Polaroid INSTANT PACK FILM, INSTANT PACKFILMS User Manual

A Guide to Using Polaroid Instant Pack Films
For people who want fast results
Tips, techniques and inside information designed to help you get consistently good results with Polaroid instant pack films
Instant Pack Films
What’s inside
w Polaroid Pack films —
The Inside Story
w The 3 critical keys to
quality images
w Avoiding common
mistakes
w Storing and handling
Polaroid films
w If it’s hotter or colder
than 75
o
F (24oC)...
w Tab pulling: How fast?
...and how to get it straight!
w Making sure your prints &
images last a long time
w Picture problems and
problem prevention
w Toll-free help and
technical assistance
Please keep this booklet near your camera system.
The information in this booklet is designed to help experienced and occasional users of Polaroid pack films get good pictures...solve some common picture-taking errors...perform a few simple, routine, preventive maintenance checks... and get expert assistance when needed.
This booklet covers  in quick reference form  much of the material con­tained in the instructions originally packed with your Polaroid equipment. Please consult those instruc­tions when first learning to use the camera system.
Users also should regularly review the film tip sheet packed with Polaroid films, since ongoing improve­ments may change technical characteristics, especially time and temperature pro­cessing guidelines.
A similar booklet is available to users of Polaroid Model 545 film holders and 4x5 sheet films. To obtain a copy, call Polaroid Technical Assistance at the toll-free number given on
page 2.
Polaroid instant pack films — The inside story
Each pack of Polaroid instant film contains all the elements needed to produce instant pictures. Inside, for each picture, there is a film assembly consisting of a light­sensitive negative, a positive sheet, a pod containing the developer, and tabs, which are pulled to activate the developing process.
The rollers inside the camera or film holder are used to break the pod and spread the developer between the exposed negative and positive sheet. Clean rollers are important in achieving a smooth, consistent spread; they should be inspected and cleaned regularly to assure high quality results. (See page 3.)
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After an exposure is made, pulling the white tab all the way out moves the exposed negative from the focal plane behind the lens to a position facing the positive sheet. Simultaneously, the larger tab of the film assembly is positioned between the rollers, and sticks out of the camera or film holder where it can be grasped.
Film Data Sheets & Technical Assistance
For further information about Polaroid pack films, or for information about other Polaroid films, products, and applications, call toll free from within the U.S.A. at 800-225-1618, Monday through Friday, 8 a.m. to 8 p.m., Eastern time. Or, write to:
Technical Assistance Polaroid Corporation 201 Burlington Rd. Bedford, MA 01730
For assistance outside the U.S.A., consult your nearest Polaroid office.
Film Data Sheets covering most Polaroid films used for business, technical, medical and professional applications are available at no charge on the Web at www.polaroid.com.
Pulling the large tab drags the film assembly  negative, pod, and positive sheet  through the rollers. The pod bursts open and the developer is spread between the positive and negative. It is important to pull the tabs straight and at a steady, moderate speed to ensure the developer is spread evenly. (See page 3.)
Development begins immedi­ately, outside the camera or film holder. After the proper development time, the fin­ished picture is peeled away from the negative. (See page 7 for important tips about handling developing pictures.)
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Formats & Applications
The 3 critical keys to quality images
There are three Polaroid Pack Film formats:
3 1/4 x 4 1/
Image area: 2 (7.3 x 9.5cm) 10 pictures per pack
These films are used in many different Polaroid handheld cameras, such as ProPack and 600SE. They are also used with Polaroid Miniportrait cameras for making instant passport and other document photos; the Polaroid MP 4, CU-5 and DS-34 Photographic Systems; the Polaroid Palette System; and Polaroid ID Systems. They also are used in cameras and instru­ments manufactured or modified by OEMs to accept the Polaroid Model 405 film holder or other 3
1/4 x 4
1/4 camera backs.
3 1/4 x 4 1/
4
7/8 x 3
3/4 in.
4
4 x 5
Image area: 3 (8.9 x 11.7 cm) 10 pictures per pack
These films are used in cameras and instruments that accept the Polaroid Model 550 film holder, including most professional view cameras, scanning electron microscopes, the Polaroid MP 4 and CU-5 Photo­graphic Systems, and Polaroid Miniportrait cameras, and many other OEM systems.
Square-format
(3
1/4 x 3 Image area: 2 (7 x 7.3 cm) 10 pictures per pack
These films are used in Polaroid square format pack film cameras and OEM photographic systems designed to accept a square­format camera back.
3/8 in.)
1/2 x 4
3/4 x 2
5/8 in.
7/8 in.
1 Keep the processing
rollers in the camera or film holder clean.
Inspect and clean the roller surfaces regularly. It is recommended that you check the rollers each time you load a pack of film, and before
one
each picture-taking session.
Cleaning the rollers is easy. Use a soft, non-abrasive cloth, moistened with water if necessary.
Dry the rollers thoroughly before use. Do not use alcohol or other cleaning flu­ids, and never scrape the rollers with a hard object or with your fingernails.
Also clean the tab slot on the camera or film holder. Use a damp cloth or cotton swab to clean the area.
Your instruction book contains details on locating and cleaning the rollers in your Polaroid equipment. If you need further informa­tion, please call us toll-free at 800-225-1618.
2 Note the temperature...
and time development accurately.
You can take Polaroid pictures at any temperature. But, processing time and the temperature of the film at the time of processing affect picture quality. Ideally, Polaroid films should be processed at about 70-75
two
o
C). If the temperature
(21-24 is much higher or lower, you may need to adjust pro­cessing times and/or exposure settings for best results. Make it a habit to check the tip sheet packed with Polaroid films for the latest time/temperature processing information.
3 Pull the film tabs straight
Always pull both film tabs straight out of the camera or film holder. Since the film should be pulled parallel to the camera back, avoid camera positions that make tab pulling awkward. If you are using a removable film holder, insert the dark slide, then remove the holder and place it on a flat surface for tab pulling, whenever possible.
Pull at a steady, moderate speed. Saying the word Polaroid is a good way to time the speed of the pull.
three
o
F
4 x 5
Square-format
3
Avoiding common mistakes
Heres a brief list of reminders to help you avoid frustrating moments and unsatisfactory results.
w Dont pull the black safety
cover out of a film pack before loading the pack into the camera or film holder. If you do, at least one expo­sure will be lost.
But if you do...
...load the film anyway and pull the film tabs for the first picture. It will be a totally white image, but the rest of the pack should be fine.
w If you are using a removable
film holder, remember to pull the holders dark side before making an exposure...
...and push it back after making the exposure before removing the holder for off-camera processing.
w If your camera has a
lens cap, dont forget to remove it!
w If your system has an
electronic shutter powered by batteries, be sure the batteries are fresh and installed correctly. Dead batteries mean the shutter wont work, no exposure will be made, and youll end up with a totally black picture (see page 10).
w Check the camera exposure
settings.
If you set the camera for color film (ISO 80/20 using high speed black and white film (ISO3000/36 your pictures will be overex­posed (too light).
If you set the camera for high speed black and white film (ISO3000/36 color film (ISO 80/20 pictures will be underexposed (too dark).
w Pull the film tabs straight
and in the proper sequence.
Pull the white tab after making the exposure, then the other tab. Never pull a white tab before taking the picture.
w If you pull a white tab and
no other tab appears, dont pull another white tab. (See page 9.)
w Never wave developing
film back and forth in an attempt to keep it warm or cool; this could adversely affect image quality. Be careful not to bend or squeeze developing film.
Questions? Problems? Call us, toll-free: 800-225-1618
Many common picture­taking problems are discussed on pages 8 - 10. But...if you can’t find a solution to a problem you are experiencing, or if you have a question, or need information, please call us. Chances are we can help.
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The call is toll-free, and we can be reached Monday through Friday, 8 a.m. to 8 p.m., Eastern time.
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800-225-1618
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