Pinnacle Systems Pro Tools HD - 6.2 User Manual

Getting Started
with Pro Tools HD
Version 6.2 for HD Systems on Windows or Macintosh
Digidesign
2001 Junipero Serra Boulevard
Daly City, CA 94014-3886 USA
tel: 650·731·6300
fax: 650·731·6399
tel: 650·731·6100
fax: 650·731·6384
Product Information (USA)
tel: 650·731·6102
tel: 800·333·2137
International Offices
Visit the Digidesign Web site
for contact information
Web Site
www.digidesign.com
Copyright
This guide is copyrighted ©2003 by Digidesign, a division of Avid Technology, Inc. (hereafter “Digidesign”), with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Digidesign.
DIGIDESIGN, AVID and PRO TOOLS are trademarks or registered trademarks of Digidesign and/or Avid Technology, Inc. All other trademarks are the property of their respective owners.
All features and specifications subject to change without notice.
PN 910612197-00 REV A 09/03

contents

Chapter 1. Welcome to Pro Tools|HD
Pro Tools TDM Systems
System Requirements
Digidesign Registration
About the Pro Tools Guides
About www.digidesign.com
Chapter 2. Windows Configuration
Installing Windows XP
Configuring Your Computer
Windows System Settings
Pro Tools Hardware Overview
Installing Pro Tools Hardware
Installing Pro Tools Software
Optional Software
Using MIDI
Checking Your HD System
Launching Pro Tools
Configuring Pro Tools
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Chapter 3. Macintosh Configuration
Pro Tools Hardware Overview
Installing Pro Tools Hardware
Apple System Settings
Installing Pro Tools Software
Installing the Demo Session
Checking Your HD System
Launching Pro Tools
Configuring Pro Tools
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Contents
iii
Chapter 4. Connecting Your Studio
Setting Up Your Studio
Example Studio Setup with a Mixing Console
Example Studio Setup without a Mixing Console
Connecting Equipment with Digital Audio Ins and Outs
Connecting Effects Units
Connecting MIDI Devices
Connecting SMPTE Synchronization Devices
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
. . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Chapter 5. Working with Pro Tools
Session Basics
Transport Controls
Navigating a Session
Tracks
Regions Lists
Importing Audio
Basic Recording
Editing
Mixing
Plug-Ins
Mix Automation
Final Mixdown
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Appendix A. Connecting SCSI Drives
SCSI Requirements
Connecting SCSI Drives
Quick Formatting SCSI Drives
General Hard Drive Maintenance
Using Macintosh Drives on Windows Systems
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Appendix B. DigiTest Error Codes
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Appendix C. Windows System Optimizations
Troubleshooting
Advanced Settings
Getting Started with HD
iv
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Appendix D. Digidesign ASIO Driver (Windows Only)
Introduction
Compatible Software
Installing the ASIO Driver
Changing ASIO Driver Settings
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
. . . . . . . . . . . . . . . . . . . . . . . . . . 109
Appendix E. Configuring AMS (Mac OS X Only)
Index
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Contents
v
Getting Started with HD
vi
chapter 1

Welcome to Pro Tools|HD

Welcome to Pro Tools|HD. Pro Tools|HD-series audio cards and interfaces bring high-definition digital audio recording, editing, signal process­ing, mixing, and I/O capabilities to Pro Tools.
This guide covers installation and configuration of Pro Tools|HD hardware and Pro Tools soft­ware on Windows and Macintosh platforms. System and installation tests are provided, as well as an introduction to Pro Tools software.

Pro Tools TDM Systems

HD-Series Systems

Pro Tools 6.2 on Windows or Macintosh sup­ports the following systems:
Pro Tools|HD 1, HD 2 Accel, and HD 3 Accel
These Pro Tools|HD systems include:
• HD Core card
• HD Accel card; HD 2 Accel and HD 3 Accel come with one and two HD Accel cards, re­spectively (HD 1 does not include an HD Accel card)
• Pro Tools TDM software
• Digidesign audio interface (sold sepa­rately). See “Audio Interfaces” on page 2.
• DigiLink cable (to connect the HD card to an audio interface)
• TDM FlexCable (to connect two HD cards); one TDM Flex Cable per each HD Accel card (HD 1 does not include a TDM FlexCa­ble)
Pro Tools 6.2 also supports earlier Pro Tools|HD 1, HD 2, and HD 3 systems (Pro Tools 6.2 does not require an HD Accel card). For more information, see “Pro Tools|HD 1, HD 2, and HD 3” on page 1.
Pro Tools|HD 1, HD 2, and HD 3
These Pro Tools systems consist of original HD­series cards only (HD Core and HD Process), and do not include an HD Accel card.
A Pro Tools|HD system includes:
• HD Core card
• HD Process card; HD 2 and HD 3 come with one and two Process cards, respectively (HD 1 does not include a Process card)
• Pro Tools TDM software
• Digidesign audio interface (sold separately)
• DigiLink cable (to connect the HD card to an audio interface)
• TDM FlexCable (to connect two HD cards); one TDM Flex Cable per each Process card (HD 1 does not include a TDM FlexCable)
Chapter 1: Welcome to Pro Tools|HD
1
Recording and Playback Capabilities

Audio Interfaces

Pro Tools|HD 1
Pro Tools|HD 1 systems provide recording and playback of 24-bit and 16-bit audio files with the following track counts:
• Up to 96tracks at 44.1 kHz or 48 kHz
• Up to 48 tracks at 88.2 kHz or 96 kHz
• Up to 12 tracks at 176.4 kHz or 192 kHz
HD Accel-Equipped Systems
Pro Tools|HD 2 Accel and HD 3 Accel systems (which includes any HD-series systems with at least one HD Accel card) provide recording and playback of 24-bit and 16-bit audio files with the following track counts:
• Up to 192 tracks at 44.1 kHz or 48 kHz
• Up to 96 tracks at 88.2 kHz or 96 kHz
• Up to 36 tracks at 176.4 kHz or 192 kHz.
Non-HD Accel Systems
Pro Tools|HD 2 and HD 3 systems (original HD­series system with no HD Accel cards) provide recording and playback of 24-bit and 16-bit au­dio files with the following track counts:
• Up to 128 tracks at 44.1 kHz or 48 kHz
• Up to 64 tracks at 88.2 kHz or 96 kHz
• Up to 24 tracks at 176.4 kHz or 192 kHz
All Pro Tools|HD systems provide:
• TDM digital mixing and DSP plug-ins
• Non-linear, random-access editing and mix automation
• MIDI recording, playback, and editing
To record and play audio you must have at least one of the following Digidesign audio inter­faces:
192 I/O Audio Interface
• Supports sample rates up to 192 kHz. (At least one 192 I/O or 192 Digital I/O must be con­nected to your Pro Tools|HD system for 192 kHz recording, processing, and playback.)
• Supports both analog and digital connec­tions, including AES/EBU, S/PDIF, TDIF, and ADAT Optical:
• Digital (Digital I/O Card): eight channels, DB-25 (AES/EBU and TDIF), or one pair of Lightpipe (ADAT Optical) connectors. Ex­pandable up to 16 channels digital I/O with the addition of the 192 Digital expan­sion card.
• Analog: eight channels, DB-25 (balanced) connectors, inputs selectable between +4 dBu or –10 dBV, outputs +4 dBu only. Expandable up to 16 analog inputs or 16 outputs using an optional 192 AD or 192 DA expansion card, respectively.
• Digital (Enclosure): two channels, XLR (AES/EBU) connectors; two channels RCA (S/PDIF) connectors.
• Optical (Enclosure): eight channels, one pair of Lightpipe (ADAT Optical) connec­tors (switchable to two channels, S/PDIF).
•Word Clock in and out receive or send 1x Word clock (configurable to 256x for Leg­acy support, see “Optional Legacy I/O Au­dio Interfaces” on page 3).
Getting Started with HD
2
192 Digital I/O Audio Interface
• Supports sample rates up to 192 kHz. (At least one 192 I/O or 192 Digital I/O must be con­nected to your Pro Tools|HD system for 192 kHz recording, processing, and playback.)
• Supports digital connections, including AES/EBU, S/PDIF, TDIF, and ADAT Optical:
• Digital (2 Digital I/O Cards): 16 channels, DB-25 (AES/EBU and TDIF), or two pairs of Lightpipe (ADAT Optical) connectors.
• Digital (Enclosure): two channels, XLR (AES/EBU) connectors; two channels RCA (S/PDIF) connectors.
• Optical (Enclosure): eight channels, one pair of Lightpipe (ADAT Optical) connec­tors (selectable to two channels, S/PDIF).
•Word Clock in and out receive or send 1x Word clock (configurable to 256x for Leg­acy support, see “Optional Legacy I/O Au­dio Interfaces” on page 3).
96 I/O Audio Interface
• Supports sample rates up to 96 kHz.
• Supports analog and digital connections, in­cluding AES/EBU, S/PDIF, and ADAT optical:
• Analog: eight channels, 1/4-inch TRS (bal­anced or unbalanced) connectors, +4 dBu or –10 dBV
• Digital: two channels, XLR (AES/EBU) con­nectors; two channels, RCA (S/PDIF) con­nectors
• Optical: eight channels, one pair of Light­pipe (ADAT Optical) connectors (switch­able to two channels, S/PDIF)
•Word Clock in and out receive or send 1x Word clock (configurable to 256x for Leg­acy support, see “Optional Legacy I/O Au­dio Interfaces” on page 3)
96i I/O Audio Interface
Supports sample rates up to 96 kHz.
• 16 discrete channels of input, and two chan­nels of output, with 4-segment LED meters on each channel. Audio inputs and outputs in­clude:
• 16 channels of 24-bit, 96-kHz capable ana­log input, with adjustable input sensitivity
•Two channels of 24-bit, 96-kHz capable an­alog output, with selectable operating level
•Two channels of 24-bit, 96 kHz-capable digital S/PDIF RCA input and output
• Loop Sync In and Out
• External Clock In and Out
• Expansion DigiLink port
Optional Legacy I/O Audio Interfaces
For additional input and output channels, older Digidesign audio interfaces (or be connected to the 192 I/O, 192 Digital I/O, or 96 I/O (the 96i I/O does not support Legacy in­terfaces). Legacy interfaces can only be used with 44.1 kHz or 48 kHz sessions. These include:
888|24 I/O Audio Interface
• Analog: eight channels, XLR (balanced or un­balanced) connectors, selectable between +4 dBu or –10 dBV
• Digital: eight channels, XLR (AES/EBU) con­nectors; two channels, RCA (S/PDIF) connectors
882|20 I/O Audio Interface
• Analog: eight channels, 1/4-inch TRS (bal­anced or unbalanced) connectors, selectable be­tween +4 dBu and –10 dBV
• Digital: two channels, RCA (S/PDIF) connec­tors
Legacy I/Os
) can
Chapter 1: Welcome to Pro Tools|HD
3
1622 I/O Audio Interface
• Analog: sixteen input channels and two out­put channels, 1/4-inch TRS (balanced or unbal­anced) connectors. Inputs are selectable from +4 dBu to –10 dBV line levels and higher in 2 dB gain steps; outputs are selectable between +4 dBu or –10 dBV.
• Digital: two channels, RCA (S/PDIF) connec­tors.
Digidesign 24-bit ADAT Bridge I/O and Original ADAT Bridge I/O
• Optical: sixteen channels, a pair of Lightpipe (ADAT) connectors.
• Analog output: two channels, 1/4-inch TRS (balanced) connectors, selectable between +4 dBu and –10 dBV.
• Digital: two channels, XLR (AES/EBU); two channels RCA (S/PDIF) connectors.
The original 888 I/O and 882 I/O inter­faces are not supported with Pro Tools|HD.

MIDI Requirements

Both USB and serial MIDI interfaces work effec­tively with Pro Tools.
PCI-based serial expanders do not work with se­rial MIDI interfaces on Macintosh systems. Se­rial MIDI interfaces require a qualified modem­to-serial port adapter. Refer to the Digidesign Web site (www.digidesign.com) for a list of sup­ported adapters.

Hard Drive Requirements

For optimal audio recording and playback, all Pro Tools TDM systems require one or more Digidesign-qualified drives.
Drive Formats
Windows
formatted with FAT32 or NTFS file system (NTFS preferred).
Macintosh
formatted with HFS or HFS+ file system only.
Windows XP systems should use drives
Macintosh systems should use drives

System Requirements

Compatibility Information
Digidesign can only assure compatibility and provide support for hardware and software it has tested and approved. For a list of Digidesign­qualified computers, operating systems, hard drives, and third-party devices, refer to the latest compatibility information on the Digidesign Web site (www.digidesign.com/compato).
Getting Started with HD
4
The UNIX File System (UFS) is not sup­ported with Pro Tools on Mac OS X.
Hard drive performance depends on factors in­cluding system configuration, number of tracks, session sample rate, density of edits, and the use of crossfades and other processes such as Beat Detective in a session.
Be sure to check the latest compatibility infor­mation on the Digidesign Web site for SCSI and FireWire requirements for maximum track counts on Windows and Macintosh (www.digidesign.com/compato).
SCSI Hard Drives
IDE/ATA Hard Drives
For maximum recording and playback perfor­mance, Digidesign recommends qualified SCSI hard drives and a qualified SCSI host bus adapter (HBA) card or (on Windows systems) a qualified built-in SCSI HBA connector on the motherboard.
Qualified SCSI drives yield up to 32 tracks per drive with 24-bit audio
Windows
can be used simultaneously.
Macintosh On Mac OS X, up to four SCSI drives can be used simultaneously.
On Windows XP, up to six SCSI drives
FireWire Hard Drives
Digidesign recommends qualified FireWire drives and (on Windows only) a qualified FireWire host adapter.
Qualified FireWire drives yield up to 24 tracks per drive with 24-bit audio.
Windows On Windows XP systems without an expansion chassis, up to six FireWire drives can be used simultaneously. On Windows XP sys­tems with Pro Tools cards installed in an expan­sion chassis, up to four FireWire drives can be used simultaneously.
A qualified internal IDE/ATA drive yields up to 32 tracks of 24-bit audio, at 44.1 kHz or 48 kHz when used as a dedicated audio drive.
For maximum performance, Digidesign rec­ommends the use of SCSI hard drives. IDE hard drives provide limited track count per­formance and are not supported when an Expansion Chassis is used. For more infor­mation regarding Expansion Chassis oper­ating procedures, see the Pro Tools Ex­panded Systems Guide.
Visit the Digidesign Web site (www.digidesign.com) for a list of qualified hard drives and SCSI HBA cards.
Avoid Recording to System Drives
Although Pro Tools will let you record to your system drive, this is generally not recom­mended. Recording and playback on system hard drives results in lower track counts and fewer plug-ins.
Digidesign does not recommend recording to system drives. Record to system drives only when necessary.
Macintosh On Mac OS X, up to eight FireWire drives can be used simultaneously.
Chapter 1: Welcome to Pro Tools|HD
5
Hard Drive Storage Space
Mono audio tracks recorded with 16-bit resolution at 44.1 kHz (CD quality) require approximately 5 MB of hard disk space per minute.
The same tracks recorded with 24-bit resolution require about 7.5 MB per minute. Table 2 on page 6 lists the required drive space for certain track numbers and track lengths, to help you estimate your hard disk usage.
Table 2. Required hard drive space for audio tracks
Number of tracks and length 16-bit at
44.1 kHz
1 mono track, 1 minute 5 MB 5.5 MB 7.5 MB 8.2 MB
16-bit at
48 kHz
24-bit at
44.1 kHz
24-bit at
48 kHz
1 stereo track (or two mono tracks), 5 minutes
1 stereo track (or two mono tracks), 60 minutes
24 mono tracks, 5 minutes 600 MB 662 MB 900 MB 991 MB
24 mono tracks, 60 minutes 7 GB 7.8 GB 10.5 GB 11.6 GB
32 mono tracks, 5 minutes 800 MB 883 MB 1.2 GB 1.3 GB
32 mono tracks, 60 minutes 9.4 GB 10.4 GB 14 GB 15.4 GB

Digidesign Registration

Make sure to complete and return the registra­tion card included with your Pro Tools|HD sys­tem. Registered users will receive periodic soft­ware update and upgrade notices. Refer to the registration card for information on technical support.
50 MB 55 MB 75 MB 83 MB
600 MB 662 MB 900 MB 991 MB

About the Pro Tools Guides

In addition to the printed guides included with your system, PDF versions of the Pro Tools guides are installed automatically with Pro Tools, and are accessible from the Pro Tools menu (Mac OS X) or the Pro Tools Help menu (Windows). To view or print the PDF guides, you can install Acrobat Reader (included on the Pro Tools Installer CD-ROM).
Getting Started with HD6

Conventions Used in This Guide

Digidesign guides use the following conven­tions to indicate menu choices and key com­mands:
:
Convention Action
File > Save Session Choose Save Session from
the File menu
Control+N Hold down the Control key
and press the N key
Control-click Hold down the Control key
and click the mouse button
Right-click (Windows) Click with the right mouse
button
The following symbols are used to highlight im­portant information:
User Tips are helpful hints for getting the most from your system.
Important Notices include information that could affect your data or the performance of your system.
Shortcuts show you useful keyboard or mouse shortcuts.
Cross References point to related sections in other Digidesign guides.

About www.digidesign.com

The Digidesign Web site (www.digidesign.com) is your best source for information to help you get the most out of your Pro Tools system. The following are just a few of the services and fea­tures available.
Support Contact Digidesign Technical Support or Customer Service; download software up­dates and the latest online manuals; browse the Compatibility documents for system require­ments; search the online Answerbase; join the worldwide Pro Tools community on the Digide­sign User Conference.
Training and Education Become a certified Pro Tools Operator or Expert; study on your own using courses available online, or find out how you can learn in a classroom setting at a certified Pro Tools Training Center.
Products and Developers Learn about Digidesign products; download demo software; learn about our Development Partners and their plug-ins, applications, and hardware.
News and Events Get the latest news from Digidesign; sign up for a Pro Tools demo.
To learn more about these and other resources available from Digidesign, visit our Web site (www.digidesign.com).
Chapter 1: Welcome to Pro Tools|HD 7
Getting Started with HD8
chapter 2
Windows Configuration
Installation of a Pro Tools|HD-series system on a Windows computer includes the following steps:
1 Installing Windows XP (See “Installing Win-
dows XP” on page 9.)
2 Configuring your computer and its hardware
components in preparation for Pro Tools instal­lation (See “Configuring Your Computer” on page 10.)
3 Configuring Windows system software set-
tings for compatibility and optimal perfor­mance (See “Windows System Settings” on page 13.)
4 Installing Pro Tools hardware (See “Installing
Pro Tools Hardware” on page 16.)
5 Installing Pro Tools TDM software (See “In-
stalling Pro Tools Software” on page 23.)
6 Checking your Pro Tools system (See “Check-
ing Your HD System” on page 26.)

Installing Windows XP

If you do not already have Windows XP in­stalled on your computer, you will need to in­stall Windows XP Professional edition or Windows XP Home edition. Pro Tools requires an activated version of Windows XP with ad­ministrator privileges.
For best performance, Digidesign strongly rec­ommends a clean installation of Windows on a newly formatted drive or partition rather than upgrading the operating system.
If you are changing or upgrading your oper­ating system, be sure to deauthorize any key disk authorized plug-ins before changing or upgrading to avoid losing any authoriza­tions. See the iLok Usage Guide for informa­tion on the iLok Smart Key for software au­thorizations.
7 Configuring your Pro Tools system (See “Con-
figuring Pro Tools” on page 29.)
Chapter 2: Windows Configuration 9
Configuring Your Computer
To ensure optimum performance with Pro Tools, configure your computer before in­stalling Pro Tools hardware and software.
Before you make any changes to your com­puter’s system settings, make a backup copy of your registry (where many of these essen­tial settings are stored). By doing so, you will be able to restore your system’s original settings in case of trouble. Consider acquir­ing a disk recovery utility such as Norton Ghost for additional security. See your Win­dows XP documentation for details.
If your computer does not provide the BIOS configuration options included in this sec­tion, or if you do not feel comfortable changing system parameters, consult with a Windows system administrator, computer dealer, or manufacturer for assistance.
Configuring the BIOS
2 While the computer is starting up, enter BIOS
Setup by pressing the appropriate key (usually indicated in the startup message) on your com­puter keyboard. The F1, F2, or the Delete keys are commonly used.
3 In the appropriate page of the BIOS Setup, dis-
able PCI Parity. If the PCI Parity option isn’t available on your computer, skip this step.
4 If you will be using SCSI drives or devices, and
your computer is equipped with built-in SCSI hardware, enable SCSI support. SCSI support pa­rameters are typically found on the Devices & I/O Options page of the BIOS setup utility. If you do not have built-in SCSI hardware and are us­ing a SCSI host bus adapter (HBA) card instead, you do not need to enable SCSI support.
5 Disable Power Management, if present.
6 Enable PCI Dynamic Bursting, if present.
7 Save the new BIOS settings.
8 Exit BIOS setup and restart your computer.
BIOS (Basic Input/Output System) parameters vary depending on the make and model of the computer. Refer to the documentation that came with your computer for more details.
Different BIOS manufacturers often use differ­ent names to describe the same system function. Some manufacturers do not provide a particular configuration option at all. The names and op­tions that appear in your computer’s BIOS may differ from those described in this section.
The following BIOS settings are not applica­ble to the Compaq Evo W8000 and the IBM Intellistation M Pro 6850.
To modify your computer’s BIOS:
1 Start or restart your computer.
Getting Started with HD10
Configuring the SCSI BIOS
If you are using SCSI drives or devices, you must modify the settings of your built-in SCSI hard­ware or SCSI host bus adapter card. This allows SCSI hard drives to work properly with Pro Tools. This procedure varies on different computers. Refer to the documentation that came with your computer.
To modify your computer’s SCSI BIOS:
1 Start or restart your computer.
2 While the computer is starting up, when the
text message regarding the SCSI BIOS appears, press the key combination listed on the screen to enter the SCSI BIOS setup utility.
3 Refer to your SCSI host bus adapter card doc-
umentation to set the following parameters:
• For each SCSI ID and SCSI channel con­nected to your audio drives, set the Maxi­mum Sync Transfer Rate parameter to 20 MB/sec for the ATTO EPCI-DC, or to Ul­tra 160 for Ultra 160 cards.
• If you are using an ATTO host bus adapter card, change the PCI Burst Size to 128 Bytes and the Burst Length Selection Timeout to 16 ms (UL3D only).
• If you are using an Adaptec host bus adapter card, enable the Host Adapter BIOS option.
4 Save the new SCSI BIOS settings.
5 Exit SCSI BIOS setup and restart your com-
puter.
8 Select Adapter Menu.
9 Select Update Flash ROM.
10 Press Enter twice.
The SCSI BIOS will be updated. This may take a few minutes.
Do not interrupt this process or your system may be damaged.
11 Select Configure Adapter Channels.
12 Set Host Adapter BIOS to Scan Only.
13 Press the Esc key twice.
14 Select Save Parameters and Exit, and press
Enter.
Updating the SCSI BIOS
If you are using an ATTO SCSI HBA card, you may need to update its SCSI BIOS. When start­ing your computer, you will see what version of the ATTO SCSI BIOS is installed on the SCSI card. If it is not version 1.6.8 or higher, you will need to flash the SCSI BIOS with 1.6.8 or higher ATTO SCSI BIOS (flash.bat).
To update the BIOS on the ATTO SCSI card:
1 Insert a High Density PC formatted floppy
disk in your floppy drive.
2 Copy the DOS folder from the ATTO folder on
the Pro Tools Installer CD-ROM to the floppy disk.
3 Shut down your computer.
4 Disconnect any hard drives connected to the
SCSI card.
5 Start your computer with the floppy disk in
the floppy drive.
6 When prompted, press Control+Z.

Installing SCSI Drivers

For Pro Tools to run at maximum efficiency with SCSI Host Bus Adapters and SCSI drives, in­stall a Digidesign approved SCSI driver (ATTO or Adaptec, depending on the card you are using).
Check Digidesign’s Compatibility Docu­ments for a list of Digidesign approved com­puters and supported SCSI driver versions. Compatibility Documents and other re­sources are available at the Digidesign Web site (www.digidesign.com).
Installing the Adaptec SCSI Driver
If you need to install the Adaptec driver, refer to the driver manufacturer’s documentation.
The full name of the Adaptec driver for the IBM M Pro or Compaq Evo W8000 is:
Adaptec
AHA290/291/294x/394x/4944/ AIC78xx
7 Press Enter.
Chapter 2: Windows Configuration 11
Installing the ATTO SCSI Drivers
The full name of the ATTO driver is:
ATTO ExpressPCI
20 If you have a dual-channel SCSI card, repeat
steps 8–20 for the second channel.
21 Click OK.
To install the ATTO Windows device driver:
1 Start your computer. Note the version of the
ATTO SCSI BIOS when booting. If it is version
1.6.6, proceed to the next step. If it is not ver­sion 1.6.6, you will need to flash the ATTO SCSI BIOS (see “Updating the SCSI BIOS” on page 11).
2 Insert the Pro Tools Installer CD-ROM in your
CD-ROM drive.
3 Open the System Control Panel.
4 Click the Hardware tab.
5 Click Device Manager.
6 Select SCSI and RAID controllers.
7 Double-click the LSI PCI SCSI Adapter.
8 Click the Driver tab.
9 Click Update Driver.
10 Select “Install from specified location.”
11 Select “Don’t search, I’ll choose the driver to
install.”
After Configuring your Computer
After configuring your computer, restart to ver­ify basic system operation with your new set­tings. While not necessarily required, it is best to do so in order to resolve any possible conflicts or incompatibilities revealed by changes made to your BIOS, SCSI configuration, or other com­puter hardware and settings.
If you experience problems after configuring your computer, check your settings again, then try resetting one at a time and restarting until you identify which setting(s) might be the source of the problem. Resolve any startup prob­lems before proceeding with your Pro Tools in­stallation. For troubleshooting and other Win­dows system information, see Appendix C, “Windows System Optimizations”.
12 Click Next.
13 Click Have Disk.
14 Click Browse and navigate to the ATTO
folder on the Pro Tools Installer CD-ROM.
15 Select EXPRESS.INF and click Open.
16 Click OK.
17 Click Next.
18 Click Finish.
19 Click Close.
Getting Started with HD12

Windows System Settings

Configure Window system settings, as follows:
Required Settings These instructions must be followed before installing Pro Tools.
Recommended Configuration These instructions should be followed to optimize your system’s capabilities, or to let older computers run Pro Tools.
5 In the Device Manager window, double-click
IDE ATA/ATAPI controllers, then double-click the Primary IDE Channel for your IDE hard drive.
6 Click the Advanced Settings tab.
7 For each device, set the Transfer Mode to
“DMA if available,” and click OK.
In most cases, this will already be set correctly as Windows XP will detect and activate DMA mode by default.

Required Settings

To ensure optimum performance with Pro Tools, configure the following Control Panel settings for your version of Windows XP.
When finished updating required Windows system settings, power down your com­puter.
Disable Hyper-Threading
For Pentium IV computers with Hyper-Thread­ing, disable Hyper-Threading in the BIOS.
Enable DMA
Enabling your computer's DMA (Direct Memory Access) frees up CPU bandwidth so your com­puter can do other Pro Tools tasks.
In most cases the DMA option will already be set correctly, as Windows XP detects and activates DMA mode by default.
Enable DMA for any IDE hard drives:
1 Choose Start > Control panel.
2 Launch System.
3 Click the Hardware tab.
4 Under Device Manager, choose Device Man-
ager.
8 Repeat steps 5–7 for any additional IDE Chan-
nels.
9 Close the Computer Management window.
Disable Virus Protection Software
Avoid running virus protection software while using Pro Tools since it adversely affects system performance (as do all background processes). If you are using virus protection software, turn it off or remove it and restart your computer.
Disable System Standby and Power Management
When using Pro Tools, the Windows System Standby power scheme must be set to Always On. This helps prevent long record or playback passes from stopping due to system resources powering down.
To configure Windows Power Management:
1 Choose Start > Control Panel.
2 Launch Power Options.
3 Click the Power Schemes tab.
4 From the Power Schemes pop-up menu, select
Always On, and click OK.
This sets System Standby, System Hibernate, and “Turn off hard disks” to Never.
Chapter 2: Windows Configuration 13
Disable ClearType Font Smoothing
When using Pro Tools, the Effects “Clear Type” setting must be disabled.
To disable ClearType font smoothing:
1 Choose Start > Control Panel.
2 Click Display.
3 Click the Appearance tab.
4 Click Effects.
5 Deselect “Use the following methods to
smooth edges of screen fonts.”
6 Click OK to save your settings and close the
Effects dialog.
7 Click OK.
•Turn off any software utilities that run in the background, such as Windows Messen­ger, calendars, and disk maintenance pro­grams.
•Turn off any nonessential USB devices while using Pro Tools
• If your video display card supports it, en­able Bus Mastering in the manufacturer’s Control Panel.
• Disable any networking cards (other than any 1394 “FireWire” card that you might use to connect an external drive to your system).
For information on disabling networking cards, see “Disabling Network Cards” on page 107.
Completing Windows System Settings
When finished updating required Windows system settings, power down your com­puter.
If problems occur after configuring all re­quired and suggested settings, see Appendix C, “Windows System Optimiza­tions” for information on troubleshooting and advanced settings.

Recommended Settings

Pro Tools can also be affected by other software and hardware drivers installed on your com­puter. For best performance, it is recommended (but not required) that you:
•Avoid running other Windows programs at the same time as Pro Tools.

Pro Tools Hardware Overview

The number of Pro Tools TDM cards in your sys­tem will differ depending on your system con­figuration. Card components for each configu­ration are listed below.
If you are using an Expansion Chassis to in­crease the number of cards in your system, refer to the cluded with your Pro Tools system.

Pro Tools|HD Hardware

Pro Tools|HD hardware is available in the fol­lowing configurations:
Pro Tools|HD 1 Includes a single HD Core card
Pro Tools|HD 2 Accel Includes an HD Core card,
an HD Accel card, and a TDM FlexCable for con­necting the HD Core to the HD Accel card
Expanded Systems Guide in-
Getting Started with HD14
Pro Tools|HD 3 Accel Includes an HD Core card, two HD Accel cards, and two TDM FlexCables for connecting the cards to each other
The DigiSerial port on the HD Core card is for connecting a Digidesign SYNC I/O. This con­nector is an 8-pin mini-DIN.
Additional HD Accel and HD Process cards may be added to expand your Pro Tools sys­tem. HD Accel cards are fully compatible with HD Process cards. Up to seven HD cards are supported in a single Pro Tools|HD system.
HD Core Card
All Pro Tools|HD systems include an HD Core card. The HD Core card is the only Pro Tools|HD card that does not require the presence of any other HD-series cards. (Pro Tools|HD 1 systems are comprised of a single HD Core card).
The HD Core card provides up to 96 tracks of di­rect-to-disk recording and playback, as well as DSP power for mixing and plug-in processing. The HD Core card supports up to 24-bit and up to 192 kHz sessions.
DigiLink
DigiSerial
The DigiSerial port on HD Core cards does not support MachineControl connections, nor does it support the Digidesign Universal Slave Driver (USD). Use the machine ports on the Digidesign SYNC I/O for Pro Tools MachineControl 9-pin connections. A COM port (not a DigiSerial port) is required for Remote 9-pin Deck Emulation mode (only).
If your HD Core card has two DigiSerial ports, use the DigiSerial port closest to the DigiLink connector.
HD Accel Card
The HD Accel card is included in Pro Tools|HD 2 Accel and Pro Tools|HD 3 Accel systems. The HD Accel card is an expansion card, and requires the presence of at least one HD Core card.
The HD Accel card provides up to 32 additional tracks of direct-to-disk recording and playback, as well as DSP power for mixing and plug-in pro­cessing. The HD Accel card supports up to 24-bit and up to 192 kHz sessions.
HD Core card
The HD Core card includes a single DigiLink port for connecting up to 32 channels of audio input and output to your Pro Tools|HD system.
DigiLink
HD Accel card
The HD Accel card includes a single DigiLink port for connecting up to 32 channels of audio input and output to your Pro Tools|HD system.
The DigiSerial port on the HD Accel card does not offer any functionality.
Chapter 2: Windows Configuration 15
HD Process Card
TDM FlexCable
The HD Process card is the predecessor to the HD Accel card. Like HD Accel cards, HD Process cards are expansion cards, requiring at least one HD Core card.
HD Process cards are fully compatible with HD Accel cards and HD Core cards in ex­panded Pro Tools|HD systems.
The HD Process card provides up to 32 addi­tional tracks of direct-to-disk recording and playback (up to a maximum of 128 tracks in sys­tems without an HD Accel card), as well as DSP power for mixing and plug-in processing. The HD Process card supports up to 24-bit and up to 192 kHz sessions.
DigiLink
HD Process card
The HD Process card includes a single DigiLink port for connecting up to 32 additional chan­nels of audio input and output to your Pro Tools|HD system (up to a maximum of 96 channels).
The DigiSerial port on an HD Process card does not offer any functionality
The TDM FlexCable is used to connect a pair of cards in your Pro Tools system so they can share data along the TDM bus. Additional FlexCables are required to connect additional cards. One FlexCable comes with each HD Accel card.
The TDM FlexCable is a flexible printed circuit board with delicate traces. Do not overbend, twist, or pinch the cable. Doing so may cause unpredictable behavior in Pro Tools as well as harm to your system.
TDM FlexCable

Installing Pro Tools Hardware

Disabling Driver Signing Warnings

Before you install your Pro Tools cards, tempo­rarily disable the Driver Signing warning option. This expedites and automates much of the in­stallation process. If you do not temporarily dis­able this option, warning messages (that you are installing an unsigned driver) will appear for each DSP chip detected during the software in­stallation.
To disable the warning option:
1 Open the System Control Panel.
2 Click the Hardware tab in the System Control
Panel.
3 Click the Driver Signing button.
4 Select “Ignore—Install the software anyway
and don’t ask for my approval.”
Getting Started with HD16
5 Click OK twice.
6 Turn your computer off.
7 Proceed to install your Pro Tools cards.
7 Install the first HD Accel card (if any) in the
second PCI slot.
8 Install any remaining HD Accel cards in the
remaining consecutive PCI slots.

Installing Pro Tool|HD Cards

This section shows how to install Pro Tools HD cards into a Windows computer. To install cards into an expansion chassis, see the Expanded Sys- tems Guide.
To install Pro Tools cards:
1 Turn off your computer and any peripherals.
Leave your computer’s power cable plugged in so the computer is grounded.
2 Disconnect all cables attached to the com-
puter (such as hard drives, displays, USB and FireWire connections) except for the power ca­ble.
3 Open the computer case.
Before handling any card, discharge static electricity from your clothes or body by touching a grounded metal surface, such as the power supply case inside your computer.
4 Remove the metal access port cover behind
the PCI slot you want to use by removing the screw and sliding the cover out from the access port.
5 Install the HD Core card in the first PCI slot.
6 If you are installing additional Pro Tools cards,
skip to the next step. If you have no additional cards to install, do the following:
• Secure the card in place with the slot access port screw you removed earlier.
• Close the computer case.
• Skip to “Connecting Audio Interfaces” on page 19.
9 Install any HD Process cards in the remaining
consecutive PCI slots (64- or 32-bit).
10 If you are installing a SCSI HBA card, install
it in the highest-numbered remaining slot.
Check to be sure that your cards are installed in the following order:
• HD Core card
• HD Accel cards
•HD Process cards, if any
• SCSI host bus adapter (HBA) card
• Display card for your computer monitor
The above guidelines may include optional cards not present in your system.
11 Secure each card in place with the slot access
port screws you removed earlier.
12 Proceed to “Connecting Pro Tools|HD Cards”
on page 18.
The IBM Intellistation M Pro 6850 may not boot after updating the BIOS or changing the order of Pro Tools cards. Should this problem occur, remove all plug and play cards and you will be able to boot Win­dows, then shut down and re-install the cards according to the installation instruc­tions in “Installing Pro Tool|HD Cards” on page 17. You should now be able to boot Windows.
Chapter 2: Windows Configuration 17

Connecting Pro Tools|HD Cards

In HD systems that include more than one card, you must connect all the HD cards to each other with TDM FlexCables.
Each HD card has two ports along the top of the card, labeled Port A and Port B. The FlexCable has two connectors, also labeled Port A and Port B, to ensure proper connection. Data communi­cation across multiple HD cards is achieved by connecting Port B of the first card to Port A of the next card with a TDM FlexCable.
To connect HD cards with the TDM FlexCable:
1 Shape the FlexCable before installing it on
your HD cards by grasping the cable with both hands and moving the Port B portion of the ca­ble straight towards you and inwards, as shown below. Do not bend the cable more than you need to, as you may damage the traces in the ca­ble.
2 Slide the FlexCable into the notch of the first
card, so that the Port B connector of the FlexCa­ble can be aligned with Port B of the first card; and the Port A connector of the FlexCable can be aligned with Port A of the second card, as shown below.
HD Accel Card (or HD Process card)
Inserting TDM FlexCable
3 Connect the Port A connector of the FlexCa-
ble to Port A on the second card. Push down gently but firmly until the cable is fully con­nected to the card. Attach the other end of the FlexCable (labeled Port B) to Port B on the first card.
Preparing TDM FlexCable for installation
Getting Started with HD18
Top view of two HD cards connected with TDM FlexCable
4 Verify the connection, as shown below (orien-
tation may be different depending on your type of CPU or chassis).
Side view of two HD cards connected with TDM FlexCable
5 For systems with more than two cards, con-
nect each additional card to its preceding card. Use FlexCables to connect card pairs together, as described above, until all cards are connected. (Each HD Accel card is packaged with a FlexCa­ble.)
6 Close the computer case.
7 Proceed to “Connecting Audio Interfaces” on
page 19.

Connecting Audio Interfaces

Each Pro Tools|HD-series audio interface sup­plies up to 16 channels of input and output to your system. Audio interfaces are connected di­rectly to Pro Tools|HD cards, or through the Ex­pansion ports on other HD-series interfaces.
Each HD card supports up to 32 channels. To get a full 32 channels of I/O from one card, you can connect, or daisy-chain, a second 16-channel HD I/O to the first HD I/O that is connected directly to the HD card.
Pro Tools|HD supports up to a maximum of eight 192 I/Os, 192 Digital I/Os, or 96 I/Os. Up to four 96i I/Os can be used simultaneously.
For examples of connecting multiple HD I/Os, see Figure 1 and Figure 2 on page 21.
HD audio interfaces need room at their sides to maintain proper air flow for cool­ing. It is important to leave room for air in­take and ventilation on the sides of the unit. Do not block the sides of the unit or discon­nect the internal fan. If the units are rack­mounted in a case, remove the case lids or doors before operating the system. Failure to do so can result in the units overheating very quickly, which can permanently dam­age sensitive components.
Earlier audio interfaces can also be connected to the 192 I/O, 192 Digital I/O, or 96 I/O (the 96i I/O does not support Legacy interfaces). These include: 888|24 I/O, 882|20 I/O, 1622 I/O, 24-bit ADAT Bridge I/O, and the orig­inal ADAT Bridge I/O. The original 888 I/O and 882 I/O interfaces are not supported with Pro Tools|HD.
To connect HD audio interfaces:
1 If you are using a single 192 I/O,
192 Digital I/O, 96 I/O, or 96i I/O, connect its Primary Port to the HD Core card with the Dig­iLink cable provided with the HD Core card. You must attach at least one 192 I/O, 192 Digital I/O, 96 I/O, or 96i I/O to your sys­tem in order for Pro Tools to launch.
If you have at least one 192 I/O or 192 Digital I/O in your system configura­tion, it must be connected to the HD Core card as the primary interface.
2 Connect additional HD audio interfaces to
subsequent Digidesign audio cards, or daisy­chain your I/Os (by connecting the Primary Port of the secondary I/O to the Expansion Port of the primary I/O).
If you are connecting both 192 I/O (or 192 Digital I/O) and 96 I/O audio interfaces to your system, connect the 192 I/O (or 192 Digital I/O) to your HD Core card, followed by any additional 192 I/O (or 192 Digital I/O) interfaces connected to the next highest-prior­ity cards. Then connect 96 I/O interfaces to sub­sequent cards, or to other interfaces, then con­nect 96i I/O interfaces.
You can also connect a single HD I/O to each HD card in your system using the provided DigiLink cables. There is no advantage to this configura­tion over daisy-chaining I/Os.
Chapter 2: Windows Configuration 19
3 If you are using two or more HD audio inter-
faces, connect the Loop Sync Out of each inter­face to the Loop Sync In of the next interface with the BNC cables included in your HD I/O packaging. Then, connect the Loop Sync Out of the last interface to the Loop Sync In of the pri­mary interface.
12-ft DigiLink cable
4 If you are connecting a Digidesign Legacy au-
dio interface (such as an 888|24 I/O, 882|20 I/O, 1622 I/O, or Digidesign ADAT Bridge I/O), con­tinue with “Connecting an Additional 16 Chan­nels of Audio with Legacy Audio Interfaces” on page 21. (The 96i I/O does not support Legacy interfaces.)
HD Core
18-in DigiLink cable
Figure 1. Two 96 I/Os (32-channel system)
Loop Sync cables
Getting Started with HD20
12-ft DigiLink cable
HD Core
18-in DigiLink cable
Loop Sync cables
Figure 2. Three 96 I/Os (48-channel system)
Loop Sync cables
12-ft DigiLink cable
Connecting an Additional 16 Channels of Audio with Legacy Audio Interfaces
Each 192 I/O, 192 Digital I/O, and 96 I/O can support 16 channels of audio to and from Digidesign Legacy I/Os. (The 96i I/O does not support Legacy I/O.) Legacy I/Os include the 888|24 I/O, 882|20 I/O, 1622 I/O, 24-bit ADAT Bridge I/O, and the original ADAT Bridge I/O. The original 888 I/O and 882 I/O interfaces are not supported with Pro Tools|HD.
TDM FlexCable
HD Accel or HD Process
To connect Digidesign Legacy audio interfaces:
1 Connect the “MIX card” end of the peripheral
cable that came with your Legacy audio inter­face (60-pin side) to the Legacy Port on the pri­mary HD audio interface. Connect the other end to the Computer Port on the Legacy audio interface.
Chapter 2: Windows Configuration 21
2 Connect any additional Legacy audio inter-
faces in the same manner, to HD audio inter­faces connected directly to HD cards.
– or –
face, supply its 256x clock from the HD I/O to which its 60-pin cable is attached (either your second audio interface, or directly to an HD Accel or HD Process card).
If you are using a Y cable (Legacy 16-channel pe­ripheral cable adapter), connect this to the Leg­acy port first, then connect the audio interface peripheral cables to Port A and Port B of the Y cable.
“A” to first Legacy I/O
Optional 16-channel peripheral cable adapter
3 To properly clock the Legacy audio interface,
“B” to second Legacy I/O
to Legacy Port on HD audio interface
connect the Ext. Clock output port on the HD I/O to the Slave Clock IN on the Legacy audio interface. The Legacy audio interface will switch to Slave mode once the proper clock is output­ting from the HD I/O. Always use the Ext. Clock Out port of the same I/O to which the Legacy audio interface is attached.
To ensure the proper functioning of Legacy audio interfaces (such as an 888|24 I/O or 882|20 I/O), launch Pro Tools and declare the Legacy audio interfaces in the Hardware Setup dialog before turning them on. Then quit Pro Tools, shut down your computer, turn on your audio interfaces, and turn on your computer.
Before you turn on and configure your Leg­acy audio interfaces, turn down the volume of output devices. Very loud digital noise may be emitted before the Legacy audio in­terface is initialized.
If you are using the Y cable to connect multiple MIX-series audio interfaces, you must also con­nect the Slave Clock Out of the first Legacy in­terface to the Slave Clock In of the second Leg­acy interface with the provided BNC cable. You cannot clock more than two MIX-series audio interfaces from a single HD-series audio inter­face. If you have a third MIX-series audio inter-
Getting Started with HD22

Installing Pro Tools Software

To install Pro Tools software for TDM systems:
1 Start Windows, logging in with Administrator
privileges. For details on Administrator privi­leges, refer to your Windows documentation.
2 Make sure you have configured all the re-
quired Windows system settings for your sys­tem, and rebooted your computer. See “Windows System Settings” on page 13 for more information.
3 Wait for the Found New Hardware Wizard di-
alog to appear and leave it open.
4 Insert the Pro Tools Installer CD-ROM for
Windows in your CD-ROM drive. Locate and open the Pro Tools Installer folder, and double­click the Setup icon.
5 Click Next to begin installation.
9 Select your work environment. This loads an
initial set of Pro Tools Preferences that include some of the more popular settings for post pro­duction, audio, or audio with MIDI.
Preference settings can be customized at any time in Pro Tools. See the
ence Guide
for more information about Pref-
Pro Tools Refer-
erences.
10 Select whether to install the Surround Mixer
plug-in. This plug-in is required for mixing, mastering, and monitoring in surround.
• Select “Yes – Monitor in Pro Tools Film For­mat” if your monitoring is configured for Film Format surround.
• Select “Yes – Monitor in ProControl (DTS Format)” if you are using a ProControl ded­icated controller.
• Select “No – Stereo mixing only” if your monitoring is configured for Stereo.
6 Select the install location. For maximum reli-
ability, install Pro Tools on your startup drive. Click Next.
7 Select available install options as needed.
8 Click Next to install the selected options.
A demo version of MacOpener is included on the Pro Tools Installer CD-ROM, and re­quires a separate installation process. In­stalling MacOpener is required only if you need to use HFS or HFS+ formatted hard drives. See “Installing MacOpener” on page 25 for more information.
The Surround Mixer can be installed at any time in Pro Tools. For instructions, see the Pro Tools Reference Guide.
11 After making a selection, click Next.
Wait for the installer to finish installing all soft­ware components, drivers, and PACE System files before proceeding to the next step.
12 If QuickTime is not already installed, you
will be prompted to install the Recommended QuickTime installer option (see “Installing QuickTime” on page 24). Follow the on-screen instructions to complete the QuickTime instal­lation process.
13 When installation is complete, click Finish to
restart your computer.
Chapter 2: Windows Configuration 23

Installing QuickTime

(Optional)
QuickTime 5 or later is required for Pro Tools if you plan to include movie files in your sessions. Installing the latest version of QuickTime for Windows is highly recommended (available from www.apple.com). Be sure to install the “Recommended” install of QuickTime or Pro Tools will not handle QuickTime video cor­rectly.
To install QuickTime:
1 Locate the QuickTime Installer on your
Pro Tools Installer CD-ROM (located in the Ad­ditional Files folder). Follow the on-screen in­structions to complete the QuickTime installation process.

Optional Software

Your Pro Tools Installer CD-ROM includes sev­eral software options.

The Digidesign ASIO Driver

(Optional)
The Digidesign ASIO Driver is a multichannel, multimedia sound driver that allows third-party audio programs that support the ASIO standard to record and play back through Digidesign hardware. The Digidesign ASIO driver is not re­quired to use Pro Tools.
For detailed information on using the Digidesign ASIO Driver, see Appendix D, “Digidesign ASIO Driver (Windows Only).”
2 When installation is complete, click Finish to
restart your computer.
3 When you are ready to launch Pro Tools for
the first time, proceed to “Launching Pro Tools” on page 28.
See “Optional Software” on page 24 to learn more about optional software included with Pro Tools.
If you disabled Driver Signing warning as instructed before installing Pro Tools, re­member to re-enable it after confirming Pro Tools installation.
If your computer does not startup after in­stalling QuickTime, use Add/Remove Pro­grams to remove Pro Tools and QuickTime, then repeat the installation process for Pro Tools TDM 6.2.

Installing the Demo Session

The Pro Tools Installer CD includes a demo ses­sion that you can use to verify that your system is working.
To install the demo sessions:
1 Insert the Pro Tools Installer CD in your CD-
ROM drive.
2 From your CD-ROM drive, choose Additional
Files\Pro Tools Demo Session Installer.
3 Double-click Setup.exe.
4 Set the install location to your audio drive and
click Install.
5 When installation is complete, click OK.
Getting Started with HD24
Loading...
+ 97 hidden pages