Product specifications are subject to change without notice and do not represent a commitment on the part
of Avid Technology, Inc.
The software described in this document is furnished under a license agreement. You can obtain a copy of
that license by visiting Avid's Web site at www.avid.com. The terms of that license are also available in the
product in the same directory as the software. The software may not be reverse assembled and may be
used or copied only in accordance with the terms of the license agreement. It is against the law to copy the
software on any medium except as specifically allowed in the license agreement.
Avid products or portions thereof are protected by one or more of the following United States Patents:
4,746,994; 4,970,663; 5,045,940; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378;
5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,584,006; 5,640,601; 5,644,364;
5,654,737; 5,715,018; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,851; 5,799,150;
5,812,216; 5,852,435; 5,905,841; 5,929,836; 5,930,445; 5,946,445; 5,987,501; 6,016,152; 6,018,337;
6,023,531; 6,058,236; 6,061,758; 6,091,778; 6,105,083; 6,118,444; 6,128,001; 6,134,607; 6,137,919;
6,141,691; 6,198,477; 6,201,531; 6,223,211; 6,249,280; 6,269,195; 6,317,158; 6,317,515; 6,330,369;
6,351,557; 6,353,862; 6,357,047; 6,392,710; 6,404,435; 6,407,775; 6,417,891; 6,426,778; 6,477,271;
6,489,969; 6,512,522; 6,532,043; 6,546,190; 6,552,731; 6,553,142; 6,570,624; 6,571,255; 6,583,824;
6,618,547; 6,636,869; 6,665,450; 6,678,461; D392,269; D396,853; D398,912. Other patents are pending.
No part of this document may be reproduced or transmitted in any form or by any means, electronic or
mechanical, including photocopying and recording, for any purpose without the express written permission
of Avid Technology, Inc.
APPLE COMPUTER, INC. MAKES NO WARRANTIES WHATSOEVER, EITHER EXPRESS OR IMPLIED,
REGARDING THIS PRODUCT, INCLUDING WARRANTIES WITH RESPECT TO ITS
MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF
IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT
APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY BE
OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE.
The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the use of
their TIFF library:
Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its
documentation for any purpose is hereby granted without fee, provided that (i) the above copyright notices
and this permission notice appear in all copies of the software and related documentation, and (ii) the
names of Sam Leffler and Silicon Graphics may not be used in any advertising or publicity relating to the
software without the specific, prior written permission of Sam Leffler and Silicon Graphics.
THE SOFTWARE IS PROVIDED “AS-IS” AND WITHOUT WARRANTY OF ANY KIND, EXPRESS,
IMPLIED OR OTHERWISE, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF
MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL,
INCIDENTAL, INDIRECT OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES
WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER OR NOT ADVISED
OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF LIABILITY, ARISING OUT OF OR IN
CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.
The following disclaimer is required by the Independent JPEG Group:
Portions of this software are based on work of the Independent JPEG Group.
The following disclaimer is required by Paradigm Matrix:
Portions of this software licensed from Paradigm Matrix.
2
The following disclaimer is required by Ray Sauers Associates, Inc.:
“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any action to
derive a source code equivalent of “Install-It,” including by reverse assembly or reverse compilation, Ray
Sauers Associates, Inc. shall in no event be liable for any damages resulting from reseller’s failure to
perform reseller’s obligation; or any damages arising from use or operation of reseller’s products or the
software; or any other damages, including but not limited to, incidental, direct, indirect, special or
consequential Damages including lost profits, or damages resulting from loss of use or inability to use
reseller’s products or the software for any reason including copyright or patent infringement, or lost data,
even if Ray Sauers Associates has been advised, knew or should have known of the possibility of such
damages.
The following disclaimer is required by Videomedia, Inc.:
“Videomedia, Inc. makes no warranties whatsoever, either express or implied, regarding this product,
including warranties with respect to its merchantability or its fitness for any particular purpose.”
“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0
products developed by Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by third
parties under license from Videomedia, Inc. Use of this software will allow “frame accurate” editing control
of applicable videotape recorder decks, videodisc recorders/players and the like.”
The following disclaimer is required by Altura Software, Inc. for the use of its Mac2Win
software and Sample Source Code:
The following disclaimer is required by Ultimatte Corporation:
Certain real-time compositing capabilities are provided under a license of such technology from Ultimatte
Corporation and are subject to copyright protection.
The following disclaimer is required by 3Prong.com Inc.:
Certain waveform and vector monitoring capabilities are provided under a license from 3Prong.com Inc.
Attn. Government User(s). Restricted Rights Legend
U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial
computer software” or “commercial computer software documentation.” In the event that such Software or
documentation is acquired by or on behalf of a unit or agency of the U.S. Government, all rights with
respect to this Software and documentation are subject to the terms of the License Agreement, pursuant to
FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.
Trademarks
888 I/O, Adrenaline, AirPlay, AirSPACE, AirSPACE HD, AniMatte, AudioSuite, AudioVision, AutoSync,
Avid, Avid DNA, AVIDdrive, AVIDdrive Towers, Avid Mojo, AvidNet, AvidNetwork, AVIDstripe, Avid Unity,
Avid Xpress, AVoption, AVX, CamCutter, ChromaCurve, ChromaWheel, DAE, D-Fi, D-fx, Digidesign,
Digidesign Audio Engine, Digidesign Intelligent Noise Reduction, DigiDrive, Digital Nonlinear Accelerator,
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HIIP, HyperSPACE, HyperSPACE HDCAM, IllusionFX, Image Independence, Intraframe, iS9, iS18, iS23,
iS36, Lo-Fi, Magic Mask, make manage move | media, Marquee, Matador, Maxim, MCXpress,
Media Composer, MediaDock, MediaDock Shuttle, Media Fusion, Media Illusion, MediaLog,
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NetReview, NewsCutter, Nitris, OMF, OMF Interchange, OMM, Open Media Framework,
Open Media Management, ProEncode, Pro Tools, QuietDrive, Recti-Fi, RetroLoop, rS9, rS18, Sci-Fi,
Softimage, Sound Designer II, SPACE, SPACEShift, Symphony, the Avid|DS logo, Trilligent, UnityRAID,
Vari-Fi, Video Slave Driver, VideoSPACE, and Xdeck are either registered trademarks or trademarks of
Avid Technology, Inc. in the United States and/or other countries.
iNEWS, iNEWS ControlAir, and Media Browse are trademarks of iNews, LLC.
Aaton is a registered trademark of Aaton S.A. Arri is a registered trademark of Arri Group. Claris is a
trademark of Claris Corporation, registered in the U.S. and other countries. FileMaker is a trademark of
FileMaker, Inc., registered in the U.S. and other countries. FLEx is a trademark of Pioneer-Standard
Electronics, Inc. IBM is a registered trademark of International Business Machines Corporation. KeyKode is
a trademark of Eastman Kodak Company. Final Cut Pro, Macintosh and Mac OS are trademarks of Apple
Computer, Inc., registered in the U.S. and other countries. Microsoft, Windows, Windows NT, and Windows
XP are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or
3
other countries. Sony is a registered trademark of Sony. V-LAN and VLXi are registered trademarks of
Videomedia, Inc.
All other trademarks contained herein are the property of their respective owners.
Footage
Arri — Courtesy of Arri/Fauer — John Fauer, Inc.
Bell South “Anticipation” — Courtesy of Two Headed Monster — Tucker/Wayne Atlanta/GMS.
Canyonlands — Courtesy of the National Park Service/Department of the Interior.
Eco Challenge British Columbia — Courtesy of Eco Challenge Lifestyles, Inc., All Rights Reserved.
Eco Challenge Morocco — Courtesy of Discovery Communications, Inc.
It’s Shuttletime — Courtesy of BCP & Canadian Airlines.
Nestlé Coffee Crisp — Courtesy of MacLaren McCann Canada.
Saturn “Calvin Egg” — Courtesy of Cossette Communications.
“Tigers: Tracking a Legend” — Courtesy of www.wildlifeworlds.com, Carol Amore, Executive Producer.
Windhorse — Courtesy of Paul Wagner Productions.
GOT FOOTAGE?
Editors — Filmmakers — Special Effects Artists — Game Developers — Animators — Educators —
Broadcasters — Content creators of every genre — Just finished an incredible project and want to
share it with the world?
Send us your reels and we may use your footage in our show reel or demo!*
For a copy of our release and Avid’s mailing address, go to www.avid.com/footage.
*Note: Avid cannot guarantee the use of materials submitted.
Avid MediaLog User’s Guide • 0130-07990-01 • June 2008
This guide provides information about the configuration and operation of
®
MediaLog™.
Avid
This guide is for video and film editors who wish to log clips before bringing
them to an Avid editing system for batch capture and editing.
Unless noted otherwise, the material in this document applies to the
Windows XP and Mac OS X operating systems.The majority of screen shots
in this document were captured on a Windows XP system, but the information
applies to both Windows XP and Mac OS X systems. Where differences exist,
both Windows XP and Mac OS X screen shots are shown.
n
The documentation describes the features and hardware of all models.
Therefore, your system might not contain certain features and hardware that
are covered in the documentation.
Symbols and Conventions
Avid documentation uses the following symbols and conventions:
Symbol or ConventionMeaning or Action
n
c
w
A note provides important related information,
reminders, recommendations, and strong suggestions.
A caution means that a specific action you take could
cause harm to your computer or cause you to lose data.
A warning describes an action that could cause you
physical harm. Follow the guidelines in this document
or on the unit itself when handling electrical
equipment.
Using This Guide
Symbol or ConventionMeaning or Action
>This symbol indicates menu commands (and
subcommands) in the order you select them. For
example, File > Import means to open the File menu
and then select the Import command.
n
t
kThis symbol represents the Apple or Command key.
Margin tips
(Windows), (Windows
only), (Macintosh), or
(Macintosh only)
Italic fontItalic font is used to emphasize certain words and to
Courier Bold font
Ctrl+key or mouse actionk+key or mouse action
This symbol indicates a single-step procedure.
Multiple arrows in a list indicate that you perform one
of the actions listed.
Press and hold the Command key and another key to
perform a keyboard shortcut.
In the margin, you will find tips that help you perform
tasks more easily and efficiently.
This text indicates that the information applies only to
the specified operating system, either Windows XP or
Macintosh OS X.
indicate variables.
Courier Bold font identifies text that you type.
Press and hold the first key while you press the last
key or perform the mouse action. For example,
k+Option+C or Ctrl+drag.
In this guide, the term Avid system is a generic term that refers to any Avid
application, including MediaLog. The term Avid editing system refers to one of
the Avid video editing applications such as Avid Symphony, Avid
Media Composer, Avid Film Composer, Avid Xpress, or Avid NewsCutter.
14
If You Need Help
If you are having trouble using Avid MediaLog:
1. Retry the action, carefully following the instructions given for that task in
this guide. It is especially important to check each step of your workflow.
2. Check for the latest information that might have become available after
the documentation was published in one of two locations:
-If release notes are available, they ship with your application.
-If ReadMe files are available, they are supplied in your Avid
If You Need Help
application folder. ReadMe files are also available from Help.
n
The most up-to-date ReadMe files are available on the Avid Knowledge Base.
3. Check the documentation that came with your Avid application or your
hardware for maintenance or hardware-related issues.
4. Visit the online Knowledge Base at www.avid.com/onlinesupport. Online
services are available 24 hours per day, 7 days per week. Search this
online Knowledge Base to find answers, to view error messages, to access
troubleshooting tips, to download updates, and to read/join online
message-board discussions.
5. For Technical Support, please call 800-800-AVID (800-800-2843).
For Broadcast On-Air Sites and Call Letter Stations, call
800-NEWSDNG (800-639-7364).
How to Order Documentation
To order additional copies of this documentation from within the
United States, call Avid Sales at 800-949-AVID (800-949-2843). If you are
placing an order from outside the United States, contact your local
Avid representative.
15
Using This Guide
Avid Educational Services
For information on courses/schedules, training centers, certifications,
courseware, and books, please visit www.avid.com/training or call Avid Sales
at 800-949-AVID (800-949-2843).
16
Chapter 1
Understanding Avid MediaLog
Avid MediaLog is a tool to select and log footage before your edit session.
Although you can log footage with Avid editing system products, using Avid
MediaLog frees up your Avid editing system for editing rather than for
logging footage. After logging shots (for example, on a laptop), use your Avid
editing system to capture and edit the footage. In addition, you can transfer
film to National Television Standards Committee (NTSC) or Phase
Alternating Line (PAL) video. Use Avid MediaLog to log the material and
then transfer the logged shots (also known as clips) to an Avid editing system
for capturing and editing.
This chapter answers the following questions:
•How to Use Avid MediaLog?
•How Does MediaLog Work?
•What Are the Basic Logging Steps?
How to Use Avid MediaLog?
Avid MediaLog is portable; you can install it on a laptop or on desktop
computers running the Windows
®
X operating system. To log shots from a source tape, connect your
OS
computer to a deck that uses Sony
MediaLog, you control the deck while viewing your source tapes and selecting
the shots for your log. You can also log without a deck and manually enter
logging information.
For each shot that you log, Avid MediaLog saves the start and end timecodes,
duration, tracks selected, and tape name.
®
2000, Windows XP Professional, or Mac
®
serial deck protocol. With Avid
Chapter 1 Understanding Avid MediaLog
Avid MediaLog also lets you add new categories of information to your log, so
you can record the scene, take, location, or any other comments that can help
you identify the footage.
Once you have created a log, the Avid MediaLog Sort command orders your
shots according to criteria you specify. The Sift command uses your criteria to
pick out specific footage, such as all the product shots or all shots from a
certain location.
You can also use Avid MediaLog to output an AFE file. AFE files are designed
to transfer project information between Avid editing systems.
How Does Avid MediaLog Work?
The Avid MediaLog system uses clips, bins, and projects to organize your
work.
Avid MediaLog clips and bins are a lot like their film counterparts. Just as film
editors pull clips from their raw footage and store the clips in bins for the
editing session, Avid MediaLog lets you select shots from your tapes and store
information about the shots in electronic bins.
18
A clip corresponds to a shot you select from a tape. Clips contain information
about your footage such as the start and end timecodes and the number of
video and audio tracks. Clips are stored in electronic bins that have built-in
database capabilities to help you easily find a specific shot.
Sample Bin
How Does Avid MediaLog Work?
Each time you log clips, you open a bin and use Logging Tool controls to play
your tapes, mark the shots, and add the clips to the open bin.
A bin is open while you log clips to it.
Deck and log controls are in the Logging tool.
Deck controls
Log controls
If you have a log sheet, you can log clips without using a deck. You type the
start and end timecodes for each clip, and then add them to the bin.
Avid MediaLog uses a project file to organize all the work you do on a single
job. You must always create a new project or open an existing project before
you can open a bin and log your shots.
19
Chapter 1 Understanding Avid MediaLog
As you work on a project, Avid MediaLog remembers the name of each bin
you open and displays a list of bin names in the Project window. The list is
useful for helping you to quickly access bins.
Sample Project
window
Bin names
What Are the Basic Logging Steps?
To perform a logging session:
1. Start your computer and the Avid MediaLog program.
20
2. Create a new or open an existing project.
3. Create a new or open an existing bin.
4. Prepare to log:
a.Select a video format.
b.Enter Logging mode.
c.Select a source name.
5. Select the tracks you want to log from the tape.
6. Log the clips.
7. Save and organize the bin.
8. Quit the Avid MediaLog application, and (optionally) shut down the
computer.
Chapter 2
Getting Started
This chapter describes how to set up the hardware and run Avid MediaLog
sessions. It includes the following topics:
•Setting Up the Hardware (Windows)
•Setting Up the Hardware (Macintosh)
•Supported Decks
•Turning On the Hardware
•Installing Avid MediaLog
•Starting Avid MediaLog
•Backing Up Your Project Information
•Ending a Work Session
•Using Help
Setting Up the Hardware (Windows)
Make sure your computer meets the following requirements:
•The computer must be running the Windows 2000 or Windows XP
operating system.
•The computer includes at least 32 megabytes (MB) of random-access
memory (RAM).
Avid MediaLog can control a deck that uses Sony serial deck protocol and a
timecode reader. Manually control a single deck by connecting an RS-232 to
RS-422 serial adapter kit to the serial port of your computer. Avid MediaLog
can also control a deck through V-LAN
®
VLXi® connections.
Chapter 2 Getting Started
n
c
n
If you need to connect and control more than one video deck, see the setup
guide for your Avid editing system.
A direct serial video deck connection requires a serial adapter kit that contains
these items (see the following figure):
•An RS-232 to RS-422 serial adapter
•Two serial cables; male 9-pin connectors at both ends
Turn off the computer and the deck when you are connecting the serial
cable.
To connect a single deck to your PC:
1. Shut down the computer and the deck.
2. Attach one end of the first 9-pin cable to the end of the serial adapter
labeled RS-232.
3. Attach the other end of the first 9-pin cable to the serial port of your
computer.
When you attach the cable to the serial port on the computer, note if it is
port 1 or port 2. You have to select the port in the Avid software.
Serial adapter
22
n
RS-422 connection
To your
deck
4. Attach one end of the second 9-pin cable to the end of the serial adapter
labeled RS-422.
5. Attach the other end of the second 9-pin cable to the remote serial port of
the deck.
Set the deck to Remote mode before you attempt to control the deck using the
software.
For more information about connecting decks, see the setup guide for your
Avid editing system.
RS-232 connection
To your
computer
Setting Up the Hardware (Macintosh)
Setting Up the Hardware (Macintosh)
Make sure your computer meets the following requirements:
•The computer is running the Mac OS X operating system. See the release
notes for the supported version.
•At least 12 MB of RAM is available to run Avid MediaLog (20 MB or
more is preferred when working with large bins).
Avid MediaLog can control a deck that uses Sony serial deck protocol and a
timecode reader.
c
Turn off the computer and the deck when you are connecting the serial
cable.
To connect a single deck to your system:
1. Locate a serial cable.
2. Attach the round 8-pin DIN connector to a USB-to-serial adapter.
3. Connect the USB-to-serial adapter to one of the following:
tA USB connector on the rear of your Macintosh G4 system
tA USB hub (See the following figure.)
USB hub
USB-to-serial adapter
4. Attach the 9-pin D connector to the remote serial connector on the back of
the deck.
23
Chapter 2 Getting Started
n
Adjust the switch on the video deck to Remote mode before using the software
to control the video deck.
For more information about connecting decks, see the setup guide for your
Avid editing system.
Supported Decks
For a list of supported decks, search for “Supported Decks” in the Avid
Customer Support Knowledge Center on www.avid.com. For instructions on
how to access the Knowledge Center, see the Avid editing application release
notes.
Turning On the Hardware
To assure that the computer detects all the attached hardware and to
avoid damage to any component, turn on the hardware in the following
order:
1. If your computer has media drives, turn on each drive.
Wait 15 to 30 seconds for the drives to spin up before you turn on the
computer system; otherwise, the computer will not communicate with the
storage devices successfully.
24
c
2. If you are logging clips using a deck, turn on the deck.
Set the REMOTE/LOCAL switch on the deck to REMOTE.
3. Start the computer.
Do not disconnect or turn off individual drives while the
computer is on.
You can now install the Avid MediaLog software.
Installing Avid MediaLog
This section describes how to install the Avid MediaLog software.
Installing Avid MediaLog
c
c
Do not install the Avid MediaLog application on disks where you store
media.
If you install Avid MediaLog on an Avid editing system, make sure the
Avid MediaLog application is in a folder separate from the Avid editing
application. Each application has its own preferences.
Installing Avid MediaLog on a Windows System
You can install Avid MediaLog on the following Windows operating systems:
•Windows 2000
•Windows XP Professional
Avid MediaLog software is shipped on the Avid MediaLog CD-ROM and the
Avid editing application CD-ROM.
n
For information on installing Avid MediaLog from the Avid editing application
CD-ROM, see the release notes for your Avid editing system.
To install Avid MediaLog software on a Windows system:
1. Quit all Windows applications.
2. Insert the Avid MediaLog CD-ROM into your computer’s CD-ROM
drive.
If the installer does not run automatically after you insert the application
CD-ROM, do the following:
a.Double-click the My Computer icon.
b.Double-click the CD-ROM icon.
c.Double-click Launch.exe to run the installer.
The Avid MediaLog Installer CD-ROM window opens.
25
Chapter 2 Getting Started
3. Click Install Avid MediaLog.
Follow the online instructions to install the software.
When the installation is complete, a message asks if you want to restart
the system.
4. Restart the computer now or later (before you start the Avid MediaLog
application).
Installing Avid MediaLog on a Mac OS X System
For Macintosh systems, Avid MediaLog software is shipped only on the Avid
MediaLog CD-ROM.
n
The Macintosh version of Avid MediaLog v11.7 and later runs only on the
Mac OS X operating system. See the Avid MediaLog ReadMe file for more
information.
To install Avid MediaLog software on a Mac OS X system:
1. Restart your Macintosh system.
2. Quit any applications that run automatically at startup.
3. Insert the Avid MediaLog CD-ROM into your computer’s CD-ROM
drive.
4. Double-click the Avid MediaLog Installer icon.
Follow the online instructions to install the software.
Starting Avid MediaLog
After you install Avid MediaLog, you are ready to start the application.
To start Avid MediaLog:
1. Turn on the video deck.
2. If you are using a deck, set the REMOTE/LOCAL switch on the deck to
REMOTE.
26
3. Turn on the computer.
Starting Avid MediaLog
c
Do not run any other Avid editing application on the computer at the
same time as the Avid MediaLog application. The two applications
conflict with each other.
4. Do one of the following:
t(Windows) Click the Start button and select Programs > Avid >
MediaLog.
t(Macintosh) Double-click the Avid MediaLog folder to open it and
then double-click the Avid MediaLog application icon to start Avid
MediaLog.
The Select Project dialog box appears.
Changing Users
Your login name is selected as the user. You can change users by logging
in through a different name. You can also establish user profiles.
To change users:
1. Quit the Avid application.
2. Do one of the following:
t(Windows) Select Start > Log Off, and then log in as a different user.
t(Macintosh) Select Apple P menu > Log Out, click Log Out, and
then click a new user.
27
Chapter 2 Getting Started
n
(Macintosh only) You have to create a new user before you can change to that
user. See your Macintosh documentation or the Macintosh Help.
Selecting a Project
You can select a project from a private folder, a shared folder, or a folder
anywhere on your system. You can also create a project in any of these folders.
The path of the folder appears in the Folder text box in the Select Project
dialog box.
3. Start the Avid application.
Your current login name appears as the User in the Select Project dialog
box.
Folder path
Folder
options
28
The following table lists the default folder locations for each folder option:
Projects\login name
(Macintosh) Macintosh HD/Users/Shared/MediaLog/Avid
Projects/login name
(Macintosh) Macintosh HD/Users/Shared/MediaLog/Avid
Projects
1. In the Select Project dialog box, select the folder in which you want to
create the project: private, shared, or external.
n
n
2. Click New Project.
The New Project dialog box opens.
3. Type the name of your new project in the text box.
If you plan to move bins and projects from one platform to another, do not use
the characters / \ : * ? “ < > | or leading spaces, trailing spaces, or trailing
periods, when naming projects, bins, and users. Bin and project names are
limited to 27 characters, not including the period and 3-character extension
that the system automatically adds to a file name.
(Macintosh only) You can set the Use Windows compatible File Names option
in the Avid application’s General Settings dialog box to prevent the system
from accepting these restricted characters in a bin, project, or user name. If
you are using your Avid application as a standalone editor (and do not plan to
move your bins or projects to another platform), you have the option of
extending bin and project names to 31 characters using the Allow filenames to
exceed 27 characters option in the General Settings dialog box.
29
Chapter 2 Getting Started
4. Click the Format pop-up menu and select a project type based on your
source footage.
The following table lists the available format options.
n
References to 24p projects include 23.976p projects unless otherwise noted.
Project TypeSource Footage Transfer
23.976p NTSCFor film-originated or video-originated footage that
has been shot at 23.976 fps or film-originated footage
transferred on digital videotape (such as Digital
Betacam
24p NTSCFor film-originated or other 24-fps footage
transferred to NTSC videotape
30i NTSCFor NTSC video-originated or other 30-fps footage
transferred to NTSC videotape
24p PALFor film-originated or other 24-fps footage
transferred to PAL videotape at 25 fps
25p PALFor 25-fps film footage transferred to PAL videotape
25i PALFor PAL video-originated footage (25 fps)
720p/59.94HD broadcast. For video-originated footage
transferred to this format
1080p/23.976HD online. For film-originated footage transferred to
this format
®
)
30
1080p/25HD online. For film-originated footage transferred to
this format
1080i/50HD broadcast. For video-originated footage
transferred to this format
1080i/59.94HD broadcast. For video-originated footage
transferred to this format
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