1 Gpx/s throughput Direct Record to Phantom CineMag IV
1 μs minimum
standard;
280 ns min w /
FAST option
375 ns425 ns400 ns550 ns
72GB, 144GB, 288GB high speed internal RAM
CineMag IV non-volatile memory storage (1TB, 2 TB)
Dedicated BNC, via capture port, On-Camera Controls, Image-Based Auto-Trigger,
Options
Ethernet
Power
Video Out
Special
Standard Gb Ethernet and 10Gb Ethernet for faster download speed
Two ports for primary and backup (20-28 VDC) on camera back panel
Two HD-SDI ports on camera; Analog video (NTSC or PAL) available on Break-out-Box;
Partition memory into segments and make shorter recordings back-to-back without
Internal mechanical shutter for hands-free and remote CSR
Features
Advanced ‘On-Camera Controls’ for camera setup, capture, playback, edit,
Popular
Accessories
* Measured according to ISO 12232:2006 method
CineMag IV, CineStation IV for CineMag IV, RCU, Break-out-box,
Video monitor for use with on-camera controls
28 μm size, 12-bit depth
Color: 6,400D*; 10,000T*
128 x 16 (Continuous Adjustable Resolution)
20 Gpx/s /
20,000 fps
1 μs minimum
standard;
305 ns min w /
FAST option
or via Phantom PCC software
Component viewfinder port
missing any action (63 maximum)
(Current Session Reference)
and save to Phantom CineMag IV
16,000 fps at
full resolution
1280 x 800;
1,000,000 fps at
reduced resolution
of 128 x 16
w/FAST option
(647,000 w/o)
100 fps
16 Gpx/s /
16,000 fps
1 μs minimum
standard;
500 ns min w /
FAST option
12,000 fps at
full resolution
1280 x 800;
820,000 fps at
reduced resolution
of 128 x 16
w/FAST option
(571,000 w/o)
12 Gpx/s /
12,000 fps
1 μs minimum
standard;
500 ns min w /
FAST option
Phantom Ultrahigh-speed Camera Manual
1
Introduction
Camera Capabilities
The Phantom ultrahigh-speed UHS-12 Series consists of
the v1212, v1612, v2012, v2512.
The Phantom v1212 digital high-speed camera is capable
of capturing 12 Giga-pixels per second (Gpx/s) of data
from our proprietary CMOS sensor. At full resolution
(1280 x 800), the camera can capture 12,000 framesper-second (fps).
The Phantom v1612 features 16 Gpx/s throughput and
a maximum frame rate of 16,000 fps at full resolution
(1280 x 800).
The Phantom 2012 achieves over 22 Gpx/s throughput
and a maximum frame rate of 22,000 fps at full resolution
(1280 x 800).
The Phantom 2512 boasts 25 Gpx/s throughput and a
maximum frame rate of more than 25,000 fps at full
resolution.
1
Chapter 1: Introduction
All Ultrahigh-speed cameras are capable of over 570,000
fps at reduced resolution. The FAST option (export
controlled), available for all ultra high-speed cameras,
increases frame rates to 800,000 fps for the Phantom
v1212 and 1,000,000 fps for the Phantom Phantom
v1612, v2012, and v2512 camera models.
High throughput is important. At any given resolution,
a camera with the highest throughput will provide the
fastest possible frame rates.
Image Storage
Sensor Characteristics
The Phantom v1212, v1612, v2012, and v2512 cameras
can be equipped with 72GB, 144GB, or 288GB of highspeed memory. A camera with 288GB of memory,
recording at 10,000 fps at 1280 x 800 can record
a single high-speed shot (called a cine) for almost 20
seconds.
The Phantom v1212, v1612, v2012, and v2512 cameras are also compatible with Phantom CineMag IV long
recording devices available in 1TB and 2TB capacities.
The Phantom v1212, v1612, v2012, and v2512 cameras
can securely save a 288 GB cine to an attached Phantom
CineMag IV in about 4.5 minutes. (Phantom CineMag IV
throughput is 1GB/s for these cameras).
The Phantom v1212, v1612, v2012, and v2512 use a
proprietary CMOS sensor designed by Vision Research
and are available in monochrome or color versions.
Their 28 micron (μm) pixels result in very high light
sensitivity. All UHS-12 Series monochrome cameras have
a sensitivity of ISO 32,000D* and 100,000T, and color
cameras ISO 6,400D* and 10,000T*
Sensor resolution is 1280 x 800 pixels “wide-screen”
format. The rectangular shape of the 1 Mpx sensor allows
the user to keep moving objects in the frame longer and is
compatible in aspect ratio with modern display technology.
The physical size of the sensor is 35.8mm x 22.4mm
(42.27mm diagonal).
2
Phantom Ultrahigh-speed Camera Manual
*: Measured using the ISO 12232 SAT method.
All Phantom Ultrahigh-speed cameras have global
electronic shutters, with minimum exposure times of
1μs (standard). With the (export controlled) FAST option
minimum exposure times are: v2512 - 280ns, v2012 3015ns, v1612 - 500ns, v1212 - 500ns.
Advanced Features
Image-Based Auto-Trigger (IBAT): Phantom v1212,
v1612, v2012, and v2512 cameras can detect changes
in an image which can be used to trigger the camera
(or even a number of cameras), making it easy to record
unpredictable events.
Multi-Cine: The internal memory of a Phantom v1212,
v1612, v2012, and v2512 camera can be partitioned into
as many as 63 segments for shorter recordings, back-toback, without missing any action.
Burst Mode: Precisely generate a programmable
number of frames for every (internal or external) frame
synchronization pulse.
Internal Mechanical Shutter: Easily perform black
references remotely using the built-in mechanical capping
shutter for optimum image quality.
10Gb Ethernet: 10GBase-T (RJ45) Ethernet port for very
fast data transfer.
Continuous Recording: Automatically save cines from
internal camera memory to an external storage, without
user intervention.
Exposure in PIV: The Phantom Ultrahigh-speed cameras have an extremely short inter-frame (straddle) time,
(the Phantom v2512 is 375ns, the v2012 is 425ns, the
v1612 is 400ns, and the v1212 is 550ns), and are easily
synchronized with external devices.
Command & Control
All Phantom ultra-high speed cameras can be setup and
controlled using the built-in On-Camera Controls (OCC),
the user-friendly Phantom Camera Control (PCC) software,
or a Phantom Remote Control Unit (RCU).
Detailed information about Phantom cameras,
features, and software can be found at:
www.visionresearch.com
3
Chapter 1: Introduction
on-camera controls
4
Phantom Ultrahigh-speed Camera Manual
PLAYBACK
On-Camera Controls (OCC) provide full control of the
camera without the need to connect to a PC.
B-REF - when the camera is ‘Live’ and ‘Waiting for
Trigger’ this button initiates a Black Reference.
During ‘Playback’, it is the Play, Pause, or Fast Forward
(hold 1 sec) button.
Tools - when the camera is ‘Live’ and ‘Waiting for Trigger’
this button toggles between a Live image, and the Zoom,
and Threshold functions.
During ‘Playback’, it is the Rewind, Pause, or Fast Rewind
(hold for 1 sec) button.
Playback - used to select a cine for playback
(from internal memory / Phantom CineMag IV).
Menu - used to display the Setup menu and to navigate /
select recording parameters.
During ‘Playback’, it can be used to select, edit, save,
or scroll (scrub) through cines.
Trigger - used to:
• Switch from ‘Pre-trigger’ to ‘Waiting for Trigger’
• Trigger the camera (‘Loop’ mode)
• Start (hold 1 sec) / Stop recording
(‘Run/Stop’ mode)
• Return to ‘Live’ mode
Using the Menu Knob
1. From any of the ‘Live’ screens; rotate the Menu
knob to display the ‘Camera’ menu
2. Rotate the knob to the desired camera parameter,
then press the knob to select
3. Rotate the knob, in either direction, to change the
selected parameter, then press knob to confirm
5
Chapter 1: Introduction
BCF
AG
D
E
L
M
H
I
OPQ
K
J
N
rear connector panel
6
Phantom Ultrahigh-speed Camera Manual
Trigger
TTL Pulse (Rising/Falling Edge), Switch Closure
A
Time Code In
I/O 1
I/O 2
I/O 3
I/O 4
HD-SDI 2
HD-SDI 1
Power Switch
Range Data
GPS
Remote Control Port
IRIG-B In (Modulated/Unmodulated)
B
Ready
C
F-Sync
D
Time Code Out: IRIG-B, SMPTE
E
Strobe
F
The two HD-SDI ports can acts as identical 4:2:2
G
HD-SDI ports with one set up to provide an optional)
on-screen display to monitor the on-camera controls
H
and cameaa operation. Or, they can be configured as a
‘single 4:4:4 Dual-Link HD-SDI port.
Off / Auto / On
I
Used to stamp images with acquisition data (azimuth
J
and elevation)
GPS input for GPS timing, longitude & latitude
K
RS-232 and Power (for Phantom Remote Control)
L
1 Gb Ethernet
10 Gb Ethernet
Primary DC Input
Backup DC Power
Capture Port
CAT5 UTP (for control and data transfer)
M
RJ45 10Base-T UTP (for control and data transfer)
N
20 - 28 Volts DC
O
20 - 28 Volts DC Backup
P
Ready, Strobe, A-Sync, Pre-trigger, NTSC/PAL Video
Q
7
Chapter 1: Introduction
A
side connector
7-pin Fischer – Provides +12V power and component
VF Pwr or Component VF
A
signal for viewfinders such as the Sony HDVF35W.
Also works with the Phantom YPRPB cable.
8
Phantom Ultrahigh-speed Camera Manual
2
Quick Start Guides
Prepare Your Computer
Install PCC Software
Connect the Camera to
the Computer
via pcc software
Camera controlling computers:
1. Must have either the Microsoft Windows XP Pro,
VISTA Business Edition or Windows 7 or
8 operating system installed.
2. Firewalls must be turned off.
(Contact your IT Group if necessary)
3. Using the ‘Windows Control Panel’ set the IP
address of your computer’s network card to
100.100.100.1 with a 255.255.0.0 subnet mask.
4. If working with a 10Gb Ethernet connection the
computer’s IP address should be set to 172.16.0.1
with a 255.255.0.0 subnet mask.)
Install the latest version of Phantom Camera Control
(PCC) software from the accompanying CD or USB key.
Connect the 20 - 28 VDC power supply to the camera’s
Primary DC Input connector.
Attach the supplied Ethernet cable between the Phantom
camera and the computer.
Connect the supplied Capture cable to the Phantom
camera.
Attach Phantom CineMag IV
If an external trigger is being used to trigger the camera,
connect it to Trigger connector on the rear panel of the
camera.
Mount a Phantom CineMag IV, if available.
Detailed information about attaching a Phantom
CineMag IV can be found in Chapter 7: Phantom
CineMag & CineStation IV of this manual.
9
Chapter 2: Quick Start Guides
Select Camera for Use
In the Manager Control Panel double mouse-click on the
Phantom camera to be used from the ‘Cameras’ group
folder.
Define Recording
Parameters
‘Arm’ Camera
Trigger
Click the ‘Live’ tab.
Click ‘Cine Settings’ and define following parameters by
either the selecting the required value from the pull-down
selection list, or type a value into the respective data entry
field.
1. Set ‘Resolution’ to the required Width x Height.
2. Choose the required ‘Sample Rate’ and ‘Exposure
Time’.
3. Ensure the EDR, (Extreme Dynamic Range)
exposure time is set to zero (0).
4. Post Trigger to zero (0) by:
e. Moving the ‘T’ (Trigger Position) slider to the
right, or
f. Enter zero (0) into the ‘Last’ data entry field.
Click on the CSR button to perform a Current Session
Reference.
Click the ‘Capture’ button to start recording to the camera’s internal memory (circular buffer).
At the end of the action, click the action ‘Trigger’ button
at the bottom of the ‘Live’ panel, or
10
Phantom Ultrahigh-speed Camera Manual
Edit Cine
Provide a switch closure or an external trigger signal
(TTL pulse) via the Trigger connector.
Click the ‘Play’ tab.
Using the following Video Control Buttons to locate the first
image of the cine to be saved.
Rewind
Pause
Play
Fast Rewind
Rewind 1 Frame
Advance 1 Frame
Fast Forward
Locate the first image of the cine to be saved.
Click the ‘Mark-In button.
Locate the last image of the cine to be saved.
Click the ‘Mark-Out’ button.
Select ‘Play, Speed, & Options’ and enable (check) ‘Limit
to Range’.
Under the Video Control Buttons click the ‘Jump to Start’
button.
Review Edited Cine
Save to Computer
Save to Attached
Phantom CineMag IV
Review the edited cine using the Video Control Buttons.
Click the ‘Save Cine...’ button at the bottom of the ‘Play’
panel.
In the ‘Save Cine’ window:
1. Navigate to the folder where you want to save the
cine file.
2. Enter a file name for the cine file in the ‘File name:’
data entry field.
3. From the Save as type pull-down selection list
select the ‘Cine Raw, *.cine’ file format.
4. Click the Save button to begin downloading the
cine file from the camera to the computer’s hard
drive.
Click the down-arrow of the ‘Save Cine... button.
Select ‘Save RAM Cine to Flash’ (in popup window).
Click the Save button to save the cine file onto the
Phantrom CineMag IV.
Confirm cine save before deleting from
internal memory
11
Chapter 2: Quick Start Guides
Confirm Computer Save
Click the ‘Open File’ button.
In the ‘Open Cine’ window:
1. Navigate to the folder containing the saved cine
file.
2. Highlight the cine file to be opened.
3. Click the Open button.
Using the Video Control Buttons review the saved cine file.
Confirm CineMag Save
Click the ‘Manager’ tab.
Double-click on the ‘Cine F#’ file under the camera used
to record the cine.
Using the Video Control Buttons review the saved cine file.
12
Phantom Ultrahigh-speed Camera Manual
Mount camera onto suitable support.
Attach and adjust appropriate lens.
Power Up Camera
Setup Video Monitor
Attach Phantom CineMag IV
Set Recording Parameters
Connect a suitable power supply (20-28VDC) to the
Primary DC Input connector, then set the power switch
to the ‘ON’ position.
Connect a suitable HD-SDI video monitor (not supplied)
to the ‘HD-SDI 1’ connector on the connector panel of the
camera.
Mount a Phantom CineMag IV, if available. For detailed
instruction see Chapter 7: Phantom CineMag & CineStation IV.
From any of the ‘Live’ screens; rotate the Menu knob to
display the ‘1/2 Camera’ menu.
Rotate the knob to the desired camera parameter, then
press the knob to select.
Rotate the knob, in either direction, to change the selected
parameter, then press knob to confirm.
• Set ‘Resolution’ to the required Width x Height
• Choose the required ‘Speed’ (frame rate) and
‘Shutter’ (exposure time).
• Set the ‘T’ (trigger position) at the beginning, or the
end, or some position within the internal memory
Perform Black Reference
Press ‘B-REF’ button.
Black Reference should be performed after all
recording parameters have been set.
via on-camera controls
13
Chapter 2: Quick Start Guides
Perform White Balance
(Color Cameras Only)
From the ‘1/2 Camera’ screen; rotate the ‘Menu’ knob
until the ‘2/2 Image’ screen displays.
Point camera towards a non-saturated white area.
Set ‘White Balance’ to ‘OK’, then press the ‘Menu’ knob.
Set ‘CC+0’ (Color Compensation) to ‘Auto’, then press the
‘Menu’ knob.
‘White Balance’ (Color Temperature) adjusts
the red and blue components, while ‘Color
Compensation’ adjusts the magenta and
green components of the white balance.
‘Arm’ Camera
Trigger
Select Cine
Edit Cine
Playback
Save to Phantom CineMag IV
Press the ‘Trigger’ button to switch from ‘Pre-trigger’ to
‘Waiting for Trigger’ (‘Loop’ mode).
Press the ‘Trigger’ button.
Press ‘Menu’ knob to access the ‘Select’ screen.
Rotate ‘Menu’ knob to the cine to be reviewed, then
depress to select it.
Press ‘Playback’ knob to access the ‘Play Options’ screen.
Locate the first image to be saved and select ‘Set In’ to
set the Mark-In point.
Locate the last image to be saved and select ‘Set Out’ to
set the Mark-Out point.
Review the edited cine.
‘Save’ marked frames to Phantom CineMag IV (optional).
Confirm save to Phantom CineMag IV before
deleting from internal memory
14
Phantom Ultrahigh-speed Camera Manual
‘Connect Camera to
Remote Control Unit
Connect an HD (BNC) cable between the ‘Video-In’
connector on the rear of the Remote Control Unit (RCU),
and the HD-SDI 2 connector on the rear panel of the
camera.
Connect the Remote cable (9-pin female) to the ‘Remote’
connector on the rear of the RCU.
Connect the Remote cable (9-pin male) to the ‘Remote’
connector on the camera’s rear panel.
Power Up Camera
Power Up RCU
Install Phantom CineMag IV
Set Recording Parameters
Connect a suitable power supply (20-28VDC) to the
DC Input connector, then set the power switch to the
‘ON’ position.
Hold in the RCU ‘Menu’ button (2 seconds).
Insert a Phantom CineMag IV, if available. For detailed
instruction see Chapter 7: Phantom CineMag &
CineStation IV.
Gently depress the ‘Setup’ button, then the Acq,
(Acquisition), button.
Set the‘Aspect Ratio’: Press the down-arrow (right of
‘Aspect Ratio’ field) and select an ‘Aspect Ratio’ from
the pull-down selection list.
Define the Resolution, Frame Rate, Exposure, and Post
Trigger settings using the Numerical Keypad to specify
the desired setting.
To overwrite the present value:
1. Tap the entry field once, (turns entry field yellow),
then
2. Tap the key pad to enter the desired value.
3. Tap the Enter key to set the value.
To append the value:
4. Tap the entry field twice, (turns entry field white),
then
5. Tap the key pad to append the value.
via remote control unit
6. Tap the Enter key to set the value.
15
Chapter 2: Quick Start Guides
Press the Return, , icon (upper-left) to return to the
Setup Screen.
Perform CSR
Perform White Balance
(Color Cameras Only)
‘Arm’ Camera
Trigger
Edit Cine
Press the ‘Capture’ button.
Tap the CSR, (Current Session Reference), button
When prompted tap the Begin button.
Tap the ‘White Balance’ button.
Place a white or neutral non-saturated object in front of
the camera.
When prompted tap the Begin button.
Press the Rec, (Record), button.
Apply a trigger to the camera by depressing the hardware
Trigger’ button (on RCU), or apply ‘Trigger-In’ (TTL pulse)
signal to the Trigger connector on the back of the camera.
Click the Play button.
Locate the first / last image to be saved by:
Performing a Quick Search:
Rotate the Jog/Scroll dial until desired point in cine is
achieved, or
Press and hold down on ‘Image Location Identifier’
arrow, , located just below the Cine Editor Bar and
slide finger right to quickly advance cine, slide left to
quickly rewind (present image number is displayed
above).
Save to CineMag
16
Phantom Ultrahigh-speed Camera Manual
Using Video Control buttons:
Play
Reverse
Pause
Click the Mark-In and Mark-Out buttons to set
the first / last images, respectively, of the cine to be saved.
Tap the ‘Save’ button to save the edited RAM cine file to
the Phantom CineMag.
3
Phantom Software
The latest version of Phantom PCC software
can be found and downloaded from the support
section of the Vision Research website:
www.visionresearch.com
Pre-Installation
PCC (Phantom Camera Control)
Application Overview
Toolbar
Phantom control software is certified to operate with
the following Microsoft Windows operating systems:
Windows XP Pro, Windows VISTA Business Edition,
Windows 7 and 8.
The computer and camera must be associated with the
same sub-network to communicate with one another.
Vision Research has preset IP address (100.100.x.x)
with a subnet mask (255.255.0.0) to the camera.
Typically the IP address 100.100.100.1 / 255.255.0.0 is
defined to the control computer. When multiple computers
are used to control the same camera, each computer
requires a unique IP address, for example, 100.100.100.1
(255.255.0.0), 100.100.100.2 (255.255.0.0), and so on.
The software is built around a multi-layered work area that
includes the following work areas:
Provides quick access to the most frequently used
functions. Position the mouse over a button and wait for
a second to display a text box describing what it is.
Note the ‘Help’ buttons which provides valuable
reference information on the software, including
extensive documentation.
Chapter 3: Phantom Software
17
Control Tabs
The main window of PCC is divided into three tabs: Live,
Play and Manager.
When first started, the ‘Manager’ tab is selected. It is in
this tab connected cameras are displayed, selected for
use, and renamed. It is also used to manage saved Cine
files.
To rename, highlight then click the name of a camera.
This can be useful when working with multiple cameras.
All camera control and setting of shooting parameters
(frame rate, shutter, etc.) is performed in the ‘Live’ tab.
The ‘Play’ tab is used to review, edit, and save Cine files,
(either from the camera or from files on the local hard
drive).
PVP (Phantom Video Player)
Application Overview
18
Phantom Ultrahigh-speed Camera Manual
PVP can be launched directly from the desktop, or
by clicking the ‘Video Out’ toolbar button in PCC. PVP
controls only the camera’s HD-SDI outputs as connected
to a compatible SDI monitor.
PVP, provides the ability to view, capture, review, edit, and/
or save a Cine recorded into the camera’s RAM to a hard
drive, or installed Phantom CineMag IV. PVP is extremely
effective when used with the high-resolution cameras
since most computers are not powerful enough to view
the live or captured raw files smoothly.
The camera’s video mode and display settings are also
pcc software
set through PVP. Video systems will vary based on the
country you are in, what kind of video monitor used, and
the required display resolution. All available video setting
for the connected camera can be found in the ‘Settings’
menu of PVP.
Camera Control via PCC
PCC provides the ability to select various units for specific
camera parameters by clicking the ‘Preference’ button at
the bottom Manager tab.
Units can be set to commonly used values (‘Presets’) or
they can be customized using the pull-down selection
lists. First time users should use one of the three ‘Presets’.
19
Chapter 3: Phantom Software
The ‘Exp’ unit is probably the most important unit to be
set. It specifies what unit to use when setting the exposure
time. You probably will want this set to micro-seconds.
The other unit to set is PTF (Post Trigger Frames) covered
later in this section. All Phantom Ultrahigh-speed cameras
support EDR (Extreme Dynamic Range) exposure.
Selecting a Camera
Double-click the camera(s) to be controlled listed in the
‘Manager’ tab, or select the camera(s) from the ‘Camera’
pull-down list in the ‘Live’ tab.
Image Processing
20
Phantom Ultrahigh-speed Camera Manual
Once a camera is selected a ‘Preview’ panel will display
to the left of the control tabs showing the current image
being captured by the camera. This image may differ
slightly to that of the image being output over the
camera’s two HD-SDI ports due to display differences
in the video monitor and computer screens.
You can adjust the display options by clicking on the
‘Image Tools’ toolbar button.
The ‘Image Tools’ window is used to view a ‘Histogram’
and change settings that affect the computer display and
the video output of the camera.
Some of the variables include; brightness, gain, gamma,
saturation, hue, white balance adjustments (Temp (K) and
Tint), individual red, green and blue pedestal, gain and
gamma values, tone control, and more.
When Log mode is selected, most of these variables are
locked and can not be adjusted.
At the bottom of the window is a ‘Default’ button that
restores all parameters except white balance, tone, and
color matrix to their default values.
The ‘Default White Balance’ button restores white balance
to the default (which under the most typical lighting will
produce a green image).
The Tone ‘Reset’ button restores the image tone to the
default values, and the Color Matrix ‘Restore’ button return
the color matrix values to their default values.
Changes made only affect the meta data of the
Cine file, not the raw data. If you are recording
the camera’s video output it is important that
these be set to values that produce the image
you wish to record.
The ‘Zoom Actual Size’ toolbar button resizes the images
being displayed in the Preview/Playback panel to their
actual size.
The ‘Zoom Fit’ toolbar button resizes the images to fit
panel.
Images can also be zoomed to a specific magnification
ratio by selecting a number from the pull-down list to right
of the Zoom Fit button.
Chapter 3: Phantom Software
21
Automatic White Balance
Once a camera is selected a ‘Preview’ panel will display
to the left of the control tabs showing the current image
being captured by the camera. This image may differ
slightly to that of the image being output over the
camera’s two HD-SDI ports due to display differences
in the video monitor and computer screens.
Capture Settings
22
Phantom Ultrahigh-speed Camera Manual
Just below the ‘Camera’ selector in the ‘Live’ tab are a
series of expandable headers, which contain groups of
related camera settings.
This manual will cover the most commonly
used settings, see the ‘Pcc Help’ file for details
of other settings.
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