Pro-Ject Strauss User Manual

4. March 2004
CABINETS
Our speaker designs feature massive and inert cabinet construction. Vienna Acoustics cabinets are designed with the latest computer modelling techniques and use a combination of amorphous materials in order to ensure that they are both stiff and well damped. Additionally, our designs feature narrow front baffles in order to promote accurate imaging. The combination of precise build construction using furniture grade finishing techniques and complex internal damping produce designs capable of accurately rendering music.
CONNECTIONS
The massive Vienna Acoustics input terminals are designed to accept banana plugs, spade terminals or bare wire connec­tion. Make certain that all connections are well tightened since poor contact between speaker cable and input connector can lead to degradation of sound quality.
It is also a good idea to make a point of regularly cleaning all connections in your system since oxidation will build up on a regular basis. We use gold plated terminals which do not oxidize, but contaminants or surface build-up on your spea­ker cables and connectors may degrade sound quality.
While it is popular among some audiophile circles to fit duplicate sets of binding posts for "bi-wiring", we have cho­sen to follow sound engineering practises. Our crossovers are configured as an organic whole, intended to optimize every known aspect of driver integration.
It is our belief that with the high quality of wire currently available, it is in most cases possible to obtain higher performance from a single run of superior cable to two lesser runs of cable. By keeping a single ground plane in our
crossover design, we are better able to control the many variables that can be negatively affected by poorly executed bi-wiring choices. The result for you is consistently superior musical reproduction.
CABLING
We encourage and recommend the use of high quality speaker cables and believe them to be an important tool for the enthusiast in obtaining maximum enjoyment from their music reproduction system. High quality cabling is a significant tool in the finetuning of a system for performance. As with any purchase, listen carefully and allow your ears to guide you.
It is beyond the scope of this manual to provide a useful compendium concerning cables, or to make specific brand or model recommendations. A number of high quality maga-zines do in fact list cable recommendations.
AMPLIFICATION
Our speakers demonstrate outstanding sonic results with a variety of amplifier types. They feature a combination of high efficiency and gentle impedance curves that allow them to be used with either solid state or tube electronics.
However, it is still important to select an amplifier with care since the full potential of your system will only be revealed by quality electronics. Amplifier designs do have distinct and different sounds.
It is important to listen carefully to the match of amplifier and loudspeaker to ensure that the combination works well sonically for you. Though rated amplifier wattage bears little
correlation to either sound quality or drive capability the user is cautioned that amplifiers of low wattage ratings, when stressed beyond their limits will produce audible amounts of distortion. This distortion can and will damage loudspeaker components and will not be covered by warranty.
BURNING OR BREAKING IN NEW
LOUDSPEAKERS
Your loudspeakers contain a large number of precision built moving parts. These parts require playing time initially to develop their maximum smoothness and extension. Very audible improvements can be observed during about 30 hours of playing. Additional improvements will be evident after 100 hours of playing time, at which point the speakers have reached their full musical potential.
POSITIONING
Room acoustics and positioning of the speakers within the room have an important effect on sound quality. To find the optimal position for your speakers we offer the following hints:
FREE AIR SET -UP
If the room is large and space permits, allow a minimum of 1 meter away from the rear wall (the wall behind the spea­kers). Small movements of the speaker forwards and backwards will establish where a speaker sits most com­fortably. Find the location that gives a full balance without sounding heavy. Remember, in a free air set-up the distance from the rear wall determines how low the speaker will go in a room and also determines depth of image. Positioning too close to a
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