Pinnacle Speakers BD 600, Black Diamond Series, Quantum Series Comprehensive Owners Manual

COMPREHENSIVE OWNERS MANUAL

We congratulate you on your choice of PINNACLE® loudspeakers. They have
been designed and built to provide you with many years of outstanding sound
reproduction. To complement the high standards of performance achieved by
PINNACLE

®

loudspeakers, we have prepared what we believe to be the best and most
comprehensive (as well as comprehensible) speaker owners' manual ever offered to
consumers. All important concepts pertinent to a gratifying listening experience are
explained fully, but in non-technical language. Certain necessary terminologies are
introduced simply and several illustrations further clarify important points.

Please take the time to familiarize yourself with the contents of your Pinnacle owners'
manual. We are confident that your reward will be increased enjoyment from your
speakers in particular and from your sound system overall.
We can be contacted at:
1 Fairchild Court, Suite 140, Plainview, NY 11803
Tel: [phone]; Fax: [phone]
E-mail: [e-mail]
For up-to-date information on all of our designs, please checkout our website at:
Http://www.pinnaclespeakers.com
© 2007 Pinnacle

®

Loudspeakers

The first section of this manual provides useful and important information about your
speakers and how their performance relates to the amplifier used and the chosen room
placement.

The second section explains how to best connect (wire) your new speakers to your
system and provides some troubleshooting hints.

The last page explains our Warranty.

POWER RATINGS

Your new speakers come with specifications which detail their normal operative power
range. As an example, an operative power range of 10-60 Watts approximates the
amplifier power output region within which the speaker will perform optimally. This
does not mean, however, that the speakers cannot be played safely by an amplifier or
receiver whose power output capability is greater than 60 Watts. As long as the system
is used properly much greater power sources can be considered. Speakers can tolerate
brief high power surges called peaks.

NOTE: The above example does not suggest that the SPEAKER ITSELF will produce
60 Watts of power. Speakers don't produce power in the same sense that amplifiers do.
A speaker's power rating only refers to the amount of amplifier power that can be
safely accommodated.

All amplifiers and receivers, like all speakers, are provided with power ratings. An
amplifier that is rated at 60 Watts RMS per channel, continuous output, at a low THD
(total harmonic distortion) level (such as less than 0.1%) will produce, upon request, at
least 60 Watts of continuous, undistorted power. However, all amplifiers and receivers
are capable of generating much more power than they are rated for, but at increasingly
unacceptable distortion levels. Problems occur as you exceed the maximum safe
power rating of an amplifier, which usually happens when you move the volume
control past 1/3 to 1/2 of the way up. (Lower level source signals will require
somewhat higher volume control settings to achieve adequate output level.) The
distortion levels increase dramatically, resulting in the condition known as "clipping"
and this will produce harmful electronic signals that can damage your speakers.

A WIDE RANGE OF COMBINATIONS IS ACCEPTABLE BUT A MORE
POWERFUL AMPLIFIER MAY BE BETTER AND SAFER FOR YOUR
SPEAKERS BECAUSE THEY ARE LESS LIKELY TO DISTORT AT HIGH
VOLUME LEVELS. DISTORTION FROM UNDER-POWERED AMPLIFIERS IS
THE MOST COMMON CAUSE OF SPEAKER DAMAGE.

Analogy to Figure:
The same automobile body can be used to successfully house several different kinds of
engines. Capabilities will vary, but reasonable performance can be achieved by getting
to know how to best use the controls available with a particular engine. SPEAKERS
CAN LIKEWISE WORK WELL WITH A VARIETY OF AMPLIFIERS IF THE
AVAILABLE CONTROLS ARE USED APPROPRIATELY.

THE VOLUME CONTROL
There are times when program material has been recorded too softly, or a radio
station's signal is weak, etc., and it is necessary to increase the volume control towards
the end of its range in order to achieve adequate sound levels. Otherwise, under
normal operating conditions, most amplifiers will attain their maximum safe output
levels at a much

lower setting of the volume control. This setting will vary with the

particulars of the amplifier, speakers and program material.

MUSICAL CONTENT vs. POWER DEMAND
An amplifier's output does not remain constant. A 60 Watt per channel (maximum
rated) amplifier, running at approximately 60 Watts, will "clip" frequently since there
is no power reserve (headroom) left for complex, bass heavy, or otherwise demanding
musical passages. If, for example, amplifier volume setting during a light string
symphony is 1/3 up the volume dial, the presence of amplifier distortion should be
unlikely. However, if the program material is suddenly switched to thundering rock
and roll, rap or reggae (all of which feature demanding bass content), and the volume
control setting is left at the same point, there is a good chance that the amplifier may
now begin to "clip". There is a very strong correlation between how hard an amplifier
must work and the kind of program material it is being called upon to reproduce.

AMPLIFIER SPECIFICATIONS
Some modern solid state (transistor) amplifiers specifications may offer a continuous
output power rating at both 4 and 8 Ohms. This is preferable to an amplifier having just
an 8 Ohm rating because ratings at 4 and 8 Ohms are a strong indication of a more robust
power supply. Also, make sure that the frequency response bandwidth covers the entire
human hearing range, 20-20 kHz at less than 0.1% THD. Such an amplifier will ensure
that your Pinnacle loudspeakers perform to their utmost potential.

Note: If your amplifier or receiver has a 4/8 Ohm speaker impedance selector switch, we
recommend the 4 Ohm position for the best system perform ance.

TO BE SURE NOT TO EXCEED THE AMPLIFIER'S NORMAL CAPABILITIES:
A) Do not move the volume control past the point of just noticeable distortion (fuzzy

or raspy sound quality), usually occurring 1/3 to 1/2 of the way up. (Lower level source
signals may require somewhat higher volume control settings.)

B) Use bass, treble, and equalizer boost with caution, since these are actually
specialized volume controls affecting particular frequency ranges. Their use
contributes to the overall demand for power that the amplifier is called upon to provide.
Bass boost, in particular, draws the most power from the amplifier and generally puts
the biggest demand on your speakers.

C) Engage the loudness compensation switch (present on many amplifiers and
receivers) only at low volume levels since it increases the output in the very low and, to
a lesser extent, very high frequency ranges.

D) Use equalization boost (↑) with caution to avoid overload; reduction (↓) can be
used freely as desired.

THE LISTENING ROOM ENVIRONMENT
The overall performance of any speaker system is significantly affected by the
acoustical properties of the listening environment. A well balanced soundroom is one
that is neither square nor extremely long and narrow. Non-parallel walls and high or
vaulted ceilings are usually beneficial, though by no means vital. In most cases you
will not have a choice of soundrooms, but you may have some control over other
aspects of the acoustical environment.
A mixture of some hard (reflective) with mostly soft (absorbent) surfaces is very
desirable. Combinations of carpeting, wall paneling, padded furniture, brick and other
contrasting surfaces provide excellent results. Acoustical ceiling tile is also usually
beneficial. The larger the listening area, the more power is required to maintain high
volume levels with low distortion. Therefore, a moderately powered amplifier or
receiver will function best in a small room. Higher power is required for areas
containing many soft or padded surfaces such as sofas, pillows, thick carpets, heavy
drapes, etc. These surfaces absorb much sound energy and promote a "dry" sound
character, crisp and highly detailed. In a room with mostly hard surfaces and high
ceilings, speakers will produce a more blended or "live" sound and will probably seem
less power hungry because of the great amount of room reflections. This type of
environment may require treble equalization (reduction) and for Home Theater
applications, minimal time delay mode settings to reduce the tendency towards
"muddying" up the sound.

ROOM PLACEMENT
Different room positions will significantly affect your speakers overall performance.
There are therefore, several factors to consider when determining the best speaker
location. Speakers of small physical size are typically referred to as "bookshelf"
speakers because they have been designed to perform optimally when placed on a
shelf or stand that is raised off the floor. Speakers of larger size typically handle
greater amounts of power and have been designed to perform optimally when placed
on the floor or raised slightly off the floor by speaker stands or decoupling devices
such as Pinnacle's Solid Brass Isolation Cones. One general rule of thumb: try to
position speakers so that the tweeter's

level is fairly close to your ear level in your normal listening position. High
frequencies are much more directional than lows so it is best that your ears are within a
fairly direct path to the tweeter's output.

SEPARATION
Always be sure to provide ample separation between the speakers. Usually 6 to 12 feet
is adequate as greater distances might result in a "hole in the middle" effect. The best
distance between the speakers is also dependent upon room conditions, size, and the
proximity of the listening area to the speakers. A bit of experimentation is in order, but
smaller rooms will better tolerate closer spacing between the speakers.

SOUND QUALITY (see Figure 2)
The following points are noteworthy when choosing the best room location for your
speakers:

A) Sound quality is generally improved when all or most of the floor space is carpeted
(whether or not floor placement is selected).

B) The more surfaces of the room that are adjacent to a speaker, the greater its bass
output will be. Drastic differences in sound quality are commonplace when various
speaker positions are experimented with.

C) Maximum bass is obtained in a corner location. That is often not desirable because
the sound may be too heavy. Full size speakers with naturally powerful bass response
should generally be kept away from corners. If they must be placed in the vicinity of
corners because of room constraints, tone controls or equalizers can be employed to
satisfactorily curtail excessive room output. Certain small surround speakers, though
may be designed to benefit most from corner placement.

D) Speakers may be hung from a ceiling or walls if sufficient structural support is
available for the weight of the speaker. If the ceiling is high, angle the speakers
downward to create a wide and powerful soundfield. The closer the woofer is to the
ceiling and walls, the stronger the bass will be. Certain models contain special
brackets to accommodate wall mounting.

E) The best overall imagery (characterized by lifelike, spacious sonic qualities) is
achieved by locating the speakers as far from the walls and corners as possible, while
still maintaining adequate separation between them. Bass will be less prominent, but
the sonic character will be more detailed.

F) Unless the room is very narrow, the best positions will most likely be along the long
wall of the room, facing outward toward the listening area and angled in slightly
toward the center.

IF YOUR SPEAKER COMES WITH RUBBER FEET:

To prevent the speaker cabinet from vibrating and/or moving, please attach the four
rubber feet to the bottom of your speaker's cabinet near the corners.

IF YOUR SPEAKER COMES WITH SOLID BRASS ISOLATION CONES:

With the speaker lying down, simply screw the cones into their receptacles on the
bottom of the cabinet. Then, with the speaker standing, adjust the cones individually
as needed to level the cabinet. If you intend to place your speakers on wooden or tile
floors, we suggest placing a penny under each cone to prevent any indentations.

CABINET FINISH:

Your speaker cabinets require no maintenance under normal use. The cabinet surface
may, however, be cleaned by using a damp cloth. If you choose to use any kind of
cleaning agent (such as a non-abrasive glass cleaner) please be sure to test a small area
on the bottom of the cabinet first.

VERY IMPORTANT!

y If you have a Dolby Pro-Logic Home Theater system, make sure that your receiver’s

center channel mode is in the NORMAL

position. This will ensure that all low bass

information is sent to your subwoofer and/or main speakers.

y If you have a Dolby Digital (AC-3) and/or DTS Home Theater system, make sure

that you have correctly configured your receiver's Bass Management System so that
all of your speakers are properly categorized as either SMALL

or LARGE. This will

ensure that all appropriate low bass information is sent to each speaker. As a general
rule, a speaker with an 8" or greater diameter woofer may be considered LARGE

.
Conversely, a speaker with a woofer 6.5" and under in diameter may be considered
SMALL

. Please note that the bass output of a dual woofer speaker could be

comparable to that of a larger single woofer speaker. Example: A dual 6.5" woofer
system would generally be considered LARGE

since its woofer area approximates

that of a single 10" woofer system.

CAUTION!
y TO BEST PROTECT YOUR EQUIPMENT WE SUGGEST YOU TURN YOUR

AMPLIFIER OFF WHEN CONNECTING OR DISCONNECTING AUDIO
CABLES!

y Turntable users: Be aware that when the needle touches down or lifts off of the

vinyl, your speakers may be called upon to momentarily create dangerously high
levels of low frequency information. Warped albums and motor rumble can also
create a great deal of these potentially dangerous subsonic frequencies. We strongly
recommend using a low frequency (subsonic) filter in conjunction with a turntable to
prevent this potential problem and the consequent speaker damage that can occur.

SECTION 2
CONNECTING YOUR SPEAKERS:

Wire (Cable) Type Selection

For slide-spring type terminals be sure to obtain only lamp cord or zip cord, two
conductor, stranded, polarized, insulated cable. For binding post type terminals you
may use the same type of wire or you may choose one of the special extra heavy duty
specialty speaker cables available in a variety of types from various manufacturers.
These special cables are available at most places where audio equipment or accessories
are sold.

Wire Gauge Selection
In order to obtain the best sound from your system, speaker cables must be of heavy
gauge for quality sound reproduction, especially for strong bass. The gauge number
(AWG 18, 16, 14, etc.) designates the thickness of the conductor that is housed within
the insulating jacket of rubber or plastic. The thickness of the jacket does not matter.
The lower the gauge number of the wire, the thicker it is and therefore, the lower its
electrical resistance will be. Always use #18 gauge or heavier (#16, 14, 12, etc.) as per
the following recommendations. Note: All PINNACLE products can accept up to #12
gauge cable.
Minimum Recommended Gauge-AWG 18, suitable for runs up to 20 feet per
speaker.
Highly recommended gauge-AWG 14 or lower for superior bass, highs, and musical
definition and can be used for runs up to 50 feet per speaker. For unusually long runs
(75 feet or more) use AWG 12.

We cannot recommend AWG 22 or 24 gold and silver colored wire commonly labeled
"speaker wire" and sold at a variety of consumer outlets. This wire is suitable only for
low cost, low power applications, such as with extension speakers. It is absolutely not
meant to be used with high quality systems. Also, NEVER use telephone wire, solid
bell or magnet wire, or anything other than the previously recommended types of cable.
This will ensure your obtaining the maximum possible performance from your
speakers.

POLARIZING OR CODING
Polarized or coded wire is characterized by a clearly visible difference between the two
leads of the cord. This feature makes it simple to keep track of correct connections
between terminals marked (+) or (-).

Here are several of the most common methods of coding:

• separate insulation jacket colors

• a stripe or ridge running the length of one lead

• different colored wires inside the insulating jacket

• a strand of fabric contained within the jacket on one side only

NOTE: All of our loudspeakers conform to the industry standard designation of red as
the positive (+) input terminal and black as the negative (-) input (also known as
"common" or "ground"). Improper hookup will result in a significant loss of bass
response and poor quality sound reproduction. (see next paragraph for clarification)

IN PHASE vs. OUT OF PHASE SOUND
When in phase, the information recorded equally on both the left and right front
channels appears to come from the center between the two front speakers. The sound
source shifts smoothly as the listener moves about. If one speaker is connected to the
amplifier reversed (plus to minus) then your speakers will be out of phase with each
other. The resultant sound will lose much of the bass and seem to be coming from the
walls instead of the center soundstage. Overall, the sonic effect is annoyingly shrill.
The consequence of out of phase connections with subwoofers may be even more
noticeable. Take care to connect "right" channel terminals on amplifiers and/or
subwoofers to the "right" speaker and "left" channel terminals to the "left" speaker in
order to recreate the soundstage as the recording engineers intended.

WIRING
Having obtained the sufficient length and correct gauge of cable you are now ready to
hook up your speakers. Before making any connections, please turn your volume
control all the way down and turn off your whole system to prevent accidental
overloads.

WIRE PREPARATION

First decide which of the two leads of wire you will use for the (+) connections. It
does not matter which, but make certain that this lead will be attached to the (+)
terminals of both the amplifier (or receiver) and the speakers while the other lead will
be connected to the respective (-) terminals as shown in Fig. 3.
Cut the cable to the required lengths. Carefully separate the two leads on both ends of
each cable (a minimum of 1"-1 1/2") and strip the insulation off of the end of each lead
(about 3/8"), making sure not to damage the fine strands of bare wire housed within the
insulating jacket. Twist together all strands of the bare wire so that th ey are neat and
tight.

CONNECTING TO TERMINALS
For the location of terminals refer to Fig. 3. The ends o f neatly twisted bare wire must
be inserted well into the hole of the push or slide spring type terminal while the
terminal tab is held down by pushing against the spring tension. For binding post
terminals the wire must be inserted through the hole which becomes visible when the
knurled knob is screwed counterclockwise. The wire must then be secured by
screwing the knob back clockwise until snug. Remember, loose strands of wire may
cause short circuits. When connecting the wires to the amplifier or receiver's
terminals, follow the manufacturer's instructions. Upon completion, gently tug at all
connections to ensure they are fastened securely.

HOME THEATER CONNECTIONS:

Connect your main, center, and surround speakers to their respective output terminals on
the back of your Home Theater receiver. If you have either a powered subwoofer, or a
passive one, refer to their instruction manuals for applicable hook-up options.

After completing all connections, turn the system on, then GRADUALLY increase the
volume level. If there is no sound, distorted sound, or if the amplifier shuts itself down
after a few seconds, IMMEDIATELY TURN THE VOLUME DOWN and turn the
system off. Then re-check your wiring for accuracy and for shorts (adjacent bare wires
touching each other). When everything sounds fine, keep the volume reasonably low
while you familiarize yourself with your system's various controls and operations
modes.

TROUBLESHOOTING
Many of the most common complaints about sound system performance can be
corrected simply. All that is required is to check out some basic things when a certain
type of problem is encountered. For now we'll assume everything is hooked up
properly, all equipment is turned on, and there is sound, but it just doesn't sound right.
In fact, often the problem lies in adverse room conditions or poor program material.
Following are some typical problems listed along with possible causes and solutions.

Common Complaints Check For:
A. Bass

1. Too thin Improper phasing, tone/equalizer controls, program
material, room positioning

2. Too heavy Tone/equalizer controls, standing waves, corner
placement, program material

3. Too boomy Lack of sound absorbent material in room, excessive
bass boost

4. Muddy Tone/equalizer controls, poor recording, excessive
hard surfaces in listening room ("live room")

B. Treble

1. Too weak Object obstructing speaker, program material,
tone/equalizer controls, speaker upside down, "dead"
room conditions, dirty tape deck heads

2. Too strong Program material, room placement, excessive
tone/equalizer control boost, "live" room conditions

3. Raspy Poor program material, defective amp or preamp,
poorly tuned station, dusty or worn turntable stylus

4. Hissy Poor program material (recording quality), excessive
treble control boost, noisy amplifier, poorly tuned
station, weak station (use monaural for a stronger
signal), poor tape quality, poor record surface

C. Overall Sound Quality

1. Muffled Program material, tone/equalizer controls, improper
speaker placement, excessive bass boost, extraneous
noise (mower, saw, appliance, etc.) speaker upside
down, dirty tape deck heads

2. Distorted Program material, excessive tone/equalizer boost,
excessive volume, out of phase, extraneous noise,
poorly tuned station, damaged tape, dusty or bad
stylus

3. Echoes "Live" room conditions, tape print through, program
material

4. Hum or Buzz Faulty connecting cables, faulty amp or preamp,
fluorescent lighting, power tools, ungrounded
turntable feedback, incorrectly wired or faulty
turntable cartridge

S. Crackling, Popping Bad connections, dirty volume or tone/equalizer

controls, excessive tone/equalizer boost or volume
level, worn album or stylus (turntable users)

6. No Sound Receiver's speaker switches (A & B or 1 & 2) off or
improperly set, wrong input selected, mute on, blown
fuse or short circuit at speaker terminals or amplifier
output terminals

LIMITED TRANSFERABLE WARRANTY - PINNACLE AUDIO

EQUIPMENT

WHAT IS COVERED: All Pinnacle loudspeaker Black Diamond & Quantum Series speakers

are covered by this warranty for a period of ten (10) years from the date of the original purchase.
The warranty covers all necessary parts and labor to return the speaker to proper working order.
Cabinet surfaces, grille assembly, and other exterior parts subject to normal wear and tear are not
covered except where an inherent structural defect becomes evident. Parts replacement and labor
will be performed at the discretion of the company (Pinnacle Loudspeakers) and will be provided
free of charge unless (in the opinion of our service department, service representatives, or
engineering department) the speaker system has failed due to abuse or negligent operation. Any
latent defect attributable to error in manufacture will always be covered by this warranty.

WHAT IS NOT COVERED: This warranty will be void and no free services performed if we
or any party acting as our agent determines that the speaker system in question has had any of its
loudspeaker elements (woofer, midrange, tweeter, etc.) or internal circuitry removed or tampered
with in any way whatsoever without express prior authorization from Pinnacle. Furthermore, if
the speaker system is not found to be defective a service charge will be levied. In either case the
minimum charge will be $30.00. An additional charge will be applicable for same day service if
requested (subject to feasibility). This charge will always be in effect even if the actual parts and
labor are covered by this warranty. Any speaker system found to have crimped or melted voice
coils or internal parts that are burned or charred is not covered by the warranty. Voice coils and
crossover parts cannot become charred unless excessive power or clipping signals are fed to the
speaker system. It is possible for an amplifier rated at 50 Watts RMS to permanently damage a
speaker system rated for much higher power levels, since any amplifier or receiver rated at 50
Watts can produce much more than that, but only at high distortion levels. Amplifiers and
receivers are rated at power levels that they can achieve with minimum, distortion only. Hi-Fi
loudspeaker systems are meant to work only with undistorted power (under 1% distortion). High
fidelity equipment rated by the RMS method (mandatory according to the Federal Trade
Commission's regulations) requires that distortion levels be well below 1% full rated power.
Therefore you are obligated to use your equipment with proper care. Any damage caused to the
speaker system from improper use is not covered by warranty. Pinnacle Loudspeakers reserves
the right to make the final determination of whether or not a particular speaker system has been
damaged by abuse or excessive overload.

TO OBTAIN SERVICE: To obtain service under this warranty, either contact your Pinnacle®
dealer or us directly at [phone] or [e-mail]. You may also write
us at 1 Fairchild Court, Suite 140, Plainview, NY 11803. If you ship your speakers you are
responsible for packing and shipping insurance. The freight must be prepaid. We will, however,
pay return freight charges on any returned speaker that qualifies for in-warranty service. Sorry,
we cannot accept any collect freight charges. You must include a note, attached to the unit, with
your name, phone number and/or email address, and return shipping address (no Post Office
boxes), indicating the nature of the problem you are experiencing. For warranty service you
must also include a copy of your sales receipt. If the speaker returned to us or our agents for
service proves not eligible for warranty repairs or is not found to be defective, then you will have
to pay return freight charges. Please be sure to pack any items you ship us carefully since we
cannot be held responsible for damages incurred during shipping. This warranty may be
transferred to a subsequent owner, but will not be in effect for a period greater than ten (10)
years from the date of the original purchase. SAVE THIS CERTIFICATE AND YOUR SALES
RECEIPT. YOU MAY NEED THEM TO OBTAIN SERVICE UNDER THE PROVISIONS
OF THIS LIMITED WARRANTY.

1 Fairchild Court Suite 140

Plainview, NY 11803

Tel. [phone], Fax. [phone]

Http://www.pinnaclespeakers.com

PR MAN AH REV0307