PIEGA Master Line Source 2
When the Swiss audio specialist PIEGA revealed the dream
loudspeaker Master Line Source in the autumn of 2013, in-
dustry experts experienced a ‘wow’ moment: What the four
human sized acoustic transducers offer in terms of tonal
finesse induced editors of the international trade press to
spout effusive superlatives that are otherwise only rarely en-
countered. The German newspaper Frankfurter Allgemeine
Zeitung, for instance, wrote: “This equipment is among the
best that loudspeaker engineering has to offer”, while the
Swiss AV-Guide wondered: “Have I, in my entire career as
an audio journalist, ever heard anything better?” And the
online magazine hifisenses.com from Singapore asserted:
“The Piega Master Line Source is one speaker that I recom-
mend fellow audiophiles to have a listen to”.
But the all-important originator of the super loudspeaker,
PIEGA’s Head Developer, Kurt Scheuch, was not slow in
secluding himself in his workshop again to tinker with a
smaller version with similar acoustics that could also be
integrated into standard living rooms – and thus Master
Line Source 2 was born, the result of a close cooperative
alliance with the designer Stephan Hürlemann.
Symmetrical line source
Like its epic prototype, the MLS 2 also operates on
the symmetrical line source principle. This involves four
mid-range speakers and tweeters, mounted one above
the other, emitting sound in a vertical, cylindrical con-
figuration rather than – as is standard in conventional
loudspeakers – spherically. Audio signals thus reach
listeners directly, without being reflected from the ceiling
and floor, thus producing an exceedingly clear and de-
tailed sound pattern. But the playback of the high and
mid-frequency signals via multiple drivers and thus a large
membrane surface (the tweeter membrane is, overall,
around 50 times the size of a dome tweeter!), with its ext-
remely low distortion, high level of efficiency and significant
dynamism, offers further advantages, thus guaranteeing
markedly natural and detailed playback.
The ribbon systems of the MLS 2, termed the line source
drivers, operate with centrally positioned ribbon twee-
ters that cater to all frequencies above 3 kilohertz. They
are flanked on either side by mid-range ribbons that
take care of the emission of all sounds up to 500 Hz, in
other words, that reproduce the entire frequency range
– deviations and all – that most instruments and voices
reproduce. With the exception of basic dimensions,
which correspond to the familiar C1 mid-range twee-
ter from the PIEGA Coax series, the magnet system,
baskets, film layout, film material and ribbon damping
applied using etching technology have been developed
from scratch.