Congratulations on your purchase of the finest "musical assistant" device ever
made—combining
TechnologyJ with audio tone output and metronome rhythm functions!
peterson
The "Nickel Tour"—Getting Started FAST!
How do you work this thing in a nutshell? Referring to the diagram below, the
MODE button allows convenient access to the main operations: strobe tuning, tone
generation, metronome, and display backlight control. Menu items under each
mode give complete control over all useful parameters.
LCD Display Screen
MODE
Button
MENU
Buttons
’s visionary (patent pending) Virtual Strobe
0
C
+ 00
. 04
Current
MENU ITEM
Text Line(s)
Power
Switch
DC
IN
3-4VDC
<280mA
Headphone
output for
EXT
IN
Tone and
Metronome
Rotary VALUE Knob with built-in
CHOOSE/tempo-tap Button
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The Strobe Mode
To tune with the strobe (refer to the diagram above):
• If using an electrified instrument (or pick-up like peterson’s TP-1),
insert 1/4" plug into the EXT IN jack; otherwise position acoustic
instrument within about 2 feet from the front face of unit.
• Slide Power Switch to ON. If tuning lower than three Cs below Middle C
(e.g., 5-string electric bass, extended double bass, tuba, etc), press and hold
lower MENU button (
• Use steady mouth pressure for winds; medium-intensity finger pluck (or
bow pressure) away from bridge for string (with other strings damped!);
medium-loud roll of mallet(s) or finger strike of keyboard; and use
medium-loud volume settings for electrified instruments.
• Alter tuning control of instrument while viewing the strobe pattern and
note display. If scale-note display is not correct, please see the "Trouble-shooting Hints" section at the end of this manual.
• Flatten instrument pitch if strobe pattern is generally rolling upward
(because the strobe is indicating that the pitch is sharp). Sharpen if rolling
downward. (NOTE: for instruments with decaying loudness, the pattern
will resume random appearance generally BEFORE the tone becomes
inaudible! You then must regenerate the tone.)
• When pattern is steady or hovering about a fixed position, tuning is
perfect!
To use the other operational modes of the V-SAM, press the MODE button.
:) whileturning unit ON for Bass Shift.
The Audio Tone Mode:
• Press the MODE button until the Audio screen is displayed:
TONE
C
--- MAN
2
• After a brief delay, a tone will be audible from the internal speaker at
whatever scale note and offsets were last registered as indicated on the
screen. The speaker will be cut off when any 1/4" plug—usually a stereo
headphone or mono line to an amp or PA—is plugged into the jack.
---MAN
*
5
Page 6
(Any sound source still plugged into the EXT IN jack will NOT interfere in
any way with the tone output.)
• Audio Tone mode begins immediately with the MANual note selection
MENU ITEM. Spinning the VALUE knob at this point will then increment
or decrement both the display and tone output by scale note through all
octaves (indicated by the number just after the large scale-note display).
• The tone can be fine-tuned in any number of ways using the same menu
items as appear in the Strobe mode: cents (one "MENU " button push
from the above screen), A440 reference, temperament offsets, and so on.
The Metronome Mode:
Press the MODE button until the following screen appears:
00: 00
Starting and stopping the metronome as well as tapping in a tempo are all
accomplished with the CHOOSE button at a single MENU ITEM selection: the
screen which first appears when entering Metronome mode. This is indicated at the
screen line with the (CHOOSE button symbol) shown above.
This dual function allows direct access to these most often required actions without
a lot of button pushing. The simple rule in using these functions is: if the
CHOOSE button has not been pushed for a time at least as long as the slowest
possible tempo setting (about 1.5 seconds), the button push will reverse the current
metronome activity—ON to OFF (Stop) or OFF to ON (Start). Once the
metronome is started at this menu position, any pushes of the CHOOSE button
occurring faster than 1.5 seconds will automatically be used as "taps" to calculate
tempo.
Metronome "ticks" (high pitch at each 1
pitch at subsequent beats and subdivisions) will be audible from the internal
speaker. The speaker will be cut off when any 1/4" plug—usually a stereo 32Ω
headphone or mono line to an amp or PA—is plugged into the jack. (Any
sound source still plugged into the EXT IN jack will NOT interfere in any way with
the metronome output.)
TAP
!
: OFF
TEMPO: 120
st
beat of a measure) and "tocks" (lower
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The digits at the lower left portion on the screen display a stopwatch function. The
stopwatch resets to 00:00 (min:sec) whenever the metronome is turned ON and
stops when the metronome is turned OFF. This can be useful to time the duration
of a musical piece.
The Light Mode (screen backlight):
Press the MODE button until the following screen appears:
Rotating the VALUE knob or pushing the CHOOSE button will alter the backlight
between (on) and (dim). (The "dim" setting cuts battery drain by ~40%.)
For each of the 4 modes described above, the effect of changing settings for menu
items is always immediate. Except for AUTO/MANual note selection and
(metronome audio ON/OFF), these changes will remain even if you cycle from one
MODE to another. However, in order for any setting changes to persist after the
unit is turned off, you must complete a SAVE operation (described in detail in a
later section of this manual) for each MODE whose settings you want to save. The SAVE screens appear as MENU ITEM screens, one under each MODE.
LIGHT
Battery and AC Power Considerations
Your V-SAM unit may be powered from either 3 AA-cell batteries or a regulated
DC voltage from an AC wall transformer. Depending upon your location, an
appropriate wall transformer may have been provided with the purchase of your
V-SAM. In any case, the wall transformer should provide a 3.0V to 4.0V regulated
DC voltage from the AC line voltage you are using and accommodate at least
280mA of current (850mW of power). The DC IN jack requires a standard 2.1mm /
5.5mm plug with the positive (+) terminal as the inner plug:
DO NOT USE A WALL TRANSFORMER WITH THE WRONG ORIENTATION OR
VOLTAGE—PERMANENT DAMAGE MAY RESULT!!
The batteries are automatically disconnected from the power circuit when a DC
adapter plug is inserted into the DC IN jack. Any standard carbon or alkaline AA
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Page 8
batteries may be used as a portable source of power. NiCad or NiMH rechargeable
batteries may also be used but will not be recharged from this product! Always use identical types of cells at any one time. Battery life will vary greatly depending
upon the type of battery used, the amount of product use with the LCD backlight or
audio tone turned on, and the length of continuous use at each session. One fully
charged set of low-capacity NiCad batteries may power the unit with intermittent
use and backlight always on for 5-6 hours. A new set of (non-rechargeable)
alkaline batteries used intermittently with backlight and tone always off may last as
long as 45 hours! Expect battery life to generally fall between these extremes.
It is recommended that batteries be removed if the product will not be powered with
them for more than 1 month to avoid undetected corrosion or other battery failures.
Batteries are inserted or removed by first removing the V-SAM from its protective
rubber boot. The Battery Cover at the back of the V-SAM enclosure slides down
and out with simple finger pressure.
BE CAREFUL TO INSTALL BATTERIES IN THE INDICATED ORIENTATIONS—
OTHERWISE, PERMANENT DAMAGE MAY RESULT!
Turning It ON
To turn the V-SAM on, a convenient slide switch has been mounted on the face of
the unit. NOTE: If either MENU button ( or ) is pressed during power-up,
special operational modes—Bass Shift or Temperament Editwill be activated.
(These operations are described below.) Except for the Temperament Edit case,
after a brief appearance of an initialization screen showing product identification
and copyright, a strobe "RUN" screen will appear:
This first RUN screen always includes a four-band strobe display at the left, a large
scale-note and octave indication (which may appear to fluctuate randomly when no
clear input signal is present due to automatic note detection) and a current MENU ITEM of “cents” in the bottom text line under the horizontal rule (separation line).
This bottom line of text is always reserved for the indication of the current
MENU ITEM, that is, the parameterselected by either of the MENU
buttonswhich will currently be affected by the rotary VALUE knob and
CHOOSE button.
8
2
C
+ 00
. 04
Page 9
The V-SAM will respond to any electrical signal (approximately ±10mV to 5V)
presented to the EXT IN ¼" jack on the side of the enclosure including hand-held
microphones, electric guitars, or line-level audio sources. The built-in microphone
will be automatically activated for response to direct sound whenever the EXT IN
jack is empty. Generally, visual tuning is very simple. When the note indicator is
at the nearest scale note to the sound source to be tuned, the strobe bands will
appear to roll upward smoothly if the sound is sharp or down if it is flat. When the
image appears stationary (or hovers around a fixed position), tuning is exact. The
greater the apparent speed of movement in one direction, the farther the source pitch
is from the reference scale note. (See the "Tuning With The Virtual Strobe"
section below for more details and special cases.)
MODE Button and Special Functions
The V-SAM can be operated in any of four main modes selected at any time (after
normal power-up) with the MODE button:
Visual Tuning: strobe display
Audio Tuning: headphone/line-out signal tone to the 1/4" jack or to
internal speaker
Metronome: visual and audio (headphone/line-out to the 1/4" jack or
to internal speaker)
Backlight Control: bright or dim (battery saving)
Control over useful settings (menu items) for each of these modes is accomplished
by first selecting the menu item of interest with either of the two MENU buttons
until the item appears at the MENU ITEM section at the lower right side of the
display. (These two buttons move in opposite directions through a mode's list of
menu items for your convenience.) Then the selected menu item may be altered
simply by spinning the VALUE knob at the center of the unit (or, in some cases,
"choosing" alternatives for the menu item with the CHOOSE button built into the
VALUE knob). Most menu item values can be saved as power-up defaults under
SAVE which is one of the choices in the menu item list for each mode. You will
save over only those menu item settings that appear on the right side of the display
when SAVE is the current MENU ITEM.
There are two special functions on the V-SAM which can be entered only at the
time you power the unit on. Bass Shift lowers the range of notes available for
tuning by 2 octaves in the Strobe and Audio Tone modes and is initiated by
depressing the lower MENU button (also marked as
on. NOTE: the metronome can be accessed but not started if Bass Shift had
been selected at power-up—a hardware restriction. The EDIT power-up function
allows access to enter and save values into two 12-note programmable temperament
) while turning the V-SAM
:
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Page 10
files and is initiated by depressing the upper MENU button (also marked as EDIT)
while turning the V-SAM on. NOTE: NO other operational modes are accessible once EDIT has been selected at power-up! Once initiated, the EDIT
or Bass Shift functions remain in effect until the V-SAM unit is turned off.
MENU ITEM Parameters
The two circular buttons at the bottom left of the V-SAM (labeled MENU with " "
and " " arrows) allow the selection of various useful parameters under each mode
of device operation. Because certain combinations of parameters will be changed
frequently in some applications, the pair of MENU buttons allows the user to a)
quickly alternate between any two adjacent menu items and b) reduce the number of
required button presses to scroll from one menu item to any other.
EXAMPLE: Altering the TMPR (temperament) setting
First of all, note that menu items and their settings are COMMON between Strobe
mode and Audio Tone mode. A change made to a menu item like TMPR
(temperament) under Strobe mode will also appear when viewing TMPR under
Audio Tone mode. (The one exception to this is AUTO/MANual note detection
which is always forced to MANual under Audio Tone mode and forced to AUTO
when switching back to Strobe mode.) Let us assume that we are currently under
Strobe mode operation. To change the temperament setting, press either of the two
MENU buttons until "TMPR:" appears on the MENU ITEM line of the display:
The 3-letter acronym after this indicates the current setting for temperament.
NOTE: if not "EQU" (the default setting), the non-default status will also appear at
the upper right portion of the display as described in the "RUN Screens In More Depth—Status Displays" section below.
Now that TMPR is the current MENU ITEM, the setting is changed simply and
immediately by dialing in a new temperament with the VALUE knob. In the
V-SAM, the TMPR menu item also has a secondary setting (ROOT). The ROOT
setting is accessed under the TMPR menu item by pressing the CHOOSE button
built into the VALUE knob. When "ROOT" is displayed on the MENU ITEM line,
the VALUE knob will then alter the root tone of the selected temperament. (For
further information about temperaments and their use, see "Appendix A" of this
manual.)
10
2
C
TMPR: EQU
Page 11
The following table describes the effect and range of each MENU ITEM under
Strobe mode in order from
4
(“cents”) at power-up to * (note selection) that the
user would see by repeatedly pressing the arrow MENU button. Also shown is
the effect, if any, of pressing the CHOOSE button built into the VALUE rotary
knob:
MENU
ITEM
4
(cents)
KEY
DESCRIPTION
1 cent = 1/100 semitone
offset (
1200
2)
/
Transposition of the
displayed note based on
any of 12 scale notes
VALUE RANGE
/ DEFAULT
-50.0 to +50.0 / 00.0
B= to A / C
VALUE
4
-2 to +9 / +0
CHOOSE
BUTTON
14 / 0.14 steps
Hold: 0 reset
Letter / Fret #
scale
Concert A tuning
A4
reference adjustment for
the tuner in 0.5 Hz
410.0 to 490.0 / 440.0
increments
TMPR
/
ROOT
SAVE
*
EQUAL or one of 13
non-equal temperaments
(note-to-note intervals)
with ROOT note set to
0 4 offset ("historical"
TMPRs only).
Tonal root to any of 12
home keys
Store MENU ITEM
values in memory as
new power-up values
Note selection
Equal; root=C
EQU
PYT
JST
MNT
KRN
WRK
YNG
KLN
GTR
BAS
SE9
SC6
P-1
P-2
TMPR
(Root)
A4
KEY
C
Pythagorean
Just Major
1/4 Meantone
Kirnberger
Werkmeister
Young
Kellner
Guitar
Bass Guitar
Pedal "E" neck
Pedal "C" neck
Programmable1
Programmable2
C
to B root
SURE ??
Confirm
}
to G8: / AUTO
1
C-1 to B6: " Bass Shift*
Temperament/
Tonal Root
1st: SURE ??
nd
2
:SAVED T
AUTO / MAN
*By pressing the bottom (
) MENU button during power-up, the resulting Bass
:
Shift (shown by a bass clef near the octave number) permits visual tuning down to
C
and beyond (~8Hz). This is especially useful when tuning instruments with
0
extended bass range: 5-string electric bass, extended double bass, tuba, and so on.
11
Page 12
Audio Tone mode menu items are the same as under Strobe mode except the first
MENU ITEM is note selection:
MENU
ITEM
DESCRIPTION
Manual note selection
*
NOTE: Automatic note selection is NOT possible in this mode of operation.
If the
added “ ” icon is drawn in the current MENU ITEM line as a reminder of the
current mode, and the usual “select arrow” is replaced to indicate that AUTO cannot
be selected with the CHOOSE button while in this V-SAM mode. In other words,
notes must be manually selected when in the Audio Tone mode:
(note selection) menu item is made current under Audio Tone mode, an
*
TONE
VALUE RANGE
/ DEFAULT
C
to B8: Audio / C
0
C
to B6: Bass Shift / C 0
-2
VALUE
2
--- MAN
2
C
CHOOSE
BUTTON
When switching from Audio Tone mode to Strobe (visual) mode, the strobe bands
are once again made visible and the note selection is forced to AUTO.
---MAN
*
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The Metronome mode menu items, beginning in order with the Start/Stop/Tempo
MENU ITEM that appears first when entering this mode, are:
Additional subdivisions
of quarter-note beats
(affects audio only)
Store MENU ITEM
values in memory as
new power-up values
# of measures of
audible play before
auto silence;
Audio on/off(mute)
Finally, the Backlight Control mode includes only two MENU ITEMs:
MENU
ITEM
LIGHT
SAVE
DESCRIPTION
LCD backlight full ON
or dim
Store MENU ITEM
value in memory as new
power-up value
VALUE RANGE
/ DEFAULT
ON
LIGHT
VALUE
OFF
(dim) ON / OFF
SURE ??
Confirm
}
CHOOSE
BUTTON
1st: SURE ??
nd
:SAVED T
2
RUN Screens In More Depth—Status Displays
Each mode's RUN screen may include additional indications at the top right of the
display if one or more MENU ITEM values for that mode have been set or saved to
non-factory-default values in any previous operation of the unit. The savable MENU ITEM values under Strobe and Audio Tone modes are:
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Page 14
SAVABLE
MENU ITEMS
TMPR
(+ROOT)
A4
KEY
DESCRIPTION
EQUAL or non-equal temperaments
—ROOT (home key of temperament)
Concert A tuning reference 440.0
Transposition of the displayed note C
DEFAULT
VALUE
EQU
C
To simplify the appearance of the display screen, the additional “status display” of
TMPR(+ROOT), A4, or KEY is made visible ONLY when a non-default value for
the given MENU ITEM has been selected. Once altered to a non-default value, a
“status display” for an item will appear immediately whether the new value is saved
or not. (This applies to the Metronome mode screen as well.)
As noted in the previous section of these instructions, an additional status display
indicating MANual note selection (which is NOT a “savable” MENU ITEM) is
made visible when active as a reminder that the note selection and indicator will
NOT change to the nearest note detected in the incoming audio signal as it would
with AUTO note selection (which is always the power-up default).
Thus, for example, if TMPR had been previously saved to JST (Just Major
temperament) with ROOT set to E=, A4 had been saved to 440.0 (the default), KEY
had been saved to F, and the V-SAM had last been set to MANual note selection,
the LCD display screen might look like this:
T(E=): JST
KY: F
--- MAN
2
C
+ 00
. 04
If the A4 menu item is then changed to a non-default value (even if it is not saved)
by pressing one of the MENU buttons to make A4 the “current MENU ITEM” in
the bottom text line and turning the VALUE rotary knob to display a value of, say,
440.5, then the non-default status of A4 will appear in its given position (second
text line). These non-default status displays will remain even when a new current
4
MENU ITEM (
, for example) is selected:
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Page 15
T(E=): JST
A440.5
KY: F
--- MAN
2
C
+ 00
. 04
Tuning With The Virtual Strobe
The simplest and most commonly used V-SAM operation will be visual tuning with
AUTO note detection/selection. This is accomplished through the following
grueling sequence of steps:
• Turn the V-SAM ON.
Yes, that’s it! The V-SAM always powers up in Visual (strobe) tuning mode with
AUTO note selection. Unlike traditional strobe devices, the V-SAM will not
respond to harmonics or high-frequency “partials” of an incoming sound. The four
strobe bands are provided only to extend the useful visual response to more octaves
of musical pitch. Generally, the “lowest” band that is visible (a leftmost, largerstriped band corresponding to one of the lower OCTAVE number ranges listed
beneath) is the most accurate band to “read”.
Tuning At Higher OctavesSpecial Considerations
At higher pitches (from Octave 4 and up), the lower bands do not convey useful
indications of tuning. If shown, they would appear to move randomly while the
higher bands show true relative tuning motion for the incoming sound. To avoid
unnecessary distraction, these lower bands are successively “blanked out” when
higher octave pitches are detected. For example, if one hums an A440 pitch and it
is AUTO-detected by the V-SAM, the screen will change to the following:
A
+ 00
4
. 04
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If 880Hz (A5) is sounded and detected:
A
+ 00
5
. 04
If a low pitch is then sounded (octaves 1 to 3), all four strobe bands will return.
There is another nuance of visual tuning with the V-SAM when reading tunings for
high octave sounds. Normally, AUTO note selection will adjust the tuner to the
scale-note frequency nearest to that of the incoming sound. Usually, this means that
the incoming sound can vary by ±504 (±1/2 semitone) before the reference scale-
note indication is adjusted. As the incoming sound goes flatter (lower frequency)
compared to the AUTO-note frequency, the strobe image will appear to move
downward at an increasing rate. Conversely, as the incoming sound goes sharper
relative to the scale note, the image appears to move upward at an increasing rate.
Normally, this movement is easy to see over the entire ±504 range. However, for
notes at higher octaves, the rate of movement when approaching the 504 offset
extremes becomes difficult to see with the eye. (It’s not unlike the effect of
“seeing” hubcap spokes on a moving car apparently turning backwards from their
actual motion in a movie film.) In these cases, the V-SAM produces either an
appropriate <<
or == symbol in place of strobe bands. The pitch range over which
the strobe bands remain for visual tuning gets narrower at higher frequencies, but
even at Octave 8, the strobe bands will be available for fine-tuning to match the
scale note. Think of the alternate <<
and == indicators as quick and easy-to-read
“way out of tune” signals. Below is an example of the display screen when a sound
that is 304 sharp of A5 is detected by the tuner:
<<
5
A
+ 00. 04
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Manual Note Selection
When tuning under unusual circumstancestuning extremely high-pitched notes or
low volume sounds in noisy environmentsit may be necessary to manually select
the note to which you would like to tune. Press one of the MENU buttons until
*
(note selection) becomes the current MENU ITEM. At this point, pressing the
CHOOSE button (built into the VALUE knob) will select between AUTO and
MAN note selection methods. Alternatively, you can simply begin rotating the
VALUE knob to select the desired note (and octave) which, in turn, forces the V-SAM into MANual note selection.
F
--- MAN
2
MAN
*
KEY TranspositionExplanation And Usage
The KEY menu item provides a simple means of transposing note names for
instruments built around something other than Concert C pitch (for example, a B=
clarinet or E= saxophone). In addition, with the V-SAM,
peterson
exclusive Fret Transposition Scale (FTS) which provides a clearer, more
meaningful transposing system for fretted instruments than the standard alphabetical
note name keys.
For example, when a guitar is in its standard tuning, we commonly call the openstring notes: E, A, D, G, B, and E. These are the Concert C key signature note
names for those sound frequencies. However, guitarists commonly think of this
tuning as standard E tuning because of the preponderance of Key of E notes.
Obviously, this can get confusing. Our Fret Transposition Scale (accessed by
pressing the CHOOSE button while the current MENU ITEM is KEY):
includes its
17
Page 18
G
KEY:+3
KY:+3
2
provides an optional numbering system for key transposition which corresponds to
the equivalent fret “stop” of the strings. For example, if you apply a capo (on a
standard-tuned guitar) on the 3
rd
fret, the new “open string” notes without key
transposition would be: G, C, F, A#, D, and G. If you would like to tune these new
“open string” notes without having to mentally transpose note names, you would
simply select an FTS key value of “+3” which corresponds to the 3
rd
fret in this
example. In this case, the “open string” notes will once again be displayed as E, A,
D, G, B, and E on the screen.
To carry the analogy further, the open strings without a capo (the normal case of the
nut stopping the strings) is equivalent to the 0
th
fret and so “+0” under FTS yields
the standard note names for the open strings. Further, if you detune the strings
down as in “½-step drop” (or “flat”) tuning, this would be equivalent to having an
“extra fret” as the stop in the opposite direction. Hence, the FTS key to use would
be “-1”. Our FTS system, in fact, permits transposition from –2 to +9 which
corresponds to B= to A in standard key transposition.
One more subtlety: for advanced users employing non-equal temperaments (under
the TMPR menu item), key transposition still affects only the note names for use
with non-Concert C instruments. The tonic or root frequency of the
temperament remains at Concert C pitch unless the ROOT setting (accessed by
pressing the CHOOSE button under the TMPR menu item) is changed.
Temperaments and EDITing Programmable Temperaments
"Temperament" refers to adjustments of note-to-note tuning intervals in a scale to
produce various effects (reduced "beating", key "color") and is explained more fully
in "Appendix A" of this manual.
Programmable temperaments are activated in the V-SAM just as any preset
temperament is, and they appear in the temperament list as P-1 and P-2. To
actually view, change, or save programmable temperament offsets, however, the
special EDIT mode must be activated by holding the EDIT button while turning the
V-SAM on (as explained in the "MODE Button and Special Functions"
section of this manual).
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Page 19
In EDIT mode, only the EDIT button, VALUE knob, and CHOOSE button (built
into the VALUE knob) are active. The EDIT button scrolls and loops through 3
choices:
• Edit P-1 temperament file
• Edit P-2 temperament file
• Access SAVE screen for BOTH temperament files
The VALUE knob scrolls through cent offset settings for the currently displayed
scale note and temperament file. The CHOOSE button advances the scale note to
be programmed for the currently selected temperament file. The screen below
shows an EDIT screen which will currently allow the C# scale-note offset of the
P-2 temperament file to be altered (by the VALUE knob), the C# scale note of the
P-2 file to be advanced to D (by the CHOOSE button), or the EDIT screen to be advanced to the SAVE temperaments screen (by the EDIT button):
PROG TMPR
Under the EDIT SAVE screen, a first push of the CHOOSE button calls a
SURE ?? confirmation screen. A second push of the CHOOSE button will
actually save—after a short delay—all the scale note presets entered (or left
unchanged) for BOTH the P-1 and P-2 temperament files. The SAVE function can
be aborted by pushing the EDIT button or dialing the VALUE knob one position
instead of pushing CHOOSE again during the SURE ?? confirmation screen.
NOTE: since the V-SAM must be turned off after editing temperaments, it is
important to ALWAYS SAVE your programmed offsets before exiting EDIT mode!
TMPR: P-2
#
C
2
+03.44
: NEXT
*
The Metronome
As in the case of the other modes, the MENU buttons choose which MENU ITEM
is active for setting with the VALUE knob (or CHOOSE button). Because certain
combinations of parameters will be changed frequently in some applications, the
pair of MENU buttons allows the user to a) quickly alternate between any two
adjacent MENU items and b) reduce the number of required button presses to scroll
from one MENU item to any other. As in the Strobe and Audio Tone modes, menu
items whose settings have been changed from the default values will be displayed at
the upper right section of the display screen for easy reference.
19
Page 20
The following table describes the effect and range of each MENU ITEM under
Metronome mode in order from "TAP
!
" (tempo and start/stop) at power-up to
" INTRO " that the user would see by repeatedly pressing the " " arrow
MENU button. Also shown is the effect, if any, of pressing the CHOOSE button
built into the VALUE rotary knob:
Additional subdivisions
of quarter-note beats
(affects audio only)
Store MENU ITEM
values in memory as
new power-up values
# of measures of
audible play before
auto silence;
Audio on/off(mute)
These functions are accessed and altered in the same way as MENU ITEMs under
any other mode with the following exceptions:
The (Audio on/off) MENU ITEM will always be set to ON when entering
the Metronome mode to avoid confusion over not being able to hear the metronome.
Starting/stopping the metronome and tapping in a tempo are all accomplished with
the CHOOSE button (indicated by the symbol) at a single MENU ITEM
selection—the screen which first appears when entering Metronome mode:
00: 00
TAP
!
: OFF
TEMPO: 120
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This dual function allows direct access to these most often required actions without
a lot of button pushing. The simple rule in using these functions is: if the
CHOOSE button has not been pushed for a time at least as long as the slowest
possible tempo setting (about 1.5 seconds), the button push will reverse the current
metronome activity—ON to OFF (Stop) or OFF to ON (Start). Once the
metronome is started at this menu position, any pushes of the CHOOSE button
occurring faster than 1.5 seconds will automatically be used as "taps" to calculate
tempo.
A typical use would be to proceed to Metronome mode, and simply begin tapping in
a tempo. (NOTE: only two "taps" are required to define a tempo but additional ones
are used to make an average in case tapping is inconsistent.) The visual beat pattern
and beep "ticks" will proceed while you are tapping the tempo. When tempo
tapping ceases, the metronome will start in sync with and at the correct beat from
where you stopped tapping (after one "silent" tick).
NOTE: if you begin tapping a tempo that is slower than the current setting, the
metronome will fill in at least one tick at the faster tempo setting until it "knows"
that you are tapping a slow tempo.
If leading a group into a musical piece, you can simply count along with the
V-SAM as you cue in the tempo (or have the group listen to the beep ticks for
themselves). For example, if you stop tapping after Beat 3 of a 4/4 beats/measure
setting, Beat 4 will be silent and the next Beat 1 will sound correctly on its own; the
metronome will proceed in the ON state.
The INTRO function is another
sound familiar: a director or section leader cues up the players, starts up a
metronome, positions his/her own instrument to begin playing with one hand during
the count-in measures, begins playing with two hands after the count-in, then
fumbles to turn off the metronome (so it won't interfere with the rest of the piece)
with his/her third hand. That's one special section leader! Under this MENU ITEM, when the is set to ON (with the CHOOSE button), the VALUE knob
can set a number of audible "intro" measures from 1 to 16 (or
or continuously audible). After the INTRO measures sound, the metronome
automatically continues inaudibly as a visual metronome until the metronome is
turned OFF.
The DIV menu item allows the standard quarter-note beat to be subdivided into
various rhythms—heard audibly as low-pitched "tocks".
peterson
exclusive feature. Does this situation
meaning "infinite"
4
Saving MENU Values As New Power-Up Defaults
Your V-SAM unit is initialized at the factory with MENU ITEM values that are
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generally considered to be standard and will not need to be changed by a great many
users. Under the Strobe and Audio Tone modes, these are:
• EQUal Temperament at ROOT (or home key) of C
• Concert A at 440.0Hz
• KEY transposition at C (standard “concert” pitch)
NOTE: the above settings are COMMON to the two tuning modes! In other words,
changing the Concert A reference under one mode, for example, will change the
value under the other mode.
The default Metronome settings are:
• TEMPO at 120 beats per minute
• BEATS (per measure) at 4
• DIV (subdivision of beats) at 1/4-note (no subdivisions)
• (speaker/headphone) output at ON
(infinite or
• INTRO (lead-in measures before auto-silence of "ticks" at
continuously audible)
The default LCD backlight setting is ON (bright).
These values can be changed at any time when in the appropriate operational mode
(as can all other MENU ITEM values except attempting to choose AUTO note
selection when Audio Tone mode is activated). Except for " " (metronome
audio) which is always set ON when entering Metronome mode, the values of the
above menu items may be changed and saved by the user as new power-up defaults.
Before entering the SAVE sequence, the values of all of the savable menu items
under the current MODE should be at the desired settings. For this example, let us
assume that under the Strobe mode:
• TMPR is JST (Just Major) and ROOT is E=
• A4 is 465.5 Hz
• KEY is B=
Press either the “ ” or “ ” MENU buttons until SAVE becomes the current
MENU ITEM:
T(E=): JST
A465. 5
KY: B
=
4
SAVE ?
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At this point, the current values of the savable menu items are displayed so that you
can review the values you will be saving. Pressing either MENU button at this
point will cause a new MENU ITEM to become current and no saving operation
will have occurred. By either turning the VALUE knob or pressing the CHOOSE
button once, however, a “confirmation” screen will appear:
T(E=): JST
A465. 5
KY: B
=
SURE ??
The question “SURE ??” now appears on the current MENU ITEM line. Once
again, pressing either MENU button will cause a new current MENU ITEM to
appear and the SAVE procedure will have been aborted with no change to the saved
values. Similarly, turning the VALUE knob by one “click” will step back to the
first “SAVE ?” screen. However, if the CHOOSE button is pressed while the
“confirmation” screen is active, the SAVE procedure will have been completed as
indicated by the final screen:
T(E=): JST
A465. 5
KY: B=
T
SAVED
The V-SAM unit would now power-up with these MENU ITEM values until a new
SAVE procedure is completed. The last entered V-SAM mode will resume when
one of the MENU buttons is pressed to activate a new “current MENU ITEM” and
exit the SAVE screen. Saving MENU ITEM values under the Strobe, Audio Tone,
Metronome, and Light modes works in identical fashion.
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APPENDIX A Temperament Settings
Lately, the word "temperament" has entered the language of many musicians
(notably guitarists and bassists) who never before had a term that could describe the
tuning shortcomings of their instruments. Many modern instruments are
constructed assuming "equal tempered" scale-note intervals. This is simply one of
an infinite number of ways to tune one scale note relative to another, and it can
create serious tuning shortcomings. However, by taking advantage of the distinct
characteristics of certain instruments (guitar, bass, steel guitar) or prevalent key
signatures (for the remaining "historical temperaments" in the list), alternate
temperaments are possible which generally "sweeten" the chords and intervals
played on these instruments without compromising the overall tuning relative to
other pitched instruments being played.
By nature of a temperament being "unequal", some chords and keys—generally,
major and minor keys at (or diatonically related to) the ROOT note on which the
temperament is built—are "favored" while more remote keys have chords that
sound worse than those of Equal Temperament. In order to guarantee that a user
can achieve a "favored sound" with any chosen temperament regardless of key
signature, the V-SAM provides a ROOT setting (accessed under the TMPR menu
item by pressing the CHOOSE button, then rotating the VALUE knob). The
ROOT setting realigns the temperament to the "concert pitch" chosen. Thus, if one
wants to play perfect 3rds in the diatonic key of D major, for example, one might
choose the JST temperament with ROOT set to "D". NOTE: generally, a ROOT
other than the default "C" setting will NOT be required under the GTR, BAS, SE9,
and SC6 temperaments unless non-standard open tunings are used.
EQU (Equal) is "standard" modern tuning (that would appear in a typical keyboard
synthesizer, for example).
PYT (Pythagorean) produces perfect 4
for a given root). It is quite useful for open string tuning of bowed instruments.
JST refers to "Just Major" and generally provides perfect beatless major 3
th/5th
4
intervals in the root diatonic key. However, avoid using the II-major chord
intervals for a given root (D-F#-A with Root=C, for example). JUST tuning is
especially useful for brass, woodwind, and vocals.
MNT (1/4 Comma Mean Tone) is a fairly flexible "compromise temperament"
producing good results in all major/minor keys based on the diatonic notes from the
chosen root (except VII major and IV minor). It is a popular "historic" tuning for
piano, organ, and baroque keyboard instruments (harpsichord, clavichord, etc).
KRN (Kirnberger III) is a "well-tempered" historic temperament with strong "key
color" differences, suitable for pipe organ and baroque keyboard instruments.
WRK (Werckmeister III) is similar to Kirnberger III above but with a greater range
of useful key signatures for a given root selection (in exchange for increased beating
among some intervals in "favored" keys). It is yet another option for historic tuning
of piano, organ, and baroque keyboard instruments.
th/5th
intervals (except the =III-=VI interval
rd
and
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YNG (Young) is "well-tempered'' with milder "key color" variations than the above
historic temperaments (i.e., more similar to Equal temperament). It is yet another
historic keyboard instrument temperament.
KLN (Kellner) is "well-tempered" with a pleasing variation in key color and also
suitable for historic tuning of piano, organ, and baroque keyboard instruments.
GTR is a proprietary electric and acoustic guitar setting geared toward
“sweetening” the 4
th
and 5th intervals on a standard-tuned or ½-step-flat guitar (and
bass when played in combination with a GTR-tuned guitar). GTR improves other
intervals as well. For best results, use the default EQU temperament for intonation
(string length setting), then tune open strings using GTR. See
www.PetersonTuners.com/news/ttopics/index.cfm
for more about guitar setup.
BAS is a proprietary bass setting useful for percussive playing and when playing
along with a stretch-tuned keyboard (acoustic piano or other string or bar-struck
keyboard). For best results, use the default EQU temperament for intonation (string
length setting), then tune open strings using BAS. SE9 and SC6 refer to "E9" tuning and "C6" tuning, respectively, for the two
standard necks of a steel guitar. They supply "well-tempered" intervals to
"sweeten" internal chords but are scaled around equal temperament so as to
minimize tuning errors when playing along with "standard tuned" instruments.
(Since these are 12-note files, "universal neck" is also accommodated.)
E9 neck B D E F# G# B E G# D# F#
C6 neck C F A C E G A C E D/alt G
*Values derived by integrating and expanding upon steel guitar tuning theory and
data described by Buddy Emmons, Jeff Newman, and others from various sources.
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IF: IT COULD MEAN:
I cannot switch from
MANual note
detection to AUTO
under the
Lower octave strobe
band(s) appear
random while upper
ones seem to respond
to input
In Strobe mode, the
four strobe bands will
not appear in the
LCD screen
In Strobe mode, the
indicated scale note
does not match what
I'm playing
In Metronome mode,
I cannot start the
metronome
At power-up or Tone
on, display appears
but then fades away
menu
*
TROUBLE-SHOOTING HINTS
If the current MENU ITEM includes the symbol:
“
which does not allow AUTO note detection. Either
change the note manually (by turning the VALUE knob)
or change the current MODE to strobe:
Under MANual note detection: the selected octave is
probably lower than the input signal octave.
Under AUTO note: the analyzed octave is probably
lower than that of the actual signal, often due to a weak
(low-level) input.
Either the V-SAM is in a SAVE screen or the signal
frequency is too distant from the reference note/octave
(look for a ##
display). If in MANual note detection, check that the
selected note is appropriate.
First, verify that AUTO note detection is currently
enabled (no MAN text to the right of the large scale note
display). If not enabled, use a MENU button to change
the current MENU ITEM to "
CHOOSE button until AUTO is displayed. Incorrect
note detection may also occur occasionally with any
instrument if the signal is weak or indirect, especially
when using the built-in mic. Also, certain
instruments—especially bar and reed-based ones like
harmonica or accordion—have very strong overtones
making note detection very difficult. In any case, using
an external mic or pick-up (like the Peterson TP-1) can
improve detection. Settings under KEY and the A4
reference menu items can also (correctly) cause the
displayed note to be offset from the expected one.
If the metronome can run visually, check that the
" INTRO" menu item settings are not set to mute
the audio outputs. If even the visual portion of the
metronome will not start, check for a
line. This indicates that Bass Shift was activated at
power-up (which prevents the metronome from being
run). The unit must be turned off and on again (without
Bass Shift) to allow the metronome to start.
Batteries are old or discharged.
” in it, the device is in the Audio Tone mode
*
or == symbol in place of the strobe band
*" and press the
: NO screen
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TECHNICAL SPECIFICATIONS
WEIGHT
SIZE
POWER
ACCURACY
INPUT
1.2lbs (544g)
7.5"(19cm) x 4.3"(11cm) x 2.3"(6cm) HxWxD
2.0V @440mA to 4.6V @190mA; 3-AA batteries or
regulated power adapter: 2.1mm(+) / 5.5mm(-)
0.001 semitone (0.1cents or to within ±0.0029%)
internal and visually observable!
Internal condenser microphone
±10mV to 5V on 1/4" phone jack
~0.4W MAX (internal speaker)
OUTPUT
1/4" jack (stereo/mono) 32
minimum external
Ω
impedance
AUDIO OUTPUT
RANGE
STROBE
RANGE
Normal: 16Hz (~C
Bass Shift: 4Hz (~C
Normal: 32Hz (~C
Bass Shift: 8Hz (~C
) to 8133Hz (~B8)
0
) to 2033Hz (~B6)
-2
) to 6272Hz (~G8)
1
) to 1975Hz (~B6)
-1
Carrying Case
OPTIONAL
ACCESSORIES
Mic-stand tuner-support system
TP-1 clip-on pick-up
Dynamic handheld microphone
WARRANTY
We warrant this product to be free of defects in materials or workmanship for a period of
ONE year after delivery to the original purchaser. Our obligation under this warranty is
limited to the replacement or repair of any part or parts which prove upon our examination to
be defective.
This warranty does not apply to damage resulting from transportation, misuse, abuse, or
alteration. The complete unit must be returned to our factory, transportation charges prepaid.
In order to speed the return of the unit to you, it is recommended that for all repairs, other
than those required as a result of shipping damage, you deal directly with our factory. In case
of damage in shipment, a claim should be filed with the carrier. Be sure to include a brief
description of the difficulty you are experiencing and your return address.
The above warranty is contingent upon the accompanying registration card being filled in and
returned to the factory within 10 days of the date of receipt of the product by the original
purchaser. The warranty conveys specific legal rights to the purchaser; other rights vary from
state to state and internationally.