PHOENIX AUDIO (UK)
Cromer House
Caxton Way
Stevenage, Herts
Telephone +44 1438 727241
SG1 2DF
Fax +44 1438 727241
The “NICERIZER 16” Owner’s Manual
Firstly, let me congratulate you on your purchase of the “Nicerizer 16”. I know
you will be as pleased with its sonic qualities as we are.
You are now the proud owner of a “Nicerizer 16” that has the advantages of more
than 25 years experience in audio engineering, today’s component and
manufacturing technology, but still retaining “that sound” uniquely achievable
through Class A design.
As you can tell, Phoenix Audio International (UK) is dedicated to the
development of Class A discrete technology used within high build-quality
equipment.
The “Nicerizer 16” was originally conceived because of the demand from
customers for something that would "sweeten" the output from Digital Audio
Workstations and to make the final mix easier to distribute and handle.
The “Nicerizer 16” is designed to take the output out of the digital realm, and to
add the Class A characteristics and feel before the final recording.
The ““Nicerizer 16”” uses our well proven and loved Class A output stage
(DSOP-2), but also has our latest breakthrough in transformerless Class A,
Discrete Input Technology which gives a "valve-like" sound, and our Class A,
Discrete, Virtual Earth mixing stage, and Unique Class A Discrete Stereo Width
mixing stage.
You CAN hear the difference!!
!
The “Nicerizer 16” is a 2U, 19" rack mountable 16 channel Input unit, which
can be stacked and linked up to 6 units.
Applications: Range from "digital sweetening" to source routing, to DAW
mixing and from studio to stadium.
Specifications:
• 16 channels of our Class A, discrete, truly balanced transformerless input
• stage.
• Our proven and loved Class A, discrete, transformer balanced output
stage (DSOP-2).
• Class A, Discrete, High Gain, Inverting (Virtual Earth) Mixing stage.
• Individual pan control for each channel (16 x Pan pots).
• 16 x Balanced Input XLR's. Can accept balanced or unbalanced input with
no -6dB loss.
• 2 x mix busses (Stereo Mix Bus).
• ¼” TRS Inserts on Busses (L + R Bus Insert points).
• +8dB Boost button on each channel.
• Master mix bus output level control.
• Stereo LED level monitoring. Switchable for each channel and Main
Output.
• Stereo/mono External/Headphone monitoring Output. Switchable to each
channel, external input (via 2T Return), Auxiliary and Main output,
includes monitoring of the mix bus. (L, R, and Stereo).
• Main Outputs on Balanced XLR's
• Auxiliary Outputs on ¼” TRS Jacks.
• 2T Return inputs on ¼” TRS Jacks.
• Class A Stereo Width control with Loss-less Bass. Pan-able from mono
through to +25% Wider + Width control Bypass switch.
• Huge headroom available on all channels. Input Headroom +26dB. Output
Headroom +26dB
Overview:
The Input signal is fed to the “Nicerizer 16” via the Input XLR’s on the rear panel.
The input signal is panned by the associated pan control on the front panel and
can be monitored by selecting the associated channel on the Monitor control on
the front panel. Monitoring can be achieved via the Front ¼” jack, and rear
connections, and visually by the LED metering on the front panel.
The Nicerer 16 is usually used in channel pairs Eg: 1- Left, 2 –Right.
All channels can be monitored individual, and the L bus and R bus can also be
monitored individually. The main bus output level is adjusted via the main level
control on the front panel.
All connections to the “Nicerizer 16” are wired as follows:
3 Pin XLR connectors: Pin 1 – Ground, Pin 2 – Hot (signal +ve), Pin 3 – Cold
(signal –ve).
¼” (6.35mm) TRS Stereo Jack Sockets: Tip – Hot (signal +ve), Ring - Cold
(signal –ve), Sleeve- Ground.
¼” (6.35mm) TS Mono Jack Sockets: Tip – Signal, Sleeve – Ground.
¼” (6.35mm) TRS Bus Insert Jack Sockets: Tip – Send, Ring – Return, Sleeve
– Common.
Rear Panel Connections:
Inputs:
On the rear panel there are 2 rows of XLR connectors Numbered 1 – 16. These
correspond with the Pan controls and monitor control on the front panel.
These are Balanced XLR Inputs, but are equally capable of accepting an
unbalanced signal without the 6dB loss often associated with sending an
unbalanced signal into a balanced input.
¼” Jacks on Rear Panel:
L R
INSERT
AUX O/P
2T RET
L
R
Inserts:
There are two TRS ¼” Jacks marked Insert L and R. These are unbalanced
inserts to allow you to insert outboard equipment across the busses (such as a
compressor). The inserts can be used as unbalanced or balanced inserts,
providing the correct cable is used. (see connections and functions for wiring
detail).
Aux O/P:
The Auxillary Output ¼” Jacks are unbalanced outputs. These outputs can be
used to drive external monitoring amplifiers or other equipment. The Auxiliary
signal is monitored after the Bus and Stereo Width stage, but before the Main
Output level control and Output Transformers. The Auxiliary Output level is
independently controlled by the Aux Level Control on the front panel.
2T Return:
The 2T Return jacks are ¼” inputs. The input can be either balanced or
unbalanced signal. The purpose of the 2T Return is so that external equipment
(such as analogue tape machines, CD Burners, A/D Converters, Etc.) can be fed
back to the Nicerizer 16’s monitoring system to be monitored on the headphone
output jack on the front panel. The 2T Return does not return the signal to the
bus.
Main Outputs:
There are 2 x Main output XLR’s Labeled Output L and R. These provide access
to the 2 mix busses which are transformer-balanced Outputs driven by our Class
A, Discrete DSOP-2 Output stages, and can be used in either balanced or unbalanced mode. These outputs can also be chained to any number of pieces of
external equipment as long as total loading does not exceed 600R.
Front Panel:
Pan Controls
The front panel has 2 rows of Pan controls numbered 1 - 16 associated with the
Input XLR’s on the rear panel. Each channel is individually controlled and can be
panned From Left to Right, and anywhere in between.
+8 dB Push-button switches
Between the rows of Pan controls there is a row of Push-button switches marked
+8. Each switch is associated with an individual channel, and pressing a switch
will add an additional gain of +8dB to the input of that channel.
Monitor Selector Switch (Rotary)
The monitor Selector switch is a 12 position switch that selects pairs of channels
for monitoring purposes Eg: 1 and 2, 3 and 4 Etc. It also allows monitoring of the
main L and R outputs, Pre-Fade signal, Auxiliary Output, and 2T Input.
Monitoring is achieved visually by the LED meter, and is also available on the
Auxiliary Output Jack sockets on the rear and Output Jack socket on the front
panel.
Front Output Jack Socket
The ¼” TRS Monitor output jack is used to monitor individual channels (mono),
stereo channels (channel pairs), The Auxiliary Output, 2T Return, Pre-fade level
and the Main Output. The Monitor Jack Socket is capable of driving directly into
headphones but is also capable of driving external monitoring equipment or
studio talk-back style systems Etc.
Level Control
The Level Control adjusts the level available at the front Output Jack Socket
only.
Monitor selector Toggle Switch (Left/Stereo/Right)
The switch has 3 positions. L, R and Stereo. When the switch is in the L position
the Left signal being monitored via the Monitor Selector switch is sent to both
sides of the headphone at once (mono). Eg: Channel 1 sent to both sides of
headphone. When the switch is in the R position the Right Signal being
monitored by the Monitor Selector switch is sent to both sides of the headphone
at once (mono) Eg: Channel 2 sent to both sides of headphones. When the
switch is in the Central position (stereo) The left signal is sent to the left
headphone, and the Right signal to the Right headphone (Eg: 1 on Left, 2 on
Right), this also allows you to hear any mixing that may have occurred via the
pan controls across the two associated channels.
LED Level monitoring
The LED Level metering follows the monitor selector switch. Eg: If the Monitor
Selector switch is in position 1 / 2, the Left row of LED’s will show the input Level
of Channel 1(L), and the right row will show the input level Channel 2 ( R). This is
measured as the level after the input amplifier, and is the level being sent onto
the busses. When the monitor selector switch is set in the L/R position, the meter
displays the level being sent to the Output XLR’s. The LED Level indicator lights
an LED as each indicated level is reached. (-2, +4, +10, +13, +16 dB). Although
the metering only shows a maximum level of +16dB and the LED’s are Red, this
in NO WAY indicates that the unit is clipping!! The Nicerizer 16 is capable of
delivering up to +26dB, way beyond the capability of the LED Meters…….So, if
you want a much hotter output, just turn it up!!
Stereo Width Control and Toggle switch
The Stereo Width control is a Class A, Discrete, lossless-bass circuit that can be
used to control the perceived “width” of the stereo image. The control only affects
the output of the signal after the bus (it has no effect on individual channels
before the bus). The width control will alter the image from mono, round to
approximately 25% wider than the original image sent to the busses.
The stereo width toggle switch can be used to bypass the width control so that
thecontrol has no effect on the stereo image regardless of its position.
Main Output Level Control
The Main Output Level control is used to adjust the Main Output Level of the unit
on the main Output XLR’s. The Output level can be seen on the Level LED Meter
when the Monitor Selector Switch is in the L/R position. Remember!! You can
turn this control almost all the way to it’s maximum position, way beyond the LED
Metering Display’s Capability, and still be sure that the Output will not clip! (The
output can actually be driven another +10dB beyond the last Red LED before the
output stages in the unit “might” clip).
Illuminated Mains switch.
Switching this switch into the ‘ON’ position so that the Neon glows, has a
profound effect on the sound quality and gain of the unit. This is best left in the
“ON” position for normal use. ☺
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