Pinnacle Systems Pro Tools HD - 7.4 Getting Started

Getting Started
Pro Tools|HD
Version 7.4
®
Legal Notices
This guide is copyrighted ©2007 by Digidesign, a division of Avid Technology, Inc. (hereafter “Digidesign”), with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Digidesign.
003, 003 Rack, 96 I/O, 96i I/O, 192 Digital I/O, 192 I/O, 888|24 I/O, 882|20 I/O, 1622 I/O, 24-Bit ADAT Bridge I/O, AudioSuite, Avid, Avid DNA, Avid Mojo, Avid Unity, Avid Unity ISIS, Avid Unity MediaNetwork, Avid Xpress, AVoption, AVoption|V10, Beat Detective, Bruno, Command|8, Control|24, D-Command, D-Control, D-Fi, D-fx, D-Show, DAE, Digi 002, Digi 002 Rack, DigiBase, DigiDelivery, Digidesign, Digidesign Audio Engine, Digidesign Intelligent Noise Reduction, Digidesign TDM Bus, DigiDrive, DigiRack, DigiTest, DigiTranslator, DINR, DV Toolkit, EditPack, Impact, Interplay, M-Audio, MachineControl, Maxim, Mbox, MediaComposer, MIDI I/O, MIX, MultiShell, OMF, OMF Interchange, PRE, ProControl, Pro Tools M-Powered, Pro Tools, Pro Tools|HD, Pro Tools LE, QuickPunch, Reel Tape, Reso, Reverb One, ReVibe, RTAS, Smack!, SoundReplacer, Sound Designer II, Strike, Structure, SYNC HD, SYNC I/O, Synchronic, TL Space, Velvet, and X-Form are trademarks or registered trademarks of Digidesign and/or Avid Technology, Inc. All other trademarks are the property of their respective owners.
Product features, specifications, system requirements, and availability are subject to change without notice.
PN 9106-56822-00 REV A 7/07
Comments or suggestions regarding our documentation? email: techpubs@digidesign.com
DECLARATION OF CONFORMITY
We, Digidesign,
2001 Junipero Serra Blvd.
Daly City, California 94014-3886, USA
650-731-6100
declare under our sole responsibility that the product
HD Core, HD Process, or HD Accel
complies with Part 15 of FCC Rules.
Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
Communication Statement
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try and correct the interference by one or more of the following measures:
• Reorient or locate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
Any modifications to the unit, unless expressly approved by Digidesign, could void the user's authority to operate the equipment.
Canadian Compliance Statement:
This Class A digital apparatus complies with Canadian ICES­003
Cet appareil numérique de la classe A est conforme à la norme NMB-003 du Canada
Australian Compliance
European Compliance
Digidesign is authorized to apply the CE (Conformité Europénne) mark on this compliant equipment thereby declaring conformity to EMC Directive 89/336/EEC and Low Voltage Directive 73/23/EEC.

contents

Chapter 1. Welcome to Pro Tools|HD
Pro Tools|HD Systems
Pro Tools|HD System Packages
Pro Tools HD Capabilities
Pro Tools Hardware Overview
System Requirements
Digidesign Registration
About the Pro Tools Guides
About www.digidesign.com
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Chapter 2. Installing Pro Tools on Windows
Installation Overview
Installing Pro Tools Hardware
Installing Pro Tools HD Software
Launching Pro Tools
Additional Software on the Pro Tools Installer Disc
Uninstalling Pro Tools
Chapter 3. Installing Pro Tools on Mac
Installation Overview
Installing Pro Tools Hardware
Installing Pro Tools HD Software
Launching Pro Tools
Additional Software on the Pro Tools Installer Disc
Uninstalling Pro Tools
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Contents
v
Chapter 4. Configuring Your Pro Tools System
Starting Up or Shutting Down Your System
Checking the System
Configuring Pro Tools Software
Optimizing a Windows System for Pro Tools
Optimizing a Mac System for Pro Tools
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Chapter 5. Making Studio Connections
Setting Up Your Studio
Example Studio Setup with a Mixing Console
Example Studio Setup without a Mixing Console
Connecting Equipment with Digital Audio Ins and Outs
Connecting Effects Units
Connecting MIDI Devices
Connecting SMPTE Synchronization Devices
Connecting Ethernet Control Surfaces
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Appendix A. Connecting SCSI Drives
SCSI Requirements
Connecting SCSI Drives
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Appendix B. Hard Drive Configuration and Maintenance
Avoid Recording to the System Drive
Supported Drive Formats and Drive Types
Formatting an Audio Drive
Partitioning Drives
Defragmenting an Audio Drive
Using Mac Drives on Windows Systems
Hard Disk Storage Space
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Appendix C. Configuring MIDI Studio Setup (Windows Only)
MIDI Studio Setup
MIDI Patch Name Support
Pro Tools|HD Getting Started Guide
vi
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Appendix D. Configuring AMS (Mac OS X Only)
Audio MIDI Setup
MIDI Patch Name Support
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Appendix E. DSP-Induced Delays in Mixing
Introduction to DSP-Induced Delay
Automatically Compensating for Delays
Delay Factors
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Appendix F. TDM Mixing and DSP Usage
Benefits of TDM II
DSP Allocation
DSP Usage and Mixer Plug-Ins
DSP Usage with TDM Plug-Ins
Appendix G. Troubleshooting
Backing Up Your Work
Common Issues
Using DigiTest as a Diagnostic Tool
Performance Factors
Before You Call Digidesign Technical Support
Index
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Contents
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Pro Tools|HD Getting Started Guide
viii
chapter 1

Welcome to Pro Tools|HD

Welcome to Pro Tools|HD®. Pro Tools|HD audio cards and interfaces bring high-definition digi­tal audio recording, editing, signal processing, mixing, and I/O capabilities to Pro Tools.
This guide covers installation and configuration of Pro Tools|HD hardware and Pro Tools® soft­ware on Windows and Mac platforms.

Pro Tools|HD Systems

Pro Tools software supports the following sys­tems:

Pro Tools|HD (for PCIe) Systems

(Mac Only)
Pro Tools|HD (for PCIe) systems are available in the following configurations:
Pro Tools|HD 1 (for PCIe)
• Accel Core (for PCIe) card
Pro Tools|HD 2 Accel (for PCIe)
• Accel Core (for PCIe) card
• HD Accel (for PCIe) card

Pro Tools|HD (for PCI) Systems

(Windows and Mac)
Pro Tools|HD (for PCI) systems are available in the following configurations:
Pro Tools|HD 1 (for PCI)
• HD Core (for PCI) card
Pro Tools|HD 2 Accel (for PCI)
• HD Core (for PCI) card
• HD Accel (for PCI) card
Pro Tools|HD 3 Accel (for PCI)
• HD Core (for PCI) card
• Two HD Accel (for PCI) cards
Pro Tools also supports earlier Pro Tools|HD 2 (for PCI) and Pro Tools|HD 3 (for PCI) sys­tems. These systems shipped with HD Pro­cess cards instead of HD Accel cards
Pro Tools HD supports more than three HD cards in certain system configurations. For more information, see the Expanded Sys­tems Guide.
Pro Tools|HD 3 Accel (for PCIe)
• Accel Core (for PCIe) card
• Two HD Accel (for PCIe) cards
Chapter 1: Welcome to Pro Tools|HD
1

Pro Tools|HD System Packages

All Pro Tools|HD systems include the following:
• Pro Tools|HD card(s)
• Pro Tools Installer disc containing Pro Tools software, DigiRack RTAS (Real­Time AudioSuite) and AudioSuite plug-ins, and electronic PDF guides
• Pre-authorized iLok for running Pro Tools HD
• This
Getting Started Guide
tion and configuration of Pro Tools|HD systems
Pro Tools Reference Guide
mentation
• DigiLink cable for connecting the primary card to an audio interface
• TDM FlexCables (multi-card systems only) to connect the cards to each other
• Digidesign Registration Information Card
All Pro Tools|HD systems also require at least one Digidesign audio interface (sold separately). See “Audio Interfaces” on page 6.
, covering installa-
and other docu-

Pro Tools HD Capabilities

Pro Tools HD on Windows or Mac provides the following capabilities:
• Up to a total of 256 audio tracks, 160 Auxiliary Input tracks, 64 Master Fader tracks, 128 VCA Master tracks, 256 MIDI tracks, 128 Instrument tracks, and 64 video tracks per session
• 16-bit or 24-bit audio resolution, at sample rates up to 192 kHz
• Non-destructive, random-access editing and mix automation
• Audio processing with up to 5 TDM or RTAS plug-ins per track, depending on your computer’s capabilities
• Up to 5 hardware inserts per track
• Up to 10 sends per track
• Up to 128 internal busses for routing and mixing
The number of simultaneous tracks of audio re­cording or playback depends on the type of Pro Tools|HD system.
Pro Tools|HD Getting Started Guide
2

Audio Recording and Playback Capabilities

Pro Tools|HD 1 (for PCIe and PCI)
Pro Tools|HD 1 systems provide recording and playback of 24-bit or 16-bit audio files with the following track counts:
• Up to 96 tracks at 44.1 kHz or 48 kHz
• Up to 48 tracks at 88.2 kHz or 96 kHz
• Up to 18 tracks (for PCIe) or 12 tracks (for PCI) at 176.4 kHz or 192 kHz
Pro Tools|HD 2 Accel and HD 3 Accel (for PCIe and PCI)
Pro Tools|HD 2 Accel and HD 3 Accel systems provide recording and playback of 24-bit or 16-bit audio files with the following track counts:
• Up to 192 tracks at 44.1 kHz or 48 kHz
• Up to 96 tracks at 88.2 kHz or 96 kHz
• Up to 36 tracks at 176.4 kHz or 192 kHz
Non-HD Accel Systems (for PCI)
Pro Tools|HD 2 and HD 3 systems (original Pro Tools|HD systems with no HD Accel cards) provide recording and playback of 24-bit or 16-bit audio files with the following track counts:
• Up to 128 tracks at 44.1 kHz or 48 kHz
• Up to 64 tracks at 88.2 kHz or 96 kHz
• Up to 24 tracks at 176.4 kHz or 192 kHz

Pro Tools Hardware Overview

This section describes each hardware compo­nent of a Pro Tools|HD system. The number of Pro Tools|HD cards in your system will differ de­pending on your system configuration.

Pro Tools|HD (for PCIe) Hardware

Accel Core (for PCIe) Card
All Pro Tools|HD (for PCIe) systems include an
Accel Core (for PCIe)
The Accel Core (for PCIe) card provides up to 96 tracks of direct-to-disk recording and playback, as well as DSP power for mixing and plug-in pro­cessing. The Accel Core (for PCIe) card supports up to 24-bit and up to 192 kHz sessions.
DigiLink
DigiSerial
Accel Core (for PCIe) card
DigiLink Port The Accel Core (for PCIe) card in­cludes a single DigiLink port for connecting up to 32 channels of audio input and output to your Pro Tools|HD system.
DigiSerial Port The DigiSerial port on the Accel Core (for PCIe) card is for connecting a Digidesign SYNC I/O. This connector is an 8-pin mini-DIN.
card.
The DigiSerial port on an Accel Core (for PCIe) card does not support Machine­Control connections.
Chapter 1: Welcome to Pro Tools|HD
3
HD Accel (for PCIe) Card

Pro Tools|HD (for PCI) Hardware

The HD Accel (for PCIe) card is included in Pro Tools|HD 2 Accel (for PCIe) and Pro Tools|HD 3 Accel (for PCIe) systems. The HD Accel (for PCIe) card is an expansion card, and requires the presence of at least one Accel Core (for PCIe) card.
The HD Accel (for PCIe) card provides addi­tional channels of direct-to-disk recording and playback, as well as additional DSP power for mixing and plug-in processing. The HD Accel (for PCIe) card supports sessions up to 24-bit and up to 192 kHz.
DigiLink
HD Accel (for PCIe) card
DigiLink Port The HD Accel (for PCIe) card in­cludes a single DigiLink port for connecting up to 32 channels of audio input and output to your Pro Tools|HD system.
DigiSerial Port The DigiSerial port on the HD Ac­cel (for PCIe) card does not offer any functional­ity.
HD Core (for PCI) Card
All Pro Tools|HD (for PCI) systems include an HD Core (for PCI) card.
The HD Core (for PCI) card provides up to 96 tracks of direct-to-disk recording and playback, as well as DSP power for mixing and plug-in pro­cessing. The HD Core (for PCI) card supports up to 24-bit and up to 192 kHz sessions.
DigiLink
DigiSerial
HD Core (for PCI) card
DigiLink Port The HD Core (for PCI) card in­cludes a single DigiLink port for connecting up to 32 channels of audio input and output to your Pro Tools|HD system.
DigiSerial Port The DigiSerial port on the HD Core (for PCI) card is for connecting a Digide­sign SYNC I/O. This connector is an 8-pin mini­DIN.
The DigiSerial port on an HD Core (for PCI) card does not support MachineControl con­nections.
If your HD Core (for PCI) card has two DigiSerial ports, use the DigiSerial port clos­est to the DigiLink connector.
Pro Tools|HD Getting Started Guide4
HD Accel (for PCI) Card
TDM FlexCable
The HD Accel (for PCI) card is included in Pro Tools|HD 2 Accel (for PCI) and Pro Tools|HD 3 Accel (for PCI) systems. The HD Accel (for PCI) card is an expansion card, and requires the presence of at least one HD Core (for PCI) card.
The HD Accel (for PCI) card provides additional tracks of direct-to-disk recording and playback, as well as additional DSP power for mixing and plug-in processing. The HD Accel (for PCI) card supports sessions up to 24-bit and up to 192 kHz.
DigiLink
HD Accel (for PCI) card
DigiLink Port The HD Accel (for PCI) card in­cludes a single DigiLink port for connecting up to 32 channels of audio input and output to your Pro Tools|HD system.
The TDM FlexCable is used to connect a pair of cards in your Pro Tools system so they can share data along the TDM bus. One FlexCable comes with each expansion card.
The TDM FlexCable is a flexible printed cir­cuit board with delicate traces. Do not over­bend, twist, or pinch the cable. Doing so may cause unpredictable behavior in Pro Tools as well as harm to your system.
TDM FlexCable
DigiSerial Port The DigiSerial port on the HD Ac­cel (for PCI) card does not offer any functional­ity.
Chapter 1: Welcome to Pro Tools|HD 5

Audio Interfaces

To record and play audio you must have at least one of the following Digidesign audio inter­faces:
192 I/O Audio Interface
• Supports sample rates up to 192 kHz. (At least one 192 I/O™ or 192 Digital I/O must be con­nected to your Pro Tools|HD system for 192 kHz recording, processing, and playback.)
• Supports both analog and digital connections, including AES/EBU, S/PDIF, TDIF, and ADAT Optical:
• Digital (Digital I/O Card): 8 channels, DB­25 (AES/EBU and TDIF), or one pair of Lightpipe (ADAT Optical) connectors. Ex­pandable up to 16 channels digital I/O with the addition of the 192 Digital expansion card.
• Analog: 8 channels, DB-25 (balanced) con­nectors, inputs selectable between +4 dBu or –10 dBV, outputs +4 dBu only. Expand­able up to 16 analog inputs or 16 outputs using an optional 192 AD or 192 DA ex­pansion card, respectively.
• Digital (Enclosure): 2 channels, XLR (AES/EBU) connectors; 2 channels RCA (S/PDIF) connectors.
• Optical (Enclosure): 8 channels, one pair of Lightpipe (ADAT Optical) connectors (swit­chable to 2 channels, S/PDIF).
• Loop Sync In and Out for connecting Pro Tools|HD interfaces and peripherals
• External Clock In and Out receive or send 1x Word clock (configurable to 256x for Legacy support, see “Optional Legacy I/O Audio In­terfaces” on page 7).
192 Digital I/O Audio Interface
• Supports sample rates up to 192 kHz. (At least one 192 I/O or 192 Digital I/O must be con­nected to your Pro Tools|HD system for 192 kHz recording, processing, and playback.)
• Supports digital connections, including AES/EBU, S/PDIF, TDIF, and ADAT Optical:
• Digital (2 Digital I/O Cards): 16 channels, DB-25 (AES/EBU and TDIF), or two pairs of Lightpipe (ADAT Optical) connectors.
• Digital (Enclosure): 2 channels, XLR (AES/EBU) connectors; 2 channels RCA (S/PDIF) connectors.
• Optical (Enclosure): 8 channels, one pair of Lightpipe (ADAT Optical) connectors (se­lectable to 2 channels, S/PDIF).
• Loop Sync In and Out for connecting Pro Tools|HD interfaces and peripherals
• External Clock In and Out receive or send 1x Word clock (configurable to 256x for Legacy support, see “Optional Legacy I/O Audio In­terfaces” on page 7).
Pro Tools|HD Getting Started Guide6
96 I/O Audio Interface
• Supports sample rates up to 96 kHz.
• Supports analog and digital connections, in­cluding AES/EBU, S/PDIF, and ADAT optical:
• Analog: 8 channels, 1/4-inch TRS (balanced or unbalanced) connectors, +4 dBu or –10 dBV
• Digital: 2 channels, XLR (AES/EBU) con­nectors; 2 channels, RCA (S/PDIF) connec­tors
• Optical: 8 channels, one pair of Lightpipe (ADAT Optical) connectors (switchable to 2 channels, S/PDIF)
• External Clock In and Out receive or send 1x Word clock (configurable to 256x for Legacy support, see “Optional Legacy I/O Audio Interfaces” on page 7)
96i I/O Audio Interface
• Supports sample rates up to 96 kHz
• 16 discrete channels of input, and 2 channels of output, with 4-segment LED meters on each channel. Audio inputs and outputs in­clude:
• 16 channels of 24-bit, 96-kHz capable ana­log input, with adjustable input sensitivity
• 2 channels of 24-bit, 96-kHz capable analog output, with selectable operating level
• 2 channels of 24-bit, 96 kHz-capable digital S/PDIF RCA input and output
• Loop Sync In and Out for connecting Pro Tools|HD interfaces and peripherals
• External Clock In and Out receive or send 1x Word clock
Optional Legacy I/O Audio Interfaces
For additional input and output channels, older Digidesign audio interfaces (or Legacy I/Os) can be connected to the 192 I/O, 192 Digital I/O, or 96 I/O™ (the 96i I/O™ does not support Legacy interfaces). The following supported legacy in­terfaces can only be used with 44.1 kHz or 48 kHz sessions:
888|24 I/O Audio Interface
• Analog: 8 channels, XLR (balanced or unbal­anced) connectors, selectable between +4 dBu or –10 dBV
• Digital: 8 channels, XLR (AES/EBU) connec­tors; 2 channels, RCA (S/PDIF) connectors
882|20 I/O Audio Interface
• Analog: 8 channels, 1/4-inch TRS (balanced or unbalanced) connectors, selectable between +4 dBu and –10 dBV
• Digital: 2 channels, RCA (S/PDIF) connectors
1622 I/O Audio Interface
• Analog: 16 input channels and 2 output chan­nels, 1/4-inch TRS (balanced or unbalanced) connectors. Inputs are selectable from +4 dBu to –10 dBV line levels and higher in 2 dB gain steps; outputs are selectable between +4 dBu or –10 dBV.
• Digital: 2 channels, RCA (S/PDIF) connectors.
Digidesign 24-bit ADAT Bridge I/O
• Optical: 16 channels, a pair of Lightpipe (ADAT) connectors.
• Analog output: 2 channels, 1/4-inch TRS (bal­anced) connectors, selectable between +4 dBu and –10 dBV.
• Digital: 2 channels, XLR (AES/EBU); 2 chan­nels RCA (S/PDIF) connectors.
Chapter 1: Welcome to Pro Tools|HD 7

System Requirements

Pro Tools|HD system hardware and supported audio interfaces can be used with a Digidesign­qualified Windows or Mac computer running Pro Tools HD software.
A DVD drive is required to use the Pro Tools In­staller disc.
For complete system requirements, visit the Digidesign website (www.digidesign.com).

Hard Drive Requirements

For optimal audio recording and playback, all Pro Tools|HD systems require one or more Digidesign-qualified drives.
For general hard drive maintenance and configuration information, see Appendix B, “Hard Drive Configuration and Mainte­nance.”
If you are using one or more SCSI drives, refer to Appendix A, “Connecting SCSI Drives.”
Compatibility Information
Digidesign can only assure compatibility and provide support for hardware and software it has tested and approved.
For a list of Digidesign-qualified computers, op­erating systems, hard drives, and third-party de­vices, refer to the Digidesign website (www.digidesign.com).

MIDI Requirements

USB MIDI interfaces work effectively with Pro Tools systems on Windows or Mac. Serial MIDI interfaces are supported on Windows sys­tems only.
Only USB MIDI interfaces are compatible with Pro Tools systems on Mac OS X. Modem-to-serial port adapters and serial MIDI devices are not supported.
For a list of supported adapters, refer to the Digidesign website (www.digidesign.com).
If you are using an ATA/IDE or FireWire hard drive, initialize your drive with Windows Disk Management (Windows) or the Disk Utility ap­plication included with Apple System software (Mac).
For more information, see Appendix B, “Hard Drive Configuration and Maintenance.”
Avoid Recording to the System Drive
Recording to your system drive is not recom­mended. Recording and playback on a system drive may result in lower track counts and fewer plug-ins.
Digidesign does not recommend recording to a system drive. Record to a system drive only when necessary.
Pro Tools|HD Getting Started Guide8

Digidesign Registration

About the Pro Tools Guides

Review the enclosed Digidesign Registration In­formation Card and follow the instructions on it to quickly register your purchase online. This is one of the most important steps you can take as a new user. Registering your purchase is the only way you can be eligible to receive:
• Complimentary technical support
• An update to the latest version of Pro Tools at no charge if you bought a system with older software in the box
• Future upgrade offers.
In addition to any printed guides or documenta­tion included with your system, PDF versions of Pro Tools guides and Read Mes are installed au­tomatically during Pro Tools installation to the Digidesign/Documentation folder.
To view or print PDF guides, you can use Adobe Reader or Apple Preview (Mac only).
Printed copies of the Pro Tools Reference Guide and other guides in the Pro Tools guide set can be purchased separately from the DigiStore (www.digidesign.com).
Guides Accessible in Pro Tools
The main Pro Tools guides are accessible from the Pro Tools Help menu. These include:
Pro Tools Reference Guide explains Pro Tools software in detail.
Pro Tools Menus Guide covers all the Pro Tools on-screen menus.
DigiRack Plug-ins Guide explains how to use Digidesign for both real-time and file-based audio pro­cessing.
Pro Tools Shortcuts for your operating system, lists keyboard and Right-click shortcuts for Pro Tools, including those shown in Pro Tools menus.
®
plug-ins included with Pro Tools
Chapter 1: Welcome to Pro Tools|HD 9

Conventions Used in This Guide

Digidesign guides use the following conven­tions to indicate menu choices and key com­mands:
:
Convention Action
File > Save Choose Save from the File
menu
Control+N Hold down the Control key
and press the N key

About www.digidesign.com

The Digidesign website (www.digidesign.com) is your best source for information to help you get the most out of your Pro Tools system. The fol­lowing are just a few of the services and features available.
Product Registration Register your purchase on­line. See the enclosed Digidesign Registration Information Card for instructions.
Control-click Hold down the Control key
and click the mouse button
Right-click Click with the right mouse
button
The following symbols are used to highlight im­portant information:
User Tips are helpful hints for getting the most from your system.
Important Notices include information that could affect your data or the performance of your system.
Shortcuts show you useful keyboard or mouse shortcuts.
Cross References point to related sections in this guide and other Digidesign guides.
Support and Downloads Contact Digidesign Technical Support or Customer Service; down­load software updates and the latest online manuals; browse the Compatibility documents for system requirements; search the online An­swerbase; join the worldwide Pro Tools commu­nity on the Digidesign User Conference.
Training and Education Become a certified Pro Tools Operator or Expert; study on your own using courses available online, or find out how you can learn in a classroom setting at a certified Pro Tools Training Center.
Products and Developers Learn about Digidesign products; download demo software; learn about our Development Partners and their plug-ins, applications, and hardware.
News and Events Get the latest news from Digidesign; sign up for a Pro Tools demo.
To learn more about these and other resources available from Digidesign, visit the Digidesign website (www.digidesign.com).
Pro Tools|HD Getting Started Guide10
chapter 2

Installing Pro Tools on Windows

This chapter contains information for Windows systems only. If you are installing Pro Tools on a Mac computer, see Chapter 3, “Installing Pro Tools on Mac.”

Installing Pro Tools Hardware

Disabling Driver Signing Warnings

Before installing this version of Pro Tools, refer to the Read Me information included on the Pro Tools Installer disc.

Installation Overview

Installation of a Pro Tools|HD system on a Win­dows computer includes the following steps:
1 “Installing Pro Tools Hardware” on page 11.
This step includes:
• Disabling Driver Signing warnings.
• Installing and connecting Pro Tools|HD cards.
• Connecting audio interfaces
2 “Installing Pro Tools HD Software” on
page 17.
3 “Launching Pro Tools” on page 18.
4 Configuring your system for improved perfor-
mance. (See Chapter 4, “Configuring Your Pro Tools System.”)
5 Chapter 5, “Making Studio Connections.”
Before you install Pro Tools|HD cards, tempo­rarily disable the Driver Signing warning option. This expedites and automates much of the in­stallation process. If you do not temporarily dis­able this option, warning messages (that you are installing an unsigned driver) will appear for each DSP chip detected during software installa­tion.
To disable the warning option:
1 Choose Start > Control Panel.
2 Double-click System.
3 Click the Hardware tab in the System Control
Panel.
4 Click the Driver Signing button.
5 Select “Ignore—Install the software anyway and
don’t ask for my approval.”
6 Click OK to close the Driver Signing Options
window.
7 Click OK to close the System Properties win-
dow.
8 Turn the computer off.
9 Proceed to “Installing Pro Tools|HD Cards” on
page 12.
Chapter 2: Installing Pro Tools on Windows 11

Installing Pro Tools|HD Cards

This section shows how to install Pro Tools|HD cards into a Windows computer. To install cards into an expansion chassis, see the Expanded Sys- tems Guide.
To install Pro Tools cards:
1 Turn off your computer and any peripherals.
Leave your computer’s power cable plugged in so the computer is grounded.
2 Disconnect all cables attached to the com-
puter (such as hard drives, displays, USB and FireWire devices) except for the power cable.
3 Open the computer case.
4 Remove the metal access port cover behind
the slot you want to use by removing the screw and sliding the cover out from the access port.
Before handling any card, discharge static electricity from your clothes or body by touching a grounded metal surface, such as the power supply case inside your computer.
7 Install the first HD Accel card (if any) in the
second PCI slot.
8 Install any remaining HD Accel cards in the
remaining consecutive PCI slots.
9 Install any HD Process cards in the remaining
consecutive PCI slots (64-bit or 32-bit).
10 If you are installing a SCSI host bus adapter
(HBA) card, install it in the highest-numbered remaining slot.
11 Check to be sure that your cards are installed
in the proper order for your system, starting with the lowest numeric slot:
• Display card for your computer monitor
• Accel Core (for PCIe) or HD Core (for PCI) card
• HD Accel cards
• HD Process cards
• SCSI host bus adapter (HBA) card
12 Secure each card in place with the slot access
port screws you removed earlier.
5 Depending on your system, do one of the fol-
lowing:
• Install the Accel Core (for PCIe) card in the first PCIe slot.
– or –
• Install the HD Core (for PCI) card in the first PCI slot.
6 If you are installing additional Pro Tools cards
(or other cards), skip to the next step. If you have no additional cards to install, do the fol­lowing:
• Secure the card in place with the slot access port screw you removed earlier.
• Close the computer case.
• Skip to “Connecting Audio Interfaces” on page 13.
Pro Tools|HD Getting Started Guide12

Connecting Pro Tools|HD Cards

In systems that include more than one card, you must connect all the Pro Tools|HD cards to each other with TDM FlexCables.
Each Pro Tools|HD card has two ports along the top of the card, labeled Port A and Port B. The FlexCable has two connectors, also labeled Port A and Port B, to ensure proper connection. Data communication across multiple cards is achieved by connecting Port B of the first card to Port A of the next card with a TDM FlexCable.
The first FlexCable always goes from Port B on the core card to Port A on the first expansion card, as described in the follow­ing steps.
To connect Pro Tools|HD cards:
1 Shape the FlexCable before installing it on the
card by holding the cable with its printed side facing you, and moving the Port B portion of the cable straight towards you and inwards, as shown below. Do not bend the cable more than you need to, as you may damage the traces in the cable.
Preparing TDM FlexCable for installation
2 Slide the FlexCable into the notch of the first
card, so that the Port B connector of the Flex­Cable can be aligned with Port B of the first card; and the Port A connector of the FlexCable can be aligned with Port A of the second card, as shown below.


Top view of two cards connected with TDM FlexCable
4 Verify the connection. Make sure the Flex-


Cable ports seat flat against the sockets on the cards, and are firmly attached.
5 For systems with more than two cards, con-
nect each additional card to its preceding card. Use FlexCables to connect card pairs together, as described above, until all cards are connected. (Each HD Accel or HD Process card is packaged with a FlexCable.)
6 Close the computer case.

Connecting Audio Interfaces

Each Pro Tools|HD audio interface supplies up to 16 channels of input and output to your sys­tem. Audio interfaces are connected directly to Pro Tools|HD cards, or through the Expansion ports on other Pro Tools|HD interfaces.
Inserting TDM FlexCable
3 Connect the Port A connector of the Flex-
Cable to Port A on the second card. Push gently but firmly until the cable is fully connected to the card. Attach the other end of the FlexCable (labeled Port B) to Port B on the first card.
Each Pro Tools|HD card supports up to 32 chan­nels. To get a full 32 channels of I/O from one card, you can connect, or daisy-chain, a second 16-channel Pro Tools|HD I/O to the first Pro Tools|HD I/O that is connected directly to the Pro Tools|HD card.
Pro Tools|HD supports up to a maximum of ten 192 I/Os, 192 Digital I/Os, or 96 I/Os. Up to five 96i I/Os can be used simultaneously.
Chapter 2: Installing Pro Tools on Windows 13
For examples of connecting multiple I/Os, see Figure 1 and Figure 2 on page 15.
Pro Tools|HD audio interfaces need room at their sides to maintain proper air flow for cooling. Do not block the sides of the unit or disconnect the internal fan. If the units are rack-mounted in a case, remove the case lids or doors before operating the system. Failure to do so can result in the units over­heating very quickly, which can perma­nently damage sensitive components.
Legacy I/Os can also be connected to Pro Tools|HD interfaces. See “Connecting an Additional 16 Channels of Audio with Legacy I/Os” on page 16.
To connect Pro Tools|HD audio interfaces:
1 If you are using a single 192 I/O,
192 Digital I/O, 96 I/O, or 96i I/O, connect its Primary Port to the Accel Core (for PCIe) or HD Core (for PCI) card with the DigiLink cable pro­vided with the card. You must attach at least one 192 I/O, 192 Digital I/O, 96 I/O, or 96i I/O to your system in order for Pro Tools to launch.
If you have at least one 192 I/O or 192 Digital I/O in your system configura­tion, it must be connected to the Accel Core (for PCIe) or HD Core (for PCI) card as the primary interface.
If you are connecting both 192 I/O (or 192 Digital I/O) and 96 I/O audio interfaces to your system, connect the 192 I/O (or 192 Digital I/O) to your Accel Core (for PCIe) or HD Core (for PCI) card, followed by any addi­tional 192 I/O (or 192 Digital I/O) interfaces connected to subsequent cards. Then connect 96 I/O interfaces to subsequent cards, or to other interfaces, then connect 96i I/O inter­faces.
You can also connect a single Pro Tools|HD in­terface to each Pro Tools|HD card in your system using the provided DigiLink cables. (However, there is no advantage to this configuration over daisy-chaining interfaces.)
Connecting Loop Sync
If you are using two or more Pro Tools|HD audio interfaces or a SYNC I/O peripheral, Loop Sync must be connected to maintain proper clock among the devices.
To make Loop Sync connections:
1 Connect the Loop Sync Out of each interface
to the Loop Sync In of the next interface with the BNC cables included in your I/O packaging.
2 Connect the Loop Sync Out of the last inter-
face to the Loop Sync In of the primary interface or SYNC I/O peripheral.
2 Connect additional Pro Tools|HD audio inter-
faces to subsequent Digidesign audio cards, or daisy-chain the interfaces (by connecting the Primary Port of the secondary interface to the Expansion Port of the primary interface).
Pro Tools|HD Getting Started Guide14
Connecting Legacy I/Os
If you are connecting a Digidesign Legacy I/O, continue with “Connecting an Additional 16 Channels of Audio with Legacy I/Os” on page 16.
The 96i I/O does not support Legacy I/O.
12-foot DigiLink cable
HD Core or
Accel Core card
18-inch DigiLink cable
Figure 1. Two 96 I/Os (32-channel system)
18-inch DigiLink cable
Loop Sync cables
Loop Sync cables
12-foot DigiLink cable
Loop Sync cables
HD Core or
Accel Core card
TDM FlexCable
12-foot DigiLink cable
Figure 2. Three 96 I/Os (48-channel system)
HD Accel card
or HD Process card
Chapter 2: Installing Pro Tools on Windows 15
Connecting an Additional 16 Channels of Audio with Legacy I/Os
Each 192 I/O, 192 Digital I/O, and 96 I/O can support 16 channels of audio to and from Digi­design Legacy I/Os. (The 96i I/O does not sup­port Legacy I/O.) Legacy I/Os include the 888|24 I/O™, 882|20 I/O™, 1622 I/O™, and the 24-bit ADAT Bridge I/O™.
The original 888 I/O and 882 I/O interfaces are not supported with Pro Tools|HD.
To connect Digidesign Legacy I/Os:
1 Connect the “MIX card” end of the peripheral
cable that came with your Legacy I/O (60-pin side) to the Legacy Port on the primary Pro Tools|HD audio interface. Connect the other end to the Computer Port on the Legacy I/O.
2 Do one of the following:
• Connect any additional Legacy I/Os in the same manner, to Pro Tools|HD audio inter­faces connected directly to HD cards.
– or –
• If you are using a Y cable (Legacy 16-chan­nel peripheral cable adapter), connect this to the Legacy port first, then connect the audio interface peripheral cables to Port A and Port B of the Y cable.
“A” to first Legacy I/O
“B” to second Legacy I/O
To Legacy Port on Pro Tools|HD audio interface
3 To properly clock the Legacy I/O, connect the
Ext. Clock output port on the Pro Tools|HD I/O to the Slave Clock IN on the Legacy I/O. The Legacy I/O will switch to Slave mode once the proper clock is outputting from the Pro Tools|HD I/O. Always use the Ext. Clock Out port of the same I/O to which the Legacy I/O is attached.
If you are using the Y cable to connect multiple MIX audio interfaces, you must also connect the Slave Clock Out of the first Legacy interface to the Slave Clock In of the second Legacy inter­face with the provided BNC cable. You cannot clock more than two MIX audio interfaces from a single Pro Tools|HD audio interface. If you have a third MIX audio interface, supply its 256x clock from the Pro Tools|HD I/O to which its 60-pin cable is attached (either your second audio interface, or directly to an HD Accel or HD Process card).
To ensure the proper functioning of Legacy I/Os (such as an 888|24 I/O or 882|20 I/O), launch Pro Tools and initial­ize the Legacy I/Os in the Hardware Setup dialog before turning them on (See “Config­uring Legacy I/Os” on page 50). Then quit Pro Tools and shut down your computer. When relaunching your Pro Tools system, turn on your Legacy I/Os first and allow them to finish booting before turning on your Pro Tools|HD audio interfaces, and then your computer.
Optional 16-channel peripheral cable adapter
Pro Tools|HD Getting Started Guide16
Before you turn on and configure your Leg­acy I/Os, turn down the volume of output devices. Very loud digital noise may be emitted before the Legacy I/O is initialized.

Installing Pro Tools HD Software

After your Pro Tools|HD hardware is installed and connected, you are ready to install Pro Tools software.
Make sure you have disabled Driver Signing warnings before beginning software instal­lation. This will reduce the number of warning messages you see during installa­tion. See “Disabling Driver Signing Warn­ings” on page 11.
To install Pro Tools HD software:
1 If you have Media Station|PT or Media Sta-
tion|V10 installed on your system, uninstall it before proceeding.
For details on uninstalling Media Sta­tion|PT or Media Station|V10, see the Avid Video Peripherals Guide.
2 Start Windows, logging in with Administrator
privileges. For details on Administrator privi­leges, refer to your Windows documentation.
3 Wait for the Found New Hardware Wizard di-
alog to appear and leave it open: Do not click Next.
4 Insert the Pro Tools Installer disc in your
CD/DVD drive.
5 On the Installer disc, locate and open the
Pro Tools Installer folder.
6 Double-click the Setup icon.
7 Follow the on-screen instructions to proceed
with installation.
10 Select the Pro Tools application for installa-
tion.
11 You can also select from a list of optional
items to install along with Pro Tools.
Mac HFS+ Disk Support Option This option lets your Pro Tools system read, write, record, and play back using Mac-formatted HFS+ disks. HFS+ disks are commonly referred to as Mac OS Ex­tended disks.
Avid Video Engine The Avid Video Engine is re­quired to use Pro Tools with Avid video periph­erals such as the Avid Mojo or the Digidesign AVoption|V10.
DigiTranslator DigiTranslator™ is a software op­tion for Pro Tools that lets you convert and ex­change OMF and AAF sequences and MXF files directly in the Pro Tools application. This op­tion is purchased separately.
MachineControl Digidesign MachineControl™ is a software option that lets you control exter­nal audio/video devices from Pro Tools using se­rial 9-pin protocols. This option is purchased separately.
Command|8 Controller and Driver The Com­mand|8 Driver is required if you are using the Digidesign Command|8 control surface.
MP3 Export Option The MP3 Export Option lets you export MP3 files from Pro Tools. This op­tion is purchased separately.
The Pro Tools Installer disc includes addi­tional software for your system. For more in­formation, see “Additional Software on the Pro Tools Installer Disc” on page 19.
8 Select the install location. For maximum reli-
ability, install Pro Tools on your startup drive.
9 Click Next.
12 Click Next.
Chapter 2: Installing Pro Tools on Windows 17
13 Select your work environment. This loads an
initial set of Pro Tools Preferences that include some of the more popular settings for post pro­duction, audio, or audio with MIDI.
Preference settings can be customized at any time in Pro Tools. See the
ence Guide
14 Click Next.
15 Select whether to install the Surround Mixer
for more information.
Pro Tools Refer-
plug-in. This plug-in is required for mixing, mastering, and monitoring in surround.
• Select “Yes – Monitor in Pro Tools Film For­mat” if your monitoring is configured for Film Format surround.
• Select “Yes – Monitor in ProControl (DTS Format)” if you are using a ProControl ded­icated controller.
• Select “No – Stereo mixing only” if your monitoring is configured for Stereo.
AFL/PFL Solo modes require the Surround Mixer plug-in. See the Pro Tools Reference Guide for more information.
16 Click Next.
17 Click Install.

Installing QuickTime

QuickTime is required for Pro Tools if you plan to include movie files, or import MP3 or MP4 (AAC) files in your sessions. QuickTime for Win­dows is available as a free download from the Apple website.
For information on which version of Quick­Time is compatible with your version of Pro Tools, visit the compatibility pages of the Digidesign website (www.digidesign.com).
To install QuickTime:
1 Visit www.apple.com and download the
QuickTime for Windows installer application to your computer.
2 Double-click the QuickTime installer applica-
tion and follow the on-screen installation in­structions.
3 Restart your computer.
If you turned off Driver Signing Warning on your computer, be sure to enable it once Pro Tools hardware and software have been installed.
Several messages are displayed during in­stallation that can be ignored, including multiple “Found New Hardware” dialogs and “A Problem Occurred During Hardware Installation.”
Additionally, if you get a warning dialog about the driver not passing Windows Logo testing, click Continue Anyway.
18 Wait for the installer to finish installing all
software components, drivers, and PACE System files before proceeding to the next step.
19 When installation is complete, click Finish.
Pro Tools|HD Getting Started Guide18

Launching Pro Tools

To use Pro Tools HD, you must always have an inserted iLok with an authorization for Pro Tools HD. One pre-authorized iLok is in­cluded with your Pro Tools HD system.
To authorize Pro Tools HD software:
1 Make sure HD hardware is connected to your
computer.
2 Insert the pre-authorized iLok into an avail-
able USB port on your computer.
3 Do one of the following:
• Double-click the Pro Tools HD shortcut on the desktop.
– or –
• Locate and double-click the Pro Tools HD application on your hard drive.
Digidesign ASIO Driver
The Digidesign ASIO (Audio Sound Input Out­put) Driver is a single-client multichannel sound driver that allows third-party audio pro­grams that support the ASIO standard to record and play back through Digidesign hardware.
Do not remove the iLok during Pro Tools launch or use.

Additional Software on the Pro Tools Installer Disc

The Pro Tools Installer disc provides additional software for your system, including audio driv­ers (for playing other audio applications through your Digidesign hardware) and a Pro Tools demo session.
Refer to your Pro Tools Installer disc for ad­ditional software and installers.

Windows Audio Drivers

The Digidesign ASIO Driver and WaveDriver Windows System Audio Driver let you use your Digidesign hardware interface with third-party applications that support the ASIO Driver or WaveDriver MME (Multimedia Extension).
The Digidesign ASIO Driver and WaveDriver for your Digidesign hardware are automatically in­stalled when you install Pro Tools.
For detailed information on configuring the Digidesign ASIO Driver, see the Windows Audio Drivers Guide.
Digidesign WaveDriver
(Windows XP Only)
The Digidesign WaveDriver Windows System Audio Driver is a single-client, stereo sound driver that allows third-party audio programs that support the WaveDriver MME (Multimedia Extension) standard to play back through Digi­design hardware.
For detailed information on configuring the Digidesign WaveDriver, see the Windows Audio Drivers Guide.
Standalone Windows Audio Drivers
Digidesign Windows Audio Drivers can be in­stalled on Windows systems that do not have Pro Tools software installed. Use the standalone version of the Digidesign Windows Audio Driv­ers installer (Digidesign Audio Drivers Setup.exe), which is available on the Pro Tools Installer disc.
For information on installing and configur­ing the standalone version of the Digidesign Windows Audio Drivers, see the Windows Audio Drivers Guide.
Chapter 2: Installing Pro Tools on Windows 19

Pro Tools Demo Session

The Pro Tools HD Installer disc includes a demo session that you can use to verify that your sys­tem is working.
The demo session for Pro Tool HD is named Meant To Be.
Before installing the demo session to your audio drive, make sure the drive is config­ured as described in “Formatting an Audio Drive” on page 70.
To install the demo session:
1 Insert the Pro Tools HD Installer disc into
your DVD drive.
To install factory session templates:
1 Insert the Pro Tools Installer disc into your
DVD drive.
2 From your DVD drive, locate and open the Ad-
ditional Files/HD Session Templates Installer folder.
3 Double-click HD Session Templates Setup.exe.
4 Follow the onscreen instructions.
5 When prompted, select your audio drive as
the install location and click Next to begin the install.
6 When installation is complete, click Finish.
2 From your DVD drive, locate and open the Ad-
ditional Files/HD Demo Session Installer folder.
3 Double-click HD Demo Session Setup.exe.
4 Follow the onscreen instructions.
5 When prompted, select your audio drive as
the install location and click Next to begin the install.
6 When installation is complete, click Finish.
The demo session can be opened by double­clicking the Meant To Be.ptf file (located in the Meant To Be Demo Session folder).

Pro Tools Session Templates

The Pro Tools HD Installer disc includes factory session templates that are pre-configured to common track and mixer setups. Using these templates will save you the trouble of having to create your studio setup from scratch every time you start a new session.
See the Pro Tools Reference Guide for informa­tion on using or customizing session templates.

Uninstalling Pro Tools

If you need to uninstall Pro Tools software from your computer, you can use Windows com­mands for uninstalling programs.
To uninstall Pro Tools from your computer:
1 Choose Start > Control Panel.
2 Double-click Add or Remove Programs.
3 From the Currently Installed Programs list, se-
lect Digidesign Pro Tools.
4 Click the Remove button.
5 Follow the on-screen instructions to remove
Pro Tools.
Pro Tools|HD Getting Started Guide20
chapter 3

Installing Pro Tools on Mac

This chapter contains information for Mac sys­tems only. If you are installing Pro Tools on a Windows computer, see Chapter 2, “Installing Pro Tools on Windows.”
Before installing this version of Pro Tools, refer to the Read Me information included on the Pro Tools Installer disc.

Installation Overview

Installation of a Pro Tools|HD system on a Mac includes the following steps:
1 “Installing Pro Tools Hardware” on page 22.
This step includes:
• Installing and connecting Pro Tools|HD cards.
• Connecting audio interfaces
2 “Installing Pro Tools HD Software” on
page 28.
3 “Launching Pro Tools” on page 29.
4 Configuring your system for improved perfor-
mance. (See Chapter 4, “Configuring Your Pro Tools System.”)
5 Chapter 5, “Making Studio Connections.”
Chapter 3: Installing Pro Tools on Mac 21

Installing Pro Tools Hardware

To install Pro Tools|HD hardware, you first in­stall Pro Tools|HD cards, then for systems with more than one card, connect the cards with a TDM FlexCable.
Mac Pro and Power Mac G5 (PCI Express) The PCI Express-equipped Mac Pro and Power Mac G5 have three PCI Express (PCIe) slots (named slots 2, 3, and 4). The PCI Express slot numbers increase from bottom to top as you face the open computer case from the side. Install the Accel Core (for PCIe) card into PCI slot 2.

Installing Pro Tools|HD Cards

This section shows how to install Pro Tools|HD cards into a Mac computer. To install cards into an expansion chassis, see the Expanded Systems Guide.
To install Pro Tools cards:
1 Turn off your computer and any peripherals.
Leave your computer’s power cable plugged in so the computer is grounded.
2 Disconnect all cables attached to the com-
puter (such as hard drives, displays, USB and FireWire devices) except for the power cable.
3 Open the computer case.
4 Remove the metal access port cover behind
the slot you want to use by removing the screw and sliding the cover out from the access port.
Before handling any card, discharge static electricity from your clothes or body by touching a grounded metal surface, such as the power supply case inside your computer.
Mac Pro
PCIe slot 4 (hidden)
PCIe slot 3
PCIe slot 2
AGP slot 1 (video card)
PCIe slot 4
PCIe slot 3
PCIe slot 2
AGP slot 1 (video card)
5 Install the Accel Core (for PCIe) or HD Core
(for PCI) card into the lowest-numbered slot in the computer. This will be the slot closest to the graphics card, as shown in the following exam­ples:
Pro Tools|HD Getting Started Guide22
Power Mac G5 (PCI Express equipped)
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