Congratulations on your purchase of the EchoFree™ EF1210 Multi-Channel Acoustic Echo and Noise Canceller. By choosing AS PI Digital’s Ec hoFree™ products , you
are investing in cutting edge DSP technology that will help provide the best po ssible
audio quality for your system.
This manual is a reference manual for your EF1210. It is structured to provide the
information you need quickly and conveniently. The following is an overview of
each section:
•Quick Installation gives an overview of the installation process including an outline of hardware installation as well as calibration of the EF1210. It also includes
a quick reference for calibration — use the quick reference only if you are very
familiar with the EF1210 since it is just an outline of steps without detailed
explanations.
•Advanced Installation gives more detailed technical information on the installation, configuration and calibration of the EF1210.
•Operating the EF1210 outlines using the EF1210 with and without RS-23 2 control.
•Troubleshooting helps to debug problems with installation.
•Technical Specifications provides the technical specifications of the EF1210.
•Warranty Information
•EF1210 Command Set Reference contains instructions on how to send RS-232
commands to the EF1210 as well as a reference of the RS-232 commands.
•Applications briefly describes using the EF1210 in different applications.
•EF1210 Block Diagram
•Connector Pinouts
•Connecting Balanced Equipment to Unbalanced Equipment
Product Descripti on
ASPI Digital -
The Sound of DSP
The EF1210 Multi-Channel Acoustic Echo and Noise Canceller installs between the
room’s microphones and the automatic mixing system, providing individual channel
noise cancellation and acoustic echo cancellation. The EF1210 works with most vendors’ automixing systems to provide conferencing capability to new and existing
rooms.
Unlike most echo cancellers, the EF1210 requires no training sequence to learn a
room’s echo response. After the unit has been installed, all you have to do is turn it
on. No further adjustments are required. ASPI’s echo cancellation algorithm offers
speed, flexibility and superior audio quality to your conference room setup.
The speed at which an echo canceller matches the actual sound of a room (the convergence rate) is a direct indication of the product’s quality. Faster convergence allows
better conference quality by instantly adapting to chan ging room environments such
as moving microphones, changing volumes or people moving around the room. Our
echo cancellers are designed to provide faster convergence and better performance
than other echo cancellers. This means that the EF1210 adapts to changes in room
acoustics during conversations quickly for consistent performance throughout the
Technical Support: 404.892.32003
EF1210 U
conversation. At a convergence rate of 30 dB per second, ASPI echo cancellers are
the fastest on the market.
Because the EF1210 supports a wider range of acoustic gain than most echo cancellers, it offers greater flexibility in loudspeaker and microphone placem ent. Most echo
cancellers can only operate properly at less than 0 dB of acoustic gain. Breaking
through this threshold can cause echoes and howli ng as loudspeak er levels overpower
the microphones. Th at can leav e you with f ew options when desig ning audi o or vide o
conference rooms. A wider range of acoustic gain results in a smaller danger zone,
allowing the Systems Designer greater flexibility when placing loudspeakers and
microphones or setting volume levels.
ASPI’s superior audio quality allows all parties to communicate freely and naturally,
without echoes, switching noises, clipping of words, or dropout of speech. A patented state-logic algorithm ensures smooth and natural communications without typical speakerphone performance problems.
ASPI’s proprietary noise cancellation on each of the inp uts helps to keep overall noise
to a minimum. ASPI echo cancellers are the only ones on the market to feature this
patent pending technology. Noise cancellation filters out ambient background noise
such as HVAC, LCD projectors, and road noise. Our noise cancellation technology is
not a noise gate. It actually removes noise. Therefore, it enhances the operation and
improves the sound quality of an automixer, for example, by pre venting it from bringing the noise level up and down when microphones are gated on and off. By cancelling the noise picked up by each microphone, the overall SNR is preserved. The
result is crystal clear speech over a greater decibel range than any other echo canceller. That means reduced listener fatigue and a higher quality audio conference.
SER MANUAL
Warranty
Registration
RODUCT FEATURES
P
The EF1210 is also fully RS-232 controllable via all popular room control systems,
and provides links to other ASPI products, such as the EF200 Phone Add.
Please take a moment to fill out and return your warranty registration card. This
information will help us to provide you with better customer support.
•8 microphone/line level inputs
•Phantom power on each input
•Ambient noise cancellation (patent pending) on each input
•Fast convergence rate of 30 dB/sec
•Works in environments with up to 10 dB of room gain
•Links to other ASPI devices such as EF200 Phone Add
•Compatible with most matrix and automixers
•Fully RS-232 controllable via room controllers
•Front panel lock-out capability
•Can be used as a wideband noise cancell er (20 kHz band width) when AEC i s disabled
•Long “Tail Time” supports even the most difficult of rooms (200 ms)
•Supports up to two AEC reference input signals
•Supports record and playback
•Ability to store user configurations in non-volatile memory
Installation of the EF1210 involves two procedures: hardware installation, and calibration.
Hardware installation involves the following steps:
1.Set rear panel DIP switches to select Line or Mic level and enable phantom
power for each microphone input channel, and to select ASPI Bus Device ID if
necessary. See “Configuration” on page 15.
2.Connect input and output signals (See “Connecting the EF1210 to other equipment” on page 19):
•Connect the 8 Mic/Line Inputs to microphones.
•Connect the 8 Line Outputs to the inputs of a mixer.
•Turn off Phantom Power on automixer.
•Connect Zone Output(s) to amplifier(s) or powered loudspeaker(s).
•Connect AEC Reference Inputs to the T
output of a CODEC.
•If you wish to use the EF1210’s bu ilt in P layback/ Record mixer feature, con-
nect A
Record” on page 22.
3.If you are using an RS232 remote control device, connect it to the RS-232
R
EMOTE CONTROL
them using the ASPI Bus ports (See “Connecting the ASPI Bus” on page 26).
4.Connect the external power supply.
, AUX IN, TO CODEC, and REC as directed in “Playback/
MIX IN
port; if you are controlling multiple ASPI devices, connect
AEC output of an EF200 or to the
O
SER MANUAL
ALIBRATION
C
Caution!
Calibration of the EF1210 involves a sequence of five calibration steps to configure
the input and output levels of the EF1210 to match those of the equipment to which it
is connected. The EF1210 can be calibrated either from the front panel or by using a
computer. Please refer to “Calibration” on page 27 for more detailed information on
the Calibration procedure. Correct calibration is essential for satisfactory operation of
the EF1210, so please take the time to familiarize yourself with the details of the Calibration procedure by reading “Calibrati on” on page 27.
For front panel calibration, enter Calibration mode by pressing and holding the A
I
N LEVEL/SETUP
mode, the S
executing. Press the A
to the next. When you have finished Calibration step 5, press the A
button again to exit Calibration mode; any changes that you made will be
S
ETUP
saved as the default power-on settings when you exit the Calibration procedure.
The EF1210 is designed to maintain a 1/4” (6.35 mm) air circulation clearance above the enclosure. Do not stack or install
EF1210s in such a way as to defeat this clearance, block the side
vent holes, or otherwise impe de air circulation around the
EF1210.
and I
NPUT SELECT
LED will blink to let you know which setup step you are currently
If you miss a Calibration step or lose your place and get to the wrong C alibration step,
you may either continue and come back to the missed step later or exit Calibration
mode (by pressing A
UX IN LEVEL/SETUP
repeatedly until the S
LED is no longer
ETUP
illuminated), re-enter Calibration mode, and resume Calibrat ion at the step that you
missed. If you wi sh t o ex it Cal ibration mode and discard any changes that you made,
you must cycle power on the EF1210 before exiting Calibration mode.
1.1. Press and hold the AUX IN LEVEL/SETUP and the INPUT SELECT buttons for 2 seconds to enter setup. SETUP LED blinks once
per period.
1.2. Press REF SELECT to select noise output source.
1.3. Press INPUT SELECT to select input channel to calibrate.
1.4. Place SPL meter beside mic pointing in the same direction. Adjust loudspeaker for 73 dB SPL at mic (for boundary mics) or
refer to Table 4 in Calibration Section for other mic types.
1.5. Press LEVEL ADJUST until first yellow LED (0 dB) on INPUT meter is lit on INPUT meter.
1.6. Repeat steps 3-5 for each input channel.
Be sure to move SPL meter or mics so each
mic sees the appropriate SPL level.
: adjust
reen
MUTE
ALL
INPUTPOWERREMOTE
-12 -7 -3 0 3 20 dB -12 -7 -3 0 3 20
STEP 1.5
level until 3
and 1 yellow LEDs
are lit (repeat for
each channel)
STEP 1.1
hold AUX IN LEVEL/
SETUP button
INPUT SELECT for 2
seconds to enter
confi
LEVEL
ADJUST
: Press and
and
uration mode
AUX IN
LEVEL
SETUP
STEP 1.2
select noise source
REF
SELECT
Calibration Step 2: Calibrating Zone Outputs, Check Acoustic Gain
STEP 1.3
:
press to select
channel for
calibration
INPUT
SELECT
: press to
LED blinks
once for
microphone
calibration
AECAAEC
SETUP
LEDs light to
indicate which
channel is selected
12345678
B
pink noise to both zones
no noise
enerated
pink noise to zone A
pink noise to zone B
noise level
measured
at mic
should be
73 dB SPL,
or refer to
Table 4
2.1. Press the AUX IN LEVEL/SETUP button to enter Zone Output Calibration. SETUP LED blinks twice per period.
2.2. Press REF SELECT to select noise output source (we recommend using both zones simultaneously).
2.3. Select nominal output level for your room audio amplifier with LEVEL ADJUST (press UP for 0 dBu, DOWN for -10dBV).
2.4. Repeat for other Zone output if appropriate. Then return all mics to their operating position and orientation.
2.5. Check acoustic gain limit. Adjust external amplifiers/loudspeakers so that the loudspeaker volume is almost uncomfortably
loud OR no more than 3 green LEDs are lit on INPUT meter.
2.6. Press INPUT SELECT to select next input channel.
2.7. If INPUT meter shows more than 3 green LEDs, turn
down room amplifier.
2.8. Repeat steps 6 & 7 for each input channel.
INPUTPOWERREMOTE
-12 -7 -3 0 3 20 dB -12 -7 -3 0 3 20
STEP 2.7
amplifiers/loudspeakers so that
no more than 3
: adjust external
lit (repeat for each channel)
reen LEDs are
MUTE
ALL
STEP 2.3a
: press
Ð
if amp expects
consumer level
input (-10 dBV)
LEVEL
ADJUST
STEP 2.3b
:
if amp
press
Ï
expects 0 dBu
balanced input
STEP 2.6
to select channel;
AUX IN
REF
LEVEL
SELECT
SETUP
STEP 2.2
press to select
noise source
: press
check level
INPUT
SELECT
:
LED blinks
twice for Zone
calibration
AECAAEC
SETUP
channel is selected
12345678
B
noise to both zones (recommended)
noise to zone A
noise to zone B
3.1. Press AUX IN LEVEL/SETUP button again to enter Ref Input calibration. The SETUP LED blinks 3 times per period.
3.2. Press REF SELECT to select input source (AEC A or AEC B). Single zone installation will use AEC A.
3.3. Establish live connection to remote site(s) and have remote party talk normally.
3.4. Press LEVEL ADJUST until first yellow LED on REMOTE meter is flickering regularly and 2nd yellow is flickering rarely.
3.5. Repeat for other reference input if neccessary.
LED blinks three
times for AEC
Reference calibration
INPUTPOWERREMOTE
-12 -7 -3 0 3 20 dB -12 -7 -3 0 3 20
STEP 3.4
level until person
talking at remote
site flickers second
MUTE
ALL
: adjust
yellow LED
LEVEL
ADJUST
AUX IN
REF
LEVEL
SELECT
SETUP
STEP 3.2
: press
to select
reference input
source
INPUT
SELECT
SETUP
AECAAEC
12345678
B
AEC A input selected
AEC B input selected
Calibration Step 4: Calibrating for Playback and Record
4.1. Press the AUX IN LEVEL/SETUP button to enter Playback/Record calibration. The SETUP LED blinks 4 times per period. This
step may be omitted if you are not using the internal EF1210 mixers to implement playback and record.
4.2. Press LEVEL ADJUST DOWN to set CODEC OUT level to -10 dBV, press LEVEL ADJUST UP to set CODEC OUT level to 0
dBu.
INPUTPOWERREMOTE
-12 -7 -3 0 3 20 dB -12 -7 -3 0 3 20
press Ð to set
CODEC OUT
MUTE
ALL
STEP 4.2a
:
level to -10
dBV
LEVEL
ADJUST
STEP 4.2b
press Ï to set
CODEC OUT
level to 0 dBu
AUX IN
REF
SELECT
INPUT
SELECT
LED blinks four
times for record
LEVEL
SETUP
:
AECAAEC
SETUP
and playback
calibration
12345678
B
Calibration Step 5: Zone/Reference Setup
5.1. Press the AUX IN LEVEL/SETUP button to enter Zone/Reference Setup. The SETUP LED blinks 5 times per period. This step
may be omitted for single zone installations.
5.2. Use INPUT SELECT to cycle through each input channel. Use REF SELECT to select corresponding reference input for each
input channel.
INPUTPOWERREMOTE
-12 -7 -3 0 3 20 dB -12 -7 -3 0 3 20
MUTE
ALL
LEVEL
ADJUST
STEP 5.2a
: press to
select channel for
calibration
AUX IN
REF
SELECT
: press to
INPUT
SELECT
LEVEL
SETUP
STEP 5.2b
select reference zone
LED blinks
five times for
zone/ref setup
AECAAEC
SETUP
LEDs light to
indicate which
channel is selected
12345678
B
zone A selected
zone B selected
ASPI Digital - The Sound of DSPTechnical Support: 404.892.32009
A
DVANCED INSTALLATION
The installation procedure for the EF1210 consists of the following steps:
1.Prepare for installation (below).
2.Configure the DIP switches to accept appropriate levels from microphones or
mixer (See “Configuration” on page 15).
3.Connect the EF1210 to other equipment (See “Connecting the EF1210 to other
equipment” on page 19).
4.Calibrate the EF1210 (See “Calibration” on page 27).
REPARING FOR INSTALLATION
P
Reading the entire manual (or at least the advanced installation section) before beginning the installation process will he lp you be more prepared for installation. Also,
please make sure you have the correct equipment (outlined below) before you begin
installation.
EF1210 U
SER MANUAL
What’s Included
What’s Not Included
Tools Needed
The EF1210 product package includes the following items:
•EF1210 User Manual (this manual)
•EF1210 MultiChannel Acoustic Echo and Noise Canceller
•External Power Supply with a cable clamp for strain relief
•Diskette with EFPanel Control Software
•Warranty R egistration Card
The following equipment is not included with the EF1210 product package, but may
be necessary to create a completely functional system:
•Microphones
•Loudspeakers
•Audio amplifier (or amplified loudspeaker)
•EchoFree™
•Automatic microphone mixer or matrix mixer
•Audio cables
•Videoconferencing CODEC or other four-wire interface (optional)
face between a four-wire audio system and a two-wire telephone
line. It allows a telephone caller to be brought in to any four-wire
audio system. The EF200 is similar to a digital hybrid, but with
many more features and capabilities. The primary fu nction of the
EF200 is the line echo canceller (LEC), which digitally eliminates
reflections from the telephone hybrid. The EF200 is the recommended Phone Add for any application.
ASPI Digital -
The Sound of DSP
Technical Support: 404.892.320011
EF1210 U
SER MANUAL
EF1210 F
RONT AND REAR PANELS
S O U N D O F D S
T H E
P
POWER
INPUTREMOTE
-12 -7 -3 0 3 20 -12 -7 -3 0 3 20dB
123456 7 89 10 1112
5
HANTOM
P
6
HANTOM
P
7
HANTOM
P
8
HANTOM
P
ESERVEDRESERVED
R
ASPI BUS IN
PIN 2: TXD
ASPI BUS OUT
3: RXD
REMOTE CONTROLREMOTE CONTROL
RS-232
ID 8
ID 4
ID 2
ID 1
ID 16
EVICE
EVICE
EVICE
EVICE
EVICE
D
D
D
D
D
1
2
3
4
1
2
3
4
5-8
IC
IC
IC
IC
IC
HANTOM
HANTOM
HANTOM
HANTOM
M
P
M
P
M
P
M
P
M
L
INELINELINELINELINE
1314 1516181920 21 22 232425 26 27 2817
MUTE
ALL
Figure 1. EF1210 Front and Rear Panels
1.P
2.I
3.R
4.M
5.L
6.A
7.R
8.I
9.S
10. AEC A LED. During normal operation, this LED indicates if reference input A
11. AEC B LED. During normal operation, this LED indicates if reference input B
12. I
13. D
TM
CHOFREE
INPUT
REF
AUX IN
SELECT
SELECT
LEVEL ADJUST
5, 15 VDC 5, 15 VDC
21
436587
OWER INDICATOR
MIC/LINE INPUTS
LEVEL
SETUP
AEC REF
AUXINAMIX
IN
. When the LED is green, power is on.
NPUT SIGNAL LEVEL INDICATOR
mic input signals (selected by I
EMOTE SIGNAL LEVEL INDICATOR
reference signals (selected by R
UTE ALL
LED. This LED is only ON when all 8 L
E
AEC A AEC B 12345678
SETUP
AEC BAEC A21436587REC
INPUT CHANNELS
LINE OUTPUTS
. Indicates level activity on any one of the 8
NPUT SELECT
button).
. Indicates level activity on either of the two
EF SELECT
button).
EF1210
ZONE
TO
ZONE
A
CODEC
B
INE OUTPUT
channels are
muted. If only some of the channels are muted, the LED will not be ON.
EVEL ADJUST
. Adjusts digital trimpot levels for the 8 microphone inputs, 2 reference inputs, 2 zone outputs, CODEC output, and Aux input (used in conjunction with the A
UX IN LEVEL/SETUP
UX IN LEVEL/SETUP
. Press and hold both this button and the I
button).
NPUT SELECT
button for 2 seconds to put the EF1210 into configuration mode. Pressing the
A
UX IN LEVEL/SETUP
calibration process. During normal operation, press and hold the A
button and use the L
S
ETUP
button again selects between configuration modes in the
UX IN LEVEL
EVEL ADJUST
buttons to adjust the playback leve l of
your program audio device.
EF SELECT BUTTON
ence input (AEC A or AEC B) is shown on the R
. During norma l operation, this button selects which refer-
EMOTE LEVEL INDICATOR
. Dur-
ing setup, it has different functions depending on the setup step.
NPUT SELECT BUTTON
of the 8 M
input channels is shown on the I
IC
(LED meter). It is also used with the A
. During normal operation, this button selects which one
NPUT SIGNAL LEVEL INDICATOR
UX IN LEVEL/SETUP
button to enter se tu p
mode. During setup, it has different functions depending on the setup step.
LED. Flashes to indicate the current setup step. This LED is OFF during
ETUP
normal operation.
(AEC A) is selected for display on the R
EMOTE LEVEL INDICATOR
. During
setup, it has different functions depending on the setup step.
(AEC B) is selected for display on the R
EMOTE LEVEL INDICATOR
. During setup,
it has different f unctions depending on the setup st ep.
NPUT CHANNEL
input channel is selected for display on the I
LEDS. During normal operation, these LEDs indicate which
NPUT LEVEL INDICATOR
. During
setup, it has different functions depending on the setup step.
IP SWITCHES
. Select mic or line level inputs, phantom power, and ASPI Bus
14. ASPI BUS IN. Connects to the ASPI BUS OUT of another ASPI Digital device.
15. ASPI B
US OUT
16. RS-232 R
. Connects to the ASPI BUS IN of another ASPI Digital device.
EMOTE CONTROL PORT
. Connect this to an optional RS-232 remote
control device, such as a touch panel or personal computer COM port.
17. T
HREADED HOLE FOR POWER SUPPLY CABLE CLAMP
. Use the provided cable
clamp to clamp the power supply cable to the back panel of the EF1210 for str ain
relief.
18. P
OWER SUPPLY INPUT
. Connects to the external power supply provided with the
EF1210.
Caution!
Use only the power supply provided with the EF1210. Use
of other power supplies will void the warranty and may
cause damage.
19. M
IC/LINE INPUTS
. Connects to microphone at either mic or line level, with or
without phantom power (both selectable with DIP switches).
20. A
AEC A and is output to R
. Connects to the output of the automixer. This is internally mixed with
MIX IN
. This is only needed when recording from the
EC
EF1210. See “Playback/Record” on page 22 for a description of the Record and
Playback mixer circuitry. See also ‘T
21. A
Note.
UX IN
A
must be a 0 dBu signal.
MIX IN
. Connects to the output of a tape recorder, VCR, or other recording
CODEC” (number 26).
O
device. Playback from a program audio device is only available with the Reference A input signal. See “Playback/Record” on page 22 for a description of the
Record and Playback mixer circuitry.
22. AEC A R
EF INPUT
. Connect to the output of a CODEC or hybrid connected to
Zone A.
23. AEC B R
EF INPUT
. Connect to the output of a CODEC or a hybrid connected to
Zone B.
24. L
INE OUTPUTS
. Connect to the inputs of an automixer or matrix mixer.
Caution!
25. R
EC
. Connects to a recording device. REC requires taking the output from the
Set mixer inputs to 0 dBu line level, phantom power OFF.
automixer (or an output of a matrix mixer) and plugging that back into the
EF1210 so that the local side of the conference can be recorded. See “Playback/
Record” on page 22 for a description of the R ecord and Playback mixer circuitry.
26. T
O CODEC
plugged in to A
. Connects to the CODEC. When the output of the automixer is
MIX IN
, the TO C
signal is a mix of the A
ODEC
MIX IN
and AUX IN
signals. This is only needed when you want to add a Playback signal to the automixer output before it is sent to the C ODEC. See “Pla yback/R ecor d” on page 22
for a description of the Record and Playback mixer circuitry.
27. Z
28. Z
A. Connects to an audio amplifier or powered loudspeaker in Zone A.
ONE
B. Connects to an audio amplifier or powered loudspeaker in Zone B
ONE
(optional).
ASPI Digital - The Sound of DSPTechnical Support: 404.892.320013
EF1210 U
SER MANUAL
How to Get Useful
Information from
the Signal Level
Meters
When configuring the EF1210, it is very important to know which signal level meter
to look at. On the front panel, there are two signal level meters — the I
level meter and the R
(microphones 1-8), use th e I
inputs (AEC A and AEC B), use the R
signal level meter. When configuring the input channels
EMOTE
signal level meter. When configuring the reference
NPUT
signal level meter.
EMOTE
NPUT
signal
Take note that unlike a microphone mixer, the signal level meters do not show a total
output signal, meaning the EF1210 does not add up, for example, all eight input signal levels and show them on the I
signal level meter. Instead, what is shown on
NPUT
the signal level meters is the individual signal level of the inpu t channel or reference.
To display the desired input or reference signal when the EF1210 is in normal opera-
tion (not setup mode), press the appropriate S
button. Push the REF S
ELECT
button to cycle through the two reference inputs. Push the I
NPUT SELECT
button to
ELECT
cycle through the eight input channels. Use the LEDs on the right side of the front
panel as an indicator of which level is displayed on the LED meter. The input channels are indicated by the LEDs labeled C
HANNELS
1-8. Reference inputs are indicated
by the AEC A or AEC B LED.
If you do not see activity on the signal level meter while a talker is talking, do not
immediately assume that the level needs to be turned up. First check to make sure
you are looking at the correct input or reference on the signal level meter.
When the DIP switch is down (as shown in the diagram in Figure
2), it is in the OFF position. When the DIP switch is up, it is in the
ON position. The default factory setting for all switches is OFF.
The following is a description of each DIP switch and its function.
ABEL
1/L
IC
HANTOM
2/L
IC
HANTOM
3/L
IC
HANTOM
4/L
IC
HANTOM
5-8/L
IC
INE
1Sets phantom power for microphone 1. See Caution below.
INE
2Sets phantom power for microphone 2. See Caution below.
INE
3Set phantom power for microphone 3. See Caution below.
INE
4Sets phantom power for microphone 4. See Caution below.
INE
F
UNCTION
Sets mic or line level for input 1 on the EF1210
Sets mic or line level for input 2 on the EF1210.
Sets mic or line level for input 3 on the EF1210.
Sets mic or line level for input 4 on the EF1210.
Sets microphones 5-8 as a group to accept mic or line level input.
This permits any combination of mic and line level inputs by careful
selection when connecting cables to inputs. Switch 9 in Line position
allows 0-4 microphone inputs; switch 9 in Mic position allows 4-8
microphone inputs.
HANTOM
5Sets phantom power for microphone 5. See Caution below.
Table 1: DIP Switch configuration
ASPI Digital -
The Sound of DSP
Technical Support: 404.892.320015
EF1210 U
SER MANUAL
#L
WITCH
S
11P
12P
13P
14R
15R
16D
17D
18D
19D
20D
ABEL
HANTOM
HANTOM
HANTOM
ESERVED
ESERVED
EVICE
EVICE
EVICE
EVICE
EVICE
6Sets phantom power for microphone 6. See Caution below.
7Sets phantom power for microphone 7. See Caution below.
8Sets phantom power for microphone 8. See Caution below.
ID 16See Table 2 on page 17
ID 8See Table 2 on page 17
ID 4See Table 2 on page 17
ID 2See Table 2 on page 17
ID 1See Table 2 on page 17
Table 1: DIP Switch configuration
F
UNCTION
Reserved and must always be set to the OFF position
Reserved and must always be set to the OFF position
Caution!
Phantom power should be turned OFF unless you are
using a microphone that requires phantom power.
These switches set the Device ID for the EF1210. The ID can be any number from 0
to 31. It is a five bit binary number, with the least significant bit on switch 20. The
number after the “Device ID” label denotes the binary value of the switch. Table 2
lists the DIP switch positions necessary to set each Device ID number from 0 to 31.
The Device ID is the same ID that is used with the EF1210 Command Set. The
EF1210 will respond only to commands that are sent with the same Device ID as the
one set on its switches. If you set the Device ID to one that doesn’t agree with your
remote control commands, the remote control will no longer affect that particular
EF1210.
If you are not using a remote control device (via RS-232 o r the ASPI Bus), the Device
ID settings do not matter. The default Device ID is 0.
Table 2: DIP Switch Positions for EF1210 Device IDs (Blank spaces mean switch is OFF)
(Device ID 16)
Switch 17
(Device ID 8)
Switch 18
(Device ID 4)
Switch 19
(Device ID 2)
Switch 20
(Device ID 1)
ASPI Digital - The Sound of DSPTechnical Support: 404.892.320017
Each AEC input channel must be associated with 4 signals: local input, local output,
remote input and remote output. The local input can either be a microphone or line
level input. Since the inputs are typically connected to microphones, the inputs will
be referred to as microphone inputs in this manual. The local output is the zon e out-
ONE
A or Z
put (Z
the remote output is the L
Caution!
B). Remote input is the reference input (AEC A or AEC B) and
ONE
INE OUTPUT
.
Set mixer inputs to 0 dBu line level, phantom power OFF.
ZONE A AEC A
CH 1
CH 2
CH 3
CH 4
CH 5
CH 6
CH 7
CH 8
EF1210
OUT 1
OUT 2
OUT 3
OUT 4
OUT 5
OUT 6
OUT 7
OUT 8
Auto
Mixer
TO
AEC
(Optional)
FROM
AEC
EF200
FROM
REMOTE
TO
REMOTE
CODEC
Figure 3. Single room using an EF1210 (single zone).
PSTN
ASPI Digital - The Sound of DSPTechnical Support: 404.892.320019
EF1210 U
SER MANUAL
Zoning
The EF1210 may be configured to work with a single AEC reference input or with
two distinct AEC reference inputs. If a single reference is used, the two zone outputs
(Zone A and Zone B) will carry the same signal, and either or both of them may be
connected to room audio amplifiers. An example of using a single reference on the
EF1210 is shown in Figure 3 on page 19. If two references are used, two distinct
zone output signals will be generated, one (Zone A) correspond ing to Reference A
(AEC A) and the other (Zone B) cor responding to Reference B (AEC B). These may,
for example, feed room audio amplifiers in two acoustically isolated areas or rooms.
Each input channel must be associated with exactly one of the two references. By
default, all channels are associated with AEC A. If two references are used, some
microphone input channels will in the soundfield of Z
A and must therefore be
ONE
associated with Reference A (AEC A), while other microphone input channels will lie
in the soundfield of Z
B and must therefore be associated with Reference B (AEC
ONE
B). See Figure 4 on page 20 for a block diagram of using a single EF1210 with two
references and zones.
PSTN
Room A
Room B
CH 1
CH 2
CH 3
CH 4
CH 5
CH 6
CH 7
CH 8
ZONE A AEC A
EF1210
ZONE B AEC B
OUT 1
OUT 2
OUT 3
OUT 4
OUT 5
OUT 6
OUT 7
OUT 8
Auto Mixer (A)
Auto Mixer (B)
TO
AEC
FROM
AEC
TO
AEC
FROM
AEC
REMOTE
EF200 (A)
(Optional)
REMOTE
REMOTE
EF200 (B)
(Optional)
REMOTE
FROM
FROM
CODEC
(A)
TO
CODEC
(B)
TO
PSTN
Figure 4. Two independent rooms using a single EF1210
The EF1210 will typically be connected to other equipment in a single zone setup as
shown below in Figure 5.
MI
POWER LOW HIGHVOLUME
microphone
8 microphones
(Optional)
PIN 2: TX
PIN 2: TXD
3: RX
3: RXD
REMOTE CONTROLREMOTE CONTROL
RS-232
5, 15 VDC 5, 12 VDC
15
. . .
MIC/LINE INPUTS
21
436587PLAY
ASPI Bus Connection for RS-232 Control
)
)
FF
FF
O
O
TO
TO
ET
ET
VERRIDE
(S
(S
UPPRESSION
ID 4
ID 3
ID 2
ID 1
ID 0
O
S
OISE
EVICE
EVICE
EVICE
EVICE
EVICE
ESERVED
ESERVED
PROM
R
N
D
D
D
D
R
D
AGC
E
N
O
FF
O
REMOTE CONTROL
RS-232
LOGIC IN/OUT
microphone
AEC REF
AUX
AMIX
AEC BAEC A21436587REC
IN
IN
8 Line Level Signals
Reference
Input
ASPI BUS
TO PHONE
IN
EF400
INTERFACE
ASPI BUS
TO LINE
OUT
EF1210
LINE OUTPUTS
. . .
Automatic
Microphone
Mixer
EF200 Phone Add (Optional)
FROM
AECTOAEC
REMOTETOREMOTE
5, 15 VDC
FROM
POWERED SPEAKER
TO
CODEC
C
ZONE
ZONE
B
A
POWER
Figure 5. Typical EF1210 Connections
•Connect each of the 8 M
accepts mini-Phoenix connectors. See “Connector Pinouts” on page 88 for
pinouts.
•Connect each of the 8 L
mixer. Each L
Caution!
•Connect the zone output (Z
speaker.
•Connect the reference input (AEC A or AEC B) to T
nect only one reference per EF200) or to the output of the CODEC.
•Connect the output of your aut omi xer to F
of your CODEC.
•If RS-232 remote control is desired, connect the RS-232 R
of the EF1210 to the remote control device, such as an RS-232 interface to a
touch panel or a COM por t on a personal computer. Connect the ASPI B
on the EF1210 to the ASPI B
CODEC/hybrid
TX RX
INE INPUT
IC/LINE INPUTS
INE OUTPUTS
INE OUTPUT
PSTN
to a microphone. The MIC/L
to the inputs of an automixer or matrix
uses a mini-Phoenix connector.
Set mixer inputs to 0 dBu line level, phantom power OFF.
A or Z
ONE
on the EF200, if you are using an EF200
US IN
B) to an amplifier or powered loud-
ONE
AEC on the EF200 (con-
O
AEC on the EF200 or to the in put
ROM
EMOTE CONTROL
port
US OUT
ASPI Digital - The Sound of DSPTechnical Support: 404.892.320021
Phone Add.
EF1210 U
SER MANUAL
Playback/Record
Note.
The external RS-232 control device may b e co nnected to an y ASPI
device to control all ASPI devices that are linked via the ASPI Bus.
•Connect the external power supply to the P
OWER SUPPLY INPUT
jack of the
EF1210.
The EF1210 provides the capability to record a nd play back audio to y our conference.
Playback allows you to play the audio output of an external device, such as a television or VCR, to the conference. Record allows you to record the audio of the conference to an external device, such as a tape recorder.
auto-reverse
TAPE RECORDER
CH 1
CH 2
CH 3
CH 4
CH 5
CH 6
CH 7
CH 8
VCR
ZONE A
REC
12:00
AUXINTO
CODEC
EF1210
AEC A
AMIX
IN
OUT 1
OUT 2
OUT 3
OUT 4
OUT 5
OUT 6
OUT 7
OUT 8
Auto
Mixer
CODEC
Figure 6.
Block diagram of record and playback connections with the EF1210.
To implement the playback function with the EF1210, a playback signal must be
added to both the local audio (Zone) output and the remote output (the signal sent to
the CODEC or other terminal communication device). To implement the record
function, both the local audio and the remote CODE C signal must be mixed and output to a recording device. Since the remote output will normally be produced by an
automixer external to the EF1210, the output of the a utomixer must be av ailable to be
mixed with the R
and AUX IN signals. This mixing may be implemented using an
EC
external matrix mixer if available, or using the internal mixers provided in the
EF1210. In addition to the convenience of using the EF121 0 mixers, th e EF1210 provides remote control of the level of the A
signal so that weak recordings may be
UX IN
boosted to be audible at both ends.
To use the EF1210 Playback mi xer, the out put of th e automix er must be brough t in to
the A
minal device) must be taken from the T
input on the EF1210 will be added internally to the T
Z
ONE
input on the EF1210, and the input to the CODEC (or other remote ter-
To use the internal EF1210 Record mixer, the output of the automixer must be
brought in to the A
from the automixer output as well or may be taken from the T
EF1210. The R
EC
input on the EF1210. The input to the CODEC can come
MIX IN
CODEC output of t he
O
output will carry a mix of the A
and the AEC A signals.
MIX IN
Alternatively, you can do this mixing externally (con nect playb ack o utput of ex ternal
program audio device to an automixer input). If record and playback signals are generated using an external mixer, the A
UX IN
and A
inputs and the REC and TO
MIX IN
CODEC outputs will not be used on the EF1210.
Note.
If the EF1210 AUX IN is not used, the playback signal should be
mixed with the AEC Reference signal rather than with the Zone
output signal for local p l ayback.
Playback and record are only available with the Reference A (AEC A) and Zone A
signals. If two zones are used, playback will NOT function properly in Zone B
because it will only be added to Reference A input signal from the far-end.
Using playback and record in the second zone of a multi-zon e system will require
using the matrix mixer to create appropriate mixes outside of the EF1210.
See Figure 7 on page 23 below for the interconnection of A
and REC input and
UX IN
output, respectively.
Ch 3
. . .
AEC
EF1210
Ch 4
AEC
Rec
Amix
In
To
CODEC
Aux
In
+++
GainGain
A/D
Level
adjust
Line
+-
AEC
Reference
A
A/D
Level
adjust
Line
+-
AEC
Reference
Ch 5
B
AEC
Ch 6
AEC
. . .
Figure 7.
Playback and Record in the EF1210
To record,
•Connect the R
output of the EF1210 to the audio input on the recording
EC
device.
•Connect A
•Connect T
to the output of the automixer or matrix mixer.
MIX IN
O CODEC
to F
AEC on the EF200 or the input of the CODEC.
ROM
For playback,
•Connect the A
of the EF1210 to the audio output of the playback
UX IN
device.
•Connect A
to the output of the automixer or matrix mixer.
MIX IN
ASPI Digital - The Sound of DSPTechnical Support: 404.892.320023
EF1210 U
SER MANUAL
•Connect TO C
Note.
When using the internal EF1210 Record and Play circuitry, a signal being played back will NOT be reco rd ed to avoid the potential
of a feedback loop caused by the record/playback device.
Figure 8 on page 25 depicts connections on the EF1210 for record and playback.
ON
L
INELINELINELINELINE
microphone
microphone
8 microphones
. . .
MI
POWER LOW HIGH VOLUME
C
Remote Control System
(Optional)
EF1210
LINE OUTPUTS
8 Line Level Signals
. . .
6
HANTOM
P
7
HANTOM
P
8
HANTOM
P
ESERVEDRESERVED
R
ASPI BUS IN
PIN 2: TXD
PIN 2: TX
3: RX
ASPI BUS OUT
3: RXD
REMOTE CONTROLREMOTE CONTROL
ID 8
ID 4
ID 2
ID 1
ID 16
EVICE
EVICE
EVICE
EVICE
EVICE
D
D
D
D
D
1
2
3
4
5
1
2
3
4
5-8
IC
IC
IC
IC
IC
HANTOM
HANTOM
HANTOM
HANTOM
HANTOM
M
M
M
M
M
P
P
P
P
P
RS-232
5, 15 VDC 5, 12 VDC
15
MIC/LINE INPUTS
21
436587PLAY
AEC REF
AUX
AMIX
AEC BAEC A21436587REC
IN
IN
Record Output
Play Input
Automatic
Microphone
Mixer
ASPI BUS
ASPI BUS
IN
OUT
Reference
Input
TO PHONE
EF400
INTERFACE
TO LINE
EF200 Phone Add (Optional)
FROM
FROM
AECTOAEC
REMOTETOREMOTE
ASPI Bus Connection for RS-232 Control
)
)
FF
FF
O
auto-reverse
VCR
TAPE RECORDER
12:00
O
TO
TO
ET
ET
VERRIDE
(S
(S
UPPRESSION
ID 4
ID 3
ID 2
ID 1
ID 0
O
S
OISE
EVICE
EVICE
EVICE
EVICE
EVICE
ESERVED
ESERVED
PROM
R
N
R
D
AGC
E
D
D
D
D
N
O
FF
O
REMOTE CONTROL
RS-232
LOGIC IN/OUT
Record and Play Devices
PSTN
CODEC/hybrid
POWERED SPEAKER
ZONE
TO
A
CODEC
Output to EF200
(optional)
or CODEC
5, 15 VDC
TXRX
ZONE
POWER
B
Figure 8. EF1210 Connections for Record and Playback
ASPI Digital - The Sound of DSPTechnical Support: 404.892.320025
EF1210 U
SER MANUAL
Connecting Multiple
EF1210s
1
2
3
4
5
6
7
8
ID 8
ID 4
ID 2
ID 1
2
3
4
5-8
IC
IC
IC
IC
HANTOM
HANTOM
HANTOM
HANTOM
HANTOM
HANTOM
M
P
M
P
M
P
M
P
P
P
Device ID 0
2
3
4
5
6
7
2
3
4
5-8
IC
IC
IC
IC
HANTOM
HANTOM
HANTOM
HANTOM
HANTOM
HANTOM
M
P
M
P
M
P
M
P
P
P
Device ID 1
HANTOM
P
8
HANTOM
P
ESERVEDRESERVED
R
ESERVEDRESERVED
R
ID 16
EVICE
EVICE
EVICE
EVICE
EVICE
D
D
D
D
D
ID 8
ID 4
ID 2
ID 1
ID 16
EVICE
EVICE
EVICE
EVICE
EVICE
D
D
D
D
D
ON
L
ON
L
1
IC
HANTOM
M
P
INELINELINELINELINE
1
1
IC
HANTOM
M
P
INELINELINELINELINE
Multiple EF1210s can be easily connected together to add more zones or microphones to your setup. The ASPI Bus allows multiple dev ices to be controlled by a
single RS-232 connection. Reference signals to each EF1210 must still be wired to
each EF1210.
ASPI BUS IN
ASPI BUS OUT
ASPI BUS IN
ASPI BUS OUT
PIN 2: TXD
PIN 2: TX
3: RX
3: RXD
REMOTE CONTROLREMOTE CONTROL
PIN 2: TXD
PIN 2: TX
3: RX
3: RXD
REMOTE CONTROLREMOTE CONTROL
5, 15 VDC 5, 12 VDC
15
RS-232
15
5, 15 VDC 5, 12 VDC
RS-232
MIC/LINE INPUTS
21
436587PLAY
MIC/LINE INPUTS
21
436587PLAY
AEC REF
AMIX
AUX
AEC BAEC A21436587REC
IN
IN
8 Line Level Signals
AEC REF
AMIX
AUX
AEC BAEC A21436587REC
IN
IN
8 Line Level Signals
LINE OUTPUTS
. . .
Automatic
Microphone
Mixer
LINE OUTPUTS
. . .
Automatic
Microphone
Mixer
CODEC
CODEC
ZONE
TO
ZONE
A
POWER
ZONE
TO
ZONE
A
POWER
B
B
6
HANTOM
P
7
HANTOM
P
8
HANTOM
P
ESERVEDRESERVED
R
ASPI BUS IN
PIN 2: TXD
PIN 2: TX
3: RX
ASPI BUS OUT
3: RXD
REMOTE CONTROLREMOTE CONTROL
RS-232
ID 8
ID 4
ID 2
ID 1
ID 16
EVICE
EVICE
EVICE
EVICE
EVICE
D
D
D
D
D
ON
L
1
2
1
2
3
IC
IC
IC
HANTOM
HANTOM
M
P
M
P
M
INELINELINELINELINE
3
HANTOM
P
4
5
4
5-8
IC
IC
HANTOM
HANTOM
M
P
M
P
Device ID 2
Figure 9. Connecting multiple EF1210s
Connecti ng th e
ASPI Bus
The ASPI Bus can connect multiple ASPI Digital products, such as the EF1210, to the
same RS-232 remote control device. This means only one RS-232 connection is
needed to control all devices on the ASPI Bus. Each device on the ASPI Bus should
have a different Device ID or Type ID, so that each device can be addressed and controlled individually. Note that each different type of ASPI Digital product (e.g.
EF200, EF1210) has a distinct Device Type. This means, for example, that an EF200
may have the same Device ID as an EF1210 without causing a conflict. These steps
should be followed to connect the ASPI Bus:
1.Connect the RS-232 remote control device to the first ASPI Digital product in the
2.Connect an ASPI Bus cable between the A
3.Connect an ASPI Bus cable between the A
15
5, 15 VDC 5, 12 VDC
Note.
chain.
the A
SPI BUS IN
the A
SPI BUS IN
MIC/LINE INPUTS
21
436587PLAY
AEC REF
AUX
AMIX
AEC BAEC A21436587REC
IN
IN
8 Line Level Signals
LINE OUTPUTS
. . .
Automatic
Microphone
Mixer
CODEC
ZONE
TO
ZONE
A
B
POWER
The Device ID of each EF1210 should be different from other
EF1210s connected together.
For the EF1210 to work effectively, it must be calibrated properly to receive correct
levels from the surrounding equipment, such as micropho nes, amplifier, and CODEC.
The calibration procedure is required only to adjust the EF1210 to accommodate the
electrical characteristics of your conferencing equipment. The procedure allows you
to connect the widest po ss ibl e variety of equipment to your EF1210. It does no t t rai n
the AEC. The EF1210 does not require training.
In calibration mode, the EF1210 generates a precise noise signal for measuring the
characteristics and sensitivity of the microphone. You only need to perform this calibration at the initial installation. You do not have to calibrate the EF1210 each time
it is used.
Acoustic gain is the maximum amplification that may be applied to a room’s audio
before being picked up by the microphone(s). The volume control may be set at a
lower level than this maximum amplifi cation, but must not be set higher. Too much
acoustic gain occurs if the loudspeaker volume going into the microphone is louder
than the local talker’s volume. This may happen as a result of a combination of the
following setups: the loudspeaker volume is turn ed up too much, the microphone
level is too high, the microphone is too close to the loudspeaker, or the talker is no t
talking close enough to the microphone relative to the loudspeaker volume. Acoustic
gain is commonly misunderstood, so when the audio in a room is not loud enough , it
seems logical to turn up the volume on the amplifier or loudspeaker. This is often not
the best remedy. For example, it may be necessary to tur n up the reference input level
instead. Breaking through the acoustic gain threshold can cause echoes and howling
as loudspeaker levels overpower the microphones.
The calibration procedure will outline how to associate a volume level with the acoustic gain of a room. Refer to “Check Acoustic Gain” on page 31.
When calibrated for the particular microphone and CODEC
setup, the EF1210 will provide years of service without recalibra-
tion. If the signal levels are not calibrated, the performance of the
EF1210 will not be satisfactory. When the signal levels are calibrated correctly, the EF1210 easily and automatically handles any
type of signals and changes in room acoustics to provide unparalleled echo cancellation performance.
If you decide to use a different kind of microphone once the
EF1210 has been calibrated, the microphone inputs on the
EF1210 will be n eed to be recalibr ated.
ASPI Digital - The Sound of DSPTechnical Support: 404.892.320027
EF1210 U
SETUP
SER MANUAL
Two Methods of
Calibration
The EF1210 can be calibrated two ways: calibrating with a computer or wi th out. We
recommend using a computer for calibration because it is an easier procedure and it is
more precise. If you have a computer, please refer to our on-line document for computer calibration procedures. See “Calibrating With a Computer” below for our web
address. If you do not have a computer, please refer to ““Calibr ating Without a Computer” on page 28” for front panel setup.
ALIBRATING WITH A COMPUTER
C
Included in your shipmen t of the EF1210 is a dis kette co ntai ning t he EF Panel C ontro l
Software and a PDF version of the EFPanel User Manual, which includes installation
instructions. Install EFPanel and use it to calibrate the EF1210 with a computer.
Also included is a hardcopy of this manual. This control software and manual may be
changed and updated periodically, so please visit our website at http://www.aspi.com
for the most recent versions.
ALIBRATING WITHOUT A COMPUTER
C
In Calibration mode, the S
are currently executing. The different modes are shown in Table 3 below. Press the
A
UX IN LEVEL/SETUP
you have finished Calibration Step 5, press the A
exit Calibration mode; any changes that you made will be saved as the default poweron settings when you exit the Calibration procedure.
LED will blink to let you know which setup step you
ETUP
button to move from one Calibration s tep to the next. When
UX IN LEVEL/SETUP
button again to
If you miss a Calibration step or lose your place and get to the wrong C alibration step,
you may either continue and come back to the missed step later or exit Calibration
mode (by pressing A
UX IN LEVEL/SETUP
button repeatedly until the S
ETUP
LED is no
longer illuminated), re-enter Calibration mode, and resume Calibration at the step that
you missed. If you wish to exit Calibration mode and discard any changes that you
made, you must cycle power on the EF1210 before exiting Calibration mode.
Legend:
LED OffLED OnButtonLED Blinking
Figure 10. Legend for calibration drawing s.
C
ALIBRATION MODE
MIC Input CalibrationS
Z
Output CalibrationS
ONE
AEC R
Input CalibrationS
EF
Calibrating for Playback and RecordS
Zone/Reference SetupS