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6160/P
6160/P
6160/P6160/P
160Wx6 Multi-Channel Power
Amplifier
Owners Manual
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Perreaux Industries Limited makes no warranty for the use of its products, other than those
expressly contained in the warranty detailed herein. The Company assumes no responsibility for
any errors which may appear in this document, reserves the right to change products or
specifications detailed herein at any time without notice, and does not make any commitment to
update the information contained herein. No licenses to patents or other intellectual property of
Perreaux are granted by the Company in connection with the sale of Perreaux products, expressly or
by implication.
PERREAUX® is a registered trademark of Perreaux Industries Ltd.
Terms and product names in this document may be trademarks of others.
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Introducing the Perreaux
6160 Power Amplifier
Congratulations on your Perreaux 6160 purchase. To realise the full potential o
your unit you need to appreciate all aspects of its operation.
Before installing the 6160 into your system, read the entire manual carefully.
Endeavor to understand every detail by familiarising yourself with the controls
and features as you read. You will find it easier to install using the relevan
sections of this manual as a reference.
Features at a
Glance
We have attempted to explain every feature and operational facet clearly an
concisely. Your Perreaux dealer will be happy to assist if you encounter an
unforeseen problems.
Read this manual, install your unit correctly and realise the sonic significance o
your investment in Perreaux.
Perreaux products are designed to provide the utmost in sonic realism an
electronic reliability with a functional yet elegant appearance that reflects th
care and craftsmanship applied during all stages of construction.
àRugged build quality
àUltra-stiff power supply
àSoft-Start circuit
àHybrid Class A/AB output stages
àMOSFET output devices
àHighly powered
àClipping indicators
àBridgeable outputs
àRemote trigger input and output
àMultiple protection systems
àAdvanced PCB design and earthing techniques
àEarth isolation switch
To maintain the consistently high quality that you expect from us, and we expec
from ourselves, Perreaux products are essentially handcrafted.
We maintain the human-link throughout, from design and construction, throug
to the ultimate test, your music, your system, your ears.
Because we too listen to our products, we know that with your Perreaux you wil
discover many more of the musical secrets we strive to reveal.
Note:
All references to the 6160 Classic series are also applicable to the 6160
P-Series product.
From all of us at Perreaux Industries Limited, thank you for choosing th
Perreaux Reference Series 6160 power amplifier.
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Important Safety Instructions
Note:
àThe 6160 should not be used near water, for example near a bathtub,
All safety and operating instructions should be read carefully before th
6160 is used. Keep the Owners Manual in a safe place for futur
reference.
kitchen sink, in a wet basement, near a swimming pool, etc.
àThe 6160 should be rack mounted only in a heavy-duty rack or stand
that is recommended for audio equipment use.
àMounting to a wall or ceiling should be via a heavy-duty bracket or shelf
designed for audio equipment use.
àThe 6160 should be situated away from heat sources such as radiators,
stoves, or other appliances that produce excessive amounts of heat.
àAlways ensure the 6160 heat sinks have adequate ventilation enabling
air circulation both above and below.
àDO NOT place the 6160 directly onto carpeted surfaces.
àAvoid exposing the 6160 to extremely high or low temperatures.
àThe 6160 should be connected to a mains power supply only of the type
described in the operating instructions, or as marked on the rear of the
unit.
àDO NOT disconnect the mains earth from the system.
àThe mains power supply cord should be routed so that it is not likely to
be walked on or pinched by items placed on or against it.
àThe power cord of the 6160 should be unplugged from the mains outlet
when the unit is to be left unused for long periods or when attempting to
connect or disconnect cables and before cleaning your unit.
àCare should be taken so that objects and/or liquids do not accidentally
fall inside the 6160.
àPlease keep electrical equipment out of reach of children.
àPlease unplug sensitive electronic equipment during electrical storms.
àPlease replace any fuse with the value and type specified.
àAvoid operating the 6160 with the cover removed.
àDO NOT bypass any fuse.
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àDO NOT attempt to repair the 6160. In the event of a problem, please
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contact your Perreaux dealer.
àDO NOT operate this product in an explosive atmosphere.
Caution!
The 6160 is an extremely high powered, convection cooled amplifier.
The finned outer heat sinks may become very hot when delivering high
volume levels – to avoid injury; care should be taken not to touch th
heat sinks during operation.
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Introducing the Perreaux 6160 Power Amplifier .................................................. 3
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Important Safety Instructions.................................................................................... 4
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Table of Contents......................................................................................................... 6
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1111
Unpacking and Placement......................................................................................... 7
2222
Instant Install................................................................................................................9
3333
Front Panel Functions............................................................................................... 11
4444
Rear Panel Functions ................................................................................................13
5555
Bridging Channels.....................................................................................................17
6666
Special Design Philosophies .................................................................................... 19
7777
Special Design Features............................................................................................ 21
8888
Maximising System Potential................................................................................... 23
Table of Contents
9999
The Power MOSFET................................................................................................... 25
10
10
Care and Maintainance ............................................................................................ 28
1010
11
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Warranty Information and Obtaining Service ..................................................... 29
1111
12
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Extended Warranty Registration Form ................................................................. 30
1212
13
13
Faultfinding Your System......................................................................................... 31
1313
14
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Specifications.............................................................................................................. 36
1414
15
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Physical Dimensions.................................................................................................. 39
1515
16
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Contact Details........................................................................................................... 40
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Unpacking and Placement
The 6160 is packaged for maximum protection. Please carefully read th
instructions below before proceeding to unpack the unit. Be extremely careful.
Unpacking
Procedure
Note:
à Remove the two white polystyrene protectors off either side of the
à Inspect both ends of the cardboard box and open at the end without the
central staple by slitting the reinforced tape at either side.
à Fold back the flaps and tip the package on end and the inner box will
slide out.
à Lay the inner box down flat and upright, open it conventionally by
separating the top tray from the bottom.
à The product can now be removed from the bottom packaging. This will
be easier if you have someone to help you by holding the base of the
box.
à Alternately, the bottom tray and amplifier could be tipped upside down
and the bottom packaging removed. If opened in this manner, please
ensure that you turn the contents over again.
Be very careful to secure the unit if you are planning to flip the packag
upside down.
amplifier, leaving the black material covering.
à Pull back the material and remove the protective black tissue from the
front panel.
The amplifier is now unpacked and ready for further installation.
Note:
Box
Contents
Placing
Your 6160
Please retain all packaging material for future transport.
1 x 6160 Power amplifier
1 x 6160 Product manual
1 x Detachable AC power cord
The 6160 should generally be placed close to your preamplifier, keeping th
interconnect cabling short.
We strongly recommend keeping the 6160 on it’s own separate shelf to allow fo
proper ventilation.
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Ventilation
Requirements
Note:
The 6160 is a high-powered amplifier. For optimal performance, the unit MUS
receive adequate ventilation.
à Please do not install in a sealed cabinet.
à Please do not stack products directly on top of the unit.
à Please do not cover the product with a cloth or similar.
à Please do not mount the 6160 directly onto carpeted surfaces.
à As a “rule of thumb”, allow 80-100mm (3-4 inches) around all sides of
the product and mount the 6160 on a flat surface, ensuring that the unit
has adequate access to free flowing air.
à In the event that the 6160 is to be incorporated into custom cabinetry,
please refer to Chapter 15 “Physical Dimensions”.
Please take all necessary steps to ensure that the unit receives adequat
ventilation
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Instant Install
If you are like us, the first thing you will want to do is to play your favourit
piece of music through your new 6160. The following instructions are written to
enable you to achieve this as quickly as possible. These are not comprehensiv
instructions, but are designed to enable you to play music now!
Note:
Note:
Please take the time to read the 6160 manual thoroughly as i
incorporates many features, which will enhance its operation.
Placement
The 6160 is a high-power amplifier and best results will be achieved whe
placed on a solid surface with adequate ventilation. DO NOT place on
carpeted floor or cover the amplifier!
Turn off associated components
This minimises the potential to damage any other components when connectin
your 6160 into the system.
Connect preamplifier to 6160
Connect the output of your preamplifier/processor to the inputs at the rear of th
6160 and ensure that the three toggle switches are all set to NORMAL.
Try to keep all interconnect cables as far from loudspeaker cables as
possible and well away from all AC mains leads.
Note:
Connect speaker cables to the left and right speaker terminals
We recommend using high quality connectors for your speaker cables, spad
lugs are the preferable option as they combine a larger surface area with th
possibility of a strong mechanical connection; however, high quality banan
terminals are also acceptable.
Be careful to maintain channel integrity, i.e. left to left, right to right, and
phase integrity, positive (+) to positive (+), negative (-) to negative (-).
Switch on preamplifier
Turn on the preamplifier/processor and set the volume to the minimum level.
Select the respective input to which your source component is connected.
Switch on 6160
After checking the supply voltage compatibility with the voltage rating on th
6160 rear panel, insert the power cord-set supplied into the rear of the unit an
into the wall. Switch on the socket at the wall and power up the 6160 using th
switch on the rear panel.
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Start your source component
Switch on the source component both at the wall and on its front panel. Ensur
you have some source material inserted and press play.
Increase the volume
Slowly increase the preamplifier/processor volume control to achieve
comfortable listening level.
CONGRATULATIONS!
Now that you have achieved your first objective, sit back, relax and please rea
the rest of the manual at your own pace, in your favourite armchair, whils
sipping a hot cup of coffee. You’ll find the whole experience much mor
pleasurable whilst listening to music.
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Front Panel Functions
Power Indicator
The indicator light is an LED that shows the status of your 6160 multi-channel
power amplifier.
Off
This indicates that the amplifier is not connected to the mains supply. This
could be due to the power switch being set to OFF or power not being supplie
to the mains power cord (e.g. unplugged, switched OFF at wall socket, trippe
circuit breaker, etc.).
Orange
If the LED is glowing orange, it indicates that the soft-start circuitry is enable
and the capacitors are being slowly charged. The soft-start circuitry prevents
large in-rush current upon power-up, which is detrimental to capacitor life an
can trip circuit breakers unnecessarily. The LED should only illuminate orang
for 1-2 seconds.
Red
When the LED is red, the amplifier is ON and ready to be used.
Green
Shows that the unit is in standby. This occurs when a master device is
connected via the remote trigger input at the rear of the unit and the master
device is OFF.
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Clipping Indicators
Caution!
Under the numbered indication on the front panel insert screen, each of the si
channels of the 6160 have an independent LED indicator which will illuminate i
the input signal is too high, potentially causing damaging distortion and is
warning to reduce volume to the indicated channel(s).
When an indicator illuminates, that channel is approaching clipping. This
should be avoided, as clipping is the main reason for damage to both
amplifiers and loudspeakers.
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Rear Panel Functions
Caution!
Caution!
Please make all changes at minimum volume setting. Only increase the
volume after the connections have been made.
AC Mains Input
An IEC-standard mains input is provided at the rear of the unit. The AC cord se
is removable, allowing you to upgrade to a cord set of your preference.
Prior to connection to the AC mains, please check the voltage label on
the rear panel to ensure that your unit conforms to the power supply in
your area. Never attempt to connect the unit to the incorrect voltage.
Severe damage can result from applying incorrect voltage to the unit.
Speaker Output Terminals
The 6160 is equipped with one pair of output terminals per channel. All
terminals are clearly marked and colour coded RED Positive (+) and BLAC
Negative (-). This polarity must be observed when connecting loudspeakers, i.e.
positive terminal of the 6160 to the positive terminal of the loudspeaker an
negative terminal of the 6160 to the negative terminal of the loudspeaker.
When bridging two channels, the positive loudspeaker terminals of the bridge
pair form the loudspeaker terminals for the bridged channel, i.e. the positive
terminal of the odd numbered channel becomes the POSITIVE terminal of the
bridged pair; the positive terminal of the second channel becomes the
NEGATIVE terminal of the bridged pair (refer labeling on Rear Panel).
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Caution!
Never connect the amplifier’s output terminals to any device other than a
loudspeaker.
Please do not short circuit the amplifier’s output terminals.
Never connect the output of one amplifier to the output terminals o
another amplifier.
For more information please refer to Chapter 8 “Maximising System Potential”.
Serial Number
The serial number is unique to your 6160. Please record this number and store i
in a safe place. For any service related enquiry, please be prepared to quote the
product serial number to Perreaux personnel or their service representative.
Input Voltage and Fuse Rating
Input Voltage
It is important that the 6160 be operated from the correct AC mains voltage.
This unit is factory set for the voltage applicable to the original country o
destination.
The 6160 will operate satisfactorily within a voltage variation of up to ±5% o
that voltage at which the unit has been set.
Caution!
Caution!
If you require the voltage setting to be altered, e.g. relocation to another area,
city or country, or extraordinarily high or low voltages, please contact you
Perreaux dealer. Qualified service personnel can only perform this modification.
Never attempt to connect the unit to the incorrect voltage. Severe
damage can result from applying incorrect voltage to the unit.
Fuse Rating
The fuse rating displayed here, refers to the rating of the mains inlet fuse.
For more information on fuse ratings, please refer to Chapter 14
“Specifications”.
Never replace the fuse with any other ratings other than the one
specified.
Earth Lift Switch
This switch enables the user to isolate the internal signal earth of the amplifie
from the mains earth and is useful if system hum is a problem. Setting this
switch DOWN connects the internal signal earth to mains earth and is the normal
position. Setting to UP disconnects the signal earth from the mains earth.
Note:
Activating this switch has no effect on chassis earth, maintaining the
connection to mains earth.
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Master Remote Trigger Input
The master trigger input is used to take the 6160 in and out of standby. The
master trigger input is designed to accept a 3.5mm diameter male plug. The
voltage rating is +5V to +12V DC level ON and 0V DC level OFF.
The plug must follow the specifications as per the following diagram:
Slave Remote Trigger Outputs
A parallel slave trigger output is provided to switch on or off any connecte
peripherals to the 6160. The slave trigger output is designed to accept a 3.5m
diameter male plug. The voltage rating is +12V DC level ON and 0V DC level
OFF.
The plug must follow the specifications as per the diagram below:
AC Mains Fuse
The 6160 is equipped with a user serviceable AC mains fuse. In the event o
fuse failure, always replace with the same type and value fuse. Remember, fuses
do not usually blow without a reason. Any doubts about fuse failure should be
conveyed directly to your Perreaux dealer.
For more information on fuse ratings, please refer to Chapter 14
Caution!
“Specifications”.
This is the ONLY
user accessible fuse.
Never replace the fuses with any other ratings other than the one
specified on the rear panel.
Always ensure your 6160 is disconnected from the mains supply before
attempting to change the mains fuse.
Power Switch
Set this switch right (I) to turn power ON. Mute relay circuitry is employed i
the 6160 so output is muted momentarily after the power switch is actuated. Se
the switch left (O) to turn the unit off, at which time the outputs will be
disconnected.
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Input Sockets
Accepts a standard single-ended input (RCA) from a preamplifier/processor wit
single-ended outputs. These high quality gold plated sockets are highl
conductive, corrosion resistant, and provide less potential for corrosion induce
distortion. All inputs are clearly marked channel 1 through 6.
By associating the channel inputs as pairs, the 6160 can be configured as three
160W stereo power amplifiers. Care should be taken to maintain channel
integrity.
Refer to Chapter 14 “Specifications”, for detail on input sensitivity an
impedance.
Bridging Switch
The bridging switch allows the combining of two channels together to form
single higher output channel. When in NORMAL mode, the individual inputs
correspond directly to the respective loudspeaker outputs. When in BRIDGED
mode, the input channel is the odd numbered channel of the bridged pair, an
loudspeaker outputs correspond to the 'positive terminals' of the bridged pair.
Bridged channels offer considerably more power than two channels individually.
For more information on channel bridging, please refer to Chapter 5 “Bridgin
Channels”.
Caution!
ALWAYS disconnect the unit from the mains power before an
modifications to inputs, outputs, and bridging switches are performed.
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Bridging Channels
Under typical conditions, for surround-sound or home theatre applications, ther
are two channels available for the front loudspeakers, a channel for the cente
loudspeaker, a pair of channels for the rear effects, and an extra channel to driv
either a subwoofer or a second center channel loudspeaker.
The Perreaux 6160 multi-channel amplifier can be thought of as three stereo
amplifiers built into a single box. Each pair of channels within the unit can b
bridged to form a single channel with approximately three times the potentia
output of a single channel. This facility allows this 6160 to be used in a numbe
of configurations. For example, bridging two of the 6160 pairs of amplifiers
will provide two channels of approximately 425W into 8Ω, suitable for the mai
loudspeakers of the system, and two channels of 160W into 8Ω for a remote se
of loudspeakers.
Ultimately, two 6160 units both operating with all channels bridged, will offe
six channels of high power amplification (6 x 425W into 8Ω) for home theatr
applications.
To configure for bridged mode:
àEnsure the power switch on the 6160 is switched to the OFF position
and disconnect unit from mains supply. Allow a minute to discharge
stored potential.
àSelect the pair of channels to be bridged. For this example, we will use
channels 5&6. (Other pairs 1&2 and 3&4 are bridged similarly.)
àDisconnect ALL input and output cables (interconnect cables and
loudspeaker cables) from channels 5&6.
àSet the Bridging Switch to the bridged position. This converts internal
circuitry from normal to bridged mode.
àConnect the loudspeaker cable across the POSITIVE terminals of
channels 5&6 loudspeaker output terminals. When bridging two
channels, the positive loudspeaker terminals of the bridged pair form
the loudspeaker terminals for the bridged channel, i.e. the positive
output terminal of the odd numbered channel becomes the POSITIVE
terminal of the bridged pair; the positive terminal of the even numbered
channel becomes the NEGATIVE terminal of the bridged pair. To
explain further, connect the positive conductor to the positive terminal
of channel 5 and the negative conductor to the positive terminal of
channel 6, i.e. the two red terminals. DO NOT connect any cables to
the black terminals; channel 5 negative terminal (-) and channel 6
negative terminal (-).
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Caution!
Note:
Note:
When in bridged mode, loudspeaker cables must be connected directl
from the amplifier to the loudspeakers. DO NOT connect to a speake
switch, headphone adapter, or any other device that shares a common
ground between channels.
àConnect the signal lead from the desired source to the bridged input. In
this instance, the bridged input for channels 5&6 is input 5.
Do not connect anything to input 6.
Input 1 and input 3 are to be used if bridging other channels.
àReconnect the mains power supply to your 6160, and turn the power
switch ON.
When in bridged mode, we recommend that the loudspeakers have a
nominal impedance no less than 8Ω.
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Special Design Philosophies
Perreaux has been designing and manufacturing only the highest quality audio
componentry for more than a quarter of a century. Technology has continued to
evolve rapidly over that time and our knowledge and application of design,
materials and manufacturing techniques has advanced in tandem with this.
Today’s Perreaux range comes closer to fulfilling our shared vision than at an
other time in the past.
Minimalist
Design
To follow is a discussion on some of Perreaux design philosophies that hav
been incorporated into the entire range.
Leading British architect, John Pawson, writes:
“The Minimum can be defined as the perfection that an object
achieves when it is no longer possible to improve it by subtraction.
This is the quality that an object has when every component, every
detail, and every junction has been reduced or condensed to the
essentials. It is the result of the omission of the inessentials”.
Perreaux has historically embraced the minimalist ethic from an audio desig
perspective only. The concept of “less equating to more” has been at the hear
of all Perreaux audio designs for more than a quarter of a century.
Minimalist Electronics
We wish to maximise the quality of your listening pleasure by keeping th
componentry and signal path as uncluttered, short and clean possible. Al
components in the signal path, even those of the highest quality have an effec
on the signal, thereby altering the quality of the reproduction in some way. Ou
aim is to recreate in its entirety, the original performance by not adding o
subtracting anything, irrespective of the source.
Minimalist User Interface
We carefully study the user interface and par down the number of buttons an
associated clutter leaving just the essential and no more. How tempting it has
been over the years to loose sight of our core values as technology or trends
have made it possible. That is one of the reasons why our older products stil
have such a high resale value today. The user interface has and always wil
remain simple, free from adornments, clean and uncluttered.
Minimalist Aesthetics
Our products appeal to those who seek the ultimate in audio exclusivity, namel
the perfect blend of “form and function”.
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“Form and function” are both tough masters. That is why our amplifier hea
sinks are not hidden, but instead feature prominently in all our designs. W
make no excuses for producing some of the most distinctive high-end audio
products on the planet. We let “form and function” blend together in perfec
harmony. This surely is the essence of true minimalist utilisation.
Minimalism in a Wider Context
John Pawson writes:
“Clearly simplicity has dimensions to it that go beyond the purely
aesthetic: it can be seen as the reflection of some innate, inner
quality, or the pursuit of philosophical or literary insight into the
nature of harmony, reason, and truth”.
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Special Design
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Features
Rugged Build
Quality
Ultra Stiff
Power Supply
Hybrid Class
A/AB
Mechanical strength has been a hallmark of Perreaux products since th
company first started production back in 1974. The concept behind the physica
design and construction is that each structural member should contribute to bot
rigidity and performance.
The 6160 incorporates a massive custom designed, toroidal power transformer,
employing unusually heavy gauge wire that reduces copper losses to
minimum. An electrostatic shield prevents AC line borne interference fro
entering the signal path. The power supply filter capacitors, totaling 60,000μF,
have exceptionally low inductance and internal resistance. They charge an
discharge in response to load demand far more rapidly than conventional storag
capacitors and are capable of delivering the instantaneous current required by th
output stages, providing optimum dynamic range and transient response. Th
wiring from the power supplies to the output boards is designed for unimpede
transmission of the required current and voltage and utilizes heavy gauge, tinne
copper wire cables. Since power supply leads radiate at signal frequencies, al
signal wiring is carefully loomed to minimise this effect.
The bi-polar transistors used in the 6160 are run in Class A mode. This avoids
the crossover notch distortion and the resulting odd-order harmonics present, to
some degree, in all other classes of operation. The devices used in the 6160
output stage are MOSFETs, which with high quiescent current circuitry, are ru
in the equivalent of Class A to 10 watts. Beyond this point the output class is
technically Class AB (hence the hybrid nomenclature), but with a majo
difference. The combination of MOSFET characteristics and their application i
this circuitry, result in crossover distortion so minimal that it is virtually nonexistent.
MOSFET
Output Stage
The 6160 output stage takes full advantage of the unique qualities of MOSFE
devices and in many ways they are superior to bi-polar transistors. A majo
advantage is their tendency to draw less current over a large section of the powe
bandwidth as their temperature rises (Negative Temperature Coefficient), henc
self stabilising thermally, whereas bi-polar transistors draw more current as thei
temperature rises (Positive Temperature Coefficient) and protection circuits
become mandatory to prevent thermal runaway and eventual self destruction.
MOSFETs have the ability to swing fully across the amplifier’s internal DC
voltage and are therefore true "rail-to-rail" devices. Using MOSFETs
encourages the highest performance from the balance of the internal amplifie
circuitry.
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Clipping
Indicators
Caution!
Bridgeable
Outputs
Protection
Systems
Each of the six channels of the 6160 have an independent LED indicator whic
will illuminate if the output approaches clipping, potentially causing damagin
distortion and is a warning to reduce volume to the indicated channel(s).
When the clip indicator illuminates, that channel is approaching clipping.
This should be avoided, as clipping is the main reason for damage to
both amplifiers and loudspeakers.
The 6160 has the facility to combine two independent channels into a singl
higher output channel. The bridging switch allows the selection of two
independent channels, or the combining of two channels to form a single highe
output channel. Bridged channels offer considerably more power than two
channels individually.
AC Sense
The 6160 monitors the AC voltage at the secondary windings of the toroida
transformer, that in turn supply the rectification stages. In the event that th
toroidal transformer AC output should fail, the protection circuitry wil
disconnect the output. The output will be reconnected once the AC voltage has
been restored.
DC Rail Fuse
Each of the +VE and –VE DC rails supplying the output stages of each channe
are protected with a fuse. In the event that any one of the fuses should fail, th
protection circuitry will automatically detect the fault and disconnect the outpu
of the respective channel(s).
Earthing
Earth
Isolation
Switch
Highest
Quality PCBs
and
Components
Soft-Start
Circuitry
Highly
Powered
Perreaux engineers pay particular attention to designing the product to ensur
maximum separation between internal signal and power earths, only meeting at
central starred point.
The toggle switch on the rear of the 6160 allows the internal circuitry to b
isolated from the mains earth, whilst still maintaining an earth connection to th
chassis. This ensures the potentially fatal practice of using an AC cord-set wit
no earth connection, to alleviate system hum, is not required.
Quality fiberglass PCBs, featuring heavy copper tracks and high-grad
components, are used throughout the 6160. This provides added stability unde
variable thermal or electrical loads and assures maximum signal integrity,
separation and product life.
The 6160 utilises soft-start circuitry to protect the fuses and/or circuit breakers i
your home’s mains power supply. Without this circuit, the huge inrush curren
required to charge the 60,000µF of power supply capacitance can blow the fuses
or trip the circuit breakers.
Capable of continuously delivering 160W
6160 is highly powered. Utilising six high current Hitachi MOSFETs pe
into 8Ω (225W
RMS
into 4Ω), th
RMS
channel, the 6160 handles even the most difficult loads with ease.
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Maximising System Potential
Interconnects
and Speaker
Cables
Bi-amping
An often-ignored area in high fidelity systems is the cabling connecting th
various components. Interconnect leads should be high quality cable wit
substantial terminations. Gold plate is inherently resistant to corrosion, and a
excellent conductor. The presence of corrosion induces distortion and poo
conductivity will seriously interfere with sound quality. Terminations must plu
snugly into sockets to maintain maximum conductivity and to avoid annoyin
earthing problems.
Speaker cabling is equally critical. Use only solidly constructed cable of hig
purity copper or silver content. Again, gold plated terminations ar
recommended, of the spade or banana plug type. Use cables of equal length an
as short as possible to maintain uniform electrical resistance at the lowes
possible level. If your amplifier is closer to one of your speakers than the other,
avoid coiling the longer lead as this can create inductance, with the potential o
reduced high frequency performance. Keep all connections clean, firm and tight.
The traditional adage that a chain is only as strong as its weakest link mos
certainly applies to audio systems.
Bi-amping uses two similarly powered amplifiers, with exactly the same inpu
sensitivity so that, when the same input signal is provided to each of them, th
output level will be exactly the same. This can often be done with one powe
amplifier connected to the tweeters and another to the woofers, as it spreads th
power requirement between the two amplifiers. Bi-amping can achieve greate
control, dynamics and resolution than if you try to run everything from a singl
stereo amplifier.
Positioning
Ancillary
Equipment
Loudspeaker
Placement
Matching
Amplifier and
Speaker
Ratings
Positioning of your source equipment (tuner, video, disc, tape, record, decks) is
important. To avoid airborne frequency peaks, place them well away from you
loudspeakers.
Loudspeaker placement is a controversial issue; suffice to say that room corners
are generally the worst situation. Everything which constitutes your listenin
area, including the materials used in its construction, will affect the sound itsel
and the sound stage created. Equally, you have to live with your system an
therefore compromises will have to be made in line with your particula
priorities. The best advice we can give concerning the choice of loudspeakers is,
establish clearly in your mind your requirements; listen to many makes an
models, and if at all possible audition your preferred choice in your ow
listening area and trust your own ears.
When matching speakers to amplifier wattage – ordinarily, the amplifier shoul
have a continuous RMS output power rating the same as or higher than th
speakers at the same impedance rating. For example, 100W
driven by a 100W
driven by a 160W
at 8Ω amplifier is not as ideal as 100W
RMS
at 8Ω amplifier.
RMS
, 8Ω speakers
RMS
, 8Ω speakers
RMS
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–
Note:
Perreaux equipment is designed with substantial headroom built in – that is, th
100 Watts is twice as loud as 10 Watts, not ten times as loud.
reserve necessary to reproduce musical peaks without clipping.
Final
Thoughts
High fidelity systems are an investment deserving of careful thought an
personal time. Your preferences, priorities and constraints will dictate th
parameters of your purchase, your ears will tell you what is the right choice fo
you. Our experience tells us that the bitterness of dissatisfaction lingers lon
after the fragrance of cheap price is forgotten, hence our use of the term
investment.
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The Power MOSFET
Today with the vast number of technical achievements occurring around th
world, many discoveries are overshadowed or obscured by some that ma
appear more important to the general media. One such discovery of importance,
to the audiophile at least, is that of the power MOSFET device.
The MOSFET
The field effect transistor (FET) and then the MOSFET transistor have bee
around for a number of years, but only as a small signal-handling device, mostl
employed in radio tuners and communications equipment. The electrica
advantages of these have long been realised by manufacturers of hi-fi. If onl
they could be made to handle large amounts of power – what a benefit to th
audiophile.
The term power MOSFET describes a device capable of handling reasonabl
large amounts of electrical energy as an amplifier itself – hence power.
MOSFET stands for “Metal Oxide Silicon Field Effect Transistor”, this in tur
means that the device is constructed of Silicon. Similar to a transistor – but th
part that controls the power flow through the device is insulated from th
remainder of the device by a metal oxide insulating layer and the controlling o
the power is achieved by the development of an electrostatic field between th
controlling element and the conducting element.
In a transistor, the control of the power through the device is effected by th
application of a smaller, but nevertheless, significant amount of power to th
controlling element. Whereas in the power MOSFET, the control of the powe
through the device is affected by the application of a very small and ver
insignificant amount of power to the controlling element – in fact, only th
amount required to create a small electrostatic field. This makes the operation o
a power MOSFET similar to that of a valve.
Other Field
Effect
Devices
There are basically three types of power field effect device, they are: th
junction FET, the vertical FET and the power MOSFET, all of which wer
independently developed by three different hi-fi equipment manufacturers i
Japan and all were major technological breakthroughs in their own right.
The first of these was the junction FET, the second the vertical FET and lastly,
the power MOSFET. Although all these devices are vast improvements ove
power transistors, the junction FET and vertical FET cannot compare with th
power MOSFET, in terms of simplicity of the supporting driver stages an
power supply requirements.
The power MOSFET, though having similar characteristics to the valve, can b
divided into 2 types of polarities of device – P-channel an
N-channel. Broadly speaking only one of these types exists in valve operations.
This means that complementary power MOSFETs – P and N channel – can b
used in an audio output stage providing greater linearity of operation than can b
achieved with valves. In addition, further advantages over the valve includ
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W
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Audio
Applications
Secondary
Breakdown
their much smaller size, no filaments and greater reliability with reduce
vulnerability to physical damage.
When used in an audio power amplifier, the advantages of the power MOSFE
over the power transistor are much more difficult to describe and would requir
greater complexity than can be gone into here. However, they can b
summarised as follows – the most important point is that the power MOSFE
has a negative temperature coefficient whereas the power transistor has
positive temperature coefficient. This means that when a power transistor is
handling power it heats up further and consumes more power. This
characteristic, called thermal runaway, will result in the destruction of the powe
transistor if some means is not provided to control it. The power MOSFET o
the other hand, although heating up due to the power flow through the device,
does not continue to draw more and more power just because its temperature has
risen. But in fact has a tendency to stabilize itself – provided adequate hea
sinking is available to remove the heat generated during normal operation.
Incidentally this is less heat sinking than is required for a similarly power rate
standard transistor.
Then there is the appearance of secondary breakdown and ‘hot spots’ in a powe
transistor. This is related to thermal runaway. In order to understand this, on
must imagine that the chip silicon inside the power transistor is in fact man
smaller transistors connected in parallel. Now, if one of these smaller transistors
or a spot on the chip has a greater gain (or amplification factor) than the rest,
then that spot will heat up faster and to a greater temperature than the remainde
of the transistor chip. This means that whole power dissipation capability of th
transistor has been severely reduced and is a major cause of these unexplaine
output stage failures in large power amplifiers, i.e. over 80W
.
rms
The power MOSFET is largely immune to this problem because if a small par
of this chip has a higher gain than the rest then its temperature will rise slightl
causing that spot to reduce gain and hence stabilization occurs. The power is
more evenly distributed throughout the chip and therefore reliability is
maintained.
It can be seen from the above that the transistor power amplifier has to have
much larger margin of power dissipation capability and heat sinking in its outpu
stage than the power MOSFET amplifier.
The transistor power amplifier of 100W
stage capable of delivering 10W at 1kHz and up to 20W at 20kHz into the inpu
of the output device. The power MOSFET only requires a maximum of 0.01
so a major saving in driver stage componentry and associated noise an
output into 8Ω can require a drive
rms
distortion can be eliminated.
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High
Frequency
Response
Probably, from the sonic quality point of view, the most important improvemen
is the power MOSFETs vastly superior high frequency response. A larg
proportion of the power transistors used in modern hi-fi amplifiers start to sho
a decline in efficiency from 10kHz upwards. The efficiency of the powe
MOSFET does not start to decline until about 2MHz and is only down 3dB a
30MHz. This is due to the energy transfer being accomplished with minorit
charged carriers in the power MOSFET as opposed to majority charged carriers
within the transistor, and results in hole storage at high frequencies causing th
transistor to dissipate increasing amounts of energy within itself as the frequenc
increases.
Further sonic degradation of the transistor power amplifier occurs due to hol
storage of the output transistors. As the output distortion increases wit
increasing signal frequency, it is obvious that the distortion products in th
negative feedback path also increase.
Because the negative feedback system is employed to reduce distortion b
cancellation, at high frequencies it causes even more power to be consume
within the output transistor just to cancel out the distortion.
Transient intermodulation (TIM) is also more prevalent in transistor powe
amplifiers because the signal transition in time is relatively slow. This means
the distortion products in the signal of, say, a fast transient will not trave
through the negative feedback system into the output stage fast enough to cance
at exactly 180 degrees out of phase – resulting in the amplifier being overloaded.
This is not possible in power MOSFET amplifiers.
Other
Advantages
Further sonic improvement is achieved in power MOSFET amplifiers due to
reduced crossover distortion, as power MOSFETs have a sharper “knee” tha
transistors at cut-off and provide a greater linearity when crossing over from on
device to the other. Because crossover distortion is a major cause of odd orde
harmonic distortion in transistor amplifiers (be it small, i.e. 0.05% total) they ar
usually considered to sound more harsh than valve amplifiers which generall
have large amounts of even order harmonic distortion up to 5% and are though
to sound more pleasant and musical.
However, which is more accurate? The valve amplifier at 5% THD with
pleasant sound and even order harmonics; the transistor amplifier with 0.05%
THD with relatively unpleasant sound with even and odd harmonic output, or
power MOSFET amplifier with 0.02% THD and relatively pleasant even orde
harmonic distortion? In our opinion, the power MOSFET amplifier because th
THD generated is virtually all second or even order harmonic distortion tota
0.02% or less at 20kHz and down to 0.004% or less at 1kHz.
It can be seen that power MOSFETs are here to stay and that there are major soni
and electrical improvements to be had over other output devices.
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10
1010
The 6160 has been designed to provide many years of trouble free enjoyment.
Note:
Cover
Care and Maintenance
It’s important to keep the exterior of the unit clean and to periodically ensur
that the air-cooling grills remain clear from obstruction.
Please switch the unit off and remove the cord-set from the rear of th
amplifier before attempting to clean your 6160 in the manner described
below.
Never apply liquid directly to the 6160.
Never use abrasives.
Never rub in a circuilar motion.
The cover features a durable, high quality powder-coat finish. To remove finge
marks and dirt, lightly rub the surface with a soft cloth.
If the dirt is not removed, dip your cloth in a mild solution of soap and water,
squeeze excess moisture from it and then gently reapply to the surface.
Stubborn dirt may be removed by the application of a small quantity o
methylated spirits, applied directly to the cleaning cloth only and reworking th
effected area.
Front Panel
The front panels differ between the Classic Series (6160) and P Series (6160P).
The Classic Series front panel is finished in chrome electroplate, where as the P
Series is finished in the same durable powder coat as the cover.
They both can be cleaned in a similar manner to the cover, as described above.
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Warranty Information
and Obtaining Service
1 Year
Limited
Warranty
5 Year
Extended
Warranty
Warranty
Transfer
Information
on the 6160
Warranty
The Perreaux 6160 is warranted to be free from defects in material an
workmanship under normal use to the original purchaser for a period of 1-yea
(365) days from the date of purchase from an authorised dealer or distributor.
To extend the warranty on your Perreaux 6160 to five (5) years from date o
purchase, please return a fully completed warranty registration form along with
copy of the original receipt of purchase to:
Perreaux Industries Ltd
PO Box 47413
Ponsonby
Auckland
New Zealand
For the Extended Warranty Registration Form, please refer to Chapter 12.
Perreaux Industries Ltd may, at its discretion, allow the warranty on this produc
to be transferred. Please contact Perreaux on info@perreaux.com requesting
transfer.
If during the warranty period the Perreaux 6160 exhibits defects in materials
and/or workmanship, it will be repaired or replaced, at our option, withou
charge for either parts or labour. The warranty does not apply to any unit tha
has been misused, abused or altered.
Obtaining
Service
Any unit that is not performing satisfactorily may be returned to the factory i
Auckland, New Zealand for evaluation. Return authorisation must first b
obtained by either calling or writing to Perreaux prior to shipping the unit.
Perreaux Industries Ltd and it’s authorised distributors and dealers shall not b
held liable for any freight or insurance charges. Freight and insurance charges to
and from the Perreaux factory will be the sole responsibility of the owner of th
unit.
There is no other express warranty on the 6160. Neither this warranty nor an
other warranty, express or implied, including any implied warranties o
merchantability of fitness, shall extend beyond the warranty period. No
responsibility is assumed for any incidental or consequential damages.
In the event that you are experiencing difficulty with the 6160, please as a firs
step, follow the faultfinding procedures in Chapter 13. If after following this
procedure, you require further assistance, please contact your Perreaux dealer.
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12
x
12
1212
Extended Warranty
Registration Form
Please complete this form and either fax, mail or scan and e-mail it to Perreau
Industries Ltd.
Fax: +64 9 815 5981
Mail: Perreaux Industries Ltd
PO Box 47 413
Ponsonby
Auckland
New Zealand
E-mail: info@perreaux.com
Alternatively, complete the online Warranty Registration Form on our website
– www.perreaux.com.
5 Year Extended Warranty Form
Name:
Address:
Suburb:
City:
Country:
Telephone:
E-mail:
Website:
Product Purchased:
Serial Number:
Dealer:
Purchase Date:
d d m m y y y y
R E F E R E N C E 6 1 6 0
/ /
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13
13
1313
Cause and
Elimination
of Hum
Faultfinding Your System
Hum is a particularly annoying form of noise in any high fidelity system and a
some time has been experienced by many of us.
Hum may result from a number of different situations and to make matters
worse maybe caused by a seemingly illogical combination of circumstances.
One or more of three specific causes creates hum in the system.
Induced Hum
Hum can be induced into the system from one or more sources and is generall
associated with the radiation of noise from one system into another.
Hum and noise can be radiated from any object or system involving AC voltag
and current such as power supplies in amplifiers, motors, switching equipmen
etc. All of these may be found in your hi-fi system or within your own home.
Hum may be induced into any part of the system, so there are no specifi
instructions that can be given which will offer a guaranteed cure. A goo
practice to adopt is to keep low-level signal equipment such as phono systems,
tuners etc. well away from high-level signal equipment such as powe
amplifiers. Alternatively, careful designs must be employed to negate thes
effects on low-level signal equipment. Another good practice to adopt is to keep
all signal leads away from power leads.
The practice of neatly tying excess leads together for a tidy looking installatio
should be resisted, as this could be the cause of induced hum in the system.
Earth Loops
Earth loops are a particularly annoying cause of hum in the system. Earth loops
are created by mains frequency current flowing in the screen of signal leads an
becomes apparent with the lack of adequate earthing between the various pieces
of equipment making up the hi-fi system. This is further compounded by th
fact that the equipment earthing considerations vary between differen
manufacturers and countries.
Perreaux products used with equipment manufactured by other manufacturers
may cause an earth loop situation, but Perreaux products used with othe
Perreaux products will not cause an earth loop situation provided the followin
precautions are observed:
à The entire hi-fi system must be connected to the same mains/line power
outlet. This will ensure that each piece of the system shares the same earth
or ground. This rule applies to all installations of all brands of equipment.
A preamplifier or power amplifier may be operated from an extension cord
plugged into the same mains/line outlet.
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lead all three pins must be connected in the correct fashion - see your
dealer if in doubt.
à Check all interconnecting signal leads for good connections, both internal
connections and firm contact with the sockets. While the centre pin may
make firm contact, it is very important that the outer contact is also firm.
à Never remove the earth/ground wire from the mains/line supply of any
piece of equipment. This could be hazardous.
Broken Earth Connections
This is a common cause of hum and noise in the system. In many instances, th
only way to eliminate the possibility of hum problems arising through a broke
earth connection somewhere in the system is to physically check ever
connection.
Identifying
and Isolating
Problems
When experiencing a problem, such as one channel not working, or a noise i
one channel, it is good practice to adopt a method of isolating the problem to
specific item or area. This practice will assist in diagnosing, curing, or at leas
advising your technician of the problem and result in a saving of time, mone
and perhaps frustration.
A logical approach to isolating the probable cause of the problem is to start a
the loudspeakers and work back to the music source, eliminating each piece o
equipment in turn.
Caution!
Observe precautions regarding volume control settings. Please make all
changes at minimum volume setting. Only increase the volume after th
connections have been made.
Check that the entire system is connected in the proper manner and that th
mains/line supply is connected and switched on.
For clarity during this section, we have labeled one loudspeaker ‘A’ and th
other loudspeaker ‘B’. In this example, loudspeaker ‘A’ appears faulty.
Initial system connections
A
PREAMPLIFIER
AMPLIFIER
B
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Step 1 – Loudspeakers
PREAMPLIFIER
AMPLIFIER
A
B
Change the loudspeaker leads from one loudspeaker to the other. If the faul
remains in loudspeaker ‘A’, then loudspeaker ‘A’ is at fault, go no further.
If the fault now appears in loudspeaker ‘B’ then the problem lies further up th
line. Move on to step 2.
Step 2 – Loudspeaker Leads
PREAMPLIFIER
AMPLIFIER
B
A
Change the loudspeaker leads completely from left channel to right and fro
right channel to left by now swapping them at the amplifier output. If the faul
now appears in loudspeaker ‘B’, then that loudspeaker lead is at fault, go no
further.
If the fault appears in loudspeaker ‘A’ then loudspeaker leads are OK. Move o
to step 3.
Caution!
Restore the loudspeaker leads to their original connections at both ends.
Step 3a – Inputs (Channels)
PREAMPLIFIER
AMPLIFIER
A
B
Change the input plugs on the rear of your amplifier, as follows: Change eac
input source in turn by swapping the plugs left to right and right to left. If th
fault changes to loudspeaker ‘B’ on any one of the selected inputs, then tha
particular input source is possibly at fault. Move on to step 3b.
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If the fault stays in loudspeaker ‘A’, then it is probable that the fault may exis
within the amplifier.
Caution:
Changing of any connectors must be carried out at a minimum volum
setting. Only increase the volume after the connections have been
changed.
Step 3b – Inputs (Interconnects)
A
PREAMPLIFIER
AMPLIFIER
B
Change the interconnect leads completely from left channel to right and fro
right channel to left by now swapping them at the source component’s output. I
the fault stays in loudspeaker ‘B’, then the interconnect lead is at fault, go no
further.
If the fault appears in loudspeaker ‘A’, then the interconnect lead is OK.
Caution!
Changing of any connectors must be carried out at a minimum volum
setting. Only increase the volume after the connections have been
changed.
Should the fault prove to be in the amplifier it will be necessary to determin
where the fault actually lies. Most of this has been done, for instance, you no
know what input/s and what channel is affected. This information will assis
your Perreaux dealer or service person when or if any service is required.
If the apparent fault is noise in one or both channels and has been localised to
the amplifier, it will be necessary to determine whether or not the noise increases
with the volume control; whether or not the noise exists when no input at all is
connected to the amplifier; and what type of sound the noise is. For example,
low frequency humming noise or high frequency hissing noise. This
information will also assist your service person in making repairs o
adjustments.
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N
N
Faultfinding
Flowchart
Fault in
loudspeaker A
Swap loudspeaker
connections
Fault in
loudspeaker
A?
O
Swap amplifier
outputs
Fault in
loudspeaker
B?
O
Restore speaker
cable s to origin al
connections
Swap amplifier
source input
channels
YES
YES
Loudspeaker A
at fault
Loudspeaker
cable at fault
Fault in
loudspeaker
YES
Swap source
output channels
Fault in
loudspeaker
YES
Amplifier
at fault
NO
NO
Loudspeaker
cable at fault
Input source
at fault
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Ω
Ω
Ω
Ω
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Ω
A
W
W
14
14
1414
The 6160 specifications are detailed in brief and then subsequently in mor
Specifications
In Brief
Specifications
detail. In the detailed version, we attempt to explain the significance of eac
specification.
The correlation between published specifications and sonic quality can b
unreliable. A list of numbers reveals virtually nothing. All technica
measurements must be subject to qualitative as well as quantitativ
interpretation. Measurements of the 6160 reveal excellent results by an
standards. Tested at 115V and 230V after a 10 minute warm up period.
Rated Power Output: ..................................................................160W
(continuous, per channel, driven from 20Hz-20kHz at < 0.04% THD)
.................................................................................................225W
(continuous, per channel, driven from 20Hz-20kHz at < 0.07% THD)
Bridged ....................................................................................... 425W
(continuous, driven from 20Hz-20kHz at < 0.07% THD)
Frequency Response:......................................................... 5Hz – 40kHz, ±0.25dB
Total Harmonic Distortion
Typically:.....................................................................0.005%, @ 1kHz into 8
20Hz to 20kHz: .......................................................................<0.040%, into 8
Voltage Gain:............................................................................................... 27.6dB
Dynamic Headroom
Voltage Swing: ........................................................................................... 160V
Maximum Current Output: ........................................................... 24A per channe
Damping Factor:................................................................. >500, @ 1kHz into 8
Signal to Noise Ratio
Rated Output
Input Sensitivity: ....................................................................................... 1.3V
Input Impedance: ............................................................................................36k
Smoothing Capacitance:.......................................................................... 60,000μF
Driver Stage:............................................................................................... Class
Output Stage: ....................................................................................... Class A/AB
Audio Inputs: .......................................................................... 6 x RCA connectors
Audio Outputs: .....................................................6 pairs of speaker binding posts
(unweighted)
(THD+N)
(rated with music)
:.............................................................................. 95dB
:.............................................................>1.5dB
into 8
RMS
into 4
RMS
into 8
RMS
RMS
p-
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Other Connections
1 x IEC AC mains input receptacle
1 x 3.5mm “mini” jack for master remote input (5 – 12V DC)
1 x 3.5mm “mini” jack for slave remote output (12V DC)
Power Consumption
Idle.................................................................................................................100
Maximum ....................................................................................................1600
(at 4Ω rated output)
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Specifications
Explained
Mains Input Voltage
100V, 110V, 120V, 220V, 230V or 240V AC at 50Hz or 60Hz
(Set within the 6160 at time of manufacture)
Dimensions
Width .............................................................................................. 482mm (19.0”)
Height ............................................................................................... 176mm (6.9”)
Depth ..............................................................................................460mm (18.1”)
(not including feet, terminals and handles)
Fuse Ratings
Mains input fuse
100 – 125V: ......................................................................... 2SB slow blow 15
200 – 250V: ......................................................................... 2SB slow blow 10
Internal DC rail fuses.................................................. 12 x 2AG normal acting 6
(user serviceable)
(NOT user serviceable)
Weight
Net: ................................................................................................. 30.0kg (66.1lb
Gross:.............................................................................................. 34.0kg (74.8lb
Rated Power Output
(per channel)
................................................ 160W
into 8
RMS
The 6160 has been designed around the industry standard 8Ω load. The 6160
delivers a staggering 160W
4Ω loads. The 6160 will also handle complex and 2Ω loads with stability an
ease when operated in NORMAL mode. Load impedances lower than 8Ω ar
continuously into 8Ω loads and 225W
RMS
RMS
into
not recommended when operating in BRIDGED mode.
Frequency Response........................................................ 5Hz to 40kHz, ±0.25dB
This is the “standard” specification with which everyone is familiar. Actually,
“frequency response” is a misnomer: technically, it should be called “amplitud
response versus frequency” for it describes how uniform the amplitude o
strength of signals of various frequencies is maintained. It is generally though
that a difference of 1db is the least that can be perceived by ear. To better tha
by a wide margin, the 6160 is specified four times higher, thus far exceeding th
audible range of the human ear.
Total Harmonic Distortion
Measurements are made with fixed, purely resistive loads. However, sinc
speakers are not purely resistive, an amplifier’s distortion specifications do no
(THD+N)
.............................. 0.005%, @ 1kHz into 8
indicate what performance will be with the actual loads presented by speakers.
Perreaux distortion measurements hold for any conditions presented by an
known speaker. Further, any measurable distortion in the Perreaux is secondorder harmonics – the least offensive to the ear.
Voltage Gain......................................................................................................27.6dB
The amount of amplification the amplifier is asserting on the input signal. Gai
can be calculated by dividing the rated output by the input sensitivity.
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p
e
l
f
e
y
r
Ω
y
t
Ω
e
f
Dynamic Headroom........................................................................................ >1.5dB
This indicates the 6160 can provide more than enough extra power to cope with
the sharpest musical transients. Without adequate headroom, an amplifier can
become unstable under clipping conditions. Perreaux amplifiers are intrinsically
stable under all dynamic conditions.
Voltage Swing..................................................................................................160V
Loud transients call for a sudden burst of power from the amplifier to drive th
speakers. This force is voltage. Peak to peak voltage is a more usefu
p-
specification than Watts when it comes to delivering power to a speaker.
Maximum Current Output.......................................................... 24A per channel
Current is the power reserve in the amplifier necessary to deliver the burst o
voltage required by the ever-changing audio signal. With more than adequat
continuous current per channel and high volts peak-to-peak, the 6160 can easil
meet any challenge music can present to it – whether instantaneous o
continuous. To be specific it can deliver high power into low-impedance loads
and provide great dynamic headroom.
Damping Factor.................................................................... >500, @ 1kHz into 8
Another specification not always provided. One reason perhaps, this
specification is important when indicating an amplifier’s ability to control the
cone behavior of speaker systems, which are difficult to drive. Perreaux power
amplifiers have high damping factors. Thus exerting massive control over the
speaker system.
Signal to Noise Ratio
(unweighted)
...................................................................... 95dB
The ratio of desired signal to noise signals present in the output. This figure is
referenced to the rated output of the 6160, taking into full account all potentiall
annoying hum components.
Input Sensitivity................................................................................................1.3V
Indicates the amount of input voltage required to drive the unit to its rated outpu
power (160W
into 8Ω).
RMS
Input Impedance................................................................................................. 36k
The resistance “load” that is presented to the component that is driving it. Th
high value indicates that the power amplifier will not load down the output o
RMS
most high quality preamplifiers.
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15
15
1515
Physical Dimensions
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16
16
1616
For more information please contact your Perreaux dealer, or contact:
Perreaux Industries Ltd
PO Box 47 413
Ponsonby
Auckland
New Zealand
Ph: +64 9 815-5452
Fax: +64 9 815-5981
E-mail: info@perreaux.com
Internet: www.perreaux.com
Contact Details
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Installation Notes
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