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Phasx S600B Operations & Technical
Manual Version 1.1 August 11, 2016
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1. IMPORTANT Safety Information and Instructions
Read the following safety instructions and operations manual before setting up
and using your S600B speakers!
Keep this manual for future reference.
Heed all the warnings and follow the instructions.
1.1. Listening Level Warning
• The S600B speakers are capable of producing very high
SPL levels!
• Permanent hearing damage may occur if exposed to high SPL
levels for a prolonged and or multiple periods of time.
• Extended periods of high SPL listening may allow mistakes in your mixes or
reduce your critical listening ability as your hearing tends to adapt and become
less sensitive over time allowing the missing of important and subtle sounds or
instrument layering in the mix
• Please use safe listening levels when playing back your music material.
1.2. Important Enclosure Notice / Warning
Do not remove any back cover plate screws or open any part of the
S600B Speaker.
Hazardous Voltages exist inside the enclosure and a potential of severe
or fatal electrical shock!
The S600B Speaker has no user serviceable parts inside. Tampered
Seals Void All Warrantees.
To reduce the risk of failure, fire, or
electrical shock, do not expose the S600B Speaker to rain, moisture,
high humidity, or use near water or other liquids.
The S600B Speaker must not be exposed to dripping, splashing, or
spills of liquids.
Do not use in dusty environments as particles could enter
the enclosure or collect on the speaker diaphragms.
Refer all service to a Phasx Authorized Service Center Only
Servicing is required when the S600B has been damaged
in any way, does not operate normally that cannot be solved with
technical support, has been dropped, or exposed to liquids that have
entered the speaker back panel or speakers.
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1.3. Mains AC Power Connection
The S600B should only be operated when connected to an appropriate
AC mains power source and appropriate type of 3 pin connection that
provides a protective Earth ground connection. This includes any
extension cords or power distribution strips. Appropriate power cords
are supplied with each S600B Speaker.
Do not defeat the safety purpose of any 3 pin grounding
type AC mains power supply plug on the S600B power cable or any
power distribution connection.
The S600B can operate on 120VAC @ 60Hz or 220/240VAC @ 50Hz.
To completely disconnect from AC mains, disconnect the S600B
Speaker AC power cord from the AC mains supply receptacle or the
back of the Speaker.
The S600B Speaker should be installed using the shortest practical
wiring and disconnection of the device should be easily accessible.
Power-Cord Protection
Power-supply cords should be routed so that they are
not likely to be walked on or pinched by items placed upon or against
them.
Particular attention should be given to cords at plugs,
power strip receptacles, and power entry connector of the S600B
Speaker.
Power Line Surges and Lightning
As with all sensitive electronic equipment, it is suggested
to use AC Main Power sources that have surge protection.
For additional protection during a lightning storm, or
when left unattended and unused for long periods of time, unplug it
from the AC Mains Power source.
Mains Power Source Overloading
Do not overload wall outlets, extension cords, or integral
convenience receptacles as this can result in a risk of fire or electric
shock.
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1.4
General Cable Connection
Before making connections to S600B Speaker, ensure that the power
switch is off and connecting components are in mute or stand-by mode.
Make sure all cables and connectors are of the highest
quality, and fully checked. Defective cables can harm your speakers.
They are a common source of noise, hum, crackling etc.
Always be careful when making connections which may
have hazardous voltages on them during operation.
Always switch off your entire system before connecting or
disconnecting any cables, or when cleaning any components.
1.5 Placement
The S600B Speaker will get warm to the touch on its
back panel and has ventilation slots that must be left clear to allow air
flow for cooling. Do not place the speaker closer than 6 inches to a rear
surface or wall to assure air flow.
Do not place the S600B near high heat generating sources such as
radiant heaters, radiators, open flames, candles, or other devices that
generate high heat or flames.
Do not place flammable material behind, above, or
beneath the S600B.
Never operate this product in an explosive atmosphere.
The S600B is heavy and must be placed on a firm, level surface.
Do not place the speaker on an unstable cart, stand,
bracket, or table. The speaker may fall, causing serious injury and or
serious damage.
o When a cart or stand is used, use caution when
moving both together.
o Using Isolation dampers under the speaker to help decouple the
speaker cabinet from the stand that will help dampen vibration
noise and other objects which could fall.
Do not block the woofer port at the front bottom of the speaker.
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1.6 Cleaning
Clean only with soft cotton dry cloth.
Never use liquid cleaners, aerosol cleaners, or
flammable / combustible chemicals for cleaning.
Avoid touching the speaker diaphragms.
Do not use a vacuum cleaner or high pressure air source on the
speaker diaphragms as damage may or will occur.
2.7
Magnetic Considerations:
S600B Speakers have 3 drivers; woofer, mid-range, and
high frequency.
Please keep magnetically sensitive items at least 0.5 m
away from the speaker.
2.8 Caution
This device complies with Part 15 of the FCC Rules / Industry Canada licence-exempt
RSS standard(s). Operation is subject to the following two conditions: (1) this device
may not cause harmful interference, and (2) this device must accept any interference
received, including interference that may cause undesired operation.
Le présent appareil est conforme aux CNR d'Industrie Canada applicables aux
appareils radio exempts de licence. L'exploitation est autorisée aux deux conditions
suivantes : (1) l'appareil ne doit pas produire de brouillage, et (2) l'utilisateur de
l'appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est
susceptible d'en compromettre le fonctionnement.
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Changes or modifications not expressly approved by the party
responsible for compliance could void the user's authority to operate the
equipment.
This equipment has been tested and found to comply with the limits for
a Class B digital device, pursuant to part 15 of the FCC Rules. These
limits are designed to provide reasonable protection against harmful
interference in a residential installation. This equipment generates
uses and can radiate radio frequency energy and, if not installed and
used in accordance with the instructions, may cause harmful interference
to radio communications. However, there is no guarantee that interference
will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be
determined by turning the equipment off and on, the user is encouraged
to try to correct the interference by one or more of the following
measures:
—Reorient or relocate the receiving antenna.
—Increase the separation between the equipment and receiver.
—Connect the equipment into an outlet on a circuit different from that
to which the receiver is connected.
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—Consult the dealer or an experienced radio/TV technician for help.
To satisfy FCC / IC RF exposure requirements, a separation distance of 20 cm or
more should be maintained between the antenna of this device and persons during
device operation.
To ensure compliance, operations at closer than this distance is not recommended.
Les antennes installées doivent être situées de facon à ce que la population ne puisse
y être exposée à une distance de moin de 20 cm. Installer les antennes de facon à ce
que le personnel ne puisse approcher à 20 cm ou moins de la position centrale de l’
antenne.
La FCC des éltats-unis stipule que cet appareil doit être en tout temps éloigné d’au
moins 20 cm des personnes pendant son functionnement.
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Table of Contents
1. Declarations of Approvals and Conformities ______________________________ page 2
2. Important Safety Information and Instructions _____________________________ page 3-6
3. Introduction
4. Unpacking and what’s included in the Shipping Box
4.1. Unpacking instructions
4.2. Check list
4.3. Saving Shipping Box
5.
5a. Understanding the S600B
Features Overview>>>>>>>>>>>>>>>>>>>>>>>>>. Pg. 7
Acoustic Pinpoint >>>>>>>>>>>>>>>>>>>>>>>>>>. Pg. 8
Rear View >>>>>>>>>>>>>>>>>>>>>>>>>>>>>. Pg. 9
Rear Panel Details >>>>>>>>>>>>>>>>>>>>>>>>>. Pg. 9
Tweeter adjustment >>>>>>>>>>>>>>>>>>>>>>>>> Pg. 9, 10
5b. Connecting the Speakers >>>>>>>>>>>>>>>>>>>>>>>. Pg. 9
6. Speaker placement>>>>>>>>>>>>>>>>>>>>>>>>>>>>. Pg. 10
7. Controlling the S600B
Stand Alone with no Controller >>>>>>>>>>>>>>>>>>>>. Pg. 12
Stand Alone with Bluetooth>>>>>>>>>>>>>>>>>>>>>... Pg. 13
8. Troubleshooting>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>. Pg. 23
f contents
3. Introduction
To You, our newest Partner:
Thank you for choosing the Phasx S600 Desktop Monitor System. We are very proud to
have created, in our humble opinion, one of the most advanced Desktop Monitors in the
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world, and prouder still that you have chosen to agree with us and give our technologies a
try.
The Phasx team’s mission and ambition is to create a line of Best in Class “Mastering
Worthy” Audio Monitors that
Empower
Media Arts Professionals in ways never before
possible,
Excel
in every benchmark of performance and of sound quality, and
Exceed
user
expectations on every front.
The S600B, our first product in this new line, has taken over eight years to develop, and
called on the skills, efforts, and inputs of dozens of Acoustics, DSP, and Recording
Engineering Professionals.
.
We hope that you will agree with us that the result was worth the wait!
Sincerely,
The Phasx Team
To receive important information and updates, as becomes available, please take a
moment to register your S600B Monitor speakers. Go to
www.phasx.com/S600B/Register
FEATURES OVERVIEW: 1) The Basics:
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2) THE ShadoCasterTM ACOUSTIC Cabinet Construction:
The Patented
ShadoCaster
TM
system allows the small space over a desktop (or similar
size area) to behave as if it were a part of an acoustically corrected soffit-mount speaker
control room playback system, even though it is operating in a more or less standard
domestic room.
The effect is to deliver astonishing sound staging and even accurate elevation effect
reproduction, something that is nearly impossible in an acoustically untreated room.
You have to hear it to believe it --- and now you are about to!
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) THE PHASX ACOUSTIC PINPOINTTM
(Possibly the Simplest Speaker Positioning System Ever Patented)
Panned too far Right
OK!
Panned too far Left
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4) Rear Panel Inputs and Switches:
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5.
Connecting the Speakers
There are three ways of connecting an audio input to the S600B.
1. Analog Input XLR connector Wired Balanced or Unbalanced
2. Analog Input 7mm T.R.S plug Wired Balanced or Unbalanced
3. S/PDIF digital input at any standard bit rate/depth up to 192kHz/24 Bit
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Use the Level selection switch to match analog input level to the sending device.
•
Use the L/R S/PDIF switch to assign the S600 to one or the other channel
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Note: Both Left and Right S/PDIF signals are available at either S600B, so this must
be done with care!
Rear Panel Identifiers:
#1 Power: This is a “hard” switch; In the OFF position, the connection to the Mains Power
is physically disconnected except for the Ground (Safety) wire.
#2 AC Mains Input: This is an IEC type connector, which may be used with any standard
power cable for either 110V/120V 60Hz or 220V/220V 50Hz Mains Power
#3 System Reset Button:
This is used to restore the S600B to factory defaults except for
Room Correction EQ which is retained if present. It’s primarily used when no smartphone
is available to control inputs. See Default System Settings.
#4 Chassis and Signal Ground:
This is a standard binder post which gives access to a
low impedance path to system and audio ground, should it be needed. It is not normally
necessary to connect anything to this terminal.
#5 Analog Audio Input: This is a dual-type professional audio input connector which is
compatible with either XLR type connectors in Balanced or Unbalanced mode, or 7mm T-RS type connectors in Balanced or Unbalanced Mode. This works in conjunction with the
Input Level Select Switch.
#6 Analog Input Level Select Switch: This is a two position switch which sets the Analog
Input Gain to either the Professional standard of +4dBu, or to the Consumer/Prosumer
standard of -10dBV.
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#7 S/PDIF Left or Right Selector Switch:
Because both channels come in on the S/PDIF
input jack, the user needs to decide which channel will be played by this S600. This switch
can be overridden by either the Bluetooth APP or by the ADIO600 Connector.
#8 S/PDIF Input Jack: This is the Input for digital audio in the S/PDIF form. Any bit rate/bit
depth from 8bit 32 kHz to 24bit/192kHz is compatible, but 24bit 96kHz is generally
recommended. Use 75 Ohm video-type Cable.
#9 S/PDIF “Jump” Jack: Use this to jump to the S/PDIF INPUT of the next S600B. Use only
high quality 75 Ohm video-type RCA to RCA cable.
#10 Tweeter Cabinet Position Adjustment: Use a #1 or #2 Philips Screwdriver to loosen
the clutch that holds the Tweeter Cabinet in place. Reposition the Cabinet and re-tighten the
clutch. Hand Tightness Only! This is best done with 2 people, one in the “driver’s seat” and
the other adjusting Tweeter Position.
#11 USB Upgrade and Diagnostics Connector: This connector mates with any standard
USB memory stick to provide an easy way to load in software updates obtained from our
website or by email from our Customer Service Team.
#12 Phasx ADIO600 Connector: This RJ45 (Data Network) Type connector is used with the
Phasx ADIO600 USB-2 based Monitor and Routing System for DAW’s.
6. Speaker Placement
The S600B is designed to be mounted primarily on a desktop at about
28”-30” above the floor (Standard Desk Height) and at about 3 feet from the
user. Alternatively, Desk height stands can be used to increase the stereo
image spread, and experience has shown that this is generally a good idea.
The S600B should be positioned a minimum of 2’ from the nearest wall
whether the wall be to the rear or to the side. Walls any nearer than 2 feet
will need to have diffusion panels strategically placed to manage wall
reflections.
This is particularly true in the case of rooms which have hard ceilings at a
height of 10 feet or lower, or soft (suspended) ceilings at less than 8 feet
above the floor.
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7.
Controlling the S600B
The S600B can be used without a smartphone or iPad, but it is
generally NOT Recommended except in case of an emergency. If no
Smartphone or iPad is available, here are the steps to take:
1) Switch Power On. If the S600B is new, go to step 4.
2) After power has come on and the Tweeter Mounted
LED’s have cycled through their boot pattern, press the
System Reset Button until the LED’s Cycle ONCE to
leave last saved Room EQ in place or TWICE to erase
Room EQ.
3) Now Switch the Power OFF
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4) Connect a known good active S/PDIF input OR a known
good Balanced Analog input running at the +4dBu level
standard. Connect ONLY ONE OF THESE, NOT BOTH.
5) Switch the S600B back on. The unit will be playing the
signal from the input you connected
Hopefully a smartphone or iPad will be available to host the
Phasx S600 Bluetooth APP. Instructions for its use begin on
the next page.
Phasx S600B Bluetooth APP:
To Link your iPhone to the Phasx S600 Bluetooth APP,
Perform these steps:
1. Select the Phasx S600 App from the main screen: You
will see this screen first.
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2.
Hit the “Scan” button on the upper right, and something
like this screen will appear assuming that power is on
and boot has completed on Both S600Bs. NOTE: These
two S600B’s have already been renamed with an easy to
remember “local” name instead of the Bluetooth Unit
broadcast number that the units ship with.
3. Touch the first S600 listed (in this case it’s “Studio 1 Right”).
That S600B will be linked via Bluetooth, and the Main Volume and
Navigation Screen will appear. NOTE: So far, you have only linked
ONE of the two S600B’s.
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4. You can go back to get a link to the other one by touching
“PHASX Device” Up at the top of the screen in the iPad operating
area. You will be returned to the Link screen, but this time, the
S600B that you already linked to will be missing, with only the
unlinked one listed.
5. Now touch the remaining Unit, in this case Studio 1 Left, and it
will immediately be linked and the system will return you to the
Home Screen. NOTE: you can always use the “PHASX Device”
button to return to the link page if you need to check on link
integrity.
6. If you want to change the link to another device, or just pass on
the control to someone else, use the “Release Bluetooth” Button
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Home: Main Volume and Navigation Screen
From the Home Volume & Navigation Screen you can perform the
Following Functions: (in rough order of importance)
1) Control Volume of the S600B Monitor Pair with the Volume Slider
Widget.
2) Increment or Decrement Volume in 0.5dB increments with the + and
– keys.
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3) Mute the Speakers (all three Indicator LED will light RED)
4) Dim the Speakers to an attenuation less than a full Mute as set in
the Initial Volume Settings screen.
5) Turn The Room Compensation EQ either ON or OFF
6) Turn The Custom Voicing Feature On or OFF
7) Release the Bluetooth Connection(s) – useful for room handoffs
and individual Speaker operations such as Bluetooth Name
Changing
8) Rename a given Speaker’s Bluetooth Broadcast Name so that it is
easier to handle situations in which more than one S600B Pair is
running in the same vicinity. This MUST be done one S600B at a
time.
9) Navigate to the Settings Screen
Settings Screen:
From the Settings Screen, you can navigate to the four areas of
adjustment:
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1) Set Initial Levels, Dim Depth, Balance, Etc.
2) Select the current input, including a built in Pink Noise Source.
3) Load or Modify the Current Room Correction EQ Settings.
4) Load or Replace the Current Custom Voicing Profile.
Initial Level Setting Screen
The Level Settings Screen allows you to set:
1) The initial Volume Level that the Master Volume control of both S600B’s in
the pair will be set to on next boot-up. In order to
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2) facilitate the level setting, a built in Pink Noise Generator set to the
equivalent of +4dBu or -18dBFS can be turned on and off from this screen.
The Up and Down Arrows next to the Initial Level Indicator Window let you
increment and decrement the value in 0.5dB increments.
3) The “depth” of the Dim Level, from -5dB to -40dB by using the Up and
Down Arrows which allow a change in 0.5dB increments
4) The Balance between the two S600B Speakers. Note that this is one of the
settings which will not be saved from session to session, as it is potentially
too dangerous in terms of production confusion. The balance is
accomplished in 0.2dB increments, but is actually a process of subtracting
0.1dB from one side and adding 0.1dB to the other side at the same time so
as to preserve net level settings precisely. Again, the balance change is
actuated using the two pads to the left and right of the Balance indicator.
The indicator shows the Unit and amount of + gain, that is the channel
towards which the pan is moving and the amount of the pan gain.
Source Selection and Trim Controller Screen
The Source Selection Screen works for both S600B speakers in a stereo pair
and allows:
1) The Selection of Input:
a) S/PDIF
b) Analog
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c) Internal Pink Noise Generator set to -18dBu equivalent at the
input. Note that this is Uncorrelated Pink Noise, meaning that
there is a separate and independent PN generator in each
S600B. The two noise generators are precisely matched in
level, but they do not, and cannot, have any “Mono” or “Center”
Content, so the two channels add acoustically at 3dB, NOT 6dB
as would be expected from a Common or Mono Pink Noise
Signal.
2) S/PDIF Stereo Format Selection
a) Stereo
b) Stereo Reverse
c) Mono
NOTE THAT THESE SETTINGS APPLY ONLY TO S/PDIF; The
Other two inputs (Analog and Pink Noise) are wired to only one
of the two S600B’s and so cannot be reversed or added.
3) Analog Input Trim: This allows input Gain Trim for the analog input
channel of +or- 10.0dB in 0.5dB Increments
4) LED Brightness: This allows Brightness trim for the 3 Warning LEDs
on the Tweeter Cabinet. Zero Brightness is possible, but will not be
stored as a preferred brightness for the next boot.
Room Compensation EQ
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The S600B is aimed at Media Professionals that are often challenged by the
room size, more or less cube room shape, and lack of acoustic treatment.
Of course, the fundamental purpose of the Shadocaster shape is to create a
small “first-reflection free” zone for the mixing/tracking/mastering engineer.
That “Zone” reduces or eliminates the need for a lot of what might otherwise
have to be done to a room to make it usable for professional audio content
creation.
The Room Compensation EQ allows the application of up to 10 Parametric
EQ sections with enough flexibility to tame the low frequency “Room Boom”
in nearly any “domestic” type room. Basically, if a room is good for intelligible
conversation among three to five people, it can generally be made to behave a
lot better by this feature.
Note that all EQ values are applied equally to both speakers in a pair of
S600B’s. This is true (in part) because this sort of Room Acoustics “Band-Aid”
only works well into the roughly 250Hz area at the highest, and is most
effective in the 40Hz to 120Hz region. Luckily, that is also where this sort of
room correction is most often needed.
Unlike most offerings of this kind in professional audio, we give the user
complete control over the number of EQ sections and the parameters of each
one. The freely available room correction program R.E.W. offers a user
settable output text field that lists all the needed Parametric EQ’s in the same
terms that this page accepts: Frequency, Q, and Boost/Cut. Download the
application for Windows or MAC at http://www.roomeqwizard.com.
Read the step by step instructions on the REW website. Then view a few of
the many tutorials that have been made for REW. This will make anyone (with
sufficient motivation) a Room Acoustics Specialist, and the S600B makes it
easy to cure (at least partially) your Room Boom problems without a whole lot
of acoustic treatment.
How to Enter a New Room Compensation EQ Profile:
1. Load a previously stored profile (if available) which might require only
minimal changes to work in the current room:
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b) Touch “Load Room EQ” You will be taken to a listing of
currently available room EQ Profiles (if any have been stored
previously) such as in this example:
c) Select the most appropriate save group and hit OK (“Done”
exits with no selection)
d) Now by using the =/- keys @ “Select Filter Number” you can
scroll through each of the 10 filters saved in each group and
modify them according to the current room’s needs. You can
“shut off” any unneeded filters by simply setting the Boost/Cut
to 0.0dB
2. If you needed to build a new Room Comp Filter Group from scratch,
here are the steps:
a. Scroll through the filters on the screen to be sure that none
are active, and if any are, set the boost/cut value to zero
b. Select a Filter number. You don’t have to start with #1, but it
is highly advisable.
c. Enter the Parameters for the first filter; Frequency, Q, and
Boost/Cut Value in +/- N.N form (the dB part is understood)
d. When the parameters are entered for the first filter, touch
“Apply Single Filter Change”
e. You can now TEST the single filter by touching “Engage EQ”
at the bottom of the screen. The EQ will switch in and the
button will change to “Bypass EQ” You can now use the
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button to “A-B” the EQ and then fine tune the filter you are
working on. NOTE: As you build a complete EQ group, the
entire group will be A/B’d on and off with the switch, not just
the particular filter you are working on.
f. When you are done (or when you reach a stopping point)
perform steps g, h, and I below:
g. After you touch “Apply Single Filter Change” the Legend will
change to “Filter Change Applied” and at the top of the
screen, The “Load Room EQ Group”” legend has changed to
“Save as New Room EQ Group”
h. Touch “Save as New Room EQ Group”
i. A “Input New EQ Group Name” Window will come up along
with a keyboard. Enter a new name and hit “OK”
8. Troubleshooting
No Sound
Using the “Source Selection and Trim Controller Screen” (page 19)
select “Pink Noise” and adjust the level to make certain that both S600B’s
are passing PN signal. If not, contact Phasx Service at 1 800 823 2383 toll
free in the US and Canada or +1 321 325 6104 from anywhere else in the
World.
If the PN sounds OK, it will be necessary to track down the input signal
wiring. The Pink Noise is generated near the very first input stage of the
electronics that drive the speaker. It is extremely unlikely that the PN will
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work while the Analog and Digital input section has failed, but in the event
that no other explanation is possible, call Phasx Service at 1-800 823 2383.
Distorted signal
The S600B is made to accept Analog signals up to a maximum level
of approximately +19dBu. Anything more will certainly cause distortion but
is not indicative of any failure.
It is important to note that the S600B is meant to decode ONLY
standard S/PDIF digital signals. (commonly called PCM audio).
NO other sort of Digital Audio Signal can be decoded by the S600B. Be
sure you are wiring a known good S/PDIF signal to the S600B. While not
very likely, incorrect signals could even cause damage and might create
crackling noise and the like.
If you know the signal you are using is standard S/PDIF, double check it by
connecting it to another independent decoder, also known good.
If the independent decoder sounds OK, please take note of the Bit Rate and
Bit Depth and call Phasx Service at 1 800 823 2383.
Register Your Product
•
To register your product, go to phasx.com/s600/register
Limited Warranty
PHASX LIMITED WARRANTY
PHASX TECHNOLOGIES Inc. warrants that this product is free from defective material and workmanship. PHASX
further warrants that if product fails to operate properly within the specified warranty period and the failure is due to
improper workmanship or defective material, PHASX will repair or replace the product at its option. All warranty repairs
must be performed by a PHASX authorized service center. The name and address of the location nearest you can be
obtained by calling toll free: 1-800 823 2383 or on line at WWW.Phasx.com/support.
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Transportation to and from the service center is the customer’s responsibility but Phasx will pay one way for warranty
repair. The original dated sales receipt must be retained by the customer and is the only acceptable proof of purchase. It
must be presented to the authorized service center.
WHAT IS NOT COVERED
This warranty does not cover damage due to accident, fire, flood and/or other acts of God; misuse, incorrect line voltage,
improper installation, improper or unauthorized repairs, commercial use, or damage that occurs in shipping.
Exterior and interior finish, LEDs, and cables are not covered under this warranty.
Customer adjustments, which are explained in the instruction manual, are not covered under the terms of this warranty.
This warranty will automatically be voided for any unit found with a missing or altered serial number. Some States do
not allow the exclusions or limitations of incidental or consequential damages, or allow limitations on how long an
implied warranty lasts, so the above limitations or exclusions may not apply to you. This warranty gives you specific legal
rights, and you may also have other rights, which vary from State to State.
CONTACTING PHASX
To obtain warranty service for your product, please choose one of the following:
Call PHASX Service at: 1-
800 823 2383
or
Fill out our convenient, online service request form at www.Phasx.com/S600/Support
Technical Data Specifications
• True 3-Way Operation with Separately Amplified
Woofer, Midrange, and Tweeter
• 28Hz to 23kHz +/- 1.5dB in Free Air Without a Subwoofer
• 100dBSPLContinuous & 120dBSPL Peaks at 1 Meter (pair)
• In Genius
tm
Balanced Analog Input for 90dB CMRR and
• S/PDIF input with Asynchronous Rate Conversion for
any rate to 192Khz, depth to 24bit
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• Bluetooth Controlled Internal 32bit Master Volume
means NO Extra D-A or A-D Conversions
• Elite Class Hypex N’CORE
TM
Amps Throughout: Woofer
@ 200W, Mid @ 100W, Tweeter @
100W
• Patented Acoustic Pinpoint
TM
system minimizes Multi-
User and Continuity issues.
• Proprietary Zero-Attack Time Peak detectors protect
drivers and warn the user of Compression
• Three-Band, Three Level indicator system provides
confidence and impending compression warning
• Flexible Room Correction Filter set provides 10 Bands
of EQ to surgically remove Room
Boom
• Live Switchable Custom Voicing settings for both
Mastering Style and Room optimization.
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