Pinnacle Systems Mbox 2 Pro - 7.1.2 Quick Start Guide

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Page 1

Getting Started

Mbox® 2 Pro

Version 7.1.2

Page 2

Avid, Digidesign, Mbox , Control|24, Pro Tools LE, and Pro Tools are either trademarks or registered trademarks of Avid Technology, Inc. in the US and other countries. All other trademarks contained herein are the property of their respective owners.

Product features, specifications, system requirements, and availability are subject to change without notice.

PN 9329-56012-00 REV A 10/06

Communications and Safety Regulation Information

Compliance Statement This model Digidesign Mbox 2 Pro complies with the following standards regulating interference and EMC:

• FCC Part 15 Class B

• EN 55022 Class B

• EN 55204 Class B

• AS/NZS 3548 Class B

• CISPR 22 Class B

Radio and Television Interference This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.

DECLARATION OF CONFORMITY

We Digidesign,

2001 Junipero Serra Boulevard, Suite 200

Daly City, CA 94014 USA

tel: 650-731-6300

declare under our sole responsibility that the product

Mbox 2 Pro

complies with Part 15 of FCC Rules.

Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and

used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try and correct the interference by one or more of the following measures:

• Reorient or locate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

Mbox 2 Pro

Any modifications to the unit, unless expressly approved by Digidesign, could void the user's authority to operate the equipment.

Canadian Compliance Statement:

This Class B digital apparatus complies with Canadian ICES-

003.

Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.

Australian Compliance

European Compliance

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Safety Statement

This equipment has been tested to comply with USA and Canadian safety certification in accordance with the specifications of UL Standards: UL60065 7th /IEC 60065 7th and Canadian CAN/CSA C22.2 60065:03. Digidesign Inc., has been authorized to apply the appropriate UL & CUL mark on its compliant equipment.

Warning

Important Safety Instructions

1) Read these instructions.

2) Keep these instructions.

3) Heed all warnings.

4) Follow all instructions.

5) Do not use this apparatus near water.

6) Clean only with dry cloth.

7) Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10) Protect the power cord from being walked on or pinched

particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11) Only use attachments/accessories specified by the

manufacturer.

12) Use caution when replacing the Lithium battery in the FOH

Rack unit. There is danger of explosion if battery is incorrectly replaced. Replace only with the same or equivalent type.

13) Unplug this apparatus during lightning storms or when

unused for long periods of time.

14) Refer all servicing to qualified service personnel. Servicing

is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

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Chapter 1. Installation QuickStart

Windows Installation Overview

Mac Installation Overview

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Chapter 2. Welcome to Mbox 2 Pro

Mbox 2 Pro Package

Mbox 2 Pro Features

Pro Tools LE Capabilities

System Requirements

Digidesign Registration

About the Pro Tools Guides

About www.digidesign.com

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Chapter 3. Windows Configuration

Installation Overview

Windows System Optimization

Installing Pro Tools LE and Mbox 2 Pro

Optional Software on the Pro Tools Installer Disc

Launching Pro Tools LE

Configuring Pro Tools LE

Windows Audio Drivers

Removing Pro Tools LE

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Contents

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Chapter 4. Mac Configuration

Installation Overview

Mac System Optimization

Installing Pro Tools LE

Optional Software on the Pro Tools Installer Disc

Connecting Mbox 2 Pro to the Computer

Launching Pro Tools LE

Configuring Pro Tools LE

Mbox 2 Pro CoreAudio Driver

Removing Pro Tools LE

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Chapter 5. Mbox 2 Pro Hardware Overview

Mbox 2 Pro Front Panel Features

Mbox 2 Pro Back Panel Features

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Chapter 6. Making Hardware Connections

Connecting Headphones

Connecting a Sound System

Connecting Audio Inputs

MIDI Connections

Word Clock

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Chapter 7. Common Tasks with Pro Tools LE

Recording a Pro Tools Session

Importing Audio from a CD

Creating an Audio CD from a Pro Tools Session

Recording MIDI in a Pro Tools Session

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Appendix A. Configuring MIDI Studio Setup (Windows Only)

MIDI Studio Setup

MIDI Patch Name Support

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Appendix B. Configuring AMS (Mac OS X Only)

Audio MIDI Setup

MIDI Patch Name Support

Mbox 2 Pro Getting Started

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Appendix C. Hard Drive Configuration and Maintenance

Avoid Recording to the System Drive

Formatting an Audio Drive

Audio Drives and Disk Cleanup

Defragmenting an Audio Drive

Hard Disk Storage Space

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Appendix D. Troubleshooting

Index

Backing Up Your Work

Common Issues

Performance Factors

Before You Call Digidesign Technical Support

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Contents

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Mbox 2 Pro Getting Started

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Page 9

chapter 1

Installation QuickStart

Windows Installation Overview

(Windows Systems Only)

Installing Pro Tools LE™ for Mbox® 2 Pro on a Windows computer includes the following steps:

“Windows System Optimization” on page 9

“Installing Pro Tools LE and Mbox 2 Pro” on

page 12.

“Launching Pro Tools LE” on page 14.

“Conﬁguring Pro Tools LE” on page 14.

“Making Hardware Connections” on page 33.

Mac Installation Overview

(Mac OS X Systems Only)

Installation of Pro Tools LE for Mbox 2 Pro on a Mac includes the following steps:

“Mac System Optimization” on page 19.

“Connecting Mbox 2 Pro to the Computer”

on page 21.

“Installing Pro Tools LE” on page 21.

“Launching Pro Tools LE” on page 22.

“Making Hardware Connections” on page 33.

Chapter 1: Installation QuickStart

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Mbox 2 Pro Getting Started

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chapter 2

Welcome to Mbox 2 Pro

Welcome to the Digidesign® Mbox® 2 Pro portable Pro Tools micro-studio.

Mbox 2 Pro Package

Mbox 2 Pro provides your Firewire-equipped computer with four channels of analog audio input, six channels of analog audio output, two channels of digital audio input and output, MIDI In and Out ports, two channels of analog monitor output, and two headphone outputs with front panel level control. Mbox 2 Pro provides professional-quality mic preamps and 24bit analog-to-digital and digital-to-analog converters.

The Mbox 2 Pro package includes the following:

• Mbox 2 Pro desktop audio interface and power adapter

• Installer disc containing Pro Tools LE software, DigiRack RTAS (Real-Time AudioSuite) and AudioSuite plug-ins, optional software, and electronic PDF guides

• This

Mbox 2 Pro Getting Started Guide

includes instructions for installing and configuring Mbox 2 Pro, and an introduction to Pro Tools LE software

• Firewire connector cable (six-pin 1394)

• Digidesign Online Registration Card

, which

Chapter 2: Welcome to Mbox 2 Pro

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Mbox 2 Pro Features

The Mbox 2 Pro provides the following:

Audio Inputs and Outputs

Mbox 2 Pro lets your Pro Tools LE sessions utilize up to six discrete channels of input and up to eight discrete channels of output, using the following analog and digital I/O:

Analog Inputs

• Two channels of analog audio input with microphone preamps and switchable 48V phantom power. These analog input jacks include one XLR/TRS combo connector on the back panel, and two 1/4-inch DI connectors with switchable Mic and DI source selection and LEDs on the front panel. A –20 dB pad is also available separately on each analog input channel

• Two additional channels of analog audio input for Line and Phono sources (RIAA)

Analog Outputs

• Two 1/4-inch TRS analog Monitor outputs

• Four additional 1/4-inch balanced analog line outputs

• Two additional channels of unbalanced outputs on a single 1/4-inch TRS connector

Digital I/O

• Two channels of S/PDIF digital input and output. S/PDIF inputs are available independent of, and in addition to, analog inputs 1–4 when clocking to S/PDIF. S/PDIF outputs are always available in Pro Tools

Capabilities and Speciﬁcations

• 24-bit A/D and D/A converters, supporting sample rates of 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz

• Low latency analog record monitoring

• Two 1/4-inch (A and B) with adjustable level controls. Headphones B can mirror A (output channels 1–2) or be switched to output channels 3–4

(

TRS) stereo headphone outputs

Pro Tools LE Capabilities

Pro Tools LE on Windows or Mac provides the following capabilities with Mbox 2 Pro:

• Playback of up to 32 mono (or 16 stereo) digital audio tracks, or a combination of playing back and recording up to 32 mono (or 16 stereo) digital audio tracks, depending on your computer’s capabilities

• Up to 128 audio tracks (with 32 voiceable tracks maximum), 128 Auxiliary Input tracks, 64 Master Fader tracks, 256 MIDI tracks, and 32 Instrument tracks per session

• 16-bit or 24-bit audio resolution, at sample rates up to 96 kHz

• Nondestructive, random-access editing and mix automation

• Audio processing with up to 5 RTAS plugins per track, depending on your computer’s capabilities

• Up to 5 hardware inserts per track

• Up to 10 sends per track

• Up to 32 internal mix busses

MIDI

• One MIDI In and one MIDI Out port, providing 16 MIDI input channels and 16 MIDI output channels

Mbox 2 Pro Getting Started

Pro Tools LE uses your computer’s CPU to mix and process audio tracks (host processing). Computers with faster clock speeds yield higher track counts and more plug-in processing.

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System Requirements

Mbox 2 Pro can be used with a Digidesign-qualified Windows or Mac computer. For complete system requirements, visit the Digidesign Web site (www.digidesign.com).

Compatibility Information

Digidesign can only assure compatibility and provide support for hardware and software it has tested and approved. For a list of Digidesignqualified computers, operating systems, hard drives, and third-party devices, refer to the Digidesign Web site (www.digidesign.com).

Hard Drive Requirements

For a list of Digidesign-qualified hard drives, refer to the Digidesign Web site (www.digidesign.com).

If you are using an ATA/IDE or FireWire hard drive, initialize your drive with Windows Disk Management (Windows) or the Disk Utility application included with Apple System software (Mac).

For more information, see Appendix C, “Hard Drive Configuration and Maintenance.”

Avoid Recording to the System Drive

MIDI Requirements

Mbox 2 Pro includes one MIDI In port and one MIDI Out port, providing 16 channels of MIDI input and 16 channels of MIDI output.

If you require additional MIDI ports, add a MIDI interface to your system. USB MIDI interfaces work effectively with Pro Tools systems on Windows or Mac. Serial MIDI interfaces are supported on Windows systems only.

Only USB MIDI interfaces are compatible with Pro Tools systems for Mac OS X. Modem-to-serial port adapters and serial MIDI devices are not supported.

For a list of supported adapters, refer to the Digidesign Web site (www.digidesign.com).

Recording to your system drive is not recommended. Recording and playback on a system drive may result in lower track counts and fewer plug-ins.

Digidesign does not recommend recording to the system drive. Record to a system drive only when necessary.

Digidesign Registration

Review the enclosed Digidesign Online Registration Card and follow the instructions on it to quickly register your purchase online. Registering your purchase is the only way you can be eligible to receive complimentary technical support and future upgrade offers. It is one of the most important steps you can take as a new user.

Chapter 2: Welcome to Mbox 2 Pro 5

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About the Pro Tools Guides

This Getting Started guide explains how to install Pro Tools LE software, make basic connections to your Mbox 2 Pro interface (to get sound in and out of your interface), and do common tasks (such as recording in Pro Tools).

For additional information, see the following online (.pdf) guides:

• Pro Tools Reference Guide explains Pro Tools software in detail.

• DigiRack Plug-Ins Guide explains how to use the RTAS and AudioSuite plug-ins included with Pro Tools.

• Digidesign Plug-Ins Guide explains how to use optional Digidesign plug-ins.

• DigiBase Guide provides details on using Pro Tools DigiBase databasing and browsers for data and media management.

• Pro Tools Menus Guide covers all the Pro Tools on-screen menus.

• Pro Tools Keyboard Shortcuts lists keyboard shortcuts for Pro Tools.

Conventions Used in This Guide

Digidesign guides use the following conventions to indicate menu choices and key commands:

Convention Action

File > Save Choose Save from the File

Control+N Hold down the Control key

and press the N key

Control-click Hold down the Control key

and click the mouse button

Right-click Click with the right mouse

button

The following symbols are used to highlight important information:

User Tips are helpful hints for getting the most from your Pro Tools system.

Important Notices include information that could affect your data or the performance of your system.

PDF versions of the Pro Tools guides are installed automatically with Pro Tools LE. Many of them are also accessible from the Pro Tools Help menu. To view or print the PDF guides, you can use Acrobat Reader or Apple Preview.

Printed copies of the Pro Tools Reference

Guide

and other guides in the Pro Tools guide set can be purchased separately from the DigiStore (www.digidesign.com).

Mbox 2 Pro Getting Started6

Shortcuts show you useful keyboard or mouse shortcuts.

Cross References point to related sections in this guide and other Digidesign guides.

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About www.digidesign.com

The Digidesign Web site (www.digidesign.com) is your best source for information to help you get the most out of your Pro Tools system. The following are just a few of the services and features available.

Registration Register your purchase online. See the enclosed registration form for instructions.

Support Contact Digidesign Technical Support or Customer Service; download software updates and the latest online manuals; browse the Compatibility documents for system requirements; search the online Answerbase; join the worldwide Pro Tools community on the Digidesign User Conference.

Training and Education Become a certified Pro Tools Operator or Expert; study on your own using courses available online, or find out how you can learn in a classroom setting at a certified Pro Tools Training Center.

Products and Developers Learn about Digidesign products; download demo software; learn about our Development Partners and their plug-ins, applications, and hardware.

News and Events Get the latest news from Digidesign; sign up for a Pro Tools demo.

To learn more about these and other resources available from Digidesign, visit the Digidesign Web site (www.digidesign.com).

Chapter 2: Welcome to Mbox 2 Pro 7

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Mbox 2 Pro Getting Started8

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chapter 3

Windows Conﬁguration

This chapter contains information for Windows systems only. If you are installing Pro Tools on a Mac computer, see Chapter 4, “Mac Conﬁguration.”

Before installing this version of Pro Tools, refer to the Read Me information included on the Pro Tools LE Installer disc.

Installation Overview

Installing the Mbox 2 Pro on a Windows computer includes the following steps:

1 “Windows System Optimization” on page 9.

2 “Installing Pro Tools LE and Mbox 2 Pro” on

page 12.

Windows System Optimization

Before configuring your computer, make sure you are logged in as an Administrator for the account where you want to install Pro Tools. For details on Administrator privileges, refer to your Windows documentation.

Required Optimizations

To ensure optimum performance with Pro Tools LE, configure the following settings before you install Pro Tools hardware and software.

When you are finished changing Windows system settings, restart your computer.

3 “Launching Pro Tools LE” on page 14.

4 “Conﬁguring Pro Tools LE” on page 14.

5 Making audio and MIDI connections to the

Mbox 2 Pro. (See Chapter 6, “Making Hardware Connections” for details.)

Chapter 3: Windows Conﬁguration 9

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Enabling DMA

Enabling your computer's DMA (Direct Memory Access) frees up CPU bandwidth so the computer can do other Pro Tools tasks.

In most cases the DMA option will already be set correctly, as Windows XP detects and activates DMA mode by default.

To enable DMA for any IDE hard drives:

1 Choose Start > Control Panel.

2 In Classic View, double-click System.

3 Click the Hardware tab.

4 Under Device Manager, choose Device Man-

ager.

5 In the Device Manager window, double-click

IDE ATA/ATAPI controllers, then double-click the Primary IDE Channel for your IDE hard drive.

6 Click the Advanced Settings tab.

To conﬁgure Windows Power Management:

1 Choose Start > Control Panel.

2 Double-click Power Options.

3 Click the Power Schemes tab.

4 From the Power Schemes pop-up menu, select

Always On.

5 Click OK.

This sets System Standby, System Hibernate, and “Turn off hard disks” to Never.

On AMD processors, be sure to check and disable Cool N’Quiet in the System BIOS (in the Cool & Quiet Configuration section). Refer to the manufacturer’s documentation for instructions on disabling this power option, if necessary.

Disabling ClearType Font Smoothing

When using Pro Tools, the Effects “Clear Type” setting must be disabled.

7 For each device, set the Transfer Mode to

“DMA if available,” and click OK.

8 Repeat steps 5–7 for any additional IDE Chan-

nels.

9 Close the Computer Management window.

Disabling System Standby and Power Management

When using Pro Tools, the Windows System Standby power scheme must be set to Always On. This helps prevent long record or playback passes from stopping due to system resources powering down.

Sleep (or hibernate) settings are supported when using Mbox 2 Pro and the Windows System Audio drivers with an application other than Pro Tools LE.

Mbox 2 Pro Getting Started10

To disable ClearType font smoothing:

1 Choose Start > Control Panel.

2 Double-click Display.

3 Click the Appearance tab.

4 Click Effects.

5 Deselect “Use the following method to

smooth edges of screen fonts.”

6 Click OK to save your settings and close the

Effects dialog.

7 Click OK.

8 Restart the computer.

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Recommended Optimizations

Pro Tools can also be affected by other software and hardware drivers installed on your computer. It is recommended (but not required) that you do the following:

• Avoid running any unneeded programs at the same time as Pro Tools.

• Turn off any software utilities that run in the background, such as Windows Messenger, calendars, and disk maintenance programs.

• Turn off any nonessential FireWire devices while running Pro Tools.

• If your video display card supports it, enable Bus Mastering in the manufacturer’s Control Panel. Refer to the manufacturer’s instructions for details.

Optional Optimizations

The following system optimizations may help Pro Tools perform better on some systems. It is recommended that you only try these optimizations if necessary, as they may disable or adversely affect the functionality of other programs on your system.

4 Under the General tab, choose “Do not use

this device (disable)” from the Device Usage pop-up menu, and click OK.

5 Close the Computer Management window.

Adjusting Processor Scheduling

To Adjust Processor Scheduling Performance:

1 Choose Start > Control Panel.

2 In Classic View, double-click System.

3 Click the Advanced tab.

4 Under the Performance section, click the Set-

tings button.

5 In the Performance Options window, click the

Advanced tab.

6 Under the Processor scheduling section, select

the Background Services option.

7 Under the Memory Usage section, select the

System cache option.

8 Click OK to close the Performance Options

window.

9 Click OK to close the System Properties win-

dow.

Disabling Network Cards

If applicable, disable any networking cards (other than a FireWire card that you might use to connect an external drive to your system).

To disable a network card:

1 Right-click My Computer and choose Man-

age.

2 Under System Tools, select Device Manager.

3 In the Device Manager window, double-click

Network adapters, then double-click the Network Adapter card you want to disable.

10 Restart the computer for the changes to take

effect.

Chapter 3: Windows Conﬁguration 11

Page 20

Disabling Hyper-Threading

Pro Tools LE takes advantage of the added processing power of computers that have multiple processors, or that feature multi-core processing or Hyper-Threading, for RTAS processing.

However, if you set the number of processors available for RTAS processing to 1 (in the Pro Tools Playback Engine dialog), some computers with hyperthreading capability may experience decreased performance.

If this occurs, you can increase the number of RTAS processors in the Playback Engine dialog, or you can disable Hyper-Threading on the computer.

Refer to your computer’s documentation for steps on how to enter the computer’s BIOS and disable Hyper-Threading.

Disabling System Startup Items

To Disable System Startup Items:

1 From the Start menu, choose Run.

2 Type “msconﬁg” and click OK. The System

Conﬁguration Utility opens.

3 Under the General tab, choose Selective

Startup.

4 Deselect Load Startup Items and click OK.

5 Click Restart to restart the computer.

6 After restarting, the computer displays a Sys-

tem Conﬁguration message. Check to see if Pro Tools performance has increased before you deselect the “Don't show this message again” option. If performance has not changed, run “msconﬁg” and return your computer Selective Startup back to Normal Startup. Alternatively, try disabling Startup items and non-essential processes individually.

The fewer items in use by your computer, the more resources are available for Pro Tools. Some startup applications may be consuming unnecessary CPU resources, and should be turned off.

If you disable any of the following startup items, do so carefully:

• Portable media serial number (required for applications that utilize a copy protection key)

• Plug and play

• Event log

• Cryptographic services

• DHCP Client, TCP/IP Net BIOS, and other networking-related items (unless the computer has no network or internet connection, in which case these items can be disabled)

Mbox 2 Pro Getting Started12

Installing Pro Tools LE and Mbox 2 Pro

To install Pro Tools LE and Mbox 2 Pro:

1 Start Windows, logging in with Administrator

privileges. For details on Administrator privileges, refer to your Windows documentation.

2 Connect the small end of the included

Firewire cable to one of the Firewire ports on Mbox 2 Pro.

3 Connect the other end of the cable to any

available Firewire (6-pin 1394) port on your computer. Wait for the Found New Hardware Wizard dialog to appear and leave it open: Do not click Next.

Throughout the installation, you should ignore any and all Found New Hardware Wizard dialogs. Do not click Next.

Page 21

4 Insert the Pro Tools LE Installer disc for Win-

dows in your CD/DVD drive. Locate and open the Pro Tools Installer folder, and double-click the Setup icon.

5 Click Next to begin installation.

6 Select the install location. For maximum reli-

ability, install Pro Tools on your startup drive. Click Next.

7 Select any options you want to install. For

more information, see “Optional Software on the Pro Tools Installer Disc” on page 13.

8 Click Next.

If you get a warning dialog about the driver not passing Windows Logo testing, click Continue Anyway.

9 Wait for the installer to ﬁnish installing all

software components, drivers, and PACE System ﬁles before proceeding to the next step.

10 When installation is complete, click Finish.

Installing QuickTime

QuickTime is required for Pro Tools if you plan to include movie files, or import MP3 or MP4 (AAC) files in your sessions. The current version of QuickTime for Windows XP is available as a free download from the Apple Web site (www.apple.com).

Optional Software on the Pro Tools Installer Disc

Your Pro Tools Installer disc includes several software options.

Pro Tools Demo Session

The Pro Tools LE Installer disc includes a demo session that you can use to verify that your system is working.

Before installing the demo session to your audio drive, make sure the drive is configured as described in “Formatting an Audio Drive” on page 59.

To install the demo session:

1 Insert the Pro Tools LE Installer disc into your

CD/DVD drive.

2 From your CD/DVD drive, locate and open

the Additional Files/Pro Tools LE Demo Session Installer folder.

3 Double-click Setup.exe.

4 Select your audio drive as the install location

and click Install.

5 When installation is complete, click OK.

MacDrive Demo

To install QuickTime:

1 Visit www.apple.com and go to the Quick-

Time page.

2 Download the QuickTime installer applica-

tion to your computer.

3 Double-click the QuickTime installer applica-

tion and follow the on-screen installation instructions.

4 Restart your computer.

The MacDrive utility lets you mount Mac-based HFS+ drives on a Windows-based Pro Tools system and use them as Transfer drives.

Transfer drives can be used for storage, but not for playback or recording. To use Macbased audio files on a Windows Pro Tools system, copy the files from the Mac-based HFS+ audio drive to a Windows-based NTFS audio drive.

Chapter 3: Windows Conﬁguration 13

Page 22

To install the MacDrive demo included with Pro Tools:

1 Insert the Pro Tools Installer disc into your

CD/DVD drive.

Conﬁguring Pro Tools LE

Pro Tools System Settings

2 From your CD/DVD drive, locate and open

the Additional Files/MacDrive Demo Installer folder.

3 Double-click the MacDrive demo installer.

4 Follow the on-screen instructions to install

MacDrive. After installation is complete, restart your computer.

All formatting and maintenance of HFS+ drives should be carried out when the drives are connected to a Mac. Do not use the MacDrive utility to initialize or partition Mac drives.

Launching Pro Tools LE

When launching Pro Tools LE the first time, you are prompted to enter an authorization code.

To authorize Pro Tools LE software:

1 Double-click the Pro Tools LE shortcut on

your desktop (or the application icon in the Pro Tools folder inside the Digidesign folder).

2 Enter the authorization code in the dialog

(making sure to type it exactly as printed, and observing any spaces and capitalization), then click Validate.

Your authorization code is located on the inside front cover of this guide.

Pro Tools LE lets you adjust the performance of your system by changing system settings that affect its capacity for processing, playback, and recording.

In most cases, the default settings for your system provide optimum performance, but you may want to adjust them to accommodate large or processing-intensive Pro Tools sessions.

Hardware Buffer Size

The Hardware Buffer Size (H/W Buffer Size) controls the size of the buffer used to handle host processing tasks such as Real-Time AudioSuite (RTAS) plug-ins. The H/W Buffer setting can also be used to manage monitoring latency.

◆ Lower Hardware Buffer Size settings reduce

monitoring latency, and are useful when you are recording live input.

◆ Higher Hardware Buffer Size settings allow for

more audio processing and effects, and are useful when you are mixing and using more RTAS plug-ins.

In addition to causing slower screen response and monitoring latency, higher Hardware Buffer Size settings can increase the latency caused by RTAS plug-ins, and affect the accuracy of plug-in automation, mute data, and MIDI track timing.

Mbox 2 Pro Getting Started14

Page 23

To change the Hardware Buffer Size:

1 Choose Setup > Playback Engine.

To set the number of RTAS Processors:

1 Choose Setup > Playback Engine.

2 From the RTAS Processors pop-up menu, select

the number of available processors you want to allocate for RTAS plug-in processing.

3 Click OK.

If using a single processor computer, be sure to check the section “Disabling HyperThreading” on page 12 for tips on maximizing performance.

Playback Engine dialog for Mbox 2

2 From the H/W Buffer Size pop-up menu, select

the audio buffer size, in samples.

3 Click OK.

RTAS Processors

The RTAS Processors setting determines the number of processors in your computer allocated for RTAS plug-in processing.

With computers that have multiple processors, or that feature multi-core processing or hyperthreading, this setting lets you enable multi-processor support for RTAS processes. Used in combination with the CPU Usage Limit setting, the RTAS Processors setting lets you control the way RTAS processing and other Pro Tools tasks are carried out by the system.

◆ A higher number of processors reserves more

CPU processing capacity for RTAS plug-in processing. This is useful for sessions with large number of RTAS plug-ins.

◆ A lower number of processors leaves more

CPU processing capacity for automation, screen redraws, and video playback in Pro Tools, or for other application running at the same time as Pro Tools.

CPU Usage Limit

The CPU Usage Limit controls the percentage of CPU resources allocated to Pro Tools host processing tasks. Used in combination with the RTAS Processors setting, the CPU Usage Limit setting lets you control the way Pro Tools tasks are carried out by the system.

◆ Lower CPU Usage Limit settings limit the ef-

fect of Pro Tools processing on other CPU-intensive tasks, such as screen redraws, and are useful when you are experiencing slow system response, or when running other applications at the same time as Pro Tools.

◆ Higher CPU Usage Limit settings allocate

more processing power to Pro Tools, and are useful for playing back large sessions or using more real-time plug-ins.

The maximum available CPU Usage Limit depends on the number of processors in your computer and on the number of processors you specify with the RTAS Processor setting. This value can be up 99 percent for single-processor computers or 90 percent for multi-processor computers.

Increasing the CPU Usage Limit may slow down screen response on slower computers.

Chapter 3: Windows Conﬁguration 15

Page 24

To change the CPU Usage Limit:

1 Choose Setup > Playback Engine.

2 From the CPU Usage Limit pop-up menu, se-

lect the percentage of CPU processing you want to allocate to Pro Tools.

Pro Tools Hardware Settings

Pro Tools lets you set the default sample rate and clock source for your system, as well as a range of controls specific to each type of audio interface.

3 Click OK.

DAE Playback Buffer Size

The DAE Playback Buffer Size determines the amount of memory DAE allocates for disk buffers. The optimum DAE Playback Buffer Size for most disk operations is Level 2.

◆ DAE Playback Buffer Size settings lower than

Level 2 may improve playback and recording initiation speed, but may make it difﬁcult to play or record tracks reliably with sessions containing a large number of tracks or a high density of edits, or with systems that have slower or heavily fragmented hard drives.

◆ DAE Playback Buffer Size settings higher than

Level 2 will allow for a higher density of edits in a session or a higher track count when using slower hard drives. However, a higher setting can also cause a time lag to occur when starting playback or recording, or longer audible time lag while editing during playback.

Using a larger DAE Playback Buffer Size leaves less system memory for other tasks. The default setting of Level 2 is recommended unless you are encountering -9073 (“Disk too slow or fragmented”) errors.

Default Sample Rate

The Sample Rate setting appears as the default sample rate when you create a new session. (This setting is available in the Hardware Setup dialog only when no session is open.)

You can change the sample rate when creating a new Pro Tools session by selecting a different sample rate in the New Session dialog. (Refer to

Guide for details.)

To change the default Sample Rate:

1 Choose Setup > Hardware.

Hardware Setup dialog for Mbox 2 Pro

2 Select the sample rate from the Sample Rate

pop-up menu.

3 Click OK.

the Pro Tools Reference

To change the DAE Playback Buffer Size:

1 Choose Setup > Playback Engine.

2 From the DAE Playback Buffer pop-up menu,

select a buffer size.

3 Click OK.

Mbox 2 Pro Getting Started16

Page 25

Clock Source

Conﬁguring I/O Setup

The Pro Tools Hardware Setup dialog lets you select the Clock Source for the system.

Internal Use this setting if you are recording analog signals directly into Mbox 2 Pro. When set to internal, Mbox 2 Pro provides four channels of input (analog only).

S/PDIF Use this setting to record or listen to Mbox 2 Pro S/PDIF inputs connected to an external digital device. This setting will synchronize Pro Tools to that digital device.

S/PDIF input is only available when S/PDIF is the Clock Source.

Although Mbox 2 Pro supports sample rates of up to 96 kHz, its external clock sources (S/PDIF and Word Clock) are only supported in 44.1 and 48 kHz sample rate sessions.

Word Clock Use this setting to clock Pro Tools LE to a Word clock source connected to the Mbox 2 Pro Word Clock In port.

Although Mbox 2 Pro supports sample rates of up to 96 kHz, its external clock sources (S/PDIF and Word Clock) are only supported in 44.1 and 48 kHz sample rate sessions.

To select the Clock Source:

1 Choose Setup > Hardware.

2 Choose the clock source from the Clock

Source pop-up menu.

Using the I/O Setup dialog, you can label Pro Tools LE input, output, insert, and bus sig- nal paths. The I/O Setup dialog provides a graphical representation of the inputs, outputs, and signal routing of the Mbox 2.

Pro Tools LE has default I/O Setup settings that will get you started. Use the I/O Setup dialog only if you want to rename the default I/O paths.

To rename I/O paths in I/O Setup:

1 Choose Setup > I/O.

I/O Setup dialog for Mbox 2 Pro

2 Click the Input, Output, Insert, or Bus tab to

display the corresponding connections.

3 To change the name of a path or subpath,

double-click directly on the Path Name, type a new name for the path, and press Enter.

4 Click OK.

See the Pro Tools Reference Guide (or choose Help > Pro Tools Reference Guide) for more information on renaming I/O paths.

3 Click OK.

Your digital input device must be connected and powered on for Pro Tools to synchronize to it. If your input device is not powered on, leave the Clock Source set to Internal.

Chapter 3: Windows Conﬁguration 17

Page 26

MIDI Studio Setup

(Optional)

If you plan to use any MIDI devices with Pro Tools, configure your MIDI setup with MIDI Studio Setup. See Appendix A, “Configuring MIDI Studio Setup (Windows Only)” for details.

Backing Up Your System Conﬁguration

After configuring your system and Pro Tools, you should save an image of your system drive using a backup utility such as Norton Ghost. By doing this, you can quickly restore your system configuration and settings if you encounter any problems.

Windows Audio Drivers

DirectSound Windows System Audio Driver

The DirectSound Windows System Audio Driver is a multi-client, multichannel sound driver that allows third-party audio programs that support the DirectSound standard to play back and record through Mbox 2 Pro.

For detailed information on configuring the Digidesign DirectSound Driver, see the

Windows Audio Drivers Guide.

Removing Pro Tools LE

If you need to remove Pro Tools LE software from your computer, you can use the Add or Remove Programs command.

To remove Pro Tools from your computer:

1 Choose Start > Control Panel.

The Digidesign® ASIO Driver and DirectSound Driver let you use your Digidesign Mbox 2 Pro hardware interface with third-party applications that support the ASIO Driver or DirectSound Driver standard.

The Digidesign ASIO Driver and DirectSound Driver for Mbox 2 Pro are automatically installed when you install Pro Tools.

Digidesign ASIO Driver

The Digidesign ASIO (Audio Sound Input Output) Driver is a single-client multichannel sound driver that allows third-party audio programs that support the ASIO Driver standard to record and play back through Mbox 2 Pro.

For detailed information on configuring the Digidesign ASIO Driver, see the

Audio Drivers Guide

Mbox 2 Pro Getting Started18

Windows

2 Double-click Add or Remove Programs.

3 From the Currently Installed Programs list, se-

lect Digidesign Pro Tools LE.

4 Click the Change/Remove button.

5 Follow the on-screen instructions to remove

Pro Tools LE.

Page 27

chapter 4

Mac Conﬁguration

This chapter contains information for Mac systems only. If you are installing Pro Tools on a Windows computer, see Chapter 3, “Windows Conﬁguration.”

Before installing this version of Pro Tools, refer to the Read Me information included on the Pro Tools LE Installer disc.

Installation Overview

Mac System Optimization

To ensure optimum performance with Pro Tools, configure your computer before installing Pro Tools hardware and software.

Before configuring your computer, make sure you are logged in as an Administrator for the account where you want to install Pro Tools. For details on Administrator privileges in Mac OS X, refer to your Apple OS X documentation.

Installation of the Mbox 2 Pro on a Mac includes the following steps:

1 “Mac System Optimization” on page 19.

2 “Installing Pro Tools LE” on page 21.

3 “Connecting Mbox 2 Pro to the Computer”

on page 21.

4 “Launching Pro Tools LE” on page 22.

5 “Conﬁguring Pro Tools LE” on page 22.

6 Making audio connections to the Mbox 2.

(See Chapter 6, “Making Hardware Connections” for details.)

Do not use the Mac OS X automatic Software Update feature, as it may upgrade your system to a version of Mac OS that has not yet been qualified for Pro Tools. For details on qualified versions of Mac OS, refer to the Digidesign Web site (www.digidesign.com).

Turning Off Software Update

To turn off the Software Update feature:

1 Choose System Preferences from the Apple

menu and click Software Update.

2 Click Update Software and deselect Check for

Updates.

Chapter 4: Mac Conﬁguration 19

Page 28

Turning Off Energy Saver

Disabling the Spotlight Shortcuts

To turn off the Energy Saver feature:

1 Choose System Preferences from the Apple

menu and click Energy Saver.

2 Click Sleep and do the following:

• Set the computer sleep setting to Never.

• Set the display sleep setting to Never.

• Deselect “Put the hard disk(s) to sleep when possible” option.

Setting Processor Performance

(Mac G5 Computers Only)

To set the Processor Performance:

1 Choose System Preferences from the Apple

menu and click Energy Saver.

2 Click Options and set Processor Performance

to Highest.

Disabling Spotlight Indexing

The Mac OS X Spotlight feature indexes files and folders in the background, affecting system performance. It is recommended that you disable Spotlight indexing before using Pro Tools.

To disable Spotlight indexing:

1 Choose System Preferences from the Apple

menu and click Spotlight.

2 In the Spotlight window, click Privacy.

3 To prevent indexing of a drive, drag its icon

from the desktop into the list.

The Mac OS X Spotlight feature uses the same key commands Pro Tools uses to start recording (Command+Spacebar), and to record online (Command+Option+Spacebar). If you want to retain use of these key commands in Pro Tools, these shortcuts must be disabled.

To disable the Spotlight keyboard shortcut:

1 Choose System Preferences from the Apple

menu and click Spotlight.

2 Deselect “Spotlight menu keyboard shortcut”

and “Spotlight window keyboard shortcut.”

Disabling the Dashboard Shortcut

The Mac OS X Dashboard feature uses the same key command Pro Tools uses to start recording (F12). If you want to retain use of this key command in Pro Tools, this shortcut must be disabled.

To disable the Dashboard keyboard shortcut:

1 Choose System Preferences from the Apple

menu and click Dashboard and Exposé.

2 Set the Dashboard keyboard shortcut to “–” to

disable the shortcut.

Enabling Journaling for Audio Drives

If you plan to use an audio drive that you used with a previous version of Pro Tools for Macintosh, enable journaling.

To enable journaling:

1 Launch the Disk Utility application, located in

Applications/Utilities.

2 Select the volume in the left column of the

Disk Utility window.

3 Click Enable Journaling in the toolbar.

Mbox 2 Pro Getting Started20

Page 29

Installing Pro Tools LE

After the Apple System software settings are configured, you are ready to install Pro Tools LE.

To install Pro Tools LE on Mac OS X:

1 Make sure you are logged in as an Administra-

tor for the account where you want to install Pro Tools. For details on Administrator privileges in Mac OS X, refer to your Apple Mac OS X documentation.

Optional Software on the Pro Tools Installer Disc

Your Pro Tools LE Installer disc includes separate installers for the following optional items.

Pro Tools Demo Session

The Pro Tools LE Installer disc includes a demo session that you can use to verify that your system is working.

2 Insert the Pro Tools LE Installer disc in your

CD/DVD drive. Double-click “Install Pro Tools LE.”

3 Enter your Administrator password and click

OK to authenticate the installation.

4 Follow the on-screen instructions to continue

and accept installation.

5 In the Installer window, make sure the Install

Location is on your Startup drive.

6 In the Installer window, choose Custom In-

stall from the pop-up menu, and click Install.

7 Follow the remaining on-screen instructions

to install Pro Tools and any options. (See also “Launching Pro Tools LE” on page 22.)

8 When installation is complete, click Restart.

To install the demo session:

1 Insert the Pro Tools LE Installer disc in your

CD/DVD drive. Locate and double-click the demo session installer icon.

2 Select your audio drive as the install location

and click Install.

3 When installation is complete, click Quit.

Connecting Mbox 2 Pro to the Computer

Before launching Pro Tools LE software, connect Mbox 2 Pro to your computer.

To connect Mbox 2 Pro to your computer:

1 Connect the small end of the included

Firewire cable to the FireWire port on Mbox 2 Pro.

2 With your computer on, connect the other

end of the cable to any available FireWire port on your computer.

Chapter 4: Mac Conﬁguration 21

Page 30

Launching Pro Tools LE

When launching Pro Tools LE the first time, you are prompted to enter an authorization code to validate your software.

To authorize Pro Tools LE software:

1 Click the Pro Tools LE icon in the Dock (or

double-click the application icon in the Pro Tools folder inside the Digidesign folder).

2 Enter the authorization code in the dialog

when prompted (making sure to type it exactly as printed, and observing any spaces and capitalization), then click Validate.

Your authorization code is located on the inside front cover of this guide.

Conﬁguring Pro Tools LE

Pro Tools System Settings

Pro Tools LE lets you adjust the performance of your system by changing system settings that affect its capacity for processing, playback, and recording.

Hardware Buffer Size

◆ Lower Hardware Buffer Size settings reduce

monitoring latency, and are useful when you are recording live input.

◆ Higher Hardware Buffer Size settings allow for

more audio processing and effects, and are useful when you are mixing and using more RTAS plug-ins.

To change the Hardware Buffer Size:

1 Choose Setup > Playback Engine.

In most cases, the default settings for your system provide optimum performance, but you may want to adjust them to accommodate large or processing-intensive Pro Tools sessions.

Mbox 2 Pro Getting Started22

Playback Engine dialog for Mbox 2 Pro

2 From the H/W Buffer Size pop-up menu, select

the audio buffer size, in samples.

3 Click OK.

Page 31

RTAS Processors

CPU Usage Limit

The RTAS Processors setting determines the number of processors in your computer allocated for RTAS plug-in processing.

◆ A higher number of processors reserves more

CPU processing capacity for RTAS plug-in processing. This is useful for sessions with large number of RTAS plug-ins.

◆ A lower number of processors leaves more

CPU processing capacity for automation, screen redraws, and video playback in Pro Tools, or for other application running at the same time as Pro Tools.

To set the number of RTAS Processors:

1 Choose Setup > Playback Engine.

2 From the RTAS Processors pop-up menu, select

the number of available processors you want to allocate for RTAS plug-in processing.

3 Click OK.

◆ Lower CPU Usage Limit settings limit the ef-

◆ Higher CPU Usage Limit settings allocate

more processing power to Pro Tools, and are useful for playing back large sessions or using more real-time plug-ins.

Increasing the CPU Usage Limit may slow down screen response on slower computers.

To change the CPU Usage Limit:

1 Choose Setup > Playback Engine.

2 From the CPU Usage Limit pop-up menu, se-

lect the percentage of CPU processing you want to allocate to Pro Tools.

3 Click OK.

Chapter 4: Mac Conﬁguration 23

Page 32

DAE Playback Buffer Size

Pro Tools Hardware Settings

The DAE Playback Buffer Size determines the amount of memory DAE allocates for disk buffers. The optimum DAE Playback Buffer Size for most disk operations is Level 2.

◆ DAE Playback Buffer Size settings lower than

◆ DAE Playback Buffer Size settings higher than

Pro Tools lets you set the default sample rate and clock source for your system.

Default Sample Rate

The Sample Rate setting appears as the default sample rate when you create a new session. (This setting is available in the Hardware Setup dialog only when no session is open.)

You can change the sample rate when creating a new Pro Tools session by selecting a different sample rate in the New Session dialog. (See

on page 43.)

To change the default sample rate:

1 Make sure that no Pro Tools session is open.

2 Choose Setup > Hardware.

“Recording a Pro Tools Session”

To change the DAE Playback Buffer Size:

1 Choose Setup > Playback Engine.

2 From the DAE Playback Buffer pop-up menu,

select a buffer size.

3 Click OK.

Mbox 2 Pro Getting Started24

Hardware Setup dialog box for Mbox 2 Pro

3 Select the sample rate from the Sample Rate

pop-up menu.

4 Click OK.

Page 33

Clock Source

Conﬁguring I/O Setup

The Pro Tools Hardware Setup dialog lets you select the Clock Source for the system.

Internal Use this setting if you are recording analog signals directly into Mbox 2 Pro. When set to internal, Mbox 2 Pro provides four channels of input (analog only).

S/PDIF Use this setting to record or listen to Mbox 2 Pro S/PDIF inputs connected to an external digital device. This setting will synchronize Pro Tools to that digital device.

S/PDIF input is only available when S/PDIF is the Clock Source.

Although Mbox 2 Pro supports sample rates of up to 96 kHz, its external clock sources (S/PDIF and Word Clock) are only supported in 44.1 and 48 kHz sample rate sessions.

Word Clock Use this setting to clock Pro Tools LE to a Word clock source connected to the Mbox 2 Pro Word Clock In port.

Pro Tools LE has default I/O Setup settings that will get you started. Use the I/O Setup dialog only if you want to rename the default I/O paths.

To rename I/O paths in I/O Setup:

1 Choose Setup > I/O.

Although Mbox 2 Pro supports sample rates of up to 96 kHz, its external clock sources (S/PDIF and Word Clock) are only supported in 44.1 and 48 kHz sample rate sessions.

To select the Clock Source:

1 Choose Setup > Hardware.

2 Choose the clock source from the Clock

Source pop-up menu.

3 Click OK.

Your digital input device must be connected and powered on for Pro Tools to synchronize to it. If your input device is not powered on, leave the Clock Source set to Internal.

I/O Setup dialog for Mbox 2 Pro

2 Click the Input, Output, Insert, or Bus tab to

display the corresponding connections.

3 To change the name of a path or subpath,

double-click directly on the Path Name, type a new name for the path, and press Return.

4 Click OK.

See the Pro Tools Reference Guide (or choose Help > Pro Tools Reference Guide) for more information on renaming I/O paths.

Chapter 4: Mac Conﬁguration 25

Page 34

Audio MIDI Setup (AMS)

(Optional)

If you plan to use any MIDI devices with Pro Tools LE, configure your MIDI setup with the Apple Audio MIDI Setup (AMS) utility. See Appendix B, “Configuring AMS (Mac OS X Only)” for details.

Backing Up Your System Conﬁguration

After configuring your system and Pro Tools, you should save an image of your system drive using a backup utility such as Bombich Carbon Copy Cloner. By doing this, you can quickly restore your system configuration and settings if you encounter any problems.

Mbox 2 Pro CoreAudio Driver

Removing Pro Tools LE

If you need to remove Pro Tools software from your computer, you can use the Installer disc or the downloaded Installer file.

To remove Pro Tools from your computer:

1 Make sure you are logged in as an Administra-

tor for the account where Pro Tools is installed. For details on Administrator privileges in Mac OS X, refer to your Apple OS X documentation.

2 Insert the Pro Tools Installer disc in your

CD/DVD drive.

3 Double-click “Install Pro Tools LE.”

4 Enter your Administrator password and click

OK.

5 In the Installer window, choose Uninstall

from the pop-up menu, and click Uninstall.

The Mbox 2 Pro CoreAudio Driver is a multi-client, multichannel sound driver that allows CoreAudio-compatible applications to record and play back through Digidesign hardware.

The CoreAudio Driver is installed automatically when you install Pro Tools.

For information on configuring the Digidesign CoreAudio Driver, see the

Drivers guide

Mbox 2 Pro Getting Started26

CoreAudio

6 Follow the on-screen instructions to remove

Pro Tools LE.

7 When ﬁnished, click Quit to close the Installer

window.

Page 35

chapter 5

Mbox 2 Pro Hardware Overview

Mbox 2 Pro Front Panel Features

The Mbox 2 Pro front panel has the following features:

Ext Clock LED

MIDI Activity LED

Power

LED

Headphones level

(A, B)

Headphone Outputs

(A and B)

3–4 Switch and LED

(Headphone B)

Monitor

Level

48V

Switch and LED

Peak LED

Figure 1. Mbox 2 Pro front panel

Power LED

The Power LED indicates that the Mbox 2 Pro is powered on.

Ext (External) Clock LED

The External Clock LED lights to indicate that either S/PDIF or Word clock is the current Pro Tools clock source. When unlit, this LED indicates Internal clock.

Peak LED

Input 2

Gain

Pad

DI/Mic 2 LEDs

Source selector

Aux In (3–4)

Source

selector

and

Gain

LED

Input 1

Source

Gain

Peak LED

Input 1 DI Input 2 DI

selector

Pad

DI/Mic 1 LEDs

MIDI Activity LED

This LED lights to indicate Mbox 2 Pro is receiving or sending MIDI.

Chapter 5: Mbox 2 Pro Hardware Overview 27

Page 36

Headphone Outputs

48V Switch and LED

Mbox 2 Pro provides two 1/4-inch, stereo headphone outputs, A and B, each with its own level control. Headphones mirror the Monitor outputs, by default (usually your main Pro Tools Analog 1–2 outputs). Headphone B can also be configured for discrete monitoring of Pro Tools outputs 3–4 (Analog 3–4) using the 3–4 switch.

Headphone Level

The headphone knobs adjust the output level of their corresponding Headphone output (A or B).

3–4 Switch and LED

The 3–4 switch toggles Headphone B output between the main outputs (1–2), and output channels 3–4. When this switch is in its “out” position, Headphone B mirrors Headphone A output and the 3–4 LED is off. When this switch is in its “in” position, Headphone B monitors Pro Tools output channels 3–4.

Monitor Level

The Monitor knob adjusts the output level of the Mon Out ports. In Pro Tools, this will be the signal routed to Analog outputs 1–2.

Phantom power is activated by the switch labeled 48V on the front panel of Mbox 2 Pro. The LED, when lit, indicates that 48V phantom power is active on both Mic/Line inputs. These inputs provide phantom power for microphones that require it to operate.

About Phantom Power

Dynamic microphones (such as a Shure SM57) do not require phantom power to operate, but are not harmed by it. Most condenser microphones (like an AKG C3000) do require phantom power to operate.

Although phantom power can be used safely with most microphones, it is possible to damage some ribbon microphones with it. Always turn off phantom power and wait at least ten seconds before connecting or disconnecting a ribbon microphone.

If you are not sure about the phantom power requirements for your microphone, consult your microphone’s documentation or contact the manufacturer.

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Gain Controls

Peak LEDs

These knobs adjust the input gain levels of their corresponding input (Input 1, Input 2, or Aux In).

DI Inputs

Front panel DI connectors are provided for input channels 1 and 2, to connect electric guitar, electric bass, and similar instruments.

DI/Mic Source Selectors and LEDs

The Source Select switches for Input 1 and Input 2 select either the Mic or DI inputs for each channel. The DI and Mic LEDs indicate the current source input.

The Aux In Source select switch selects the Aux Line inputs, or Phono inputs.

For more information, see “Connecting Audio Inputs” on page 35.

All input sections provide a Peak LED (this includes the Input 1, Input 2, and Aux In sections). These LEDs are clip indicators. If the Peak LEDs flicker occasionally, the signal reaching Mbox 2 Pro may have clipped.

Pad Switches and LEDs

The Pad switches engage a –20 dB pad on their corresponding input channels. When engaged, the Pad LEDs light.

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Mbox 2 Pro Back Panel Features

Figure 2 identifies each port on the Mbox 2 Pro back panel.

Inputs 1 and 2

Mic/Line 2

Mic/Line 1

Aux In (3–4)

Phono In L/R

Line In L/R

Monitor

outputs

(1–2) (1–4)

Line

outputs

S/PDIF digital I/O

Line Out

(5–6)

Footswitch

MIDI I/O

Ground post

Figure 2. Mbox 2 Pro back panel

The Mbox 2 Pro back panel has the following features:

DC Power

This port supplies power to Mbox 2 Pro using the included power supply. Though external power is not always required, you should use external power if your 1394 bus is unable to provide enough power, or if you need to conserve battery power in a portable computer. Two power supplies are provided for use in various locations. The International power supply is auto-switching for use everywhere but North America. If in North America, use the “US” power supply.

Word clock In/Out

Firewire

Power

FireWire (1394) Port

This standard FireWire 1394 connector is used to connect your computer to Mbox 2 Pro. One 6-pin FireWire cable is included with Mbox 2 Pro. The Mbox 2 Pro can be powered solely through its 1394 connection to your computer, or using an external power supply (included with your system).

MIDI I/O

The MIDI In and MIDI Out ports are standard 5pin MIDI ports, each providing 16 channels of MIDI input and output.

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Word Clock

S/PDIF Digital I/O

The Word Clock In and Out ports let you connect BNC cables to synchronize Pro Tools to incoming 1x Word clock, and synchronize other devices to Pro Tools-generated Word clock.

Although Mbox 2 Pro supports sample rates of up to 96 kHz, its external clock sources (S/PDIF and Word Clock) are only supported in 44.1 and 48 kHz sample rate sessions.

Line Outputs (1–4)

These outputs let you send discrete Pro Tools outputs to external headphone or cue systems, remote speakers and similar devices. Line outputs 1–4 accept balanced TRS, or unbalanced TS, 1/4-inch cables.

Line Out (5–6)

This connector accepts a 1/4-inch cable, to supply two channels of unbalanced output to an additional analog device. (Line Out 5 = Tip; Line Out 6 = Ring.)

The S/PDIF in and out ports are unbalanced twoconductor phono (RCA) connectors that utilize a full 24-bit, two-channel digital data stream.

The Sony/Phillips Digital Interface Format (S/PDIF) is used in many professional and consumer CD recorders and DAT recorders. To avoid RF interference, use 75-ohm coaxial cable for S/PDIF transfers and keep the cable length to a maximum of 10 meters.

In use, the S/PDIF input channels are available in addition to the four channels of analog audio input when S/PDIF is selected as the Pro Tools Clock Source. This lets Mbox 2 Pro be used as a 6-in/8-out digital audio interface for Pro Tools LE.

Although Mbox 2 Pro supports sample rates of up to 96 kHz, its external clock sources (S/PDIF and Word Clock) are only supported in 44.1 and 48 kHz sample rate sessions.

The S/PDIF output channels are always available, in all clock modes.

Footswitch

The Footswitch input is a 1/4-inch TS input. At the present time, this connector is inactive and should not be used.

Mon Out (Monitor Output)

These outputs support balanced TRS, or unbalanced TS, 1/4-inch connections. To monitor your mix, these outputs can be connected to a mixing board, directly to a monitoring system such as a stereo power amp, or another stereo destination.

The Mon Out Left and Right play the audio that is routed to analog outputs 1 and 2 from within Pro Tools, respectively. These analog outputs feature 24-bit digital-to-analog converters.

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Aux In (Line and Phono Inputs)

The Aux In section provides two pairs of inputs for different types of equipment. The Aux In Line L and R inputs are 1/4-inch, balanced TRS connectors. The Phono inputs are unbalanced, coaxial RCA connectors.

Grounding Post

The Grounding Post is for grounding turntables and other types of DJ equipment to Mbox 2 Pro.

Mic/Line 1 and 2

Each analog source input channel (Input 1 and Input 2) provides Mic (XLR) and Line (TRS) input on combination jacks. On the front panel, the input signal is adjusted by the Gain control for each channel and the source (Mic/Line, or DI) is chosen using the Source selectors.

Source 2 is at the far left (when looking at the back panel), and Source 1 is to its right. The back panel inputs for Source 1 and Source 2 are located such that they are directly in line with their associated input controls on the front panel. This lets you locate input jacks more easily when viewing from the front of the unit.

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chapter 6

Making Hardware Connections

To hear audio recorded into a Pro Tools session, you will need to connect headphones or an external sound system (such as powered monitors or a home stereo) to Mbox 2 Pro. Sound from Mbox 2 Pro cannot be played through your computer’s speakers or your computer’s sound output.

Connecting Headphones

On the front panel of the Mbox 2 Pro are two 1/4-inch headphone connectors, each with an associated level control, labelled A and B. Connect up to two sets of headphones for mixing and tracking.

Headphone level (A, B)

1/4-inch Headphone jacks (A, B)

Headphone jacks and controls on front of Mbox 2 Pro

Headphone A monitors the Pro Tools main mix outputs (usually output channels 1–2).

3–4 (Headphone B)

By default, Headphone B output mirrors the Pro Tools channel 1–2 output being heard in the Headphone A output. Whenever a discrete cue mix is required for overdubbing, Headphone B output can be switched to monitor output channels 3–4.

Do not use the front panel headphone outputs for anything but headphones. If you use a headphone distribution amp or cue system, use any of the six available Line Out channels on the back panel. See “Additional Analog Outputs” on page 34.

To connect headphones for mix monitoring:

■ Connect headphones with a 1/4-inch stereo

connector (or adapter) to the Headphone A jack.

To connect headphones for selectable monitoring:

■ Connect headphones with a 1/4-inch stereo

connector (or adapter) to the Headphone B jack.

To monitor channels 3–4 in Headphone B:

■ Press the 3–4 switch so that it is engaged (“in”

position).

See the

Pro Tools Reference Guide for infor-

mation on using signal routing, sends and bussing to create cue mixes.

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Connecting a Sound System

The main monitor outputs on the back of the Mbox 2 Pro (Mon Out L and R) support 1/4-inch plugs. These connections can be balanced, TRS (Tip, Ring, Sleeve) style connectors, or unbalanced connectors. To listen to your Pro Tools session, these outputs can be connected to any ampliﬁcation system: powered speakers, a home stereo system, or an audio mixer.

When connecting to a stereo system, connect the left channel (often the white plug) to Mon Out Left, and the right channel (often the red plug) to Mon Out Right.

Monitor Out

Monitor Out connectors on Mbox 2 Pro (back panel)

Home stereo systems often use RCA connectors. You can use an adaptor or a special cable to convert from the TRS or TS connectors used by Mbox 2 Pro to the RCA connectors on your home stereo.

To connect a sound system:

■ Using 1/4-inch cables, connect the Mon Out L

and Mon Out R on the back panel to the inputs of your power ampliﬁer, self-powered monitors, or other monitoring system.

Additional Analog Outputs

Mbox 2 Pro provides a total of six analog output channels in addition to the primary Monitor outputs. These include Line Out 1–4, and Line Out 5–6.

Line Out 1–4

Line Out 5–6

Additional outputs on Mbox 2 Pro (back panel)

Line Out 1–4

Line Outputs 1–4 can be connected to any device that has analog inputs. Use these four balanced 1/4-inch TRS outputs to feed analog devices such as headphone amps or cue systems for discrete headphone mixes, samplers, or a secondary recorder.

Line Out 5–6

Line Out 5–6 provides an additional pair of analog output channels. Use this unbalanced 1/4inch stereo connector to supply two channels of analog output. (Line Out 5 = Tip, Line Out 6 = Ring).

To connect additional Mbox 2 Pro outputs:

1 Using 1/4-inch TRS cables, connect any of the

Line Out (1–4) connectors on the back panel to the inputs of your external devices.

2 Using a 1/4-inch TRS stereo cable, connect the

Line Output (5–6) output on the back panel to the inputs of your external device.

See the Pro Tools Reference Guide for information on signal routing, sends and bussing.

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Connecting a Digital Deck

Mic/Line In

If you have a CD, DVD, DAT or other device that accepts S/PDIF connections, connect it to the S/PDIF In and S/PDIF Out RCA ports on the back of Mbox 2 Pro.

When recording from Pro Tools to a digital device, make sure the Pro Tools Clock Source setting is set correctly. For more information, see “Digital Input and Output” on page 39.

Connecting Audio Inputs

This section describes the analog inputs available on Mbox 2 Pro. For information about connecting specific audio sources, see “Connecting a Microphone to the Mbox 2 Pro” on page 36, and “Connecting Instruments to the Mbox 2 Pro” on page 38.

Overview of Analog Inputs

Mbox 2 Pro provides a total of four channels of analog input. On the Mbox 2 Pro, these are labelled Inputs 1 and 2, and Aux In L-R.

Input 1 Aux In Input 2

Each Mic/Line In section on the back panel provides combination jacks that accept XLR or TRS connectors for Inputs 1 and 2.

XLR For XLR microphone cables.

Line For 1/4-inch Tip-Ring-Sleeve (TRS) cables

from keyboards, mixers, and other line sources.

If you are using a microphone with a 1/4-inch connector, use the front panel DI inputs.

DI 1 and DI 2

Input 1 and 2 also provide a front panel DI input.

DI For 1/4-inch Tip-Sleeve cables from guitar, bass, microphones, or similar sources.

DI 1 DI 2

Input 1 and 2 front panel DI connectors

Aux In

Inputs on back of Mbox 2 Pro

Inputs 1 and 2

Inputs 1 and 2 each provide back panel Mic/Line In 1 and 2 connectors as well as front panel DI connectors (TS). These inputs appear as Analog In (1–2) in Pro Tools.

Aux In connectors are provided for Line and Phono sources. These inputs appear as Analog In (3–4) in Pro Tools:

Line L and R For 1/4-inch Tip-Sleeve cables from guitar, bass, microphones, or similar sources.

Phono L and R For RCA cables from turntables, mixers, or similar sources.

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Connecting a Microphone to the Mbox 2 Pro

To use a microphone that has an XLR connector:

1 Plug your microphone cable into one of the

Mic/Line inputs on the back of Mbox 2 Pro.

Input 1 Mic input

XLR connector plugged into Input 1

2 Set the input Source to Mic (microphone) by

pressing the Mic/DI Source selector on the front of Mbox 2 Pro until the Mic LED is lit.

Mic/DI

Source selector

48V (Phantom Power)

Phantom Power switch

4 On the front of the Mbox 2 Pro, turn the

Monitor control to the desired level.

Monitor control Gain

Monitor control and Gain knob for Input 1

5 On the front of the Mbox 2 Pro, carefully turn

the Input 1 Gain control to the right to increase the input level of your microphone signal.

Mic

LED

Input 1 Source selector and LEDs

3 If your microphone requires phantom power,

make sure the microphone is connected, then press the Phantom Power switch (labeled 48V) on the front of the Mbox 2 Pro. This switch sends 48V to both XLR mic inputs. The 48V LED on the front of the Mbox 2 Pro will light when phantom power is being supplied.

Mbox 2 Pro Getting Started36

6 If the incoming signal is too loud, press the

Pad switch to engage the –20 dB pad.

Pad

Input 1 Pad

Page 45

To use a microphone that has a 1/4-inch TS (Tip-Sleeve) connector:

1 Connect the 1/4-inch cable from your micro-

phone to the front panel Input 1 DI input.

Input 1

If you have a choice, use an XLR connector to connect the microphone to the Mbox 2 Pro to yield better results.

XLR connector

1/4-inch connector

XLR and 1/4-inch connectors

Connecting a 1/4-inch microphone cable to the Input 1 DI connector

2 Set the source to DI by pressing the input

channel Source selector until the DI LED is lit.

Mic/DI selector

Input 1 selector switch and DI LED

3 On the front of the Mbox 2 Pro, carefully turn

the Gain control to the right to increase the input level of your microphone signal.

4 If the incoming signal is too loud, press the

Pad switch to engage the –20 dB pad.

Mic Cables and Connectors

There are several ways to use Mbox 2 Pro with a microphone, depending on the type of microphone and cable you use.

Phantom Power

Some microphones require power to operate. This power, called phantom power, is supplied either by a battery in the microphone, or through an audio interface (such as Mbox 2 Pro) that can supply power through the microphone cable.

Most condenser microphones (such as an AKG C3000) require phantom power to operate. Dy- namic microphones (such as a Shure SM57) do not require phantom power to operate, but are not harmed by it.

The Mbox 2 Pro can only supply power through a microphone cable with XLR connectors. If you are not sure about the phantom power requirements for your microphone, refer to your microphone’s documentation or contact the manufacturer.

Some microphone cables use an XLR connector to attach a microphone to an input; other microphones use a 1/4-inch connector.

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Connecting Instruments to the Mbox 2 Pro

Mbox 2 Pro provides three input types (DI, Line and Aux In) that correspond to the different signal strengths output by different types of instruments and other equipment.

2 On the front of the Mbox 2 Pro, set the source

to DI by pressing the Mic/DI switch until the DI LED is lit.

3 On the front of the Mbox 2 Pro, carefully turn

the Gain control to the right to increase the input level of your guitar.

DI Input (Front Panel) Instruments such as electric guitar or electric bass that usually have a lower level of output than line level instruments use the front panel DI (“Direct Inject”) input.

Line Inputs (Back Panel) Line level devices, including electronic audio sources such as mixers, samplers, keyboards, turntables, and synthesizers use the back panel Line input.

Aux In (Back Panel) Line in L and R for additional line level devices, plus Phono L and R inputs for turntables/preamps, DJ mixers, and similar devices. The 1/4-inch TS Line L and R inputs accept balanced or unbalanced connections. The RCA inputs are fully RIAA compliant, and Mbox 2 Pro also provides a grounding post for devices that require such a connection. You can connect devices to both pairs of Aux In inputs and then choose between them using the front panel Source selector switch.

Connecting Electric Guitar or Bass

To use a guitar with Mbox 2 Pro:

1 On the front of the Mbox 2 Pro, plug your gui-

tar cable into one of the DI inputs.

Input 1 DI

When you record a guitar (or any mono instrument that uses only one source input), you will hear the sound in only one side of the stereo field. Pushing the “mono” button on the front of the Mbox 2 Pro brings the sound from one side of the stereo field to both sides. The Mono switch does not affect the audio being recorded. It only affects how you hear your input to the Mbox 2 Pro.

Connecting Keyboards and Mixers

To use a keyboard or mixer with Mbox 2 Pro:

1 Plug your keyboard, mixer, or other audio

source into either the Input 1 or Input 2 Line (TRS) inputs on your Mbox 2 Pro. If your source is stereo (such as a stereo keyboard or the stereo output from a mixer), connect the left channel (often the white plug) to Input 1, and right channel (often the red plug) to Input 2.

2 Set your instrument’s volume to its optimal

level. For example, the optimal level for most keyboards is between 80% and 100% of maximum volume.

3 On the front of the Mbox 2 Pro, carefully turn

the Gain control to the right to increase the input level of your keyboard.

Connecting guitar to the Input 1 DI connector

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To use Aux In (3–4) Line inputs:

1 Plug your keyboard, mixer or other line level

device into the Aux In Line inputs (L and R).

2 On the front panel of Mbox 2 Pro, press the

Aux In Source select switch as needed so the Phono LED is off (unlit). The switch should be in its “out” position.

Connecting DJ Equipment

To use the Phono inputs:

1 Plug your turntable, mixer, or similar outputs

into the Aux In Phono inputs (L and R).

2 If appropriate, connect your turntable to the

Mbox 2 Pro grounding post. This is necessary with some preamps and other DJ equipment to help keep the signals free of (unwanted) hum and buzz.

Digital Input and Output

Mbox 2 Pro provides two channels of S/PDIF digital input and output on the back panel. This lets you record signals from digital devices into Pro Tools, and send digital audio from Pro Tools to other digital devices.

S/PDIF

Out

S/PDIF connectors on Mbox 2 Pro

3 On the front panel of Mbox 2 Pro, press the

Aux In Source select switch as needed so the Phono LED is on (lit). The switch should be in its “in” position.

Although Mbox 2 Pro supports sample rates of up to 96 kHz, its external clock sources (S/PDIF and Word Clock) are only supported in 44.1 and 48 kHz sample rate sessions.

Connecting Digital Devices

To connect Mbox 2 Pro to an external digital device:

1 Using RCA (coaxial) cables, connect the

Mbox 2 Pro S/PDIF In to the S/PDIF output of the device.

2 Connect the Mbox 2 Pro S/PDIF Out to the

S/PDIF input of the external device.

3 Be sure to read the next section for important

information.

Chapter 6: Making Hardware Connections 39

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Using S/PDIF Input

This section describes the steps you must take once you have finished installing and launching Pro Tools LE to enable the S/PDIF ports for digital input.

Refer to this section whenever you plan to use S/PDIF input on Mbox 2 Pro.

Once enabled in the Hardware Setup dialog, the S/PDIF inputs become active and will pass audio to Mbox 2 Pro.

Setting the Clock Source to S/PDIF is the only way to utilize S/PDIF input. Doing so lets you record or monitor up to six discrete input channels (the four analog input channels, plus the two channels of S/PDIF input).

The following requirement only applies to using S/PDIF input to record or monitor digital signals through Pro Tools LE and Mbox 2 Pro.

In order to record or listen to a digital device connected to the Mbox 2 Pro S/PDIF In connector, you must do the following to configure the Pro Tools Clock Source:

To enable the S/PDIF inputs on Mbox 2 Pro:

1 Make sure your have connected the external

digital device to the correct Mbox 2 Pro S/PDIF connector (In and Out).

2 Make sure the external device is powered on,

that it is set to the correct sample rate, and that it is conﬁgured to provide S/PDIF clock (if relevant to your device).

3 Launch Pro Tools LE.

4 Choose Hardware > Setup.

5 Click the Clock Source pop-up menu and

choose “S/PDIF.”

Selecting any other Clock Source (Internal, or Word Clock) disables S/PDIF input. S/PDIF output remains available.

MIDI Connections

The two MIDI ports on Mbox 2 Pro let you take advantage of all the MIDI features of Pro Tools LE, including recording and editing MIDI tracks.

If you need additional MIDI ports you can add a compatible MIDI interface. USB MIDI interfaces work effectively with Pro Tools systems on Windows or Mac. Serial MIDI interfaces are supported on Windows systems only.

Only USB MIDI interfaces are compatible with Pro Tools systems for Mac OS X. Modem-to-serial port adapters and serial MIDI devices are not supported.

To connect MIDI devices to Mbox 2 Pro:

1 Connect the MIDI OUT of your MIDI device

or controller to the MIDI IN port on the back of Mbox 2 Pro.

Clock Source

Enabling S/PDIF Input in the Hardware Setup dialog

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2 Connect the MIDI IN of your MIDI device or

controller to the MIDI OUT port on the back of Mbox 2 Pro.

MIDI

In Out

MIDI connections to Mbox 2 Pro

MIDI is not audio. To hear the output of your MIDI devices within Pro Tools, you must route the audio output of your MIDI device into your Mbox 2 Pro audio inputs, and monitor or record the audio into your session as explained in “Connecting Audio Inputs” on page 35. For a primer on MIDI and how to include it in your sessions, see Chapter 7, “Common Tasks with Pro Tools LE.”

See also Appendix A, “Configuring MIDI Studio Setup (Windows Only)” or

Appendix B, “Configuring AMS (Mac OS X Only)”

for information on configuring your MIDI studio for use with Pro Tools.

Word Clock

Mbox 2 Pro provides Word Clock In and Out connectors on the back panel that let you synchronize, or “clock” Pro Tools LE and Mbox 2 Pro to industry standard Word clock. Word clock is used to synchronize a wide range of devices such as non-linear video systems and other types of equipment typically found in professional audio facilities.

With both Word clock input and output, your Mbox 2 Pro-equipped Pro Tools LE system can act as Word clock “slave” or “master.”

Do not confuse Word clock and other forms of “clock reference” with time code and other forms of “positional reference.” For an overview of synchronization terminology and concepts, see the Pro Tools Reference Guide.

Although Mbox 2 Pro supports sample rates of up to 96 kHz, its external clock sources (S/PDIF and Word Clock) are only supported in 44.1 and 48 kHz sample rate sessions.

To connect Word clock to Mbox 2 Pro:

■ Using high-quality, 75 ohm BNC cables (not

included) connect the Mbox 2 Pro Word Clock In and Out connectors to the appropriate ports on the other Word clock-capable devices in your studio.

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Using Word Clock with Pro Tools LE

Pro Tools LE with Mbox 2 Pro can act as Word clock master, or as a slave to Word clock supplied by an external device.

Pro Tools LE as Word Clock Master

Mbox 2 Pro Word clock output is always active, letting Pro Tools supply Word clock to any connected devices that support standard Word clock.

To use Pro Tools LE as Word clock master:

1 Make sure all connections are correct between

Mbox 2 Pro and your external devices.

2 Conﬁgure all external devices to slave to the

Word clock coming from Mbox 2 Pro. (Be sure to verify sample rate settings, termination requirements and other internal settings for the device; refer to the manufacturer’s documentation if you need more information on the particular requirements for your other equipment.)

3 Launch Pro Tools.

4 Choose Hardware > Setup.

5 Click the Clock Source pop-up menu and

choose Internal.

Pro Tools LE as Word Clock Slave

In order to slave Pro Tools to an external Word clock source, you must configure Word clock as the Pro Tools Clock source, as follows:

To conﬁgure Pro Tools LE with Mbox 2 Pro as a Word clock slave:

1 Make sure all Word clock and audio connec-

tions are correct as described earlier in this section.

2 Make sure the external Word clock source is

powered on, and conﬁgured to output 1x Word clock. (Be sure to verify any required termination; refer to the manufacturer’s documentation if you need more information on the particular requirements for your device.)

3 Launch Pro Tools.

4 Choose Hardware > Setup.

5 Click the Clock Source pop-up menu and

choose Word Clock.

S/PDIF digital input is not available when the Pro Tools Clock source is set to Word clock or Internal. To use S/PDIF input, S/PDIF must be the Pro Tools Clock source. For more information, see “Digital Input and Output” on page 39.

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chapter 7

Common Tasks with Pro Tools LE

This chapter is designed to give new users specific methods for accomplishing common tasks with your Pro Tools system.

For the most complete information on using Pro Tools, see the Pro Tools Reference Guide.

You can view an electronic PDF version of the

Reference Guide by choosing it from the

Pro Tools Help menu.

This chapter uses analog inputs in its examples of common tasks. To record digitally through the Mbox 2 Pro S/PDIF input, the steps are basically the same with the following important exception: S/PDIF must be enabled as the Pro Tools Clock Source in the Hardware Setup dialog. For more information, see “Digital Input and Output” on page 39.

Recording a Pro Tools Session

Before you record with Pro Tools LE, you first create a Pro Tools session, then prepare an audio track for recording.

To create a Pro Tools session:

1 Verify the connections between your

Mbox 2 Pro and your instrument or microphone.

For connection information, see Chapter 6, “Making Hardware Connections.”

2 Launch Pro Tools.

3 Choose File > New Session.

4 In the New Session dialog, set the session pa-

rameters as needed, or leave them at their default settings. (For details on New Session settings, see the Pro Tools Reference Guide.)

New Session dialog

5 Choose the audio drive where you want to

save your session.

6 Type a name for your session.

7 Click Save.

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To prepare an audio track for recording:

1 Choose Track > New.

2 Specify 1 Mono Audio Track in Samples, if

your source is mono, or 1 Stereo Audio Track in Samples, if your source is stereo.

Creating a new Stereo audio track

3 Click Create.

A mono instrument uses one input on the Mbox 2 Pro, and a stereo instrument uses two. Creating a stereo track in Pro Tools will not make a mono instrument into a stereo instrument. If a mono instrument is recorded on a stereo track, one of the sides of the stereo track will show no signal.

4 Make sure the Mix window is open by choos-

ing Window > Mix.

5 In the Mix window, click the Audio Input Path

selector on the new track.

6 From the pop-up menu, select the interface in-

put you want to record. For example, select Analog 1 if your audio source is plugged into an Input 1 connector on the Mbox 2 Pro.

8 Use the Gain controls to maximize the signal

going into Pro Tools while avoiding clipping.

Clipping occurs when you feed a signal to an audio device that is louder than the circuitry can accept. To avoid clipping, adjust the output volume of the source device, then adjust the Mbox 2 Pro Gain control. Adjust these two levels so that the input Peak LEDs on the front panel do not light red. (One Peak LED is provided on the front panel for each input; Peak LEDs light green when the input signal is roughly –60 dBFS, light yellow at –6 dBFS, and will turn red to indicate the input signal is at –0 dBFS (also known as “full code”).

To record an audio track:

1 Click the Track Record Enable button.

Record enabling a track in the Mix window

2 Choose Window > Transport to display the

Transport window. Click Return to Zero to go to the beginning of the session.

Online

Return to Zero

Rewind

Stop

Fast Forward

Go to EndPlay

Record Enable

Routing an input to a mono track

7 Play the instrument or sound source at the

volume you will record.

Mbox 2 Pro Getting Started44

Transport window

Page 53

3 Click Record Enable in the Transport window

to arm Pro Tools for recording. The Record button ﬂashes red to indicate that Pro Tools is ready to record.

4 When you are ready to start recording, click

Play or press the Spacebar.

5 Record your performance.

6 Click Stop in the Transport window or press

the Spacebar when you are ﬁnished recording.

To play back a recorded track:

1 If the track’s Record Enable button is lit, click

on it to take it out of Record mode.

2 Click Play in the Transport window or press

the Spacebar to start playback.

Importing Audio from a CD

To import audio from a compact disc:

1 Put the source CD into your computer’s

CD/DVD drive.

2 In Pro Tools, open the Workspace browser by

choosing Window > Workspace. The Workspace browser is a window where you can ﬁnd, audition, and manage your audio ﬁles.

3 Click Stop in the Transport window or press

the Spacebar to stop playback.

Opening the Workspace browser

3 In the Workspace browser, click the Audio CD

icon to show the ﬁles on the CD.

4 Click the speaker icon in the Waveform col-

umn to audition the audio ﬁle. Press the Spacebar to stop playback.

Auditioning an audio ﬁle in the Workspace browser

Chapter 7: Common Tasks with Pro Tools LE 45

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5 Drag the audio ﬁle from the Workspace

browser to the Track List in the Edit window to import the ﬁle to a new audio track.

Dragging an audio ﬁle from the Workspace browser to the Edit window Track List

To play back the new track:

1 In the Transport window, click Return to Zero

to go to the beginning of the track.

2 Click Play in the Transport window to begin

playback.

3 Click Stop in the Transport window or press

the Spacebar to stop playback.

If you are bouncing to 16-bit (CD resolution), you should use a dither plug-in on the main output. (For details, see the Pro Tools Reference Guide.)

To bounce audio to disk:

1 After you have finished recording and mixing

a session in Pro Tools, select the length of the session in the timeline ruler (or on a track), plus an additional amount of time to avoid cutting off any reverb tails that might continue past the end of the last region.

Session audio selected and ready to bounce

2 Choose File > Bounce to > Disk.

Creating an Audio CD from a Pro Tools Session

Pro Tools does not create audio CDs directly, but you can create stereo audio files from your Pro Tools sessions that can be used by most CD burning software.

Bouncing Audio to Disk

Use the Pro Tools Bounce to Disk feature to combine all your audible tracks into a single “master” audio file. After the new audio file has been bounced to disk, you can burn it to a CD.

Mbox 2 Pro Getting Started46

Choosing Bounce to Disk from the File menu

3 In the Bounce Options dialog, choose

Analog 1–2 as the Bounce Source.

4 Choose WAV (BWF) for the File Type.

5 Choose Stereo Interleaved for the Format.

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6 Choose 16 for the Resolution and 44100 for

the Sample Rate.

7 If you are changing the sample rate of the

bounced ﬁle, choose a Conversion Quality setting. (For details, see the Pro Tools Reference Guide.)

8 Choose “Convert after Bounce,” and click

Bounce.

Bounce options for creating CD burnable tracks

9 In the Bounce dialog, give the bounce tracks a

name and choose where they should be saved.

10 Click Save.

Pro Tools begins bouncing to disk. Pro Tools bounces are done in real time, so you hear audio playback of your mix during the bounce process (though you cannot adjust it).

Bouncing to Disk dialog

Burning a CD

After the bounce is completed, you will have an audio file that is ready for burning onto a CD. Quit Pro Tools and launch any common CD burning application to burn your bounced mix to CD.

Make certain that you configure your CD burning application to create an audio CD rather than a data CD.

Entering a name for the bounced ﬁle

Chapter 7: Common Tasks with Pro Tools LE 47

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Recording MIDI in a Pro Tools Session

What is MIDI?

MIDI (Musical Instrument Digital Interface) data is not audio, and has no sound. MIDI is a way for musical devices to communicate. MIDI is data that can trigger a MIDI device (such as a keyboard or software synthesizer).

In order to create or play a MIDI recording, you must have a MIDI controller or sound module (real or virtual) connected to the computer through a MIDI interface. Audio from your MIDI instrument can be monitored through the audio interface or sent to an external mixer.

MIDI sound module

MIDI

Audio

Recording MIDI on an Instrument Track

Pro Tools Instrument tracks provide both MIDI and audio capabilities, so you can record MIDI and monitor audio from software and hardware instruments.

To record or playback tracks using MIDI data, your Pro Tools system must be configured for MIDI. See Appendix A, “Configuring MIDI Studio Setup (Windows Only)” or Appendix B, “Configuring AMS (Mac OS X Only).”

To create an Instrument track and conﬁgure it for recording:

1 Choose Setup > MIDI > Input Devices and

make sure your input device is selected in the MIDI Input Enable window, and click OK.

2 Choose Track > New and specify 1 Mono In-

strument Track, then click Create.

MIDI keyboard (controller)

Signal paths for MIDI instruments

Mbox 2 Pro Getting Started48

Mixer

To amplifier

Creating a new Mono Instrument track

3 Select View > Mix Window > Instruments to

display the MIDI controls for the Instrument track.

Showing the Instrument View in the Mix window

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4 At the top of the Instrument track in the Mix

window, click the track’s MIDI Input selector and assign the device and channel to be recorded, or leave it set to All.

MIDI Input selector

MIDI Input selector in an Instrument track

5 Do one of the following, depending on the

type of instrument you are using:

• If you are using an instrument plug-in, click an Insert selector and insert the plugin on the Instrument track. The track’s MIDI output is automatically assigned to the instrument plug-in.

MIDI Output selector in an Instrument track

If your connected MIDI device does not appear, check that you have configured your computer and its MIDI settings. For more information, refer to Appendix A, “Configuring MIDI Studio Setup (Windows Only)” or Appendix B, “Configuring AMS (Mac OS X Only).”

6 If you are using an external MIDI device and

have connected its audio output to your audio interface for monitoring in Pro Tools, click the Input selector of the Instrument track and choose the corresponding audio input. (This step is not necessary if you are using an instrument plug-in.)

Inserting an instrument plug-in on an Instrument track

• If you are using an external MIDI device, click the track’s MIDI Output selector (at the top of the Instrument track) and assign the device and channel to receive the MIDI output (the choices will vary depending on the device).

Choosing an audio input for an Instrument track

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7 In the Mix Window, click the Track Record En-

able button to enable the Instrument track for MIDI recording.

Track Record Enable button

Enabling an Instrument track for MIDI recording

8 Make sure Options > MIDI Thru is selected.

9 Play some notes on your MIDI controller and

look for the track’s MIDI Velocity meter to move. Remember, MIDI is not audio, and the MIDI Velocity meter is not registering sound output, but MIDI activity.

3 Click Record Enable in the Transport window.

Return to Zero

Online

Transport window

4 Click Play in the Transport window or press

Rewind

Stop

Fast Forward

Go to EndPlay

Record Enable

the Spacebar to begin recording.

5 Play your MIDI controller or input device.

MIDI Velocity meter

MIDI meter in Instrument track showing MIDI activity

10 Adjust the audio output level of the Instru-

ment track with its Volume fader.

Volume fader

Adjusting the Volume fader on an Instrument track

To record MIDI on the Instrument track:

1 Verify that the Instrument track you want to

record to is record-enabled and receiving MIDI.

2 In the Transport window, click Return to Zero

to start recording from the beginning of the session. You can also record to a selection in a track or from the cursor location in the Edit window.

6 When you have ﬁnished recording, click Stop

in the Transport window, or press the Spacebar. The newly recorded MIDI data appears as a MIDI region on the track in the Edit window, as well as in the Region List.

MIDI data in an Instrument track

To play back recorded MIDI data:

1 Click the Track Record Enable button to take

the Instrument track out of Record mode.

2 In the Transport window, click Return to Zero

to play back from the beginning of the track.

3 Click Play in the Transport window to begin

playback. The recorded MIDI data plays back through the track’s assigned instrument and channel.

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appendix a

Conﬁguring MIDI Studio Setup (Windows Only)

MIDI Studio Setup

MIDI Studio Setup (MSS) lets you configure the MIDI controllers and sound modules that are connected to your system, and control the routing of MIDI data between your MIDI equipment and Pro Tools.

MSS automatically finds MIDI interfaces, and lets you specify a custom name for each of the MIDI ports within the MIDI Studio Setup document.

MSS also supports XML-based patch file names for storing and importing patch names for your external MIDI devices.

Entire MIDI Studio Setup configurations created within MSS can be imported and exported.

MIDI Studio Setup Window

The MIDI Studio Setup window is organized into three sections. Interface controls are at the top of the window. All the currently defined instruments are displayed in the Instrument Name list on the left side of the window. A detailed view of MIDI parameters is shown in the Properties section on the right.

MIDI Studio Setup window

Interface Controls

Create This button adds a new instrument to the Instrument Name list.

Delete This button deletes the instrument or instruments selected in the Instrument Name list.

Import This button lets you import an existing MIDI Studio Setup file.

Appendix A: Conﬁguring MIDI Studio Setup (Windows Only) 51

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Export This button lets you export the current MIDI Studio Setup file.

Show Duplicate Emulated Ports When this option is selected and you are using a MIDI interface that supports timestamping (such as MIDI I/O), in addition to the MIDI ports on Mbox 2 Pro, the MIDI Studio setup window shows both the DirectMusic time-stamped output ports, and non-stamped duplicate emulated output ports.

Some MIDI Interfaces will not properly load or unload their drivers unless you quit and re-launch Pro Tools. Check the documentation that came with your MIDI interface for more information.

When a previously defined instrument is selected in the Instrument list, the Properties section changes to reflect the properties of the selected instrument.

To deﬁne an instrument with MIDI Studio Setup:

1 Choose Setup > MIDI > MIDI Studio.

2 Click Create.

3 In the Instrument Name ﬁeld, type the name

of your instrument, and press Enter.

If you do not enter an instrument name, the Instrument Name field will automatically inherit information from the Manufacturer and Model pop-up menu.

Instrument List

The Instrument list contains all the currently defined instruments. Selecting an instrument in the list displays that instrument’s properties in the Properties section of the window.

Properties Section

The Properties section lets you edit information for new instruments, or instrument currently selected in the Instrument list.

MIDI Studio Setup Properties section

4 Set a manufacturer and model for the new de-

vice from the corresponding pop-up menus. If the Manufacturer and Model pop-up menus do not provide a name for your particular device, choose None.

5 From the Input pop-up menu, choose the in-

put port on your MIDI interface that is connected to the MIDI Out of your instrument.

6 From the Output pop-up menu, choose the

output port on your MIDI interface that is connected to the MIDI In of your instrument.

7 Enable the appropriate MIDI channels (1–16)

for the Send Channels and Receive Channels options (These determine which channels send and receive MIDI.)

Instrument Name

The Instrument Name field shows the user-definable instrument name for the currently selected instrument.

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Manufacturer

Send Channels

The Manufacturer pop-up menu provides a list of MIDI equipment manufacturers. This list is derived from the XML-based MIDI device files.

For more information, see “MIDI Patch Name Support” on page 53.

Model

The Model pop-up menu provides a list of MIDI devices, filtered by the manufacturer name. This list is derived from the XML-based MIDI device files provided with your Pro Tools installation.

For more information, see “MIDI Patch Name Support” on page 53.

Input Port

The Input Port pop-up menu displays a list of available MIDI interface input ports. Inputs will include Mbox 2 Pro and any additional MIDI interfaces enabled on your system. The MIDI interface port that is set and displayed here is the port through which MIDI data is sent from the external MIDI device specified in the Instrument Name field into your MIDI interface.

If you set the input port to None, the defined instrument will not appear as a choice in a MIDI Input selector.

Output Port

The Send Channels grid sets the send channels for the MIDI device specified in the Instrument Name field.

Receive Channels

The Receive Channels grid sets the receive channels for the MIDI device specified in the Instrument Name field.

MIDI Patch Name Support

Pro Tools supports XML (Extensible Markup Language) for storing and importing patch names for your external MIDI devices. Pro Tools installs MIDI patch name files (.midnam) for the factory default patch names of many common MIDI devices. These files reside in directories, sorted by manufacturer, in Program Files\ Common Files\Digidesign\MIDI Patch Names\ Digidesign.

To import MIDI patch names into Pro Tools:

1 Verify the MIDI Device name in the MIDI Stu-

dio Setup window (see “MIDI Studio Setup” on page 51).

2 Verify the MIDI track’s output is correctly as-

signed to the MIDI device.

The Output Port pop-up menu displays a list of available MIDI interface output ports. The port set and displayed here is the port through which MIDI data is sent from your MIDI interface to the MIDI device specified in the Instrument Name field.

If you set the output port to None, the defined instrument will not appear as a choice in a MIDI Output selector.

Appendix A: Conﬁguring MIDI Studio Setup (Windows Only) 53

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3 Click the MIDI track’s Patch Select button.

Patch Select button

Patch Select button, Edit window

Patch Select button

6 Click Open.

The Patch Select dialog is populated with patch names and the Patch Name Bank pop-up menu appears in the upper left hand corner of the window.

Patch Select button, Mix window

4 In the Patch Select dialog, click the Change

button.

Change button

Patch Select dialog

5 In the Open dialog, navigate to Program

Files\Common Files\Digidesign\MIDI Patch Names\Digidesign\<name of manufacturer>, and select the MIDI Patch Name file (.midnam) for the MIDI device.

Patch Select dialog with patch names

Once patch names have been imported into Pro Tools, they are available for that MIDI device in all sessions.

To clear patch names:

■ In the Patch Select dialog, click the Clear but-

ton, and click Done.

MIDI patch name files (.midnam) can be edited in any text editor, or you can use third party patch librarian and editor software to create your own custom patch names.

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appendix b

Conﬁguring AMS (Mac OS X Only)

2 Click MIDI Devices. AMS scans your system

Audio MIDI Setup

Pro Tools recognizes the ports on your MIDI interface as generic ports. With Mac OS X, you use Apple’s Audio MIDI Setup (AMS) utility to identify external MIDI devices connected to your MIDI interface and configure your MIDI studio for use with Pro Tools.

This chapter shows examples of AMS using Mbox 2. The instructions for Mbox 2 Pro are identical to those presented here.

To conﬁgure your MIDI studio in AMS:

1 Do one of the following:

• Launch Audio MIDI Setup (located in Applications/Utilities).

– or –

• In Pro Tools, choose Setup > MIDI > MIDI Studio.

for connected MIDI interfaces. If your MIDI interface is properly connected, it appears in the window with each of its ports numbered.

Audio MIDI Setup (MIDI Devices)

3 For any MIDI devices connected to the MIDI

interface, click Add Device. A new external device icon with the default MIDI keyboard image will appear.

4 Drag the new device icon to a convenient lo-

cation within the window.

Appendix B: Conﬁguring AMS (Mac OS X Only) 55

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5 Connect the MIDI device to the MIDI inter-

face by clicking the arrow for the appropriate output port of the device and dragging a connection or “cable” to the input arrow of the corresponding port of the MIDI interface.

Making MIDI input and output connections

6 Click the arrow for the appropriate input port

of the device and drag a cable to the output arrow of the corresponding port of the MIDI interface.

To remove a connection, select the cable and press Delete. To delete all connections, click Clear Cables.

7 Repeat steps 3–6 for each MIDI device in your

MIDI setup.

2 Select a manufacturer and model for the new

device from the corresponding pop-up menus. (If the Manufacturer and Model pop-up menus do not provide a name for your particular device, you can type a name.)

Naming a new MIDI device

For Manufacturer and Model names, AMS refers to one or more files with the suffix “.middev” in the directory Root/Library/ Audio/MIDI Devices. Pro Tools installs a file that contains information for many commercially available MIDI devices, named “Digidesign Device List.middev.” If the Manufacturer or Model names for any of your external MIDI devices is not available in the AMS Manufacturer and Model popup menus, you can add them by editing the .middev file in any text editor (such as TextEdit).

To conﬁgure an external MIDI device:

1 Select the external device icon and click Show

Info (or double-click the new device icon).

External Device Icon

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3 Click the More Properties arrow to expand the

dialog, then enable the appropriate MIDI channels (1–16) for the Transmits and Receives options. (These determine which channels the device will use to send and receive MIDI.)

Enabling MIDI channels

4 Click the device image. The window expands

to show images for various MIDI devices (such as keyboards, modules, interfaces, and mixers). Select an icon for your device.

Selecting a device icon

To use your own custom icons, you can place TIFF image files in /Library/ Audio/MIDI Devices/Generic/Images, and they will appear as choices in the AMS device window.

5 Click OK.

The device names you enter appear as MIDI input and output choices in Pro Tools.

Appendix B: Conﬁguring AMS (Mac OS X Only) 57

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MIDI Patch Name Support

To import MIDI patch names into Pro Tools:

1 Verify the MIDI Device name in the Audio

MIDI Setup window (see “Audio MIDI Setup” on page 55).

2 Verify the MIDI track’s output is correctly as-

signed to the MIDI device.

3 Click the MIDI track’s Patch Select button.

Patch Select button

4 In the Patch Select dialog, click the Change

button.

Change button

Patch Select dialog

5 In the Open dialog, navigate to /Library/Au-

dio/MIDI Patch Names/Digidesign/<name of manufacturer>, and select the MIDI Patch Name file (.midnam) for the MIDI device.

6 Click Open.

The Patch Select dialog is populated with patch names and the Patch Name Bank pop-up menu appears in the upper left hand corner of the window.

Once patch names have been imported into Pro Tools, they are available for that MIDI device in all sessions.

Patch Select button, Edit window

Patch Select button

Patch Select button, Mix window

Mbox 2 Pro Getting Started58

To clear patch names:

■ In the Patch Select dialog, click the Clear but-

ton, and click Done.

MIDI patch name files (.midnam) can be edited in any text editor, or you can use third party patch librarian and editor software to create your own custom patch names.

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appendix c

Hard Drive Conﬁguration and Maintenance

It is recommended that you start with a newly initialized audio drive. You should also periodically defragment your audio drive to ensure continued system performance.

Always back up any important data on your drive before initializing it, as it will erase all data on the drive.

Avoid Recording to the System Drive

Recording to your system drive is not recommended. Recording and playback on a system drive may result in lower track counts or fewer plug-ins.

Formatting an Audio Drive

Formatting Windows Audio Drives

(Windows Only)

For optimum performance, audio drives should be formatted as FAT32 or NTFS.

To format an audio drive:

1 Right-click My Computer and choose Man-

age.

2 Under Storage, choose Disk Management.

Disk Management window (Windows XP)

3 In the Disk Management window, right-click

the hard drive you will use for audio and choose Format.

Appendix C: Hard Drive Conﬁguration and Maintenance 59

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4 Do one of the following:

• Select the Quick Format option. Quick option should be sufﬁcient for qualiﬁed mechanisms.

– or –

• For optimal disk performance, you can select 32K from the Allocation unit size popup menu (make sure Quick Format is not selected). Though this option takes longer to complete, it can increase efﬁciency of drive recording and playback.

5 Click Start, and follow the on-screen instruc-

tions.

Pro Tools only supports Basic drive Types.

6 When formatting is complete, close the For-

mat window.

Formatting Mac Audio Drives

(Mac Only)

For optimum performance, audio drives should be formatted as Mac OS Extended (Journaled).

To format an audio drive:

1 Launch the Disk Utility application, located in

Applications/Utilities.

Disk Utility (Mac OS X)

2 Click the Erase tab.

3 Select the drive you want to initialize in the

column on the left side of the window.

4 Choose the Mac OS Extended (Journaled) for-

mat.

Do not choose the “Case-Sensitive” format option. Pro Tools will not operate properly with case-sensitive formatted drives.

5 Type a name for the new volume.

6 If you plan to connect the drive to a Mac OS 9

computer, select Install Mac OS 9 Drivers.

7 Click Erase.

The drive appears on the Desktop with the new volume name.

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Audio Drives and Disk Cleanup

(Windows Only)

The process of recording and editing can quickly decrease overall drive performance. It is suggested that you regularly use Disk Cleanup (or an equivalent utility) to assess the condition of drives and, if necessary, delete temporary files and other unused data.

To use Disk Cleanup:

1 Choose Start > Control Panel.

2 Double-click Administrative Tools.

3 Double-click Computer Management.

4 Double-click Storage.

5 Double-click Disk Management.

6 Select the desired volume in the list, then

choose File > Options.

Disk Cleanup determines how performance is being affected by drive conditions, and lets you review and delete unnecessary files from the selected volume. For more information, see your Windows XP documentation.

Defragmenting an Audio Drive

(Windows Only)

Periodically defragment audio drives to maintain system performance.

To defragment an audio drive:

1 Right-click My Computer and choose Man-

age.

2 Under Storage, choose Disk Defragmenter.

3 In the Disk Defragmenter window, choose the

drive you want to defragment

4 Click the Defragment button and follow the

on-screen instructions.

5 When defragmenting is complete, close the

Computer Management window.

Appendix C: Hard Drive Conﬁguration and Maintenance 61

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Hard Disk Storage Space

Mono audio tracks recorded with 16-bit resolution at 44.1 kHz (CD quality) require approximately 5 MB of hard disk space per minute. The same tracks recorded with 24-bit resolution require about

7.5 MB per minute.

Stereo audio tracks recorded with 16-bit resolution at 44.1 kHz (CD quality) require approximately 10 MB of hard disk space per minute. The same tracks recorded with 24-bit resolution require about 15 MB per minute.

Table 4 lists the required disk space for certain track numbers and track lengths, to help you estimate your hard disk usage.

Table 4. Required hard drive space for audio tracks (44.1 kHz and 48 kHz sessions shown)

Number of tracks and length 16-bit at

44.1 kHz

1 mono track, 1 minute 5 MB 5.5 MB 7.5 MB 8.2 MB

16-bit at

48 kHz

24-bit at

44.1 kHz

24-bit at

48 kHz

1 stereo track (or two mono tracks), 5 minutes

1 stereo track (or two mono tracks), 60 minutes

24 mono tracks, 5 minutes 600 MB 662 MB 900 MB 991 MB

24 mono tracks, 60 minutes 7 GB 7.8 GB 10.5 GB 11.6 GB

32 mono tracks, 5 minutes 800 MB 883 MB 1.2 GB 1.3 GB

32 mono tracks, 60 minutes 9.4 GB 10.4 GB 14 GB 15.4 GB

50 MB 55 MB 75 MB 83 MB

600 MB 662 MB 900 MB 991 MB

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Appendix D: Troubleshooting

Backing Up Your Work

It is highly recommended that you back up your work on a regular basis, and especially before making changes to your system configuration.

Backing Up Your Session Data

Back up your session and audio data frequently. There are a variety of media that are suited to back up projects of various sizes, from automated tape backup systems to high-capacity optical drives, or to CD burners.

The best way to back up an entire session is to use the Save Copy In command. This command lets you save the session file and all of its associated files to a new location.

You can also use the Auto Save Backup feature (in the Operation Preferences page) to have Pro Tools automatically save backups of the session file while you work.

Backing Up Your System Conﬁguration

After configuring your system and Pro Tools, you should save an image of your system drive using a backup utility such as Norton Ghost (Windows) or Bombich Carbon Copy Cloner (Mac). By doing this, you can quickly restore your system configuration and settings if you encounter any problems.

Common Issues

Pro Tools Won’t Launch

Problem

When you double-click the Pro Tools application or a Pro Tools session ﬁle, Pro Tools doesn’t launch, or displays an error message.

Possible Solutions

◆ Check to be sure your computer has the re-

quired amount of RAM to launch Pro Tools. See the compatibility page of the Digidesign Web site (www.digidesign.com).

◆ Try a complete restart. Turn off your audio in-

terfaces, computer peripherals and your computer, and then turn them on again in the proper sequence.

◆ If you tried to launch Pro Tools by double-

clicking a Pro Tools session ﬁle, do the following:

• Close any error message.

• Double-click the Pro Tools application.

• In Pro Tools, choose File > Open Session to open the session.

◆ Reinstall the Pro Tools application, using the

Pro Tools Installer disc. See your Getting Started Guide or Pro Tools Upgrading Guide for installa-

tion instructions.

Appendix D: Troubleshooting 63

Page 72

Audio Interface Is Not Recognized

Problem

Before You Call Digidesign Technical Support

When you launch Pro Tools it does not recognize an audio interface, or a connected audio interface is not available.

Possible Solutions

For the following possible solutions, refer to your Getting Started Guide.

◆ Turn off your computer and check to be sure

your cables are properly and securely connected to your computer and to your audio interface.

◆ Verify that your Hardware Setup dialog set-

tings are correct.

Performance Factors

There are several conditions that may adversely affect the performance of Pro Tools. These include:

Network Connections Close any network connections unless you are using them for network interchange of audio data.

Background Applications Any software utilities that run in the background or generate disk activity, such as virus protection, disk optimization, or file savers, should be turned off or removed.

Screen Savers Screen saver software should be completely disabled on your computer before running Pro Tools.

Register Your System

Register your purchase immediately after reviewing the registration information card included with every Pro Tools system. Registering your purchase is the only way you become eligible to receive complimentary technical support and future upgrade offers. Registering is one of the most important steps to complete as a new user.

Use Digidesign Resources

In addition to the printed and PDF versions of Pro Tools guides, your system includes the following sources of information:

Read Me Files These contain late-breaking information and known issues pertaining to Pro Tools software and hardware configurations. Read Me files are installed in Documentation folder when you install Pro Tools.

Answerbase This is a database of common problems and DAE errors, and their solutions based on the latest information from Digidesign Technical Support. This database is installed in the Digidesign folder when you install Pro Tools. Answerbase is also available on the Digidesign Web site (www.digidesign.com).

Web Site (www.digidesign.com) This is your your best online source for information to help you get the most out of your Pro Tools system.

Power Saver Features Some automatic power saver features, such as those that spin down the system hard drive, can affect Pro Tools performance. These features should be turned off.

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Gather Important Information

Digidesign wants to help you resolve problems as quickly and efficiently as possible. If you have the following information handy when you contact Technical Support, it will make the diagnosis of your problem easier. Take a few minutes to collect the following basic information:

System Information

Computer

• Make, model, processor speed

• Amount of system RAM

• Operating system (version of Windows or Mac OS)

• Any Drivers, Disk Utilities, or other systemrelated applications you may have installed

Digidesign Hardware

• Type of cards, interfaces, or peripherals

Other Hardware

Refer to the manufacturer’s documentation for operational details.

The most common hardware additions include:

• 1394 (FireWire) cards for Windows systems (manufacturer, model)

• Video Capture cards (manufacturer, model)

To verify that your hardware is qualified for use with your Pro Tools system, refer to the compatibility page of the Digidesign Web site (www.digidesign.com).

Other Software

If you are using other audio or video applications, refer to the manufacturer’s documentation for operational details.

Make note of any other software that was running when a problem occurred.

Hard Drives

• Make, Model

• Drive size (GB)

• Drive speed (RPM)

• Drive type (SCSI, FireWire, IDE/ATA)

• Utility used to format the drive

• Number and size of partitions on the drive

Digidesign Software

• Pro Tools software version

• Plug-in versions

• Other Digidesign software

• Additional plug-ins from Digidesign Development Partners

Diagnostic Information

Note any DAE errors or other error codes you encounter. Additonally, note the ability to reproduce the problem under different conditions, for example, with another session, or after changing settings (such as the Hardware Buffer Size).

Appendix D: Troubleshooting 65

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Mbox 2 Pro Getting Started66

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index

ASIO driver (Windows) 18 audio drivers

ASIO driver (Windows) 18 CoreAudio driver (Macintosh) 26

Audio MIDI Setup (AMS) (Macintosh) 55 authorizing Pro Tools LE

Macintosh 22 Windows 14

Clock Source 17, 25

Internal setting 17, 25 S/PDIF (digital) setting 17, 25

connecting Mbox 2

Macintosh 21 Windows 12

CoreAudio driver (Macintosh) 26 CPU Usage Limit 15, 23

DAE Playback Buffer Size 16, 24 defragmenting drives (Windows) 61 Disk Cleanup (Windows) 61 drive formatting

Mac 60 Windows 59

drive maintenance 59 drive requirements 5

hard drives

defragmenting (Windows) 61 Disk Cleanup (Windows) 61 formatting (Mac) 60 formatting (Windows) 59 MacDrive utility 13 maintenance 59 requirements 5 space requirements 62

Hardware Buffer Size 14, 22 headphones

gain control 28 outputs A and B 28

I/O Setup

Macintosh 25 Windows 17

indicators

peak level 29 phantom power 28

input and output connectors 31 inputs

digital 31 gain 29

installing Pro Tools LE

Macintosh 21 Windows 12

installing QuickTime (Windows) 13

Ext Clock LED 27

gain

headphones 28 input 29

key commands 6

Index 67

Page 76

MacDrive utility (Windows) 13 Mbox 2

back panel 30 connecting (Macintosh) 21 connecting (Windows) 12 features 4 front panel 27

MIDI

connections 40 requirements 5 setup (Macintosh) 55 setup (Windows) 51

MIDI Input Selector 49 MIDI Studio Setup (MSS) (Windows) 51

network connections 64

outputs

digital 31 Monitor outputs 31

Patch Select dialog

Macintosh 58 Windows 54

peak indicators 29 phantom power 36

indicator 28 when to use 28, 37

Power LED 27 power management settings

Macintosh 20 Windows 10

Pro Tools LE

capabilities 4 configuration (Macintosh) 22 configuration (Windows) 14 installing (Macintosh) 21 installing (Windows) 12

RTAS Processors setting 15, 23

S/PDIF 31 Sample Rate 16, 24 screen savers 64 sources

digital 31 selecting 29

Stereo Width control 38 system optimization

Macintosh 19, 20 Windows 9, 10, 11, 12

system settings

Clock Source 17, 25 CPU Usage Limit 15, 23 DAE Playback Buffer Size 16, 24 Hardware Buffer Size 14, 22 I/O Setup 17, 25 RTAS Processors 15, 23 Sample Rate 16, 24

technical support

product registration required 64

TRS 35

QuickTime

installing (Windows) 13

Mbox 2 Pro Getting Started68

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Pinnacle Systems Mbox 2 Pro - 7.1.2 Quick Start Guide

contents

Installation QuickStart

Windows Installation Overview

Mac Installation Overview

Welcome to Mbox 2 Pro

Mbox 2 Pro Package

Mbox 2 Pro Features

Audio Inputs and Outputs

Pro Tools LE Capabilities

MIDI

System Requirements

Hard Drive Requirements

MIDI Requirements

Digidesign Registration

About the Pro Tools Guides

Conventions Used in This Guide

About www.digidesign.com

Installation Overview

Windows System Optimization

Required Optimizations

Enabling DMA

Disabling ClearType Font Smoothing

Disabling System Standby and Power Management

Recommended Optimizations

Optional Optimizations

Adjusting Processor Scheduling

Disabling Network Cards

Disabling Hyper-Threading

Disabling System Startup Items

Installing Pro Tools LE and Mbox 2 Pro

Installing QuickTime

Optional Software on the Pro Tools Installer Disc

Pro Tools Demo Session

MacDrive Demo

Pro Tools System Settings

Launching Pro Tools LE

Hardware Buffer Size

RTAS Processors

CPU Usage Limit

Pro Tools Hardware Settings

DAE Playback Buffer Size

Default Sample Rate

Clock Source

MIDI Studio Setup

Windows Audio Drivers

Removing Pro Tools LE

Installation Overview

Mac System Optimization

Turning Off Software Update

Turning Off Energy Saver

Disabling the Spotlight Shortcuts

Setting Processor Performance

Disabling Spotlight Indexing

Disabling the Dashboard Shortcut

Enabling Journaling for Audio Drives

Installing Pro Tools LE

Optional Software on the Pro Tools Installer Disc

Pro Tools Demo Session

Connecting Mbox 2 Pro to the Computer

Launching Pro Tools LE

Pro Tools System Settings

Hardware Buffer Size

RTAS Processors

CPU Usage Limit

DAE Playback Buffer Size

Pro Tools Hardware Settings

Default Sample Rate

Clock Source

Audio MIDI Setup (AMS)

Mbox 2 Pro CoreAudio Driver

Removing Pro Tools LE

Mbox 2 Pro Hardware Overview

Mbox 2 Pro Front Panel Features

MIDI Activity LED

Power LED

Ext (External) Clock LED

Headphone Outputs

48V Switch and LED

Headphone Level