

• If you connect the BCR2000 via MIDI, you need to use two MIDI cables: one from the "IN" port to the out port on your MIDI interface, and one from the "OUT B/THRU" port to the in port on your MIDI interface. Then set the BCR2000 to operating mode "S-3".

• Record will automatically find the BCR2000 if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

About the controls:

All encoders and buttons on the BCR2000 are available as control surface items in Record (except for the four Encoder Group buttons).

The BCR2000 has up to 56 rotary encoders - the three lower rows (called bottom row, middle row and top row) and four groups of eight "push encoders" at the top. You select which group to use by pressing t he Encoder Group buttons below the display (this affects the push encoders only). How many groups are available when you are using the default mapping depends on which Record device has MIDI input from the BCR - devices with few parameters may only use the first group, while devices with many parameters may use all four groups.

About the default mapping:

D The following buttons in the right part of the panel are used for global functions:

Edit Button: Loop On/Off

Store Button: Record

Learn Button: Target Previous Track (move master keyboard input one step up in the track list)

Exit Button: Target Next Track (move master keyboard input one step down in the track list)

Top Left User Button: Rewind

Top Right User Button: Fast Forward

Bottom Left User Button: Stop

Bottom Right User Button: Play

D For devices with patches, you can use Button 8 in the upper and lower row to select the previous or next patch,

respectively.

D For effect devices, Button 7 in the upper row controls the Bypass/On/Off state.

D Where applicable, bottom row encoder 8 controls the master level.

D Main Mixer Channel

Bottom row Encoder 1 controls Level, middle row encoder 1 controls Pan and middle row encoder 2 controls Width. Upper row button 1 controls Solo and lower row button 1 controls Mute. Push Encoder 1:1 shows the VU Meter level. Push Encoders 1:5-1:8 controls the Insert FX rotaries and buttons. Upper row button 8 selects previous Insert FX

BEHRINGER

patch and the lower row button 8 selects next patch. Lower row button 7 controls Insert FX Bypass. Top Row Encoders and Upper Row Buttons 2-7 control the Compressor parameters. Lower Row Button 2 controls Phase Inv and Push Encoder 1:2 shows Comp Gain Reduction. Push Encoders 1:3 and 1:4, Middle Row Encoders 4-8, Bottom Row Encoders 4-8 and Lower Row Buttons 3-6 control EQ parameters. Push Encoders 2:1-2:8 control Send FX Levels and On/Off.

D Main Mixer Master Section

The left and right Preset buttons select previous and next 8 Remote Base Channels. Encoder 1:8 controls Master Level. Pushing the encoder controls the Dim -20 dB button. The Bottom Row Encoders control Level. The Upper Row Buttons control Solo. The Lower Row Buttons control Mute. The Middle Row Encoders control Pan. The Top Row Encoders control Width. Push Encoders 1:1-1:7 control Master Insert FX and Compressor parameters. Pushing Encoders 1:6 and 1:7 control All Mutes Off and All Solo Off. Push Encoder Group 2 controls Send FX levels and Mutes. Push Encoder Group 3 controls Send FX Pan The LEDs of Push Encoder Group 4 show the channels’ VU Meters.

D Mixer 14:2

The Preset left/right buttons select which mixer channels should be controlled (channel 1-7 or channel 8-14). Bottom Row Encoder 8 always controls the master level.

Bottom Row Encoders 1-7 control levels. Middle Row Encoders 1-7 control pan. Top Row Encoders 1-7 control Aux 1 send levels and Top Row Encoder 8 controls Aux 1 return level. Push Encoders 1:1-1:7 control Aux 2 send levels and Push Encoder 1:8 controls Aux 2 return level. Push Encoders 2:1-2:7 control Bass. Push Encoders 3:1-3:7 control Treble. If you select Push Encoder Group 4, the LED rings around the encoders will serve as peak meters - you cannot use the encoders in this mode. The lower buttons 1-7 control Mute and the upper buttons 1-7 control Solo.

D Mixer 6:2

Bottom Row Encoders 1-6 control levels and Bottom Row Encoder 8 is master level. Middle Row Encoders 1-6 control pan. Top Row Encoders 1-6 control Aux Send and Top Row Encoder 8 is Aux Return. If you select Push Encoder Group 1, the LED rings around the encoders will serve as peak meters - you cannot use the encoders in this mode. Lower row buttons control Mute and upper row buttons control Solo.

D Thor

The buttons control the switch parameters in Thor. Lower Row Buttons 1 and 2 control front panel Buttons 1 and

2. Top Row Encoders 1 and 2 control front panel Rotaries 1 and 2. The remaining Top Row Encoders control filter parameters. The MIddle Row Encoders control Filter Env and Amp Env and the Bottom Row Encoders control Osc and AMp parameters. Push Encoder Group 1 control LFO, Portamento, Shaper, Delay and Chorus switch parameters.

D Subtractor

The Bottom Row Encoders control Filter, FM, Osc Mix and Master Level parameters. The Middle Row Encoders control Filter Env and Amp Env parameters. The Top Row Encoders control Osc parameters. Push Encoder Group 1 control LFO and Noise parameters. The buttons control LFO, Osc, Filter, Noise and Modulation switch parameters.

BEHRINGER

D Malström

The Bottom Row Encoders control Filter, Shaper and Master Level parameters. The Middle Row Encoders control Osc B parameters. The Top Row Encoders control Osc A parameters. Push Encoder Group 1 control Filter parameters. Push Encoder Group 1 Click control Filter switch parameters. Push Encoder Group 2 control Modulator A parameters. Push Encoder Group 2 Click control Modulator A switch parameters. Push Encoder Group 3 control Modulator B parameters. Push Encoder Group 3 Click control Modulator B switch parameters. Push Encoder Group 4 control Oscillator and Velocity parameters. The buttons control Osc, Shaper, Filter and Modulator switch parameters.

D Redrum

The Preset left/right buttons select which drum channels should be controlled (drum 1-7 or drum 8-10). Bottom Row Encoder 8 always controls the master level.

D MClass Stereo Imager

Bottom Row Encoders 1-3 control the continuous parameters and lower row button 1 and upper row button 7 control the switch parameters. Push Encoders 1:1 and 1:3 serve as Low and High Width meters.

D MClass Compressor

Bottom Row Encoders 1-5 and 8 control the continuous parameters. Push Encoder 1:1 serves as Gain meter. Lower Row Buttons 1-3 and Upper Row Button 7 control the switch parameters.

D MClass Maximizer

Bottom Row Encoders 1-5 control the continuous parameters. Push Encoders 1:1 and 1:8 functions as Gain and Peak meters. Lower Row Buttons 1-4 and Upper Row Button 7 control the switch parameters.

D RV7000 Reverb

Bottom Row Encoders 1-4 control the RV7000 panel parameters. Buttons 1-2 control the switch parameters. Push Encoder Group 1 controls the soft knobs on the RV7000 Remote Programmer panel.

D BV-512 Vocoder

The band levels are controlled by the Middle Row Encoders. The Preset left/right buttons select which bands should be controlled. The Bottom Row Encoders and Lower Row Buttons 1-2 control the panel parameters. Push Encoders control Mod level for the selected bands.

D RPG-8

Upper Row Buttons 1-8 control the panel switch parameters and the Top Row Encoders 1-7 control the continuous panel parameters.

D Matrix

Buttons 1-6 on the upper and lower row select patterns and banks. Button 7 on the upper row controls the Pattern Enable switch. Foot Switch controls Run.

D ReGroove

The Top Row Encoders control the A1-A8 Groove amount. The Bottom Row Encoders control A1-A8 Shuffle. The Middle Row Encoders control A1-A8 Slide. Lower row buttons control A1-A8 Pre-Align. Upper row buttons control A1-A8 Global Shuffle On/Off. Push Encoder 1:8 controls Global Shuffle.

BEHRINGER

CME

UF Series

Requirements/Setting up:

The UF keyboards do not support the Auto-Detect feature in Record. Instead you need to add this keyboard manually:

1. Install the Remote files for the CME UF series, connect the keyboard and launch Record.

2. Open the Preferences dialog and select the Control Surfaces and Keyboards page.

3. Click the Add button.

4. Choose “CME” from the list of manufacturers and “UF-series” from the list of models.

5. On the In Port menu, select the MIDI input to which you have connected your UF keyboard (or click “Find...” and press a key on the keyboard to have the program find the right MIDI port for you).

6. Click OK and close the Preferences.

About the controls

• The faders should be in the default mode (volume 1-8; no Fader Func. LED lit).

• The Knob Func. LED should not be lit.

• Only knobs 1-7 are used. This is because knob 8 is hardwired to control the internal MIDI tempo inside the UF keyboard.

• All performance controllers are supported. This includes pedals, breath controller and aftertouch (if activated on the UF keyboard). Note that the results of using expression pedal, breath controller or aftertouch depend on the settings on the Record device you’re playing.

About the default mapping:

Generally, the master fader controls the master level of the Record device (where applicable). For devices with many parameters, keyboard shortcut variations are used.

D Transport functions

The transport buttons on the UF keyboard control the corresponding Record transport functions.

However, please note that the LED indicators above the Rec and Play buttons may not reflect the state of the Rec and Play buttons in Record! This is because there is no two-way communication between the program and the keyboard - there is no way for the UF keyboard to know e.g. whether playback has been started or stopped in Record.

D Main Mixer Channel

There are two keyboard shortcut variations: Dyn and FX Sends. In both variations the Master Fader controls Level, Knobs 1-2 control Pan and Width, Knob 3 controls Phase INV and Knobs 4-7 control the Insert FX rotaries. In the Dyn variation, the Faders control Input Gain and Compressor/Expander parameters. In the FX Sends variation, the Faders control FX1-FX8 Send Levels.

CME

D Main Mixer Master Section

There are two keyboard shortcut variations: Channels and Master. In both variations the Master Fader controls the Master Level. In the Channel variation, the Faders control channel Levels 1-8 and the Knobs control Pan. In the Master variation, the Faders control FX1-FX8 Return Levels and the Knobs control the Master Compressor Threshold, Ratio, Make-Up Gain and the four Master Insert rotaries.

D Mixer 14:2

The faders control the level faders on the mixer (channel 1-7 or 8-14, depending on the selected keyboard shortcut variation). The knobs can either control pan, Aux Send 1 or Aux Send 2, depending on the keyboard shortcut variation. When an Aux Send variation is selected, fader 8 controls the corresponding Aux Return level.

D Line Mixer 6:2

The knobs can either control pan or send levels, depending on the keyboard shortcut variation. Fader 7 controls the Aux Return level.

D Thor

There are three keyboard shortcut variations: Filters, Osc & Amp and Modulation. In all variations, knob 1-4 control Button 1&2 and Rotary 1&2. In the Filter variation, the faders control Filter Env and Amp Env parameters and knobs 5-7 control Filter parameters. In the Osc & Amp variation, the faders control Osc, Shaper, Step Sequencer and Amp Vel parameters and knobs 5-7 control Osc Mod parameters. In the Modulation variation, the faders control Mod Env and Global Env parameters and knobs 5-7 control LFO parameters.

D Subtractor

There are two keyboard shortcut variations: Filter & Env and Osc. In the Filter & Env variation, the faders control Amp Env and Filter Env parameters. The knobs control Filter and LFO parameters. In the Osc variation, the faders control Mod Env and Noise parameters. The knobs control Osc parameters.

D Malström

By default, the faders and knobs control the filters and modulators. By switching to the second keyboard shortcut variation, you can control oscillator settings and envelopes instead.

D Redrum

There are two keyboard shortcut variations: Level & Pan and Pitch & Length. In the Level & Pan variation, the faders control the levels and the knobs control the pan. In the Pitch & Length variation, the faders control the pitches and the knobs control the lengths.

D BV512 Vocoder

The basic vocoder parameters are controlled by the knobs, while the faders control the band levels (band 1-8, 916, 17-24 or 25-32) depending on the keyboard shortcut variation.

D Matrix

Pads 10, 7, 4 and 1 select Bank A-D. Pads 11, 8, 5, 2, 12, 9, 6 and 3 select Pattern 1-8. Faders1-3 control the Matrix panel parameters. Switch 1 controls Run and switch 2 controls Pattern Enable.

D Matrix Pattern Sequencer

Knob 1 selects pattern in the current bank, while knob 2 selects bank. Knob 3 controls the sequencer resolution.

D ReGroove

There are two keyboard shortcut variations: Shuffle and Slide. In both variations, Faders 1-7 control A1-A7 Groove Amount and the Master Fader controls Global Shuffle. In the Shuffle variation, Knobs 1-7 control A1-A7 Shuffle amount and in the Slide variation the knobs control the Slide amount.

CME

Doepfer

Drehbank

Requirements/Setting up:

• To use the Drehbank with Record, you need to select Bank 2 and make sure this isn't changed from the factory default settings.

• You can reset the Drehbank to factory default settings in the following way:

Keep the Snap button pressed while you turn on the Drehbank. The Snap LED will now be off and the two other LEDS (Bank 1 and Bank 2) will be lit. Release the Snap button and press the Bank 2 button to select Bank 2.

• The Drehbank can not be auto-detected by Record; you have to add it manually by clicking the Add button on the Control Surfaces and Keyboards page, and selecting the control surface from the Manufacturer and Model menus.

Pocket Control

Requirements/Setting up:

• To use the Pocket Control with Record you need to select preset 0 and make sure this isn't changed from the factory default settings.

• To select preset 0, set all DIP switches on the back to "off".

• If you have changed the settings in preset 0, you will have to restore it using the editor supplied with your Pocket Control. Please refer to your Pocket Control manual for information on how to use the editor.

• The Pocket Control makes use of keyboard shortcut variations for many Record devices.

Pocket Dial

Requirements/Setting up:

• To use the Pocket Dial with Record you need to select preset 85 and make sure this isn't changed from the factory default settings.

• To select preset 85, set the DIP switches on the back to 00101010, where "0" is "off" and "1" is "on".

Finally, make sure Bank 1 is selected on the Pocket Dial.

• If you have changed the settings in preset 85, you will have to restore it using the editor supplied with your Pocket Dial. Please refer to your Pocket Dial manual for information on how to use the editor.

• The Pocket Dial makes use of keyboard shortcut variations for many Record devices.

DOEPFER

Pocket Fader

Requirements/Setting up:

• To use the Pocket Fader with Record you need to select preset 0 and make sure this isn't changed from the factory default settings.

• To select preset 0, set all DIP switches on the back to "off".

• If you have changed the settings in preset 0, you will have to restore it using the editor supplied with your Pocket Fader. Please refer to your Pocket Fader manual for information on how to use the editor.

• The Pocket Fader makes use of keyboard shortcut variations for many Record devices.

Regelwerk

The Regelwerk is defined as having a keyboard (even though it hasn't, obviously). This is to make it possible to use the sequencer in the Regelwerk to "play" Record. However, when you add the Regelwerk as a control surface in Record, it may automatically become the Master Keyboard (if you have no other keyboard connected and added at the time). If this is not what you want, just select the Regelwerk in the control surface list and click "Use No Master Keyboard".

DOEPFER

Edirol

PCR-1

Requirements/Setting up:

• When you use the PCR-1 with Record, you need to make sure that memory set 0 is selected. This is the memory set selected by default when you turn the PCR-1 on.

• Record will automatically find the PCR-1 if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

About the controls:

The PCR-1 has 16 knobs (to use the last eight, press Shift). The following buttons are available for use in Record: B1/B2 (see below), B3, B4, B5 and B6. Due to the settings in preset 0, buttons B1 and B2 cannot be used as two separate buttons. Instead they appear as a single control surface item called "Dec/Inc Buttons". You can map this item to a parameter in Record.

About the default mapping:

D Buttons B4 and B5 are used for "Target Previous Track" and "Target Next Track" (moving the master keyboard

input up or down in the track list).

D For patch devices, buttons B3 and B6 are used for selecting the previous and next patch, respectively.

D When controlling devices with many parameters, keyboard shortcut variations are used.

PCR-M1

The PCR-M1 works just like the PCR-1 when you use it as a control surface with Record (see above). The only differences are

• The PCR-M1 can be connected via MIDI instead of USB. In that case, you need a two-way MIDI connection (both MIDI In and MIDI Out) for Record to be able to auto-detect the keyboard. However, you can always add the PCR-M1 manually.

• The PCR-M1 has inputs for hold pedal and expression pedal.

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PCR-300/500/800

Requirements/Setting up:

• When you use the PCR-300 series keyboard with Record, you need to make sure the "Dynamic Mapping" button is pressed on the keyboard.

• For Remote to work properly, the PCR keyboard must be connected to the computer via USB.

• Record will automatically find and add the PCR keyboard if you click the Auto-detect button on the Keyboards and Control Surfaces page in the Preferences.

About the controls:

Record makes full use of all buttons, rotaries and sliders on the PCR-300/500/800. The program will also respond to aftertouch from the PCR keyboard (provided that you're playing a Record device that uses aftertouch, and that aftertouch isn't deactivated on the PCR).

About the default mapping:

D The Value Encoder to the left on the PCR panel has four different functions, selected by pressing the buttons

V1-V4.

Button V1 makes the Value Encoder move the Master Keyboard Input up or down in the track list. This is the default mode. Button V2 makes the Value Encoder select patches for the currently played Record device. Button V3 makes the Value Encoder select global Remote map variations. (These can also be selected by pressing [Ctrl]-[Alt] (Windows) or [Command]-[Option] (Mac) and one of the number keys on the main part of the computer keyboard.) Button V4 makes the Value Encoder move the song position pointer.

D Buttons L1-L4 control the corresponding Record transport functions (RTZ, Stop, Play and Record).

D Buttons C1-C3 are mapped to New Overdub, New Alternative Take and Loop On/Off, respectively.

D When controlling a device that uses patches, buttons A9 and B9 will select the previous/next patch.

If no device has Master Keyboard Input (e.g. if you've selected the Transport track), the controls are mapped to additional global functions:

D The buttons B1-B9 are mapped to various transport functions:

Go to Left/Right Locator, Move song position to prev/next bar, decrease/increase tempo, reset automation override, auto-quantize, click and precount on/off.

D The sliders, rotaries and buttons A1-A8 control the first eight ReGroove Mixer channels (channels A1-A8).

The sliders control Groove Amount, while the knobs control Shuffle or Slide depending on the selected global Remote variation (this also determines whether the "A" buttons should control "Use Global Shuffle" or "Pre-Align").

D Knob R9 controls the global shuffle setting, used e.g. for pattern devices such as Redrum.

D Main Mixer Channel

There are three variations: Inserts, FX Sends and Dyn. In either variation, Sliders S1-S8 control EQ parameters, S9 controls Level, Knob R9 controls Width, Crossfader controls Pan and Buttons A9 and B9 control Mute and Solo. In the Inserts variation, Knobs R1-R4 control the rotaries and Buttons A1-A4 control the Inserts buttons. The other Buttons and Knobs control Insert and EQ parameters. In the FX Sends variation, Knobs R1-R8 control Send level, Buttons A1-A8 controls Send On/Off and B1-B8 control the Pre Fader buttons. In the Dyn variation, the Knobs and A Buttons control Compressor/Exp parameters. Button B1 controls the Dyn Post EQ function.

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D Main Mixer Master Section

There are three keyboard shortcut variations: Channels, Master Ins+Comp and FX Returns. In all variations, Buttons C1 and C2 selects Previous and Next 8 Remote Base Channel, Sliders S1-S8 controls channel levels and S9 controls the Master Level. In the Channels variation, the Knobs control Pan of each channel, Buttons A1-A8 control channel Mutes and A9 controls All Mutes Off. Buttons B1-B8 control channel Solo and B9 controls All Solo Off. In the Master Ins+Comp variation, the first four Knobs control Master Ins rotaries and the remaining Knobs control Master Compressor parameters. Buttons A1-A4 control the Master Ins buttons and A5-A8 control Compressor parameters. Button A9 and B9 select Previous and Next Insert FX Patch. In the FX Returns variation, the Knobs control FX1-FX8 Return Levels and Buttons A1-A8 control Mutes.

D Mixer 14:2

There are two variations, for controlling channels 1-8 or 9-14, respectively. The sliders control channel levels, the rotaries control pan and the buttons control mute and solo. Slider S9 always controls the master level and Knob R9 controls the Aux 1 Return level.

D Line Mixer 6:2

The sliders control the channel levels and the rotaries control pan or aux sends, depending on the selected variation. The buttons are mapped to mute and solo. Slider S9 always controls the master level. Knob R8 controls Aux Return level and button A8 controls Aux Pre/ Post.

D Subtractor

There are two variations. In the default variation, the knobs control filter settings while the sliders control the filter and amp envelopes. In the second variation, the controls are mapped to oscillator, LFO and Mod envelope parameters.

D Thor

Rotaries R1-R2 and buttons A1-A2 control the two assignable rotaries and buttons on Thor's upper panel. The function of the remaining controls depends on the selected variation. Variation 1 maps the controls to filter 1 and 2, the Shaper and the filter/amp envelopes Variation 2 controls oscillators, LFOs and the mod envelope Variation 3 and 4 control Step Sequencer note, velocity and gate settings for steps 1-8 and steps 9-16. If one of the two Step Sequencer variations is selected, button B8 controls the Run button and rotary R9 controls the sequencer rate. Buttons B5-B7 control various sequencer run mode parameters.

D Malström

There are two variations. In the default variation, the sliders control filter settings while the rotaries control the Modulators, Shaper, Spread and master level. In the second variation, the rotaries control Oscillator A parameters and the sliders control Oscillator B.

D Redrum

Buttons A1-A8 select patterns while buttons B1-B4 select bank A-D. Button B8 is mapped to the Run button. The sliders control the drum levels while the rotaries are mapped to the pitch parameters. By default, drum channels 1-8 are controlled but you can switch to a second variation to control channels 9-10.

D Effect devices - general

The Bypass/On/Off switch on all effect devices is mapped to button B1.

D BV-512 Vocoder

The main parameters are controlled by the rotaries and buttons. The sliders adjust band levels - which vocoder bands are controlled depends on the selected variation.

D Matrix Pattern Sequencer

Buttons A1-A8 selects pattern in the current bank, while buttons B1-B4 selects bank. Button B7 controls Pattern Enable and B8 controls Run.

EDIROL

PCR-30/50/80/A30

Requirements/Setting up:

• When you use the PCR keyboard with Record, you need to make sure that memory set 0 is selected. This is the memory set selected by default when you turn the PCR keyboard on.

• If you connect the PCR keyboard via USB or two-way MIDI, Record will automatically find it if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences. The PCR-A30 will be recognized as a PCR-A30, while the other models will be recognized as "PCR Series".

• The PCR keyboards have two native MIDI outputs (within the USB connection). Record will automatically find the first port on auto-detect, but you may need to manually select the second port: Select the PCR keyboard in the control surfaces list, click Edit, select the second port ("PCR 2" or similar) on the second MIDI Input Port menu and click OK. If only the first port is properly selected, everything will work fine except the L1, L2 and L3 buttons.

About the controls:

The following buttons are available for use in Record: B1/B2 (see below), B3, B4, B5, B6, L1, L2, L3 (the last three requires that both USB MIDI ports are selected - see above).

! Due to the settings in preset 0, buttons B1 and B2 cannot be used as two separate buttons. Instead they ap-

pear as a single control surface item called "Dec/Inc Buttons". You can map this item to a parameter in Record.

About the default mapping:

D Buttons B5 and B6 are used for "Target Previous Track" and "Target Next Track" (moving the master keyboard

input up or down in the track list).

D For patch devices, buttons B3 and B4 are used for selecting the previous and next patch, respectively.

D The three buttons to the left (above the pitch bend lever) are used for transport control: L1 = Stop, L2 = Play

and L3 = Record.

Note again that both USB MIDI input ports must be selected for this to work.

D When controlling devices with many parameters, keyboard shortcut variations are used.

PCR-M30/M50/M80 series

Use the "Edirol PCR-M series" control surface model if you have an Edirol PCR-M30, PCR-M50 or PCR-M80. Setup procedures, controls and default mappings are the same as for the Edirol PCR series.

EDIROL

UR-80

Requirements/Setting up:

• To use the UR-80 with Record, you need to make sure that the "Preset" memory set is selected (press the Memory button and then the first Track/Status button, marked "Preset").

• If you connect the UR-80 via USB or two-way MIDI, Record will automatically find it If you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences. If you connect the UR-80 via USB and select a MIDI input port manually for the UR-80, you should select the port called "UR-80 2".

About the controls:

There are 24 Control knobs available, divided in three groups of eight. You select which group of Control knobs to use ("Pan", "Send 1" or "Send 2") by pressing the Assign button to the right of the knobs.

Similarly, there are 32 Status buttons, divided in four groups of eight. You select which group of Status buttons to use by pressing the Select button to the right of the buttons. The color of the Select button indicates which group is currently selected.

Most of the controls in the right part of the panel are available for use with Record. All of these controls (except for the Time dial) have double functions - press Shift to use the secondary functions.

! Note: As of this writing, Record does not control the LEDs for the Status buttons, Play button and Rec button.

We plan to add support for this soon - please check www.propellerheads.se for more info.

About the default mapping:

D The following controls have global functions in Record:

Cursor Up: Target Previous Track

Cursor Down: Target Next Track

Cursor Left: Move song position to previous bar

Cursor Right: Move song position to next bar

Prev Button: Goto Left Locator

Next Button: Goto Right Locator

Shift+Prev Button: Click On/Off

Shift+Next Button: Overdub/Replace

Undo Button: Undo

Shift+Undo Button: Redo

Time Dial: Song position

Return to Zero: Loop On/Off

Rewind: Rewind

Fast Forward: Fast Forward

Stop: Stop

Play: Play

Record: Record

D For patch devices, the Mixer button selects the previous patch and the Inst button selects the next patch.

D For effect devices, Status button 8 in dark (unlit) mode controls the Bypass/On/Off state.

EDIROL

D Main Mixer Channel

The Faders control EQ parameters. Control 7 and 8 (Pan) control Width and Pan and Status Button 7 and 8 (Dark) control Muse and Solo. Control 1-4 (Pan) control Insert FX rotaries and Status Buttons 1-4 (Dark) control the buttons. Status Buttons 56 (Dark) selects Previous and Next Insert FX patch. Status Buttons 1-6 (Orange) control EQ parameters. The Control (Send 1) knobs control FX1-FX8 Send Levels. The Status Buttons (Green) control FX1-FX8 Send On/Off. The Control (Send 2) knobs control Input Gain and Compressor parameters. The Status Buttons (Red) control Phase Inv and Compressor parameters.

D Main Mixer Master Section

The Mixer Button and Inst Button selects Previous or Next 8 Remote Base Channel. The Track Group button to the left selects which mixer channels to control (channel 1-8, 9-16, 17-24 or 25-32). For each of these channel groups the Faders control the Levels, the Control (Pan) knobs control Pan, the Status Buttons (Dark) control Mute and the Status Buttons (Green) control Solo. For all keyboard shortcut variations, the Control (Send 2) knobs and Status Buttons (Orange) control Master Insert and Compressor parameters, the Control (Send 1) knobs control FX Return Levels and the Status Buttons (Red) control FX Mutes.

D Mixer 14:2

The Track Group button to the left selects which mixer channels to control (channel 1-8 or channel 9-14). This selection affects faders, Status Buttons and Control knobs. The modes for the Status Buttons are mute (dark), solo (green) and EQ on/off (red).

D Mixer 6:2

Fader 1-6 control level. Control 1-6 (Pan) control pan. Control 1-6 (Send 1) control Aux Send and Control 8 (Send

1) controls Aux Return. Status Buttons 1-6 (Dark) control Mute and Status Button 1-6 (Green) control Solo.

D ID8

Control 1 and 2 (Pan) control Parameter 1 and 2 and the Master Fader controls Volume. Status Buttons 1-2 (Dark) selects Previous and Next Category and Buttons 3-6 (Dark) select Sound A-D.

D Thor

There are five keyboard shortcut variations: Filters, Osc & Amp, Modulation, Sequencer 1 and Sequencer 2. Depending on selected variation, the faders, status buttons and controls control the corresponding sections of Thor. Control 1 and 2 (Pan) control Rotary 1 and 2 and Status Buttons 1 and 2 (Dark) control Buttons 1 and 2 on the Thor panel in all but the Sequencer 1 & 2 variations.

D Redrum

The Track Group button to the left selects which drum channels to control (drum 1-8 or drum 9-10). The modes for the Status buttons are mute (dark), solo (green), decay/gate mode (red) and audition drum sounds (orange). To select pattern, press Shift and use the horizontal cursor buttons. To select bank, press Shift and use the vertical cursor buttons.

D BV-512 Vocoder

The faders control band levels and the Track Group button to the left selects which vocoder bands to control.

D Matrix

The Status buttons select pattern in dark mode and bank in green mode. Button 8 in green mode controls the Pattern Enable switch. You can also select patterns using Shift+Horizontal Cursor buttons and select banks using Shift+Vertical Cursor buttons.

D ReGroove

The faders control the A1-A8 Groove amount. Control 1-8 (Pan) control A1-A8 Shuffle. Control 1-8 (Send 1) control A1-A8 Slide. Status Button 1-8 (Dark) control Global Shuffle On/Off Status Button 1-8 (Green) control Pre-Align On/Off

EDIROL

Evolution

MK-249C

Requirements/Setting up:

To be able to use the buttons and knobs on the MK-249C, you need to program them so that they send out the following MIDI messages:

button 0: MIDI program change # 00 button 1: MIDI program change # 01 button 2: MIDI program change # 02 button 3: MIDI program change # 03 button 4: MIDI program change # 04 button 5: MIDI program change # 05 button 6: MIDI program change # 06 button 7: MIDI program change # 07 button 8: MIDI program change # 08 button 9: MIDI program change # 09 knob 1: CC 10 knob 2: CC 11 knob 3: CC 12 knob 4: CC 13 knob 5: CC 91 knob 6: CC 93 knob 7: CC 94 knob 8: CC 95 knob 9: CC 73 knob 10: CC 72 knob 11: CC 74 knob 12: CC 71

About the default mapping:

D Buttons 8 and 9 are used for Target Previous/Next Track (move the master keyboard input up or down in the

track list).

D For devices with patches, buttons 6 and 7 are used for Select Previous/Next Patch. For the Main Mixer Channel

and Master Section, these buttons are used for selecting Insert FX patches.

D For effect devices, button 0 controls the Bypass/On/Off status.

D With most Record devices, the Master Volume Fader (below the display) is mapped to the Master Level.

D On the Redrum and Matrix, button 1 steps through pattern 1-8 in the selected bank, while button 2 steps

through bank A-D. Button 0 controls the Pattern Enable switch:

D When controlling devices with many parameters, keyboard shortcut variations are used.

D On the Main Mixer Master Section, buttons 8 and 9 are used for selecting Previous 8 and Next 8 Remote Base

Channel.

EVOLUTION

MK-425C

Requirements/Setting up:

• Record will automatically find the MK-425C if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

• To use MK-425C with Record, you need to select preset 4 and make sure this isn't changed from the factory settings.

• If you have connected the keyboard via USB, Record will restore preset 4 to factory settings for you - however, note that you need to select preset 4 manually after this is done.

• You can also restore your MK-425C manually by holding down the + and - buttons when you turn the keyboard on - note that this restores all presets to factory settings, deleting any changes you have made.

About the controls:

The keyboard and performance controls, the eight knobs and the ten keypad buttons are available as control surface items in Record.

About the default mapping:

D On the keypad, buttons 4 and 7 are used for Target Previous/Next Track.

D Buttons 6 and 9 are used for Select Previous/Next Patch, where applicable.

D For effect devices, button 0 controls the Bypass/On/Off state.

D When controlling devices with many parameters, keyboard shortcut variations are used.

D On the Main Mixer Master Section, buttons 1 and 3 are used for selecting Previous 8 and Next 8 Remote Base

Channel.

MK-449C

Requirements/Setting up:

• Record will automatically find the MK-449C if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

• To use MK-449C with Record, you need to select preset 4 and make sure this isn't changed from the factory settings.

• If you have connected the keyboard via USB, Record will restore preset 4 to factory settings for you - however, note that you need to select preset 4 manually after this is done.

• You can also restore your MK-449C manually by holding down the + and - buttons when you turn the keyboard on - note that this restores all presets to factory settings, deleting any changes you have made.

About the controls:

The keyboard and performance controls, the nine faders, the eight knobs and the ten keypad buttons are available as control surface items in Record.

About the default mapping:

D On the keypad, buttons 4 and 7 are used for Target Previous/Next Track.

D Buttons 6 and 9 are used for Select Previous/Next Patch, where applicable.

D For effect devices, button 0 controls the Bypass/On/Off state.

EVOLUTION

D Where applicable, Knob 17 (the last knob) is mapped to master level.

D When controlling devices with many parameters, keyboard shortcut variations are used.

D On the Main Mixer Master Section, buttons 1 and 3 are used for selecting Previous 8 and Next 8 Remote Base

Channel.

MK-461C

Requirements/Setting up:

• Record will automatically find the MK-461C if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

• To use MK-461C with Record, you need to select preset 4 and make sure this isn't changed from the factory settings.

• If you have connected the keyboard via USB, Record will restore preset 4 to factory settings for you - however, note that you need to select preset 4 manually after this is done.

• You can also restore your MK-461C manually by holding down the + and - buttons when you turn the keyboard on - note that this restores all presets to factory settings, deleting any changes you have made.

About the controls:

The keyboard and performance controls, the nine faders, the twelve knobs and the ten keypad buttons are available as control surface items in Record.

About the default mapping:

D On the keypad, buttons 4 and 7 are used for Target Previous/Next Track.

D Buttons 6 and 9 are used for Select Previous/Next Patch, where applicable.

D For effect devices, button 0 controls the Bypass/On/Off state.

D Where applicable, Knob 21 (the last knob) is mapped to master level.

D When controlling devices with many parameters, keyboard shortcut variations are used.

D On the Main Mixer Master Section, buttons 1 and 3 are used for selecting Previous 8 and Next 8 Remote Base

Channel.

EVOLUTION

UC-33 (original version)

Requirements/Setting up:

• To use the UC-33 with Record, you must select preset 21, and make sure that this isn’t changed from the factory settings.

• You can restore the UC-33 to factory settings by holding down the + and - buttons when you turn the keyboard on - note that this restores all presets to factory settings, deleting any changes you have made.

• We strongly recommend that you connect the UC-33 to a separate MIDI port (or use USB). If you connect the UC-33 to the same MIDI port as a MIDI keyboard, you will not be able to play all keys on the keyboard. This is because the UC-33 maps some keys to transport functions and various buttons, and if the UC-33 and the keyboard are connected to the same MIDI port, Record cannot separate them. If you connect the UC-33 and the keyboard to separate MIDI ports, this is not a problem.

About the default mapping:

The UC-33 features a number of overlays for different devices (from previous Reason versions). In the default mapping of the UC-33 we have tried to keep the mapping according to the overlays, where possible. This means that you can still use e.g. the Subtractor overlay when you're controlling a Subtractor with the UC-33 (although you no longer have to switch to a Subtractor preset!).

However, in some cases we had to rearrange the numpad buttons to make room for the patch selection, target track and transport functions - this is noted below.

D The following buttons are used for global Record functions:

Numpad buttons 4 and 7 are used for Target Previous/Next Track. For devices with patches, numpad buttons 6 and 9 are used for Select Previous/Next Patch. The four transport buttons (stop, play, rewind and fast forward) are mapped to the corresponding transport functions in Record. The numpad 0 button is mapped to Rec.

D Main Mixer Channel

There are two keyboard shortcut variations. In all variations, the faders F1-F8 control EQ parameters and F33 the Level. Knobs C15 and C16 control Width and Pan. C13-14 control LPF and HPF Freq. Numpads 1-3 control Mute, Solo and Phase INV respectively. In variation 1, knobs C9-12 and C17-32 control Send FX On/Off and Levels. In variation 2, knobs C9-12 and C17-32 control Insert FX and Dynamics parameters.

D Main Mixer Master Section

There are two keyboard shortcut variations. In both variations, faders F1-F8 control Levels and F33 Master Level. Numpad 1 and 3 select Previous 8 and Next 8 Remote Base Channel and Numpad 2, 5 and 8 control All Mutes Off, All Solo Off and Dim -20 dB respectively. In variation 1, knobs C9-C16 control Pan, C17-C24 control the Mutes and C25-C32 control Solo for channels 1-8. In variation 2, knobs C9-C24 control Master Section parameters. Knobs C25-C32 control the FX1-FX8 Return Levels.

D Mixer 14:2

There are four keyboard shortcut variations. In variations 1-2 channels 1-8 are controlled, with the two upper rows of knobs controlling EQ and Aux Sends, respectively. In variations 3-4, channels 9-14 are controlled in the same way. The faders always control the levels, and the lowest row of knobs controls the pan. The master level is mapped to fader F9 in all variations.

EVOLUTION

D Thor

There are five keyboard shortcut variations: Env, Osc & Amp, Modulation, Sequencer 1 and Sequencer 2. Depending on selected variation, the faders and controls are mapped to the corresponding sections in Thor. Numpad 1-2 control the front panel buttons 1-2. Numpad 3 controls Keyboard Mode, numpad 5 controls step sequencer run and numpad 8 controls delay on/off. Knobs C9 and C10 control Rotaries 1 and 2 on the Thor panel.

D Subtractor

This is mapped as on the Subtractor overlay, with the following exceptions: Numpad 1 is mapped to Filter Env Invert (Osc 2 on/off is not mapped). Numpad 8 is mapped to Filter2 On/Off.

D Malström

This is mapped as on the Malström overlay, but the numpad and transport button mapping is changed. The following parameters are controlled by the numpad buttons: Numpad 1: Filter B On/Off Numpad 2: Filter B Env Numpad 3: Filter A On/Off Numpad 5: Filter A Env Numpad 8: Modulator A On/Off

D Redrum

There are two keyboard shortcut variations, controlling drum 1-8 and drum 9-10, respectively. The faders and knobs are mapped according to the Redrum overlay.

On the numpad, button 1 controls the Pattern Enable switch, button 2 steps through pattern 1-8 within the current bank and button 3 selects bank.

D BV-512 Vocoder

The faders control the band levels. There are four keyboard shortcut variations, determining which vocoder bands should be controlled by the faders. Knobs C25-C31 control panel parameters and Numpad 1 controls Hold in all variations

D Matrix

On the numpad, button 1 controls the Pattern Enable switch, button 2 steps through pattern 1-8 within the current bank and button 3 selects bank.

D ReGroove

The faders control A1-A8 Groove amount. C9-C16 control A1-A8 Shuffle, C17-C24 control A1-A8 Slide and C25-C32 control A1-A8 Pre-Align. Knob C33 controls the Global Shuffle amount.

EVOLUTION

UC-33e

Requirements/Setting up:

• You must connect the UC-33e via USB or two-way MIDI.

• Record will automatically find the UC-33e if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences. If you add the UC-33e manually, you need to specify both MIDI Input and Output ports.

• When you add the UC-33e (manually or by using auto-detect), Record will upload custom settings, overwriting preset 2. After this is done, you need to select preset 2 on the UC-33e.

About the default mapping:

The UC-33e has the same mapping as the UC-33 (original version). See above.

X-Session

Requirements/Setting up:

• Record will automatically find the X-Session if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

• To use the X-Session with Record, you need to select preset 6 and make sure this isn't changed from the factory settings.

• If you have connected the keyboard via USB, Record will restore preset 6 to factory settings for you - however, note that you need to select preset 6 manually after this is done.

• You can also restore your X-Session manually by holding down the + and - buttons when you turn the keyboard on - note that this restores all presets to factory settings, deleting any changes you have made.

About the default mapping:

D The X-fader is used for Master Level control.

D On the keypad, buttons 4 and 7 are used for Target Previous/Next Track.

D Buttons 6 and 9 are used for Select Previous/Next Patch, where applicable.

D For effect devices, button 0 controls the Bypass/On/Off state.

D When controlling devices with many parameters, keyboard shortcut variations are used.

D Main Mixer Channel

There are three keyboard shortcut variations. In all variations the X-Fader controls Channel Level. In variation 1, the knobs control EQ and Fader Section parameters. In variation 2, the knobs control Insert FX and Dynamics parameters. In variation 3, the knobs control Send FX1-8 On/Off and Levels.

D Main Mixer Master Section

There are three keyboard shortcut variations. In all variations the X-Fader controls Master Level. Keypad 1 and 3 select Previous 8 and Next 8 Remote BAse Channel. Keypad 2, 5 and 8 control All Mutes Off, All Solo Off and Dim -20 dB respectively. In variation 1, the knobs control Levels and Pan for channels 1-8. In variation 2, the knobs control Insert FX and Dynamics parameters. In variation 3, the knobs control Send FX1-8 Return Levels and Mutes.

EVOLUTION

D Mixer 14:2

There are six keyboard shortcut variations. In variations 1-2 knobs 1-14 control the channel 1-14 levels and pans respectively. In variation 3, knobs 1-7 control the channel 1-7 levels and knobs 9-15 control the channel 1-7 pans. In variation 4, knobs 1-7 control the channel 8-14 levels and knobs 9-15 control the channel 8-14 pans. In the two last variations knobs 1-14 control the Aux 1 and 2 sends respectively. Knob 15 controls the Aux 1 and 2 returns.

D Mixer 6:2

There are two variations. In the two variations knobs 9-14 control pans and Aux sends respectively. Knobs 1-6 control the levels, knob 8 controls Aux Return level and keypad 1 controls Aux Pre/Post in both variations.

D Thor

There are five keyboard shortcut variations: Filters, Osc & Amp, Modulation, Sequencer 1 and Sequencer 2. Depending on selected variation, the knobs are mapped to the corresponding sections in Thor. Keypads 1-2 control the front panel buttons 1-2. Keypad 3 controls Portamento Mode, keypad 4 controls Keyboard Mode, keypad 5 controls Global Env Gate Trig, keypad 7 controls step sequencer run and keypad 8 controls Chorus on/off. Knobs 1 and 2 control Rotaries 1 and 2 on the Thor panel.

D Subtractor

There are two keyboard shortcut variations: Filters & Env and Osc. Depending on selected variation, the knobs are mapped to the corresponding sections in the Subtractor. Keypads 5 and 8 control the LFO1 and 2 destinations respectively. Keypad 0 controls the Mod Env destination.

D Malström

There are two keyboard shortcut variations: Oscillators and Filter & Mod. Depending on selected variation, the knobs are mapped to the corresponding sections in Malström. Keypads 8 and 0 control the Modulator 1 and 2 on/ off respectively. Keypad 1-2 control Osc A & B on/off and Filter A & B on/off in the respective variations.

D Redrum

There are two keyboard shortcut variations: Level & Pan 1-8 and Pitch. In the Level & Pan variation knobs 1-8 control the channel 1-8 levels and knobs 9-16 control the channel 1-8 pans. In the second variation knobs 1-10 control the channel 1-10 pitches.

D BV-512 Vocoder

There are three keyboard shortcut variations: Basic, Band 1-16 and Band 17-32. In the basic variation the knobs control the panel parameters. In variation 2-3 the knobs control the band levels. Keypad 0-2 control switch parameters.

D Matrix

The keypads control the pattern and bank select functions.

D ReGroove

There are two keyboard shortcut variations. In both variations Knobs 1-8 control the A1-A8 Groove amount and the X-fader controls the Global Shuffle amount. In the first variation, knobs 9-16 control the A1-A8 Shuffle and in the second variation knobs 9-16 control the A1-A8 Slide.

EVOLUTION

Frontier Design

AlphaTrack

About the default mapping:

D The transport controls are mapped to the corresponding transport functions in Record.

The Track L&R buttons select Previous and Next track in the track list. Slide your finger on the touch strip (“ribbon controller”) to move the song position in desired direction. Tap on the left/right part of the touch strip and then slide with the finger to move the Left/Right Locator position. Tap in the center to move the song position instead. Press the Flip button to Undo previous operations.

If you press the Shift button, the following additional parameter can be controlled: Rewind button=Goto Left Locator FastForward button=Goto Right Locator Play button=Click On/Off Record button=Enable Automation Recording for selected track Loop button=Reset Automation Override Flip button=New Alt

D ID8

There are two modes: Shift Button Up (regular) and Shift Button Down (button lit). In both modes, the Fader controls the Volume and Encoder 1 and 3 control the Parameter 1 and 2 levels. In Shift Button Up mode, the F1 and F2 buttons select Previous and Next Category and the F3 and F4 buttons select Previous and Next Preset. In Shift Button Down mode, the F1-F4 buttons select Sound A-D.

D Line6 Amps

There are two modes: Shift Button Up (regular) and Shift Button Down (button lit). Press the EQ button to access the EQ parameters of the Line 6 Amps. Press F1 and F2 to select Previous and Next Amp model and F4-F5 to select Previous and Next Cab model. The Fader controls the Wah Pedal (Guitar Amp) or Comp Thres (Bass Amp). When the Shift button is active (lit), the Rec button (next to the Fader) controls the On/Off/Bypass switch, the Track L&R buttons select Previous and Next Patch and the F1 button switches the Wah (Guitar Amp)/Compressor (Bass Amp) on/off. In Shift mode, the Fader controls the Volume Pedal on the Guitar Amp.

D Main Mixer Channel

The Fader controls the Level. The Mute and Solo buttons control the corresponding functions on the mixer channel. You access parameters of the different sections by pressing the Pan, Send, EQ, Plug-In and Auto buttons. The Send, EQ, Plug-In and Auto buttons can be pressed several times to access even more parameters in the corresponding section. The F1-F4 buttons control switch parameters in the selected section. If you press the Shift button you can access even more parameters for the encoders and F buttons.

D Main Mixer Master Section

There are two modes: “Master” and “Channel”. Master mode is the default and you switch to “Channel” mode by pressing the Shift button. The Fader controls the Level. The Mute and Solo buttons control the corresponding functions on the mixer channel in “Channel” mode. You access parameters of the different sections by pressing the Pan, Send, EQ, Plug-In and Auto buttons. The Send, EQ, Plug-In and Auto buttons can be pressed several times to access even more parameters in the corresponding section. The F1-F4 buttons control switch parameters in the selected section. In “Channel” mode (Shift button lit), the Track L&R buttons select Previous and Next Remote Base Channel.

For detailed descriptions about using the AlphaTrack with Reason 4 and Reason 4 devices, please check out: http://frontierdesign.com/download/pdf/AlphaTrack/Reason_v4_and_AlphaTrack.pdf

and http://frontierdesign.com/download/pdf/AlphaTrack/Reason_v4_Layout.pdf

FRONTIER DESIGN

TranzPort

Requirements/Setting up:

• To use the TranzPort with Record, you need to make sure the control surface is set to Native mode. Please see the TranzPort documentation for details.

• Record will automatically find the TranzPort if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences. If you add the TranzPort manually, you need to specify both MIDI Input and Output ports.

About the default mapping:

There is no default mapping for individual Record devices. Instead, by default the TranzPort is used for controlling transport and sequencer functions.

However, you can use Remote Overrides to map TranzPort controls to the desired device parameters if needed.

• The display shows the name of the target sequencer track in the current song (the track with master keyboard input). The lower part of the display shows a peak level meter (for outputs 1-2 on the audio hardware interface) along with the current song position.

• The Data Wheel moves the song position, in steps of one quarter note (or one 1/16th note, when Shift is pressed).

• The main transport buttons at the front of the device control the corresponding functions on Record's transport panel (Play, Stop, etc.).

The remaining controls have the following default mappings:

TranzPort Control

Next/Previous Track buttons Target next/previous track (move master keyboard input down/up in the track list)

Shift + Next/Previous Track Select next/previous patch for target track's device

Track Record button ("Rec") No default mapping

Track Mute button Unmute all tracks

Track Solo button Solo on/off for target track

Shift + Track Solo button Turn Solo off for all tracks

Undo button Undo

Shift + Undo button Redo

In/Out buttons Go to left/right locator

Punch button Reset Automation Override

Shift + Punch button Click on/off

Loop Button Loop on/off

Shift + Previous Marker button Decrease tempo 1 BPM

Shift + Next Marker button Increase tempo 1 BPM

Add Marker button Overdub/Replace mode

Shift + Add Marker button Quantize Notes During Recording on/off

Foot Switch No default mapping

Record Function CC

FRONTIER DESIGN

Kenton

Control Freak Original

Requirements/Setting up:

• To use the Control Freak with Record, you need to select program 36 and make sure this isn't changed from the factory default settings.

• You can reset the Control Freak to factory defaults - note that this restores all factory presets and removes any changes you have made. To reset, turn the unit on while pressing all four buttons in the lower row ("Shift", "Store", "<-" and "->"). The display will say "Updating Memory".

About the default mapping:

D For devices with patches, buttons 7 and 8 are used for Select Previous/Next Patch.

D When controlling devices with many parameters, keyboard shortcut variations are used.

D Main Mixer Channel

There are four keyboard shortcut variations. In the first variation the Faders and buttons 1-4 control the Insert FX parameters. In the second variation the Faders and buttons control EQ parameters In the third variation the Faders and buttons control Send FX parameters. In the fourth variation the Faders and buttons control Dynamic parameters.

D Main Mixer Master Section

There are three keyboard shortcut variations. In all variations Fader 8 controls Master Level and buttons 7-8 select Previous and Next Remote Base Channel. In the first variation Faders 1-6 and buttons 1-6 control levels and mutes for channels 1-6. In the second variation Faders 1-6 and buttons 1-6 control pan and solo for channels 1-6. In the third variation Faders 1-6 and buttons 1-6 control Send FX Return levels and FX Return mutes for channels 1-6.

D Mixer 14:2

There are four keyboard shortcut variations: Levels 1-7, Levels 8-14, Pans 1-7 and Pans 8-14. In the first two variations faders 1-7 control channels 1-7 and 8-14 levels respectively and buttons 1-7 control channels 1-7 and 814 mutes respectively. In the last two variations the faders control pans instead.

D Mixer 6:2

There are three keyboard shortcut variations: Levels, Pans and Sends. The faders control the corresponding channels in the three variations and the buttons control mute. Button 8 controls Aux Pre/Post.

D Thor

There are four keyboard shortcut variations: Filters, Env, Osc and Modulation. The faders control parameters in the respective group for each of the variations. The buttons control various switch parameters in Thor. Faders 1 and 2 control Rotaries 1 and 2 and buttons 1 and 2 control Buttons 1 and 2 on the Thor panel.

D Subtractor

There are four keyboard shortcut variations: Filters, Env, Osc 1 and Osc 2. The faders control parameters in the respective group for each of the variations. The buttons control various switch parameters in Subtractor.

D Malström

There are three keyboard shortcut variations: Osc A, Osc B and Filter. The faders control parameters in the respective group for each of the variations. The buttons control various switch parameters in Malström.

KENTON

D NN-19

There are three keyboard shortcut variations: Filter, Env & Osc and Mod. The faders control parameters in the respective group for each of the variations. The buttons control various switch parameters in NN-19.

D Dr. REX

There are three keyboard shortcut variations: Filter, Osc and Env. The faders control parameters in the respective group for each of the variations. The buttons control various switch parameters in Dr. Rex.

D Redrum

Only drums 1-8 can be controlled. There are three keyboard shortcut variations, in which the faders control levels, pans and pitch, respectively. The selected variation also determines the functions of the buttons: In the first variation, the buttons control the drum sound mutes, in the second, they select pattern in the current bank and in the third, buttons 1-4 selects bank while buttons 7 and 8 selects previous/next patch.

D MClass Equalizer

There are two keyboard shortcut variations. The buttons control various switch parameters.

D Scream 4 Distortion

There are two keyboard shortcut variations. The buttons control various switch parameters.

D BV-512 Vocoder

There are five keyboard shortcut variations: Basic, Band 1-8, Band 9-16, Band 17-24 and Band 25-32. In the basic variation the faders control the panel parameters. In variations 2-5 the faders control the band levels. Button 12 control switch parameters.

D Matrix

The eight buttons select pattern in the current bank.

D ReGroove

There are three keyboard shortcut variations. In variations 1 and 3 the buttons 1-8 control A1-A8 Pre-Align. In the first variation the Faders control A1-A8 Groove amount. In the second variation the Faders control A1-A8 Shuffle amount and the buttons control A1-A8 Global Shuffle On/Off. In the third variation the Faders control A1-A8 Slide amount.

KENTON

Control Freak Live

Requirements/Setting up:

• To use the Control Freak Live with Record, you need to select program 36 and make sure this isn't changed from the factory default settings.

• You can reset the Control Freak Live to factory defaults - note that this restores all factory presets and removes any changes you have made. To reset, turn the unit on while pressing all four buttons in the lower row ("Shift", "Store", "<-" and "->"). The display will say "Updating Memory".

About the controls:

Record makes use of the sixteen knobs and sixteen buttons. To use buttons 9-16, you need to hold down the button labeled BUTTONS 9-16 (this is the top right button under the display – F.Key 4).

About the default mapping:

D For devices with patches, buttons 15 and 16 are used for Select Previous/Next Patch.

D When controlling devices with many parameters, keyboard shortcut variations are used.

D Main Mixer Channel

There are three keyboard shortcut variations. In all variations Knobs 1-8 control EQ parameters. Button 9-10 and 13-14 control EQ buttons, Button 15 control Solo and Button 16 control Mute. In the first variation Knobs 9-12 control Insert FX rotaries. Knobs 13-14 control LPF and HPF frequencies. Knobs 15 and 16 control Pan and Master Level. Buttons 1-4 control Insert FX buttons 1-4. Buttons 5-6 controls Insert FX Bypass and Pre. Buttons 7-8 select Previous and Next Insert FX Patch. In the second variation, Knobs 9-16 control the FX1-FX8 Send Levels and Buttons 1-8 control FX Sends On/Off. In the third variation Knobs 9-16 and Buttons 1-8 control Dynamics parameters.

D Main Mixer Master Section

There are three keyboard shortcut variations. In all variations Knobs 1-8 control Channel Levels and Buttons 9-12 control the Master Insert buttons. Buttons 13 and 14 control All Solo Off and All Mutes Off. Buttons 15-16 selects Previous and Next 8 Remote Base Channel. In the first variation Buttons 1-8 control Channel Mutes and Knobs 9-12 control the Master Insert buttons. Knob 16 controls Master Level. In the second variation Knobs 9-16 control Pan and Buttons 1-8 control Solo. In the third variation Knobs 9-16 control FX1-FX8 Return Levels and Buttons 1-8 control FX1-FX8 Mutes.

D Mixer 14:2

There are four keyboard shortcut variations: Levels, Pans, Send 1 and Send 2. In the different variations the knobs control the respective function for the corresponding channel. The buttons control mutes in all variations.

D Mixer 6:2

There are two keyboard shortcut variations: Pans and Sends. Knobs 1-6 control the levels, knob 15 controls Aux Return and knob 16 Master Level, in both variations. Knobs 8-13 control the pans and sends in the different variations. Buttons 1-6 control mute and buttons 8-13 control mute and solo respectively. Button 14 controls Aux Pre/Post.

D Thor

There are three keyboard shortcut variations: Filters, Osc & Amp and Modulation. The knobs control parameters in the respective group for each of the variations. The buttons control various switch parameters in Thor. Knobs 1 and 2 control Rotaries 1 and 2 and buttons 1 and 2 control Buttons 1 and 2 on the Thor panel

D Subtractor

There are two keyboard shortcut variations: Filters & Env and Osc. The knobs control parameters in the respective group for each of the variations. The buttons control various switch parameters in Subtractor.

KENTON

D Malström

There are two keyboard shortcut variations: Osc and Filters. The knobs and buttons control parameters in the respective group for each of the variations.

D NN-19

There are two keyboard shortcut variations: Filter & Env and Mod. The knobs control parameters in the respective group for each of the variations. The buttons control various switch parameters in NN-19.

D Dr. REX

There are two keyboard shortcut variations: Filter & Env and Osc. The knobs control parameters in the respective group for each of the variations. The buttons control various switch parameters in Dr. Rex.

D Redrum

There are three keyboard shortcut variations, in which the knobs control levels, pans and pitch, respectively. The selected variation also determines the functions of the buttons: In the first variation, the buttons select pattern and bank, in the second, they control the drum sound mutes and in the third, the buttons are used for auditioning the drum sounds.

D BV-512 Vocoder

There are three keyboard shortcut variations: Basic, Band 1-16 and Band 17-32. In the basic variation the knobs control the panel parameters. In variations 2-3 the knobs control the band levels. Button 1-2 control switch parameters.

D Matrix

Buttons 1-8 select pattern in the current bank, while buttons 9-12 select bank.

D ReGroove Mixer

There are two keyboard shortcut variations. In both variations Knobs 1-8 control A1-A8 Groove amount, buttons 1-8 control Global Shuffle On/Off and buttons 9-16 control A1-A8 Pre-Align. In the first variation Knobs 9-16 control A1-A8 Shuffle amount. In the second variation Knobs 9-16 control A1-A8 Slide.

KENTON

Control Freak Studio Edition

Requirements/Setting up:

• To use the Control Freak SE with Record, you need to select program 36 and make sure this isn't changed from the factory default settings.

• You can reset the Control Freak SE to factory defaults - note that this restores all factory presets and removes any changes you have made. To reset, turn the unit on while pressing all four buttons in the lower row ("Shift", "Store", "<-" and "->"). The display will say "Updating Memory".

About the default mapping:

D For devices with patches, buttons 15 and 16 are used for Select Previous/Next Patch.

D When controlling devices with many parameters, keyboard shortcut variations are used.

D The Record device mapping is identical to Control Freak Live

Spin Doctor

Requirements/Setting up:

• To use the Spin Doctor with Record, you must select program 0 and make sure this isn't changed from the factory default settings.

To select program 0, turn the Data Entry knob until the display says "Pr 0".

• You can reset Spin Doctor to factory defaults - note that this restores all factory presets and removes any changes you have made. To reset, turn the unit on while holding down the EDIT button and the F.KEY button.

About the default mapping:

D The default mapping uses keyboard shortcut variations for devices with many parameters.

D The Record device mapping is similar to Control Freak Live except that the Spin Doctor lacks buttons.

KENTON

Keyfax

Phatboy

Requirements/Setting up:

• To use the Phatboy with Record, just make sure the switch on the back is set to position III.

About the default mapping:

• The default mapping uses keyboard shortcut variations for devices with many parameters.

D Main Mixer Channel

Knobs 1-4 control the Insert FX rotaries and Knobs 8-11 control the Insert FX buttons. Knob 5 controls Input Gain, Knob 6 controls Pan and Knob 7 control Width. Knob 12 controls Insert FX Bypass and Knob 13 controls Level.

D Main Mixer Master Section

Knob 7 controls Master Level and Knobs 8-13 control Channel Levels (1-6). Knobs 1-6 control Channel 1-6 Pan.

D Mixer 14:2

There are three keyboard shortcut variations: Levels 1-13, Pans 1-13 and Send 1-13. In the first variations the knobs control the corresponding function for the respective channel.

D Mixer 6:2

There are two keyboard shortcut variations: Levels & Pans and Sends. In the first variation knobs 1-6 control level, knob 7 master level and knobs 8-13 control pans. In the second variation knobs 1-6 control Aux Send. Knob 7 controls Aux Return and knob 8 controls Aux Pre/Post.

D Thor

There are four keyboard shortcut variations: Filters, Env, Osc & Amp and Modulation. The knobs control parameters in the respective group for each of the variations. Knobs 1 and 2 control Buttons 1 and 2 and knobs 2 and 3 control Rotaries 1 and 2 on the Thor panel.

D Subtractor

There are two keyboard shortcut variations: Filters and Amp & Osc. The knobs control parameters in the respective group for each of the variations.

D Malström

There are three keyboard shortcut variations: Osc A, Osc B and Filter. The knobs control parameters in the respective group for each of the variations.

D Redrum

There are three keyboard shortcut variations, in which the faders control levels, pans and pitch, respectively.

D BV-512 Vocoder

There are four keyboard shortcut variations: Basic, Band 1-13, Band 14-26, and Band 27-32. In the basic variation the knobs control the panel parameters. In variations 2-4 the knobs control the band levels.

D ReGroove Mixer

There are two keyboard shortcut variations. In both variations Knobs 1-6 control A1-A6 Groove Amount and Knob 7 controls Global Shuffle Amount. In the first variation Knobs 8-13 control A1-A6 Shuffle and in the second variation they control the Slide Amount.

KEYFAX

Korg

KONTROL49

Requirements/Setting up:

• The KONTROL49 can be connected via USB or standard MIDI connectors.

• If connected via USB, you need to make sure that both the MIDI In ports are properly selected (one for the keyboard and one for the controls).

• If connected via MIDI, you only need to select the "Controls MIDI In Port" - make sure the "Keyboard MIDI In Port" is set to "Not selected".

• Record will automatically find the KONTROL49 if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences (a two-way MIDI or USB connection is needed).

• When you add the KONTROL49 (manually or using auto-detect), it will automatically be set to a custom mode for use with Record.

About the controls:

Record makes use of all encoders, sliders, pads and buttons except for the octave shift buttons. The program will also control the displays on the KONTROL49, showing parameter names and values.

About the default mapping:

D The main LCD display shows the name of the device currently controlled by the KONTROL49.

D The "Setting" and "Scene" buttons are used for Target Previous/Next Track (move the master keyboard input

up or down in the track list).

D For devices with patches, the "Message" and "Exit" buttons select the previous/next patch.

D The joystick is not mapped to any parameters by default, but you can assign it to any items in Record by using

Remote Overrides.

There are two separate control surface items for the joystick; X-axis and Y-axis.

D The “Hex Lock” and “Enter” buttons are mapped to Stop and Play on the Record transport panel, by default.

D The main encoder is mapped to master level, where applicable.

D For many devices, the pads are simply mapped to buttons on the device.

D Main Mixer Channel

The “SW1” and “SW2” buttons determine whether the encoders and Pad buttons should control EQ, Insert FX, Send FX or Dynamics parameters. Regardless of selected mode, the sliders always control EQ parameters.

D Main Mixer Master Section

The “SW1” and “SW2” buttons determine whether the encoders and Pad buttons should control Channels, Master Insert FX + Compressor or Send FX Returns. Regardless of selected mode, the sliders always control Channel Levels. The Main Encoder always control Master Level. The “Message” and “Exit” buttons select Previous or Next 8 Remote Base Channel.

D Mixer 14:2

The "SW1" and "SW2" buttons determine which mixer channels are controlled (1-8 or 9-14). Pad buttons 13-16 select variations, determining what should be controlled by the encoders (pan, send1, send2 or send3). The upper pad buttons serve as mute buttons.

D Line Mixer 6:2

The "SW1" and "SW2" buttons determine whether the encoders should control pan or sends.

KORG

D Thor

The “SW1” and “SW2” buttons determine whether the encoders, sliders and pad buttons should control Filters, Osc & Amp, Modulation, Sequencer 1 or Sequencer 2 parameters. Encoders 1 and 2 control Rotaries 1 and 2 and Pad buttons 1 and 2 control Buttons 1 and 2 on the Thor panel.

D Subtractor

The "SW1" and "SW2" buttons select variations (Filter & Amp, Osc or Mod) for the encoders, sliders and pad buttons.

D Malström

The "SW1" and "SW2" buttons select variations (Filter, Osc/Mod A or Osc/Mod B) for the encoders, sliders and pad buttons.

D NN-XT

You can use the pad buttons to play the sampler. They are mapped chromatically from C2 up.

D Redrum

Only drum sounds 1-8 can be controlled.

The "SW1" and "SW2" buttons select variations. There are four variations: Pitch/Play, Length/Play, Pitch/Pattern and Length/Pattern. In the "Pitch" variations, the encoders control the pitch of the drum sounds; in the "Length" variations they control the length. In the "Play" variations, you can play the drum sounds with the pads. In the "Pattern" variations, the pads are used for selecting pattern and bank. The sliders always control the levels.

D BV-512 Vocoder

The sliders control the band levels - use the "SW1" and "SW2" buttons to select which vocoder bands to control.

D Matrix

Pad buttons 1-8 select pattern, pad button 9 controls the Run button, pad button 12 controls the Pattern Enable switch and pad buttons 13-16 select bank.

D ReGroove

The “SW1” and “SW2” buttons determine whether the encoders and Pad buttons should control Shuffle or Slide. Sliders always control A1-A8 Groove Amount. The Main Encoder always controls Global Shuffle.

KORG

MicroKONTROL

Requirements/Setting up:

• The MicroKONTROL can be connected via USB or standard MIDI connectors.

• If connected via USB, you need to make sure that both the MIDI In ports are properly selected (one for the keyboard and one for the controls).

• If connected via MIDI, you only need to select the "Controls MIDI In Port" - make sure the "Keyboard MIDI In Port" is set to "Not selected".

• Record will automatically find the MicroKONTROL if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences (a two-way MIDI or USB connection is needed).

• When you add the MicroKONTROL (manually or using auto-detect), it will automatically be set to a custom mode for use with Record.

About the controls:

Record makes use of all encoders, sliders, pads and buttons except for the octave shift buttons. The program will also control the displays on the MicroKONTROL, showing parameter names and values.

About the default mapping:

D The main LCD display shows the name of the device currently controlled by the MicroKONTROL.

D The "Setting" and "Scene" buttons are used for Target Previous/Next Track (move the master keyboard input

up or down in the track list).

D For devices with patches, the "Message" and "Exit" buttons select the previous/next patch.

D The joystick serves as pitch bend (horizontally), mod wheel (up), breath controller (down) and channel pres-

sure (joystick button).

Whether a Record device responds to breath control or channel pressure depends on its settings.

D The main encoder is mapped to master level, where applicable.

D For many devices, the pads are simply mapped to buttons on the device.

D Main Mixer Channel

The "Hex Lock" and "Enter" buttons determine whether the encoders and pad buttons control EQ, Insert FX, FX Sends or Dynamics. Regardless of mode, the sliders always control EQ parameters.

D Main Mixer Master Section

The "Hex Lock" and "Enter" buttons determine whether the encoders and Pad buttons should control Channels, Master Insert FX + Compressor or Send FX Returns. Regardless of selected mode, the sliders always control Channel Levels. The Main Encoder always control Master Level. The “Message” and “Exit” buttons select Previous or Next 8 Remote Base Channel.

D Mixer 14:2

The "Hex Lock" and "Enter" buttons determine which mixer channels are controlled (1-8 or 9-14).

Pad buttons 13-16 select variations, determining what should be controlled by the encoders (pan, send1, send2 or send3). The upper pad buttons serve as mute buttons.

D Line Mixer 6:2

The "Hex Lock" and "Enter" buttons determine whether the encoders should control pan or sends.

KORG

D Thor

The "Hex Lock" and "Enter" buttons select variations (Filters Osc & Amp, Modulation, Sequencer 1 or Sequencer

2) for the encoders, sliders and pad buttons. Encoders 1 and 2 control Rotaries 1 and 2 and Pad buttons 1 and 2 control Buttons 1 and 2 on the Thor panel.

D Subtractor

The "Hex Lock" and "Enter" buttons select variations (Filter & Amp, Osc or Mod) for the encoders, sliders and pad buttons.

D Malström

The "Hex Lock" and "Enter" buttons select variations (Filter, Osc/Mod A or Osc/Mod B) for the encoders, sliders and pad buttons.

D NN-XT

You can use the pad buttons to play the sampler. They are mapped chromatically from C2 up.

D Redrum

Only drum sounds 1-8 can be controlled.

The "Hex Lock" and "Enter" buttons select variations. There are four variations: Pitch/Play, Length/Play, Pitch/ Pattern and Length/Pattern. In the "Pitch" variations, the encoders control the pitch of the drum sounds; in the "Length" variations they control the length. In the "Play" variations, you can play the drum sounds with the pads. In the "Pattern" variations, the pads are used for selecting pattern and bank. The sliders always control the levels.

D BV-512 Vocoder

The sliders control the band levels - use the "Hex Lock" and "Enter" buttons to select which vocoder bands to control.

D Matrix

Pad buttons 1-8 select pattern, pad button 9 controls the Run button, pad button 12 controls the Pattern Enable switch and pad buttons 13-16 select bank.

D ReGroove

The "Hex Lock" and "Enter" buttons determine whether the encoders and Pad buttons should control Shuffle or Slide. Sliders always control A1-A8 Groove Amount. The Main Encoder always controls Global Shuffle.

KORG

NanoKONTROL

Requirements/Setting up:

• The NanoKONTROL can be connected via USB.

• Record will automatically find the NanoKONTROL if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

• To use the NanoKONTROL with Record, make sure Scene 1 is selected on the NanoKONTROL.

About the controls:

Record makes use of all knobs, sliders and buttons. The buttons are arranged in two rows of nine buttons each. The upper row of buttons are named U1-U9 and the lower L1-L9.

About the default mapping:

D The transport buttons to the left on the NanoKONTROL control the corresponding functions on Record's trans-

port panel (Play, Stop, etc.).

If Master Keyboard Input is set to the Transport Track, the following is also available using the Buttons: L1=Goto Left Locator, L2=Goto Right Locator, L3=Go back one bar, L4=move forward one bar, L5=Tempo BPM down, L6=Tempo BPM up, L7=Reset Automation Override, L8=Quantize During Rec, U9=Click On/Off and L9= Precount On/Off. Slider 9 controls Click Level.

D For devices with patches, the U9 and L9 buttons select the previous/next patch.

D Slider 9 is mapped to master level, where applicable.

D Main Mixer Channel

There are three keyboard shortcut variations. Regardless of variation, Sliders 1-8 always control EQ parameters and Slider 9 controls Level. Also, Knob 9 controls Pan and Buttons U9 and L9 control Mute and Solo. In the first variation the Knobs and Buttons control Insert FX and EQ parameters. In the second variation the Knobs and Buttons control Send FX1-FX8 parameters. In the third variation the Knobs and buttons control Dynamics parameters.

D Main Mixer Master Section

There are three keyboard shortcut variations. Regardless of variation, Sliders 1-8 always control Channel Levels and Slider 9 controls Master Level. In the first variation the Knobs and Buttons control Pan, Mute and Solo. In the second variation the Knobs and Buttons control Master Insert and Compressor parameters. In the third variation the Knobs and buttons control the FX1-FX8 Return parameters

D Combinator

Knobs 1-4 control rotaries 1-4 and Buttons U1-U4 control buttons 1-4. Button L1 controls “On/Off/Bypass”, L2 controls “Bypass All FX” and L8 controls “Run Pattern Devices”.

D Mixer 14:2

There are two keyboard shortcut variations for controlling channels 1-8 and 9-14. The Sliders control Level, the Knobs control Pan, the U buttons control Mute and the L buttons control Solo for the respective variations. Slider 9 always controls Master Level and Knob 9 always controls Aux 1 Return Level.

D Line Mixer 6:2

There are two keyboard shortcut variations for controlling channels 1-6 Pan and Aux Send. Regardless of variation Sliders 1-6 control Level, buttons U1-U6 control Mute and buttons L1-L6 control Solo. Slider 9 always controls Master Level and Knob 8 always controls Aux 1 Return Level. Button U8 selects Aux Pre/Post.

KORG

D Subtractor

There are two keyboard shortcut variations for controlling Filter and Osc&Mod parameters. Regardless of variation Buttons U1-U8 and L1-L8 control Filter, Osc, Env and LFO switches.

D Thor

There are four keyboard shortcut variations for controlling Filter, Osc&Mod, Step Sequencer 1-8 and 9-16 parameters. Regardless of variation Knob 1 and 2 control Rotary 1 and 2, Buttons U1 and U2 control Buttons 1 and 2 and Buttons L1-L4 control Ky Mode, Portamento Mode, Chorus On/Off and Delay On/Off. Slider 9 controls Master Volume. Knob 9 controls Step Sequencer rate and Buttons L5-L8 control Sequencer Octave Range, Run Mode, Sync Mode and Run.

D Malström

There are two keyboard shortcut variations for controlling Filter and Osc parameters. Regardless of variation Buttons U1-U8 and L1-L8 control Modulator, Shaper and Filter switches.

D Redrum

There are two keyboard shortcut variations for controlling Ch1-8 and Ch9-10. The Knobs control Pitch and the Sliders control Level. Regardless of variation, the U1-U8 Buttons select Pattern 1-8 and the L1-L4 Buttons select Bank A-D. L7 controls Pattern Enable and L8 controls Run.

D BV-512 Vocoder

There are four keyboard shortcut variations for controlling Band1-8, 9-16, 17-24 and 25-32. The Sliders control Band Levels in the respective variations. Regardless of variation Knob 1-6 control Band Count, Attack, Decay, Shift, HF Emphasis and Dry/Wet. Button U1 controls “Vocoder/Equalizer” and U2 controls “Hold”. Button L1 controls “On/Bypass/Off”.

D Matrix

Buttons U1-U8 select pattern 1-8. Buttons L1-L4 select Bank A-D. Button L7 controls the Pattern Enable switch and Buttons L8 controls “Run”.

D ReGroove

There are two keyboard shortcut variations for controlling Shuffle or Slide. Sliders 1-8 always control A1-A8 Groove Amount. Knob 9 always controls Global Shuffle.

KORG

NanoKEY

Requirements/Setting up:

• The NanoKEY can be connected via USB.

• Record will automatically find the NanoKEY if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

• To use the NanoKEY with Record, make sure Scene 1 is selected on the NanoKEY.

About the controls:

Record makes use of all keys and buttons.

About the default mapping:

D The “Pitch Up” and “Pitch Down” buttons on the NanoKEY are mapped to the Pitch Bend control on applicable

devices.

D The “Mod” button on the NanoKEY is mapped to the ModWheel control on applicable devices.

KORG

NanoPAD

123456

789101112

D#2 C3 A2 G2 D#3 C#3

C2 D2 E2 F#2 G#2 A#2

123456

789101112

Handclap Hi Tom Mid Tom Lo Tom

Ride Cymbal

Crash Cymbal

Kick Snare 1 Snare 2

Closed Hi-hat 1

Closed Hi-hat 2

Open Hi-hat

Requirements/Setting up:

• The NanoPAD can be connected via USB.

• Record will automatically find the NanoPAD if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

• To use the NanoPAD with Record, make sure Scene 1 is selected on the NanoPAD.

About the controls:

Record makes use of all keys and buttons.

About the default mapping:

D In the “Scene 1” mode, the pads are mapped to the following MIDI Note Numbers:

The “Scene 1” mode can be used when playing the Drum Kits on the ID8 Instrument, for example. In the ID8 Drum scenario the pads control the following drum sounds:

! To control the drum channels of the Redrum we recommend that you create a special “Scene” using the Korg

KONTROL Editor. In this case you will need to map the pads chromatically starting from MIDI Note C2.

D The X-direction on the touchpad is mapped to the ModWheel control on applicable devices.

D The Y-direction on the touchpad is mapped to the Pitch Bend control on applicable devices.

KORG

Line 6

TonePort KB37

Requirements/Setting up:

• The TonePort KB37 must be set to the ‘Reason 3’ preset in order to work properly with Record’s ReMote codec. You can select this preset in the Line 6 Audio-MIDI Devices console’s MIDI Settings.

About the default mapping:

D Since the TonePort KB37 has only 4 assignable knobs and 4 assignable buttons, most of the Record devices

use keyboard shortcut variations to map the controls.

D The KB37 transport controls are mapped to the transport controls of the Record sequencer.

D For devices that feature Patch Select, the Patch dec button selects next patch for target device and the Patch

inc button selects previous patch.

D The KB37 performance controllers (Mod Wheel, Pitch Bend etc.) control the corresponding parameters in the

Record target device.

D Main Mixer Channel

There are five keyboard shortcut variations. In these variations the knobs and buttons control parameters for the Fader section + Input, EQ, Insert FX, Send FX and Dynamics respectively.

D Main Mixer Master Section

There are two keyboard shortcut variations for controlling Level and Mute parameters and Pan and Solo parameters for 4 channels at a time. The Patch dec. and Patch Inc. buttons select Previous and Next Remote BAse Channel.

D Mixer 14:2

There are ten keyboard shortcut variations: five for Levels and five for Pans. Knob 4 controls Master Level and the buttons control Solo in all variations.

D Mixer 6:2

There are four keyboard shortcut variations: two for Levels and two for Pans. Knob 4 controls Master Level and the buttons control Solo in all variations.

D Thor

There are two keyboard shortcut variations. In the first variation knobs 1 and 2 control Rotaries 1 and 2 and buttons 1 and 2 control Buttons 1 and 2 on the Thor panel.

D Subtractor

There are six keyboard shortcut variations: Filters & LFO 1, Filter & LFO 2, Env 1, Env 2, Osc 1 and Osc 2. The knobs and buttons control parameters in the respective group for each of the variations.

D Malström

There are six keyboard shortcut variations: Filter, Osc A, Osc B, Filter 2, Osc A 2 and Osc B 2. The knobs control parameters in the respective group for each of the variations. The buttons control Modulator A and B on/off and Osc A and B on/off.

D NN-19

There are four keyboard shortcut variations: Filter, Filter 2, Env & Osc and Env & Osc 2. The knobs control parameters in the respective group for each of the variations. The buttons control various switch parameters in NN-19.

D NN-XT

There are two keyboard shortcut variations. Only the knobs are assigned to parameters in the respective variation.

LINE 6

D Dr. REX

There are four keyboard shortcut variations: Filter & Osc, Filter & Osc 2, Env 1 and Env 2. The knobs control parameters in the respective group for each of the variations. The buttons control various switch parameters in Dr. Rex.

D Redrum

There are six keyboard shortcut variations, in which the knobs control levels, pans and pitch, respectively for drum channels 1-8. The buttons control Mute in all variations.

D MClass Equalizer

There are four keyboard shortcut variations: Lo Shelf, Param 1, Param 2 and Hi Shelf. The knobs control parameters in the respective group for each of the variations. The buttons control various switch parameters.

D MClass Compressor

There are two keyboard shortcut variations. The knobs control parameters in the respective variation. The buttons control various switch parameters.

D Scream 4 Distortion

There are three keyboard shortcut variations: Damage & Cut, Damage & Cut 2 and Body. The knobs control parameters in the respective group for each of the variations. The buttons control various switch parameters.

D BV-512 Vocoder

There are nine keyboard shortcut variations: Basic and eight Band variations. In the basic variation the knobs and buttons control the panel parameters. In variations 2-9 the knobs control the band levels.

D RPG-8

There are six keyboard shortcut variations. In variations 1-2 the buttons and knobs control various panel parameters and in variations 3-6 the buttons control pattern steps on/off.

D ReGroove Mixer

There are three keyboard shortcut variations for controlling Groove Amount, Shuffle and Slide+Pre-Align for ReGrove channels A1-A4.

LINE 6

M-Audio

Axiom 25

Requirements/Setting up:

• Record automatically detects the M-Audio Axiom 25 control surface.

• To use the Axiom 25 with Record, make sure preset 10 is selected.

About the controls:

Axiom 25 feature 8 assignable knobs, transport controls and 8 touchpads.

About the default mapping:

D The transport buttons control the corresponding transport functions in Record.

D Main Mixer Channel

There are three keyboards shortcut variations for controlling Insert FX, EQ and Send FX Level parameters.

D Main Mixer Master Section

There are two keyboard shortcut variations for controlling Levels and Pans of channels 1-8 respectively.

D Mixer 14:2

There are eight keyboard shortcut variations, for controlling channels 1-7 or 8-14, respectively. The knobs control channel levels/pan/Aux1/Aux2 depending on selected variation. Knob 8 controls the master level in the levels/ pan variations and the Aux 1/2 Return levels in the Aux variations.

D Line Mixer 6:2

The knobs control levels, pans or aux sends depending on the selected variation. Knob 8 always controls the master level and knob 7 controls the Aux Return level.

D Subtractor

There are seven variations, Env & Filter 1, Filter, Osc 1, Osc 2, LFO 2 & Noise,. Modulation and Velocity. The knobs control parameters in the respective parameter groups for each of the variations.

D Thor

There are eight variations, Globals, Osc 1&2, Osc 3, Filter 1, Filter 2, LFO & Mod, Amp, Delay & Chorus and Env & LFO 2. The knobs control parameters in the respective parameter groups for each of the variations. Knob 6 and 7 in the Globals variation control Rotaries 1 & 2 on the Thor panel.

D Malström

There are nine variations, Filter B, Filter A, Osc B, Osc A, Osc B Env & Shaper, Osc A Env & Shaper, Mod B, Mod A and Velocity. The knobs control parameters in the respective parameter groups for each of the variations.

D NN-19

There are two variations, LFO & Env and Filter. The knobs control parameters in the respective parameter groups for each of the variations.

D Dr. REX

There are three variations, Amp & LFO, Filter and Osc. The knobs control parameters in the respective parameter groups for each of the variations. In the Osc variation knob 5 controls master level and knob 8 selects loops (patches).

M-AUDIO

D Redrum

There are eight variations, Levels, Pans, Pitch, Length, Send 1, Send 2, Pattern and Bank. The knobs control the drum channel 1-8 levels/pans/pitches/lengths/Send 1 or Send 2 depending on selected variation. In the Pattern variation the knobs select the respective pattern and in the Bank variation, knobs 1-4 select Bank A-D.

D MClass Equalizer

There are two variations. In the first variation the knobs control Low Shelf and Para 1 parameters. In the second variation the knobs control Para 2 and Hi Shelf parameters.

D Scream 4 Distortion

There are two variations. In the first variation the knobs control the Damage and Cut parameters and in the second variation knobs 1-4 control the Body parameters.

D BV-512 Vocoder

Five variations are used. In the first variation the knobs control the main parameters. In the other variations the knobs control the levels of the selected vocoder bands.

D Matrix Pattern Sequencer

Two variations are used, Pattern and Bank. In the Pattern variation the knobs select the respective pattern and in the Bank variation, knobs 1-4 select Bank A-D.

D ReGroove Mixer

There are three keyboard shortcut variations for controlling Groove, Shuffle and Slide amounts for channels A1A8.

M-AUDIO

Axiom Pro 25

Requirements/Setting up:

• Record automatically detects the M-Audio Axiom Pro 25 control surface.

About the controls:

Axiom Pro 25 feature 8 assignable knobs, transport controls and 8 touchpads. It also features a number of Function buttons, F1-F4, that have different functionality depending on current target device. The F1 button is used to switch “Function Key group”, i.e. if F1 is not pressed the F2, F3 and F4 buttons works normally. If F1 is pressed, the other F buttons work as F6, F7 and F8 instead. Note that one and the same Soft Button may be pressed several times to access more parameters in the same group.

About the default mapping:

D The transport buttons control the corresponding transport functions in Record.

If the Transport Track is selected, press F6 and F7 to goto the Left and Right Locators and the Knobs to change Tempo, Position, Click On/Off, Click Level and to move the Loop Locators back or forth by 1 bar or 1 beat per decrement/increment.

D Button F2 selects previous sequencer track.

D Button F3 selects next sequencer track.

D Button F4 mutes the selected sequencer track and F5 Solos the selected track.

D Button F6 selects previous patch and F7 selects next patch in patch based target devices.

D Main Mixer Channel

Use the Soft Buttons to select which section of the channel strip to control from the Knobs.

D Main Mixer Master Section

Use the Soft Buttons to select which section of the Master Section strip to control, or what channels to control. Use the F6 and F7 buttons to select Previous and Next 8 Remote Base Channel.

D Mixer 14:2

F6 and F7 select channels 1-8 and 9-14. The Soft Buttons select if the Knobs should control Levels, Pans EQs or Aux parameters.

D Line Mixer 6:2

The Soft Buttons select if the Knobs should control Levels, Pans or Aux parameters. In the Level mode, Knob 8 controls the Master Level.

D Subtractor

The Soft Buttons select if the Knobs should control OSC, Filter, LFO or Env parameters.

D Thor

The Soft Buttons select if the Knobs should control Global, Synth (OSC, Filter, Mod (ENV&LFO), FX, Modulation Matrix or Arp (Step Sequencer) parameters.

D Malström

The Soft Buttons select if the Knobs should control OSC, Filter, Mod or Velocity Modulation parameters.

D NN19

The Soft Buttons select if the Knobs should control , OSC, Filter, LFO or Amp parameters.

D Dr.REX

The Soft Buttons select if the Knobs should control OSC, Filter, LFO or Amp parameters.

M-AUDIO

D Redrum

The Soft Buttons select if the Knobs should control Channel or Mixer (Send & Pan) parameters.

D Scream 4

The Soft Buttons select if the Knobs should control Damage, Body or EQ parameters.

D BV-512 Vocoder

The Soft Buttons select if the Knobs should control Bands 1-8, 9-16, 17-24 or 25-32.

D Matrix Pattern Sequencer

Soft Button 4 controls Start/Stop. Knob 1 selects Bank and Knob 2 selects Pattern. Knob 5 sets the Resolution.

D RPG-8 Arpeggiator

The Soft Buttons select if the Knobs should control Steps 1-8, or 9-16.

D ReGroove Mixer

The Soft Buttons select if the Buttons should control Groove, Slide, Shuffle or Patch parameters. Press F6 and F7 to switch between Regroove Channels A-D.

M-AUDIO

Axiom 49/61

Requirements/Setting up:

• Record automatically detects the M-Audio Axiom 49/61 control surfaces.

• To use the Axiom 49/61 with Record, make sure preset 10 is selected.

About the controls:

Axiom 49/61 feature 8 assignable knobs, 9 buttons, 9 faders, transport controls and 8 touchpads.

About the default mapping:

D The transport buttons control the corresponding transport functions in Record.

D Button 8 selects previous keyboard shortcut variation.

D Button 9 selects next keyboard shortcut variation.

D Knob 8 selects patch in devices that use patches.

D Button 6 selects previous sequencer track.

D Button 7 selects next sequencer track.

D The parameter mapping is identical between the 49 and 61 models.

D Main Mixer Channel

There are three keyboard shortcut variations where the knobs and buttons control parameters in the Insert FX section, the Send FX section and the Dynamics section respectively. Faders 1-8 always control EQ parameters and Fader 9 controls Level, regardless of variation.

D Main Mixer Master Section

There are three keyboard shortcut variations where the knobs and buttons control Pan for channels 1-8, Insert FX+Compressor parameters and Send FX return Levels+Mutes respectively. Faders 1-8 always control Levels for channels 1-8 and Fader 9 controls Master Level, regardless of variation.

D Mixer 14:2

There are six keyboard shortcut variations, for controlling channels 1-7 or 8-14, respectively. The sliders control channel levels in all variations, the knobs control pan/Aux1/Aux2 and the buttons control mute and solo.

Fader 9 always controls the master level and Knob 8 controls the Aux 1 Return level.

D Line Mixer 6:2

The sliders control the channel levels while the knobs control pan or aux sends, depending on the selected variation.

The buttons are mapped to mute and solo.

Fader 9 always controls the master level. Knob 7 controls Aux Return level and knob 8 controls Aux Pre/Post in the second variation.

D Subtractor

There are six variations. The faders control Amp Env, Filter Freq, Filter Res, LFO1 Rate and Amount and Master Level in all variations. The buttons and knobs control parameters in the respective parameter groups for each of the variations.

D Thor

There are eight variations. The faders control the Rotaries, Osc 1/Osc 2 Balance, Filter 3 Drive, Freq and Res, Delay and Chorus Dry/Wet and Master Level in all variations. Buttons 1 and 2 control Button 1 & 2 in all variations. The remaining buttons and knobs control parameters in the respective parameter groups for each of the variations.

M-AUDIO

D Malström

There are seven variations. The faders control Filter parameters and Master Level in all variations. Buttons 4 and 5 control Filter A and B Modes in all variations. The remaining buttons and knobs control parameters in the respective parameter groups for each of the variations.

D Redrum

There are five variations. The faders control channel 1-8 levels and Master Level in all variations and button 5 is mapped to the Run button.

The knobs control the channel 1-8 pans/pitches/lengths/Send 1 or Send 2 depending on selected variation. Buttons 1-4 selects Pattern 1-4, Pattern 5-8 or Bank A-D depending on selected variation.

D Effect devices - general

Only the knobs are assigned to parameters in effects devices. Several keyboard shortcut variations are used in effects with many parameters.

D BV-512 Vocoder

Five variations are used. In the first variation the knobs control the main parameters. In the other variations the knobs control the levels of the selected vocoder bands.

D Matrix Pattern Sequencer

Three variations are used. Button 5 is mapped to the Run button in all variations. Buttons 1-4 selects Pattern 1-4, Pattern 5-8 or Bank A-D depending on selected variation.

D ReGroove Mixer

There are two keyboard shortcut variations where the knobs and buttons control Shuffle and Slide parameters respectively. Regardless of variation, Faders 1-8 control A1-A8 Groove amount. Fader 9 controls Global Shuffle amount.

M-AUDIO

Axiom Pro 49/Pro 61

Requirements/Setting up:

• Record automatically detects the M-Audio Axiom Pro 49/Pro 61 control surfaces.

About the controls:

Axiom Pro 49/Pro 61 feature 8 assignable knobs, 9 buttons, 9 faders, transport controls and 8 touchpads. It also features a number of Function buttons, F1-F7, that have predefined functionality. Below the display there are also four “Soft Buttons” that have different functionality depending on current target device. Note that one and the same Soft Button may be pressed several times to access more parameters in the same group.

About the default mapping:

D The transport buttons control the corresponding transport functions in Record.

D Button F2 selects previous sequencer track.

D Button F3 selects next sequencer track.

D Button F4 mutes the selected sequencer track and F5 Solos the selected track.

D Button F6 selects previous patch and F7 selects next patch in patch based target devices.

D The parameter mapping is identical between the Pro 49 and Pro 61 models.

D Main Mixer Channel

Use the Soft Buttons to select which section of the channel strip to control. Depending on if Button 9 (S18) is on or off (lit or dark), you decide whether to control the parameters from the Faders+Buttons or from the Knobs.

D Main Mixer Master Section

Use the Soft Buttons to select which section of the Master Section strip to control. Faders 1-8 control the Level of the 8 channel strips starting with the Remote Base Channel and Fader 9 controls Master Level. The Buttons control Solo On/Off for the corresponding channel strips. Use the F6 and F7 buttons to select Previous and Next 8 Remote Base Channel.

D Combinator

If Button 9 (S18) is off (not lit), Knobs 1-4 control buttons 1-4 and Knobs 5-8 control the rotaries. If Button 9 is on (lit) Buttons 1-4 control buttons 1-4 and Knobs 1-4 control the rotaries. F6 and F7 select Previous and Next Patch.

D Mixer 14:2

F6 and F7 select channels 1-8 and 9-14. The Soft Buttons select if the Buttons and Knobs should control Pan EQ or Aux parameters. The Faders control the Levels and the Buttons control Mutes or Solo. Fader 9 always controls the Master Level.

D Line Mixer 6:2

The Soft Buttons select if the Buttons and Knobs should control Pan or Aux parameters. The Faders control the Levels and the Buttons control Mutes or Solo. Fader 9 always controls the Master Level.

D Subtractor

The Soft Buttons select if the Buttons and Knobs should control Global, OSC, Filter, LFO or Env parameters. Press Button 9 (S18) to control the parameters from the Faders instead of from the Knobs. Fader 9 always controls the Master Level.

M-AUDIO

D Thor

The Soft Buttons select if the Buttons and Knobs should control Synth (OSC, Filter, Mod (ENV&LFO), FX, Modulation Matrix or Arp (Step Sequencer) parameters. Press Button 9 (S18) to control the parameters from the Faders instead of from the Knobs. Fader 9 always controls the Master Level.

D Malström

The Soft Buttons select if the Buttons and Knobs should control Global, OSC, Filter, Mod or Velocity Modulation parameters. Press Button 9 (S18) to control the parameters from the Faders instead of from the Knobs. Fader 9 always controls the Master Level.

D NN19

The Soft Buttons select if the Buttons and Knobs should control Global, OSC, Filter, LFO or Amp parameters. Press Button 9 (S18) to control the parameters from the Faders instead of from the Knobs. Fader 9 always controls the Master Level.

D Dr.REX

D Redrum

The Soft Buttons select if the Buttons and Knobs should control Channel or Mixer (Send & Pan) parameters. Press Button 9 (S18) to control the parameters from the Faders instead of from the Knobs. Fader 9 always controls the Master Level. F6 and F7 select channels 1-8 and 8-10 respectively.

D Effect devices - general

Press Button 9 (S18) to control the parameters from the Faders instead of from the Knobs. Fader 9 always controls the Master Level. Some effect devices use the Soft Buttons to access more parameters.

D BV-512 Vocoder

The Soft Buttons select if the Knobs should control Bands 1-8, 9-16, 17-24 or 25-32. Press Button 9 (S18) to control the parameters from the Faders instead of from the Knobs. Fader 9 always controls the Master Level.

D Matrix Pattern Sequencer

Soft Button 4 controls Start/Stop. Knob 1 selects Bank and Knob 2 selects Pattern. Knob 5 sets the Resolution. Press Button 9 (S18) to control the parameters from the Faders instead of from the Knobs.

D RPG-8 Arpeggiator

The Soft Buttons select if the Knobs and Buttons should control Steps 1-8, or 9-16. Press Button 9 (S18) to control the parameters from the Faders instead of from the Knobs.

D ReGroove Mixer

The Soft Buttons select if the Knobs and Buttons should control Groove, Slide, Shuffle or Patch parameters. Press F6 and F7 to switch between Regroove Channels A-D.

M-AUDIO

Keystation Pro-88

Requirements/Setting up:

• If you have connected the Pro-88 via USB or two-way MIDI, Record will automatically find it if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

• To use the Pro-88 with Record, you need to select preset 10 and make sure this isn't changed from the factory settings.

• If you have connected the keyboard via USB or two-way MIDI, Record will restore preset 10 to factory settings for you - however, note that you need to select preset 10 manually after this is done.

• You can also restore your Pro-88 manually by holding down the + and - buttons when you turn the keyboard on

- note that this restores all presets to factory settings, deleting any changes you have made.

About the default mapping:

D The transport buttons on the Pro-88 control the corresponding transport functions in Record.

D Buttons C57 and C58 are mapped to Target Previous/Next Track (move master keyboard input up or down in

the track list).

D Keyboard shortcut variations are used for devices with many parameters.

D Main Mixer Channel

Faders C1-C8 control Eq parameters and C9 controls Level. Knobs B16-17 control Width and Pan and Buttons C52-53 control Mute and Solo. Knobs B10-13 control Insert FX rotaries and Buttons B44-47 control the Insert FX buttons. Buttons B50-51 control Bypass Insert FX and Insert FX Pre. Buttons C59-60 selects Previous and Next Insert FX patch. Buttons B48-49 controls LPF and HPF On/Off and button C54 controls EQ On/Off Knobs B14-15 control LPF and HPF Freq. Knobs B18-25 control FX1-FX8 Send Level and Knobs B26-33 control Dynamics parameters. Buttons C55-56 control Comp and Gate On/Off.

D Main Mixer Master Section

Faders C1-8 control Channel 1-8 Levels and C9 controls Master Level. Buttons C57-58 select Previous 8 and Next 8 Remote Base Channel. Knobs B10-17 control Ch1-8 Pan and Buttons B44-51 control Ch1-8 Mutes. Knobs B18-25 control Master Insert Rotaries and Compressor parameters. Buttons C52-56 control Master Insert buttons and Compressor On/Off. Buttons C59-60 select Previous and Next Master Insert FX patch. Knobs B2633 control FX1-8 Return Levels.

D Mixer 14:2

There are two keyboard shortcut variations, for controlling channels 1-7 or 8-14, respectively. The faders control channel levels in all variations and the knobs control pan, Aux1and Aux2 and the buttons control mute.

Fader C9 always controls the master level and Knobs B33, B25 and B17 controls the Aux 1-3 Return levels respectively.

D Subtractor

There are two variations: Osc & Filter and Mod. The buttons control the same switch parameters in both variations. The faders and knobs control parameters in the respective parameter groups for each of the variations.

D Malström

There are two variations: Filter & Mod and Osc. The buttons control the same switch parameters in both variations. The faders and knobs control parameters in the respective parameter groups for each of the variations.

D Redrum

There are three keyboard shortcut variations, determining the function of the buttons. In the first variation, button B44-B51 select patterns and button C52-C55 select banks. In the second and third variations, the buttons control mutes and solos respectively.

M-AUDIO

D BV-512 Vocoder

Two variations are used: Basic and Bands. In the first variation the knobs control the main parameters. In the other variation the faders and knobs control the levels of the vocoder bands.

D Matrix

Button B44-B51 select patterns and button C52-C55 select banks.

D ReGroove

Faders C1-C8 control Groove Amount, knobs B10-B17 control Shuffle and knob B18-B25 control Slide for ReGroove bank A. Fader C9 controls Global Shuffle amount.

M-AUDIO

Requirements/Setting up:

• If you have connected the O2 via USB, Record will automatically find it if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

• To use the O2 with Record you need to select preset 2 and make sure this isn't changed from the factory settings.

• You can reset the O2 to the factory default settings by holding down the Preset “+” and “-” buttons while switching the keyboard on. Note that this will restore all presets to factory defaults, removing any changes you have made!

About the default mapping:

D The Data Entry Fader C9 will control the master level, where applicable.

D For devices with patches, buttons C18 and C19 select previous/next patch.

D Keyboard shortcut variations are used for devices with many parameters.

D Main Mixer Channel

There are four keyboard shortcuts for controlling Insert FX, EQ, Send FX and Dynamics parameters. Slider C9 controls Level in all variations.

D Main Mixer Master Section

There are three keyboard shortcut variations. Knobs C1-C8 control channel Levels, Pans and FX Return Levels in the respective variation. Fader C9 always controls Master Level. Buttons C18 and C19 select Previous 8 and Next 8 Remote Base Channel in all variations except in the third, in which Buttons C12-C19 control Send FX1-8 Mutes.

D Mixer 14:2

There are eight keyboard shortcut variations, for controlling channels 1-8 or 9-14, respectively. The knobs control channel levels, pans, Aux1and Aux2 and the buttons control mute or solo.

Fader C9 always controls the master level. Knob C7 controls the Aux 1 or 2 Return levels depending on selected variation.

D Mixer 6:2

There are three keyboard shortcut variations: Levels, Pans and Sends. Fader C9 controls Master Level, knob C8 control Aux Return and the buttons control Mute in all variations.

D Thor

There are four keyboard shortcut variations: Filters, Env, Osc & Amp and Modulation. The buttons control the same switch parameters in all variations. The knobs control continuous parameters in the respective variations. Knobs C1-C2 control Rotaries 1 and 2 and buttons C12-C13 control Buttons 1 and 2 on the Thor panel.

D Subtractor

There are three variations: Filter, Amp & Osc. The fader and knobs control parameters in the respective parameter groups for each of the variations.

D Malström

There are three variations: Osc A, Osc B and Filter. The fader, buttons and knobs control parameters in the respective parameter groups for each of the variations.

D NN-19

There are two variations: Filter and Env & Mod. The buttons and knobs control parameters in the respective parameter groups for each of the variations.

M-AUDIO

D Dr. REX

There are two variations: Filter & Osc and Env. The buttons and knobs control parameters in the respective parameter groups for each of the variations.

D Redrum

There are three keyboard shortcut variations, determining the function of the knobs. The knobs control Level, Pitch or Length depending on selected variation.

D MClass Equalizer

There are two variations: Low & Para 1 and Para 2 & Hi. The buttons control the same parameters in both variations. The knobs control parameters in the respective parameter groups for each of the variations.

D Scream 4 Distortion

There are two keyboard shortcut variations: Damage & Cut and Body. The knobs control parameters in the respective group for each of the variations. The buttons control various switch parameters.

D BV-512 Vocoder

Five variations are used: Basic and Band 1-8/9-16/17-24/25-32. In the first variation the knobs and buttons control the main parameters. In the other variations the knobs control the levels of the vocoder bands.

D ReGroove

There are three keyboard shortcut variations. In the first variation, Knobs C1-C8 control A1-A8 Groove Amount and Buttons C12-C19 control A1-A8 Pre-Align. In the second variation, Knobs C1-C8 control A1-A8 Shuffle Amount and Buttons C12-C19 control A1-A8 Global Shuffle On/Off. In the third variation, Knobs C1-C8 control A1-A8 Slide Amount and Buttons C12-C19 control A1-A8 Pre-Align. In all variations, Slider C9 controls Global Shuffle Amount.

M-AUDIO

Oxygen 8 and Oxygen 8 v2

Requirements/Setting up:

There are two codecs (Remote drivers) for the Oxygen 8: "older model" and "newer model". Here's why: Record uses factory preset 1 in the Oxygen 8, but we have found that there are two different models of the Oxygen 8, with different factory preset settings. So, which codec to choose depends on the model of your Oxygen 8. Here's what you should do:

1. Connect the Oxygen 8 via USB or MIDI.

2. Select preset 1 and make sure this isn't changed from the factory settings. For Oxygen 8 v2 select preset 10 instead.

3. If needed, you can restore all presets to factory settings by holding down the MIDI/Select button while you turn on the Oxygen 8 (note that this restores all presets, removing any changes you have made!).

4. Add the keyboard as an "Oxygen 8 (older model)" and check whether it works OK.

For a quick check, set master keyboard input to a Subtractor device and move knob 1 - this should control the frequency slider of filter 1.

5. If this doesn't work, delete the Oxygen 8 from the control surfaces list and add it again, this time as an "Oxygen 8 (newer model)".

! The two codecs are identical in regards to the functions and mapping.

Below, the factory settings for the knobs in preset 1 are listed. You can use these lists to check whether your Oxygen 8 is an "older" or "newer" model. You can also use the lists to reprogram the knobs manually (if you don't want to restore all presets to factory defaults):

Oxygen 8|older model

Knob 1 MIDI CC 10 MIDI CC 74

Knob 2 MIDI CC 11 MIDI CC 71

Knob 3 MIDI CC 12 MIDI CC 81

Knob 4 MIDI CC 13 MIDI CC 91

Knob 5 MIDI CC 14 MIDI CC 16

Knob 6 MIDI CC 15 MIDI CC 80

Knob 7 MIDI CC 16 MIDI CC 19

Knob 8 MIDI CC 17 MIDI CC 02

newer model

About the default mapping:

D Note that the Data Entry Fader controls master level on many devices.

D Keyboard shortcut variations are used for devices with many parameters.

D Main Mixer Channel

There are three keyboard shortcut variations for controlling Insert FX, EQ and Send FX Send Levels respectively. In the first variation, knob 8 (or Data Entry Fader, depending on model) controls the Level.

D Main Mixer Master Section

There are two keyboard shortcut variations. In the first variation, Knobs 1-7(8) control the Levels of channel 1-7(8) and in the second variation they control Pan. Knob 8 (or Data Entry Fader, depending on model) controls Master Level in both variations.

M-AUDIO

D Mixer 14:2

There are eight keyboard shortcut variations, for controlling channels 1-7 or 8-14, respectively. The knobs control channel levels, pans, Aux1and Aux2.

Knob 8 controls master level, Aux 1 or 2 Return levels depending on selected variation.

D Mixer 6:2

There are three keyboard shortcut variations: Levels, Pans and Sends. Knob 8 controls Master Level and knob 7 controls Aux Return in all variations.

D Subtractor

There are three variations: Filter & LFO, Env and Osc. The knobs control parameters in the respective parameter groups for each of the variations.

D Thor

There are six keyboard shortcut variations: Globals, Osc 1&2, Filter 1, LFO & Mod, Amp and Delay & Chorus. The knobs control parameters in the respective variations. Knob 8 controls Master Level in all variations. In the Globals variation knobs 6-7 control Rotaries 1 and 2.

D Malström

There are three variations: Filter, Osc A and Osc B. The knobs control parameters in the respective parameter groups for each of the variations.

D NN-19

There are two variations: Filter and Env & Mod. The buttons and knobs control parameters in the respective parameter groups for each of the variations.

D Dr. REX

There are two variations: Filter & Osc and Env. The buttons and knobs control parameters in the respective parameter groups for each of the variations.

D Redrum

There are three keyboard shortcut variations, determining the function of the knobs. The knobs control Level, Pan or Pitch for channels 1-8 depending on selected variation.

D MClass Equalizer

There are two variations: Built-in 1 (Low and Para 1) and Built-in 2 (Para 2 and Hi). The knobs control parameters in the respective parameter groups for each of the variations.

D Scream 4 Distortion

There are two keyboard shortcut variations: Damage & Cut and Body. The knobs control parameters in the respective group for each of the variations.

D BV-512 Vocoder

Five variations are used: Ctrls and Band 1-8/9-16/17-24/25-32. In the first variation the knobs control the main parameters. In the other variations the knobs control the levels of the vocoder bands.

D Matrix

Two variations are used. In the first variation knob1-8 select Pattern1-8. In the second variation knobs 1-4 select Bank A-D.

D ReGroove

There are three keyboard shortcut variations where the knobs control A1-A8 Groove Amount, Shuffle Amount and Slide Amount respectively. Depending on control surface model, the Data Entry Fader controls Global Shuffle Amount.

M-AUDIO

Oxygen 49/61

Requirements/Setting up:

1. Connect the Oxygen 49/61 via USB or MIDI.

2. Select preset 1 and make sure this isn't changed from the factory settings. For Oxygen 8 v2 select preset 10 instead.

About the default mapping:

D The transport buttons control the corresponding transport functions in Record.

D Keyboard shortcut variations are used for devices with many parameters.

D Buttons 8 and 9 selects previous and next keyboard shortcut variation.

D Buttons 6 and 7 selects previous and next sequencer track.

D Buttons 4 and 5 selects previous and next patch in devices that use patches.

D The parameter mapping is identical between the 49 and 61 models.

D Note that Fader 9 controls master level on many devices.

D Main Mixer Channel

There are three keyboard shortcut variations where the faders, knobs and buttons 1-3 control EQ, Insert FX+Dynamics and Send FX parameters respectively. Buttons 4-5 select Previous and Next Insert FX patch in all variations.

D Main Mixer Master Section

There are four keyboard shortcut variations. In the first variation the Knobs control Pan. In the second variation the Knobs and Buttons control Master Insert FX parameters. In the third variation, knobs 1-4 and button 3 control Master Compressor parameters. In the fourth variation the Knobs and Buttons control Send FX Levels and Mutes. The Faders control channel Levels in all variations. In the first three variations Buttons 1-2 select Previous 8 and Next 8 Remote Base Channel and Button 7-8 select Previous and Next Master Insert FX patch.

D Mixer 14:2

There are six keyboard shortcut variations, for controlling channels 1-7 or 8-14, respectively. The faders control channel levels in all variations, the knobs control pan/Aux1/Aux2 and the buttons control mute and solo.

Fader 9 always controls the master level and Knob 8 controls the Aux 1 or Aux 2 Return levels depending on selected variation.

D Line Mixer 6:2

The sliders control the channel levels while the knobs control pan or aux sends, depending on the selected variation.

The buttons are mapped to mute and solo.

Fader 9 always controls the master level. Knob 7controls Aux Return level and knob 8 controls Aux Pre/Post in the second variation.

D Subtractor

There are two variations, Filters & LFO and Oscillators. The faders control Amp Env, Filter Env and Master Level in all variations. The buttons and knobs control parameters in the respective parameter groups for each of the variations.

M-AUDIO

D Thor

There are five variations: Osc 1&2, Filter 1, LFO & Mod, Amp and Delay & Chorus. The faders control the Rotaries, Osc 1/Osc 2 Balance, Filter 3 Drive, Freq and Res, Delay and Chorus Dry/Wet and Master Level in all variations. Buttons 1 and 2 control Button 1 & 2 in all variations. The remaining buttons and knobs control parameters in the respective parameter groups for each of the variations.

D Malström

There are two variations: Oscillators and Filters. The faders, buttons and knobs control parameters in the respective parameter groups for each of the variations.

D Redrum

There are two variations. The faders control channel 1-8 levels and Master Level in both variations. Button 1 is mapped to the Run button and button 2 is mapped to Pattern Enable in both variations. The knobs control the channel 1-8 pans or pitches depending on selected variation.

D Effect devices - general

Only the knobs are assigned to parameters in effects devices. Several keyboard shortcut variations are used in effects with many parameters.

D MClass Equalizer

There are two variations: Built-in 1 (Low and Para 1) and Built-in 2 (Para 2 and Hi). The knobs control parameters in the respective parameter groups for each of the variations.

D Scream 4 Distortion

There are two keyboard shortcut variations: Damage & Cut and Body. The knobs control parameters in the respective group for each of the variations.

D BV-512 Vocoder

Five variations are used. In the first variation the knobs control the main parameters. In the other variations the knobs control the levels of the selected vocoder bands.

D Matrix Pattern Sequencer

Two variations are used: Pattern and Bank. In the Pattern variation knobs 1-8 select Patterns 1-8. In the Bank variation knobs 1-4 select bank A-D.

D ReGroove

There are two keyboard shortcut variations. In the first variation the knobs and buttons control A1-A8 Shuffle amount and A1-A8 Global Shuffle On/Off. In the second variation the knobs control A1-A8 Slide amount. In all variations, the faders control A1-A8 Groove amount and fader 9 controls Global Shuffle Amount.

M-AUDIO

Ozone

Requirements/Setting up:

• To use the Ozone with Record you need to select preset 1 and make sure this hasn't been changed from the factory default settings.

• You can restore all presets to factory settings by holding down the MIDI/Select button while you turn on the Ozone (note that this restores all presets, removing any changes you have made!).

• The Ozone must be added manually - it cannot be found by auto-detect.

About the default mapping:

D Note that the Data Entry Fader controls master level on many devices.

D Keyboard shortcut variations are used for devices with many parameters.

D Main Mixer Channel

There are three keyboard shortcut variations where the Knobs control Insert FX, EQ and Send FX Levels respectively. The Data Entry Fader controls Level in all variations.

D Main Mixer Master Section

There are two keyboard shortcut variations where the Knobs control channel 1-8 Levels and Pans respectively. The Data Entry Fader controls Master Level in both variations.

D Mixer 14:2

There are eight keyboard shortcut variations, for controlling channels 1-7 or 8-14, respectively. The knobs control channel levels, pans, Aux1and Aux2.

Knob 7 controls Aux 1 or 2 Return levels in the last two variations.

D Mixer 6:2

There are three keyboard shortcut variations: Levels, Pans and Sends. Knob 8 controls Aux Return in all variations.

D Subtractor

There are three variations: Filter & LFO, Env and Osc. The knobs control parameters in the respective parameter groups for each of the variations.

D Thor

There are four keyboard shortcut variations: Filters, Env, Osc & Amp and Modulation. The knobs control parameters in the respective variations.

D Malström

There are three variations: Filter, Osc A and Osc B. The knobs control parameters in the respective parameter groups for each of the variations.

D NN-19

There are two variations: Filter and Env & Mod. The buttons and knobs control parameters in the respective parameter groups for each of the variations.

D Dr. REX

There are two variations: Filter & Osc and Env. The buttons and knobs control parameters in the respective parameter groups for each of the variations.

D Redrum

There are three keyboard shortcut variations, determining the function of the knobs. The knobs control Level, Pan or Pitch for channels 1-8 depending on selected variation.

D MClass Equalizer

There are two variations: Built-in 1 (Low and Para 1) and Built-in 2 (Para 2 and Hi). The knobs control parameters in the respective parameter groups for each of the variations.

M-AUDIO

D Scream 4 Distortion

There are two keyboard shortcut variations: Damage & Cut and Body. The knobs control parameters in the respective group for each of the variations.

D BV-512 Vocoder

Five variations are used: Basic and Band 1-8/9-16/17-24/25-32. In the first variation the knobs control the main parameters. In the other variations the knobs control the levels of the vocoder bands.

D ReGroove

There are three keyboard shortcut variations where the knobs control A1-A8 Groove Amount, Shuffle Amount and Slide Amount. The Data Entry Fader controls Global Shuffle Amount in all variations.

M-AUDIO

Ozonic

Requirements/Setting up:

• Record will automatically find the Ozonic if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

• To use Ozonic with Record, you need to select bank A/preset 4 and make sure this isn't changed from the factory settings. If needed, you can restore your Ozonic to factory default settings by holding down the Octave Up and Down buttons while turning the keyboard on.

• We also recommend that you turn off Null mode on the Ozonic. This is done by pressing the NULL button so that it isn't lit.

About the controls:

The keyboard (with aftertouch), mod and pitch wheels, nine faders, eight knobs thirteen buttons, joystick and two pedals are available as control surface items in Record. For the joystick, each axis serves as two separate controllers, one regular and one inverted.

About the default mapping:

• The transport buttons control the corresponding transport functions in Record.

• Buttons C38 and C39 are used for Target Previous/Next Track (move the master keyboard input up or down in the track list).

• The Joystick X-axis is by default mapped to breath control. To make use of this mapping, you need to set up the Record device to use breath control (possible with e.g. the Subtractor and NN-XT).

• The Joystick Y-axis doubles as mod wheel controller by default.

• On devices with patches, buttons C36 and C37 select previous/next patch.

• On effect devices, button C40 typically controls the bypass/on/off state.

D Main Mixer Channel

There are three keyboard shortcut variations where the faders and knobs control EQ+Fader Section, Insert FX+Dynamics and Send FX parameters. In the second variation, buttons C32-C35 control the Insert FX buttons. In all variations, fader C9 controls Level, buttons C36-37 select Previous and Next Insert FX patch and C40 bypasses the Insert FX.

D Main Mixer Master Section

There are three keyboard shortcut variations where the knobs and buttons control Pan, Master Insert FX+Compressor, and Send FX parameters. In all variations buttons C38-39 select Previous 8 and Next 8 Remote Base Channel and faders C1-8 control channel 1-8 Levels. fader C9 always controls the Master Level. In the second variation buttons C36-37 select Previous and Next Insert FX patch.

D Mixer 14:2

There are four keyboard shortcut variations. In the first two, the faders and knobs control levels and pans for channel 1-8 and channel 9-14 respectively. In variation 3 and 4, the faders and knobs control Aux Send 1 and 2 for channel 1-8 and channel 9-14, respectively. Note that you can step between variations using buttons C32 and C33.

Fader C9 always controls the master level.

D Line Mixer 6:2

The faders always control the levels, with fader C8 controlling Aux Return level and fader C9 controlling the master level.

The knobs control pan or Aux Sends, depending on the variation (selectable with buttons C32 and C33).

M-AUDIO

D Thor

There are five variations: Filters, Osc & Amp, Modulation, Sequencer 1 and Sequencer 2. The faders and knobs control parameters in the respective parameter groups for each of the variations. Buttons C32-C40 control the same panel parameters in all variations.

D Subtractor

The faders, knobs and buttons control filters and envelopes, or oscillator parameters, depending on the selected keyboard shortcut variation.

Fader C9 always controls the master level.

D Malström

The faders, knobs and buttons control filters, oscillators or modulators, depending on the selected keyboard shortcut variation.

Fader C9 always controls the master level.

D Redrum

By default only drum channel 1-8 can be controlled by the Ozonic.

The faders control drum levels, while the knobs control pitch, length or pan, depending on the keyboard shortcut variation.

You can select patterns and banks with the following buttons: C32 (selects pattern 1), C33 (steps through the patterns in the current bank), C34 (steps through the banks) and C35 (controls the pattern enable switch).

Button C40 controls the Run button.

D BV512 Vocoder

The knobs control the main parameters while the faders control the band levels. Which bands are controlled depend on the keyboard shortcut variation.

D Matrix Pattern Sequencer

Button C40 controls the Run button.

D ReGroove

There are two keyboard shortcut variations. In the first variation the knobs control A1-A8 Shuffle Amount and buttons C32-C39 controls Global Shuffle On/Off. In the second variation the knobs control A1-A8 Slide Amount. In both variations faders C1-C8 control A1-A8 Groove Amount and C9 controls Global Shuffle Amount.

M-AUDIO

Radium 49/61

Requirements/Setting up:

The Radium 49 and Radium 61 are identical, except for the length of the keyboard. However, there are two versions of each codec (Remote driver) for these: a regular version and an "older model".

This is because older Radium keyboards use different MIDI settings for factory preset 1 (the preset used by Record).

So, which codec to choose depends on the model of your Radium keyboard. Here's what you should do:

1. Connect the Radium via USB or MIDI.

2. Select preset 1 and make sure this isn't changed from the factory settings.

3. If needed, you can restore all presets to factory settings by holding down the MIDI/Select button while you turn on the keyboard (note that this restores all presets, removing any changes you have made!).

4. Add the keyboard as a "Radium 49" or "Radium 61" and check whether it works OK.

For a quick check, set master keyboard input to a track for a Mixer 14:2 device and move fader 1 - this should control the volume fader on channel 1 on the mixer.

5. If this doesn't work, delete the Radium from the control surfaces list and add it again, this time as an "Radium 49 (older model)" or "Radium 61 (older model)".

! The Radium keyboard must be added manually - it cannot be found by auto-detect.

• The two codecs are identical in regards to the functions and mapping.

Below, the factory settings for the faders and knobs in preset 1 are listed. You can use these lists to check whether your Radium is an "older" or "newer" model. You can also use the lists to reprogram the knobs manually (if you don't want to restore all presets to factory defaults):

Control|older model

Fader 1 MIDI CC 20 MIDI CC 82

Fader 2 MIDI CC 21 MIDI CC 83

Fader 3 MIDI CC 22 MIDI CC 28

Fader 4 MIDI CC 23 MIDI CC 29

Fader 5 MIDI CC 24 MIDI CC 16

Fader 6 MIDI CC 25 MIDI CC 80

Fader 7 MIDI CC 26 MIDI CC 18

Fader 8 MIDI CC 27 MIDI CC 19

Knob 1 MIDI CC 70 MIDI CC 74

Knob 2 MIDI CC 71 MIDI CC 71

Knob 3 MIDI CC 72 MIDI CC 81

Knob 4 MIDI CC 73 MIDI CC 91

Knob 5 MIDI CC 74 MIDI CC 02

Knob 6 MIDI CC 75 MIDI CC 10

Knob 7 MIDI CC 76 MIDI CC 05

Knob 8 MIDI CC 77 MIDI CC 21

newer model

About the default mapping:

D Note that the Data Entry Fader controls master level on many devices.

D Keyboard shortcut variations are used for devices with many parameters.

M-AUDIO

D Main Mixer Channel

There are three keyboard shortcut variations where the faders and knobs control EQ+Fader Section, Insert FX+Dynamics and Send FX parameters. In all variations the Data Entry Fader controls Level.

D Main Mixer Master Section

There are three keyboard shortcut variations where the faders and knobs and control Levels+Pans for channels 1-8, Master Insert FX+Compressor, and Send FX Return parameters. In all variations the Data Entry Fader controls the Master Level.

D Mixer 14:2

There are four keyboard shortcut variations, for controlling channels 1-8 or 9-14, respectively. The faders control channel levels and the knobs control pans in variations 1-2. In variations 3-4 the faders and knobs control Aux1 Send/Aux2 Send. The data entry fader always controls the master level and Knob 15 controls the Aux 1 or Aux 2 Return levels in the last two variations.

D Line Mixer 6:2

The sliders control the channel levels while the knobs control pan or aux sends, depending on the selected variation. Knob 15 controls Aux Return level and knob 16 controls Aux Pre/Post in the second variation.

D Subtractor

There are two variations. The faders control Amp Env and Filter Env in both variations. The knobs control Filter parameters in the first variation and Osc parameters in the second variation.

D Thor

There are five variations: Filters, Osc & Amp, Modulation, Sequencer 1 and Sequencer 2. The faders and knobs control parameters in the respective parameter groups for each of the variations.

D Malström

There are two variations. The faders and knobs control Osc parameters in the variation and Filter parameters in the second variation.

D Redrum

There are two variations. The faders and knobs control the channel 1-8 levels and pans in the first variation. In the second variation the knobs control the channel 1-8 pitches.

D Effect devices - general

Only the knobs are assigned to parameters in effects devices. Several keyboard shortcut variations are used in effects with many parameters.

D MClass Equalizer

There are two variations: Built-in 1 (Low and Para 1/2) and Built-in 2 (Para 2 and Hi). The knobs control parameters in the respective parameter groups for each of the variations.

D BV-512 Vocoder

Four variations are used. The knobs control the main parameters in all variations. The faders control the levels of the selected vocoder bands for each of the variations.

D ReGroove

There are two keyboard shortcut variations. In the first variation the knobs control A1-A8 Shuffle Amount. In the second variation the knobs control A1-A8 Slide Amount. In both variations faders 1-8 control A1-A8 Groove Amount and the Data Entry Fader controls Global Shuffle Amount.

M-AUDIO

ProjectMix I/O

Requirements/Setting up:

• To use the ProjectMix I/O with Record, select Live Mode (Press and hold the Aux 5 button while switching on the device.

About the default mapping:

D Global modifiers and modes

Pressing the Flip button swaps the functions of the faders and the rotaries. To return to the normal mapping, press the Flip button again.

Normally, the display shows the name of the currently controlled Record device. Pressing the Chan Info button will make the display show the names of the Record parameters controlled by the faders instead. Press the button again to show the device name.

Selecting another target device automatically resets Flip state and display mode to default settings.

D Transport, sequencer and other global functions

Transport buttons: The corresponding transport functions in Record.

Loop button: Loop On/Off Locate Left button: Go to left locator Locate Right button: Go to right locator Left/Right Arrow buttons: Go to previous/next bar Up/Down Arrow button: Target previous/next track (moves master keyboard input up or down in the track list).

Jog Wheel: Moves the song position, or the position of the left or right locator depending on current mode. Select mode by pressing the following buttons: Zoom: Wheel=Coarse, Scrub: Wheel=Fine, Set: Pos=Song, In: Pos=Left, Out: Pos=Right, Window: Show=Pos or Parameters

D For devices with patches, the Nudge Left/Right buttons select the previous or next patch.

D Main Mixer Channel

You select what the rotary encoders should control by pressing the following Assignment buttons:

Aux 1 button: FX Sends Aux 2 button: EQ Pan button: Filter, Insert FX and Pan Plug-in button: Dynamics

Fader 1 controls Level and the Mute 1 and Solo 1 buttons control Mute and Solo of the channel. When the Pan button is active, the Nudge buttons select Previous and Next Insert FX Patch.

M-AUDIO

D Main Mixer Master Section

You select what the rotary encoders should control by pressing the following Assignment buttons:

Aux 1 button: FX Sends Aux 2 button: EQs Pan button: Filters, Insert FX and Pans Plug-in button: Dynamics Aux 3 button: Master Insert FX and Master Compressor Aux 4 button: FX Returns

The Channel Left/Right buttons select Previous/Next Remote Base Channel. The Bank Left/Right buttons Previous/Next 8 Remote Base Channel.

Faders 1-8 control Level and the Mute and Solo buttons control Mute and Solo of the corresponding channels. The Master Fader controls the Master Level. When the Pan button is active, the Nudge buttons select Previous and Next Insert FX Patch.

D Mixer 14:2

The Bank Select Up/Down buttons determine which channel group should be controlled (1-8 or 9-14). You select what the rotary encoders should control by pressing the following Assignment buttons:

Aux 1 button: Aux Send 1 Aux 2 button: Aux Send 2 Pan button: Pan Plug-in button: Aux Returns Aux 3 button: Treble Aux 4 button: Bass

Alternatively you can press the Sel button for a channel - the rotaries will then control all sends, EQ and pan for the selected channel only. The assignment display shows the number of the selected channel. To return to normal mixer mode, press the Sel button again.

D Line Mixer 6:2

If you press the Aux 1 button, the rotaries control the sends. If you press the Pan button they control pans.

D Subtractor

There are two variations, "Filter" and "Amp & Osc" - you select variation by pressing the Aux 1 button for Filter and the Aux 2 button for Amp & Osc.

D Redrum

Use the Bank Up/Down buttons to select which drum channels should be controlled (1-8 or 9-10). You can audition the drum sounds with the Sel buttons.

The rotaries can control a number of different settings for the drum sounds - you select which setting by pressing the following Assignment buttons:

Aux 1 button: Pitch Aux 2 button: Length Pan button: Pan Plug-in button: Send 1 Aux 3 button: Tone/Sample Start/Pitch Bend Amount Aux 4 button: Velocity Sensitivity

Buttons Rec 1-8 select pattern and the Shift button selects bank. The Alt button controls Run/Stop

D Malström

There are three variations, "Filter", "Osc/Mod A" and "Osc/Mod B" - select by pressing the Aux 1, Aux 2 and Aux 3 buttons, respectively.

M-AUDIO

D BV-512 Vocoder

The faders control the band levels - use the Bank Up/Down buttons to select which vocoder bands to control.

D Effect devices - general

The Mute 1 button controls the On/Off/Bypass function.

D Matrix

Buttons Rec 1-8 select pattern and buttons Sel 1-4 select bank. The Alt button controls Run/Stop.

D ReGroove

The faders control the Groove Amount for the channels of the selected ReGroove Bank. If the Aux 1 button is active, the rotaries control Shuffle Amount and if the Aux 2 button is active the rotaries control Slide Amount. The Rec buttons control Pre-Align On/Off for the corresponding ReGroove channel. Use the Bank Left/Right buttons to select which ReGroove Bank (A-D) to control. The Master Fader controls Global Shuffle Amount.

M-AUDIO

Mackie

Requirements/Setting up:

You must connect the Mackie C4 using two-way MIDI (both MIDI In and Out should be connected). Record will automatically find the Mackie C4 if you click the Auto-detect button on the Control Surfaces and Key-

boards page in the Preferences.

About the default mapping:

D Transport and other global functions:

The buttons at the lower section of the C4 panel give you basic control over Record’s transport and other global settings:

Spot Erase button: Record Chan Strip button: Stop Function button: Play Control button: Rewind Alt button: Fast Forward Lock button: Overdub/Replace Marker button: Reset Automation Override Track button: Loop On/Off Shift button: Undo Option button: Redo Track Left/Right buttons: Target previous/next track (moves master keyboard input up or down in the track list) Rotaries 1-8: A1-A8 Groove amount in ReGroove Rotaries 9-16: A1-A8 Slide in ReGroove Rotaries 17-24: A1-A8 Shuffle in ReGroove

D For devices using patches, the Slot Up/Down buttons select the previous/next patch.

D For effect devices, the Split button controls the Bypass/On/Off switch.

D Main Mixer Channel

The two lowest rows of rotaries control EQ and Dynamics parameters, with the rotary buttons controlling the EQ and Dynamics buttons.

The third row of rotaries control FX1-FX8 Send Levels, with the rotary buttons controlling the Send On/Off buttons.

The upper rows of rotaries control Insert FX and Fader section parameters, with the rotary buttons controlling the Insert FX On/Off buttons and Solo and Mute in the Fader section.

The Slot Up and Slot Down buttons select Previous and Next Insert FX Patch.

MACKIE

D Main Mixer Master Section

The Bank Left/Right buttons select Previous/Next 8 Remote Base Channel.

The Parameter (Single) Left/Right buttons determine if the C4 should control Channel parameters or Master Section parameters.

In “Channel” mode the following parameters are controlled:

The two lowest rows of rotaries control Send FX1 and FX2 Send Levels, with the rotary buttons controlling FX1 and FX2 On/Off.

The third row of rotaries control Pan, with the rotary buttons controlling Solo On/Off.

The upper row of rotaries control Level, with the rotary buttons controlling Mute On/Off.

In “Master” mode the following parameters are controlled:

The lowest row of rotaries control Master Compressor parameters, with rotary buttons 1-2 controlling Compressor On/Off and Key On/Off.

The second row of rotaries control Send FX1-8 Return Levels, with the rotary buttons controlling FX1-FX8 Mutes.

The third row of rotaries control Send FX1-8 Pan.

The upper row of rotaries control the Insert FX rotaries, Ctrl Room parameters and Master Level, with the rotary buttons controlling the Insert FX buttons, All Mutes Off, All Solo Off and Dim -20dB.

D Mixer 14:2

When the Mixer 14:2 is controlled by the C4, each mixer channel is represented by a vertical column of four rotaries.

The Bank Left/Right buttons determine which channels are controlled (1-7 or 8-14). The rightmost column of rotaries control Aux Return levels and the Master Level (the rotary in the lower right corner).

The lowest row of rotaries controls channel levels, with the rotary buttons serving as Solo buttons.

The second lowest row of rotaries controls channel pan settings, with the rotary buttons serving as Mute buttons.

The two upper rows of rotaries can either control channel EQ (treble and bass), Aux Send 1-2 or Aux Send 3-4. This is selected by the Parameter (Single) Left/Right buttons. In EQ mode, the second row of rotary buttons is mapped to the EQ on/off switches. In Aux Send 3-4 mode, the second row of rotary buttons is mapped to the Aux Send 4 Pre Fader switches.

D Line Mixer 6:2

The lowest row of rotaries controls channel levels, with the rotary buttons serving as Solo buttons. The Master Level is on the rotary in the lower right corner.

The second lowest row of rotaries controls channel pan settings, with the rotary buttons serving as Mute buttons.

The second highest row of rotaries controls the Aux Send settings. The Aux Return Level is on the rotary farthest to the right in this row, with the rotary button controlling the Aux Pre/Post switch.

D Thor

Three keyboard shortcut variations are used, “Synth”, “Seq 1” and “Seq 2”. In the “Synth” variation the rotaries and rotary buttons are used for controlling synth parameters. In the “Seq 1” and “Seq 2” variations the rotaries control the step sequencer parameters for steps 1-8 and 9-16 respectively.

D Subtractor

The two lowest rows of rotaries control filter settings and the amp envelope.

The two upper rows of rotaries either control oscillator settings or LFO/Mod envelope settings. To switch between these modes, use the Parameter (Single) Left/Right buttons.

MACKIE

D Malström

The two lowest rows of rotaries control filter, shaper and master settings.

The two upper rows of rotaries will either control Oscillator A settings, Oscillator B settings or Modulator Settings. To step between these modes, use the Parameter (Single) Left/Right buttons.

D Redrum

Each column of rotaries corresponds to a drum sound channel on the Redrum. The Bank Left/Right buttons determine which channels are controlled (drum 1-7 or drum 8-10).

The lowest row of rotaries controls drum channel levels, with the rotary buttons serving as Solo buttons. The Master Level is on the rotary in the lower right corner.

The second lowest row of rotaries controls drum channel pan settings, with the rotary buttons serving as Mute buttons. The Run button is controlled by the rightmost rotary button in this row.

There are two modes for the rotaries and rotary buttons in the two upper rows:

In "Pattern mode", the top row buttons select pattern and the first buttons in the second row select bank. In "Parameter mode", the rotaries control drum pitch and length, top row buttons trigger the drum sounds and the buttons in the second row control the Decay/Gate switches.

To change mode, use the Parameter (Single) Left/Right buttons.

D BV-512 Vocoder

The rotaries in the lowest row control the basic vocoder parameters.

The second highest row rotaries control the band levels. Which bands are controlled (1-8, 9-16, 17-24 or 25-32) is selected with the Parameter (Single) Left/Right buttons.

D Matrix Pattern Sequencer

The rotary buttons in the second highest row select pattern, and the first rotary buttons in the third row select bank.

The rotary button in the lower right corner controls the Run button.

D ReGroove

Rotaries 1-8 control A1-A8 Groove amount. Rotaries 9-16: A1-A8 Slide, with the rotary buttons controlling Pre-Align On/Off. Rotaries 17-24: A1-A8 Shuffle, with the rotary buttons controlling Global Shuffle On/Off. Rotary 32 controls Global Shuffle Amount.

MACKIE

Control

Requirements/Setting up:

• Record supports the Mackie Control, or (typically) the Mackie Control Universal in "Mackie Control" mode.

If you are using a Mackie Control Universal, you need to select the "Mackie Control" mode of operation: Hold down the SELECT buttons for Ch 1 and Ch 2 and turn on the device - you are then asked which mode of operation to use. Select "Mackie Ctrl" by pressing the corresponding V-Pot.

You must connect the Mackie Control using two-way MIDI (both MIDI In and Out should be connected).

Record will automatically find the Mackie Control if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

About the default mapping:

Note: In the mapping descriptions below, the name labels refer to the default Logic overlay.

D Global modifiers and modes

Pressing the Flip button swaps the functions of the faders and the rotaries. To return to the normal mapping, press Global View (next to the Flip button).

Normally, the display shows the name of the currently controlled Record device. Pressing the Name/Value button will make the display show the names of the Record parameters controlled by the faders instead. Press the button again to show the device name.

Selecting another target device automatically resets Flip state and display mode to default settings.

D Transport, sequencer and other global functions

Transport buttons: The corresponding transport functions in Record.

Click button: Loop On/Off Solo Button: Click On/Off Read/Off Button: Reset Automation Override

Marker button: Go to left locator Nudge button: Go to right locator Left/Right Arrow buttons: Go to previous/next bar Up/Down Arrow button: Target previous/next track (moves master keyboard input up or down in the track list).

Jog Wheel: Moves the song position, or the position of the left or right locator. Drop Button: Jog wheel controls left locator position. Replace Button: Jog wheel controls right locator position. Cycle Button: Jog wheel controls song position (default). Zoom Button: Jog wheel moves position in coarse steps (default). Scrub Button: Jog wheel moves position in fine steps.

Cancel Button: Mute on/off for the current target track (the track with master keyboard input) Save Button: Mute off for all tracks (lights up when any track is muted) Enter Button: Solo on/off for the current target track Undo Button: Solo off for all tracks (lights up when any track is soloed)

Trim Button: Undo Group Button: Redo Fader 1-8: A1-A8 Groove amount Rotary 1-8: A1-A8 Slide (in Slide Mode (press the Track button)) Rotary 1-8: A1-A8 Shuffle (in Shuffle Mode (press the Send button))

D For devices with patches, buttons F15 and F16 selects the previous or next patch.

MACKIE

D Main Mixer Channel

You select what the rotary encoders and Rec buttons should control by pressing the following Assignment buttons:

Track button: FX Sends Send button: EQ Pan button: Filter, Insert FX and Pan Plug-in button: Dynamics

Fader 1 controls Level and the Mute 1 and Solo 1 buttons control Mute and Solo of the channel. When the Pan button is active, the F15 and F16 buttons select Previous and Next Insert FX Patch.

D Main Mixer Master Section

You select what the rotary encoders and Rec buttons should control by pressing the following Assignment buttons:

Track button: FX Sends Send button: EQs Pan button: Filters, Insert FX and Pans Plug-in button: Dynamics EQ button: Master Insert FX and Master Compressor Dyn button: FX Returns

The Channel Left/Right buttons select Previous/Next Remote Base Channel. The Bank Left/Right buttons Previous/Next 8 Remote Base Channel.

The master fader controls Master Level and the Snapshot button controls Dim -20dB.

Alternatively you can press the Select button for a channel - all rotaries and Rec buttons will then control parameters for the selected channel only. The assignment display shows the number of the selected channel. To return to normal mixer mode, press the Select button again.

D Mixer 14:2

The Channel Left/Right buttons determine which channels should be controlled (1-8 or 9-14). You select what the rotary encoders should control by pressing the following Assignment buttons:

Track button: Aux Send 1 Send button: Aux Send 2 Pan/Surround button: Pan Plug-in Button: Aux Returns EQ Button: Treble Instrument Button: Bass

Alternatively you can press the Select button for a channel - the rotaries will then control all sends, EQ and pan for the selected channel only. The assignment display shows the number of the selected channel. To return to normal mixer mode, press the Select button again.

D Line Mixer 6:2

If you press the “Track” Assignment button, the rotaries control the sends. If you press the Pan/Surround button they control pans.

D Thor

There are two variations: Filters and Osc & Mod - you select variation by pressing Assignment buttons “Track” and “Send”.

D Subtractor

There are two variations, "Filter" and "Amp & Osc" - you select variation by pressing Assignment buttons “Track” and “Send”.

MACKIE

D Redrum

Use the Channel Left/Right buttons to select which drum channels should be controlled (1-8 or 9-10). You can audition the drum sounds with the Select buttons.

The rotaries can control a number of different settings for the drum sounds - you select which setting by pressing the following Assignment buttons:

Track button: Pitch Send button: Length Pan button: Pan Plug-ins Button: Send 1 EQ Button: Tone/Sample Start/Pitch Bend Amount Dyn Button: Velocity Sensitivity

Buttons F1-F8 select pattern and buttons F9-F12 select bank.

D Malström

There are three variations, "Osc/Mod A", "Osc/Mod B" and "Filter" - select by pressing the Assignment buttons Track, Send or Pan/Surround, respectively.

D BV-512 Vocoder

The faders control the band levels - use the Channel Left/Right buttons to select which vocoder bands to control.

D Matrix

Buttons F1-F8 select pattern and buttons F9-F12 select bank. The Select button for channel 1 controls the Pattern Enable switch.

D ReGroove

Press the Bank Left/Right buttons to switch between ReGroove banks A-D. Press the Track button to make the rotaries control Slide amounts. Press the Send button to have the rotaries control Shuffle amount. The Master Fader controls Global Shuffle amount.

Fader 1-8: A1-A8 Groove amount Rotary 1-8: A1-A8 Slide (in Slide Mode (press the Track button)) Rotary 1-8: A1-A8 Shuffle (in Shuffle Mode (press the Send button))

MACKIE

Mackie Control + Extender Combo

Requirements/Setting up:

To use the Mackie Control Universal and Extender with Record, you need to select the "Mackie Control" mode of operation for both control surfaces:

1. Hold down the SELECT buttons for Ch 1 and Ch 2 and turn on the first control surface - you are then asked which mode of operation to use. Select "Mackie Ctrl" by pressing the corresponding V-Pot.

2. Repeat this for the other control surface.

You must connect the both control surfaces using two-way MIDI (both MIDI In and Out should be connected for both surfaces).

Record will automatically find the Mackie Control and the Extender if you click the Auto-detect button on the Control Surfaces and Keyboards page in the Preferences.

Since the program cannot know how you wish to use the auto-detected control surfaces, this will add four Mackie control surfaces to the list:

Control, Combo - Extender Left, Combo - Extender Right and Extender. You have to manually tick the “Use with Record” check box for the surface configuration you wish to use. In this case,

select either “Combo, Extender Left” or “Combo, Extender Right”, depending on whether you have the Extender to the left or to the right of the Mackie Control.

About the default mapping:

When you use a combo of Mackie Control and Extender, the default mapping is very similar to that of the Mackie Control - please see that description (earlier in this document) for details about all global mappings (transport, navigation, etc.).

The Extender adds eight more channels to the Mackie Control. This leads to the following differences in the mapping for various Record devices:

D Main Mixer Channel

Same basic mapping as Mackie Control but more parameters available at the same time.

D Main Mixer Master Section

The same basic mapping as the Mackie Control, but you can control 16 channels at a time instead of 8.

D Mixer 14:2

All 14 channels are available at the same time - the Channel Left/Right buttons are not used.

D Line Mixer 6:2

Rotaries 1-6 control channel pan settings; rotaries 9-14 control Aux Send levels.

D Thor

There are no variations - all parameters are available at the same time.

D Subtractor

There are no variations - all parameters are available at the same time.

D Malström

The first eight sets of faders, rotaries and buttons always control filter settings.

Faders/rotaries/buttons 9-16 can either control settings for Oscillator A+Modulator A or Oscillator B+Modulator B. These variations are selected by pressing the Assignment buttons Track or Send, respectively.

D NN19

A few more parameters are available in the default mapping, due to the larger number of faders and rotaries.

MACKIE

D Redrum

All 10 drum channels are available at the same time - the Channel Left/Right buttons are not used.

D BV-512 Vocoder

As with the Mackie Control, the faders control the band levels and you use the Channel Left/Right buttons to select which vocoder bands to control. With the Combo however, you can control sixteen bands at the same time.

MACKIE

Mackie Extender

This section describes using the Extender as a stand-alone control surface. If you use it together with the Mackie Control (as a single unit), please use one of the “Combo” control surface options, as described on the previous pages.

Requirements/Setting up:

To use the Mackie Extender with Record, you need to select the "Mackie Control" mode of operation: Hold down the SELECT buttons for Ch 1 and Ch 2 and turn on the Extender - you are then asked which mode of operation to use. Select "Mackie Ctrl" by pressing the corresponding V-Pot.

You must connect the Mackie Extender using two-way MIDI (both MIDI In and Out should be connected). Record will automatically find the Mackie Extender if you click the Auto-detect button on the Control Surfaces and

Keyboards page in the Preferences.

About the default mapping:

D Global functions

The Solo and Mute buttons for channel 8 moves the master keyboard input up or down in the track list, respectively.

The mapping for the Extender makes use of global “Keyboard Shortcut Variations” for many devices - this means that you can change variation by using keyboard shortcuts in Record. You can also use the Record buttons for channel 1 and 2 to select the previous or next keyboard shortcut variation.

For devices with patches, the Rec buttons for channel 7 and 8 select the previous or next patch.

D Main Mixer Channel

You select what the rotary encoders and Rec buttons should control by pressing the following Select buttons:

Select 1 button: FX Sends Select 2 button: EQ Select 3 button: Filter, Insert FX and Pan Select 4 button: Dynamics

Press the Select 5 button to toggle the displays to show Device Name or Parameter Name.

Fader 1 controls Level and the Mute 1 and Solo 1 buttons control Mute and Solo of the channel. In the “Filter, Insert FX and Pan” mode (Select 3 button pressed), the Select 7 and 8 buttons select Previous and Next Insert FX Patch.

D Main Mixer Master Section

You select what the rotary encoders and rotary encoder buttons should control by pressing the following Rec buttons:

Rec 1 button: FX Sends Rec 2 button: EQ Rec 3 button: Pan (Filter, Insert FX) Rec 4 button: Dynamics Rec 5 button: Master Compressor and Insert FX Rec 6 button: Send FX Returns Rec 7 button: Select Previous 8 Remote Channel Rec 8 button: Select Next 8 Remote Base Channel

Press the Select buttons to toggle between “Multi-Channel” mode and “Single-Channel” mode. When you press a Select button for a channel, all controllers are mapped to the selected channel parameters. To return to normal “Multi-Channel” mixer mode, press the Select button again. Regardless of mode, the Faders always control the Level and the Mute and Solo buttons control Mute and Solo of the corresponding channels.

MACKIE

D Mixer 14:2

The Extender can control seven mixer channels at a time - press Select button 8 to choose channel 1-7 or 8-14.

Fader 8 controls the master level.

The rotary encoders can control Pan, Treble, Bass, Aux Send 1 or Aux Send 2. This is selected by using keyboard shortcut variations in Record (See the note above about using the Rec 1-2 buttons to step through keyboard shortcut variations).

D Line Mixer 6:2

The rotary encoders can control Pan or Aux Sends. You select this by using keyboard shortcut variations.

D Thor

There are two keyboard shortcut variations, “Filters” and “Osc & Mod”.

D Combinator

The first four rotary encoders and Select buttons are mapped to the Combinator controls. Record button 4 controls the Run Pattern Devices button.

D Subtractor

There are two keyboard shortcut variations, "Filter" and "Amp & Osc".

D Redrum

Use the Select 8 button to select which drum channels should be controlled (1-7 or 8-10).

The Mute, Solo and Select buttons can either control pattern and bank selection or serve as mute, solo and audition buttons for the drum sounds. This is selected using keyboard shortcut variations.

The rotaries can either control drum pitch or length, depending on the selected keyboard shortcut variation. In “length” mode, the rotary buttons switch between decay/gate mode for the drum sounds.

Record button 4 is always mapped to the Run button.

D Malström

There are three keyboard shortcut variations, “Filter”, “Osc/Mod A” and “Osc/Mod B”.

D NN19

There are two keyboard shortcut variations, “Filter&LFO” and “Osc”.

D BV-512 Vocoder

The faders control the band levels - use keyboard shortcut variations to select which vocoder bands to control.

D Matrix

Solo 1-4 and Mute 1-4 control pattern selection; Select 1-4 control bank selection.

Record button 4 controls the Run button.

D ReGroove

Select buttons 1-4 select Bank A-D. Rec buttons 1-2 select Shuffle and Slide.

Faders 1-8 control ReGroove Channel 1-8 Groove amount for the selected Bank. Rotaries 1-8 control ReGroove Channel 1-8 Slide (in the Slide keyboard shortcut variation.) Rotaries 1-8 control ReGroove Channel 1-8 Shuffle (in the Shuffle keyboard shortcut variation.) Rotary buttons 1-8 control Global Shuffle On/Off. The Solo buttons 1-8 control Pre-Align On/Off.

MACKIE

Novation

Automap for ReMOTE SL, SL Compact, SL MkII and Nocturn

The Novation ReMOTE SL, SL Compact and Nocturn series of control surfaces are supported by Novation’s Automap Universal system. To use Novation control surfaces supported by Automap with Record, make sure you use Automap 3.2 or later. You can download Automap 3.2 from Novation’s web site at www.novationmusic.com.

Just follow the descriptions in the “Novation Automap DAW Setup Guide” for Propellerhead Reason/Record to set up your control surface to work with Record.

ReMOTE series

! This description below does NOT apply to the ReMOTE SL series of control surfaces. Support for ReMOTE SL

is provided with Novation's Automap Universal installer, included with the keyboard or available from the Novation web site.

Requirements/Setting up:

• This model can be used with the ReMOTE 25 and other keyboards in the Novation ReMOTE series.

• Please use the latest operating system for the ReMOTE keyboard - see www.novationmusic.com for details.

• To use the ReMOTE with Record, you need to connect it via USB or two-way MIDI.

• Make sure the ReMOTE isn't write protected: press "Global", make sure the memory protect page is shown in the display and use the "Data/Value" knob to select "off".

• When you add the ReMOTE in Record, you must select the correct MIDI output on the MIDI Output Port menu in the Add Control Surface dialog. Record will then upload a template to the edit buffer in the ReMOTE.

q If you like, you can then save these settings to any template memory location on the ReMOTE by pressing

“Write”. If you do this, you can also set which template the ReMOTE should show each time you turn it on: select the saved template, press "Global" and press "Write".

About the controls:

The controls are named as follows:

• The sliders/faders to the right are called Slider 1-8. The buttons below these are called Button 1-8.

• The top row of knobs are called Knob 1-8. The buttons below these are called Button 9-16.

• The bottom left row of rotary encoders are called Rotary 1-8. The buttons below these are called Button 17-24.

About the default mapping:

D The transport buttons control the corresponding transport functions in Record.

D Record supports channel pressure (aftertouch) of the ReMOTE keyboard, but the result depends on the set-

tings for the controlled device.

D The X/Y touch pad isn't mapped to any parameters by default, but you can map it freely using Remote Over-

rides.

Note that there are two control surface items for each axis - you can map the touch pad to four different Record parameters (two for the X-axis and two for the Y-axis).

D Buttons 23-24 are used for Target Previous/Next Track (move master keyboard input up or down in the track

list).

D For devices with patches, buttons 15-16 select the previous/next patch.

NOVATION

D For effect devices, button 22 controls the Bypass/On/Off state.

D For most devices, the Data/Value rotary (below the display) is mapped to master level.

However, on the two mixers the master level is controlled by Slider 8.

D Main Mixer Channel

There are two keyboard shortcut variations where the Sliders and Buttons 1-8 control Dynamics or Send FX parameters. In both variations, the Rotaries and Buttons 9-22 control EQ and Insert FX parameters. Buttons 15-16 select Previous and Next Insert FX patch.

D Main Mixer Master Section

There are two keyboard shortcut variations where the Knobs control Master Insert FX+Compressor parameters or FX Return Levels. In both variations Sliders 1-7 control the level of channels 1-7. Slider 8 controls Master Level. Rotaries 1-7 control the Pan of channels 1-7. Rotary 8 controls Ctrl Room Level. Buttons 1-7 controls channel 17 Mutes and Button 8 controls All Mutes Off. Buttons 16-17 select Previous and Next Remote Base Channel and Buttons 15-16 select Previous and Next Insert FX patch. Buttons 20-22 control All Solo Off, Dim - 20 dB and Bypass Insert FX respectively.

D Mixer 14:2

There are two keyboard shortcut variations, determining which mixer channels are controlled (ch 1-7 or ch 8-14). The faders control level, the rotaries control pan, the buttons control mute and solo and the knobs control Aux send 1.

D Malström

There are two keyboard shortcut variations. In the first variation the knobs, buttons and rotaries are mapped to parameters for Oscillator 1 and 2 respectively, while the sliders control the filter parameters. In the second variation, the knobs, buttons and rotaries control the modulators and additional oscillator settings, while the sliders control additional filter and shaper parameters.

D Redrum

There are two keyboard shortcut variations, determining which drum channels are controlled (drum 1-8 or drum 9-

10). Button 9-12 and 17-20 select pattern; button 13-14 and 21-22 select bank.

D Matrix

Button 9-12 and 17-20 select pattern; button 13-14 and 21-22 select bank.

D BV-512 Vocoder

Knobs 1-7, 9 and 22 control the panel parameters. The sliders control the band levels. Use keyboard shortcut variations to select which vocoder bands to control.

D ReGroove

The Sliders control A1-A8 Groove Amount. Buttons 1-8 control A1-A8 Pre-Align. The Knobs control A1-A8 Slide Amount. The Rotaries control A1-A8 Shuffle and Buttons 17-24 control Global Shuffle On/Off. The Data Value Rotary controls Global Shuffle Amount.

NOVATION

ReMOTE LE

Requirements/Setting up:

• This model can be used with the ReMOTE LE series.

• Please use the latest operating system for the ReMOTE keyboard - see www.novationmusic.com for details.

• To use the ReMOTE LE with Record, you need to connect it via USB.

About the controls:

The controls are named as follows:

• Two groups of knobs and buttons can be accessed, Group A and B, effectively doubling the amount of controls. The row of assignable knobs are called Knob 1-9 (A or B). The buttons below these are called Button 1-9 (A or B).

About the default mapping:

D The transport buttons control the corresponding transport functions in Record.

D The X/Y touch pad isn't mapped to any parameters by default, but you can map it freely using Remote Over-

rides.

Note that there are two control surface items for each axis - you can map the touch pad to four different Record parameters (two for the X-axis and two for the Y-axis).

D For effect devices, button 1A controls the Bypass/On/Off state.

D Main Mixer Channel

There are three keyboard shortcut variations for controlling Dynamics+Filters, EQ+Insert FX+Fader Section and Send FX parameters respectively.

D Main Mixer Master Section

There are nine keyboard shortcut variations. In the first variation, the Group A pots and buttons control Master Inserts FX and master Compressor parameters. Pot 9A controls Master Level. The Group B pots 1-8 and buttons 18 control FX1-FX8 Return Levels and FX1-FX8 Mutes. In the second variation the pots and buttons control Pan, Level, Solo and Mutes of channels 1-8, in the third variation for channels 9-16, in the fourth variation for channels 17-24, in the fifth variation for channels 25-32, in the sixth variation for channels 33-40, in the seventh variation for channels 41-48, in the eighth variation for channels 49-56 and in the ninth variation for channels 57-64.

D Mixer 14:2

There are eight keyboard shortcut variations, determining which mixer channels (ch 1-9 or ch 10-14) and what parameters are controlled. Knobs 1A-5B control either Level, Pan, Send 1, Send 2, Send 3, Send 4, EQ Treble or EQ Bass. Buttons 1A-5B control either Mute, Solo, Aux 4 Pre Fader On/Off or EQ On/Off. In all variations knobs 6B-8B control Aux 1/2/3 Return and knob 9B controls Master Level.

D Mixer 6:2

There are two keyboard shortcut variations. In the first variation knobs 1A-6A control Level and knobs 1B-6B control Pan. Buttons 1A-6A control Mute and buttons 1B-6B control Solo. In the second variation only knobs 1A-7A are assigned to Aux Send and Aux Return.

D Thor

There are three keyboard shortcut variations. In all variations knobs 6A-9A, 6B-9B and buttons 6B and 8B control Filter Env and Amp Env parameters.

NOVATION

D Redrum

There are four keyboard shortcut variations, Levels, Sends/Pattern, Length and Tone. Only drum channels 1-9 are controlled.

D Matrix

Button 9-12 and 17-20 select pattern; button 13-14 and 21-22 select bank.

D BV-512 Vocoder

Knobs 1A-6A and buttons 1A-3A control the panel parameters in all four variations. Knobs 1B-9B control the band levels. Use keyboard shortcut variations to select which vocoder bands to control.

D ReGroove

There are two keyboard shortcut variations. In the first variation pots 1A-8A control Groove Amount for channels A1-A8, buttons 1A-8A controls Global Shuffle On/Off and, pots 1B-8B control Shuffle Amount for channels A1A8 and buttons 1B-8B control Pre-Align On/Off for channels A1-A8. In the second variation pots 1A-8A control Slide for channels A1-A8.

NOVATION

XioSynth

Requirements/Setting up

Although there is no Template onboard the XioSynth for Record, Record ships with Resource files to enable the keyboard to work as a controller for each device in the software. When the XioSynth is set up as a Control Surface in Record, a Template will automatically be sent to the XioSynth. You will then need to manually save this Template to the XioSynth's memory.

About the controls:

The controls are named as follows:

• Two groups of knobs and buttons can be accessed, Group A and B, effectively doubling the amount of controls. The row of assignable knobs are called Knob 1-11 (A or B). The buttons below these are called Button 111 (A or B).

About the default mapping:

D The X/Y touch pad isn't mapped to any parameters by default, but you can map it freely using Remote Over-

rides.

Note that there are two control surface items for each axis - you can map the touch pad to four different Record parameters (two for the X-axis and two for the Y-axis).

D For effect devices, button 1A controls the Bypass/On/Off state.

D Main Mixer Channel

There are three keyboard shortcut variations. In the first variation the pots and buttons control Input, Dynamics and Filter parameters. In the second variation they control EQ, Insert FX and Fader Section parameters and in the third variation the pots and buttons control Send FX parameters.

D Main Mixer Master Section

There are two keyboard shortcut variations: "Master" and "Channels". In the Master variation, the knobs and buttons control Master Section parameters. Button 10A-11A select Previous and Next 8 Remote Base Channels. In the Channels variation, the knobs and buttons control Level, Pan, Solo and Mute for 8 channels at a time.

D Mixer 14:2

There are eight keyboard shortcut variations, determining which mixer channels (ch 1-10 or ch 11-14) and what parameters are controlled. Knobs 1A-10B control either Level, Pan, Aux 1/2/3/4 Return, Send 1, Send 2, Send 3, Send 4, EQ Treble or EQ Bass. Buttons 1A-10B control either Mute, Solo, EQ On/Off or Aux 4 Pre Fader On/Off. In all variations knob 11A controls Master Level.

D Mixer 6:2

D Thor

There are three keyboard shortcut variations. The first variation basically controls Osc 1, Filter 1 and LFO 1 parameters. The second variation basically controls Osc 2, Filter 2 and LFO 2 parameters and so on.

D Subtractor

There are two keyboard shortcut variations. The first variation basically controls Osc 1, Filter 1 and LFO 1 parameters. The second variation basically controls Osc 2, Filter 2 and LFO 2 parameters. Some knobs and buttons control the same parameters in both variations.

NOVATION

D Malström

There are two keyboard shortcut variations. The first variation basically controls Osc A, Filter A and Modulator A parameters. The second variation basically controls Osc B, Filter B and Modulator B parameters. Some knobs and buttons control the same parameters in both variations.

D Redrum

There are four keyboard shortcut variations, Levels, Sends/Pattern, Length and Tone. Knob 11A controls Master Level and buttons 11A and 11B select previous and next patch respectively.

D Matrix

Button 9-12 and 17-20 select pattern; button 13-14 and 21-22 select bank.

D BV-512 Vocoder

Knobs 1A-6A and buttons 1A-3A control the panel parameters in all four variations. Knobs 1B-11B control the band levels. Use keyboard shortcut variations to select which vocoder bands to control.

D ReGroove

There are two keyboard shortcut variations. In the first variation Pots 1A-8A control A1-A8 Groove Amount, Pots B1-B8 control Shuffle Amount, Buttons 1A-8A control Global Shuffle On/Off and Buttons 1B-8B control PreAlign. In the second variation Pots 1A-8A control A1-A8 Slide Amount.

NOVATION

X-Station

Requirements/Setting up:

• If you have a ReMOTE 25 Audio, you can upgrade this to an X-Station - see www.novationmusic.com.

• To use the X-Station with Record, you need to connect it via USB or two-way MIDI.

• Make sure the X-Station isn't write protected: press "Global", make sure the memory protect page is shown in the display and use the "Data/Value" knob to select "off".

• When you add the X-Station in Record, you must select the correct MIDI output on the MIDI Output Port menu in the Add Control Surface dialog. Record will then upload a template to the edit buffer in the X-Station.

• If you like, you can then save these settings to any template memory location on the X-Station. If you do this, you can also set which template the X-Station should show each time you turn it on: select the saved template, press "Global" and press "Write".

About the controls:

When you list the X-Station controls in Record (e.g. when mapping Remote Overrides), they will be named according to their labels on the panel. However, in the default mapping, the name of a control will not always match the parameter it's mapped to (since Record has some very different parameters than the X-Station). We have tried to keep it as logical as possible though.

Many of the controls on the X-Station have multiple functions. When the Record template is selected, the following multiple functions are available:

• In the Oscs-Mixer section, you can select Osc 1 or Osc 2, changing the function of most knobs and buttons.

• In the Filters section, all controls have different functions depending on whether you select Filter 1 or 2 (using the button in the upper right corner of the section).

• In the LFOs section, you can select LFO 1 or LFO 2, changing the function of all controls.

• The function of the controls in the Mod Env/Env 3 section depends on whether "Mod" or "Env 3" is selected with the button to the right.

• The Velocity slider has three modes, selected with the button next to it. However, the Trigger and Repeat buttons are not affected by this mode selection.

About the default mapping:

D The transport buttons control the corresponding transport functions in Record.

D Record supports the channel pressure (aftertouch) of the X-Station keyboard, but the result depends on the

settings for the controlled device.

D The X/Y touch pad isn't mapped to any parameters by default, but you can map it freely using Remote Over-

rides.

Note that there are two control surface items for each axis - you can map the touch pad to four different Record parameters (two for the X-axis and two for the Y-axis).

D The Arp On and Arp Latch buttons are used for Target Previous/Next Track (move master keyboard input up or

down in the track list).

D For devices with patches, the Trigger and Repeat buttons select the previous/next patch.

D With most devices, the Effects Control knob (in the lower right corner of the panel) controls the master level.

However, for the mixers, the master level is mapped to the Amp Velocity fader.

D For pattern devices (Redrum and Matrix), you select pattern with the buttons above the sliders (the four Amp

Env buttons and the four first Mod Env buttons).

The Mod Env F3 button steps through banks.

NOVATION

D With a few devices, keyboard shortcut variations are used.

D Main Mixer Channel

There are two keyboard shortcut variations. In the first variation the Amp Env and Mod Env sliders and Amp and Mod buttons control EQ parameters. In the second variation they control Send FX parameters. In both variations the Effects controls control Width, Pan and Insert FX Bypass. The Trigger and Repeat buttons select Previous and Next Insert FX patch. The Amp Velocity fader controls Level. The Mod F3 and Env3 buttons control Mute and Solo. The Osc1 and Env3 knobs and buttons control the Insert FX parameters and the Filter controls control Dynamics parameters.

D Main Mixer Master Section

There are two keyboard shortcut variations. In the first variation the Amp Env and Mod Env sliders and the Amp and Mod buttons control channel Levels and Mutes. In the second variation they control Send FX Return parameters. In both variations the Arp On and Arp Latch buttons select Previous and Next Remote Base Channel. The Effects Select button controls Master Insert FX Bypass. The Trigger and Repeat buttons select Previous and Next Insert FX patch and the Amp Velocity Slider controls Master Level. The Mod F3 and Env3 buttons control All Mutes Off and All Solo Off. The Osc1 and Env3 knobs and buttons control the Master Insert FX parameters and the Filter controls control the Master Compressor parameters.

D Mixer 14:2

There are six keyboard shortcut variations, determining which mixer channels (ch 1-8 or ch 10-14) and what parameters are controlled. In all variations the Amp Velocity knob controls Master Level, the Mod Velocity knob controls Aux 1 Return and Env3 Velocity controls Aux 2 Return.

D Mixer 6:2

There are two keyboard shortcut variations, Pans and Sends. In all variations the Amp Velocity knob controls Master Level and the Mod Velocity knob controls Aux Return. The Amp Env and Mod Env knobs control Ch 1-6 levels.

D Thor

The Osc 1 Sync and Osc 2 Sync parameters control Rotaries 1 and 2. The Osc Env Depth and Osc LFO Depth parameters control Buttons 1 and 2 on the Thor panel.

D Redrum

There are three keyboard shortcut variations, Pitch, Length and Pan. In all variations the Effects Control knob controls Master Level and the Amp Env and Mod Env knobs control the drum channel levels.

D Matrix

Button 9-12 and 17-20 select pattern; button 13-14 and 21-22 select bank.

D BV-512 Vocoder

The Osc 1 knobs control the panel parameters in all four variations. The Amp Env and Mod Env knobs control the band levels. Use keyboard shortcut variations to select which vocoder bands to control.

D ReGroove

There are two keyboard shortcut variations. In the first variation the Osc 1 and Filter 1 knobs control A1-A8 Shuffle. The Amp and Mod buttons control A1-A8 Global Shuffle On/Off. In the second variation, the Osc 1 and Filter 1 knobs control A1-A8 Slide Amount. The Amp and Mod buttons control A1-A8 Pre-Align. In both variations the Amp Env and Mod Env Sliders control A1-A8 Groove Amount.

NOVATION

Peavey

PC 1600x

Requirements/Setting up:

• To use the Peavey PC 1600x with Record, you need to select preset 21 and make sure this isn't changed from the factory settings.

• You can reset the PC 1600x to factory default settings by holding down the Utility and Enter buttons while you turn the power on - note that this will erase all settings you have made!

• If you prefer to reprogram preset 21 to the default settings (without resetting all other presets), the faders and buttons should send the following MIDI CC messages:

Fader 1: CC 53

Fader 2: CC 66

Fader 3: CC 79

Fader 4: CC 54

Fader 5: CC 67

Fader 6: CC 80

Fader 7: CC 89

Fader 8: CC 92

Fader 9: CC 87

Fader 10: CC 88 (inverted value range)

Fader 11: CC 55

Fader 12: CC 68

Fader 13: CC 81

Fader 14: CC 56

Fader 15: CC 69

Fader 16: CC 82

Button 1-16: Program Change 0-15

About the default mapping:

D For devices with patches, buttons 15 and 16 select the previous/next patch.

D For devices with many parameters, keyboard shortcut variations are used.

D For effect devices, button 1 controls the Bypass/On/Off state.

D Main Mixer Channel

There are four keyboard shortcut variations for controlling EQ, Insert FX, FX Sends and Dynamics parameters respectively. In all variations Faders 13-16 control Fader section parameters and buttons 15 and 16 control Mute and Solo.

PEAVEY

D Main Mixer Master Section

There are two keyboard shortcut variations where buttons 1-15 control Mutes and Solo in the respective variation. Button 16 controls All Mutes Off and All Solo Off in the two variations. Faders 1-15 control channel levels and Fader 16 controls Master Level in both variations.

D Mixer 14:2

There are four keyboard shortcut variations: Levels, Pans, Send 1 and Send 2. In the different variations the faders control the respective function for the corresponding channel. The buttons control mutes in all variations.

D Mixer 6:2

There are two keyboard shortcut variations: Pans and Sends. Faders 1-6 control the levels, fader 15 controls Aux Return and fader 16 Master Level, in both variations. Knobs 8-13 control the pans and sends in the different variations. Buttons 1-6 and 8-13 control mute and solo respectively. Button 14 controls Aux Pre/Post.

D Thor

There are three keyboard shortcut variations: Filters, Osc & Amp and Modulation. The faders control parameters in the respective group for each of the variations. The buttons control various switch parameters in Thor. Fader 1 and 2 control Rotaries 1 and 2 and buttons 1 and 2 control Buttons 1 and 2 on the Thor panel.

D Subtractor

There are two keyboard shortcut variations: Filters & Env and Osc. The faders control parameters in the respective group for each of the variations. The buttons control various switch parameters in Subtractor.

D Malström

There are two keyboard shortcut variations: Osc and Filters. The faders and buttons control parameters in the respective group for each of the variations.

D NN-19

There are two keyboard shortcut variations: Filter & Env and Mod. The faders control parameters in the respective group for each of the variations. Buttons 1-2 control various switch parameters in NN-19.

D Dr. REX

There are two keyboard shortcut variations: Filter & Env and Osc. The faders control parameters in the respective group for each of the variations. The buttons, faders 11-13 and 16 control the same parameters in both variations.

D Redrum

There are three keyboard shortcut variations, in which the faders control levels, pans and pitch, respectively. Fader 16 controls Master Level.

D BV-512 Vocoder

There are three keyboard shortcut variations: Basic, Band 1-16 and Band 17-32. In the basic variation the faders control the panel parameters. In variations 2-3 the faders control the band levels. Button 1-2 control switch parameters.

D Matrix

Buttons 1-8 select pattern in the current bank, while buttons 9-12 select bank.

D ReGroove

Faders 1-4 control the A1-A4 Groove Amount, faders 5-8 control the A1-A4 Slide and faders 9-12 control the A1-A4 Shuffle.

PEAVEY

About creating your own remote maps

If you have a control surface for which there is no native support in Record, it's possible to create remote support for this yourself. Please visit http://www.propellerheads.se/developer/ and click the Remote link for more info the Remote SDK.

100

ABOUT CREATING YOUR OWN REMOTE MAPS

Propellerhead RECORD CONTROL, RECORD 1.5 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Introduction

About keyboard shortcut variations

Supported Control Surfaces

Akai

MPD24

Requirements/Setting up:

About the controls:

About the default mapping:

MPD32

Requirements/Setting up:

About the controls:

About the default mapping:

MPK49

Requirements/Setting up:

About the controls:

About the default mapping:

Alesis

Photon X25

Requirements/Setting up:

About the controls:

About the default mapping:

Behringer

BCF2000

Requirements/Setting up:

About the controls:

About the default mapping:

BCR2000

Requirements/Setting up:

About the controls:

About the default mapping:

UF Series

Requirements/Setting up:

About the controls

About the default mapping:

Doepfer

Drehbank

Requirements/Setting up:

Pocket Control

Requirements/Setting up:

Pocket Dial

Requirements/Setting up:

Pocket Fader

Requirements/Setting up:

Regelwerk

Edirol

PCR-1

Requirements/Setting up:

About the controls:

About the default mapping:

PCR-M1

PCR-300/500/800

Requirements/Setting up:

About the controls:

About the default mapping:

PCR-30/50/80/A30

Requirements/Setting up:

About the controls:

About the default mapping:

PCR-M30/M50/M80 series

UR-80

Requirements/Setting up:

About the controls:

About the default mapping:

Evolution

MK-249C

Requirements/Setting up:

About the default mapping:

MK-425C

Requirements/Setting up:

About the controls:

About the default mapping:

MK-449C

Requirements/Setting up:

About the controls:

About the default mapping:

MK-461C