Pinnacle Systems Xpress DV - 2.0 User Manual

Avid Xpress® DV
Effects Guide
© 2000-2001 Avid Technology, Inc. All rights reserved.
Avid Xpress DV Effects Guide • Part 0130-04785-01 Rev. A • March 2001
2

Contents

Effect Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Effects Creation Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Using the Effect Palette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Displaying the Effect Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Resizing the Effect Palette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Displaying Effect Templates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Playing Effects in a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Displaying Effects On-the-Fly . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Interrupting Render On-the-Fly. . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Using Third-Party Plug-in Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Installing AVX Plug-Ins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Locating the AVX_Plug-Ins Folder . . . . . . . . . . . . . . . . . . . . . . . . 26
Upgrading AVX Plug-ins and Effects . . . . . . . . . . . . . . . . . . . . . . 28
Assigning Multiple Tracks in Plug-in Effects. . . . . . . . . . . . . . . 29
Using AVX Plug-in Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Accessing an AVX Custom Interface . . . . . . . . . . . . . . . . . . . 30
Custom AVX Controls in the Effect Editor . . . . . . . . . . . . . . 30
Troubleshooting AVX Plug-Ins. . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Plug-in Does Not Appear in the Effect Palette. . . . . . . . . . . 32
Plug-in Does Not Load . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Avid Xpress DV Cannot Render the Plug-In . . . . . . . . . . . . 32
Blank Effect Icons in the Timeline . . . . . . . . . . . . . . . . . . . . . 33
Missing Effect Categories in the Effect Palette . . . . . . . . . . 33
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Chapter 2 Basics of Effects Editing
Deconstructing Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Applying Effects to a Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Applying an Effect to a Single Transition or Segment . . . . . . . 37
Dragging an Effect from the Effect Palette. . . . . . . . . . . . . . 38
Double-Clicking an Effect Icon in the Effect Palette . . . . . 39
Applying an Effect to Multiple Transitions. . . . . . . . . . . . . . . . . 40
Applying an Effect to Multiple Segments . . . . . . . . . . . . . . . . . . 42
Deleting Effects in a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Deleting a Single Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Deleting Multiple Transition Effects . . . . . . . . . . . . . . . . . . . . . . 45
Deleting Multiple Segment Effects. . . . . . . . . . . . . . . . . . . . . . . . 46
Using the Fade Effect Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Working with Transition Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Types of Transition Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Applying a Dissolve Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Using the Effect Palette to Create a Dissolve Effect . . . . . . 48
Using the Quick Transition Butt on . . . . . . . . . . . . . . . . . . . . 49
Using the Quick Transition Butt on to Apply Effects to
Multiple Transitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Understanding the Graphical Display in the
Quick Transition Dialog Box . . . . . . . . . . . . . . . . . . . . . . . . 57
Creating a Dissolve in Trim Mode . . . . . . . . . . . . . . . . . . . . . 60
Sizing the Effect to Fit the Media. . . . . . . . . . . . . . . . . . . . . . . . . . 61
Trimming a Tr ansition Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Creating Motion Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Rendering Considerations When Creating
Motion Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Understanding Motion Effect Type Changes. . . . . . . . . . . . 65
Creating a Freeze Frame. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Controlling a Freeze Frame with a Single Button or Key. . . . . 69
Creating a Rolling Clip That Freezes . . . . . . . . . . . . . . . . . . . . . . 70
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Creating a Variable Speed Effect . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Creating a Strobe Motion Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Stabilizing an Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Making Adjustments to the Region of Interest . . . . . . . . . . . . . 80
Chapter 3 Customizing Effects with the Effect Editor
Opening the Effect Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Customizing the Effect Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Understanding the Effect Preview Monitor. . . . . . . . . . . . . . . . . 84
Effect Preview Monitor Toolbar Buttons . . . . . . . . . . . . . . . . . . . 85
Understanding the Tracking Information . . . . . . . . . . . . . . . . . . 86
Displaying the Safe Title and Safe Action Guidelines. . . . . . . 86
Moving an Enlarged Image in the Effect Preview Monitor . . . 88
Changing Position in an Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Replacing an Effect in Effect Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Using the Effect Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Effect Editor Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
About Effect Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Using Parameter Sliders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Using Parameter Enable Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Using Fast Menu Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Using the Other Options Button to Access Parameters. . . . . . . 97
Adjusting a Color Parameter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Using the Eyedropper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Using the Windows Color Dialog Box. . . . . . . . . . . . . . . . . . 98
Using Keyframes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Adding a Keyframe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Selecting a Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Moving a Keyframe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Changing a Keyframe’s Parameters. . . . . . . . . . . . . . . . . . . . . . . 102
Copying and Pasting Keyframe Parameters . . . . . . . . . . . . . . . 103
Deleting a Keyframe. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
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Manipulating Effects Directly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Defining Motion Paths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Moving the Image Directly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Resizing a Foreground Image by Dragging Handles. . . . . . . . 108
Using an Effect Template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Saving an Effect Template. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Applying an Effect Template . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Playing an Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Basic Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Playing an Effect in a Continuous Loop. . . . . . . . . . . . . . . . . . . 113
Playing a Preview of an Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Rendering Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Creating and Using Render Settings. . . . . . . . . . . . . . . . . . . . . . 115
Creating a New Render Setting. . . . . . . . . . . . . . . . . . . . . . . 115
Adjusting Render Settings Parameters . . . . . . . . . . . . . . . . 115
Activating a Render Setting . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Partial Render . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Interrupting a Render . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Customizing Render Ranges Display . . . . . . . . . . . . . . . . . 119
Rendering a Single Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Rendering Effects at Position . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Rendering Effects Between IN and OUT Points. . . . . . . . . . . . 123
Managing Effect Media Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Understanding Effect Media Files. . . . . . . . . . . . . . . . . . . . . . . . 125
Revealing Effect Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Deleting Effect Media Files from a Bin . . . . . . . . . . . . . . . . . . . 128
Chapter 4 Creating Layered and Nested Effects
Creating Key Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Using the Chroma Key Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
About the Chroma Key Effect . . . . . . . . . . . . . . . . . . . . . . . . 132
Creating a Chroma Key Effect. . . . . . . . . . . . . . . . . . . . . . . . 133
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Creating a Luma Key Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Creating a Matte Key Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Using the Color Effect to Prepare a High-Contrast Image . . . 137
Working with Imported Graphics and Animation . . . . . . . . . . . . . 138
Editing with Imported Matte Key Clips. . . . . . . . . . . . . . . . . . . 139
Editing with Imported Master Clips. . . . . . . . . . . . . . . . . . . . . . 140
Nesting Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Expanding Nested Effects in the Timeline. . . . . . . . . . . . . . . . . 142
Stepping Into and Out of Nested Effects. . . . . . . . . . . . . . . . . . 143
Creating a Simple Nested Effect . . . . . . . . . . . . . . . . . . . . . . . . . 144
Nesting a Matte Key Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Submaster Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Applying the Submaster Effect to a Multilayered Sequence. 148
Using the Submaster Effect with a Series of Short Clips . . . . 150
Collapsing Layers into One Submaster Effect . . . . . . . . . . . . . 150
Performing a Video Mixdown. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Chapter 5 Creating Titles and Graphic Objects
Workflow for Creating Titles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Opening the Title Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Understanding the Title Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Understanding the Toolbar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
Using the Selection T ool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Setting Up the Drawing Environment . . . . . . . . . . . . . . . . . . . . . . . . 161
Installing Fonts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Previewing Titles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Using Title and Action Guidelines . . . . . . . . . . . . . . . . . . . . . . . 163
Using Safe Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Selecting a Background . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
Using a Video Background . . . . . . . . . . . . . . . . . . . . . . . . . . 164
Updating the Video Background . . . . . . . . . . . . . . . . . . . . . 165
Creating a Color Background . . . . . . . . . . . . . . . . . . . . . . . . 165
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Using the Alignment Grid. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Displaying a Grid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Snapping to a Grid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Bringing the Title Tool to the Foreground . . . . . . . . . . . . . . . . . 166
Working with Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Creating Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Copying and Pasting Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Resizing Text Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Repositioning Text Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Editing a Text String . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Formatting the Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Selecting Text for Formatting . . . . . . . . . . . . . . . . . . . . . . . . 171
Setting the Default Text Attributes . . . . . . . . . . . . . . . . . . . 172
Selecting a Font . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Changing the Font . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Changing the Point Size. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Making Text Bold or Italic . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Justifying the Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Kerning the Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Adjusting Leading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
Creating Graphic Objects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Drawing a Square or Rectangle . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Drawing a Circle or Oval. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Drawing a Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Selecting Line Attributes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Rounding Corners . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
Selecting a Line or Border Width . . . . . . . . . . . . . . . . . . . . . 181
Adding Arrowheads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Changing Arrowhead Size. . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Selecting Colors and Setting Transparency . . . . . . . . . . . . . . . . . . . . 184
Adjusting the Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Blending Two Colors in an Object . . . . . . . . . . . . . . . . . . . . . . . 186
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Using the Title Tool Color Picker. . . . . . . . . . . . . . . . . . . . . . . . . 187
Adjusting the Transpare ncy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Blending Transparency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Working with Shadows. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Applying Shadows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Adjusting Shadow Color and Transparency . . . . . . . . . . . . . . . 192
Adjusting Shadow Softness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Setting Shadow Softness . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Adjusting Shadow Softness On-the-Fly . . . . . . . . . . . . . . . 193
Viewing Shadow Softness . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Creating a Glow Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Manipulating Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Basic Manipulation Operations. . . . . . . . . . . . . . . . . . . . . . . . . . 196
Layering Text and Objects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Grouping and Ungrouping Objects . . . . . . . . . . . . . . . . . . . . . . 197
Locking and Unlocking Objects. . . . . . . . . . . . . . . . . . . . . . . . . . 198
Aligning Objects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Distributing Objects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Saving Titles and Title Styles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
Saving a Title and Exiting the Title Tool . . . . . . . . . . . . . . . . . . 202
Saving Multiple Titles in a Session. . . . . . . . . . . . . . . . . . . . . . . 204
Using the Fast Save Option. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Saving a Title with Fast Save. . . . . . . . . . . . . . . . . . . . . . . . . 205
Viewing Fast-Saved Titles in a Bin. . . . . . . . . . . . . . . . . . . . 206
Rendering Fast-Saved Titles . . . . . . . . . . . . . . . . . . . . . . . . . 206
Revising a Title in a Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Using a Keyboard Shortcut to Save a Title. . . . . . . . . . . . . . . . . 208
Saving and Recalling Title Styles . . . . . . . . . . . . . . . . . . . . . . . . 209
Saving a Title Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Recalling a Title Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Confirming Function Key Mapping of Title Styles . . . . . 212
Applying Title Styles to Text Objects . . . . . . . . . . . . . . . . . 212
Managing Title Styles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
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Creating and Using Title Templates . . . . . . . . . . . . . . . . . . . . . . 214
Creating Title Templates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Using Title Templates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Exporting a Title as a Graphics File . . . . . . . . . . . . . . . . . . . . . . . . . . 216
Chapter 6 Editing with Titles
Workflow for Editing with Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Restrictions on Title Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
About Title Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
Displaying Title Frames in the Bin. . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Editing a Title into a Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Splicing or Overwriting a Title into a Sequence. . . . . . . . . . . . 222
Dragging a Marked Title into a Sequence . . . . . . . . . . . . . . . . . 224
Dragging an Unmarked Title into a Sequence . . . . . . . . . . . . . 225
Removing Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Replacing Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
Fading a Title. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Adjusting Title Effect Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Revising a Title in a Sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230
Replacing Fill Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
Rendering Titles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234
Re-creating Title Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234
Chapter 7 2D Effects Reference
2D Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Global and Keyframeable Parameters . . . . . . . . . . . . . . . . . . . . 238
Acceleration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Background . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Border . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
Color Effect Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Luma Adjust . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Luma Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Luma Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245
10
Chroma Adjust . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
Color Style. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Color Gain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249
Crop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
Foreground. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Key Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
Key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
Secondary Key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Spill Suppression. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Matrix Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256
Motion Effect Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Freeze Frame Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Variable Speed and Strobe Motion Parameters. . . . . . . . . 259
Plug-in Effect Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262
Position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262
Region Stabilize Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Model . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Region of Interest. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264
Auto Zoom. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265
Scaling. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266
Transition Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
2D Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268
Blend Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Dip to Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Dissolve . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Fade from Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272
Fade to Color. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Picture-in-Picture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Superimpose. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Box Wipes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276
Bottom Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
Bottom Left to Top Right . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278
Bottom Right to Top Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
11
Left Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Right Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281
Top Bo x . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Top Left to Bottom Right . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Top Right to Bottom Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
Conceal Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
Bottom Left to Top Right . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Bottom Right to Top Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
Bottom to Top . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288
Left to Right . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Right to Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Top Left to Bottom Right . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291
Top Right to Bottom Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292
Top to Bottom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293
Edge Wipes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
Horizontal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295
Horizontal Open . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
Lower Left Diagonal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297
Lower Right Diagonal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298
Upper Left Diagonal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299
Upper Right Diagonal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
Vertical . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301
Vertical Open . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
Film Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303
1.66 Mask. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304
1.85 Mask. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 305
Anamorphic Mask . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306
16:9 Mask. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
Blowup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308
Film Dissolve . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309
Film Fade . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310
Mask. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311
12
Image Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
Color Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Flip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
Flip-Flop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Flop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316
Mask. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Resize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Submaster . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319
Key Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320
Chroma Key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321
Luma Key. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322
Matte Key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
L-Conceal Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324
Bottom Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325
Bottom Right. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326
Top Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327
Top Ri ght . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
Matrix Wipes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329
Grid. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330
One-Way Row. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331
Speckle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332
Spiral . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333
Zig-Zag. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
Motion Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335
Freeze Frame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335
Variable Speed and Strobe Motion . . . . . . . . . . . . . . . . . . . 335
Peel Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336
Bottom Left Corner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337
Bottom Right Corner. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338
Bottom to Top . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339
Left to Right . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340
Right to Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341
13
Top Left Corner. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 342
Top Right Corner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 343
Top to Bottom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344
Push Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Bottom Left to Top Right . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346
Bottom Right to Top Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347
Bottom to Top . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348
Left to Right . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349
Right to Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350
Top Left to Bottom Right . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351
Top Right to Bottom Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352
Top to Bottom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353
Sawtooth Wipes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354
Horizontal Open Sawtooth . . . . . . . . . . . . . . . . . . . . . . . . . . 354
Horizontal Sawtooth. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355
Vertical Open Sawtooth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356
Vertical Sawtooth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 357
Shape Wipes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358
4 Corners . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359
Center Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 360
Circle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361
Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 362
Diamond . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363
Ellipse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364
Horizontal Bands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365
Horizontal Blinds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 366
Vertical Blinds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367
Spin Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367
X Spin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368
Y Spin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369
Squeeze Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
Bottom Centered . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371
Bottom Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372
14
Bottom Right. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 373
Bottom to Top . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 374
Centered Zoom. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375
Horizontal Centered . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
Left Centered . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 377
Left to Right . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 378
Right Centered . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379
Right to Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 380
Top Centered. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 381
Top Left . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382
Top Ri ght . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 383
Top to Bottom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 384
Vertical Centered . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 385
Stabilize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
Region Stabilize. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
Title Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387
Comparison of Similar Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
Index
15
CHAPTER 1

Preparing to Work with Effects

Avid Xpress DV offers many effects that you can apply to your sequences. This chapter describes concepts you should understand before you begin creating and editing effects into sequences.
Effect Types
Effects Creation Tools
Using the Effect Palette
Playing Effects in a Sequence
Using Third-Party Plug-in Effects
16

Effect Types

Much overlapping occurs between the various types of effects you can create, as well as the methods used to create them. Your system offers four basic effect types.
Transition effects (dissolves, wipes, and so forth) are applied at
the cut point between two video clips that are on the same video track (that is, the same video layer). For more information on creating transition effects, see Chapter 2, “Basics of Effects
Editing” and Chapter 3, “Customizing Effects with the Effect Editor.”
Segment effects are applied to an entire clip or group of clips.
There are two types of segment effects:
-A single-layer segment effect, such as the Mask effect, is
applied to a segment on one video track. Single-layer segment
effects use one stream of video. For more information on
creating single-layer segment effects, see Chapter 2, “Basics of
Effects Editing” and Chapter 3, “Customizing Effects with
the Effect Editor.”
-A multilayer segment effect, such as the Picture-in-Picture
effect, is applied to the top layer or a middle layer of segments
that contain two or more video tracks that will be played
simultaneously. For more information on techniques for
creating multilayer effects, see Chapter 4, “Creating Layered
and Nested Effects.”
Title effects are created with the Title tool and edited onto their
own layers in a sequence. For more information on techniques for creating and editing title effects, see Chapter 5, “Creating Titles
and GraphicObjects” and Chapter 6, “Editing with Titles.”
Motion effects (freeze frame, variable speed, and strobe) are
created by manipulating the playback characteristics of a clip of footage. For more information on techniques for creating motion effects, see Chapter 2, “Basics of Effects Editing.”
17

Effects Creation Tools

The following chart presents the basic tools used to create effects.
Sources of effects:
Effect Palette
Apply transition and segment effects directly to tracks.
Effects editing in default editing mode:
Effects adjustment in Effect mode:
Motion Effect dialog box
Edit effect clips into the Timeline.
Title tool
Title and motion effects appear first as clips in the bin.
Effect Editor: Allows you to adjust effect parameters.
Effect Preview monitor: Allows you to preview an effect, manipulate keyframes, and manipulate wire-frame representations of the effect.
18

Using the Effect Palette

The Effect Palette is a window that lists all the effects available on your Avid Xpress DV system. Other effects that are available on your system depend on what third-party plug-ins you might have installed. You select transition and segment effects from the Effect Palette.
The left side of the Effect Palette displays a scrollable list of effect categories that includes the following standard categories as well as categories for any third-party plug-ins you have installed.
The effect categories list also includes open bins when those bins contain effect templates or other kinds of effect files.
•Blend
Box Wipe
Conceal
Edge Wipe
•Film
•Image
Key
L-Conceal
•Matrix Wipe
•Peel
•Push
Sawtooth Wipe
•Shape Wipe
•Spin
Squeeze
•Stabilize
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The right side of the Effect Palette shows a list of the individual effects that are available for the currently selected effect category. Each effect has its own effect icon.

Displaying the Effect Palette

Y ou can also display th e Effect Palette by pressing Ctrl+8 on your keyboard.
To display the Effect Palette:
1. Choose Effect Palette from the Tools menu. The Effect Palette opens.
Scrollable list of effect categories
2. Click an effect category on the left side of the Effect Palette to select it and display effects in that category in the right side.

Resizing the Effect Palette

Blend effect choices
You can resize the Effect Palette to display more effects when a particular category includes a long list of icons.
To resize the Effect Palette:
t Click the lower right corner of the palette, drag the palette to the
size you want, and then release the mouse button.
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Displaying Effect Templates

Effect templates allow you to save the parameters of an effect to a bin and use them again to create or modify other effects. To learn more about applying templates, see “Using an Effect Template” on
page 109.
In addition to displaying all the standard effects, the Effect Palette allows you to view and access effect templates stored in open bins. The names of open bins containing effects appear in a list below the effect categories.
To view the effect template:
1. Open the bin containing the effect templates.
2. Choose Effect Palette from the Tools menu. The Effect Palette opens.
3. Click the bin name below the effect category list to view the effect templates in the bin.
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Effect category list
Bin name containing effect templates
Effect templates
For example, in the preceding illustration, the bin named Effects contains a series of effect templates using the Picture-in-Picture, Mask, and Superimpose effects.
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The Effect Palette also displays other effect files, such as matte key clips.
Whenever you open or close a bin or whenever you drop an effect into a bin, Avid Xpress DV automatically updates both lists. Once a template appears in the right side of the Effect Palette, you can apply it as you would any other effect.

Playing Effects in a Sequence

Effects in Avid Xpress DV are non-real-time, which means you must render them before you play them. You can do this by either using Render On-the-Fly, as described in “Displaying Effects On-the-Fly”
on page 23, or rendering effects explicitly. For more information, see “Rendering Effects” on page 114.
Unrendered effects appear in the Timeline with a blue dot. Rendered effects have no dot.
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You can preview effects before rendering by using their outline form.
An effect’s outline is a wire-frame representation of the effect’s position, scale, and path of motion. See “Playing a Preview of an
Effect” on page 113.

Displaying Effects On-the-Fly

The Render On-the-Fly option allows you to play effects frame by frame, immediately after applying them.
To display effects immediately during effects editing:
t Choose Render On-the-Fly from the Clip menu.

Interrupting Render On-the-Fly

Using Render On-the-Fly can slow down your editing of a sequence. If you are compositing and then change the frame you are monitoring, you must wait for Avid Xpress DV to render the single frame.
Instead of waiting for Avid Xpress DV to finish rendering, you can interrupt Render On-the-Fly.
To interrupt Render On-the-Fly, do one of the following:
t Drag the position indicator in the Ti meline.
While you are dragging, the sequence appears in the Composer monitor as it would if Render On-the-Fly were not selected from the Clip menu.
t If you click in the Timeline and Avid Xpress DV begins to render,
quickly move to another location in the Timeline. This interrupts the rendering process until you release the mouse button.
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Using Third-Party Plug-in Effects

You can use third-party plug-in effects to add new effects to your Avid Xpress DV system or to update existing effects. Third-party plug-in effects are compatible with the Avid Visual Extensions (AVX standard. AVX is a cross-platform software architecture designed to allow software effect modules to be dynamically linked with a host application such as an Avid editing system.
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If you are transferring from another system a project that includes sequences with AVX plug-in effects, you must install matching AVX plug-ins to see the effects.
You can purchase these plug-ins directly from a third-party vendor. Two of the current AVX plug-in vendors are:
®
Ultimatte Corporation (Ultimatte
www.ultimatte.com
Artel Software (Boris FX
www.borisfx.com or www.artelsoft.com
For a complete, up-to-date list of AVX plug-in vendors and other information on AVX, visit the AVX Web site:
www.avid.com/avx
After you install third-party plug-ins, the effects appear in the Effect Palette in their own category (usually the name of the plug-in vendor). Individual effects all have a plug effect icon. The plug icon also appears in the Timeline when you apply a third-party plug-in effect. After you create an effect, you can save it as an effect template and reapply the template to other transitions or segments in your sequence. Effect templates also appear in a special section at the bottom of the Effect Palette.
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Your Avid Xpress DV system also supports Digidesign® AudioSuite™ plug-ins. These plug-ins apply only to audio clips and do not appear in the Effect Palette. For more information, see the chapter “Working with Audio”
in the user’s guide.

Installing AVX Plug-Ins

AVX plug-ins usually come complete with any necessary documentation. This section describes how to install the plug-ins and how to access them from your Avid Xpress DV system.
Most AVX plug-ins have their own installation program. This program locates the AVX_Plug-Ins folder and installs the plug-ins automatically when you follow the installation instructions.
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If an AVX plug-in has an installation program, you should always use the program to install the plug-ins. For more information, see the documentation for the plug-in.
Some AVX plug-ins do not have an installation program and must be installed manually.
To install AVX plug-ins manually:
1. Quit the Avid Xpress DV application.
Do not add or remove plug-ins while Avid Xpress DV is running.
2. Copy the plug-in files from the software vendor’s folder to the AVX_Plug-Ins folder located on your Avid Xpress DV system.
The default location for the AVX_Plug-Ins folder is: C:\Program Files\Avid\AVX_Plug-Ins However , the AVX_Plug-Ins folder might be in a different location
on your system.
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If the AVX_Plug-Ins folder does not appear in the default location and you
don’t know its location, you can locate the folder by using the Regedit application. For more information, see “Locating the AVX_Plug-Ins
Folder” on page 26.
3. Restart the Avid Xpress DV application, and open the Effect Palette. The AVX plug-in effects appear in the Effect Palette, usually in their own category under the name of the vendor.
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You must place the plug-ins directly in the AVX_Plug-Ins folder. They cannot be inside another folder within this folder or elsewhere on your Avid Xpress DV system. If they are, Avid Xpress DV will not recognize them.
If the plug-in effects do not appear in the Effect Palette after installation, see
“Troubleshooting AVX Plug-Ins” on page 31.

Locating the AVX_Plug-Ins Folder

When the Avid Xpress DV application is first installed, the installation program asks the administrator to choose a location for the AVX_Plug-Ins folder. The default path is:
C:\Program Files\Avid\AVX_Plug-Ins
If the administrator accepts the default location for the AVX_Plug-Ins folder, you can install AVX plug-ins here.
If the AVX_Plug-Ins folder is not in the default location, or if the effects are not appearing in the Effect Palette after you install them, you can use the Regedit application that comes with your Windows system to identify the location of the AVX_Plug-Ins folder.
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Use the following procedure only to obtain information on the location of the AVX_Plug-Ins folder. Do not change any of the information in the Windows Registry. Changing values in the Windows Registry might affect the performance of your system.
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To locate the AVX_Plug-Ins folder by using Regedit:
1. Click the Start button, and then click Run.
2. Type regedit in the command line, and click OK. The Registry Editor window opens.
3. In the left pane of the window, navigate to the following path:
HKEY_LOCAL_MACHINE\SOFTWARE\Avid Technology\AVX
lug-Ins
P
4. Click the AVX Plug-Ins folder in the left pane, and then check the
entry for “Directory” in the right pane. The value of this entry is the path that contains the AVX_Plug-Ins
folder. For example, if the AVX_Plug-Ins folder is in its default location, the Directory entry will be “C:\Program Files\Avid.” If you navigate to C:\Program Files\Avid by using My Computer or the Windows Explorer, you will find the AVX_Plug-Ins folder in that location.
HKEY_LOCAL_MACHINE\SOFTWARE\ Avid Technology\AVX Plug-Ins
Directory entry. The path listed here is the path that contains the AVX Plug-Ins folder.
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Remember that AVX plug-ins must be installed in the AVX_Plug-Ins folder itself, not elsewhere in the path that contains that folder.

Upgrading AVX Plug-ins and Effects

You can upgrade an AVX plug-in simply by uninstalling the old version of the plug-in and installing the new version in your AVX_Plug-Ins folder.
Once you have installed a new version of an A VX plug-in, Avid Xpress DV upgrades older effects in sequences to be compatible with the new version. The parameter values previously set by the user for an effect
appear in the Effect Editor or in the plug-in’s own user interface.
If the new version of the plug-in has new or redesigned parameter controls, Avid Xpress DV sets these controls to their default settings when upgrading existing effects. Controls that ar e unchanged from the older version of the plug-in retain the values previously set by the user when Avid Xpress DV upgrades existing effects.
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After you upgrade a plug-in effect or transition, you should not reinstall the older version of the plug-in. A vid Xpress DV cannot use an older version of a plug-in to process effects that have been created with a newer version. Similarly, if you transfer projects between systems, an effect created with a newer version of a plug-in will not work on a system that has an older version installed.
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Assigning Multiple Tracks in Plug-in Effects

Some plug-in effects can take an arbitrary number of tracks as input. Y our system allo ws you to choose the number of video inputs from the AVX Optional Inputs dialog box.
For more information on the multiple-track capabilities of a plug-in, see the documentation for that plug-in.
To assign multiple tracks to a plug-in effect by using the AVX Optional Inputs dialog box:
1. Drag the plug-in icon to the Timeline.
2. When the AVX Optional Inputs dialog box appears, select the number of video inputs you want from the Number of Tracks pop-up menu, and then click OK.
For more information on nested effects, see “Nesting Effects” on
page 141.
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Using AVX Plug-in Controls

AVX plug-ins use a variety of different interfaces that give you control over the effects. Some plug-ins use custom interfaces that appear in their own dialog boxes. Others use some combination of controls that appear within the Effect Editor. These controls might include standard Avid controls familiar from Avid effects, custom controls designed by Avid for use by plug-in vendors, and custom controls designed by the plug-in vendors themselves.
Accessing an AVX Custom Interface
If an AVX plug-in has a custom interface, you access that interface from the Effect Editor.
To access an AVX plug-in’s custom interface:
t Click the Other Options button in the Effect Editor.
The AVX plug-in’s custom interface appears.
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Dialog boxes that appear as part of an AVX plug-in’s custom interface are modal dialog boxes. If you move one of these dialog boxes, the screen behind the dialog box will not redraw. To restore your screen, close the dialog box.
Custom AVX Controls in the Effect Editor
This section introduces some of the custom controls that might appear in the Effect Editor for an AVX plug-in effect. For more information on using these controls, and other controls specific to individual effects, see the documentation for the plug-in.
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