Phantom MIRO LAB, MIRO R, MIRO LC User Manual

PHANTOM
Miro® LAB / LC / R
High-Speed Cameras
MANUAL
When it’s too fast to see, and too important not to.
Miro® LAB, LC, R GETTING STARTED MANUAL ZDOC-64078-MA-0021 Rev 1
®
w w w . v i s i o n r e s e a r c h . c o m
Phantom Miro LAB / LC / R Series Camera Manual
PN: ZDOC-64078-MA-0021 Rev 1
Last Updated: 15-DEC-2015
when it’s too fast to see, and too important not to.
Phantom Miro
LAB / LC / R Series
MANUAL
®
100 Dey Road Wayne, NJ 07470 USA +1.973.696.4500 phantom@visionresearch.com
www.highspeedcameras.com www.visionresearch.com
w w w . v i s i o n r e s e a r c h . c o m
Written and produced by the Marketing Department at Vision Research.
The contents of this manual are subject to change without notification.
PN: ZDOC-64078-MA-0021Rev 1 Last Updated: 15-DEC-2015
Contents
Introduction
1
Quick Start Guides
2
Phantom Software
3
Miro LC Touch Screen Interface
4
Download & Image Processing
5
Measurements
6
CineFlash & CineFlash Dock
7
Accessories
8
Support
9
1
13
21
35
53
57
67
71
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Phantom Miro LAB / LC / R Series Camera Manual
Performance
Levels and Key
Specifications
Max. Resolution
Sensor Mpx
Max. FPS at
Max. Resolution
Throughput
Sensor Size
Pixel Pitch
CAR
Min. Exposure
features
Straddle Time
Native ISO
(12232 SAT
Method)
Memory
Trigger Options
Ethernet
Video Out
Special
Features
LAB110
LC110
R111
1600 fps 3200 fps 1850 fps 730 fps 1380 fps 410 fps 800 fps
Gpx/s
25.6mm x 16.0mm
Dedicated BNC, via capture port, Image-Based Auto-Trigger, Phantom PCC software,
LAB310
LC310
LAB3a10
R311
1280 x 800 1280 x 1280 1920 x 1200 2560 x 1600
1Mpx 1.6Mpx 2.3Mpx 4Mpx
1.6
20 μm 10μm
2 μs 1 μs
500 ns 1.4 μs 500 ns 1.4 μs
16,000 T Mono
2,000 T Color 6,400 D Mono 2,000 D Color
Not all camera models support video output. And, the RCU is not supported on models
Partition memory into segments and make shorter recordings back-to-back without
missing any action (63 maximum), Burst mode, Shutter off mode for PIV exposure,
3.2 Gpx/s 1.6 Gpx/s 3.2 Gpx/s 1.6 Gpx/s 3.2 Gpx/s
12.8mm x
12.8mm
64 x 8 increments (Continuous Adjustable Resolution)
1
1
1
6GB, 12GB high-speed internal RAM
CineFlash non-volatile memory storage (120GB or 240GB w/Dock)
or On-Camera Controls
Standard Gb Ethernet for control and data
without video output (see Video System table on a page 5)
Continuous recording, Extreme Dynamic Range (EDR)
Power
LAB120
LC120
R121
19.2mm x 10.8mm 25.6mm x 16mm
12 - 28 VDC, 65 W
LAB320 LC320S
R321S
12,500 T Mono
1,600 T Color 5,000 D Mono 1,250 D Color
LAB140
R141
1
1
1
LAB340
R341
Key
Specification
Based on
LAB-Series LC-Series
Body Style
Battery Power
Internal
Mechanical
Shutter
1
Measured using the ISO 12232 SAT method 2 Option to remove for higher-shock applications
Phantom Miro LAB / LC / R Series Camera Manual
Standard Standard Standard
None
Sony BP-U30 or
BP-U60 rechargeable,
external charger
required
R-Series
Rxx1 -Series Rxx0 -Series
Sony BP-U30 or
BP-U60 rechargeable,
external charger
required
2
Sony BP-U30 only,
rechargeable, external
charger required
Optional, if equipped
shock rating limited to
40G maximum
1
Introduction
Introduction
Body Style LAB-Series LC-Series R-Series
Miro 11x
Miro 31x
Miro 3a1x
Miro 12x
Miro 32x
Miro 32xS
Miro 14x
Miro 34x
Phantom Miro cameras come in a variety of models and a range of performance levels. There are three-body styles.
The LAB-Series is designed for laboratory / office­environment applications where computer control is preferred – for example, a fixed installation where high­speed Cines are immediately saved on a computer for viewing and analysis.
The LC-Series has an integrated flip out LCD touch screen for on-camera control and viewing of recorded cines. It is best employed where the camera will be used in a variety of applications, often requiring portability.
The R-Series is also designed for applications where computer control is used, and is packaged in a robust, shock-tolerant, all-metal body for applications in outdoor and harsh environments.
Not all performance levels are available in all body styles. Below is a table showing what is available.
Chapter 1: Introduction
1
Camera Capabilities
The LAB310, LAB110, LC310, LC110, R311, and R111 cameras are capable of capturing 1 Giga-pixels per second (Gpx/s) of data from our proprietary CMOS sensor. At full resolution (1280 x 800), the LAB310, LC310, and R311 can capture at 3,200 frames-per-second (fps); the LAB110, LC110 and R111 can capture at 1,600 fps.
The LAB3a10, LAB320, LAB340, LC320S, R341, and R321S, feature 3.2 Gpx/s throughput. The maximum frame rate of 1,850 fps at full resolution (1280 x 1280) can be achieved by the LAB3a10. The LAB320, LC320S, and R321S support a maximum frame rate of 1,380 fps at full resolution (1920x1200). And the LAB340, and R341 can record at a maximum frame rate of 800 fps full resolution (2560x1600)
The LAB120, LC120, and R121S, achieve 1.6 Gpx/s throughput, as do the LAB140, and R141. The LAB120, LC120, and R121 maximum frame rates are 730 fps at full resolution (1920 x 1200) while the maximum frame rate of the LAB140, and R141 is 410 fps at full resolution (2560x1600)
Image Storage
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Phantom Miro LAB / LC / R Series Camera Manual
High throughput is important. At any given resolution, a camera with the highest throughput will provide the fastest possible frame rates.
The Phantom Miro LAB / LC / R Series cameras can be equipped with 6GB, or 12GB of high-speed memory. Cameras with 12GB of memory, recording at 1,000 fps can record a single high-speed shot (called a Cine) for almost 2.7 seconds.
The Phantom Miro LAB / LC / R Series cameras are also compatible with Phantom CineFlash long recording devic­es available in 120GB and 240GB capacities.
The Phantom Miro LAB / LC / R Series cameras can securely save to an attached Phantom CineFlash specially designed for high throughput, which translates into save and retrieval times far better than what you get with commercial solutions designed for slow-speed cameras. The ability to save data at rates up to 70MB per second translates into less downtime due to long file save times and higher camera productivity.
Sensor Characteristics
The Phantom Miro LAB / LC / R Series use a proprietary CMOS sensor designed by Vision Research and are available in monochrome or color versions.
The sensor resolution / shape of the allows the user to keep moving objects within the frame longer and is compatible in the aspect ratio with modern display technology. The physical sizes of the sensors are listed in the table below.
Phantom Camera Model
Miro LAB340 / R340
Miro LAB140 / R140
Miro LAB320 / LC320S / R320S
Miro LAB120 / LC120 / R121
Miro LAB 3a10
Miro LAB310 / LC310 / R311
Miro LAB110 / LC110 / R111
Resolution.
(Width x Height
in pixels)
2560 x 1600 10 μm 25.60 x 16.00 30.19
2560 x 1600 10 μm 25.60 x 16.00 30.19
1900 x 1200 10 μm 19.20 x 12.00 22.64
1900 x 1200 10 μm 19.20 x 12.00 22.64
1280 x 1280 10 μm 12.80 x 12.80 18.10
1280 x 800 20 μm 25.60 x 16.00 30.19
1280 x 800 20 μm 25.60 x 16.00 30.19
Pixel Size
(µm)
Size
(Width x Height
in mm)
Size
(Diagonal
in mm)
The 10 micron (μm) pixels of the LAB340, R340, LAB140, R140, LAB320, LC320S, R320S, LAB120, LC120, R121, and LAB3a10 result in a light sensitivity of ISO 5,000D1 and 12,500T for monochrome cameras, and color cameras 1,250 D1 and 1,600T1.
The 20 micron (μm) pixels result in high light sensitivity. The LAB310, LC310, R311, LAB110, LC110 and R111 cameras have a sensitivity of ISO 6,400D1 and 16,000T for monochrome cameras, and color cameras 2,000 D1 and 2,000T1.
All Phantom Miro Series cameras have global electronic shutters, with minimum exposure times of 1μs for the LAB340, R340, LAB140, R140, LAB320, LC320S, R320S, LAB120, LC120, R121, and LAB3a10 cameras; 2μs for the LAB310, LC310, R311, LAB110, LC110 and R111 models.
1
Measured using the ISO 12232 SAT method
Chapter 1: Introduction
3
Command and Control
Phantom Miro cameras are easy to set up and control. Use our Phantom Camera Control (PCC) software over a Gb Ethernet connection, a hand-held Phantom RCU, or the on-board LCD touch screen (on the LC-Series only) to access and control the camera’s features. (An SDK enabling custom software interfaces and LabView drivers are also popular ways to set up and control Phantom cameras.)
Detailed information about Phantom cameras, features, and software can be found at:
www.visionresearch.com
Video Out
Not all camera models support video output. And, the RCU is not supported on models without video output.
The Video System table below shows what video system is available on each model.
Body Style LAB-Series LC-Series R-Series
Miro 11x
Miro 31x
Miro 3a1x
Miro 12x
Miro 32x
Miro 32xS
Miro 14x
Miro 34x
Advanced Features
None NTSC / PAL NTSC / PAL
None NTSC / PAL NTSC / PAL
None
None NTSC / PAL NTSC / PAL
None
HD-SDI HD-SDI
None None
None None
Image-Based Auto-Trigger (IBAT): Phantom Miro LAB / LC / R Series cameras can detect changes an image which can be used to trigger the camera (or even a number of cameras), making it easy to record unpredictable events.
Multi-Cine: The internal memory of a Phantom Miro LAB / LC / R Series camera can be partitioned into as many as 63 segments for shorter recordings, back-to-back, without missing any action.
4
Phantom Miro LAB / LC / R Series Camera Manual
Burst Mode: Precisely generate a programmable number of frames for every (internal or external) frame synchronization pulse.
Internal Mechanical Shutter: Easily perform black references remotely using the built-in mechanical capping shutter for optimum image quality.
Continuous Recording: Automatically save cines from internal camera memory to an external storage, without user intervention.
Extreme Dynamic Range (EDR): Vision Research’s unique Extreme Dynamic Range (EDR) feature is standard on all Phantom Miro LAB / LC / R models. With EDR en­abled, each pixel in a frame will receive one of two expo­sure times – a short exposure for potentially over-exposed pixels and a longer exposure for pixels receiving normal light levels. This provides detail in areas of the image that would otherwise be overexposed. EDR is usually recom­mended for monochrome cameras only.
Lensing
Shutter Off: The Shutter Off mode was designed for PIV applications, and maintains a maximum exposure regardless of frame rate. This allows for a straddle time of 500 ns for the LAB, 310LAB120, LAB110, LC310, LC120, LC110, R311, R121, R111 cameras, and 1.4 μs on the LAB340, LAB320, LAB3a10, LAB140, LC320S, LC120, R341, R321S, R141, R121 cameras.
Phantom Miro LAB / LC / R Series cameras are available with 4 different interchangeable lens mounts, which must be chosen at the time of purchase.
Choose between a Canon EOS, Nikon F-mount, 1" C-mount, or 35mm PL-mount.
The EOS mount enables the use of compatible EF and EF-S lenses, and focus and aperture can be adjusted via our Phantom Remote Control Unit (RCU), Phantom Camera Control software (PCC), or using an adjustment ring on the lens mount. Remote control of focus and aperture is a huge benefit when cameras are remotely located and/or difficult to reach.
The Nikon F-mount support F & G style lenses.
A Nikon F mount adapter allows the use of F-mount lenses on EOS mount.
Chapter 1: Introduction
5
A
B
Autoset
Autoset
on-camera controls
6
Phantom Miro LAB / LC / R Series Camera Manual
Tap to scroll through video tool functions:
A
Zoom (1:1), Threshold and Live mode
Long press (3 seconds) will perform an internal CSR (current session reference)
Press once to trigger the camera
B
Long press (5 seconds) will delete the last RAM Cine file and re-arm the camera.
C
A
B
Image shown is of the LCD screen flipped around and folded back
Menu
lcd panel controls
OSD Display
Menu
Turns on / off ‘Menu’ icons. Exiting the menu is an
A
electronic reset of the touch screen. Reset takes about 5 seconds. Double-clicking the square button also resets the screen.
Mount camera onto suitable support. Attach and adjust appropriate lens.
Turns on/off all on-screen displays.
B
Displays the main ‘capture and setting’ control
C
interface.
See ‘Chapter 3: Miro LC Touch Screens’ for a brief description of the various ‘Menu’ screens.
into the side of the camera
7
Chapter 1: Introduction
B
C
A
D
H
G
Camera models supported with this body style are the Phantom Miro 11x, Miro 31x, Miro 3a1x, Miro 12x, Miro 32x, Miro 32xS, Miro 14x, and Miro 34x.
LAB Series Body Style
E
F
rear connector panel
8
Phantom Miro LAB / LC / R Series Camera Manual
CineFlash Compartment Door
Phantom CineFlash access door.
A
1Gb Ethernet
I/O-1
I/O 2
IRIG-In
RJ45 CAT5 (for control and data transfer)
B
F-Sync / Event / Strobe / Memgate (Aux1) selectable:
C
- F-Sync / +5V maximum threshold, input is
also compatible with TTL levels and must be properly terminated, (50-ohms).
- Event / active-low isolated input marks events
during recording; signal must be active when the strobe is high.
- Strobe / isolated collector output with 1k
pull-up, active during frame exposure.
- MemGate / active-low isolated input,
temporarily stops image acquisition during recording.
Ready / Strobe / selectable:
D
- Ready / isolated collector output with 1k
pull-up, indicates camera is ready for trigger.
- Strobe / see description (C) above.
Unmodulated IRIG-B timecode format input. Input
E
withstands signals of up to +/- 15v. The input threshold is 1.5V, compatible with TTL levels.
Trigger
+12-28 VDC
Battery Reset Switch
Isolated input; active low. Can be activated by a switch
F
to ground. Pulse must be 3μs long minimum.
+12-28 Volts DC standard Miro power.
G
Forces battery power off. When activated any Cine
H
stored in camera RAM will be purged.
9
Chapter 1: Introduction
B
C
D
E
A
F
H
G
Camera models supported with this body style are the Phantom Miro 11x, Miro 31x, Miro 12x, and Miro 32xS, Miro 14x, and Miro 34x.
LAB Series Body Style
10
Phantom Miro LAB / LC / R Series Camera Manual
CineFlash Compartment Door
Phantom CineFlash access door.
A
Battery Status Button
1Gb Ethernet
Capture
Power
Off / Auto / On Switch
F-Sync
Provides status of battery charge.
B
RJ45 CAT5 (for control and data transfer)
C
Provides I/O signaling via attached capture cable
D
(signals) or Miro Break-Out Box (signals).
+12-28 Volts DC standard Miro power.
E
Determines camera powering options:
F
- Off / camera off (no power applied to a
camera).
- Auto / requires DC input to power up camera
(battery, if connected and charged, maintains power if Cine is stored in RAM and DC power loss only).
- On / camera immediately runs with DC or
battery input power is applied.
F-Sync / +5V maximum threshold, input is also
G
compatible with TTL levels and must be properly terminated, (50-ohms).
Trigger
Trigger / Isolated input; active low. Can be activate by a
H
switch to ground. Pulse must be 3μs long minimum.
11
Chapter 1: Introduction
12
Phantom Miro LAB / LC / R Series Camera Manual
2
Quick Start Guides
Prepare Your Computer
Install PCC Software
Connect the Camera to
the Computer
via pcc software
Camera controlling computers:
1. Must have either the Microsoft Windows XP Pro, VISTA Business Edition, Windows 7 or Windows
8.1 operating system installed.
2. Firewalls must be turned off. (Contact your IT Group if necessary)
3. Using the ‘Windows Control Panel’ set the IP address of your computer’s network card to
100.100.100.1 with a 255.255.0.0 subnet mask.
Install the latest version of Phantom Camera Control (PCC) software from the accompanying CD or USB key.
Connect the 12-28 VDC power supply to the camera’s Power Input connector.
Attach the supplied Ethernet cable between the Phantom camera and the computer.
Connect the supplied Capture cable to the Phantom camera.
If an external trigger is being used to trigger the camera, connect it to Trigger connector on the rear panel of the camera.
Attach Phantom CineFlash
Select Camera for Use
Mount a Phantom CineFlash, if available.
Detailed information about attaching a Phantom CineFlash can be found in Chapter 7: Phantom CineFlash & CineFlash Dock of this manual.
In the ‘Manager’ tab double-click on the Phantom camera to be used from the ‘Cameras’ group folder.
13
Chapter 2: Quick Start Guides
Define Recording Parameters
Click the ‘Live’ tab.
Click ‘Cine Settings’ and define following parameters by either the selecting the required value from the pull-down selection list, or type a value into the respective data entry field.
1. Set ‘Resolution’ to the required Width x Height.
2. Choose the required ‘Sample Rate’ and ‘Exposure Time’.
3. Ensure the EDR, (Extreme Dynamic Range) exposure time is set to zero (0).
4. Post Trigger to zero (0) by:
a. Moving the ‘T’ (Trigger Position) slider to the
right, or
b. Enter zero (0) into the ‘Last’ data entry field.
Click on the CSR button to perform a Current Session Reference.
‘Arm’ Camera
Trigger
Edit Cine
14
Phantom Miro LAB / LC / R Series Camera Manual
Click the ‘Capture’ button to start recording to the cam­era’s internal memory (circular buffer).
At the end of the action, click the action ‘Trigger’ button on the bottom of the ‘Live’ panel, or
Provide a switch closure or an external trigger signal (TTL pulse) via the Trigger connector.
Click the ‘Play’ tab.
Using the following Video Control Buttons to locate the first image of the cine to be saved.
Rewind
Pause
Play
Locate the first image of the cine to be saved.
Click the ‘Mark-In button.
Fast Rewind
Rewind 1 Frame
Advance 1 Frame
Fast Forward
Locate the last image of the cine to be saved.
Click the ‘Mark-Out’ button.
Select ‘Play, Speed, & Options” and enable (check) ‘Limit to Range’.
Under the Video Control Buttons, click the ‘Jump to Start’ button.
Review Edited Cine
Save to Computer
Save to Attached
Phantom CineFlash
Review the edited cine using the Video Control Buttons.
Click the ‘Save Cine...’ button on the bottom of the ‘Play’ panel.
In the ‘Save Cine’ window:
1. Navigate to the folder where you want to save the cine file.
2. Enter a file name for the cine file in the ‘File name:’ data entry field.
3. From the Save as type pull-down selection list, select the ‘Cine Raw, *.cine’ file format.
4. Click the Save button to begin downloading the cine file from the camera to the computer’s hard drive.
Click the down-arrow of the ‘Save Cine... button.
Select ‘Save RAM Cine to Flash’ (in popup window).
Click the Save button to save the cine file onto the Phan­tom CineFlash.
Confirm cine save before deleting from internal memory
Confirm Computer Save
Click the ‘Open File’ button.
In the ‘Open Cine’ window:
Navigate to the folder containing the saved cine file.
Highlight the cine file to be opened.
Click the Open button.
15
Chapter 2: Quick Start Guides
Confirm CineFlash Save
Using the Video Control Buttons, review the saved cine file.
Click the ‘Manager’ tab.
Double-click on the ‘Cine F#’ file under the camera used to record the cine.
Using the Video Control Buttons, review the saved cine file.
16
Phantom Miro LAB / LC / R Series Camera Manual
Mount camera onto suitable support. Attach and adjust appropriate lens.
Power Up Camera
Setup Video Monitor
Attach Phantom CineFlash
Set Recording Parameters
Connect a suitable power supply (12-28VDC) to the Power Input connector, then set the power switch to the ‘ON’ position, or insert battery.
Connect a suitable HD-SDI video monitor (not supplied) to the ‘HD-SDI’ connector on the connector panel of the camera.
Mount a Phantom CineFlash, if available. For detailed instruction see Chapter 7: Phantom CineFlash & CineFlash Dock IV.
Click the ‘Menu’ button (square) to display touch screen menu.
Tap the ‘Menu’ icon as to bring up the main capture and setting control interface.
Set ‘Resolution’ to the required width x height
Choose the required ‘Speed’ (frame rate) and
‘Exposure Time’ (shutter)
Set the ‘Post Trigger’ (trigger position) at the
beginning, or the end, or some position within the internal memory.
Scroll up and down for desired setting. Tap once to select parameter to change.
Perform Black Reference
Perform White Balance
(Color Cameras Only)
Press (3 seconds) the ‘Autoset’ button (front of the camera) to perform an internal CSR (Current Session Reference).
Black Reference should be performed after all recording parameters have been set.
Tap on ‘AWB’ (Automatic White Balance) icon (upper right).
Place a white or neutral non-saturated object in the center square and tap once.
via miro lc touchscreen
17
Chapter 2: Quick Start Guides
‘Arm’ Camera
Trigger
Edit Cine
Press the ‘Trigger’ button (front of camera) for 5 seconds to switch from ‘Pre-trigger’ or ‘Cine Stored’ to ‘Waiting for Trigger’ (‘Loop’ mode).
Tap the ‘T’ (Trigger) icon (right-side) or Press the ‘Trigger’ button (front of camera).
Tap the play icon in the ‘Cine Stored’ screen.
Tap ‘Forward’ or ‘Reverse’ icons to play RAM cine (multiple times to speed up playback).
Tap ‘Pause’ icon to stop playback.
Locate the first image to be saved and select ‘Mark-In’ icon.
Locate the last image to be saved and tap the ‘the Mark-Out’ icon.
Review the edited Cine.
Apply a long press over the Mark-In and/ or Mark-Out icons to reset Cine file start/end points respectively.
Save to CineFlash
Verify Save to CineFlash
(optional)
‘Re-Arm’ Camera
18
Phantom Miro LAB / LC / R Series Camera Manual
‘Save’ marked frames to Phantom CineFlash.
Tap the ‘file management’ icon on the LCD menu, and then tap on the ‘CF’ (CineFlash) icon to bring up the CF menu. This will show the entire list of files on the CineFlash drive. Ensure the last shot is there by checking the time and file size.
Files stored within the CineFlash cannot be played back on the LCD menu or over video. They can, however, be viewed in Phantom PCC software.
From the LCD menu, tap on the File Management icon. The RAM Cine and status will be visible. Tap on the RAM Cine and then tap the X to delete. Tap the Record icon to start the camera in capture.
If there is an asterisk* next to the RAM file that means it has not been saved to the CineFlash.
Alternatively, a long press (5 seconds) on the front camera trigger button will also delete the last RAM Cine and put the camera back in Capture mode.
‘Connect Camera to
Remote Control Unit
Connect an HD (BNC) cable between the ‘Video-In’ connector on the rear of the Remote Control Unit (RCU), and the HD-SDI connector on the rear panel of the camera.
Connect the Remote cable (9-pin female) to the ‘Remote’ connector on the rear of the RCU.
Connect the Remote cable (9-pin male) to the ‘Remote’ connector on the camera’s rear panel.
Power Up Camera
Power Up RCU
Install Phantom CineMag IV
Set Recording Parameters
Connect a suitable power supply (20-28VDC) to the Power Input connector, then set the power switch to the ‘ON’ position.
Hold in the RCU ‘Menu’ button (2 seconds).
Insert a Phantom CineFlash, if available. For detailed instruction see Chapter 7: Phantom CineFlash & CineFlash Dock.
Gently depress the ‘Setup’ button, then the Acq, (Acquisition), button.
Set the‘Aspect Ratio’: Press the down-arrow (right of ‘Aspect Ratio’ field) and select an ‘Aspect Ratio’ from the pull-down selection list.
Define the Resolution, Frame Rate, Exposure, and Post Trigger settings using the Numerical Keypad to specify the desired setting.
1. To overwrite the present value:
2. Tap the entry field once, (turns entry field yellow), then
3. Tap the key pad to enter the desired value.
4. Tap the Enter key to set the value.
To append the value:
1. Tap the entry field twice, (turns entry field white), then
2. Tap the key pad to append the value.
via remote control unit
3. Tap the Enter key to set the value.
19
Chapter 2: Quick Start Guides
Press the Return, , icon (upper-left) to return to the Setup Screen.
Perform CSR
Perform White Balance
(Color Cameras Only)
‘Arm’ Camera
Trigger
Edit Cine
Press the ‘Capture’ button.
Tap the CSR, (Current Session Reference), button
When prompted tap the Begin button.
Tap the ‘White Balance’ button.
Place a white or neutral non-saturated object in front of the camera.
When prompted tap the Begin button.
Press the Rec, (Record), button.
Apply a trigger to the camera by depressing the hardware Trigger’ button (on RCU), or apply ‘Trigger-In’ (TTL pulse) signal to the Trigger connector on the back of the camera.
Click the Play button.
Locate the first / last image to be saved by:
Performing a Quick Search:
Rotate the Jog/Scroll dial until desired point in cine is achieved, or
Press and hold down on ‘Image Location Identifier’ arrow, , located just below the Cine Editor Bar and slide finger right to quickly advance cine, slide left to quickly rewind (present image number is displayed above).
Save to CineMag
20
Phantom Miro LAB / LC / R Series Camera Manual
Using Video Control buttons:
Play
Reverse
Pause
Click the Mark-In and Mark-Out buttons to set the first / last images, respectively, of the cine to be saved.
Tap the ‘Save’ button to save the edited RAM cine file to the Phantom CineMag.
3
Phantom Software
The latest version of Phantom PCC software can be found and downloaded from the support section of the Vision Research website:
www.visionresearch.com
Pre-Installation
PCC (Phantom Camera Control)
Application Overview
Toolbar
Phantom control software is certified to operate with the following Microsoft Windows operating systems: Windows XP Pro, Windows VISTA Business Edition, Windows 7 and 8.
The computer and camera must be associated with the same sub-network to communicate with one another.
Vision Research has preset IP address (100.100.x.x) with a subnet mask (255.255.0.0) to the camera. Typically, the IP address 100.100.100.1 / 255.255.0.0 is defined to the control computer. When multiple computers are used to control the same camera, each computer requires a unique IP address, for example, 100.100.100.1 (255.255.0.0),
100.100.100.2 (255.255.0.0), and so on.
The software is built around a multi-layered work area that includes the following work areas:
Provides quick access to the most frequently used functions. Position the mouse over a button and wait for a second to display a text box describing what it is.
Note the ‘Help’ buttons which provide valuable reference information about the software, including extensive documentation.
Chapter 3: Phantom Software
21
Control Tabs
The main window of PCC is divided into three tabs: Live, Play and Manager.
When first started, the ‘Manager’ tab is selected. It is in this tab connected cameras are displayed, selected for use, and renamed. It is also used to manage saved Cine files.
To rename, highlight then click the name of a camera. This can be useful when working with multiple cameras.
All camera control and setting of shooting parameters (frame rate, shutter, etc.) are performed in the ‘Live’ tab.
The ‘Play’ tab is used to review, edit, and save Cine files, (either from the camera or from files on the local hard drive).
PVP (Phantom Video Player)
Application Overview
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Phantom Miro LAB / LC / R Series Camera Manual
PVP can be launched directly from the desktop, or by clicking the ‘Video Out’ toolbar button in PCC. PVP controls only the camera’s HD-SDI outputs as connected to a compatible SDI monitor.
PVP, provides the ability to view, capture, review, edit, and/ or save a Cine recorded into the camera’s RAM to a hard drive, or installed Phantom CineMag IV. PVP is extremely effective when used with the high-resolution cameras since most computers are not powerful enough to view the live or captured raw files smoothly.
The camera’s video mode and display settings are also
pcc software
set through PVP. Video systems will vary based on the country you are in, what kind of video monitor used, and the required display resolution. All available video setting for the connected camera can be found in the ‘Settings’ menu of PVP.
Camera Control via PCC
PCC provides the ability to select various units for specific camera parameters by clicking the ‘Preference’ button at the bottom Manager tab.
Units can be set to commonly used values (‘Presets’) or they can be customized using the pull-down selection lists. First-time users should use one of the three ‘Presets’.
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Chapter 3: Phantom Software
The ‘Exp’ unit is probably the most important unit to be set. It specifies what unit to use when setting the exposure time. You probably will want this set to micro-seconds. The other unit to set is PTF (Post Trigger Frames) covered later in this section. Every Phantom Ultrahigh-speed cameras support EDR (Extreme Dynamic Range) exposure.
Selecting a Camera
Double-click the camera(s) to be controlled listed in the ‘Manager’ tab, or select the camera(s) from the ‘Camera’ pull-down list in the ‘Live’ tab.
Image Processing
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Phantom Miro LAB / LC / R Series Camera Manual
Once a camera is selected a ‘Preview’ panel will display to the left of the control tabs showing the current image being captured by the camera. This image may differ slightly to that of the image being output over the camera’s two HD-SDI ports due to display differences in the video monitor and computer screens.
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