Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc.
This product is subject to the terms and conditions of a software license agreement provided with the software. The product may
only be used in accordance with the license agreement.
Avid products or portions thereof are protected by one or more of the following United States Patents: 5,309,528; 5,355,450;
5,396,594; 5,440,348; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,577,190; 5,584,006; 5,640,601; 5,644,364; 5,654,737;
5,724,605; 5,726,717; 5,745,637; 5,752,029; 5,754,851; 5,799,150; 5,812,216; 5,828,678; 5,842,014; 5,852,435; 5,959,610,
5,986,584; 5,999,406; 6,038,573; 6,057,829, 6,069,668; 6,141,007; 6,211,869; 6,336,093, 6,532,043; 6,546,190;
6,596,031;6,728,682, 6,747,705; 6,763,523; 6,766,357; 6,847,373; 7,081,900; 7,403,561; 7,433,519; 7,441,193, 7,671,871;
7,684,096; 7,836,389 and 7,916,363; 7,930,624; 8,023,568; 8,082,226; D352,278; D372,478; D373,778; D392,267; D392,268;
D392,269; D395,291; D396,853; D398,912. Other patents are pending.
Avid products or portions thereof are protected by one or more of the following European Patents: 0506870; 0635188; 0674414;
0752174; 0811290; 0811292; 0811293; 1050048; 1111910; 1629675, and 0972256. Other patents are pending.
Avid products or portions thereof are protected by one or more of the following United States Patents: 5,309,528; 5,355,450;
5,396,594; 5,440,348; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,577,190; 5,584,006; 5,640,601; 5,644,364; 5,654,737;
5,724,605; 5,726,717; 5,745,637; 5,752,029; 5,754,851; 5,799,150; 5,812,216; 5,828,678; 5,842,014; 5,852,435; 5,986,584;
5,999,406; 6,038,573; 6,141,007; 6,211,869; 6,532,043; 6,546,190; 6,596,031; 6,747,705; 6,763,523; 6,766,357; 6,847,373;
7,081,900; 7,403,561; 7,433,519; 7,555,557; 7,562,099; D352,278; D372,478; D373,778; D392,267; D392,268; D392,269;
D395,291; D396,853; D398,912. Other patents are pending.
Avid products or portions thereof are protected by one or more of the following European Patents: 0506870; 0635188; 0674414;
0752174; 1111910; 1629675. Other patents are pending.
This document is protected under copyright law. An authorized licensee of Interplay Central may reproduce this publication for the
licensee’s own use in learning how to use the software. This document may not be reproduced or distributed, in whole or in part, for
commercial purposes, such as selling copies of this document or providing support or educational services to others. This document
is supplied as a guide for Interplay Central. Reasonable care has been taken in preparing the information it contains. However, this
document may contain omissions, technical inaccuracies, or typographical errors. Avid Technology, Inc. does not accept
responsibility of any kind for customers’ losses due to the use of this document. Product specifications are subject to change without
notice.
The following disclaimer is required by Apple Computer, Inc.:
APPLE COMPUTER, INC. MAKES NO WARRANTIES WHATSOEVER, EITHER EXPRESS OR IMPLIED, REGARDING THIS
PRODUCT, INCLUDING WARRANTIES WITH RESPECT TO ITS MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR
PURPOSE. THE EXCLUSION OF IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION
MAY NOT APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY BE OTHER
RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE.
The following disclaimer is required by Sam Leffler and Silicon Graphics, Inc. for the use of their TIFF library:
Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its documentation for any purpose is
hereby granted without fee, provided that (i) the above copyright notices and this permission notice appear in all copies of the
software and related documentation, and (ii) the names of Sam Leffler and Silicon Graphics may not be used in any advertising or
publicity relating to the software without the specific, prior written permission of Sam Leffler and Silicon Graphics.
THE SOFTWARE IS PROVIDED “AS-IS” AND WITHOUT WARRANTY OF ANY KIND, EXPRESS, IMPLIED OR OTHERWISE,
INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL, INCIDENTAL, INDIRECT OR
CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR
PROFITS, WHETHER OR NOT ADVISED OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF LIABILITY, ARISING
OUT OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.
The following disclaimer is required by the Independent JPEG Group:
This software is based in part on the work of the Independent JPEG Group.
2
This Software may contain components licensed under the following conditions:
Copyright (c) 1989 The Regents of the University of California. All rights reserved.
Redistribution and use in source and binary forms are permitted provided that the above copyright notice and this paragraph are
duplicated in all such forms and that any documentation, advertising materials, and other materials related to such distribution and
use acknowledge that the software was developed by the University of California, Berkeley. The name of the University may not be
used to endorse or promote products derived from this software without specific prior written permission. THIS SOFTWARE IS
PROVIDED ``AS IS'' AND WITHOUT ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, WITHOUT LIMITATION, THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.
Copyright (C) 1989, 1991 by Jef Poskanzer.
Permission to use, copy, modify, and distribute this software and its documentation for any purpose and without fee is hereby
granted, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission notice
appear in supporting documentation. This software is provided "as is" without express or implied warranty.
Copyright 1995, Trinity College Computing Center. Written by David Chappell.
Permission to use, copy, modify, and distribute this software and its documentation for any purpose and without fee is hereby
granted, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission notice
appear in supporting documentation. This software is provided "as is" without express or implied warranty.
Copyright 1996 Daniel Dardailler.
Permission to use, copy, modify, distribute, and sell this software for any purpose is hereby granted without fee, provided that the
above copyright notice appear in all copies and that both that copyright notice and this permission notice appear in supporting
documentation, and that the name of Daniel Dardailler not be used in advertising or publicity pertaining to distribution of the software
without specific, written prior permission. Daniel Dardailler makes no representations about the suitability of this software for any
purpose. It is provided "as is" without express or implied warranty.
Modifications Copyright 1999 Matt Koss, under the same license as above.
Copyright (c) 1991 by AT&T.
Permission to use, copy, modify, and distribute this software for any purpose without fee is hereby granted, provided that this entire
notice is included in all copies of any software which is or includes a copy or modification of this software and in all copies of the
supporting documentation for such software.
THIS SOFTWARE IS BEING PROVIDED "AS IS", WITHOUT ANY EXPRESS OR IMPLIED WARRANTY. IN PARTICULAR,
NEITHER THE AUTHOR NOR AT&T MAKES ANY REPRESENTATION OR WARRANTY OF ANY KIND CONCERNING THE
MERCHANTABILITY OF THIS SOFTWARE OR ITS FITNESS FOR ANY PARTICULAR PURPOSE.
This product includes software developed by the University of California, Berkeley and its contributors.
The following disclaimer is required by Paradigm Matrix:
Portions of this software licensed from Paradigm Matrix.
The following disclaimer is required by Ray Sauers Associates, Inc.:
“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any action to derive a source code
equivalent of “Install-It,” including by reverse assembly or reverse compilation, Ray Sauers Associates, Inc. shall in no event be liable
for any damages resulting from reseller’s failure to perform reseller’s obligation; or any damages arising from use or operation of
reseller’s products or the software; or any other damages, including but not limited to, incidental, direct, indirect, special or
consequential Damages including lost profits, or damages resulting from loss of use or inability to use reseller’s products or the
software for any reason including copyright or patent infringement, or lost data, even if Ray Sauers Associates has been advised,
knew or should have known of the possibility of such damages.
The following disclaimer is required by Videomedia, Inc.:
“Videomedia, Inc. makes no warranties whatsoever, either express or implied, regarding this product, including warranties with
respect to its merchantability or its fitness for any particular purpose.”
“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0 products developed by
Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by third parties under license from Videomedia, Inc. Use of this
software will allow “frame accurate” editing control of applicable videotape recorder decks, videodisc recorders/players and the like.”
The following disclaimer is required by Altura Software, Inc. for the use of its Mac2Win software and Sample Source
Code:
Portions relating to gdttf.c copyright 1999, 2000, 2001, 2002 John Ellson (ellson@lucent.com).
Portions relating to gdft.c copyright 2001, 2002 John Ellson (ellson@lucent.com).
Portions relating to JPEG and to color quantization copyright 2000, 2001, 2002, Doug Becker and copyright (C) 1994, 1995, 1996,
1997, 1998, 1999, 2000, 2001, 2002, Thomas G. Lane. This software is based in part on the work of the Independent JPEG Group.
See the file README-JPEG.TXT for more information. Portions relating to WBMP copyright 2000, 2001, 2002 Maurice Szmurlo and
Johan Van den Brande.
Permission has been granted to copy, distribute and modify gd in any context without fee, including a commercial application,
provided that this notice is present in user-accessible supporting documentation.
This does not affect your ownership of the derived work itself, and the intent is to assure proper credit for the authors of gd, not to
interfere with your productive use of gd. If you have questions, ask. "Derived works" includes all programs that utilize the library.
Credit must be given in user-accessible documentation.
This software is provided "AS IS." The copyright holders disclaim all warranties, either express or implied, including but not limited to
implied warranties of merchantability and fitness for a particular purpose, with respect to this code and accompanying
documentation.
Although their code does not appear in gd, the authors wish to thank David Koblas, David Rowley, and Hutchison Avenue Software
Corporation for their prior contributions.
Attn. Government User(s). Restricted Rights Legend
U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial computer software” or
“commercial computer software documentation.” In the event that such Software or documentation is acquired by or on behalf of a
unit or agency of the U.S. Government, all rights with respect to this Software and documentation are subject to the terms of the
License Agreement, pursuant to FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.
4
Trademarks
003, 192 Digital I/O, 192 I/O, 96 I/O, 96i I/O, Adrenaline, AirSpeed, ALEX, Alienbrain, AME, AniMatte, Archive, Archive II, Assistant
Station, AudioPages, AudioStation, AutoLoop, AutoSync, Avid, Avid Active, Avid Advanced Response, Avid DNA, Avid DNxcel, Avid
DNxHD, Avid DS Assist Station, Avid Liquid, Avid Media Engine, Avid Media Processor, Avid MEDIArray, Avid Mojo, Avid Remote
Response, Avid Unity, Avid Unity ISIS, Avid VideoRAID, AvidRAID, AvidShare, AVIDstripe, AVX, Axiom, Beat Detective, Beauty
Without The Bandwidth, Beyond Reality, BF Essentials, Bomb Factory, Boom, Bruno, C|24, CaptureManager, ChromaCurve,
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DPP-1, D-Show, DSP Manager, DS-StorageCalc, DV Toolkit, DVD Complete, D-Verb, Eleven, EM, Euphonix, EUCON, EveryPhase,
Expander, ExpertRender, Fader Pack, Fairchild, FastBreak, Fast Track, Film Cutter, FilmScribe, Flexevent, FluidMotion, Frame
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HDCAM, iKnowledge, Image Independence, Impact, Improv, iNEWS, iNEWS Assign, iNEWS ControlAir, Instantwrite, Instinct,
Intelligent Content Management, Intelligent Digital Actor Technology, IntelliRender, Intelli-Sat, Intelli-sat Broadcasting Recording
Manager, InterFX, Interplay, inTONE, Intraframe, iS Expander, ISIS, IsoSync, iS9, iS18, iS23, iS36, ISIS, IsoSync, KeyRig,
KeyStudio, LaunchPad, LeaderPlus, LFX, Lightning, Link & Sync, ListSync, LKT-200, Lo-Fi, Luna, MachineControl, Magic Mask,
Make Anything Hollywood, make manage move | media, Marquee, MassivePack, Massive Pack Pro, M-Audio, M-Audio Micro,
Maxim, Mbox, Media Composer, MediaFlow, MediaLog, MediaMatch, MediaMix, Media Reader, Media Recorder, MEDIArray,
MediaServer, MediaShare, MetaFuze, MetaSync, MicroTrack, MIDI I/O, Midiman, Mix Rack, MixLab, Moviebox, Moviestar,
MultiShell, NaturalMatch, NewsCutter, NewsView, Nitris, NL3D, NLP, Nova, NRV-10 interFX, NSDOS, NSWIN, Octane, OMF, OMF
Interchange, OMM, OnDVD, Open Media Framework, Open Media Management, Ozone, Ozonic, Painterly Effects, Palladium,
Personal Q, PET, Pinnacle, Pinnacle DistanTV, Pinnacle GenieBox, Pinnacle HomeMusic, Pinnacle MediaSuite, Pinnacle Mobile
Media, Pinnacle Scorefitter, Pinnacle Studio, Pinnacle Studio MovieBoard, Pinnacle Systems, Pinnacle VideoSpin, Podcast Factory,
PowerSwap, PRE, ProControl, ProEncode, Profiler, Pro Tools LE, Pro Tools M-Powered, Pro Transfer, Pro Tools, QuickPunch,
QuietDrive, Realtime Motion Synthesis, Recti-Fi, Reel Tape Delay, Reel Tape Flanger, Reel Tape Saturation, Reprise, Res Rocket
Surfer, Reso, RetroLoop, Reverb One, ReVibe, Revolution, rS9, rS18, RTAS, Salesview, Sci-Fi, Scorch, Scorefitter, ScriptSync,
SecureProductionEnvironment, Serv|LT, Serv|GT, Session, Shape-to-Shape, ShuttleCase, Sibelius, SIDON, SimulPlay,
SimulRecord, Slightly Rude Compressor, Smack!, Soft SampleCell, Soft-Clip Limiter, Solaris, SoundReplacer, SPACE, SPACEShift,
SpectraGraph, SpectraMatte, SteadyGlide, Streamfactory, Streamgenie, StreamRAID, Strike, Structure, Studiophile, SubCap,
Sundance Digital, Sundance, SurroundScope, Symphony, SYNC HD, Synchronic, SynchroScope, SYNC I/O, Syntax, TDM
FlexCable, TechFlix, Tel-Ray, Thunder, Titansync, Titan, TL Aggro, TL AutoPan, TL Drum Rehab, TL Everyphase, TL Fauxlder, TL In
Tune, TL MasterMeter, TL Metro, TL Space, TL Utilities, tools for storytellers, Torq, Torq Xponent, Transfuser, Transit, TransJammer,
Trigger Finger, Trillium Lane Labs, TruTouch, UnityRAID, Vari-Fi, Velvet, Video the Web Way, VideoRAID, VideoSPACE, VideoSpin,
VTEM, Work-N-Play, Xdeck, X-Form, Xmon, XPAND!, Xponent, X-Session, and X-Session Pro are either registered trademarks or
trademarks of Avid Technology, Inc. in the United States and/or other countries.
Avid Interplay Central Administration Guide • 9329-065179-00 Rev A • April 2012 • Created 4/24/12 • This
document is distributed by Avid in online (electronic) form only, and is not available for purchase in printed form.
This guide is intended for all Avid®Interplay® Central administrators who are responsible for
configuring and maintaining an Avid Interplay Central system. This guide describes product
features and administrative procedures, such as Interplay Central system settings and user
management.
For initial installation and configuration, see the Avid Interplay Central Installation and Configuration Guide.
Symbols and Conventions
Avid documentation uses the following symbols and conventions:
Symbol or Convention Meaning or Action
n
c
w
>This symbol indicates menu commands (and subcommands) in the
(Windows), (Windows
only), (Macintosh), or
(Macintosh only)
Bold fontBold font is primarily used in task instructions to identify user interface
A note provides important related information, reminders,
recommendations, and strong suggestions.
A caution means that a specific action you take could cause harm to
your computer or cause you to lose data.
A warning describes an action that could cause you physical harm.
Follow the guidelines in this document or on the unit itself when
handling electrical equipment.
order you select them. For example, File > Import means to open the
File menu and then select the Import command.
This symbol indicates a single-step procedure. Multiple arrows in a list
indicate that you perform one of the actions listed.
This text indicates that the information applies only to the specified
operating system, either Windows or Macintosh OS X.
items and keyboard sequences.
If You Need Help
Symbol or Convention Meaning or Action
Italic fontItalic font is used to emphasize certain words and to indicate variables.
Courier Bold font
Ctrl+key or mouse actionPress and hold the first key while you press the last key or perform the
If You Need Help
If you are having trouble using your Avid product:
1. Retry the action, carefully following the instructions given for that task in this guide. It is
especially important to check each step of your workflow.
2. Check the latest information that might have become available after the documentation was
published:
-If the latest information for your Avid product is provided as printed release notes, they
are shipped with your application and are also available online.
-If the latest information for your Avid product is provided as a ReadMe file, it is
supplied on your Avid installation USB drive as a PDF document
(README_product.pdf) and is also available online.
You should always check online for the most up-to-date release notes or ReadMe
because the online version is updated whenever new information becomes available. To
view these online versions, select ReadMe from the Help menu, or visit the Knowledge Base
at www.avid.com/readme.
Courier Bold font identifies text that you type.
mouse action. For example, Command+Option+C or Ctrl+drag.
3. Check the documentation that came with your Avid application or your hardware for
maintenance or hardware-related issues.
4. Visit the online Knowledge Base at www.avid.com/onlinesupport. Online services are
available 24 hours per day, 7 days per week. Search this online Knowledge Base to find
answers, to view error messages, to access troubleshooting tips, to download updates, and to
read or join online message-board discussions.
9
Avid Training Services
Avid makes lifelong learning, career advancement, and personal development easy and
convenient. Avid understands that the knowledge you need to differentiate yourself is always
changing, and Avid continually updates course content and offers new training delivery methods
that accommodate your pressured and competitive work environment.
For information on courses/schedules, training centers, certifications, courseware, and books,
please visit www.avid.com/support and follow the Training links, or call Avid Sales at
800-949-AVID (800-949-2843).
Avid Training Services
10
1Interplay Central Administration and
System Settings
The following topics provide information about configuration of Interplay Central components:
•The Administrator Account
•Signing In to Interplay Central
•Configuring System Settings
•Configuring for Send to Playback
•Configuring Settings in the Interplay Production Administrator
The Administrator Account
During Interplay Central installation, a user named Administrator is created. This user is a
member of the Administrator group by default, and as a result has administrator privileges.
During installation, you are required to set a password for the default Administrator account. The
first time a user signs in with the user name Administrator, the user must supply this password.
An administrator can later change the password. For more information, see “Changing
Passwords” on page 53.
After the first sign-in, the Administrator must configure system settings such as information
about the Avid iNEWS and Interplay Production systems. For more information, see “Signing In
to Interplay Central” on page 12 and “Configuring System Settings” on page 13.
Additional Administrator Accounts
An administrator can add other users to the Administrators group. All members of the
Administrators group have the same administrator privileges. For more information, see
“Creating a New Group or Editing Group Details” on page 46.
Layouts Available Only to an Administrator
Administrator tasks are performed in Interplay Central layouts. The following layouts are
available only to an Interplay Central administrator:
•System Settings
•Users
Signing In to Interplay Central
To access an Avid iNEWS database and an Interplay Production database, an Interplay Central
user or administrator needs to have a user name and password set in the iNEWS and Interplay
Production sections of the User Settings dialog box.
The first time a user or administrator signs in to Interplay Central, you are asked to confirm or
supply the user name and password of an Avid iNEWS account and an Interplay Production
account. These credentials provide you with the appropriate access and rights to the iNEWS and
Interplay Production databases, and enables you to supply only the Interplay Central user name
and password at future sign-ins.
To sign in to the application:
Signing In to Interplay Central
1. Open a supported browser and type the URL of your Interplay Central server.
The URL is the computer name of the Interplay Central middleware server.
2. At the sign-in screen, type your user name and password.
3. Click Sign In, or press Enter or Return (Macintosh).
After a few moments, the Interplay Central application opens and displays the last layout
that you used.
When you sign in to Interplay Central, you are automatically signed in to your iNEWS newsroom
n
computer system and Interplay Production system. If, however, the security settings for one of
these integrated systems is inaccurate, you might see a warning similar to this:
If you get a message like this, click the link provided and verify your security settings.
12
4. (Optional) If the layout you want is not displayed, select the one you want from the Layouts
menu.
To sign out of the application:
tClick Sign Out in the application menu.
Configuring System Settings
The Interplay Central administrator needs to specify configuration information before users can
use Interplay Central. You specify these settings in the System Settings layout, which is only
available to administrators. The System Settings layout includes a Settings pane, in which you
select the group of settings, and the Details pane, in which you specify the settings.
Configuring System Settings
To configure Interplay Central system settings:
1. Sign in to Interplay Central as an administrator.
2. Select System Settings from the Layouts drop-down menu.
The System Settings layout opens.
3. In the Settings pane select a settings group, for example, General.
The Details pane displays the settings in that group.
4. In the Details pane, specify one or more settings, as described in the table at the end of this
procedure.
5. Click Apply to save your new settings or click Revert to replace changed information with
the previously saved settings.
13
Configuring System Settings
The following table describes the settings in each group.
Settings GroupSettingDescription
GeneralSearch Pane: Maximum NumberThe maximum number of items listed in a pane.
To view more items, click the Show More
Results button. The range is 5 to 1000 items.
iNEWSiNEWS Server: HostnameThe computer name of the server that hosts the
iNEWS database. If the computer name
includes a suffix such as -a, do not include it.
Not including the suffix allows for load
balancing and failover.
Location for Script Sequences: PathA path for a folder in the Interplay Production
database to store the sequences created as part
of an iNEWS script. Select whether you want
sub-folders created by Queue name, Date, or
Story name.
Pagination: Maximum NumberThe maximum number of items listed in the
Queue/Story pane or the Project/Story pane. To
view more items beyond the number displayed,
click the Show More Results button. The range
is 5 to 255 items.
Interplay
Production
Interplay Production Server: HostnameThe computer name or the IP address of the
server that hosts the Interplay Production
database.
Interplay Central Distribution Service:
Service URL
A secure URL for the server that hosts the
Interplay Central Distribution Service, which is
used for send to playback. Provide the URL in
the following format, including the port
number: https://hostname:port. For example,
https://localhost:8443. You can use an IP
address instead of a hostname.
Assets Pane: Maximum NumberThe maximum number of items listed in a pane.
To view more items, click the Show More
Results button. The range is 5 to 1000 items.
Modules(Reference only)Modules used in Interplay Central. Name,
version, location, state, fragment.
14
Configuring for Send to Playback
Settings GroupSettingDescription
PlayerServer: HostnameThe computer name or the IP address of the
server that hosts the Interplay Common
Playback service. For an Interplay Common
Playback Service cluster, use the virtual
computer name or IP address.
For more information on configuring the
playback server, see the Interplay Central Installation and Configuration Guide.
User Name and PasswordThe user name and password for a user that you
created during the Interplay Central middleware
installation. This user account is a generic
backend user account that the Interplay Central
middleware server uses to connect to the
Interplay Common playback server.
Send to PlaybackSee “Creating or Editing a Send-to-Playback
Profile” on page 19.
Configuring for Send to Playback
The video and audio sequence that a user creates in the Interplay Central script editor is called
the script sequence. When the script sequence is finished, the user can transfer it to a playback
device or playout server for viewing or broadcast. This process is called send to playback, or
STP. Users can also send to playback a sequence stored in an Interplay Production database to a
playback device.
The following topics describe administrator tasks for sending a sequence to a playback device:
•“Understanding the Send-to-Playback Components and Process” on page 16
•“Creating or Editing a Send-to-Playback Profile” on page 19
•“Send-to-Playback Profile Examples” on page 23
The following topic provides troubleshooting information:
•“Troubleshooting Send to Playback Problems” on page 66
For information about how users send to playback, see the “Sending to Playback” chapter in the
Avid Interplay Central User’s Guide.
15
Configuring for Send to Playback
Understanding the Send-to-Playback Components and Process
An Interplay Central system and an Interplay Production system are required for the
send-to-playback process.
Required Components
Make sure the following components are correctly installed and configured:
•Interplay Central
-Interplay Central middleware server
-Interplay Central Distribution service. This component is installed on the Interplay
Central middleware server. It coordinates and monitors send-to-playback and mixdown
operations. It determines if there is any preprocessing required. If it determines an audio
mixdown is required, it submits a Transcode Mixdown request. If Long GOP media is
required, it submits an STP Encode request.
The Interplay Central Distribution Service communicates with other Interplay Media Services,
n
but it is not an Interplay Media Service itself.
For information about installing and configuring these components, see the Avid Interplay
Central Installation and Configuration Guide.
•Interplay Production
-Interplay Media Services Engine. This component serves as a broker for all Media
Services. The Interplay Transcode service and the STP Encode service are used for
Interplay Central send-to-playback operations.
For installation and configuration information for the Media Services Engine and Media
Services, see the Avid Media Services Setup and User’s Guide.
-Interplay Transcode service. This service mixes down audio for script sequences and
checks the sequence in to the Interplay Engine. No video mixdown is required when
sending a script sequence to a playback device.
-STP Encode service. This service exports and encodes Long GOP media, then passes
the media to the Transfer Engine for a send-to-playback operation. The STP Encode
service supports various XDCAM media formats.
-Interplay Engine. This component manages the Interplay database. Sequences that are
sent to playback are checked into the Send to Playback folder in the Interplay database.
-Media Indexer. This component is used to store information of all available resolutions
for an Interplay asset. It enables relinking of a clip to a particular resolution (Dynamic
Relink).
16
Configuring for Send to Playback
Interplay Central
Client (Browser)
ww
qq
eer
ISIS Shared
Storage
Media Indexer
Interplay Central
Middleware Server
y
Media Services
Engine
Playback
Server
ASF
Interplay Central
Distribution
Service
Interplay
Transcode
Interplay
Transfer
t
-Avid System Framework (ASF). This component is used for various Interplay
interactions. For send-to-playback, it identifies the high-availability group (HAG) that
includes the Media Indexer used for relinking .
-Interplay Transfer Engine. This component sends the sequence to the playout device. If
you are sending to an Avid AirSpeed or Avid AirSpeed Multi Stream server, you do not
need a separate Interplay Transfer Engine, because it is included as a component of the
AirSpeed Multi Stream server. For installation and configuration information, see the
Avid Interplay Transfer Setup and User’s Guide.
•Playback Servers
-AirSpeed Multi Stream. A playback server that can handle different formats, including
HD media. It includes a Transfer Manager as an installable component.
-AirSpeed (Classic). A playback server that can handle different formats but only one at
a time. There is no HD support.
-Other playback servers, for example, Omneon or K2.
Send-To-Playback Workflow: I-Frame Sequences
The following illustration shows a typical send-to-playback workflow for I-frame (non-Long
GOP) sequences.
1. When the user starts an STP process in Interplay Central, the Interplay Central Middleware
server (ICMS) creates an STP job and sends it to the Interplay Central Distribution Service
(ICDS). ICDS performs an analysis of the sequence to determine if it needs an audio
mixdown, a video mixdown, or both.
2. The ICDS uses ASF and MI to dynamically relink the sequence to media in the target
resolution.
3. The ICDS sends a request for any required mixdowns to the Media Services Engine, which
then sends the jobs to the Interplay Transcode provider.
17
Configuring for Send to Playback
Interplay Central
Client (Browser)
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ISIS Shared
Storage
Media Indexer
Interplay Central
Middleware Server
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Media Services
Engine
Playback
Server
ASF
Interplay Central
Distribution
Service
Interplay
Transcode
Interplay
Transfer
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STP
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4. Interplay Transcode performs the mixdowns and saves the media on the Avid ISIS system.
5. ICDS initiates a transfer to the playback server, through Interplay Transfer.
6. Interplay Transfer transfers the sequence to the playback server.
Send-To-Playback Workflow: Long GOP Sequences
The following illustration shows a typical send-to-playback workflow for a Long GOP sequence.
1. When the user starts an STP process in Interplay Central, the Interplay Central Middleware
server (ICMS) creates an STP job and sends it to the Interplay Central Distribution Service
(ICDS). ICDS performs an analysis of the sequence to determine if it needs mixdown or
Long GOP encoding.
-If an audio mixdown or video mixdown is needed, the ICDS will send a Transcode
mixdown job to the Media Services Engine, which sends the job to the Interplay
Transcode provider.
-If no transcoding is required, the ICDS will send an STP Encode job to the Media
Services Engine, which sends the job to the STP Encode provider.
2. The ICDS uses ASF and MI to dynamically relink the sequence to media in the target
resolution.
3. The ICDS sends a request for any required mixdowns to the Media Services Engine, which
then sends the jobs to the Interplay Transcode provider.
After sending the Transcode jobs, the ICDS periodically checks the Media Services Engine
to determine when to send the encoding job to the STP Encode provider.
4. Interplay Transcode performs the required jobs and saves the media on the Avid ISIS
system.
5. When the transcode jobs are complete, ICDS sends an encoding job to the STP Encode
provider.
18
6. STP Encode creates Long GOP OP1a media, stores it on the ISIS system, and initiates a
transfer to the playout server, through Interplay Transfer.
7. Interplay Transfer transfers the sequence to the playback server.
Sending a Mixed-Resolution Long GOP Sequence to a Playback Device
In most cases, all media used in the sequence must be available in the target resolution to start an
STP operation.
However, when you select a Long GOP resolution as a target resolution, you can mix media of
different resolutions if the frame rates match. For example, if the target resolution is
XDCAM-HD 1080i, you can include both XDCAM 1080i clips and DV25 411 NTSC clips in
the same sequence. Both use an actual frame rate of 29.97 fps.
The DV25 clips do not need to be transcoded to XDCAM 1080i before the STP operation begins.
For Long GOP sequences, any necessary transcoding takes place during the STP operation.
For more information, see “Sending a Mixed-Resolution Long GOP Sequence to a Playback
Device” in the Avid Interplay Central User’s Guide.
Creating or Editing a Send-to-Playback Profile
Configuring for Send to Playback
A send-to-playback operation requires a profile, which an Interplay Central administrator creates
in the Send to Playback settings Details tab.
The values displayed in some fields are retrieved from the Interplay Production system. Make
sure the send-to-playback configuration in Interplay Production is done correctly before creating
profiles in Interplay Central.
The following procedure provides general steps in creating or editing a send-to-playback profile.
For more information, see “Send-to-Playback Profile Examples” on page 23.
The first time you sign in, information might not be available to create a profile. In this case, sign
n
out and sign in again to Interplay Central. Interplay Central can then get the send-to-playback
information from the Interplay Production engine, and you can create a send-to-playback profile.
To create or edit a send-to-playback profile:
1. Sign in to Interplay Central as an Administrator.
2. Select System Settings from the Layouts list.
The Settings pane and Details pane open.
3. In the Settings tab, select Send to Playback.
19
Configuring for Send to Playback
The top part of the Details pane lists the send-to-playback profiles, and the bottom part lists
the profile details.
c
If the menus do not display any values, the connection to Interplay Production might not
be working. Try signing out and signing back in, or check the configuration between
Interplay Central and Interplay Production. For more information, see the Interplay Central Installation and Configuration Guide.
4. Do one of the following:
tTo create a new profile, click the + (plus) button in the Send to Playback Profiles
section.
A profile named “New Profile” is created in the Send to Playback Profiles section.
tTo edit an existing profile, select the profile in the Send to Playback Profiles section.
5. In the Details tab, specify the required settings, as described in the table at the end of this
procedure.
20
Configuring for Send to Playback
6. Click Apply to save the profile. If you are editing a file, click Revert to return to the original
settings.
The following table describes the settings in each group.
Send to Playback Setting Description
NameA name for the profile. Choose a meaningful, descriptive name because
this name is displayed to users.
Individual Device or StudioSpecifies if the profile applies to a single playout server or to an
AirSpeed Studio.
If you select Individual Device, the following fields are displayed:
•Servers. Select the Transfer Engine server for the profile. This list
includes all Interplay Transfer Engines, AirSpeed Transfer Engines,
and AirSpeed Multi Stream Transfer Engines in the Interplay
Production workgroup. See “Selecting a Transfer Server” on
page 23.
•Playback Device. Select the playback device for the profile. This list
includes device profiles created on an Interplay Transfer Engine as
well as individually named AirSpeed and AirSpeed Multi Stream
servers. This list can also include individual devices in an AirSpeed
Studio if the following option is selected in the Interplay Transfer
Settings view in the Interplay Administrator: “Show individual
studio hosts in Send to Playback choices.”
If you select an AirSpeed Multi Stream server, you have a choice of
a playback device with the name of the server and a playback device
with the name of the server followed by -HD. Use the HD device for
XDCAM-HD Long GOP media only. See “Selecting a Playback
Device” on page 24.
If you select Studio, the following fields are displayed:
•Studio. Select the AirSpeed Studio group for the profile. This list
displays the AirSpeed Studio groups in the Interplay workgroup.
•Playback Device. Select the playback device for the profile. You
have a choice of a playback device with the name of the server and a
playback device with the name of the server followed by -HD. Use
the HD device for XDCAM-HD Long GOP media only.
21
Configuring for Send to Playback
Send to Playback Setting Description
Video OptionsLong GOP: Select Long GOP if this profile will be used to transfer Long
GOP media (for example, XDCAM HD). Long GOP media is
transferred through the STP Encode service.
AirSpeed: Select AirSpeed if this profile will be used to transfer to an
Avid AirSpeed or AirSpeed Multi Stream server.
Accelerated STP: If you select both Long GOP and AirSpeed, the
Accelerated STP option is activated. Select this option if this profile will
be used with an AirSpeed Multi Stream server version 1.7 or later. This
feature allows an AirSpeed Multi Stream user to play media while it is
being transferred.
Video Target ResolutionSelect the resolution for the sequence that you want to send to the
playback device. This list includes video resolutions that are supported
in the Interplay Production workgroup.
If you select Long GOP as a video option and a Long GOP (XD CAM)
resolution, the Interplay Central Distribution Service uses the Interplay
Dynamic Relink technology to link to media in a similar resolution
(closest match) if media is not available in the target resolution.
If you do not select Long GOP as a video option, and media is not
available in a target resolution, the send-to-playback operation fails with
an error message.
In both cases, audio is linked to a similar resolution (closest match).
Video Frame RateSelect a frame rate that matches the selected video target resolution.
Some resolutions specify a frame rate and others do not. The frame rate
is also a more exact value. For example, for XDCAM-HD 50 mbps
1080i 60, select 59.94.
Audio Target Sample Rate48 Hz (this is the only choice)
The audio target format is always PCM
Audio Target Bit DepthSelect 16 bit or 24 bit.
Audio Target Mixdown ModeSelect Stereo or Direct Out. The maximum number of audio tracks
supported for send to playback is 16.
Interplay ISIS WorkspaceSelect a workspace for storing media that results from an audio
mixdown or an STP Encode operation.
To delete a profile, select the profile you want to delete and click the minus (-) button in the Send
to Playback Profiles section.
22
For information about performing a send-to-playback operation, see the Interplay Central User’s
Guide.
Send-to-Playback Profile Examples
The following examples of send-to-playback profiles show settings for different resolutions and
different playback servers.
Selecting a Transfer Server
When you select a server in an STP profile, the Servers list includes all Interplay Transfer
Engines, AirSpeed Transfer Engines, and AirSpeed Multi Stream Transfer Engines that are
specified in the Interplay Production workgroup. The following illustration shows the Servers list
and the corresponding Interplay Transfer Settings in the Interplay Administrator.
Configuring for Send to Playback
Individual AirSpeed Multi Stream servers in a studio are listed because the option “Show
individual studio hosts in Send to Playback choices” is selected
23
Configuring for Send to Playback
Selecting a Playback Device
When you select a playback device in an STP profile, the Playback Device list includes the
playback devices that are associated with the Interplay Transfer server you selected.
•For AirSpeed servers, there is only one selection that matches the server name.
•For AirSpeed Multi Stream servers, there might be two types of selections:
-One selection that matches the server name. Select this playback device for all
resolutions except for XDCAM-HD Long GOP media.
-One selection that adds -HD to the server name. The -HD suffix indicates that the
AirSpeed Multi Stream server is equipped with an HD board. Select this playback
device for XDCAM-HD Long GOP media.
•For Interplay Transfer Engine servers, the list includes all devices that have been configured
for the selected Interplay Transfer Engine server. The following illustration shows the
Playback Device list for an Interplay Transfer Engines server and the corresponding list in
the Interplay Transfer Engine Configuration window.
24
Configuring for Send to Playback
XDCAM-HD on AirSpeed Multi Stream
This profile, named AMS1-XDCAM1080i60_50mb, specifies settings for an AirSpeed Multi
Stream server that supports XDCAM-HD media.
Note the following:
•Servers: Airspeed Multi Stream includes a Transfer Engine, so A51-WG1-AMS1 is the
computer name for the AMS server.
•Playback Device: Because this profile supports XDCAM-HD Long GOP media, the
playback device name includes the -HD suffix.
25
Configuring for Send to Playback
•Long GOP and AirSpeed must be selected for this profile. With these options selected
Accelerated STP (Send to Playback) becomes available, and can be used in this case because
the AirSpeed MultiStream server is version 1.7 or later.
•The remaining media options specifically describe the target video and audio resolutions.
The Mixdown Mode is set for Stereo, and the specified ISIS workspace will hold the
mixed-down media.
XDCAM-HD on AirSpeed Multi Stream Studio
The following profile, named AMS_studio, is similar to the previous profile but is configured for
an AirSpeed Multi Stream Studio.
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