Peavey DJ Mixer, production Mixer 1000 Operating Manual

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Intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure
that may be of sufficient magnitude to constitute a risk of electric shock to persons.

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Intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the
literature accompanying the product.

CAUTION:

Risk of electrical shock - DO NOT OPEN!

CAUTION:

To reduce the risk of electric shock, do not remove cover. No user serviceable parts inside. Refer servicing to

qualified service personnel.

WARNING:

To prevent electrical shock or fire hazard, do not expose this appliance to rain or moisture. Before using this

appliance, read the operating guide for further warnings.

Production MixerTM 1000

Please read this entire manual before connecting the mixer to your audio system.

CAUTION:

Do not use spray

cleaner for

any slide control as this will wash out vital lubircants

and shorten

component

life.

Parts Inventory:

In order to read this manual, you will have already unpacked the unit. You should have:

One

PMTM

1000 mixer unit

One 39 V AC UL listed Table top power supply (packed separately)

Please retain the packing material for future use.

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Production MixerTM 1000

Thank you for purchasing the Peavey Production

Mixer

TM

1000

professional DJ mixing unit.

When used in accordance with this manual, your new DJ mixer will give years of good service.

FEATURES:

Monitor Facility with separate switch for mic in/out

CD/phone switches on all four phono music inputs
4-way assignable crossfade switches

Eight music inputs (4 stereo RCA inputs)
Selectable program effects loop to add echo, reverb, etc., or more graphic

EQ

Separate, selectable mic effects loop common to both mic inputs
Individually-selectable headphone cueing for each music channel
Selectable automatic voice-over
Manual push-to-talk voice-over button

Cueing selector to listen to stereo program output, stereo channel cueing, or
channel cue in right

earcup

and program output in left

earcup

Individually adjustable levels for program and channel cueing facilities
Built-in gooseneck XLR light socket
45 mm heavy-duty (field replaceable) crossfade slider
Power on/off switch with LED indicator
High slew-rate, super low-noise op amps are used throughout the entire mixer’s
circuitry
60 mm high-quality Alps slide faders are used on all channels and master level
control

Level trim controls on all music inputs

Channel assignable/defeatable crossfade facility

The Production Mixer 1000 multi-media entertainment mixer is a brand new addition to

Peavey’s line of premium quality DJ equipment. It is an all-American made, high-quality, rug-

ged, and professional DJ mixer.

DJs,

rap recording artists, and specialist DJ equipment dealers were closely involved in

active consultancy during and throughout each design stage.

Housed in a 1

O-1/2”

x 19” rugged steel chassis, the PM 1000 boasts a truly remarkable
array of much preferred DJ features like: four individual music channels; eight music inputs,
four of which are individually switchable to phono or CD; fully assignable/defeatable
crossfader; three-band EQ on each channel; and built-in gooseneck XLR light socket. Low
impedance, phantom powered front/rear panel-mounted microphones deliver fast, positive
connect and disconnect facilities for the

DJ’s

mic; and rear-mounted

l/4”

input is provided for

Hi-Z microphones.

Because vinyl is becoming very difficult to obtain and CDs are playing a much larger part as
the preferred DJ music medium, each phono input on this DJ mixer has an individual slide
switch that changes the input from vinyl to CD (or back again) quickly and easily. Therefore, as
vinyl becomes even more scarce, every phono (record deck) input may also be used for CD
players.

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PM 1000 Front Panel:

MIC

CHANNEL

Balanced Low

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Microphone Input (1):

For use with a low impedance microphone or low level source equipped with an XLR connector.

Microphone Loop Select Switch (2):

When the switch is in the out position, the microphone loop is bypassed.

Mic EQ (3):

Active tone controls (k12

dB)

that vary the Lo, Mid, and Hi frequencies.

DJ Mic On/Off Switch (4):

DJ Mic is “live” when the switch is in the “on” position.

Mic 2 On/Off Switch (5):

Mic 2 is “live” when the switch is in the “on” position.

Mic 2 Level Slider (6):

A mono slider that determines the output level of the second microphone channel.

DJ Mic Level Slider (7):

A mono slider that determines the output level of the microphone channel.

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Automatic

Voice-Over Switch, LED, and Set Auto Switch (8):

When this switch is in the “on” position, presentation of signals on either of the two microphone inputs, such
as announcements, etc., automatically drops the level of the music. Placing this switch in the “off” position
defeats this automatic facility. The LED will illuminate when the Voice-Over is active. Use the SET AUTO
controls as follows:

HOLD:

Adjusts length of time music is attenuated when auto voice-over is active.

DEPTH:

Adjusts level that music is attenuated when auto voice-over is active.

SENS:

(Sensitivity Control) Adjusts level of mic signal needed to activate auto voice-over circuitry.

Manual Voice-Over Button (9):

When pressed, this drops the music level enabling the DJ to talk over the music. Press to activate and

release to inactivate.

MUSIC CHANNELS I- 4

CD/Phone or

Line Selector Switches (10):

Allows selection of CD/Phone (L and R) or Line (L and R) inputs. The “LINE” position of this switch selects
the line input and the “CD/PHONO” position selects the CD/Phone input.

CD/Phone

and Line Level Trims (11):

Allows independent level adjustment of CD/Phone and line inputs.

Channel EQ Level Sliders (12):

Active tone controls

(f12 dB)

that vary the Lo, Mid, and Hi frequencies.

Channel Level Sliders (13):

A stereo slider that determines the output level of each particular music channel.

Cue Switches (14):

When placed in the right-hand position, each of these switches routes a channel’s signal to the cue system.
When placed in the left-hand position, each of these switches routes the channel’s signal out of the cue
system.

MASTER & MONITOR
Master Loop In/Out Switch (15):

When the switch is in the out position, the program loop is bypassed.

Master Stereo/Mono Switch (16):

Used to select mono or stereo operation in the Master section.

Master Program Level (17):

A stereo slider that determines the overall program level from Channels 1, 2, 3, 4, and the Mic channel.

Mic-to-Monitor On/Off Switch (18):

When the switch is in the “off” position, the

mic’s

signals are not fed through the monitor system. This is to

enable in-booth program material to be played and cued without feedback from the booth microphones.

When the switch is in the “on” position, the

mic’s

signals are fed through the monitor system. In this position,

the monitor system can be used to set the levels for a second music zone, e.g. a second dance floor or

background level for another zone, instead of being used for monitoring the DJ booth.

Monitor Stereo/Mono Switch (19):

Used to select mono or stereo operation in the monitor section.

Monitor Level (20):

A stereo slider that determines the overall monitor level from Channels 1, 2, 3, 4, and the Mic channel.

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